Mom Image Quotes

We've searched our database for all the quotes and captions related to Mom Image. Here they are! All 100 of them:

The most unreal thing about the bar was Taylor Swift’s ‘Blank Space’ blasting from the speakers. ‘Dwarves like human music?’ I asked Blitzen. ‘You mean humans like our music.’ ‘But …’ I had a sudden image of Taylor Swift’s mom and Freya having a girls’ night out in Nidavellir. ‘Never mind.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
The highest aim of womanhood is not motherhood; the highest aim of womanhood is being conformed to the image of Christ.
Gloria Furman (Treasuring Christ When Your Hands Are Full: Gospel Meditations for Busy Moms)
The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages. As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment. Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive. Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either. School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics. Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements. The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla. Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection. But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation. Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
Mom told me...it's better to trust people than to doubt them. She said that people aren't born with kind hearts. When we're born, all we have are desires for food and material things. Selfish instincts, I guess. But she said that kindness is something that grows inside of each person's body...but it's up to us to nurture that kindness in our hearts. That's why kindness is different for each person. Mom taught me that people's differences are something to celebrate...When I thought of all the different shapes of human kindness--imaging them as round or square...I got really excited. Your kindness is like a candle, Sohma-kun. I can feel it light up...and I just want to smile. -Tohru
Natsuki Takaya (Fruits Basket, Vol. 1)
It was the way your sweet, soft hands wiped away my tears, and the way your body just curved into mine when you let me hold you. It all made me feel, for just an instant, that everything really was going to be all right. No one has ever comforted me like that…except my mom.” What the fuck? Did I just say all that out loud? I shook my head furiously from side to side as the room started spinning me like a Tilt-a-Whirl at the county fair back home. Abby grabbed my shoulders to steady me. I blinked my eyes trying to focus on her blurry, but beautiful image. “Most of all, it’s that I want someone like you to want me—just for me, not for Jake Slater the singer of Runaway Train.” I smacked my hand hard against my chest. “For what’s really inside me.
Katie Ashley (Music of the Heart (Runaway Train, #1))
By God’s grace I can resist the temptation to treat my children as interruptions to my will for my life. Instead, God enables me to treat my children as precious gifts he is using to shape me into his image according to his will for my life.
Gloria Furman (Treasuring Christ When Your Hands Are Full: Gospel Meditations for Busy Moms)
I opened my eyes to see a silver chain, like his but thinner, longer, with a saint pendant on it. I wasn't the same as his, though; the image was of a man's profile, his eyes turned upward. 'Who is it?' I asked. 'No idea. I found it in a jar my mom has full of them,' he said. 'I was looking for someone like mine, then just someone I recognized. But then I thought maybe it was cooler to have it be a mystery, you know? So it's not just about one thing, but anything. That way, it can be about what you want it to be.' I turned it over in my hand. Like the image on the front, the back was well-worn, the few words there unreadable. 'Saint Anything.' I looked up at him. 'I love it. Thank you.
Sarah Dessen (Saint Anything)
Our whole image of wolf packs and alphas is completely wrong. Instead, wolves live the way people do:7 in families made up of a mom, a dad, and their children. Sometimes an unrelated wolf can be adopted into a pack, or one of the mom’s or dad’s relatives is part of the pack (the “maiden aunt”), or a mom or dad who has died could be replaced by a new wolf. But mostly wolf packs are just a mom, a dad, and their pups.
Temple Grandin (Animals Make Us Human: Creating the Best Life for Animals)
The less obvious hurdle is that of preparing parents emotionally and putting forward realistic images of parenthood and motherhood. There also needs to be some sort of acknowledgement that not everyone should parent - when parenting is a given, it's not fully considered or thought out, and it gives way too easily to parental ambivalence and unhappiness.
Jessica Valenti (Why Have Kids?: A New Mom Explores the Truth About Parenting and Happiness)
Is it really true that you’re not perfect just the way you are? Can you see all the judgments that you have about yourself? Every judgment is just an opinion — it’s just a point of view — and that point of view wasn’t there when you were born. Everything you think about yourself, everything you believe about yourself, is because you learned it. You learned the opinions from Mom, Dad, siblings, and society. They sent all those images of how a body should look; they expressed all those opinions about the way you are, the way you are not, the way you should be. They delivered a message, and you agreed with that message. And now you think so many things about what you are, but are they the truth? You see, the problem is not really knowledge; the problem is believing in a distortion of knowledge — and that is what we call a lie. What is the truth, and what is the lie? What is real, and what is virtual? Can you see the difference, or do you believe that voice in your head every time it speaks and distorts the truth while assuring you that what you believe is the way things really are? Is it really true that you’re not a good human, and that you’ll never be good enough? Is it really true that you don’t deserve to be happy? Is it really true that you’re not worthy of love?
Miguel Ruiz (The Fifth Agreement: A Practical Guide to Self-Mastery (A Toltec Wisdom Book))
When I was in the Everneath, I thought about Jack every day. Every minute. Even after I'd forgotten his name, the image of his face made me feel whole again. Was Jack the reason I'd survived? Were our ties to the Surface what somehow kept us whole? The one problem in the anchor theory was Meredith.She had a connection with her mom,yet she didn't survive. But then the more I thought about it, the more I realized Mrs. Jenkins didn't have a similar connection to Meredith. She forgot about Meredith the second the Feed began. Then it hit me.Orpheus didn't forget about Eurydice.He loved her the entire time she was gone. Maybe the attachment between Forfeit and anchor worked only when it went both ways. The drinking fountain next to me shuddered to life as a flash of intuition hit me. I knew now that Jack never forgot about me.He'd never stopped loving me.He was the anchor that saved me. And now he was gone.
Brodi Ashton (Everneath (Everneath, #1))
The walls were coming down around me, but still, I couldn't imagine telling the truth. Not now. It was too late. How can I tell Mom and Dad what we'd done? It would ruin everything. It would ruin their image of me; it would ruin every thought they'd ever had about who I was. It would be another death.Another loss. Another miscarriage.
Dana Reinhardt (Harmless)
We hated the gym. We loved it. We escaped to it. We avoided it. We had complicated relationships with our bodies, while at the same time insisting that we loved them unconditionally. We were sure we had better, more important things to do than worry about them, but the slender yoga bodies of moms in Lululemon at school pickup taunted us. Their figures hinted at wheatgrass shots, tennis clubs, and vagina steaming treatments. We found them aspirational. So we sweated on the elliptical and lifted ten-pound weights, inching closer to the bodies we told ourselves we were too evolved to want.
Chandler Baker (Whisper Network)
There should be four of us. Mom, Dad, Ben, me. But there’s not. Da’s been dead for four years, but it hasn’t even been a year since Ben died. A year of words no one can say because they call up images no one can bear. The silliest things shatter you. A T-shirt discovered behind the washing machine. A toy that rolled under a cabinet in the garage, forgotten until someone drops something and goes to fetch it, and suddenly they’re on the concrete floor sobbing into a dusty baseball mitt.
Victoria E. Schwab (The Archived (The Archived, #1))
There's something about the one-dimensional, overly glossy image combined with the extent of the public recognition of that image that makes it nearly impossible to overcome. The second the child star tries to outgrow and break free from their image, they become bait for the media, highly publicized as rebellious, troubled, and tortured, when all they're trying to do is grow.
Jennette McCurdy (I'm Glad My Mom Died)
During the process of domestication, we form an image of what perfection is in order to try to be good enough. We create an image of how we should be in order to be accepted by everybody. We especially try to please the ones who love us, like Mom and Dad, big brothers and sisters, the priests and the teacher. Trying to be good enough for them, we create an image of perfection, but we don't fit this image. We create this image, but this image is not real. We are never going to be perfect from this point of view. Never !
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
My legs felt shaky and I gripped the back of Dad’s chair. The still images on the screen stared back at me. “Do you know what caused it?” I asked. No one said anything. I looked at Mom. “What triggered it?” “You did,” she said gently. “We think you’re the trigger.
Mara Purnhagen (Past Midnight (Past Midnight, #1))
I enjoy a torture session on the rowing machine and I also enjoy my mom’s homemade peach cobbler. I enjoy flopping like that dead fish with hips that can’t lie in dance class, and I also enjoy ordering pizza with my kid, renting a movie, and downing popcorn while we share some special time together. I enjoy seeing how much I can lift at the gym and I also enjoy stuffing a fresh chewy chocolate chip cookie into my face when I’m having a hard day.
Dan Pearce (Single Dad Laughing: The Best of Year One)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I could have gone my entire life without the image of my mom and Dick engaged in a sexual role-playing game. Especially in my clothes.
Eileen Cook (Unraveling Isobel)
Mom used to say that a picture wasn’t worth anything if it didn’t produce a reaction, that it takes talent to capture feeling with an image.
