Money Can't Be Eaten Quotes

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There’s not one positive thing about being broke. The worst of it is the day-to-day grind of it all. You never know when that treadmill is finally going to buckle and hurl you into the wall. So you find yourself having to run faster and faster, just to keep from falling off. You can adjust to the hunger and the tiredness for the most part, having to choose between feeding yourself and feeding your electric meter; but one thing you can’t adjust to is the nagging anxiety. Whoever designed this loathsome system must think we’re all living these wonderful lives where money grows in the palms of our hands. There’s never any reassurance that everything is going to be okay; a promise that tomorrow will be slightly more bearable than today. Every minute of your life is consumed by a relentless feeling that time will only ever lead you to the worst possible outcome. And why—when you haven’t eaten a decent meal in two weeks and you’ve spent the last four days lying on a mattress just to conserve energy— should you believe any differently?
Rupert Dreyfus (B R O K E)
You thought blackberries had passed, didn’t you? Or you’ve eaten them and thought you didn’t like them. No, you need to wait until the last moment, that moment between perfect and spoiled. The blackbirds know that moment. And if the mist comes right then, laying the salt air gently on the fruit, you have something that money can’t buy and chefs can’t create. A perfect, lightly salted blackberry. You can’t make them; it has to come with time and nature. They’re a gift, when you think summer’s over, and the good stuff has all
Raynor Winn (The Salt Path: A Memoir)
Why should I side with you? Why should I care if you win?” The phouka raked fingers through his hair. “You have seen one of them, one of their forms. That is what seeks domination over every natural thing in this place. We of the Seelie Court are capricious, and not always well-disposed toward humankind. But would you hand this city over to the likes of what you saw tonight? That is the Unseelie Court. If we fall, every park, every boulevard tree, every grassy lawn would be their dwelling place.” Eddi sighed. “It’s not just for you, it’s for the entire seven-country metro area. Couldn’t we just let them have St. Paul?” The phouka made a disgusted noise. “All right. What if they did take over? Would we all be eaten in our beds?” He shook his head. “There are places,” he began slowly, “that belong to them. Have you ever passed through some small town, surrounded by fertile country and fed by commerce, that seemed to be rotting away even as you watched? Where the houses and the people were faded, and all the storefronts stood empty?” Eddi remembered a few. “Or a city whose new buildings looked tawdry, whose old ones were ramshackle, where the streets were grimy and the wind was never fresh, where money passed from hand to hand yet benefited no one?” His words were quicker now. “This city is alive with the best magic of mortal folk. The very light off the skyscrapers and the lakes vibrate with it. If the Unseelie Court takes up residence here, this will be a place where people fear their neighbors, where life drains the living until art and wit are luxuries, where any pleasant thing must be imported and soon loses its savor.” He fell silent, as if embarrassed by his own eloquence. Eddi rubbed her hands over her face, trying to rub away her confusion, her anger, her fear. Finally she asked the only question she had left. “Can’t you get somebody else?” The phouka began to laugh weakly. “Oh, go to bed, Eddi McCandry. You could befuddle a stone. Go to bed, and sleep soundly, and tempt me not into some foolish flap of the tongue.
Emma Bull (War for the Oaks)
Nope. Look. The Raft is a media event. But in a much more profound, general sense than you can possibly imagine." "Huh?" "It's created by the media in that without the media, people wouldn't know it was here, Refus wouldn't come out and glom onto it the way they do. And it sustains the media. It creates a lot of information flow-movies, news reports - - you know." "So you're creating your own news event to make money off the information flow that it creates?" says the journalist, desperately trying to follow. His tone of voice says that this is all a waste of videotape. His weary attitude suggests that this is not the first time Rife has flown off on a bizarre tangent. "Partly. But that's only a very crude explanation. It really goes a lot deeper than that. You've probably heard the expression that the Industry feeds off of biomass, like a whale straining krill from the ocean." "I've heard the expression, yes." "That's my expression. I made it up. An expression like that is just like a virus, you know -- it's a piece of information -- data -- that spreads from one person to the next. Well, the function of the Raft is to bring more biomass. To renew America. Most countries are static, all they need to do is keep having babies. But America's like this big old clanking, smoking machine that just lumbers across the landscape scooping up and eating everything in sight. Leaves behind a trail of garbage a mile wide. Always needs more fuel... "Now I have a different perspective on it. America must look, to those poor little buggers down there, about the same as Crete looked to those poor Greek suckers. Except that there's no coercion involved. Those people down there give up their children willingly. Send them into the labyrinth by the millions to be eaten up. The Industry feeds on them and spits back images, sends out movies and TV programs, over my networks, images of wealth and exotic things beyond their wildest dreams, back to those people, and it gives them something to dream about, something to aspire to. And that is the function of the Raft. It's just a big old krill carrier." Finally the journalist gives up on being a journalist, just starts to slag L. Bob Rife openly. He's had it with this guy. "That's disgusting. I can't believe you can think about people that way." "Shit, boy, get down off your high horse. Nobody really gets eaten. It's just a figure of speech. They come here, they get decent jobs, find Christ, buy a Weber grill, and live happily ever after. What's wrong with that?
Neal Stephenson (Snow Crash)
19-21 “Don’t hoard treasure down here where it gets eaten by moths and corroded by rust or — worse! — stolen by burglars. Stockpile treasure in heaven, where it’s safe from moth and rust and burglars. It’s obvious, isn’t it? The place where your treasure is, is the place you will most want to be, and end up being. 22-23 “Your eyes are windows into your body. If you open your eyes wide in wonder and belief, your body fills up with light. If you live squinty-eyed in greed and distrust, your body is a dank cellar. If you pull the blinds on your windows, what a dark life you will have! 24 “You can’t worship two gods at once. Loving one god, you’ll end up hating the other. Adoration of one feeds contempt for the other. You can’t worship God and Money both.
