Moist Lips Quotes

Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.

Listen: I am ideally happy. My happiness is a kind of challenge. As I wander along the streets and the squares and the paths by the canal, absently sensing the lips of dampness through my worn soles, I carry proudly my ineffable happiness. The centuries will roll by, and schoolboys will yawn over the history of our upheavals; everything will pass, but my happiness , dear, my happiness will remain,in the moist reflection of a street lamp, in the cautious bend of stone steps that descend into the canal's black waters, in the smiles of a dancing couple, in everything with which God so generously surrounds human loneliness.

Kissing can ruin lives. Lips touch sometimes teeth clash. New hunger is born with a throb and caution falls away. A cursed girl with lips still moist from her first kiss might feel suddenly wild like a little monsoon. She might forget her curse just long enough to get careless and let it come true. She might kill everyone she loves...

Give me my robe, put on my crown; I have Immortal longings in me: now no more The juice of Egypt's grape shall moist this lip: Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: husband, I come: Now to that name my courage prove my title! I am fire and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell. Kisses them. IRAS falls and dies Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, The stroke of death is as a lover's pinch, Which hurts, and is desired. Dost thou lie still? If thus thou vanishest, thou tell'st the world It is not worth leave-taking.

Ranjana finds Stephen lying on an old string bed staring up at the ceiling and seeing in its myriad cracks the soothing drift of clouds. She puts what she’s brought to his lips, brushes them with her fingertips, and watches as he works the sweet onto his teeth. She feels a light touch on her arm encouraging her to lie next to him. She rests on her back, the pair of them laid out like two corpses waiting for the first shower of moist earth. After a while, she rolls over, nuzzles into his shoulder, and lets her hand fall limp and sweet across his chest. She drifts off to sleep, sweating in the arms of her lover.

My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.

Heavily and hypnotically,with her soul flattening itself back like the ears of a hissing cat,Kizzy leaned in and drank of Jack Husk's full,moist mouth,and his red,red lips were hungry against hers,drinking her in return.Their eyes closed.Fingers clutched at collars and hair,at the picnic blanket,at the grass.And as they sank down,pinning their shadows beneath them,the horizon tipped on its side,and slowly,thickly,hour by hour,the day spilled out and ebbed away. It was Kizzy's first kiss, and maybe it was her last, and it was delicious.

A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!

Lost in the forest, I broke off a dark twig and lifted its whisper to my thirsty lips: maybe it was the voice of the rain crying, a cracked bell, or a torn heart. Something from far off: it seemed deep and secret to me, hidden by the earth, a shout muffled by huge autumns, by the moist half-open darkness of the leaves. Wakening from the dreaming forest there, the hazel-sprig sang under my tongue, its drifting fragrance climbed up through my conscious mind as if suddenly the roots I had left behind cried out to me, the land I had lost with my childhood—- and I stopped, wounded by the wandering scent.

Her eyes opened then. They were drowsy, slumberous, staring up at him with a hunger that was impossible to miss. “I felt you,” she whispered, a smile tilting her moist lips. “Watching me. Should I feel you watching me?” Was she asleep or awake? “Of course.” He found the growl building in his throat. “Every time I look at you, baby, I touch you.

Her Lips Are Copper Wire” whisper of yellow globes gleaming on lamp posts that sway like bootleg licker drinkers in the fog and let your breath be moist against me like bright beads on yellow globes telephone the power-house that the main wires are insulate (her words play up and down dewy corridors of billboards) then with your tongue remove the tape and press your lips to mine till they are incandescent

Outside, as she passed the kitchen window, she watched her breath appear before her in the lamplight and then it died away in moist clouds. This was the smoke of her internal fire and her soul. Every breath was a letter to the world. These she mailed into the cold air leaning back with pursed lips to send it upward.

He saw the moist tenderness of Daniel's lips afresh. He wanted to feel it again.

Her beauty was cool as this damp breeze, as the moist softness of her own lips.

I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.

Before I had time to think, her lips brushed against my lips. They felt like a cushion. Her soft, moist lips slowly pressed into mine. And just like that, we breathed three times. Our chests moved up and down, and up and down, and up and down. Then we lowered our heads at the same time. Our lips parted as our foreheads touched.

He had her alone in the garden. Her moist lips. The moonlight in her eyes. A lesser man would be merely tempted. A greater man would surely resist. A man like him would indulge, and without regret. —From The Dulcet Duke

I heard him sweeping with the broom, and then he suddenly stopped. I had obviously got his attention, and he was looking. Take a good look, honey, I thought. Take a good look at what I’m offering. I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself? I love that silence you get, when a man who you fancy notices your body. In a weird way, it’s so loud, it’s deafening. It could be because of the way you sway your hips, your legs, or thrust your breasts. And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth… I think you get my drift. There’s a lovely tension in that moment; I call it the lust moment. When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.

The spring breeze With coffee cups, No words said Only eyes catch-up, On green fields With trembling lips, Our hearts collide On the moist mud.

The boat was vacuum-packed with Albanians, four generations to a family: great-grandmother, air-dried like a chilli pepper, deep red skin and a hot temper; grandmother, all sun-dried tomato, tough, chewy, skin split with the heat; getting the kids to rub olive oil into her arms; mother, moist as a purple fig, open everywhere - blouse, skirt, mouth, eyes, a wide-open woman, lips licking the salt spray flying from the open boat. Then there were the kids, aged four and six, a couple of squirs, zesty as lemons.

but he was afraid of being insincere and telling lies in the presence of death. It was on a fine winter’s day, shot through with sunlight. In the pale blue sky, you could sense the cold all spangled with yellow. The cemetery overlooked the town, and you could see the fine transparent sun setting in the bay quivering with light, like a moist lip.

The Italians even have a word for the mark left on a table by a moist glass (culacino) while the Gaelic speakers of Scotland, not to be outdone, have a word for the itchiness that overcomes the upper lip just before taking a sip of whiskey. (Wouldn’t they just?) It’s sgriob.

I started to stand, but Yvet stopped me and leaned forward to kiss my injured cheek, her little lips moist against my skin. “It won’t hurt for long, Miz. Be brave.” I swallowed, trying to answer without turning into a blathering fool. “I’ll try, Yvet. I’ll try to be as brave as you.”  

Then, at a meeting, Petal Bear. Thin, moist, hot. Winked at him. . . . Grey eyes close together, curly hair the color of oak. The fluorescent light made her as pale as candle wax. Her eyelids gleamed with some dusky unguent. A metallic thread in her rose sweater. These faint sparks cast a shimmer on her like a spill of light. She smiled, the pearl-tinted lips wet with cider. . . . As she spoke she changed in some provocative way, seemed suddenly drenched in eroticism as a diver rising out of a pool gleams like chrome with a sheet of unbroken water for a fractional moment.

Dan smiled at me with lips still moist from mine. I have seen clouds part for the sun. I have seen rainbows. I have seen flowers in the morning, covered in dew, and I have seen sunsets so brilliant with fire they have made me want to weep. And I have seen Dan smile at me, his lips still wet from my kiss, and if I had to choose which sight moved me the most I would say it was that one.

Just so," said Bariano with equanimity. "But let me cite you a parable, or, if you prefer, a paradox. Assume that you are lying in bed asleep. Your dreaming brings you into the company of an alluring woman who starts to make exciting suggestions. At this moment a large dirty pet animal clambers upon the bed and sprawls its hairy bulk beside you with its tail draped over your forehead. You move restlessly in your sleep and in so doing press your face against one of its organs. In your dream it seems that the beautiful woman is kissing you with warm moist lips, causing a delightful sensation. You are thrilled and exalted! Then you wake up and discover the truth of the contact, and you are displeased. Now then: consider carefully! Should you enjoy the rapture of the dream? Or, after beating the animal, should you huddle cheerlessly in the dark brooding upon the event? Arguments can be developed in either direction.

I am not, I regret to say, a discreet and fetching sleeper. Most people when they nod off look as if they could do with a blanket; I look as if I could do with medical attention. I sleep as if injected with a powerful experimental muscle relaxant. My legs fall open in a grotesque come-hither manner; my knuckles brush the floor. Whatever is inside—tongue, uvula, moist bubbles of intestinal air—decides to leak out. From time to time, like one of those nodding-duck toys, my head tips forward to empty a quart or so of viscous drool onto my lap, then falls back to begin loading again with a noise like a toilet cistern filling. And I snore, hugely and helplessly, like a cartoon character, with rubbery flapping lips and prolonged steam-valve exhalations. For long periods I grow unnaturally still, in a way that inclines onlookers to exchange glances and lean forward in concern, then dramatically I stiffen and, after a tantalizing pause, begin to bounce and jostle in a series of whole-body spasms of the sort that bring to mind an electric chair when the switch is thrown. Then I shriek once or twice in a piercing and effeminate manner and wake up to find that all motion within five hundred feet has stopped and all children under eight are clutching their mothers’ hems. It is a terrible burden to bear.