Jennifer Niven (All the Bright Places)
Once people know I’m a mom, it threatens my image as a Dominatrix. I don’t make the rules. That’s just how it is. I think it’s just as unfair as everyone else does.
Sara Cate (Madame (Salacious Players' Club, #6))
Jack hit the floor and fired off push-ups until he thought he'd pass out. The spinning behind his eyes felt good. He'd gotten by with a half grapefruit (35 calories) at breakfast, because his mom was such an emotional wreck before driving him to the hospital. She didn't argue over the half cup of oatmeal (110 calories), which he dumped in the sink before polishing off the last of his red M&Ms, his go-to food when life got sucky.
Sherry Shahan (Skin and Bones)
Krishna would continue. He would teach Mom that grasping and aversion are twins: They are mirror images of each other. They both involve a rejection of how it is in this moment. The grasping mind says, “I long for that
Stephen Cope (The Great Work of Your Life: A Guide for the Journey to Your True Calling)
The Magpie Poet The magpie poet lined his poems, with a nest of shiny objects: engagement rings returned by ex-lovers, lipstick and keys found beneath his couch's cushions, even shards of his mom's silver hand mirror, too filled with images to discard. His nest of luminous memories held his yellow eye, his offspring. More importantly, it held him. Each poem he wrote was a pro tem refuge he could hide in, a safe house to rest his head after another sleepless night.
Beryl Dov
By God’s grace, I can resist the temptation to treat my children as interruptions to my will for my life. Instead, God enables me to treat my children as precious gifts he is using to shape me into his image according to his will for my life.
Tony Reinke (Mom Enough: The Fearless Mother's Heart and Hope)
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.
Rachel Hawkins (Demonglass (Hex Hall, #2))
It’s like I’ve always had a painted musical sound track playing background to my life. I can almost hear colors and smell images when music is played. Mom loves classical. Big, booming Beethoven symphonies blast from her CD player all day long. Those pieces always seem to be bright blue as I listen, and they smell like fresh paint. Dad is partial to jazz, and every chance he gets, he winks at me, takes out Mom’s Mozart disc, then pops in a CD of Miles Davis or Woody Herman. Jazz to me sounds brown and tan, and it smells like wet dirt.
Sharon M. Draper (Out of My Mind (Out of My Mind, #1))
The rebel may shrug off attempts to please Mom since she deems it impossible anyway and cast herself as “the bad child.” She escapes the pressure of being good and looks outwardly independent—but beneath the outward facing, tough chick act is a little girl who wonders if she is loveable. As a result, she has trouble letting anyone get close—better to keep people at arm’s length. The rebel has trouble trusting, while the Good Daughter naively seems to trust everyone. They are mirror images of each other, each a distorted reflection of their mother’s unintegrated aspects of herself.
Katherine Fabrizio (The Good Daughter Syndrome: Help For Empathic Daughters of Narcissistic, Borderline, or Difficult Mothers Trapped in the Role of the Good Daughter)
They had found out. Before I could panic, I made myself stretch my fingers wide and take a calming breath. You already knew this was bound to happen. At least that’s what I told myself. The more I thought about it, the more I should have been appreciative that the people at the chapel in Las Vegas hadn’t recognized him. Or that people on the street had been oblivious and hadn’t seen us going in and out of there. Or that the receptionist at the acupuncturist hadn’t snapped a picture on her phone and posted it online. Because I might not understand all people, much less most of them, but I understood nosey folks. And nosey folks would do something like that without a second thought. Yet, I reminded myself that there was nothing to be embarrassed about. It would be fine. So, one gossip site posted about us getting married. Whoop-de-do. There was probably a thousand sites just like it. I briefly thought about Diana hearing about it, but I’d deal with that later. There was no use in getting scared now. She was the only one whose reaction I cared about. My mom and sisters’ opinions and feelings weren’t exactly registering at the top of my list now… or ever. I made myself shove them to the back of my thoughts. I was tired of being mad and upset; it affected my work. Plus, they’d made me sad and mad enough times in my life. I wasn’t going to let them ruin another day. Picking my phone up again, I quickly texted Aiden back, swallowing my nausea at the same time. Me: Who told you? Not even two minutes passed before my phone dinged with a response. Miranda: Trevor’s blowing up my phone. Eww. Trevor. Me: We knew it was going to happen eventually, right? Good luck with Trev. I’m glad he doesn’t have my number. And I was even gladder there wasn’t a home phone; otherwise, I’m positive he would have been blowing it up too. I managed to get back to looking at images on the screen for a few more minutes—a bit more distracted than usual—when the phone beeped again. It was Aiden/Miranda. I should really change his contact name. Miranda: Good luck? I’m not answering his calls. What? Me: That psycho will come visit if you don’t. Was that me being selfish? Yes. Did I care? No. Aiden: I know. Uh. Me: You’re always at practice… Aiden: Have fun. This asshole! I almost laughed, but before I could, he sent me another message. Aiden: I’ll get back to him in a couple days. Don’t worry. Snorting, I texted back. Me: I’m not worried. If he drops by, I’ll set him up in your room. Aiden: You genuinely scare me. Me: You don’t know how many times you barely made it through the day alive, for the record. He didn’t text me back after that
Mariana Zapata (The Wall of Winnipeg and Me)
The engulfing mother tries to dominate and control every aspect of her daughter’s life. She makes all the decisions and pressures the daughter on what to wear, how to act, what to say, what to think, and how to feel. Her daughter has little room to grow and blossom individually or to find her own voice, becoming in many ways an extension of her mother. Engulfing mothers often appear to be great moms. Because they’re very involved in their daughters’ lives and may always be doing things for them and with them, others outside the family often view them as active, engaged parents. Yet, the weakened self-image and the sense of unworthiness their daughters take away from this behavior are tragic. Narcissistic
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
The more I stare at it, the more the popcorn ceiling above me resembles an exquisite mosaic. Yellow rings from a leaky roof add pizazz to the imperfect white mounds; the reflection of a parked car outside the hotel room highlights the design in a brilliant, abstract pattern. I try to find a name for this provocative image and decide on “Cottage Cheese, Glorified.” And that’s when it becomes obvious that I’m distracting myself from thinking about the U-turn my life just took. I wonder if Galen is back yet. I wonder what he’s thinking. I wonder if Rayna is okay, if she has a killer headache like I do, if chloroform affects a full-blooded Syrena the way it affects humans. I bet that now she really will try to shoot my mom with her harpoon, which reminds me again of the past twenty-four hours of craziness.
Anna Banks (Of Triton (The Syrena Legacy, #2))
So you’ve probably already shown them Bernard and Bianca—The Rescuers.” “Like every other mom.” “That cartoon contains a subliminal image of a naked woman hiding in a window, at one point. A small personal quirk of the animator’s, no doubt. Don’t worry, it won’t have any effect on your children’s minds—the image is too tiny! The fact remains that no one ever saw it, in all the years that cartoon was being shown.
Franck Thilliez (Syndrome E)
…Ten minutes later I pulled the van into the loading dock behind the hospital and removed my gurney. It was a bit of a farce to use a full-sized adult gurney for a few babies, but I didn’t think walking through the corridors with my arms filled with them was a particularly good plan either. I had an image of fumbling and dropping them, like a stressed out mom carrying too many grocery bags to avoid the extra trip in from the car.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Instead I asked, if I were a little rib girl, then what was my brother made of? She told me that man was created from dust and breath in the image of God; and I tried to imagine that God looked like my brother when he lost his two front teeth in a bicycle accident and ran screaming into the house, crying for my mother with his bloody mouth. I asked why God couldn't be more like Mom instead And she said to me, "women are sinful.
Trista Mateer (The Dogs I Have Kissed)
The second the child star tries to outgrow and break free from their image, they become bait for the media, highly publicized as rebellious, troubled, and tortured, when all they’re trying to do is grow. Growing is wobbly and full of mistakes, especially as a teenager—mistakes that you certainly don’t want to make in the public eye, let alone be known for for the rest of your life. But that’s what happens when you’re a child star. Child stardom is a trap. A dead end.
Jennette McCurdy (I'm Glad My Mom Died)
I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
Sarah Ockler (The Summer of Chasing Mermaids)
I wanted to tell her that she was ridiculously unfair, and it had taken me a good thirty of my thirty-two years on this earth to get past the body image issues that she had instilled in me. I wanted to tell her that I liked how I looked, so whatever she thought was irrelevant. I wanted to tell her that, by her standards, nothing would look good on both me and Amy. And I most definitely wanted to tell her to go to hell. But you can’t do that with your mom, can you? Somehow, all of those things that you want to say, that maybe you should say, just don’t have the courage to come out of your mouth. Because it’s different when it’s your mom. Whatever she says cuts deeper, scars worse, and makes you feel like maybe it’s actually true, even when you know it’s not.
