Mole On Face Quotes

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Old lovers go the way of old photographs, bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings. Then the faces themselves, until nothing remains but the general outlines.
Margaret Atwood (Cat’s Eye)
You are not a perfect woman.You have an evil temper, you’re as blind as a mole, you’re a deplorable poet, and frankly, your French accent could use some work.” Supporting himself on his elbows, Leo took her face in his hands. “But when I put those things together with the rest of you, it makes you into the most perfectly imperfect woman I’ve ever known.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Boys are just boys after all, but sometimes girls really seem to be the turn of a pale wrist, or the sudden jut of a hip, or a clutch of very dark hair falling across a freckled forehead. I'm not saying that's what they really are. I'm just saying sometimes it seems that way, and that those details (a thigh mole, a full face flush, a scar the precise shape and size of a cashew nut) are so many hooks waiting to land you.
Zadie Smith
Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands
John Steinbeck (East of Eden)
Raeanne Mirror, Mirror When I look into a mirror, it is her face I see. Her right is my left, double moles, dimple and all. My right is her left, unblemished. We are exact opposites, Kaeleigh and me. Mirror image identical twins. One egg, one sperm one zygote, divided, sharing one complete set of genetic markers. On the outside we are the same. But not inside. I think she is the egg, so much like our mother it makes me want to scream. Cold. Controlled. That makes me the sperm I guess. I take completely after our father. All Daddy, that's me. Codependent. Cowardly. Good, bad. Left, right. Kaeleigh and Raeanne. One egg, one sperm. One being, split in two. And how many souls?
Ellen Hopkins (Identical)
Well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands.
John Steinbeck (East of Eden)
I used to be the sort of boy who had sand kicked in his face, now I'm the sort of boy who watches somebody else have it kicked in their face
Sue Townsend (The Secret Diary of Adrian Mole, Aged 13 3/4 (Adrian Mole, #1))
I want to see what can be seen, of him, take him in, memorize him, save him up so I can live on the image, later: the lines of his body, the texture of his flesh, the glisten of sweat on his pelt, his long sardonic unrevealing face. I ought to have done that with Luke, paid more attention, to the details, the moles and scares, the singular creases; I didn't and he's fading. Day by day, night by night he recedes, and I become more faithless.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of space.
Carol Rifka Brunt (Tell the Wolves I'm Home)
The Brit's face shares a heritage with a junkyard butt-sniffing mutt. It's a hard-earned moonshine mug, dotted with a hairy mole that looks like a rat's been gnawing on it. His beard looks like a white sneeze. The teeth are jagged and out of alignment, having opened quarts at Jiffy Quick Lube for half a decade.
Brett Tate
But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands.
John Steinbeck (East of Eden)
Unless Frank wants to turn into a mole,” Leo suggested. “Or a prairie dog. Those things are awesome.” “Shut up,” Frank mumbled. “Or a badger.” Frank jabbed a finger at Leo’s face. “Valdez, I swear—
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I was born the 26th of December. . . Arrive by dint of perseverance, but step by step. . . Tenancy to exaggerate the importance of earthly life. Avaricious of self. Constant in their affections and their hatreds. . . Yes, the Capricorn is a beast of solitude. Slow, steady, and persevering. Lives on several levels at once. Thinks in circles. Fascinated by death. Ever climbing, climbing. In search of the edelweiss, presumably. Or could it be immortelle? Knows no mother. Only "the mothers". Laughs little and usually on the wrong side of the face. . . Speaks truthfully instead of kindly. Metaphysics, abstractions, electromagnetic displays. Dives to the depths. Sees stars, comets, and asteroids where others see only moles, warts, and pimples. Feeds on himself when tired of playing the man-eating shark. A paranoiac. An ambulatory paranoiac. But constant in his affections - and his hatreds. Ouais!
Henry Miller (A Devil in Paradise (New Directions Bibelot))
I lean all my weight on the porcelain ledge, I draw my face closer until it touches the mirror. The eyes, nose, and mouth disappear. Nothing is left. Brown wrinkles show on each side of the feverish swelled lips, crevices, mole holes. A silky, white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me: I slip quietly off to sleep.
Jean-Paul Sartre (Nausea)
The beauty ideal is always a youthful one. This is partly simple realism. The young are beautiful. The whole lot of ’em. The older I get, the more clearly I see that and enjoy it. But it gets harder and harder to enjoy facing the mirror. Who is that old lady? Where is her waist? I got resigned, sort of, to losing my dark hair and getting all this limp grey stuff instead, but now am I going to lose even that and end up all pink scalp? I mean, enough already. Is that another mole or am I turning into an Appaloosa? How large can a knuckle get before it becomes a kneejoint? I don’t want to see, I don’t want to know. And yet I look at men and women my age and older, and their scalps and knuckles and spots and bulges, though various and interesting, don’t affect what I think of them. Some of these people I consider to be very beautiful, and others I don’t. For old people, beauty doesn’t come free with the hormones, the way it does for the young. It has to do with bones. It has to do with who the person is. More and more clearly it has to do with what shines through those gnarly faces and bodies.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination)
Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands.
John Steinbeck (East of Eden)
Marks," he said, his voice uneven, "you are not a perfect woman." 'I'm aware of that," she said. "You have an evil temper, you're as blind as a mole, you're a deplorable poet, and frankly, your French accent could use some work." Supporting himself on his elbows, Leo took her face in his hands. "But when I put those things together with the rest of you, it makes you into the most perfectly imperfect woman I've ever known." Absurdly pleased, she smiled up into his face. "You are beautiful beyond words," Leo went on. "You are kind, amusing, and passionate. You also have a keen intellect, but I'm willing to overlook that.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
It is difficult to describe how it feels to gaze at living human beings whom you’ve seen perform in hard-core porn. To shake the hand of a man whose precise erectile size, angle, and vasculature are known to you. That strange I-think-we’ve-met-before sensation one feels upon seeing any celebrity in the flesh is here both intensified and twisted. It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline HEART BREAKER on her right buttock and a tiny hairless mole just left of her anus. To watch Peter North try to get a cigar lit and to have that sight backlit by memories of his artilleryesque ejaculations.13 To have seen these strangers’ faces in orgasm—that most unguarded and purely neural of expressions, the one so vulnerable that for centuries you basically had to marry a person to get to see it.