The woman, one of those usually known as a good-time girl, was famous for the premature portliness which had earned her the nickname Boule de Suif. Small, round as a barrel, fat as butter and with fingers tightly jointed like strings of small sausages, her glowing skin and the enormous bosom which strained under the constraints of her dress — as well as her freshness, which was a delight to the eye — made her hugely desirable and much sought after. She had a rosy apple of a face, a peony bud about to burst into bloom. Out of it looked two magnificent dark eyes shaded by thick black lashes. Further down was a charming little mouth complete with invitingly moist lips and tiny, gleaming pearly-white teeth. She was said to possess a variety of other inestimable qualities.

And in time we may remember, collecting every little memory, all the bits and pieces, into a larger memory, rebuilding a great layered and labyrinthine, now imagined, international hotel of many rooms, the urban experiment of a homeless community built to house the needs of temporary lives. And for what? To resist death and dementia. To haunt a disappearing landscape. To forever embed this geography with our visions and voices. To kiss the past and you good-bye, leaving the indelible spit of our DNA on still moist lips. Sweet. Sour. Salty. Bitter.

She leant over him, touched him. He felt her hair, smelling of lilac and gooseberries, brush his face and he suddenly knew that he’d never forget that scent, that soft touch, knew that he’d never be able to compare it to any other scent or touch. Yennefer kissed him and he understood that he’d never desire any lips other than hers, so soft and moist, sweet with lipstick. He knew that, from that moment, only she would exist, her neck, shoulders and breasts freed from her black dress, her delicate, cool skin, which couldn’t be compared to any other he had ever touched. He gazed into her violet eyes, the most beautiful eyes in the world, eyes which he feared would become . . . Everything. He knew.

Quote from BEAUTIFULLY BROKEN – pgs. 86 -87 “A Kiss”: I went to snatch my hand away, but Trent caught my hand in his, startling me. I looked up to see warmth on his face. His smile held the promise of happiness. He scooted closer and held my gaze for a breath, glanced down. He leaned forward, as if he had no control over his actions. I inhaled his nice, soapy-clean scent, and all coherent thought left my head. His hands gripped my waist and Trent yanked me against him, his mouth covering mine in a deep kiss. The caress of his lips was softer than I’d imagined. An unfamiliar rush of excitement engulfed my senses. My hands wrapped around his neck, fingering his silky tousled hair. His moist lips seared a path from my lips to my neck, igniting a blaze of desire that flooded my skin everywhere his lips and roaming hands touched. Boys had kissed me before, but not like this. Never like this...

Whenever any of them spoke through the mask, the muslin bulged and grew moist over the lips. This gave a sort of unreality to the conversation; it was like a colloquy of statues.

Eyes on her, he rubbed his wet finger over her lower lip slowly, coating it with her moistness, then leaned forward, licking the juice he’d smeared there. Her walls clenched. “Ambrosia,

Clevinger was already on the way, half out of his chair with emotion, his eyes moist and his lips quivering and pale. As always occurred when he quarreled over principles in which he believed passionately, he would end up gasping furiously for air and blinking back bitter tears of conviction. There were many principles in which Clevinger believed passionately. He was crazy.

Her fingers dug into the flesh of his hips as his own passion peaked. His face was buried in her neck and her skin felt his rapid, moist breath as he chanted her name. He didn’t leave her. He couldn’t forsake the paradise just yet. Nestled within her body, he raised himself on his elbows and looked down at her. Tenderly he kissed each feature of her face. “Is this possible?” she breathed, referring to the enormity of her rapture. “Yes, yes,” he murmured against her lips. He raised his head and his eyes searched her face once again. His expression was difficult to define, but it closely resembled love.

Harry paused with his fork held in midair, mesmerized by the sight of her slim fingers twirling the honey stick, meticulously filling each hole with thick umber liquid. Realizing that he was staring, Harry took a bite of his breakfast. Poppy replaced the honey stick in a small silver pot. Discovering a stray drop of sweetness on the tip of her thumb, she lifted it to her lips and sucked it clean. Harry choked a little, reached for his tea, and took a swallow. The beverage scalded his tongue, causing him to flinch and curse. Poppy gave him an odd look. "Is there anything the matter?" Nothing. Except that watching his wife eating breakfast was the most erotic act he had ever seen. "Nothing at all," Harry said scratchily. "Tea's hot." When he dared to look at Poppy again, she was consuming a fresh strawberry, holding it by the green stem. Her lips rounded in a luscious pucker as she bit neatly into the ripe flesh of the fruit. Christ. He moved uncomfortably in his chair, while all the unsatisfied desire of the previous night reawakened with a vengeance. Poppy ate two more strawberries, nibbling slowly, while Harry tried to ignore her. Heat collected beneath his clothing, and he used a napkin to blot his forehead. Poppy lifted a bite of honey-soaked crumpet to her mouth, and gave him a perplexed glance. "Are you feeling well?" "It's too warm in here," Harry said irritably, while lurid thoughts went through his mind. Thoughts involving honey, and soft feminine skin, and moist pink-

He kissed her before he knew he would do it. Cupped her small head against his hand and bent to touch her lips with his own, lightly tasting that sensuous mouth. He closed his eyes to feel it better—the moist plumpness of unseasoned lips, flavored with coffee and sugar and something that belonged only to her. And like an exhausted man sinking with gratitude into the down of a pillow, he sank into the softness, losing himself as he explored the edges and corners, the sensitive inner edge. He suckled gently and heard her sigh as she inclined her head to take him more fully.

George thrust into Alma's hand a lithograph of a spotted 'Catasetum.' The orchid had been rendered so magnificently that it seemed to grow off the page. Its lips were spotted red against yellow, and appeared moist, like living flesh. Its leaves were lush and thick, and its bulbous roots looked as though one could shake actual soil off them. Before Alma could thoroughly take in the beauty, George handed her another stunning print- a 'Peristeria barkeri,' with its tumbling golden blossoms so fresh they nearly trembled. Whoever had tinted this lithograph had been a master of texture as well as color; the petals resembled unshorn velvet, and touches of albumen on their tips gave each blossom a hint of dew. Then George handed her another print, and Alma could not help but gasp. Whatever this orchid was, Alma had never seen it before. Its tiny pink lobes looked like something a fairy would don for a fancy dress ball.

Sergeant Major Reinhold von Rumpel is forty-one years old, not so old that he cannot be promoted. He has moist red lips; pale, almost translucent cheeks like fillets of raw sole; and an instinct for correctness that rarely fails him. He has a wife who suffers his absences without complaint, and who arranges porcelain kittens by color, lightest to darkest, on two different shelves in their drawing room in Stuttgart. He also has two daughters whom he has not seen in nine months. The eldest, Veronika, is deeply earnest. Her letters to him include phrases like sacred resolve, proud accomplishments, and unparalleled in history.

At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin… Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive… Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.

Melisandre’s red lips curled into a smile. “I have seen you in my fires, Jon Snow.” “Is that a threat, my lady? Do you mean to burn me too?” “You mistake my meaning.” She gave him a searching look. “I fear that I make you uneasy, Lord Snow.” Jon did not deny it. “The Wall is no place for a woman.” “You are wrong. I have dreamed of your Wall, Jon Snow. Great was the lore that raised it, and great the spells locked beneath its ice. We walk beneath one of the hinges of the world.” Melisandre gazed up at it, her breath a warm moist cloud in the air. “This is my place as it is yours, and soon enough you may have grave need of me. Do not refuse my friendship, Jon. I have seen you in the storm, hard-pressed, with enemies on every side. You have so many enemies. Shall I tell you their names?” “I know their names.” “Do not be so certain.” The ruby at Melisandre’s throat gleamed red. “It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold.” “It is always cold on the Wall.” “You think so?” “I know so, my lady.” “Then you know nothing, Jon Snow,” she whispered.

They all watched as Genya checked his pulse, his breathing. She shook her head. “Zoya,” said Sturmhond. His voice had the ring of command. Zoya sighed and pushed up her sleeves. “Unbutton his shirt.” “What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder. “I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.” They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina. “I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist. Inej inhaled deeply. “It smells like a storm.” Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly. Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.” “Is that safe?” asked Inej. “Not remotely,” said Sturmhond. “Has she at least done it before?” said Kaz. “For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before. “Ready?” Zoya asked. Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue. “I really hope she gets this right,” murmured Nina. “Not as much as Kuwei does,” said Kaz. “It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.” “She didn’t strike me as the type,” Kaz said. “You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him. She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer. A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.

Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.

The arm at her waist tightened. “You are happy, my Summer?” She smiled into Peter’s dear face and reached up to stroke his beard once. “I am more than happy. My joy overflows.” Peter leaned down until his face was mere inches from hers. “Ich liebe dich, Summer Steadman.” She needed no translation. “And I love you.” She raised onto tiptoes, closing the distance needed for their lips to meet in a kiss moist with happy tears.

Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center. She cried out his name and he knew she was shocked at his behavior, but he didn't care. He devoured her, holding her tightly against his mouth as he drank her. Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements. He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds. She screamed. And he continued his sweet torture until her knees buckled. He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment. In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs. Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss. His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.

[Jack] “Don’t kid yourself for a f#cking second that I don’t feel anything for you.” Her lips parted in shock, but before she could get a word out, he covered them with his own. She made a high, startled sound in the back of her throat. Pleasure, red, blinding, exploded through him at the first taste. Sweet, spicy, better than all his fevered imaginings. Her lips soft and giving against him, her tongue delicious and moist as he sucked it into his mouth.

A kiss with Lenore is a scenario in which Iskate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess onthe doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

For some reason Canon Fenneau made me feel a little uneasy. His voice might be soft, it was also coercive. He had small eyes, a large loose mouth, the lips thick, a somewhat receding chin. The eyes were the main feature. They were unusual eyes, not only almost unnaturally small, but vague, moist, dreamy, the eyes of a medium. His cherubic side, increased by a long slightly uptilted nose, was a little too good to be true, with eyes like that. In the manner in which he gave you all his attention there was a taste for mastery.

Oh, Coral, Coral,” he murmured, his one almost reproachful, but still he did not make any attempt to cross the space between them. Unspoken words and unfulfilled gestures trembled in the air. In the flickering light of the fire, his bronze skin glowed warmly. Rafe stood there very still, the muscles in his body tense. Coral knew he was waiting for her. She could feel the familiar ache, shattering the last of her control. Before she knew it, she was against him, her arms around his neck. She looked up at him, her lips parted, soft and moist.

It is often said that what most immediately sets English apart from other languages is the richness of its vocabulary. Webster’s Third New International Dictionary lists 450,000 words, and the revised Oxford English Dictionary has 615,000, but that is only part of the total. Technical and scientific terms would add millions more. Altogether, about 200,000 English words are in common use, more than in German (184,000) and far more than in French (a mere 100,000). The richness of the English vocabulary, and the wealth of available synonyms, means that English speakers can often draw shades of distinction unavailable to non-English speakers. The French, for instance, cannot distinguish between house and home, between mind and brain, between man and gentleman, between “I wrote” and “I have written.” The Spanish cannot differentiate a chairman from a president, and the Italians have no equivalent of wishful thinking. In Russia there are no native words for efficiency, challenge, engagement ring, have fun, or take care [all cited in The New York Times, June 18, 1989]. English, as Charlton Laird has noted, is the only language that has, or needs, books of synonyms like Roget’s Thesaurus. “Most speakers of other languages are not aware that such books exist” [The Miracle of Language, page 54]. On the other hand, other languages have facilities we lack. Both French and German can distinguish between knowledge that results from recognition (respectively connaître and kennen) and knowledge that results from understanding (savoir and wissen). Portuguese has words that differentiate between an interior angle and an exterior one. All the Romance languages can distinguish between something that leaks into and something that leaks out of. The Italians even have a word for the mark left on a table by a moist glass (culacino) while the Gaelic speakers of Scotland, not to be outdone, have a word for the itchiness that overcomes the upper lip just before taking a sip of whiskey. (Wouldn’t they just?) It’s sgriob. And we have nothing in English to match the Danish hygge (meaning “instantly satisfying and cozy”), the French sang-froid, the Russian glasnost, or the Spanish macho, so we must borrow the term from them or do without the sentiment. At the same time, some languages have words that we may be pleased to do without. The existence in German of a word like schadenfreude (taking delight in the misfortune of others) perhaps tells us as much about Teutonic sensitivity as it does about their neologistic versatility. Much the same could be said about the curious and monumentally unpronounceable Highland Scottish word sgiomlaireachd, which means “the habit of dropping in at mealtimes.” That surely conveys a world of information about the hazards of Highland life—not to mention the hazards of Highland orthography. Of

Sophie was now tied to the massage table with her legs spread and her feet in stirrups. The three men had left the room and the little elfish servant was standing between her taut legs and examining her private parts closely. She closed her eyes. The strange little pervert moved in with his nimble fingers and started to explore her private parts and all the beautiful little nuances between her legs. His head was bent over and very close to her entrance while his fingers probed softly and meticulously but creepily around her delicate flower. Soon he was spreading her moist lips and his fingers began probing alongside and just inside her opening. It was feeling astonishingly rude and lecherous at this point and Sophie was embarrassed at how aroused she felt. She lifted her head to look and ..EEK.. she saw his pointy face between her legs ...and OMG... she was extremely startled to see the length of his huge purple pointed tongue that darted in and out of his mouth while he drooled and masterly fingered her opening. Sophie was now close to delirious. Was this for real? She looked again and yes, it was his tongue and it was a giant, purple, throbbing appendage, thrusting rapidly in and out of his little mouth.

What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.

Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.   VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.

Am I a terrible person?” she whispered, more for her ears than for his. “Does this mean I am fallen?” But he heard her, and his voice was hot and moist on the skin of her cheek. “No.” He moved to her ear and made her listen more closely. “No.” He traveled to her lips and forced her to swallow the word. “No.” Kate felt her head fall back. His voice was low and seductive, and it almost made her feel like she’d been born for this moment. “You’re perfect,” he whispered, his large hands moving urgently over her body, one settling on her waist and the other moving up toward the gentle swell of her breast. “Right here, right now, in this moment, in this garden, you’re perfect.” -Kate & Anthony

Baby,” Day said softly, his throat still sore from being choked. God turned around slowly and faced him. Day choked up at the pained expression on his man’s face. He could see that God’s eyes were moist and red-rimmed. Day inched toward him and didn’t stop until he was pressed against that broad chest. God’s strong arms came around him and squeezed him hard. The guttural moan the man released against his temple made Day’s heart seize. God pulled back and gripped a handful of Day’s hair pulling so that he was looking up at him. God bent down and oh so gently grazed his soft lips across his. Day’s body vibrated from the sensual feeling. God rubbed his face all over Day’s as if he was marking him with his scent. God’s grip tightened in his hair and he moaned again. Day could feel God’s body trembling and Day didn’t know at that moment if the shaking was from residual fear or need, so he didn’t move as he let his lover do what he needed to do. God released the punishing grip and his large palms shook as they ghosted over Day’s face. His chin was tilted up by firm fingers and again was blessed with feathery-soft kisses. God leaned back in and draped his arms completely around him and Day embraced him back. The soft piano from the album serenaded them and God just barely rocked their bodies back and forth in a very slow dance. Every few seconds he’d stop to place kisses on his forehead before leaning back in.

them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.

La Belle Dame sans Merci O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’. She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’ I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.

A kiss with Lenore is a scenario in which I skate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess on the doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

and hot inside her and instinctively, she knew that there was much more. Rhys held his weight on his forearms, his forehead pressed against hers as he waited for her to relax and to ease his passage. He eased in further, relishing the feel of her sheath clenching around him. He moved his hips in a series of light, gentle thrusts, creating a delicious friction that had her lifting her hips toward him, her legs coming up to wrap about his hips. She melted around him, and each thrust went slightly deeper, until he could feel the barrier of her innocence. He whispered an apology against her cheek and then took her lips in a fierce kiss as he thrust deeply, breaching her maidenhead. He wanted to lose himself inside her, to thrust into her moist heat again and again,

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

You came for me. You saved me.” She clung to him and shuddered from fear. “You’re okay,” he murmured. “We got through it.” Red brushed her hair back off her forehead and chucked her under the chin so she’d lift her head from where it was burrowed against his chest. “You were so smart, Cass honey. So brave and strong. You saved yourself. I’m so proud of you.” Confusion warred with doubt. She shook her head slightly. “No. I was so afraid. I was such a coward. Running and hiding like a stupid—” “Cass honey,” Red interrupted softly. “Yes, Red?” Her eyes flickered to his lips and back to his eyes. “Shut up.” Red kissed her. It worked. She shut up. Then he pulled away from her. His lips were moist from her kisses. She knew because she couldn’t quit glancing at them to see if he might be going to kiss her again.