Sara Goodman Confino (For the Love of Friends)
To that point, I remember when visiting my parents’ years later, I happened to catch an old episode of The French Chef. Because my interest in food had grown, I watched it with even more attentiveness than I had when I was young. But on this particular occasion, I was taken aback by my reaction when Mrs Child bid US her ubiquitous farewell, ‘This is Julia Child, bon appétit!’ My eyes suddenly welded up and I had to stop myself from crying: why was I suddenly experiencing a powerful rush of emotion because a black and white moving image of a chef was saying goodbye to me in French? After a few moments, I realised that I was moved by Mrs Child not only because she brought back happy boyhood memories of spending time with my mom but also because Julia herself was so genuinely happy to be doing what she was doing. I saw in that moment the embodiment of what I, and so many of us, aspire to. To spend your life doing what you love and doing it well. To achieve this is a rare thing, but for those who can, real joy is theirs, as is the ability to bring that joy to others through their chosen vacation.
Stanley Tucci (Taste: My Life Through Food)
Evan slung his arm over my shoulder. “That’s my mom and dad,” he pointed to a couple approaching us as families trickled onto the field. “Mom! Get a picture of me and she-wolf?” “Sure, sure,” the strawberry blonde lady said, digging in her purse. “Aha! Here it is. I’m Elaine, Evan’s mom,” she announced to us. “Now smile!” I smiled but just before the flash went off Evan kissed my cheek. I gasped in surprise, probably making the funniest face known to man. Evan snatched the camera from his mom and laughed. “That is totally going to be my facebook profile pic. Take a look she-wolf.” He turned the camera so I could see the image on the screen. Oh, God. I narrowed my eyes and pointed a finger at Evan. “You better promise me that, that picture never sees the light of day.” “Well, technically it’s already seen the light of day, seeing as it’s the morning and all.” “Evan, you know what I mean.” “Fine,” he lowered his head, “I won’t post it on facebook.” “Or twitter, instagram, or any other picture sharing site. Got it? Maybe you should just delete it now?” “Nah,” Evan grinned. “I’m keeping this forever and ever as proof that I kissed the she-wolf.
Micalea Smeltzer
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.
Venancio Mary Ann
You, Joelle, are fucking goddamn mind-blowingly beautiful. I have no idea how you don't see it. Those glasses that you think made you look nerdy? If they're nerdy, then nerdy is so incredibly hot. Because when you wear your glasses, you look smart and sexy. Your hair that you think is unruly and messy? It's not. It's wild. And wild is so fucking hot, I can't even begin to tell you." He presses his eyes shut and shakes his head, like he can barely contain the thought. "I can't take my eyes off it. Every time you brush past me and I feel your hair on my skin, I get goose bumps. And your skin is so soft that every time I've touched you, I've almost lost my damn mind. Like when you were on my lap kissing me, I honest to god thought I was going to pass out. I mean, did you not feel my boner against you? You felt so fucking good I could barely take it." My eyes are wide as I soak in every word he says. "When we started working in the same space together, I overheard you mention how big your ass is when you were joking with your mom and aunt. Why? Your ass is a fucking national treasure. Why do you think I spent so much time grabbing it while we were fooling around?" Against his palm, I let out a muffled "oh" sound. It's the sound I make when I've figured out an especially challenging crossword puzzle clue. These are some damn good points he's making. Shaking his head, he looks away for a split second, like he's so frustrated, so hell-bent on getting these words out that he needs a moment to collect himself. His eyes cut back to me. "Do you have any idea the way people look at you? Everywhere you go, people can't take their eyes off you. Nonstop. And you don't even notice it because you're too focused on others. Do you have any clue how sexy it is? Everyone else is so concerned with their image and what people think of them. But you don't give it a second thought. Even if you don't realize it, you come off so sure of yourself. It's the hottest thing ever.
Sarah Echavarre Smith (The Boy With the Bookstore)
With awareness we can easily understand why relationships don’t work — with our parents, with our children, with our friends, with our partner, and even with ourselves. Why doesn’t the relationship with ourselves work? Because we are wounded and we have all that emotional poison that we can hardly handle. We are full of poison because we grew up with an image of perfection that is not true, which does not exist, and in our mind it isn’t fair. We have seen how we create that image of perfection to please other people, even though they create their own dream that has nothing to do with us. We try to please Mom and Dad, we try to please our teacher, our minister, our religion, and God. But the truth is that from their point of view, we are never going to be perfect. That image of perfection tells us how we should be in order to acknowledge that we are good, in order to accept ourselves. But guess what? This is the biggest lie we believe about ourselves, because we are never going to be perfect. And there is no way that we can forgive ourselves for not being perfect. That image of perfection changes the way we dream. We learn to deny ourselves and reject ourselves. We are never good enough, or right enough, or clean enough, or healthy enough, according to all those beliefs we have. There is always something the Judge can never accept or forgive. That is why we reject our own humanity; that is why we never deserve to be happy; that is why we are searching for someone who abuses us, someone who will punish us. We have a very high level of self-abuse because of that image of perfection. When we reject ourselves, and judge ourselves, and find ourselves guilty and punish ourselves so much, it looks like there is no love. It looks like there is only punishment, only suffering, only judgment in this world. Hell has many different levels. Some people are very deep in hell and other people are hardly in hell, but still they are in hell. There are very abusive relationships in hell and relationships with hardly any abuse. You are no longer a child, and if you have an abusive relationship, it is because you accept that abuse, because you believe you deserve it. You have a limit to the amount of abuse you will accept, but no one in the whole world abuses you more than you abuse yourself. The limit of your self-abuse is the limit you will tolerate from other people. If someone abuses you more than you abuse yourself, you walk away, you run, you escape. But if someone abuses you a little less than you abuse yourself, perhaps you stay longer. You still deserve that abuse.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
THE INTERCONNECTION OF MEMORY IMPRINTS THAT FORM COLLAGES OF SHAME As shaming experiences accrue and are defended against, the images created by those experiences are recorded in a person’s memory bank. Because the victim has no time or support to grieve the pain of the broken mutuality, his emotions are repressed and the grief is unresolved. The verbal (auditory) imprints remain in the memory, as do the visual images of the shaming scenes. As each new shaming experience takes place, a new verbal imprint and visual image form a scene that becomes attached to the existing ones to form collages of shaming memories. Children record their parents’ actions at their worst. When Mom and Dad, or stepparent or caregiver, are most out of control, they are the most threatening to the child’s survival. The child’s amygdala, the survival alarm center in their brain, registers these behaviors the most deeply. Any subsequent shame experience that even vaguely resembles that past trauma can easily trigger the words and scenes of the original trauma. What are then recorded are the new experiences and the old. Over time, an accumulation of shame scenes is attached.
John Bradshaw (Healing the Shame that Binds You)
During the 2002–2003 season of Friends, Rachel, a 30-something, becomes a single mom. The challenges of raising an infant alone were rarely portrayed—or were portrayed unrealistically.
Sharon L. Nichols (America's Teenagers--Myths and Realities: Media Images, Schooling, and the Social Costs of Careless Indifference)
Faith is a precious relationship with God, planted by deeply personal interactions directly with God, fed and watered by hope and joy. Faith is our birthright as human beings created in God’s image. Our beliefs are a different matter. Our beliefs, our rigidly held interpretations, become our prejudice, our harshness, our judgment. Every generation has had to face and dismantle false beliefs about the universe (that the earth is flat), about people (that women are “deformed males”), and about God (that God is all about rules, which Jesus handily dismantles).
Susan Cottrell ("Mom, I'm Gay," Revised and Expanded Edition: Loving Your LGBTQ Child and Strengthening Your Faith)
How many times have you carried the burden of thinking you have to live up to some ideal “fairy-tale” image of a good mother?
Kristine Carlson (Don't Sweat the Small Stuff for Moms: Simple Ways to Stress Less and Enjoy Your Family More (Don't Sweat the Small Stuff (Hyperion)))
We domesticate humans the same way we domesticate a dog or any other animal: with punishment and reward. This is perfectly normal. What we call education is nothing but domestication of the human being. We are afraid to be punished, but later we are also afraid of not getting the rewards, of not being good enough for Mom or Dad, sibling or teacher. The need to be accepted is born. Before that, we don't care whether we are accepted or not. People's opinions are not important. They are not important because we just want to play and we live in the present. The fear of not getting the reward becomes the fear of rejection. The fear of not being good enough for someone else is what makes us try to change, what makes us create an image. Then we try to project that image according to what they want us to be, just to be accepted, just to have the reward. We learn to pretend to be what we are not...