David Foster Wallace
I pull my hands to my face and try to wipe away the tears, but they are flowing out of me too fast to catch up. It’s like a Whac-A-Mole of misery.
Taylor Jenkins Reid (Forever, Interrupted)
The artificial darkness with its lingering warmth crept about me like a muffler. I gradually began to recover my composure, like a mole that has gone to ground.
Kōbō Abe (The Face of Another)
I would like a light on somewhere, a candle perhaps, stuck into a bottle, some echo of college, but anything like that would be too great a risk; so I have to make do with the searchlight, the glow of it from the grounds below, filtered through his white curtains which are the same as mine. I want to see what can be seen, of him, take him in, memorize him, save him up so I can live on the image, later: the lines of his body, the texture of his flesh, the glisten of sweat on his pelt, his long sardonic unrevealing face. I ought to have done that with Luke, paid more attention, to the details, the moles and scars, the singular creases; I didn't and he's fading. Day by day, night by night he recedes, and I become more faithless.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Samuel said that Tom was quavering over greatness, trying to decide whether he could take the cold responsibility. Samuel knew his son’s quality and felt the potential of violence, and it frightened him, for Samuel had no violence—even when he hit Adam Trask with his fist he had no violence. And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. Violence and shyness—Tom’s loins needed women and at the same time he did not think himself worthy of a woman. For long periods he would welter in a howling celibacy, and then he would take a train to San Francisco and roll and wallow in women, and then he would come silently back to the ranch, feeling weak and unfulfilled and unworthy, and he would punish himself with work, would plow and plant unprofitable land, would cut tough oakwood until his back was breaking and his arms were weary rags.
John Steinbeck (East of Eden)
What kind of party?” “The good kind.” “Yeah, right.” Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light is too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of space. The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I’m going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again. So I stand at the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don’t.
Carol Rifka Brunt (Tell the Wolves I'm Home)
She looked like a hippie who’d been kicked to the side of the road maybe forty years ago, where she’d been collecting trash and rags ever since. She wore a dress made of tie-dyed cloth, ripped-up quilts, and plastic grocery bags. Her frizzy mop of hair was gray-brown, like root-beer foam, tied back with a peace-sign headband. Warts and moles covered her face. When she smiled, she showed exactly three teeth.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
The first discovery of Dostoievsky is, for a spiritual adventurer, such a shock as is not likely to occur again. One is staggered, bewildered, insulted. It is like a hit in the face, at the end of a dark passage; a hit in the face, followed by the fumbling of strange hands at one's throat. Everything that has been forbidden, by discretion, by caution, by self-respect, by atavistic inhibition, seems suddenly to leap up out of the darkness and seize upon one with fierce, indescribable caresses.   All that one has felt, but has not dared to think; all that one has thought, but has not dared to say; all the terrible whispers from the unspeakable margins; all the horrible wreckage and silt from the unsounded depths, float in upon us and overpower us. There is so much that the other writers, even the realists among them, cannot, will not, say. There is so much that the normal self-preservative instincts in ourselves do not want said. But this Russian has no mercy. Such exposures humiliate and disgrace? What matter? It is well that we should be so laid bare. Such revelations provoke and embarrass? What matter? We require embarrassment. The quicksilver of human consciousness must have no closed chinks, no blind alleys. It must be compelled to reform its microcosmic reflections, even down there, where it has to be driven by force. It is extraordinary how superficial even the great writers are; how lacking in the Mole's claws, in the Woodpecker's beak! They seem labouring beneath some pathetic vow, exacted by the Demons of our Fate, under terrible threats, only to reveal what will serve their purpose! This applies as much to the Realists, with their traditional animal chemistry, as to the Idealists, with their traditional ethical dynamics. It applies, above all, to the interpreters of Sex, who, in their conventional grossness, as well as in their conventional discretion, bury such Ostrich heads in the sand!
John Cowper Powys (Visions and Revisions: A Book of Literary Devotions)
The door flew open, revealing a wrinkled, forward-thrusting face wreathed with a nimbus of wispy white hair, a face resembling nothing so much as a mole emerging from its burrow. Her spectacles were so dirty that I could hardly see the use of them. She peered at us as if at two scabrous street dogs and tightened her grasp on her cane. "What do you want? I don't let rooms, and if you've business with my sons or my husband, they work for a living.
Lyndsay Faye (Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson)
Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of time.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Mr. Editor, we are bound to be the slaves of those who have power to destroy us. I am not speaking of Strawforth any more. I knew him at school. We played ping-pong at the Reynolds Club. He had a white buttocky face with a few moles, and fat curling thumbs that put a cheating spin on the ball. Clickety-clack over the green table. I don’t believe his I.Q. was so terribly high, though maybe it was, but he worked hard at his math and chemistry. While I was fiddling in the fields.
Saul Bellow (Herzog)
Tom felt his darkness. His father was beautiful and clever, his mother was short and mathematically sure. Each of his brothers and sisters had looks or gifts or fortune. Tom loved all of them passionately, but he felt heavy and earth-bound. He climbed ecstatic mountains and floundered in the rocky darkness between the peaks. He had spurts of bravery but they were bracketed in battens of cowardice. Samuel said that Tom was quavering over greatness, trying to decide whether he could take the cold responsibility. Samuel knew his son’s quality and felt the potential of violence, and it frightened him, for Samuel had no violence—even when he hit Adam Trask with his fist he had no violence. And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. John Steinbeck. East of Eden (Kindle Locations 4766-4770). Viking.