Eugene H. Peterson (The Message Catholic/Ecumenical Edition: The Bible in Contemporary Language)
My mind can easily see the instant high it would get from eating burritos because that is part of my old story—it knows what will happen if I do that because I’ve done that thousands of times. I’ve eaten thousands of burritos, and strangely, it’s never ended all that great, but for some reason my mind still wants that predictable, instant, short-lived result of eating a delicious burrito. My mind can’t see what all the results of meditation might be because the possible results that could come from it are beyond my old story and completely unknown. We can’t create a future that is more abundant, more free, or more fulfilling if we keep repeating all the same habits that we’ve learned from our past. This is where a lot of the real work comes in. We often have to experience the momentary feelings of pain that can come from breaking out of our habitual patterns and into something new. It’s like driving on a paved road your entire life and then realizing that road doesn’t take you
Kyle Cease (The Illusion of Money: Why Chasing Money Is Stopping You from Receiving It)
My mind can easily see the instant high it would get from eating burritos because that is part of my old story—it knows what will happen if I do that because I’ve done that thousands of times. I’ve eaten thousands of burritos, and strangely, it’s never ended all that great, but for some reason my mind still wants that predictable, instant, short-lived result of eating a delicious burrito. My mind can’t see what all the results of meditation might be because the possible results that could come from it are beyond my old story and completely unknown. We can’t create a future that is more abundant, more free, or more fulfilling if we keep repeating all the same habits that we’ve learned from our past. This is where a lot of the real work comes in. We often have to experience the momentary feelings of pain that can come from breaking out of our habitual patterns and into something new. It’s like driving on a paved road your entire life and then realizing that road doesn’t take you where you want to go, so you have to pull off on to the dirt. In the moment, it seems easier and more comfortable to stay on the paved road, but you’ll never get where you’re trying to go if you do.
Kyle Cease (The Illusion of Money: Why Chasing Money Is Stopping You from Receiving It)
Right, the class thing here is strange. I mean, I’m American. We don’t do class.” “You don’t really believe that, do you?” Startled, I looked at him. He only looked back with his liquid black eyes. I said, “It’s not like here.” “Perhaps not. But you can’t possibly think it doesn’t exist.” “I guess.” I thought of those dinners I’d eaten, the very privilege of living in San Francisco at all, the homeless people down on Treat Avenue, the neighborhood where my mother’s house had sold for millions, the stories of people riding the train for two hours to get to work from places as distant as Stockton, people being taxed out of the homes they’d lived in for decades. “I mean, yeah, of course it does.” Thinking more, I felt a little ashamed—the country had been under siege over class for several years now. “But it’s different, don’t you think? America is essentially a meritocracy, in that you can earn your way up the ranks via education and money.” “But can you, really? University is wildly expensive, is it not? Not everyone can afford the cost.” I nodded.
Barbara O'Neal (The Art of Inheriting Secrets)
I apologize for judging your culture and for being intolerant of other beliefs. I created a hostile environment, and…” He frowns, like he’s trying to remember his lines. Then he sighs and crumples, looking at me with pain on his face. “I really am sorry. My friends and I can be kind of the worst sometimes. I know my dad thinks that. And I’m sure my teachers do. And…you know, everyone.” I bite my lip. Ricky’s dad seems nicer than he did in the grocery store, but it’s still sad that Ricky feels that way. He takes a breath and continues. “But we really do think your hall-money is cool. Everybody in town does. And I feel really bad that she’s sick. I feel really bad that I said she’s sick. Sometimes my mouth keeps talking even when my brain knows it shouldn’t.” I can’t help but smile. “Thanks,” I say. I didn’t realize how much I was hoping to hear that. How much of a relief it is to know he doesn’t think Halmoni is creepy or scary or whatever. “I don’t think you’re the worst. And I shouldn’t have fed you mud.” I mean this, mostly. But if Halmoni’s right about the spell, it might not be so bad for him. He shrugs. “Mud has vitamins, probably. I’ve eaten worse.” “Oh.” “A worm,” he says. “Only once, though. And also another time, a Raisinet that definitely was not a Raisinet. I’m still not sure…Well, never mind.” I wait to see if he’s joking, but he’s serious. I fight back a smile. “But still. Sorry. It’s not like me to do that.” Then I correct myself. “Or, I guess it is? But I didn’t know that until now.” “It’s okay,” he says. “Let’s stop apologizing now. Apologizing is awkward.” I tug at one of my braids. “Do your friends hate me?” He laughs. “They think you’re supercool. They kept referring to you as Witch Girl. But not in a bad way. Anyone who does something like that is probably worth knowing.” I sneak a glance at him. He’s staring at me, but he looks away fast. His cheeks go splotchy. In that moment, I don’t feel like an invisible girl. But I also don’t want to be known for putting mud in someone’s pudding. I wonder if there’s a way to be a visible person and a good person at the same time. “Is that going to be my reputation in school now?” I ask. He tilts his head, thinking. “Well, yeah. But only until the next big thing.” Then after a moment, he adds, “I think it’s nice that you’re doing something to help your halmoni.” He still says it wrong, like hail-money, but he’s trying, and I appreciate it.
Tae Keller (When You Trap a Tiger)