“
Seven years, Dawn. Working with the Slayer. Seeing my friends get more and more powerful... a witch. A demon. Hell, I could fit Oz in my shaving kit, but come a full moon, he had a wolfy mojo not to be messed with. Powerful, all of them. And I'm the guy who fixes the windows.
They'll never know how tough it is, Dawnie, to be the one who isn't Chosen, to live so near the spotlight and never step in it. But I know. I see more than anybody realizes because nobody's watching me.
I saw you last night, and I see you working here today. You're not special; you're extraordinary.
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Joss Whedon
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Most of us want to be authentic. Yet, we are not who we think we are. We are made up of a rich array of facets and possibilities, many of which we ignore because we label them as “bad”. We create a cardboard cutout image of ourselves to look good to others. The discord between who we are and the image we have to live up to slowly kills our aliveness. When we suppress parts of ourselves, it lowers our mojo, sense of fulfillment, leadership effectiveness and impact in the workplace.
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Henna Inam (Wired for Authenticity: Seven Practices to Inspire, Adapt, & Lead)
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Don’t look elsewhere. Look inside your dreams, and there you’ll find your mojo and muse.
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Michael Bassey Johnson (The Oneironaut’s Diary)
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The journalist Mason Currey, who spent half a decade cataloging the habits of famous thinkers and writers (and from whom I learned the previous two examples), summarized this tendency toward systematization as follows: There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where … but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration. In a New York Times column on the topic, David Brooks summarizes this reality more bluntly: “[Great creative minds] think like artists but work like accountants.
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Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
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There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where… but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
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That’s how music works. It can take your blues, dust them in a wicked mojo, sneak them to that crossroads where the Devil hangs out, and swap them for a veggie burrito made by a blissed-out Deadhead in a parking lot. This might not be exactly what you ordered, but it might inspire you all the same.
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Tom Moon (1,000 Recordings to Hear Before You Die: A Listener's Life List (1,000... Before You Die Books))
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There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where… but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where … but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration. In a New York Times column on the topic, David Brooks summarizes this reality more bluntly: “[Great creative minds] think like artists but work like accountants.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where… but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration. In
”
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Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
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My best asset cannot be measured or copied or calculated—it’s my mojo. I always lay that on the table first.
”
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Grace Bonney (In the Company of Women: Inspiration and Advice from over 100 Makers, Artists, and Entrepreneurs)
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The journalist Mason Currey, who spent half a decade cataloging the habits of famous thinkers and writers (and from whom I learned the previous two examples), summarized this tendency toward systematization as follows: There is a popular notion that artists work from inspiration—that there is some strike or bolt or bubbling up of creative mojo from who knows where… but I hope [my work] makes clear that waiting for inspiration to strike is a terrible, terrible plan. In fact, perhaps the single best piece of advice I can offer to anyone trying to do creative work is to ignore inspiration.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)