Money Reveals Character Quotes

A NATION'S GREATNESS DEPENDS ON ITS LEADER To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level. Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist. Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies. Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader. And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.

You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.

Money doesn't change you, it reveals you. Money is just an enabler, whatever a person chooses to do with it is a reflection of their character.

The Christ who is held up in the orthodox pulpit is rather a weak character. He is not the kind of man we would nominate for president. His followers have very little confidence in him as a practical teacher of business ethics. They have great faith in him as a revealer of spiritual things, but none at all as an organizer of the affairs of this world. If it were telegraphed over the country this afternoon that the president has resigned and that Jesus would take his place tomorrow, 95 percent of Christian business men would draw their money out of the banks for fear that Jesus would inaugurate a panic.

These leisurely conversations always revealed their worship of the same twin deities - love and money, and would drift away from money and love to come back to Chéri and his deplorable upbringing, to his exceptional good looks (“harmless, after all,” as Léa would say) and to his character (“virtually non-existent,” as Léa would say). They had a taste for sharing confidences, and a dislike of new words or ideas, which they satisfied in these long talks.

I’m sure I’ve never heard of this one. You?” Eve shook her head. “I’m not much of a follower of the bard.” Shrugging, Rose settled back in her seat and waited. This was either going to be very good or very bad. It ended up being the latter. The play seemed disjointed, although the blame for that couldn’t be put totally on Lord Battenfield. His acting abilities were next to nonexistent, but he made up for it in sheer drama. Rose recognized some of his lordships “company” as various children of titled families. They seemed to be having a good time. But the play! In this case the play was not the thing. Neither it nor the people acting it out could seem to decide if it was a tragedy or a comedy and so the audience never knew whether or not they should laugh. Rose was amongst them. Timon began the play as a posturing, wealthy character like many modern aristos, caring about nothing but money. Lord Battenfield played this with a naïve bravado that made it highly amusing. But then Timon lost his fortune and none of his former friends would help him. This should have been a serious moment in the production, but it wasn’t. Finally, when Timon realizes the servant Flavius is his only friend and then seems to commit suicide in the wilderness, what could have been a poignant commentary on society became a joke when Lord Battenfield’s death scene revealed that he was completely naked beneath the toga. It was just a glimpse, but Rose was certain she would be scarred for life. She and Eve were trying to control their giggles when the curtains fell.

What happened to your face, sir?” Rose answered before he did, with the pride of a child who was delivering news of great significance. “Mr. Bronson ran into a left hook again, Mama. He was fighting. And he brought this to me.” She pulled the end of her button string from her large apron pocket and climbed into Holly's lap to display her newest acquisition. Cuddling her daughter, Holly examined the button carefully. It was fashioned of a huge sparkling diamond encased in rich yellow gold. Bewildered, she glanced at Elizabeth's rueful face, and Paula's tight-lipped one, before finally staring into Bronson's enigmatic black eyes. “You shouldn't have given Rose such a costly object, Mr. Bronson. Whose button is it? And why were you fighting?” “I had a disagreement with someone in my club.” “Over money?… Over a woman?…” Bronson's expression revealed nothing, and he gave an indifferent shrug, as if the matter were of no importance. Considering various possibilities, Holly continued to stare at him in the tense silence that had overtaken the room. Suddenly the answer occurred to her. “Over me?” she whispered. Idly Bronson picked a skein of thread from his sleeve. “Not really.” Holly suddenly discovered that she knew him well enough to discern when he was lying. “Yes, it was,” she said with growing conviction. “Someone must have said something unpleasant, and instead of ignoring the remark, you took up the challenge. Oh, Mr. Bronson, how could you?” Seeing her unhappiness, instead of the grateful admiration he had probably expected, Bronson scowled. “Would you rather I allowed some high-kick b—” He paused to correct himself as he noticed the rapt attention Rose was paying to the conversation. “Some high-kick fellow,” he said, his tone softening a degree, “to spread lies about you? His mouth needed to be shut, and I was able and willing to do it.” “The only way to respond to a distasteful remark is to ignore it,” Holly said crisply. “You did the exact opposite, thereby creating the impression in some people's minds that there may be a grain of truth in it. You should not have fought for my honor. You should have smiled disdainfully at any slight upon it, resting secure in the knowledge that there is nothing dishonorable about our relationship.” “But my lady, I would fight the world for you.” Bronson said it in the way he always made such startling comments, in a tone of such jeering lightness that the listener had no doubt he was being facetious. Elizabeth broke in then, her lips curved in a droll smile. “He'll use any excuse to fight, Lady Holly. My brother enjoys using his fists, primitive male that he is.” “That is an aspect of his character we will have to correct.