Domenico appeared to lie against the door, and in the shadowy dark, his face was luminous and delicate. When he smiled the hollows of his cheeks deepened, the light played more beautifully on the bones, and when he spoke, it was that of a woman's voice again, husky and stroking. "Don't be afraid if him." he whispered. Tonio realized he had taken a step backwards. His heart was making a tumult inside of him. "Afraid of whom?" he asked. "Lorenzo, of course," said the roughened velvet voice. "I won't let him do anything to do." "Don't come any closer!" Tonio said sharply. Again he took a step backwards, But Domenico only smiled, his head falling a little to the left so that the white powdered curls spilled over his shoulder onto that flaring breast. "You mean I am the one you're afraid of?" Tonio looked away in confusion. "I have to leave here," he said. Domenico let out a long beguiling breath. And then suddenly he put his arms around Tonio; he pressed the soft ruffles of his breast against Tonio. Tonio stumbled back and found himself against the mirror, the candles flickering on either side of him. He reached back for the glass, his hands down, to get his balance. "You are afraid of me," Domenico whispered. "I don't know what you want!" Tonio said. "Ah, but I know what you want. Why are you afraid to take it?" Tonio was going to shake his head but he stopped, staring into Domenico's eyes. It was inconceivable that anything of a man existed under this froth, this magic. And when he saw the lips moist and parting and drawing near to him, he shut his eyes, straining away. Surely he could knock this creature to the floor with one blow, and yet he was shrinking back as if he might be burned here!

So Callie is a rake." She blushed. "I don't think so." Silence fell between them as he watched the wash of pink across her cheeks. He lifted her wounded arm in his hand, placing a soft kiss on the back of her hand. She breathed deeply at the feel of his lips on her skin, so warm and soft, and her eyes flew to his, intently focused on her. He held her gaze, and she felt a shock of liquid heat as his tongue circled one of her knuckles. He registered her surprise, smiling against her and turning her hand palm up, then setting his tongue and lips to work on the soft, sensitive spot at its center. Her breath quickened, and she closed her eyes to the sensation, unable to watch the erotic movement of his mouth across her skin. He lifted his lips from her hand and, when she opened her eyes again, it was to find him watching her, a wicked smile on his lips. Reaching out, he traced one finger along the line of her jaw, sending a shiver through her. When he spoke, his voice was thick and liquid, and it sent a shock of heat down her spine. "I shouldn't give up on that part of her just yet, Empress." She caught her breath at the endearment, which brought with it a hazy memory from long ago. He chased the vision away with the vivid present as he clasped her chin, bringing her face closer to his. "You forget, I've met the women several times... In carriages..." His lips hovered just above hers, sending a tremor of anticipation through her, "And in theatres..." She tried to close the distance between them and he pulled back just enough to drive her slightly mad. "And in bedchambers. In fact," he added, his words a caress along the sensitive skin of her lips, "I rather like the rakish side of her." And then he settled his lips upon hers, and she was lost. She was consumed by the softness of his mouth, the gentleness of the caress- so very different than the kisses they had shared before. This kiss consumed her, made her forget herself, their surroundings, everything but the magnificent pressure of his lips on hers. His thumb stroked her jaw as his mouth ate at hers, sending waves of pulsing pleasure through her. She gasped at the feeling, and he took advantage of her open lips to plunder her mouth with deep, drugging kisses that made her dizzy. She reached for him, her anchor in a sea of sensuality, wrapping her arms around his neck and plunging her fingers into his heavy, soft hair. He made a deep, satisfied sound at the feeling of her wrapped around him, and traced a path across her cheek and down the column of her throat with soft, moist kisses that sent explosions of pleasure through her.

Something moving toward us in the darkness. Huge, shambling, hairy, moist, it came toward us. We couldn’t even see it, but there was the ponderous impression of bulk, heaving itself toward us. Great weight was coming at us, out of the darkness, and it was more a sense of pressure, of air forcing itself into a limited space, expanding the invisible walls of a sphere. Benny began to whimper. Nimdok’s lower lip trembled and he bit it hard, trying to stop it. Ellen slid across the metal floor to Gorrister and huddled into him. There was the smell of matted, wet fur in the cavern. There was the smell of charred wood. There was the smell of dusty velvet. There was the smell of rotting orchids. There was the smell of sour milk. There was the smell of sulphur, of rancid butter, of oil slick, of grease, of chalk dust, of human scalps. AM was keying us. He was tickling us. There was the smell of — I heard myself shriek,

My ice-cream is melting just as quickly as Danny’s and is dripping down my chin, across my wrist, and onto my thigh. I laugh, throwing my head back and covering my eyes so as not to be blinded by happiness, and it is in this moment of weightlessness that I am suddenly aware of the lightest touch on my skin, like the wings of a butterfly. It flutters against my thigh then lingers on my wrist, but before its delicate wings reach my face, I force my eyes open and see only fragments: pink lips, a tanned cheek, the features and lines of a face silhouetted against the bright sunlight. My nostrils draw in his scent for the very first time and it is so strong that he is not just next to me but intimately close. His smell instantly takes me prisoner, overpowering me to such an extent that I have forgotten who and where I am. I know that, moments before, Alex was using his lips and tongue to clean the melted ice-cream off my thigh and wrist and inadvertently treating me to the most ecstatic experience of my life. My body and mind are adrift in a sea of bliss, the sounds of the park suddenly fade away, and the world and everyone in it cease to exist. All I can see is a blindingly bright light and all I can feel are a man’s moist lips touching mine. Alex’s hot, passionate mouth is kissing me greedily as if there is finally enough air; as if he had been suffocating, but now he can breathe. I know that a kiss like this is neither flirting nor dating and can sense with every fibre of my being that it was a sudden impulse, unplanned and impetuous. When Alex comes to his senses and realises what he has done, I am already staring meaningfully into his eyes. He pulls away slowly and starts to apologise, but I assure him there is no need, just not to do it again. He replies that he won’t, but his eyes say otherwise: he looks as overwhelmed as I feel.

Victoria Pappas stood half in and half out of the light, the shading across her body exactly that of the photograph on page 8 of Lingerie Parisienne. Desdemona (costume lady, stage manager, and director all in one) had pinned up Victoria’s hair, letting ringlets fall over her forehead and warning her to keep her biggish nose in shadow. Perfumed, depilated, moist with emollients, wearing kohl around her eyes, Victoria let Lefty look upon her. She felt the heat of his gaze, heard his heavy breathing, heard him try to speak twice—small squeaks from a dry throat—and then she heard his feet coming toward her, and she turned, making the face Desdemona had taught her; but she was so distracted by the effort to pout her lips like the French lingerie model that she didn’t realize the footsteps weren’t approaching but retreating; and she turned to see that Lefty Stephanides, the only eligible bachelor in town, had taken off . . .

When You're Not Here and When You Are" Waking early, alone, I crave the ripening hay in your field, the smell of weeds tangled in brine, and along the inland road, honeysuckle, sharp as juice sucked from raw crabs by the cove. Oh, the fine wet inside of your flowers in your field after rain. The acrostic of sifting earth with moist fingers, separating essence from essence, a pebble rolling in soil. I could lie around all day wanting the brush of your lips. Between your lips, the dark field meets a night sky. I am inside each ragged breath and the pause between. Your legs— a bridge to the twilight where, overhead, stars pulse. On such cold nights you take me as if I were spice in your coffee, stir me, your beautiful strong arms, your unbearable aching. I rely on the warmth of your voice to illuminate the dark. Like a forest that parts and cinches a road. A clasp undone. The cat purrs. A rustling as the leaves stir. In the yielding light, a pale sky warms. There. The grassy rise is splashed with rain.