John Steinbeck
When you are facing the possibility of imminent death, people treat you differently: Their gaze lingers, recording each mole, tracing the shape of your lips, noting the exact shade of your eyes, as if they are painting a portrait of you to hang in memory's gallery. They take dozens of pictures and videos of you on their phones, trying to freeze-frame time, to bottle the sound of your laugh, to immortalize meaningful moments that can later be revisited in a memory cloud. All of this attention can feel like you are being memorialized while you are still alive.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
I lean all my weight on the porcelain ledge, I draw my face closer until it touches the mirror. The eyes, nose and mouth disappear: nothing human is left. Brown wrinkles show on each side of the feverish swelled lips, crevices, mole holes. A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I RECOGNIZE the details. But the whole thing gives me an impression of something seen before which stupefies me: I slip quietly off to sleep.
Jean-Paul Sartre (Nausea)
Perhaps it may be that what they find fault with may be moles, that sometimes heighten the beauty of the face that bears them; and so I say very great is the risk to which he who prints a book exposes himself, for of all impossibilities the greatest is to write one that will satisfy and please all readers.
Miguel de Cervantes Saavedra (Don Quixote)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
When Toad found himself immured in a dank and noisome dungeon, and knew that all the grim darkness of a medieval fortress lay between him and the outer world of sunshine and well-metalled high roads where he had lately been so happy, disporting himself as if he had bought up every road in England, he flung himself at full length on the floor, and shed bitter tears, and abandoned himself to dark despair. 'This is the end of everything' (he said), 'at least it is the end of the career of Toad, which is the same thing; the popular and handsome Toad, the rich and hospitable Toad, the Toad so free and careless and debonair! How can I hope to be ever set at large again' (he said), 'who have been imprisoned so justly for stealing so handsome a motor-car in such an audacious manner, and for such lurid and imaginative cheek, bestowed upon such a number of fat, red-faced policemen!' (Here his sobs choked him.) 'Stupid animal that I was' (he said), 'now I must languish in this dungeon, till people who were proud to say they knew me, have forgotten the very name of Toad! O wise old Badger!' (he said), 'O clever, intelligent Rat and sensible Mole! What sound judgments, what a knowledge of men and matters you possess! O unhappy and forsaken Toad!' With lamentations such as these he passed his days and nights for several weeks, refusing his meals or intermediate light refreshments, though the grim and ancient gaoler, knowing that Toad's pockets were well lined, frequently pointed out that many comforts, and indeed luxuries, could by arrangement be sent in—at a price—from outside.
Kenneth Grahame (The Wind in the Willows)
And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. Violence
John Steinbeck (East of Eden)
(I was looking at everything in the other's face, the other's body, coldly : lashes, toenail, thin eyebrows, thin lips, the luster of the eyes, a mole, a way of holding a cigarette; I was fascinated-fascination being, after all, only the extreme of detachment-by a kind of colored ceramicized, vitrified figurine in which I could read, without understanding anything about it, the cause of my desire. )
Roland Barthes (A Lover's Discourse: Fragments)
I remembered my resolution about helping the poor and ignorant today, so I took some of my old Beano annuals to a quite poor family who have moved into the next street. I know they are poor because they have only got a black and white telly. A boy answered the door. I explained why I had come. He looked at the annuals and said, ‘I’ve read ’em,’ and slammed the door in my face. So much for helping the poor!
Sue Townsend (The Secret Diary of Adrian Mole, Aged 13 3/4)
Lev took out a cigarette and stuck it between his lips and the woman sitting next to him a plump contained person with moles like splashes of mud on her face said quickly "I'm sorry but there is no smoking allowed on this bus." Lev knew this had known it in advance had tried to prepare himself mentally for the long agony of it. But even an unlit cigarette was a companion -something to hold on to something that had promise in it -and all he could be bothered to do now was to nod just to show the woman that he'd heard what she'd said reassure her that he wasn't going to cause trouble because there they would have to sit for fifty hours or more side by side with their separate aches and dreams like a married couple. They would hear each other's snores and sighs smell the food and drink each had brought with them note the degree to which each was fearful or unafraid make short forays into conversation. And then later when they finally arrived in London they would probably separate with barely a word or a look walk out into a rainy morning each alone and beginning a new life. And Lev thought how all of this was odd but necessary and already told him things about the world he was traveling to a world in which he would break his back working -if only that work could be found.
Rose Tremain (The Road Home)
Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.
Gabriel García Márquez (One Hundred Years of Solitude)
And I remembered, in a sudden jolt of recall, that my mother had traveled to Hong Kong alone, one winter, when I was a teenager. The city was renowned among the Chinese-American communities for expert, cheap cosmetic procedures, and she was there to get the moles and beauty marks removed from her face. Her sisters used to call her a spotted leopard. When she returned, however, there were white spots on her face where the moles had been. She was still marked in the places she desired to be unmarked.