39. Money Is Like A River: It Has To Flow We live in a society where success is often (and falsely) determined by how much money we earn. Our culture values money way too highly, and here’s why. The Rich List that gets published each year sends out the message that having more money than the next person is something to aspire to. This had led to a culture where - once we have grabbed hold of whatever money we can - we hold on to it as tightly as possible…or else! This same culture says that if you give it away then you will simply end up poorer. But the little-known secret of money is that it really works in reverse: it is only when a person starts to give away what he has that he begins to gain riches far beyond mere coins. Let me tell you, accumulating and clinging tightly on to money will never make you happy. In fact, if that is your focus and your reaction to money, it will eat you up and make your life a neurotic misery. I have seen it too often. Money is like a mirror: it reveals what sort of person we really are. That is where the real value of money lies - to distinguish the character of its owner. Money is also like a river, and rivers need to flow or they die. When you dam up a stream, the water soon becomes stagnant. Likewise with money: stop moving it along or giving it away and helping others, and the money starts to go stagnant. It first goes murky, then it dies. Money has to be shared lightly, given generously, and used to enrich not just your life, but those of all around you. Only then does money have power. Finally, money is like a butterfly: hold on to it too tightly and you kill it. Light hands, and a generous, free spirit, will make the butterfly soar, spreading joy and light wherever it lands. It’s not how much money you have that matters, it’s what you do with it. That’s how to become really rich.

The word ‘character’, however, has a fatally old-fashioned ring. The age of entitlement does not seek character, which demands obligation, but identity, which demands rights. Identity can be sought in money, status or celebrity but is most easily conferred by belonging to a group – usually based on ethnicity, race, religion or sexual orientation. The group will be especially attractive if it can claim to have suffered injustice. Then its members can be victims and enjoy the luxury of having someone else to blame. And blame is the new solution to the contemporary inability to accept random bad luck. Once misfortune was explained as the mysterious ways of God – the suffering had a purpose, which would be revealed in the fullness of time. Now, what makes misfortune meaningful is culpability. Someone must be to blame and it is never the victim.

Reflection on the forms of human life, hence also scientific analysis of those forms, takes a course directly opposite to their real development…Consequently, it was solely the analysis of the prices of commodities which led to the determination of the magnitude of value, and solely the common expression of all commodities in money which led to the establishment of their character as values. It is however precisely this finished form of the world of commodities—the money form—which conceals the social character of private labour and the social relations between the individual workers, by making those relations appear as relations between material objects, instead of revealing them plainly. (168–9)

In the Bible, the word hypocrite shows up 33 times. Interestingly, hypocrite was a common Greek term for an actor who worked behind a mask. Stage players in antiquity wore masks to hide their true identity as they played the part of their characters. We live in a society today where people are paid millions of dollars to be hypocrites. A friend of mine, before he passed away, built movie sets for a living. Many movies are filmed on studio lots, but these designed sets are not the reality you might think they are when watching a movie. Actors and actresses play the part of someone they really are not. The better they are at pretending or lying, the more convincing they will be as an actor, and typically, the more money they make. I rarely darken the door of a movie theatre because I don’t want to give those liars my money, and I don’t want to support the totally ungodly world of Hollywood. This is also why I don’t own a television. I don’t want my cable or satellite fees funding that wicked industry. In the time of the Greeks, it was easy to figure out the real identity of the actors. You could walk up to them, take off their masks, and see their faces. Jesus is doing the same here. He is unmasking the Pharisees. He is showing us their real character. He is revealing their true colors. Don’t live a lie. Don’t be a hypocrite. It is not a healthy way to go through life, and you will have regrets when the time of unmasking comes.

Adversity doesn’t build character; it reveals it. Related: Money doesn’t change you; it reveals who you are when you no longer have to be nice.

No matter how educated, talented, rich, or cool you think you are, it’s how you treat people that define you in the end. Your true character isn’t measured by your degrees, your intelligence, your bank account, or your style—it’s revealed in the way you interact with others. Kindness, respect, and empathy are the real markers of greatness. You can have all the success, but in the end, it’s not your resume or your wardrobe that people remember—it’s the way you made them feel.

What is this leadership test? It’s a test of submission, and it revolves around one question: “Will I submit to authority?” Why is this test so critical? Because the willingness to submit to authority reveals a person’s true character, and I believe that successful spiritual leadership is all about character.

Pay as much attention to how these people treat others, especially people from whom they need nothing, as to how they treat you. Watch, for example, how your prospective friends treat waiters and waitresses. Do they treat them as inferiors to be ordered around or with politeness and generosity? A person’s employees or the janitor where the person works can often tell you more about an individual’s character better in ten minutes than do the person’s acquaintances of many years. People always treat others decently when they want something from them – for example, friendship, sex, money, marriage. That someone treats you well may therefore reveal nothing about that person’s character and therefore give no indication about how that individual will treat you later, under other circumstances.