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship: A Toltec Wisdom Book)
Christianity is a strange beast. At its center is an ugly naked image: an innocent torture victim, pinned like an insect onto two intersecting beams of wood. What is Jesus doing there? My mom tells me that I asked about this when I was very young. Mom knew the standard answers, of course, but could not bring herself to tell her perplexed preschooler that Jesus had to die to pay for his sins. I was too young to have gotten much sinning done by that point in my life, and the idea that someone else would have to have been killed pre-emptively to make me "right with God" 2000 years later--well , she knew there was no way to tell me that without some emotional and intellectual collateral damage. Instead, she told me that God loved people so much that he became a person, who let himself be killed by people to show them that even if they did such a terrible thing, God would still love them. This was still a very strange tale, but it drew me.
Marcus Peter Rempel (Life at the End of Us Versus Them)
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. Thou shalt not bow down thyself to them, nor serve them: for I the LORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing mercy unto thousands of them that love me, and keep my commandments. Exodus 20:4-6 A gentleman who had read One Heartbeat Away emailed me one day. He said he was a WWII veteran. He made the fatal error of putting his phone number in his email, so I called him! We had the neatest chat. He was a machine gunner at the Battle of the Bulge! I told my mom that I had history on the telephone. So I picked his brain for a while. He said he had seen a copy of One Heartbeat Away lying on a table at a VA hospital and perused it a bit. He also told me he loves to read, so he figured that if it was left on the table, then he could take it! When he emailed me, he had already read the book once and was half way through it for the second time. He said, “I have three hundred years of Catholicism in my family. After reading this book, I am now trusting Jesus Christ, and Jesus Christ alone, for my salvation.” All I could say was, “Wow!” Then he said, “My mind is sharp as a tack. I love to read. You got any more books?” Well, we sent him everything I had at that time. In his next email, he let me know that he had read One Heartbeat Away three times through, front to back, and he was telling everyone he could about Jesus! If you live in Ohio, there is an 89-year-old evangelist roaming around, so you better watch out! This veteran made the decision to break the cycle of Catholicism in his family. No more rituals. No more good works to get to Heaven. No more, I hope I get there. No more infallibility. He is trusting in the blood of Christ, and nothing else, for the washing away of his sins. He now wants everyone else to have that same blessing as well!
Mark Cahill (Ten Questions from the King)
About 41 percent of mothers are primary breadwinners and earn the majority of their family’s income. Another 23 percent of mothers are co-breadwinners, contributing at least a quarter of the family’s earnings.30 The number of women supporting families on their own is increasing quickly; between 1973 and 2006, the proportion of families headed by a single mother grew from one in ten to one in five.31 These numbers are dramatically higher in Hispanic and African-American families. Twenty-seven percent of Latino children and 51 percent of African-American children are being raised by a single mother.32 Our country lags considerably behind others in efforts to help parents take care of their children and stay in the workforce. Of all the industrialized nations in the world, the United States is the only one without a paid maternity leave policy.33 As Ellen Bravo, director of the Family Values @ Work consortium, observed, most “women are not thinking about ‘having it all,’ they’re worried about losing it all—their jobs, their children’s health, their families’ financial stability—because of the regular conflicts that arise between being a good employee and a responsible parent.”34 For many men, the fundamental assumption is that they can have both a successful professional life and a fulfilling personal life. For many women, the assumption is that trying to do both is difficult at best and impossible at worst. Women are surrounded by headlines and stories warning them that they cannot be committed to both their families and careers. They are told over and over again that they have to choose, because if they try to do too much, they’ll be harried and unhappy. Framing the issue as “work-life balance”—as if the two were diametrically opposed—practically ensures work will lose out. Who would ever choose work over life? The good news is that not only can women have both families and careers, they can thrive while doing so. In 2009, Sharon Meers and Joanna Strober published Getting to 50/50, a comprehensive review of governmental, social science, and original research that led them to conclude that children, parents, and marriages can all flourish when both parents have full careers. The data plainly reveal that sharing financial and child-care responsibilities leads to less guilty moms, more involved dads, and thriving children.35 Professor Rosalind Chait Barnett of Brandeis University did a comprehensive review of studies on work-life balance and found that women who participate in multiple roles actually have lower levels of anxiety and higher levels of mental well-being.36 Employed women reap rewards including greater financial security, more stable marriages, better health, and, in general, increased life satisfaction.37 It may not be as dramatic or funny to make a movie about a woman who loves both her job and her family, but that would be a better reflection of reality. We need more portrayals of women as competent professionals and happy mothers—or even happy professionals and competent mothers. The current negative images may make us laugh, but they also make women unnecessarily fearful by presenting life’s challenges as insurmountable. Our culture remains baffled: I don’t know how she does it. Fear is at the root of so many of the barriers that women face. Fear of not being liked. Fear of making the wrong choice. Fear of drawing negative attention. Fear of overreaching. Fear of being judged. Fear of failure. And the holy trinity of fear: the fear of being a bad mother/wife/daughter.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
With this in mind, I’d started a leadership and mentoring program at the White House, inviting twenty sophomore and junior girls from high schools around Greater D.C. to join us for monthly get-togethers that included informal chats, field trips, and sessions on things like financial literacy and choosing a career. We kept the program largely behind closed doors, rather than thrusting these girls into the media fray. We paired each teen with a female mentor who would foster a personal relationship with her, sharing her resources and her life story. Valerie was a mentor. Cris Comerford, the White House’s first female executive chef, was a mentor. Jill Biden was, too, as were a number of senior women from both the East and the West Wing staffs. The students were nominated by their principals or guidance counselors and would stay with us until they graduated. We had girls from military families, girls from immigrant families, a teen mom, a girl who’d lived in a homeless shelter. They were smart, curious young women, all of them. No different from me. No different from my daughters. I watched over time as the girls formed friendships, finding a rapport with one another and with the adults around them. I spent hours talking with them in a big circle, munching popcorn and trading our thoughts about college applications, body image, and boys. No topic was off-limits. We ended up laughing a lot. More than anything, I hoped this was what they’d carry forward into the future—the ease, the sense of community, the encouragement to speak and be heard. My wish for them was the same one I had for Sasha and Malia—that in learning to feel comfortable at the White House, they’d go on to feel comfortable and confident in any room, sitting at any table, raising their voices inside any group.
Michelle Obama (Becoming)
He knew through this great work of motherhood, we would slowly be conformed into the image of Christ, and from this commitment we would come to better understand His fatherhood, His sacrifice, and His unmerited favor toward us.
Sally Clarkson (Mom Heart Moments: Daily Devotions for Lifegiving Motherhood)
Grief requires imagination: mental images of the one you've lost, of the world that would have been... On the night Mom was killed, I was halted: imagination became a dangerous place, full of darkness and terror. Creativity would have taken energy I needed to survive. And so I could not write, and I could not remember, and I could hardly mourn, only fear.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
The long view of motherhood sees far beyond the third trimester, potty training, and even high school graduation. The long view of motherhood scans the horizon of eternity. We understand that our child may one day be our brother or sister in Christ. We mothers always need to have the long view of life in our minds as we go about our days. God is about his work of creating people who are created and recreated in the image of his Son. We are part of the new humanity, a people whose pattern of life is being transformed by God so that we no longer walk in ways that enslave us in death and futility. The world will one day be filled with the glory of the Lord the way the waters cover the sea! In all our mothering, we look toward that day.
Gloria Furman (Treasuring Christ When Your Hands Are Full: Gospel Meditations for Busy Moms)
The Bible describes motherhood as neither a diminishing of a woman's personhood nor the sum of her personhood. Womanhood, ultimately, is about a different Person altogether. Likewise, motherhood is about a different Person altogether. The highest aim of womanhood is not motherhood; the highest aim of womanhood is being conformed to the image of Christ. The multifaceted goal of motherhood points us in the same direction. One of the gifts of motherhood is that God uses it to trace the image of his Son onto our lives.
Gloria Furman (Treasuring Christ When Your Hands Are Full: Gospel Meditations for Busy Moms)
A few days after that, Mom came home from Hawaii. But it seemed to Ginger that only part of her was home; when she closed her eyes at night she saw an image of her mother forever standing on the edge of California, shading her eyes from the sun as she gazed west.
Melanie Benjamin (California Golden)
The most radical truths are really simple ones. God is real. He loves you. Good and evil exist. Good will win. You are made in the image of God. You are also fallen. Jesus died for you. He also rose for you. God’s world is beautiful. We are tasked with caring for it. Men and women exist. Families happen when they unite. Families are like building blocks of a healthy world; we should try to keep them together, and not topple them over. Prayer is real; it changes you as much as it changes the world. Life is hard, but God is with you. Suffering will happen, but it will sanctify you. Love is not a feeling, it is a sacrifice, usually in small things. God loves you, period. Your good deeds won’t change that; your bad deeds won’t change that. I will never leave you. Neither will Mom.
Justin Whitmel Earley (Habits of the Household: Practicing the Story of God in Everyday Family Rhythms)
I knew parents always said they didn’t have favorites, but how could they not? Sometimes they got a kid who was so much like them they swore God had made them in his own image. That’s what Gabby had been to Mom. Other times, though, you got a kid who read the dictionary for fun because, “Words are cool.” Guess who that was? She loved me enough, but she sure as hell didn’t like me. I was okay with it, because I loved her enough for both of us.