Ling Ma (Severance)
And now there’s another thing you got to learn,” said the Ape. “I hear some of you are saying I’m an Ape. Well, I’m not. I’m a Man. If I look like an Ape, that’s because I’m so very old: hundreds and hundreds of years old. And it’s because I’m so old that I’m so wise. And it’s because I’m so wise that I’m the only one Aslan is ever going to speak to. He can’t be bothered talking to a lot of stupid animals. He’ll tell me what you’ve got to do, and I’ll tell the rest of you. And take my advice, and see you do it in double quick time, for he doesn’t mean to stand any nonsense.” There was dead silence except for the noise of a very young badger crying and its mother trying to make it keep quiet. “And now here’s another thing,” the Ape went on, fitting a fresh nut into its cheek, “I hear some of the horses are saying, Let’s hurry up and get this job of carting timber over as quickly as we can, and then we’ll be free again. Well, you can get that idea out of your heads at once. And not only the Horses either. Everybody who can work is going to be made to work in future. Aslan has it all settled with the King of Calormen—The Tisroc, as our dark faced friends the Calormenes call him. All you Horses and Bulls and Donkeys are to be sent down into Calormen to work for your living—pulling and carrying the way horses and such-like do in other countries. And all you digging animals like Moles and Rabbits and Dwarfs are going down to work in The Tisroc’s mines. And—” “No, no, no,” howled the Beasts. “It can’t be true. Aslan would never sell us into slavery to the King of Calormen.” “None of that! Hold your noise!” said the Ape with a snarl. “Who said anything about slavery? You won’t be slaves. You’ll be paid—very good wages too. That is to say, your pay will be paid into Aslan’s treasury and he will use it all for everybody’s good.” Then he glanced, and almost winked, at the chief Calormene. The Calormene bowed and replied, in the pompous Calormene way: “Most sapient Mouthpiece of Aslan, The Tisroc (may-he-live-forever) is wholly of one mind with your lordship in this judicious plan.” “There! You see!” said the Ape. “It’s all arranged. And all for your own good. We’ll be able, with the money you earn, to make Narnia a country worth living in. There’ll be oranges and bananas pouring in—and roads and big cities and schools and offices and whips and muzzles and saddles and cages and kennels and prisons—Oh, everything.” “But we don’t want all those things,” said an old Bear. “We want to be free. And we want to hear Aslan speak himself.” “Now don’t you start arguing,” said the Ape, “for it’s a thing I won’t stand. I’m a Man: you’re only a fat, stupid old Bear. What do you know about freedom? You think freedom means doing what you like. Well, you’re wrong. That isn’t true freedom. True freedom means doing what I tell you.” “H-n-n-h,” grunted the Bear and scratched its head; it found this sort of thing hard to understand.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
A man once made it a reproach that I should be so happy, and told me everybody has crosses, and that we live in a vale of woe. I mentioned moles as my principal cross, and pointed to the huge black mounds with which they had decorated the tennis–court, but I could not agree to the vale of woe, and could not be shaken in my belief that the world is a dear and lovely place, with everything in it to make us happy so long as we walk humbly and diet ourselves. He pointed out that sorrow and sickness were sure to come, and seemed quite angry with me when I suggested that they too could be borne perhaps with cheerfulness. ‘And have not even such things their sunny side?’ I exclaimed. ‘When I am steeped to the lips in diseases and doctors, I shall at least have something to talk about that interests my women friends, and need not sit as I do now wondering what I shall say next and wishing they would go.’ He replied that all around me lay misery, sin, and suffering, and that every person not absolutely blinded by selfishness must be aware of it and must realise the seriousness and tragedy of existence. I asked him whether my being miserable and discontented would help any one or make him less wretched; and he said that we all had to take up our burdens. I assured him I would not shrink from mine, though I felt secretly ashamed of it when I remembered that it was only moles, and he went away with a grave face and a shaking head, back to his wife and his eleven children. I heard soon afterwards that a twelfth baby had been born and his wife had died, and in dying had turned her face with a quite unaccountable impatience away from him and to the wall; and the rumour of his piety reached even into my garden, and how he had said, as he closed her eyes, ‘It is the Will of God.’ He was a missionary.
Elizabeth von Arnim (The Solitary Summer (Elizabeth))
We met at a Mexican restaurant. We ordered, and I immediately broached the subject of Haldol. “I was surprised to see you at the pharmacy today,” I said. “Shhh!” She was eavesdropping on the table behind us. “They don’t know the difference between a burrito and an enchilada!” Bernadette’s face tightened as she strained to listen. “Oh my God,” she whispered. “They’ve never heard of mole. What do they look like? I don’t want to turn around.” “Just… people.” “What do you mean? What kind of—” She couldn’t contain herself. She quickly turned. “They’re covered in tattoos! What, you’re so cool that you ink yourself head-to-toe, but you don’t know the difference between an enchilada and a burrito?
Maria Semple (Where'd You Go, Bernadette)
There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.
G.K. Chesterton (The Innocence of Father Brown (Father Brown, #1))
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
They looked at each other across the little plastic table, half of their faces faintly illuminated by the light behind the bar. They didn’t touch; they didn’t speak. Dominika could feel the electrons jumping the gap between them, could feel them in her heightened heartbeat. Her eyes darted over his face—his mouth, his eyes, the lock of hair on his forehead. He was looking at her, and she imagined the feel of his skin against her. She told herself she would not start anything—she would not—even though she needed him. She needed him to ease the burden that came with her new life as a mole, a betrayer of her country, living one step from the execution chambers. But she would not. Nate looked at her, saw her lips trembling. In Helsinki he would have gathered her up and taken her to bed. Not now. She had reemerged from Moscow, was willing to resume work as their—his—penetration agent. Nate would not jeopardize it, would not disrespect MARBLE’s memory. As he looked at Dominika’s backlit hair, Nate thought of what had to be done.
Jason Matthews (Palace of Treason (Red Sparrow Trilogy, #2))
Where do you even start with Cinderella? Let's ignore Cinderella's victim status and total lack of self-determination and head straight for the prince who was, let's face it, a bit of a jerk. Despite being captivated by Cinderella's radiant beauty for half the night, come the cold light of day he has completely forgotten what she looks like and only has her shoe size to go on. Either he was suffering from some sort of early onset Alzheimer's disease or else he was completely off his face during the big ball. the end result is that he goes trawling through the kingdom in some sort of perverted foot-fetish style quest for someone, anyone, who fits the glass slipper. Just how superficial is this guy? What if Cinderella had turned up at the ball looking exactly like she did only with a mole on her face and that had a couple of twelve-centimetre hairs sticking out of it? What if a bearded troll just happened to have the same shoe size as Cinderella? 'Ah, well. Pucker up, bushy cheeks, it's snog time.' And no one ever bothers to question the sheer impracticality of Cinderella's footwear. Glass might be good for many things but it's not exactly malleable in its cooled state. If everyone turned and gaped when Cinderella made her big entrance into the ball, it's only because she'd have come staggering in like a drunken giraffe on rollerblades. Bit of a head turner.