There’s more, you know,” he whispered, letting his breath caress her ear. “I’m sure there must be,” she replied, her voice mere breath. “You are?” he asked teasingly, squeezing her again. “I’m not so green that I think one can make a baby from what we’ve been doing.” “I’d be happy to show you the rest,” he murmured. “Not— Oh!” He’d squeezed again, this time allowing his fingers to tickle her skin. He loved that she couldn’t think when he touched her breasts. “You were saying?” he prompted, nibbling on her neck. “I— I was?” He nodded, the faint stubble of his beard brushing her throat. “I’m sure you were. But then again, perhaps I’d rather not hear. You’d begun with the word ‘not.’ Surely,” he added with a flick of his tongue against the underside of her chin, “not a word that belongs between us at a time like this. But”— his tongue moved down the line of her throat to the hollow above her collarbone—“ I digress.” “You— you do?” He nodded. “I believe I was trying to determine what pleases you, as all good husbands should do.” She said nothing, but her breathing quickened. He smiled against her skin. “What, for example, about this?” He flattened his hand so that he was no longer cupping her, instead just letting his palm graze lightly over her nipple. “Anthony!” she choked out. “Good,” he said, moving to her neck, nudging her chin up so that she was more open to him. “I’m glad we’re back to Anthony. ‘My lord’ is so formal, don’t you think? Far too formal for this.” And then he did what he’d been fantasizing about for weeks. He lowered his head to her breast and took her into his mouth, tasting, suckling, teasing, reveling in each gasp he heard spill forth from her lips, each spasm of desire he felt shivering across her body. He loved that she reacted this way, thrilled that he did this to her. “So good,” he murmured, his breath hot and moist against her skin. “You taste so damn good.” “Anthony,” she said, her voice hoarse, “Are you sure—” He put a finger to her lips without even lifting his face to look at her. “I have no idea what you’re asking, but whatever it is”— he moved his attention to her other breast—“ I’m sure.” -Anthony & Kate

Ben stands just behind me, and we begin to wedge out a fresh piece of clay. I try my best to concentrate, to ignore the fact that my heart is beating at five times its normal speed. I watch his arms as he kneads the clay—almost a little too hard—and as the muscles in his forearms flex. “That’s good,” I say, in an effort to stay focused. I dip a sponge into a bowl of water and squeeze the droplets down over his hands to keep things moist. After several minutes, Ben lets me take the lead. I place my palms over the clay mound and close my eyes. Meanwhile, Ben’s chest grazes my shoulders, and his clay-soaked fingers stroke the length of my arms. “You’re doing great,” he whispers in my ear. We continue to sculpt for another hour, working the mound down into a flattened surface—until we have a total of four tiles. And until I can no longer hold myself back. I turn around to face him. “Camelia?” He squints slightly. I bite my lip, wishing that he could read my mind, and that he would kiss me until my lips ache. “What are you thinking?” I ask, slipping my hand inside the waistband of his jeans and pulling him closer.

How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.

Did they have all the ingredients for the seed cake, Miss Sophia? The caraway and rye, and the currants for the top?" "Yes," Sophia replied as the cook-maid disappeared into the larder. "But we could find no red currants, and-" Suddenly her words were smothered into silence as Sir Ross pulled her into his arms. His lips descended to hers in a kiss so tender and carnal that she could not help responding. Stunned, she struggled to retain her hatred of him, to remember the wrongs of the past, but his lips were utterly warm and compelling, and her thoughts scattered crazily. The pink rose dropped from her nerveless fingers. Sophia swayed against him, groping for his hard shoulders in a futile bid for balance. His tongue searched her mouth... delicious... sweetly intimate. Sophia inhaled sharply and tilted her head back in utter surrender, her entire existence distilled to this one burning moment. Through the pounding heartbeat in her ears she dimly heard Eliza's concerned voice echoing from the larder. "No red currants? But what will we top the seed cake with?" Sir Ross released Sophia's mouth, leaving her lips moist and kiss-softened. His face remained close to hers, and Sophia felt as if she were drowning in the silver pools of his eyes. His hand came to the side of her face, his fingers curving over her cheek, his thumb brushing the corner of her mouth. Somehow Sophia managed to answer Eliza. "We f-found golden currants instead-" As soon as the words left her mouth, Sir Ross kissed her again, his tongue exploring, teasing. Her groping fingers touched the back of his neck, where the thick black hair curled against his nape. Sensation rustled through her, spurring her pulse to an intemperate pace. Taking advantage of her surrender, he kissed her more aggressively, hunting for the deepest, sweetest taste of her. As her knees weakened, his arms wrapped securely around her, supporting her body as he continued to ravish her mouth. "Golden currants?" came Eliza's dissatisfied voice. "Well, the flavor won't be quite the same, but they will be better than nothing." Sir Ross released Sophia and steadied her with his hands at her waist. While she stared at him blankly, he gave her a brief smile and left the kitchen just as Eliza reemerged from the larder.

The Kisser’s Handbook (The Sensitive Male Chapter) " A peck is a red poppy. Several is a bird feeding on your hand. The first kiss is the customary rose given, a bouquet received by two. On the right side of her mouth, she is your mother. On the left side, she’s the sister you never had. A simmering moist kiss is cherry pie. Awkward and dry is love; If delicate yet firm, a kiss is Ophelia’s resuscitation from drowning; Hurried and open-mouthed, moths flutter out of her body. A kiss that glides smoothly has the pleasant lightness of tea. If it smudges, prepare yourself for children. A kiss that roams the curving of the lips, the tongue still tracing the slopes even without her near is a poet’s muse. When bitten on the lower lip—I am your peach— and if she is left there biting, dangling, she’ll burn the tree. When she’s sucking your lips as if through a straw she wants you in her. Never quite touching, lips bridged by warm clouds of breath, speak in recitation: Because I am the ocean in which she cannot swim, my lover turned into the sea, Or, cradle her in the cushions of your lips and let her sleep, lovingly, in the pink.

Oh just kiss me Baethan!” I shouted, frustrated. This was taking too long. He laughed lightly. “Not yet.” I rolled my eyes. “Brat.” “Nay love,” he responded softly. His eyes met mine as he brushed his knuckles along my cheek. “Nothing is ever rushed with you. Every moment, every touch, every kiss…is an art form. Like a painter working on his masterpiece, I must be patient and precise with each and every stroke.” Oh my. “Bae, I want to feel your lips upon mine.” “You will,” he answered, “but this, this right here, is how a real kiss begins.” His hands brushed along my arms and upward, moving slowly as they skimmed passed my chest as light as a feather. Rising higher, his fingers brushed along my neck and tilted my head back, his thumbs anchored on either side of the bottom of my chin. “Close your eyes,” he whispered and I realized he was lowering his head, pausing just an inch from my lips. They parted, my breath accelerated as I awaited the tender touch of moist warmth that would follow. My eyes closed and I breathed, several seconds passing us by as if hours, until his mouth closed over mine. His lips parted as his tongue gently pushed through, briefly, and then he pulled away slightly as his teeth nibbled my bottom lip. He held my face in his hands, and pressed multiple light kisses all over my mouth until I moaned.

Wasanbon sugar, honey and tofu. Together, they make a silky-smooth pastry crust that gently caresses the lips... while the fluffy, sticky white bean paste melts on the tongue. Its mellow and robust flavor wafting up to tickle the nose! And with every bite, the crisp tartness of apples pop like fireworks, glittering brightly and fading, only to sparkle once again. Its sweet deliciousness ripples from the mouth straight up to the brain... a super-heavyweight punch of moist, rich goodness!" "Yeeah!" "Ladies and gentlemen, all the judges have looks on their faces! What on earth could have created a flavor that rapturous?!" "The biggest secret to that flavor is right here, brushed on the underside of the pastry crust... apple butter!" "Apple butter?!" "Hmm..." It's as simple as its name- grated apple, lemon juice and sugar added into melted butter. The distinctive tang of fruit is melded together harmoniously with mellow butter, creating a spread that can add acidity, saltiness and rich body to a dish! "Yet making something like this is no mean feat! Two completely disparate ingredients must be not just mixed but perfectly emulsified together! It's a task akin to perfectly melding oil with water! Even pro chefs have difficulty bringing out the butter's smooth shine without accidentally letting it separate! Managing it all requires mastery of a very specific cooking technique!" "Yes, sir! I did use Monter au Beurre. It's a technique for finishing sauces... ... common in French cooking!

Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.

Why make thy laws against an unhappy corse? CRE. The determination of Eteocles this, not mine. ANT. It is absurd, and thou a fool to enforce it. CRE. How so? Is it not just to execute injunctions? ANT. No, if they are base, at least, and spoken with ill intent. CRE. What! will he not with justice be given to the dogs? ANT. No, for thus do ye not demand of him lawful justice. CRE. We do; since he was the enemy of the state, who least ought to be an enemy. ANT. Hath he not paid then his life to fortune? CRE. And in his burial too let him now satisfy vengeance. ANT. What outrage having committed, if he came after his share of the kingdom? CRE. This man, that you may know once for all, shall be unburied. ANT. I will bury him; even though the city forbid it. CRE. Thyself then wilt thou at the same time bury near the corse. ANT. But that is a glorious thing, for two friends to lie near. CRE. Lay hold of her, and bear her to the house. ANT. By no means—for I will not let go this body. CRE. The God has decreed it, O virgin, not as thou wilt. ANT. And this too is decreed—that the dead be not insulted. CRE. Around him none shall place the moist dust. ANT. Nay, by his mother here Jocasta, I entreat thee, Creon. CRE. Thou laborest in vain, for thou canst not obtain this. ANT. But suffer thou me at any rate to bathe the body. CRE. This would be one of the things forbidden by the state. ANT. But let me put bandages round his cruel wounds. CRE. In no way shalt thou show respect to this corse. ANT. Oh most dear, but I will at least kiss thy lips. CRE. Thou shalt not prepare calamity against thy wedding by thy lamentations.