Brittainy C. Cherry (Loving Mr. Daniels)
The only formula I want my children to tuck deep into their hearts is this: God has weaved each of us uniquely, and we are wonderfully made in His image. We have sin-tattered hearts, but Jesus mends them when we lean into Him and trust Him with our lives. There’s the formula. Give Him the bad, and He’ll give you the beautiful.
Sarah Mae (Desperate: Hope for the Mom Who Needs to Breathe)
Dennis Rome, “Stereotyping by the Media,” in C. R. Mann and M. Zatz, eds., Images of Color, Images of Crime (Los Angeles: Roxbury,
Barry Glassner (The Culture of Fear: Why Americans Are Afraid of the Wrong Things: Crime, Drugs, Minorities, Teen Moms, Killer Kids, Muta)
She will never forget the image before her. Her father was someone who she always viewed as an invulnerable man. He was always stalwart and strong. Now, Aria saw him sitting on his bed crying. The tears were an uncontrollable torrent as they streamed down his face. In his hands he clutched a picture of Aria’s mom. Looking at the picture he reverently whispered, “oh Alyssa”, over and over in between sobs. She crept back to her room, but frequently since then she has heard the weeping of a broken man.
Jennifer Horne (Fearless Heart (Fearless Heart Series #1))
Anorexics most often come from families that are dominated by perfectionism. Affluent families are often focused on self-image actualizing. Respectability and the upper class have a very special look and image to keep up. The following patterns predominate: perfectionism; nonexpression of feelings (no talk rule); a controlling, often tyrannical and rigid father; an obsessive mother, completely out of touch with her sadness and anger; a pseudointimate marriage with great pretense at looking good; great fear of being out of control in the whole family system; and enmeshment and cross-generational alliances. These factors appear in various combinations. The anorexic person takes control of the family with her starving and weight loss. She is a metaphor for what’s wrong with the family. She is rigidly controlled, denies all feelings, and is superachieving and encrusted in a wall of pretense. She becomes the family system Service Bearer and Scapegoat. Mom and Dad become more intimate as their fears for her life intensify.
John Bradshaw (Healing the Shame that Binds You)
Something is happening. I sense a change in the wind…a mutual understanding of each other. I haven’t felt this way in forever. I clear my throat, then say, “Your mom probably blows up at you the most because she knows you can take it.” “Yeah. You’re probably right. Better me than my sister.” “It’s no excuse, though.” I’m being real now, and hope she is, too. “Listen, I don’t want to be an asshole to you,” I say. So much for the Alex Fuentes Show. “I know. It’s your image, what Alex Fuentes is all about. It’s your brand, your logo…dangerous, deadly, hot and sexy Mexican. I wrote the book on creating an image. I wasn’t exactly aiming for the blond bimbo look, though. More like the perfect, untouchable look.” Whoa. Rewind. Brittany called me hot and sexy. I was not expecting that at all. Maybe I have a chance of winning that stupid bet. “You do realize you called me hot.” “As if you didn’t know.” I didn’t know Brittany Ellis considered me hot. “For the record, I thought you were untouchable. But now that I know you think I’m a hot, sexy, Mexican god…” “I never said the word ‘god.’” I put my finger to my lips. “Shh, let me enjoy the fantasy for one minute.” I close my eyes. Brittany laughs, this sweet sound that echoes in my ears.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I don’t think I’ve ever seen eyes as green as yours.” “They’re a Donovan family trait. All us kids have different hair colors, but we all have our father’s eyes. I’m the only one with my mom’s red hair. My oldest brother is the spitting image of my dad. My mom says it hurts to look at him.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
From the looks of things, the only thing that Bria had inherited from Dontae was his light skin and his hazel eyes. She was probably the splitting image of her mom because she didn’t really resemble Dontae that much. After
Diamond D. Johnson (A Miami Love Tale: Thugs Need Luv Too)
So what was Jonah like before high school? As a kid?” “As a kid?” Hallelujah brings up the picture in her mind. “He was . . . sweet, I guess. Dorky. He’d wear these outfits his mom picked out—pleated khaki pants and polo shirts, with his hair slicked down with gel. And he would get really enthusiastic about things. Too enthusiastic. He went through this cowboy phase where he wore a cowboy hat and boots to school every day. Didn’t care what anyone thought.” The mental image makes her smile. “And he and Luke were best friends?” “Starting in middle school, yeah. They played soccer together.” “Huh.” Rachel pauses. “So when did Jonah get cute?” “He was still pretty short in middle school. And skinny. But he did start dressing better.” “No more pleated khakis?” “No more pleated khakis. And then the summer before ninth grade, he had this growth spurt. And he started to, uh, fill out. So I guess ninth grade is when I noticed . . .” Hallelujah fades off. “This is embarrassing.” “No, it’s not. This is what girls talk about.” Rachel grins. “Besides. I wanted to see if you were paying as close attention to him as he was to you.” “I didn’t realize I was. We were just friends.” “You can be friends and still objectively notice someone’s cuteness.
Kathryn Holmes
What’s wrong?” Jake’s voice, deep as thunder, unsettled her. Why did he have to be so handsome? She wanted to fall right inside those brown eyes. “I saw you in the living room with Ben . . . earlier.” His lips pulled upward, no doubt remembering Ben’s belly laughs. “He’s a fun kid.” She hated to wipe the smile from his face. “I know you mean well, Jake, but I think it’s best if you avoid spending time with the children.” The smile slid south. “We were just playing around.” “The children are getting attached to you. I don’t think it’s healthy.” His jaw flexed, his shoulders squared. “They need relationships now more than ever.” “Not from someone who’ll soon exit their lives.” He flinched. She hated to hurt his feelings, had a physical ache from wounding him. “It doesn’t have to be that way,” he said finally. “I don’t want to exit their lives. I don’t want to exit your life.” Maybe he thought they could be some happy family or something. It was time to tell him everything. “I’m selling Summer Place. We’ll be leaving the island soon. The Goldmans—our guests over the daffodil weekend—made an offer, and I accepted. I haven’t told the children yet, so I’d appreciate if you wouldn’t mention it. We’ll stay through closing in late June.” Jake’s lips parted. A second later they pressed together. He walked to the end of the porch and back. He reminded her of a caged tiger, constricted by the boundary of the porch. She hadn’t expected him to be so upset. When he passed, she set her hand on his bare arm, stopping him. The muscles flexed beneath her palm. He was so strong. She had the sudden image of him hitting Sean, using those muscles to protect her. She pulled her hand away as if his skin burned her. “They’ve had enough loss. They’ve already become attached to you, and that’s only going to hurt them more when we leave.” His face softened as he stared, his lips slackening, his eyes growing tender. His face had already darkened under the sun. Faint lines fanned the corner of his eyes. He reached toward her and ran his finger down the side of her face. “Don’t leave.” His touch left a trail of fire. She pressed her spine to the column. How could she want to dive into his arms and run away at the same time? Inside a riot kicked up. She was back in the apartment on Warren Street, coming home from school, slipping in the door, unsure if she’d find her mom racing around the kitchen, slumped on the bathroom tile, or just gone. The same uncertainty roiled in her now. “I have to.” “This is their home. Your engagement is over,” he said gently. “Is what you’re going back to as important as what you’re leaving?” He didn’t have to say he meant them. Us. She shook her head, dislodging his hand. How had he turned this all around? She
Denise Hunter (Driftwood Lane (Nantucket, #4))
Mom could not ignore the sorts of people who were most certainly not fundamentalist: the artists, composers, and choreographers she so admired, or the sorts of secular people she might bump into at concerts and in museums. So I think my mother spent a lifetime trying to change the image of Bible-believing Christians.
Frank Schaeffer (Crazy for God: How I Grew Up as One of the Elect, Helped Found the Religious Right, and Lived to Take All (or Almost All) of It Back)
Mom.’ ‘Hmm?’ She replies from miles away in her planter’s paradise. Deepest of breaths. ‘When Luke comes over later, would it be okay if we watched a movie in my bedroom?’ The paper goes down and she eyeballs me from over the top of her wire reading glasses. ‘Should I be worried?’ ‘No.’ I shake my head, whip my hair into a frenzy. ‘Have you gotten comfortable with him touching you yet?’ ‘Sort of . . .’ In retrospect, I could have probably said no. ‘What does that mean? Exactly?’ She folds You and Your Garden Monthly in half, sets it down beside her empty bowl. ‘It means we take all our clothes off, and he turns into a koala, clings to me like a tree while we watch TV.’ Mom chokes on the sip of tea she’s just taken. ‘Norah Jane Dean.’ ‘It was a joke.’ ‘Obviously,’ she says. ‘I’m just a little shocked you made it.’ Her shock would be less, I’m sure, if she knew how hard I was working to keep a mental image of the aforementioned out of my mind. I take half a second to wonder if Luke would find my quip amusing. It’s a joke at his expense, after all, having an abnormal girlfriend, one he can’t touch. ‘So what is “sort of” comfortable?’ Mom prods. ‘I touched his hand last week, you know, before the fear kicked in.