John Larkin (The Shadow Girl)
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day
H. Rider Haggard (Morning Star)
I think I’m finally over you breaking my eight-year-old heart.” She walks up to me. “I’m no longer wishing erectile dysfunction, incurable halitosis, or hairy moles on your face.” She pats my face with her hand while I smile at her. “I didn’t really break your heart, did I?” “Um, yeah, yeah, you did. You called me bratty, and you were an asshole. But you’ll be happy to know that I’ve forgiven you.
Natasha Madison (Cheeky (Imperfect Love))
I started in our neighborhood, buying a pastrami burrito at Oki Dog and a deluxe gardenburger at Astro Burger and matzoh-ball soup at Greenblatt's and some greasy egg rolls at the Formosa. In part funny, and rigid, and sleepy, and angry. People. Then I made concentric circles outward, reaching first to Canter's and Pink's, then rippling farther, tofu at Yabu and mole at Alegria and sugok at Marouch; the sweet-corn salad at Casbah in Silver Lake and Rae's charbroiled burgers on Pico and the garlicky hummus at Carousel in Glendale. I ate an enormous range of food, and mood. Many favorites showed up- families who had traveled far and whose dishes were steeped with the trials of passageways. An Iranian cafe near Ohio and Westwood had such a rich grief in the lamb shank that I could eat it all without doing any of my tricks- side of the mouth, ingredient tracking, fast-chew and swallow. Being there was like having a good cry, the clearing of the air after weight has been held. I asked the waiter if I could thank the chef, and he led me to the back, where a very ordinary-looking woman with gray hair in a practical layered cut tossed translucent onions in a fry pan and shook my hand. Her face was steady, faintly sweaty from the warmth of the kitchen. Glad you liked it, she said, as she added a pinch of saffron to the pan. Old family recipe, she said. No trembling in her voice, no tears streaking down her face.
Aimee Bender (The Particular Sadness of Lemon Cake)
… we are not going to add any fresh thrill to the thrill which the loveliness of The Piper at the Gates of Dawn has already given its readers… it seemed clear to me that Rat and Toad, Mole and Badger could only face the footlights with hope f success if they were content to amuse their audiences. There are both beauty and comedy in the book, but the beauty must be left to blossom there, for I, anyhow, shall not attempt to transplant it. But can one transplant even the comedy? Perhaps it has happened to you, as it has certainly happened to me, that you have tried to explain a fantastic idea to an entirely matter-of-fact person. ‘But they don’t,’ he says, and ‘You can’t,’ and ‘I don’t see why, just because –’ and ‘Even if you assume that –’ and ‘I thought you said just now he hadn’t.’ By this time you have thrown the ink-pot at him, with enough of accuracy, let us hope, to save you from his ultimatum, which is this: ‘However fantastic your assumption, you must work it out logically’ – that is to say, realistically. To such a mind The Wind in the Willows makes no appeal, for it is not worked out logically. In reading the book, it is necessary to think of Mole, for instance, sometimes as an actual mole, sometimes as such a mole in human clothes, sometimes as a mole grown to human size, sometimes as walking on two legs, sometimes on four. He is a mole, he isn’t a mole. What is he? I don’t know. And, not being a matter-of-fact person, I don’t mind. At least, I do know, and still I don’t mind. He is a fairy, like so many immortal characters in fiction; and, as a fairy, he can do, or be, anything. But the stage has no place for fairies. There is a horrid realism about the theatre, from which, however hard we try, we can never quite escape. Once we put Mole and his friends on the boards we have to be definite about them. What do they look like?
A.A. Milne (Toad of Toad Hall)
AN INCOMPLETE PORTRAIT OF OUR LOVE written by: Zaki Ansari An incomplete portrait of our love Relic of our relationship like a poor injured dove An incomplete portrait of our love framed with some shabby moments Hanging on my heart’s wall. Thirsty for some colors of love Which are missing at all I have painted, the shadow of your smile. I have added Some color of your hair, I drew some marks of your lips I spread shine of your eyes Tried to fill with some of our memories And with some of our dreams I Gave a touch of your laughter, and made the shape of your dimple. Decorated with the beautiful mole mole the same as you have on pretty face but many things are mismade yet, it is dark, it is fade Missing a complete part which has been made That’s You, your love, your presence And all those beautiful colors which you took with you when you left How do I complete without you? even I have lost myself without you, Yes I’m breathing, yes I’m living But that’s not life which spent without you. you are required, Your touch is needed to make complete An incomplete portrait of our love Relic of our relationship, like a poor injured dove thirsty for some colors of love Which are missing at all Maybe there is no chance to make it whole Complete or incomplete, happiness or sorrow tears or laughter, the wounds on the soul Whatever, but it’s a masterpiece of my life, that’s all into the bitter ocean of life only sweetest thing, I have known, Even it’s incomplete but it’s my own An incomplete portrait of our love Relic of our relationship like a poor injured dove
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
A hometown is like a mole on your face,' he said. Once you start letting it bother you, there's no end. You can cut it off, but the scar will always remain.
Osamu Dazai (Self-Portraits: Tales from the Life of Japan's Great Decadent Romantic)
I bite my lip as I begin reading: She needs some sun! Her eyes are hard to see—they’re too dark; her nose is thin; no cheek bones!; I think her lips are uneven; her chin is really square, and my favorite: is that a mole or a zit? Awesome. Twenty pages of these cryptic remarks sure do make a girl feel good about herself. The last page changes my sour mood completely. On it there is a sketch of my face—no, sketch is the wrong word. It’s too common a word. This is more than a sketch. This is a portrait of my face. The image of the girl staring back at me is so stunning, that I actually gasp. The handwriting on the bottom of the page, which is small and elegant, holds only two words: You’re perfect.