I am listening to Istanbul" I am listening to Istanbul, intent, my eyes closed; At first there blows a gentle breeze And the leaves on the trees Softly flutter or sway; Out there, far away, The bells of water carriers incessantly ring; I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; Then suddenly birds fly by, Flocks of birds, high up, in a hue and cry While nets are drawn in the fishing grounds And a woman’s feet begin to dabble in the water. I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed. The Grand Bazaar is serene and cool, A hubbub at the hub of the market, Mosque yards are brimful of pigeons, At the docks while hammers bang and clang Spring winds bear the smell of sweat; I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; Still giddy since bygone bacchanals, A seaside mansion with dingy boathouses is fast asleep, Amid the din and drone of southern winds, reposed, I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed. Now a dainty girl walks by on the sidewalk: Cusswords, tunes and songs, malapert remarks; Something falls on the ground out of her hand, It’s a rose I guess. I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; A bird flutters round your skirt; I know your brow is moist with sweat And your lips are wet. A silver moon rises beyond the pine trees: I can sense it all in your heart’s throbbing. I am listening to Istanbul, intent, my eyes closed.

I want to try something with you,” she says quietly. She steps close, so close I can feel her breath against my shirt. It’s warm and moist. My heart starts to thud. “Can I touch you?” she asks. She lays a hand on my stomach. “Yes, please,” I croak. I clear my throat, and she laughs. Her other hand comes up to lie beside the first, and then one hand goes east while the other goes west, until her hands wrap around my back. She locks her hands behind me and lays her face against my shirt. She nuzzles her cheek into my left pectoral muscle. “Hug me back,” she says quietly. I wrap my arms around her, careful to squeeze her soft and slow, calmly and carefully. She exhales heavily, and I rest my chin on top of her head. In that second, I know my heart is hers. I tell myself she’s only taking a little piece, but that’s a fucking lie. She’ll have the whole thing by the time I go back to New York. She undoes me with her simple affection. And I don’t know how to behave, so I just hold her. I hold her and let her breathe while I drink in the feel of her. I want to tip her face up and press my lips to hers, but I’m not sure that would be any more fulfilling than this pregnant silence is. It’s full of possibility. For me, it’s full of longing, and something entirely different for her, probably. I open my eyes and look up. Her mother is standing there with her mouth hanging open. She slams it shut and smiles at me, giving me a thumbs-up. I grin. I can’t help it. I lay my hand on the back of Reagan’s head and stroke down the length of her hair. “You have no idea how long I’ve wanted to touch you,” I say quietly. “You have no idea how long I’ve wanted to be touched,” she says. I can feel the words against my chest, ripe with longing.

She fell asleep rapidly, swimming through a haze of pleasant images... walking through the forest in Hampshire... dangling her feet in a cool pond on a hot day... pausing in the kissing gate, while the smell of sun-warmed meadowsweet rose thickly to her nostrils. She closed her eyes and tilted her chin upward, relishing the sultry rays, while a butterfly's wings brushed lightly against her cheek. Entranced by the delicate tickle, she held very still. The silken strokes moved over the tip of her nose, the sensitive periphery of her upper lip, the tender corners of her mouth. Searching blindly, she lifted her face to the brushes of warmth and was rewarded by a gentle pressure that opened her lips and drew a moan from the upper part of her lungs. Lord Sydney was standing with her in the kissing gate, his arms trapping her against the painted ribs of latticework. His mouth searched hers so gently, his body firm against hers, and she writhed in a mute plea for him to hold her more tightly. Seeming to know exactly what she wanted, he pushed his knee into her skirts, right against the place that felt swollen and yearning. Gasping, she curled her fingers in his glossy hair, and he whispered for her to relax, that he would take care of her, satisfy her- "Oh." Blinking hard, she stirred from the sensuous dream as she realized that she was not alone. The bed curtains had been drawn aside, and Nick Gentry's long body was entangled with hers. One large hand was cupped beneath her hips, while his leg wedged more intimately between hers. His breath surged against her ear, filling the shell with moist heat, and then his lips wandered back to hers in a searing path. He absorbed her protest as he kissed her, his tongue searching her mouth, his body levering over hers.

From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.

Zane continued to look at her. Even better, he kept her hand in his, his thumb rubbing up and down the length of her fingers. Over and over. Up and down. It was very rhythmic. And sexual. Her thighs took on a life of their own, getting all hot and shaking slightly. Her mouth went dry, her breasts were jealous of the attention her hand was getting and her hormones were singing the “Hallelujah Chorus.” Obviously she needed intensive therapy…or maybe just sex. Zane’s eyes darkened. The muscles in his face tightened, and he stared at her with a hawkish expression. Had he been anyone else, she would have sworn that he’d just had a physical awakening of his own. Awareness crackled around them, like self-generated lightning. The tightness in her chest eased just enough for her to suck in a breath, which was really good, because the next second it all came rushing out again when he kissed her. Just like that. With no warning, Zane Nicholson bent his head and claimed her mouth. It wasn’t a movie-perfect kiss. They didn’t magically melt into each other. Instead their noses bumped, and somehow the hand still holding hers got trapped between them. But all that was fairly insignificant when compared with the intense, sensual heat generated by the pressure of his lips on hers. That part was exactly right. Not too hard, not too soft. When he moved against her, need shot through her body. Had she been breathing again, she would have whimpered. Had he tried to pull away, she would have fallen at his feet and begged him not to stop. Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away.

She did not answer. Or, rather, she answered by sliding long fingers across Kassad’s chest, ripping away the leather thongs which bound the rough vest. Her hands found his shirt. It was soaked with blood and ripped halfway down the front. The woman ripped it open the rest of the way. She moved against him now, her fingers and lips on his chest, hips already beginning to move. Her right hand found the cords to his trouser front, ripped them free. Kassad helped her pull off the rest of his clothes, removed hers with three fluid movements. She wore nothing under her shirt and coarse-cloth trousers. Kassad’s hand slid between her thighs, behind her, cupped her moving buttocks, pulled her closer, and slid to the moist roughness in front. She opened to him, her mouth closing on his. Somehow, with all of their motion and disrobing, their skin never lost contact. Kassad felt his own excitement rubbing against the cusp of her belly. She rolled above him then, her thighs astride his hips, her gaze still locked with his. Kassad had never been so excited. He gasped as her right hand went behind her, found him, guided him into her. When he opened his eyes again she was moving slowly, her head back, eyes closed. Kassad’s hands moved up her sides to cup her perfect breasts. Nipples hardened against his palms. They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try. They made love in a sudden shaft of late October light with a carpet of leaves and clothes beneath them and a film of blood and sweat oiling the sweet friction between them. Her green eyes stared down at Kassad, widening slightly when he began moving quickly, closing at the same second he closed his. They moved together then in the sudden tide of sensation as old and inevitable as the movement of worlds: pulses racing, flesh quickening with its own moist purposes, a further, final rising together, the world receding to nothing at all—and then, still joined by touch and heartbeat and the fading thrill of passion, allowing consciousness to slide back to separate flesh while the world flowed in through forgotten senses. They lay next to each other.

Nick..." She started as his mouth descended to the nest of blond curls. "Nick..." But he did not listen, completely absorbed in her salt-scented female flesh. His breath filled the moist cleft with steamy heat. A moan rose from her throat, and her wrists twisted in his grasp. His tongue searched through the springy curls until he reached the rosy lips hidden beneath. He licked one side of her sex, then the other, the tip of his tongue teasing delicately. His mouth ravished her so gently, his tongue slipping over her melting flesh to find the secret entrance to her body, filling her with silky heat... withdrawing... filling. Lottie went weak all over, her sex pulsing urgently. As he nuzzled and played with her, she tried to angle her body so that he would touch the peak that throbbed so desperately. He seemed not to understand what she wanted, licking all around the sensitive spot but never quite reaching it. "Nick," she whispered, unable to find words for what she wanted. "Please. Please." But he continued to deny her, until she realized he was doing it deliberately. Frustrated beyond bearing, she reached down to his head, and she felt the puff of his brief laugh against her. Immediately his mouth slid away and traveled downward, tasting the damp creases of her knees, moving to the hollows of her ankles. By the time he made his way back to her loins, her entire body was sweltering. His head hovered over the place between her legs again. Lottie held her breath, aware of a hot trickle of moisture from her body. His tongue brushed the peak of her sex in a tentative lap. Lottie could not hold back a wild cry as she arched into his mouth. "No," he murmured against her damp flesh. "Not yet, Lottie. Wait just a little longer." "I can't, can't, oh, don't stop..." She pulled at his dark head frantically, groaning as he feathered his tongue over her once more. Catching her wrists, Nick pulled them over her head and settled his body between her thighs, taking care not to crush her. His shaft was cradled in the hot valley between her legs. His dark blue eyes stared directly into hers as he released her hands. "Leave them there," he said, and she obeyed with a sob. He kissed her breasts, moving from one to the other. With each incendiary swirl of his tongue, she nearly rose off the sheet. His sex slid against her in disciplined thrusts that teased and rubbed and tormented, while his mouth drew hungrily on her nipples. She arched upward with supplicating moans. Stunning pleasure built inside her, gaining intensity... she hovered on the brink, waiting, waiting... oh, please... until the culmination was finally upon her. She cried out in bashful amazement as rich spasms spread from the center of her body. "Yes," he whispered against her taut throat, his hips working gently over hers.

Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away. It was like being inside the space shuttle on take-off. Phoebe might not have any personal experience with space flight, but she could imagine. The powerful force between them left her weak and clinging to his broad shoulders. She trembled and needed and ached with equal intensity. His tongue brushed against hers again. He tasted of coffee and mint and something wonderfully sensual and sweet. His mouth seemed designed for kissing. Maybe it was all that non-conversation. Maybe talking too much undermined a man’s ability to kiss. She didn’t know and didn’t care. All that mattered was the way he stroked her, touched her, teased her. He cupped her head with one hand and ran his other up and down her back. If only this moment would never end. But it did. A sharp bark from somewhere in the distance brought Phoebe back to earth with a rude thunk. She suddenly became aware of being pressed up against a really good-looking stranger, kissing in front of a goat pen. Apparently Zane got a similar wake-up call, because he stepped back at the same second she did. At least the man was breathing hard. She would hate to think she was the only one who had been affected. “Okay, then,” she said when she realized that all feelings to the contrary, she still could breathe. Zane continued to stare at her. She swallowed. “Did you want to say something?” Anything would be fine. Just any old reaction. As long as he wasn’t going to say it was all a mistake. That would really annoy her. Or maybe she was making a big deal out of nothing. Maybe he kissed lots of women out here by the goat pens. “I have to get back to work. Can you find your way to the house?” She blinked at him. That was it? Okay. Fine. As long as she didn’t try to walk on legs that were still trembling, she could pretend nothing had happened. “Sure,” she muttered. “No problem.” He nodded, then bent down and picked up his hat. She frowned. When exactly had that fallen off? He straightened, opened his mouth, then closed it. She wasn’t even surprised when he turned and left without saying a word. It was just so typical. When she was alone, Phoebe tried to work up a case of righteous indignation. When that didn’t work, she went for humor. If nothing else, she had to give Maya credit for the promised distraction. Oh. She also had to remember that as soon as she found out what constituted a treat on the baby-goat food hit list, she would be sure to send a thank-you gift.

I lean up to kiss Turner's moist lips, but he pulls back and smirks down at me, touching the bare skin on my hip with gentle fingers.

You’re bleeding,” he said. “A thorn prick, no more,” she stated. “I didn’t know fairy creatures could bleed. I always fancied them spun of mist and moonlight, not flesh and blood.” “Let go.” “No, my love—” “I’m not a fairy creature, and I am surely not your love.” “It’s just an expression.” “It’s a lie. But ’tis no high wonder to me. I’d be expecting falsehoods from a Sassenach.” “Poor Caitlin. Does it hurt?” Very slowly, with his eyes fixed on hers, he put her finger to his lips and gently slipped it inside his mouth. Too shocked to stop him, she felt the warmth of his mouth, the moist velvet brush of his tongue over the pad of her finger. Then with an excess of gentleness he drew it out and placed her hand in her lap. “I think the bleeding’s stopped,” he said.

she must, Anna thought, need to sleep with some kind of pads over them to keep her eyeballs moist. Whatever nose had once sat in the middle of her face had melted into a small, pug-like muzzle, while oversized cheek implants added an almost whimsical touch of chipmunk. Lips too lush for even a twenty-year-old were the finishing touch, ballooning out from her face, turning up at the ends, and making a normal chin look weak and recessive atop a tight, corded neck. The Joker, Anna thought. The thick curls of a platinum wig tumbled about this hodgepodge of readjusted features, undoubtedly hiding a hairline a good five

For a long moment we didn't move. We just stared at each other. So much time had passed since our eyes last met. So much had changed. I turned away and pressed my head to the cold window pane. I traced my initials onto the misted glass and, as they began to fade, He reached out his fingers and retraced my signature. I watched it fade once more and felt his moist fingers brush against my lips. He let them linger there a moment, then replaced them with his own lips. Then I woke up.

Life’s got an interesting sense of humor.” He was relaxing now that she’d decided to drop the subject. A long, put-upon sigh. “Isn’t that the truth? Clearly, I’m being tested.” Curious, he asked, “And are you passing?” Another adorable pout. “I don’t think so.” That mouth looked like she’d just eaten a bowl of strawberries and the juices had stained her lips. He wanted to bite her. Lick her to see if she tasted as sweet as she looked. She got all squinty, another pretzel firmly in hand. “I’m drunk.” Unfortunately. “I don’t doubt that.” Her gaze caught his. Darted away. Her pink tongue flitted out to wet her full lower lip. It glistened like an invitation. “I’d leave, but I can’t walk. My feet hurt.” “I wouldn’t let you go, anyway.” He was a little taken aback to find the words true. It had been a long time since he’d wanted anything, but he still recognized the spark of desire. He wanted her, and wasn’t ready for her to walk off into the sunset yet. The right or wrong of the situation didn’t much matter. She swirled a finger over the edge of her ice water. “Do you think you could stop me? He cocked a brow and gave her a once-over. “Considering the way you hobbled in here, I think I can take you.” Dark lashes almost obscured the green of her irises as she squinted. “I’m supposed to be getting independent now.” “I see,” he said, considering the guy she’d ditched at the altar for the first time. It took a lot to drive a woman out a church window with nothing but the clothes on her back. “Everyone needs a little rescue sometime.” “You’re not one of those knight-in-shining-armor guys, are you?” She said the words as if they were foul. “Not normally, but I’m making an exception for you.” He was surprised to find he wanted the role, despite her distain. “I don’t want an exception.” Her tone had taken on a decided wail. “Too bad.” Yep, he wasn’t budging on this one. She wanted to stand on her own two feet. He understood, but it only made him more determined. “Why me?” “Because I want to.” It was that simple. Besides, she’d probably take off in the morning and he’d never see her again. One night to break the monotony wouldn’t hurt. Before she could respond, he turned and walked the length of the bar. Flipping open the counter, he rounded the corner, striding to stand in front of her. “It’s been a long time since I’ve done anything chivalrous. Won’t you let me?” Even white teeth nibbled on her bottom lip and he curled his hand into a fist to keep from stroking his thumb over the abused, moist flesh. Glassy, pensive eyes blinked up at him. He stepped close enough to feel the warmth of her skin. “What kind of a man would I be if I left you stranded?” “I’m

When we reached the street that branched off into the western section of the city, I expected Saadi to conintue north, but he did not. We dismounted and walked side by side, leading our horses, until my house came into view. “You should leave,” I said to him, hoping I didn’t sound rude. “Let me help you take King to your stable.” I hesitated, unsure of the idea, then motioned for him to follow me as I cut across the property to approach the barn from the rear. After putting King in his private stall at the back of the building, sectioned off from the mares, I lit a lantern and grabbed a bucket. While Saadi watched me from the open door of the building, I went to the well to fill it. “You should really go now,” I murmured upon my return, not wanting anyone to see us or the light. He nodded and hung the lantern on its hook, but he did not leave. Instead, he took the bucket from me, placing it in King’s stall, and I noticed he had tossed in some hay. Brushing off his hands, he approached me. “Tell your family I returned the horse to your care, that our stable master found him too unruly and disruptive to serve us other than to sire an occasional foal.” “Yes, I will,” I mumbled, grateful for the lie he had provided. I had been so focused on recovering the stallion that explaining his reappearance had not yet entered my mind. Then an image of Rava, standing outside the barn tapping the scroll against her palm, surfaced. What was to prevent her return? “And your sister? What will you tell her?” He smirked. “You seem to think Rava is in charge of everything. Well, she’s not in charge of our stables. And our stable master will be content as long as we can still use the stallion for breeding. As for Rava, keep the horse out of sight and she’ll likely never know he’s back in your hands.” “But what if you’re wrong and she does find out?” “Then I’ll tell her that I have been currying a friendship with you. That you have unwittingly become an informant. That the return of the stallion, while retaining Cokyrian breeding rights, furthered that goal.” I gaped at him, for his words flowed so easily, I wondered if there was truth behind them. “And is that what this is really all about?” I studied his blue eyes, almost afraid of what they might reveal. But they were remarkably sincere when he addressed the question. “In a way, I suppose, for I am learning much from you.” He smiled and reached out to push my hair back from my face. “But it is not the sort of information that would be of interest to Rava.” His hand caressed my cheek, and he slowly leaned toward me until his lips met mine. I moved my mouth against his, following his lead, and a tingle went down my spine. With my knees threatening to buckle, I put my hands on his chest for balance, feeling his heart beating beneath my palms. Then he was gone. I stood dumbfounded, not knowing what to do, then traced my still-moist lips, the taste of him lingering. This was the first time I’d been kissed, and the experience, I could not deny, had been a good one. I no longer cared that Saadi was Cokyrian, for my feelings on the matter were clear. I’d kiss him again if given the chance.