Louise Gornall (Under Rose-Tainted Skies)
Carl discreetly turned his head to the left and then the right to make sure Mom wasn’t within hearing range. “I tried to stick it in er ass once and she didn’t speak to me for a week,” he nearly whispered before belting out a slur of loose chuckles. “And gettin’ ‘er to do ya on top? Forget about it!” In ways, I morphed into Carl’s description of the ideal woman. Like Mom, physical beauty was my ultimate priority. I spent hours on end stripped naked, posing in front of my full length bedroom mirror at every angle so that each wrinkle, roll, and pinch of fat could receive sharp scrutiny before I strived for complete self annihilation. I made it a habit of studying every Teen magazine model and the skinniest cheerleaders in my middle school yearbook. I observed their arms, legs, and hips. I held their images against mine with a goal for my bones to protrude further and calves spread further apart when standing straight. However, I saw the way Carl bent his head down and lowered his voice when he spoke about Mom, as if it was our job to keep a feisty, barking puppy believing that it was our guard dog. “Ure mom can’t help she got half ure I-Q,” Carl would chuckle.
Maggie Georgiana Young (Just Another Number)
I was hungry and you gave me food….” —Matthew 25:35 (RSV) I sat through lunch at the usual eatery, hoping the woman would be gone when I walked back to the office. The sight of her was just too upsetting: a disheveled-looking mom at the top of the subway steps, begging with her two young children in tow. “If she’s gone when I go back, I won’t have to do anything,” I told myself. I’d be off the hook. But just the image of her had kept me on the hook. Why weren’t her children in school? Where did they live? “I shouldn’t give her anything because she’s probably an addict,” I rationalized. People who know more about these things than I do tell me beggars will take whatever money you give them and use it for drugs or alcohol. But what about her kids? They weren’t addicts. They were wearing clean T-shirts, jeans, their hair braided with beads. “I’ll pray for them,” I told myself. But to leave it at that seemed like a cop-out. Maybe they’re there because God wants you do something, Rick. Not just for them but also for you. The poor and hungry should not just be ignored. I swallowed the rest of my sandwich and went to the counter to buy some more food. Not for myself this time. I carried my bag and rounded the corner. She was still there. “What’s your name?” I asked the woman. “Dolores,” she said. “Dolores, this is for you.” I gave her the food and promised to pray for her. Back at the office I put her name on a note with the names of the other people I pray for. I’ve never been good about praying for big concepts like hunger or the poor, but now I had these three faces and one name. Harden not my heart, Lord, from the pain in the world. Let me know how I can relieve it. —Rick Hamlin Digging Deeper: Mt 25:31–46; 2 Cor 1:3–4
Guideposts (Daily Guideposts 2014)
But long before that, even before any of you were born, God knew your names. He has a plan for your lives. He created each of you in His image. That’s what the Bible says in Genesis 1:27 (NIV): ‘So God created mankind in his own image, in the image of God he created them; male and female he created them.’” Once more, I was startled. In Islam it would be regarded as blasphemous to think we were created in Allah’s image. “Allah has no offspring,” we are taught. Out of the 99 names for Allah in Islam another name missed is that of “Father.” That’s because Muslims are descendants of Ishmael, the son of Abraham, who was rejected by his father and then sent out with his mom, Hagar, to the wilderness. Ishmael then became an orphan. That is why Muslims believe Jesus cannot be the Son of God, because the god of Islam—Allah—has no children and is not a father.
Samaa Habib (Face to Face with Jesus: A Former Muslim's Extraordinary Journey to Heaven and Encounter with the God of Love)
You is smart. You is kind. You is important.” She
Dena Cabrera (Mom in the Mirror: Body Image, Beauty, and Life after Pregnancy)
As family therapist Peggy Papp reminds us, the quality of a mother’s life and her courage are among her most important legacies to her daughter,” writes Lerner.
Dena Cabrera (Mom in the Mirror: Body Image, Beauty, and Life after Pregnancy)
Stop talking. Now.” Deanna’s head fell back and she started laughing. It was a full-bodied belly laugh that spread over him like a breeze on a hot day. The sound was so sweet that it almost made up for how big of a disgusting pervert he felt like right now. While she was still chuckling, she touched his arm. “Don’t feel bad. How old were you then?” “It was senior year, so seventeen,” Lucky answered, still feeling gross. “See? You were a teenager, too. It’s fine. Really.” She continued giggling, and he had to admit that the sound made him so happy that he didn’t even care that it was at his expense. “It still feels wrong.” His shoulders shook as a chill ran through him, and it wasn’t the good kind. It was the grossed-out kind. “I think it’s hilarious,” she said, clearly enjoying seeing him squirm. “I’m so glad I can amuse you,” he said flatly. “Well, I think it’s only fair since I seemed to have offered hours of amusement for you—” Without even thinking, he reached over the seat and started tickling her. She wiggled and laughed, begging him to stop. He did, but only because a call came in. When he saw the picture on his console’s display, he knew he had to answer it. Pressing the answer button, he extended his patent greeting to his publicist. “Hello, beautiful.” “Why can’t you just play nice with others, especially the press?” Jessie Sloan-Courtland asked in her usual no nonsense tone. Jessie wasn’t one for niceties. She was all business, all the time. Deciding to ignore her rhetorical question and her dislike for small talk, he pushed on undeterred. “I’ve been good. How about you?” “Lucky. You can’t treat the press like that.” Jessie seemed to have the same game plan as he did. This conversation was going to happen, so he figured he might as well just get it over with. “I wasn’t there for them. I was there for the kids.” “It doesn’t matter. They were there, and whether you like it or not, you have a responsibility—” “I had a responsibility to visit the kids and their families. I had a responsibility to protect the people I brought with me. And I lived up to my responsibilities.” “I’m not going to argue with you. You’re supposed to be cleaning up your act. We agreed. And your image is your responsibility. When you elbow photographers in the nose, you open yourself up for lawsuits, and that is not something sponsors think is appealing. You know what’s on the line with this bout. Don’t screw it up.” “Yes, Mom,” he answered—his normal response for when Jessie was right. “You know, you’re not nearly as cute as you think you are,” she said, sounding less than impressed. “Awww, you think I’m cute. Does Zach know? I don’t want to come betw—” “Goodbye, Lucky.” “Bye, beautiful.” When the call disconnected, Lucky felt a little twinge of guilt that Jessie had even had to make that call. He knew better. “Wow. She’s awesome.” Unlike Jessie, Deanna did sound impressed. “Yeah. She is pretty awesome,” he agreed. “And so beautiful.” Deanna was still looking at Jessie’s picture on the console. He didn’t want her to get the wrong idea just because he’d called her beautiful. “Her husband sure thinks so. He’s actually a friend of mine. Have you heard of Zach Courtland?” Deanna was quiet for a beat. Then she snapped her fingers. “Was he the one in the Calvin Klein ads?” “That’s him.” “Wow. She’s married to him? He’s…hot.” Well, this conversation had taken a turn Lucky didn’t like. Not one little bit.
Melanie Shawn (Lucky Kiss (Hope Falls, #12; Kiss, #2))
Because instead of looking at the scoreboard, where images of his loved ones are flashing, he’s staring at me. Not his mom or sister. Me. The smile on his face just about kills me. There’s so much emotion in it besides joy and happiness, though anyone who doesn’t know him as well as I do wouldn’t just see those two things.