Danielle Bannister (Pulled (Twin Flames Trilogy, #1))
I felt the blood drain out of my face. The whole thing was a setup-the FBI mole, the mystery client...I knew the what but the why was what I was trying to Scooby-Doo as we hurtled to an uncertain fate in the back of Zhen's limo. It must have been a play for HR, revenge for our hostile takeover.
Shane Kuhn (Hostile Takeover (John Lago Thriller, #2))
And President Janney made sure this was a request they couldn’t refuse. So lucky us. We now have a polygraph system that is unbeatable. Today we get to find out, once and for all, who is ready to stab us in the back. Who is ready to drink the Kool-Aid that Edgar Knight is serving. Who wants to sabotage us and help this madman build a global government and take the helm.” “Assuming the mole is in our Inner Circle, of course,” added Joe Allen from beside him. “Right,” said Cargill. “Which I hope like hell isn’t the case. But either way, we’ll finally be confident we can trust each other, and we can move forward on that basis.” Cargill’s face hardened. “So none of you are leaving this room until all of you are tested. You should be honored to know that this will be the first use of the new test under field conditions.
Douglas E. Richards (Split Second (Split Second, #1))
Within minutes, the other angels followed the sound of the collapsed tunnel and found Mikael’s location. They were able to dislodge enough of the rock and pull his broken body from the rubble. He had been severely crushed. Gabriel held him. “I can bring him back to the surface to heal.” Raphael said, “That leaves five. We can split up and try to surround the mole. He can’t hide here forever.” They heard the sound of a howl. “Dire wolves,” said Uriel. “We can’t chase him here forever.” Dire wolves were vicious, fanged black hounds of hell almost as tall as a man. Raphael said, “He must have bred them down here. There could be dozens.” “Or hundreds,” said Uriel. The angels could kill dozens of the wolves. But hundreds was another matter altogether. Several of them had almost been overwhelmed by a hundred dire wolves in the days of the giant King Arba, while rescuing Abraham and Sarah from the clutches of the Anakim in Kiriath-arba. They were rescued by a hundred archers. But they didn’t have a hundred archers down in this dungeon of dread darkness. “Take Mikael to safety,” said Uriel. “The rest of you draw the wolves back up to the surface.” They looked at Uriel with fear. Gabriel said, “No, Uriel. We can do this together.” Uriel grasped the leather harness of the special weapon strapped to his back. “I must do this alone.” They all knew what it meant. Uriel had the most sensitive senses. He was the best tracker of all of them. Gabriel protested more, “I will not let you.” “You have no choice.” They heard the sound of wolves getting closer. “And I have no time to quibble with you, Gabriel. Leave — all of you. Draw them after you.” Gabriel teared up. What Uriel was going to do was akin to suicide for humans. Raphael said, “He’s right.” They agreed silently. Gabriel went and grasped his friend in a bear hug that he didn’t seem to want to let go. “My brother.” “Stop your pouting, Gabriel. It’s only until the judgment.” Gabriel pulled away with an angry look in his face. It softened, and he said with a smirk, “You will finally outdo me, little friend.” Uriel gave him a dirty look. Little friend. There was still time to tease. “I outdid you a long time ago,” said Uriel with a grin. Gabriel added, “But there is still Armageddon. You don’t know what I might be capable of.” Uriel said, “Go. We’ll have all eternity to debate that.” They turned to leave. But their delay had lost them time. The underworld dire wolves were upon them. Fifty glowing eyes locked on them, approaching slowly, ready to pounce. There was only enough room to fight against one or two wolves at a time through the narrow passages. Gabriel stood at the back, carrying the broken form of Mikael, who was starting to heal, but not able to fight yet. The other four approached the wolves in single file.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
When we westerners pray we join our hands, close our eyes, kneel, hunch up and put our hands over our faces to close up our bodies. Our God is inside us, his universe inside our heads. When Orthodox Christians pray they keep their eyes open. They hold their heads up and open up their senses to the universe. Their God is outside in a real world.
John Mole (It's All Greek to Me!: A Tale of a Mad Dog and an Englishman, Ruins, Retsina--and Real Greeks)
lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura
H. Rider Haggard (Morning Star)
Esfregou as duas faces do medalhão entre o polegar e o indicador. Textura macia, porosidade suave que aqueceu ao toque como pele viva. Aproximou-o do nariz e cheirou. O aroma quente de coração acabado de arrancar do peito. Abriu a boca e susteve a respiração como criança diante de uma colher de sopa cheia de óleo de fígado de bacalhau. Trincou o rebordo quase mole e saboreou os átomos nascidos da morte de estrelas. Uma boca cheia de coração podre temperado com vermes. O contacto directo era um paradoxo de sensações, a insanidade de desejar algo que provocava repulsa intolerável. Não tinha de voltar a tocar o metal, e muito menos de o cheirar e provar, mas a tentação do fascínio exercido pela Cativa continuava vinculada ao medalhão.
Manuel Alves (A Cativa)
Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the
H. Rider Haggard (Morning Star)
to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the
H. Rider Haggard (Morning Star)
fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of
H. Rider Haggard (Morning Star)
The women were passive, sexualized and blank, save for the hint of a Mona Lisa smile on all their faces.  Objects to be observed and enjoyed by some unseen onlooker.  Nothing in the depictions of these women – or girls, really -- suggested they had personalities, goals, family, friends, history, feelings… It bothered me more, however, that all of them were young and White, their translucent, porcelain skin unscathed by tattoos, moles or scars.  Only a sexy set of freckles or sunburnt cheeks marred their otherwise flawless skin. 
Zainab Amadahy (Resistance)
I saw his face, too; it was the face of the driver of the hearse, with a mole on the left cheek. Then he spoke to me, jerking his thumb over his shoulder. "'Just room for one inside, sir,' he said.