Barely!” Her rosy red lips formed into a pout as she crossed her arms over her stomach, her hands clinging to her elbows. Her eyes moist, she looked like she was about to cry. She glared at me. “Stop laughing. I’m still mad at you.

Gaby bit down on her lip and looked to Mia, and her friend’s eyes were moist. Could her heart possibly beat out of her chest? It was so loud! Did anyone else hear it? “Do you know how many pictures I have in my phone of you, just you, that you have no idea about?” Gaby blew out air from pursed lips and deflated. Now something was happening to her physically. “I know every detail on your face, every part of your body, I counted the seconds between your blinks; four, if you’re reading, seven. So I know you don’t believe it, but you tell me…you tell me what that sounds like to you?” Gaby looked off and her first thought was, I’ve been waiting forever to have somebody make me feel this special. Never mind if it was true or not, it felt fantastic just hearing it. But if it was true, then she had to say it. “It… It sounds like love.” She

He was silent a moment; then he said, "I want a drink of water." She almost laughed aloud, because it was such a mundane request that could have been made of anyone, but then she saw the tension in his jaw and lips and realized that, again, he was checking out his condition, and he wanted her with him. She turned to the small Styrofoam pitcher that was kept full of crushed ice, which she used to keep his lips moist. The ice had melted enough that she was able to pour the glass half full of water. She stuck a straw into it and held it to his lips. Gingerly he sucked the liquid into his mouth and held it for a moment, as if letting it soak into his membranes. Then, slowly, he swallowed, and after a minute he relaxed. "Thank God," he muttered hoarsely. "My throat still feel swollen. I wasn't sure I could swallow, and I sure as hell didn't want that damned tube back." Behind Jay, Frank turned a smothered laugh into a cough. "Anything else?" she asked. "Yes. Kiss me.

While contemporary restaurants pay lip service to the notion of companionability, they provide us with only its most inadequate simulacrum. The number of people who nightly patronize restaurants implies that these places must be refuges from anonymity and coldness, but in fact they have no systematic mechanisms by which to introduce patrons to one another, to dispel their mutual suspicions, to break up the clans into which people chronically segregate themselves or to get them to open up their hearts and share their vulnerabilities with others. The focus is on the food and the decor, never on opportunities for extending and deepening affections. In a restaurant no less than in a home, when the meal itself – the texture of the escalopes or the moistness of the courgettes – has become the main attraction, we can be sure that something has gone awry. Patrons will tend to leave restaurants much as they entered them, the experience having merely reaffirmed existing tribal divisions. Like so many institutions in the modern city, restaurants are adept at gathering people into the same space and yet lack any means of encouraging them to make meaningful contact with one another once they are there.

mouth, her lips moist from the spray. He kissed her and she moved

He touched the tender skin of her palm and swiped a dot of blood off the tip of her finger. Without thinking, he lifted her hand to his lips and kissed her finger. She drew in a sharp breath but didn’t make an effort to pull away from him. He met her gaze. The silkiness in the depths sent a tremor through his body. He pressed his lips against her smooth skin again, tasting the saltiness of her blood. His lips brushed a path to her palm, and in the tender, moist middle he pressed another kiss. Her chest rose and fell in rapid succession, but she still made no move. Instead, she watched him, almost as if she was remembering the kiss he’d given her on their wedding day, the same kiss that still haunted him. Maybe it was past time for him to give her another.

You'll be fine," she said to Rico when they got back, because he was still studying her and trying to make sense of her bizarre swings. "Cooking eggs is a standard test of basic cooking skill." "I know I'll be fine," he said, the full blast of his focus mapping her relief. The emeralds in his eyes were too bright. The way they had been that first time they'd met under the bleachers. The need to see what no one else cared to see inside her, intense and naked. It had disarmed her then. Today, it infuriated her. Made her brain forget the camera. Made her hands fly. She broke the eggs in a clean one-handed crack, whipped them ruthlessly into a thick froth, chopped the onions, cilantro, and green chilies in an unrelentingly brutal rhythm. All without breaking a sweat or sparing him a glance. With minutes to spare from the mere twenty they were given, she turned out a fluffy and perfectly moist omelet with garlic-infused oil rolled into a crisp, flaky paratha. Until they stood in front of the judges, she had forgotten where she was, who she was with. The only place the livid energy inside her seemed to have manifested itself was in what the judges declared "abject underseasoning." This made Ashna smile. When she looked at Rico, he was having the same reaction. For one quick meeting of their eyes, the ridiculously overdramatic statement joined them together with shared humor. His lips tilted up on one side. For the first time since they'd lined up to hear the challenge, she took a full breath.

There’s no need for you to awaken early if you don’t wish,” he said, sprinkling a pinch of salt over his eggs. “Many ladies of London sleep until noon.” “I like to rise when the day begins.” “Like a good farmwife,” Harry said, casting her a brief smile. But Poppy showed no reaction to the reminder, only applied herself to drizzling honey over the crumpets. Harry paused with his fork held in midair, mesmerized by the sight of her slim fingers twirling the honey stick, meticulously filling each hole with thick amber liquid. Realizing that he was staring, Harry took a bite of his breakfast. Poppy replaced the honey stick in a small silver pot. Discovering a stray drop of sweetness on the tip of her thumb, she lifted it to her lips and sucked it clean. Harry choked a little, reached for his tea, and took a swallow. The beverage scalded his tongue, causing him to flinch and curse. Poppy gave him an odd look. “Is there anything the matter?” Nothing. Except that watching his wife eating breakfast was the most erotic act he had ever seen. “Nothing at all,” Harry said scratchily. “Tea’s hot.” When he dared to look at Poppy again, she was consuming a fresh strawberry, holding it by the green stem. Her lips rounded in a luscious pucker as she bit neatly into the ripe flesh of the fruit. Christ. He moved uncomfortably in his chair, while all the unsatisfied desire of the previous night reawakened with a vengeance. Poppy ate two more strawberries, nibbling slowly, while Harry tried to ignore her. Heat collected beneath his clothing, and he used a napkin to blot his forehead. Poppy lifted a bite of honey-soaked crumpet to her mouth, and gave him a perplexed glance. “Are you feeling well?” “It’s too warm in here,” Harry said irritably, while lurid thoughts went through his mind. Thoughts involving honey, and soft feminine skin, and moist pink— A knock came at the door. “Come in,” Harry said curtly, eager for any kind of distraction.

Good night, Mr. Fairfax,” she said in a shaky voice. Steven laughed and tossed his hat onto a settee to pull her against him. Her heart raced and heat climbed from her stomach to her chest at the intimacy of their contact—Emma could feel his rocklike masculinity pressing against the soft flesh of her thigh. “Mr. Fairfax,” she protested. “I must insist—” Her words were smothered by the warm, moist conquest of his mouth. His tongue teased the corners of her lips, and when they opened for him, he consumed her. Emma whimpered and sagged slightly in surrender, as he plundered her sweetness. By the time the kiss ended, the room was spinning so that she could barely stand, and Steven deposited her in a nearby chair. “See you Saturday, Miss Emma,” he said with a low chuckle. “Go to perdition, Mr. Fairfax,” Emma replied breathlessly, not daring to meet his eyes. But she knew she’d go on the picnic with him, and so did he. Chloe

Foes I sniff, when I have less to shout or murmur. Pals alone enormous sounds downward & up bring real. Loss, deaths, terror. Over & out, beloved: thanks for cabbage on my wounds: I'll feed you how I feel:-- of avocado moist with lemon, yea formaldehyde & rotting sardines O in our appointed time I would I could a touch more fully say my countless mind. The senses are below, which in this air sublime do I repudiate. But foes I sniff! My nose in all directions! I be so brave I creep into an Arctic cave for the rectal temperature of the biggest bear, hibernating -- in my left hand sugar. I totter to the lip of the cliff.