C.E. Ricci (Don't You Dare)
Nabbi’s restored my faith in dwarves, because it was in fact a claustrophobic tunnel. The ceiling was a low-clearance hazard. The walls were papered with old fight posters like DONNER THE DESTROYER VS. MINI-MURDER, ONE NIGHT ONLY! featuring pictures of muscular snarling dwarves in wrestling masks. Mismatched tables and chairs were occupied by a dozen mismatched dwarves—some svartalfs like Blitzen who could easily have passed for human, some much shorter guys who could have easily passed for garden gnomes. A few of the patrons glanced at us, but nobody seemed shocked that I was a human…if they even realized. The idea that I could pass for a dwarf was pretty disturbing. The most unreal thing about the bar was Taylor Swift’s “Blank Space” blasting from the speakers. “Dwarves like human music?” I asked Blitzen. “You mean humans like our music.” “But…” I had a sudden image of Taylor Swift’s mom and Freya having a girls’ night out in Nidavellir. “Never mind.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
The most unreal thing about the bar was Taylor Swift’s “Blank Space” blasting from the speakers. “Dwarves like human music?” I asked Blitzen. “You mean humans like our music.” “But…” I had a sudden image of Taylor Swift’s mom and Freya having a girls’ night out in Nidavellir. “Never mind.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Figure 2.1 Cortical connections over two years adapted from Conel The top row shows the baby’s cortex at birth, then at one month and at three months. They all look about the same, don’t they? But look what happens at six months (bottom left box): the number of cell bodies remains the same, but the number of connections has multiplied exponentially. The connections grow so quickly in the first three years of life that neuroscientists call it neural exuberance. Neural exuberance! The name is well earned: The baby’s brain makes 24 million new connections every minute, and this continues for the first three years of life. Each neuron may be connected to 1,000 other neurons — that multiplies out to 100 trillion possible connections between neurons, more than the number of stars in the universe. This high level of connectivity between brain cells leads to the cortex of a three-year-old being twice as thick as an adult’s! As connections are created, new abilities emerge. For example, when connections grow in Broca’s area — speech production — around six months, then children begin to speak. Around nine months of age, the frontal areas (behind the forehead) become more interconnected, and that’s when most children develop object permanence: knowing that objects continue to exist even when they are out of sight. Before object permanence develops, when Mom is out of sight she’s no longer in the baby’s universe. This is why young babies are inconsolable when Mom leaves. Once they start to develop object permanence, babies can hold on to an internal image of Mom. This is about the age that babies play peek-a-boo. Mom disappears when she puts the blanket over her head, but the nine-month-old knows Mom’s still there even if he can’t see her. The infant tests his “knowledge” when he pulls the blanket off and sees — sure enough! —Mom really is there! What is the use of so many brain connections in the first three years of life? These connections are ready-made highways for information to travel along. The toddlers’ ability to quickly adapt and learn is possible because they have a vast number of brain connections available for making sense of the world. Thanks to neural exuberance, the child does not need to create connections on the spur of the moment to make meaning of each new experience; myriad connections are already there. Pruning of connections The number of connections remains high from age 3 until age 10, when the process of neural pruning begins. Connections that are being used remain; others get absorbed back into the neuron. It’s similar to pruning a bush. After pruning, individual branches get thicker, fruit is more abundant, and the whole bush gets fuller. This seems a little counter-intuitive, but pruning works because it allows the plant’s limited resources to go to its strongest parts; water and nutrients are no longer wasted on spindly branches and dried-out roots. Similarly, when unused brain connections are pruned, neural resources are more available for brain areas that are being used. This results in a more useful and efficient brain that’s tailor-made to meet each individual’s needs. This process of pruning occurs in all brain areas. Figure 2.2 presents findings published by Sowell and associates. They measured Magnetic Resonance Imaging in 176 normal subjects from age 7 to 87 years. The x-axes in these graphs present years from 10 to 90 years. Notice there is a common pattern of decreasing connections in all brain areas. In some brain areas this change is steeper, such as in frontal areas, but is flatter in other areas such as temporal areas in the left hemisphere.
Frederick Travis (Your Brain Is a River, Not a Rock)
What she was doing was watching TCM and eating tiny slivers of metal. If her health plan paid for more or better imaging, maybe the jig would have been up, and it all could have been an accident, bad luck, one failing kitchen appliance trying to kill her, her husband unwittingly involved. As it was, she just kept getting chewed up from the inside. And nobody suspected anything, least of all Sheila. Her mom was the right age for her body to be failing in unexpected ways, wasn’t she? It was a tragedy, it was sad, but it wasn’t any kind of real surprise. It’s what we all have waiting for us, surely. Only, it didn’t have to be. Not for my mother-in-law. Did she know right at the end, too? Did she finally see a glittering shard in her corn or peas and look up to her husband, watching her spoon this in? At that point, coughing up blood, blood in the toilet, her stomach and intestines in revolt, all failing, did she just guide that next bite in anyway and turn back to her classic movie? I don’t know. She was from that long-suffering generation, though. The one that would rather hide a thing like this than involve her own daughter. The one that would rather her daughter keep a father she could believe in.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
try to think past the image, to the Angelique I now know. A smart, serious student. A caretaker for her brother, her aunt, and her mom back home. In her brother’s words, not a dreamer but a planner.
Lisa Gardner (Before She Disappeared (Frankie Elkin, #1))
She’s a Google Search’s worth of faces melted together, every stock image of ‘office secretary’ and ‘yoga mom’ blended into a single discrete whole.
Cassandra Khaw (The Last Supper Before Ragnarok (Gods and Monsters : Rupert Wong, #3))
You probably think that the old crow was just sitting there waiting for someone to drop part of their sandwich, so he could swoop down and snatch it. But he wasn’t. That old crow was admiring daddies pushing their kids on the swings and moms cuddling babies on the park bench nearby. Then, when the sun started to lower in the sky and all the children were gathered to make their way back home, the old crow would remember all the good things he’d seen that day and would hop across his branch and snuggle down deep in his hollow for the night, all the happy images melding into his dreams.
Regina Felty (While You Walked By)
What’s another word for comfort?” ask, “What are images of comfort?” or, “When I think of comfort, what memories come up?” Or try a Google image search for “comfort”. You’ll scroll through images of hammocks, beanbag chairs, thick woolly socks, and wood-burning fireplaces. You’ll see a cup of hot chocolate, mom’s baked mac n’ cheese, a hug from a grandma, or a cuddle with a sleeping puppy. All of these images should inspire something more visceral than a word on thesaurus.com
Dan Nelken (A Self-Help Guide for Copywriters: A resource for writing headlines and building creative confidence)
I’ve told you about this. It was fucking hot. Not just a little bit. Not uncomfortable-hot, but kill-you-hot.” “You’ve told me, but I like how you get so defensive every time you talk about it. It’s sexy when men have a weakness.” “And women have to save me from it?” “It’s what we’ve been doing since the beginning of time, my invincible star warrior.” She wrapped her arms around his neck, encouraging him to smile. “I was raised to believe that men were the providers and could never show vulnerabilities. We have to be the pillar of strength, the bedrock on which the family is built,” he tried to explain. “But if you know that isn’t true, why do you persist?” “It’s not an easy habit to break,” he admitted. “I’m trying. Give me that much, and as long as you and Rivka keep reminding me, we’ll get to where it will be second nature. And then if we ever have kids, we’ll raise them differently. Mom and Dad, out there side by side blasting the ever-living shit out of bad guys.” Lindy chuckled. “Nice image.” She met Red’s eyes and looked deeply into them. “Weren’t you the one who said the men had the women outnumbered on Peacekeeper? You, Chaz, Hamlet, Ankh, and Erasmus. Something like that. Five to three. ‘We are manly men!’” Red liked the way Lindy’s eyes sparkled when she was giving him a hard time. She was making a valid point, though. He had said those very words. “Hamlet is the manliest of us all. That cat doesn’t give a shit.” “And what’s this bit about kids? I’m not even sure I’ll let you be my boyfriend.” He brushed the hair from beside her eye and tucked it behind her ear. With the tip of his finger, he slowly and lightly traced the outside of Lindy’s ear.
Craig Martelle (Serial Killer (Judge, Jury, & Executioner, #3))
The transition from child stardom to a legitimate career as an adult in the entertainment industry is a notoriously tough one […] for kids who start out on kids’ TV, it’s a career death sentence. […] The second the child star tries to outgrow and break free from their image, they become bait for the media, highly publicized as rebellious, troubled, and tortured, when all they’re trying to do is grow. Growing is wobbly and full of mistakes, especially as a teenager—mistakes that you certainly don’t want to make in the public eye, let alone be known for for the rest of your life. But that’s what happens when you’re a child star. Child stardom is a trap. A dead end.
Jennette McCurdy (I'm Glad My Mom Died)
whatever images she could. Her mom shrieking.