E.F. Benson (Ghost Stories: Selected and Introduced by Mark Gatiss)
His chest reminds me of a naked mole rat, but his face is pretty.
Bex Dawn (Cracked Foundation)
Your birthday present. Nothing fancy, but I had it and I thought you might like it. It’s not a big deal.” Once I saw what was on it, I gasped. It was me. A drawing of me, to be exact, in a pool surrounded by hills with the ocean in the distance. Head tipped back, smile on my face, looking freer and happier than I ever remembered feeling. The curve of my lips, the sparkle in my eyes, even the tiny mole beneath my ear… He’d captured it all in exquisite, painstaking detail, and looking at me through his eyes, I believed I was the most beautiful woman in the world.
Ana Huang (Twisted Games (Twisted, #2))
Marks … I’m afraid I’m not going to be able to find your spectacles in this wreckage.” “I have another pair at home,” she ventured. “Thank God.” Leo sat up with a quiet grunt of discomfort. “Now, if we stand on the highest pile of debris, it’s only a short distance to the surface. I’m going to hoist you up, get you out of here, and then you’re going to ride back to Ramsay House. Cam trained the horse, so you won’t need to guide him. He’ll find his way back home with no trouble.” “What are you going to do?” she asked, bewildered. He sounded rather sheepish. “I’m afraid I’m going to have to wait here until you send someone for me.” “Why?” “I have a—” He paused, searching for a word. “Splinter.” She felt indignant. “You’re going to make me ride back alone and unescorted and virtually blind, to send someone to rescue you? All because you have a splinter?” “A large one,” he volunteered. “Where is it? Your finger? Your hand? Maybe I can help to … Oh, God. ” This last as he took her hand and brought it to his shoulder. His shirt was wet with blood, and a thick shard of timber protruded from his shoulder. “That’s not a splinter,” she said in horror. “You’ve been impaled. What can I do? Shall I pull it out?” “No, it might be lodged against an artery. And I wouldn’t care to bleed out down here.” She crawled closer to him, bringing her face close to his to examine him anxiously... “Don’t worry,” he murmured. “It looks worse than it is.” But Catherine didn’t agree. If anything, it was worse than it looked... Stripping off her riding coat, she tried to lay it over his chest. “What are you doing?” he asked. “Trying to keep you warm.” Leo plucked the garment off his chest and made a scoffing sound. “Don’t be ridiculous. First, the injury isn’t that bad. Second, this tiny thing is not capable of keeping any part of me warm. Now, about my plan—” “It is obviously a significant injury,” she said, “and I do not agree to your plan. I have a better one.” “Of course you do,” he replied sardonically. “Marks, for once would you do as I ask?” “No, I’m not going to leave you here. I’m going to pile up enough debris for both of us to climb out.” “You can’t even see, damn it. And you can’t move these timbers and stones. You’re too small.” “There is no need to make derogatory remarks about my stature,” she said, lurching upward and squinting at her surroundings. Identifying the highest pile of debris, she made her way to it and hunted for nearby rocks. “I’m not being derogatory.” He sounded exasperated. “Your stature is absolutely perfect for my favorite activity. But you’re not built for hauling rocks. Blast it, Marks, you’re going to hurt yourself—” “Stay there,” Catherine said sharply, hearing him push some heavy object aside. “You’ll worsen your injury, and then it will be even more difficult to get you out. Let me do the work.” Finding a heap of ashlar blocks, she picked one up and lugged it up the pile, trying not to trip over her own skirts. “You’re not strong enough,” Leo said, sounding aggravated and out of breath. “What I lack in physical strength,” she replied, going for another block, “I make up for in determination.” “How inspiring. Could we set aside the heroic fortitude for one bloody moment and dredge up some common sense?” “I’m not going to argue with you, my lord. I need to save my breath for”—she paused to heft another block—“stacking rocks.” Somewhere amid the ordeal, Leo decided hazily that he would never underestimate Catherine Marks again. Ounce for ounce, she was the most insanely obstinate person he had ever known, dragging rocks and debris while half blind and hampered by long skirts, diligently crossing back and forth across his vision like an industrious mole. She had decided to build a mound upon which they could climb out, and nothing would stop her.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
At the coal-face the men had returned to work. They often cut their break-time short like this, so as not to get cold; but their meal, devoured with mute voracity far from the sunlight, sat like lead on their stomachs. Stretched out on their sides, they were now tapping away harder than ever in their single-minded determination to fill a decent number of tubs. They became oblivious to all else as they gave themselves up to this furious pursuit of a reward so dearly won. They ceased to notice the water streaming down and causing their limbs to swell, or the cramps brought on by being stuck in awkward positions, or the suffocating darkness that was making them go pale like vegetables in a cellar. As the day wore on, the atmosphere became even more poisonous and the air grew hotter and hotter with the fumes from their lamps, and the foulness of their breath, and the asphyxiating firedamp, which clung to their eyes like cobwebs and which would clear only when the mine was ventilated during the night. But despite it all, buried like moles beneath the crushing weight of the earth, and without a breath of fresh air in their burning lungs, they simply went on tapping.
Émile Zola (Germinal)
I never thought about food like that, but it makes sense. You aren't a different person when you read versus when you eat or do anything else----everything in us does intersect, I guess..." Cecilia's voice drifted away as she thought, and a blush suffused her face. "Put it that way, I see why I eat terribly. I love American teenage food, and it fits with my soft spot for eighties teen movies. You know, Breakfast Club, Sixteen Candles, Pretty in Pink... I even dress like that when I feel sad. Austen's much more intellectual." "That's Jane. If it makes you feel better, I read only cookbooks, and they really shouldn't count as real books." I thought for a moment. "But I never forget a food reference." "Never?" I shrugged. "It's a gift." "Sixteen Candles?" "The cake, of course. Oh, but there's that quiche dinner too. See? Sixteen Candles and Dickens---all about breakfast." "Under the Tuscan Sun?" "Never read it, but I'm assuming a ton of Italian?" "That was obvious." Cecilia smiled. "What's your favorite food reference?" "I've got two. I think the best opening line in literature is Peter Mayle's A Year in Provence. 'The year began with lunch.' All books and all years should begin that way." "And the other?" "Coldtonguecoldhamcoldbeefpickledgherkinssaladfrenchrollscressandwichespottedmeatgingerbeerlemonadesodawater-----" "That's too much!" She laughed. "That's exactly what Mole said. But Rat said, 'It's only what I always take on these little excursions, and the other animals are always telling me that I'm a mean beast and cut it VERY fine!'" I grinned. "I love that line." "What's that even from?" "The Wind in the Willows. It's the best picnic ever.
Katherine Reay (Lizzy and Jane)
distracted by your feelings, biases, and other inner trains of thought. Your mind must be open enough to let information come through from the conversation so that you can respond appropriately. And speaking of your mental state… An Open Mind It is often part of human nature to make a mental note of the person’s distinct features and mannerisms when they are talking to you. For instance, if they say something incredulous, your mind immediately makes a mental note along the lines of well, that was a stupid thing to say, followed by an instinctive raising of the eyebrows. Or what if the person has a visible distraction on their face like a mole on their cheek or a piece of lettuce in their teeth? Your eyes would immediately travel there,
James W. Williams (Communication Skills Training: How to Talk to Anyone, Connect Effortlessly, Develop Charisma, and Become a People Person)
The wind smelled of humus, lichen, the musky odor of pecan husks broken under the shoe, a sunshower on the fields across the bayou. But any poetry that might have been contained in that moment was lost when I stared into Honoria’s face, convinced that human insanity was as close to our fingertips as the act of rubbing fog off a windowpane. Honoria’s eyes remained fixed on mine, expectant, somehow trusting, the redness of her mouth and the mole next to it as inviting as a poisonous flower.
James Lee Burke (Crusader's Cross (Dave Robicheaux, #14))
I know peace only when my ambitions sleep. Once they waken, anxiety repossesses me. Life is a state of ambition. The mole digging his tunnels is ambitious. Ambition is in effect everywhere, and we see its traces on the faces of the dead themselves
Emil M. Cioran (The Trouble With Being Born)
Moles inspected and cleared for duty. Facemask applied, pores emptied. Feel like my face has lost weight. Made massive fish pie – white sauce from jar, and children have been brainwashed over the years into thinking mashed potatoes should be lumpy, so edible – gave some to them for tea, froze remaining eight portions with sense of contentment I do not expect to feel again this side of the grave.
Lucy Mangan (Are We Having Fun Yet?)
Ah, "never give up," the ultimate mantra for life's champions! When obstacles try to play their game of whack-a-mole, I'll be the sneaky mole that keeps popping up, saying, "Not today, my friend!" It's like facing a Rubik's cube with a sassy smile, determined to twist and turn until all the colors align. So, to the hurdles that dare cross my path, I've got a witty comeback: You can't stop me—I'm a tenacious force with a side of stubborn!
Life is Positive
Ah, "never give up," the ultimate mantra for life's champions! When obstacles try to play their game of whack-a-mole, I'll be the sneaky mole that keeps popping up, saying, "Not today, my friend!" It's like facing a Rubik's cube with a sassy smile, determined to twist and turn until all the colors align. So, to the hurdles that dare cross my path, I've got a witty comeback: You can't stop me—I'm a tenacious force with a side of stubborn!
lifeispositive.com
Ah, "never give up," the ultimate mantra for life's champions! When obstacles try to play their game of whack-a-mole, I'll be the sneaky mole that keeps popping up, saying, "Not today, my friend!" It's like facing a Rubik's cube with a sassy smile, determined to twist and turn until all the colors align. So, to the hurdles that dare cross my path, I've got a witty comeback: You can't stop me—I'm a tenacious force with a side of stubbornness!
lifeispositive.com
The air crystallised in the image of a stained glass angel, stark black and white. Stepping from a hidden dimension, this apparition became flesh and blood: an immense, forbidding man with dark hair and waxen skin. The face, too angular to be handsome, radiated the solid conviction of a born leader. There was a mole on his left cheek, a black singularity against the whiteness.
Freda Warrington (A Taste Of Blood Wine)
He rolled off the bed and unzipped his overstuffed duffel bag. Clothes erupted from it with such force that a pair of boxer shorts sailed across the room and nailed Warren in the face. Warren screamed in horror, stumbled backward over his own suitcase, and collapsed on the floor. “It’s not really supposed to be a vacation,” I warned them. “Erica says our lives could be at risk.” Chip laughed and shrugged this off. “Erica always thinks her life is at risk. Remember last year when she got all worked up about us having a mole in the school?” “Um . . . there was a mole,” I reminded him. “And our lives really were in danger. I almost got killed. Twice.” “Oh, yeah,” Chip recalled. “That’s right. Hey, I wonder if anyone will try to kill us this time.” “I hope so!” Jawa said excitedly. “That’d be amazing!” “Assuming they’re unsuccessful,” Warren pointed out. Chip pegged him in the face with another pair of boxers. “Well, duh. No one wants a successful attempt made on their life, you nitwit.” “What if it happened on the slopes?” Jawa asked, his excitement ratcheting up a few notches. “And we got to have an honest-to-goodness ski chase? How fantastic would that be?” “It’d be the best,” Chip agreed. “Warren, stop playing with my underwear, you pervert.” He snatched the boxers Warren had just removed from his head and tossed them into a drawer, along with a handful of random socks and gloves.
Stuart Gibbs (Spy Ski School (Spy School, #4))
When my daughter was 10 she pointed at my face and said accusingly, 'Er - yuk! Witches have those.' I rushed to the mirror. There, sprouting determinedly from a mole on my chin, was a single sprout of hair. I was 45. Caroline, 53
Caroline Carr (Menopause: The Guide for Real Women)