Shanon Hunt (The Pain Colony (The Colony #1))
For males, power is the ultimate aphrodisiac, and an addictive one at that. The violent reaction of Nikkie and Yeroen to their loss of power fits the frustration-aggression hypothesis to the letter: the deeper the bitterness, the greater the anger. Males jealously guard their power, and lose all inhibition if anyone challenges it. And this hadn’t been the first time for Yeroen. The ferocity of the attack on Luit may have been due to the fact that it was the second time he had come out on top. The first time Luit gained the upper hand - marking the end of Yeroen’s ancient regime - I was perplexed by the way the established leader reacted. Normally a dignified character, Yeroen became unrecognizable. In the midst of a confrontation, he would drop out of a tree like a rotten apple, writhing on the ground, screaming pitifully, and waiting to be comforted by the rest of the group. He acted much like a juvenile ape being pushed away from his mother’s teats. And like a juvenile who during tantrums keeps an eye on mom for signs of softening, Yeroen always noted who approached him. If the group around him was big and powerful enough, and especially if it included the alpha female, he would gain instant courage. With his supporters in tow, he would rekindle the confrontation with his rival. Clearly, Yeroen’s tantrums were yet another example of deft manipulation. What fascinated me most, however, were the parallels with infantile attachment, nicely captured in expressions like “clinging to power” and “being weaned from power.” Knocking a male off his pedestal gets the same reaction as yanking the security blanket away from a baby. When Yeroen finally lost his top spot, he would often sit staring into the distance after a fight, an empty expression on his face. He was oblivious to the social activity around him and refused food for weeks. We thought he was sick, but the veterinarian found nothing wrong. Yeroen seemed a mere ghost of the impressive big shot he had been. I’ve never forgotten this image of a beaten and dejected Yeroen. When power was lost, the lights in him went out.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
During school recess when I was in second grade, I was swinging on the monkey bars with a couple of girlfriends, and one of the girls said to me, “You’re too fat to swing like me.” It hurt at the time, but I kept playing and forgot about her comment. It didn’t really affect me, and it wasn’t something I shared with my mom when I got home that day. Twenty years later, as I was writing a Bible study on finding freedom from body-image issues and telling my story of a six-year battle with anorexia, I remembered that moment on the monkey bars. And I realized that she was the voice I’d heard for years. It was her words that had started my doubts and fears and worries about my body, and one of her words that I shaped my identity around—fat. Now, it was my choice to believe her words, and I was the one who wrapped myself in those lies for so long. However, it amazed me how such a simple sentence, spoken when I was very young, dramatically affected my life. Words matter.
Alyssa Bethke (Satisfied: Finding Hope, Joy, and Contentment Right Where You Are)
One example is the “stage mom” who, out of her own frustrated desire to be famous, drives her daughter to fulfill her failed ambitions. Another is the “football father” who pushes his son to fulfill his dreams of athletic glory. Children will protect the attachment relationship with their parents by adopting the false self that their parents require. Having to choose between their own authenticity and the parents’ demands puts these children in an impossible bind. In the process, children of such parents fail to develop an authentic self.
Laurence Heller (Healing Developmental Trauma: How Early Trauma Affects Self-Regulation, Self-Image, and the Capacity for Relationship)
The second the child star tries to outgrow and break free from their image, they become bait for the media, highly publicized as rebellious, troubled, and tortured, when all they’re trying to do is grow.
Jennette McCurdy (I'm Glad My Mom Died)
This publication is a rare resource with invaluable information about mom and baby care during their hospital stay and for things that might pop up shortly after returning home. It ably covers everything a parent needs to know when anticipating the birth of their baby. The author’s experience is remarkable, and her explanation of tests and medicine is very informative. The book also incorporates illuminating Q&A sections that depict the real image of inquisitive parents as well as some of their most common uncertainties. "Karen L. Brewer’s “The B.A.B.Y. Book: Best Advice for Baby and You” is simple to read and easy to digest. It is a game-changer that will remove a new parent from the sea of confusion and a maze of conflicting opinions by authors with little to no postpartum experience. The author has included everything about mom/baby care, which makes this the perfect gift for the expectant mother. Her masterstroke is in her candidness and comprehension of the transformative journey into motherhood.
Reader Views
Atticus: I've been working there four fucking weeks! I'm going to be eating ramen noodles for the rest of my life. Asher: Never tried them. Atticus: Dude, fucking disgusting. Trust me. Asher: Matilda's making roast au jus for dinner tonight with those homemade Yorkshire puddings you like. Atticus: I hate you. Loathe. Despise. Basically every synonym for hate there is. Asher: Call me? My phone rang a minute later, and I whined long and loud into the receiver in place of saying hello. I'd been accused of being overly dramatic in the past. There might be some truth behind it. Asher chuckled. "You're pathetic." "Why have you not run away with me? We've been separated. I can't stand it. It's like the individual cells in my body are trying to divide again and make another you. It hurts. I can't do it twice." I whimpered again for emphasis. "Ash, I'm screwed, and not in the bend me over the hood of the Jag and pound my ass type of way. The bad way. The painful way. The oh-crap-my-bank-account-is-in-the-negative way. I'm fast running out of ideas, and you're over there living the high life and eating roast au jus with my goddamn Yorkshire puddings." "I get the sense you're trying to tell me something, but whatever it is, it's getting lost in translation. You're rambling. What's going on? Speak-a the English. What's the problem?" "What isn't the problem? I'm poor and miserable. I was not ready for adulthood this soon. Tell Mom and Dad it was all lies. It was a phase. I'm over it. Ha, good joke, right?" "Riiight, and how do you propose I magically make the burned image of your mouth around Ryan Vector's cock disappear from Matilda's mind?" "Fuck. You know what? We don't need a housekeeper. Fire her ass! Tell Mom and Dad she's a big fat liar who lies and hates me. Tell them she's stealing from them. She's an illegal immigrant! No, tell them, she's a housekeeper by day and a hooker by night. I saw her walking the streets of Fifth Avenue after sundown in a mini skirt and fishnet stockings." I paused, envisioning our sixty-year-old housekeeper/used-to-be-nanny in that kind of attire. Asher and I both audibly ewwed at the exact same time. "Dude, that's fucking gross as shit, and you know it. I just threw up in my mouth. Why would you put that image in my head?" "I regret many of my life decisions. Add it to the list. Ash, I'm serious. Just make something up. Get rid of her. We don't need a housekeeper, and we're long past requiring a nanny. Especially one who walks into rooms without knocking. What was she thinking?" "The door wasn't closed." "Not the time, Ash!" "Okay, so let's pretend for five minutes Matilda dies in a horrible car crash." "We could make that happen.
Nicky James (End Scene)
Its edges were worn soft and clearly it had been a bigger picture that was trimmed down to match all the others, but the image was clear: small Toby and smaller me. In the sandbox. Kissing. I turned to show Toby, but he was already peering over my head. He put a hand on my hip and the other on my shoulder to anchor me as I leaned back and smiled up at him. "Pretty good first kiss," I told him. "Turn it over," said Mom. "I don't need to say I told you so to your dad, if you read the inscription out loud." I flipped it over and squeaked. It was Toby who read out the words in his deep voice: "Rory's first kiss with Toby next door. I predict it won't be their last ..." "So you'll have to excuse me for not being more surprised. Your dad and I have known this for ages. We've been waiting for you two to catch on to the fact that you're inevitable.
Tiffany Schmidt (The Boy Next Story (Bookish Boyfriends, #2))
Her back hit a tree, and she froze, not taking her eyes off those two monsters. And then a third one slipped in under the branches beside her, its breath hot against the side of her neck. She turned her head slowly, so slowly, the smell of rotting eggs and moist, rich soil filling her nostrils. And as the jaws of the monster opened wide—impossibly, hopelessly wide—she had a sudden image flash through her mind: her mom pulling into Emily’s driveway, going up to the door, ringing the bell, finding her gone. How she’d worry when Carly never returned home.
Heidi Lang (Reckoning (Whispering Pines, #3))
Sexual predators care for only one thing—themselves and their sick, fucked up wants. They don’t care about the destruction they leave in their wake. They’re fucking monsters. And don’t ever be fooled into thinking you know what one of those sick fucks looks like. They’re not the image of old, dirty, greasy, seedy-looking men that we once believed to be true. They are men and women of any age, any look, and any job. They can be the server at your local deli or the man who fixes your car. They can be the doctor you’ve visited for years. The person you trust to educate your child. Your dentist. The kid who bags your groceries. Or the middle-aged woman you take that Zumba class with. They can be your best friend, aunt, uncle, mom, dad, or fucking stepdad. They are and can be anyone. They look just like you and I do. Monsters in plain clothing.
Samantha Towle (River Wild)
This idea that Jesus is meek, mild, indifferent, and non-judgmental is the stuff of pure myth. Pastor Mark Driscoll says he used to believe Jesus was dull, boring, passionless—in short, unappealing—until he read the Bible. He didn’t recognize in its pages the Jesus about Whom he’d always been told. Driscoll challenges us to read the Gospel of Mark, which will “spin your head around.” Jesus, says Driscoll, tells people to “repent.” He tells people to quit their jobs and follow him. He tells a demon to shut up. After He heals a leper He swears him to silence, too. Then He picks a fight with Sunday school teachers, He tells His mom He’s busy, He rebukes the wind, He kills two thousand pigs, and “he offends people, but doesn’t go to sensitivity training.” He calls people hypocrites and calls Peter “Satan,” He curses and kills a tree, He tells people they’re going to hell, and He rebukes the disciples for falling asleep on Him in the garden.21 Driscoll’s point is not that Jesus was mean or bad in any way; merely that the lukewarm, pacifist image this culture has created of Him is as ridiculous as it is inaccurate.
David Limbaugh (Jesus on Trial: A Lawyer Affirms the Truth of the Gospel)