Moist Critical Quotes

Having a lover/friend who regards you as a living growing criatura, being, just as much as the tree from the ground, or a ficus in the house, or a rose garden out in the side yard... having a lover and friends who look at you as a true living breathing entity, one that is human but made of very fine and moist and magical things as well... a lover and friends who support the ciatura in you... these are the people you are looking for. They will be the friends of your soul for life. Mindful choosing of friends and lovers, not to mention teachers, is critical to remaining conscious, remaining intuitive, remaining in charge of the fiery light that sees and knows.

but he was afraid of being insincere and telling lies in the presence of death. It was on a fine winter’s day, shot through with sunlight. In the pale blue sky, you could sense the cold all spangled with yellow. The cemetery overlooked the town, and you could see the fine transparent sun setting in the bay quivering with light, like a moist lip.

The demons of critical path analysis swarmed around his brain. There was always something that you had to do before you could do the thing you wanted to do and even then you might get it wrong.

By the seventh century, eminent physicians were arguing over the best cure for lovesickness. All agreed, however, that keeping the brain sufficiently moist was absolutely critical. To achieve the desired humidity, doctors would force a lovesick man to smell the menstrual cloth of his beloved or inhale the stinking embers of her burned feces.

Just before the world ended, people hated the word moist. Poverty was still a problem. Terrorism was a big issue at the time. Genocide was always happening somewhere. But you had to be careful when using the word moist. It was acceptable if you were describing cake, but if you used it in any other sense you were sure to get a talking to. Most people didn’t know a terrorist personally. If we had, then maybe more of us would have told them off with stern words and clever slogans. You couldn’t yell at poor people at all. It wasn’t acceptable. You couldn’t even wonder out loud why they were poor without being an insensitive ass. You couldn’t even suggest a new solution to the problem without being labeled horrible things. Perhaps it was this lack of outlet that caused so much frustration regarding the word moist. We couldn’t do anything about international terror or rampant poverty, but we could always chastise a friend for using a word that made them uncomfortable. Maybe this is why so much effort was put into hating the word. They scorned their friends whenever it was used and followed the scorning with a two-minute rant about how much they hated the word. They spent time and creative resources developing flowcharts for when the word was appropriate and clever cartoons to express just how much it annoyed them when it was used outside of cake references. They shared all of this on social media and built a wall of criticism that kept people in check. We could shut out what we didn’t want to hear. We felt free to berate anyone who thought different than us. By doing this, we fought the good fight. We were activists despite our inactivity. Moist was a line drawn in the sand and we stood behind our walls daring anyone to cross it. It may seem silly now. It may seem that our outrage was misdirected, but it made us feel safe. We stood behind our walls fighting our own battles against the things that offended us most. Times were good as long as the real problems were well outside our walls.

Daniel Mas Masumoto: The blade slices into the soil. My muscles tense and push the shovel into the moist ground. Dark and damp, the sweet warm smell of wet earth…I can’t count the thousands of shovelfuls of earth I have moved in my life. But I like to think of the thousands that lie in my future, if I am fortunate. Spring irrigation brings life to the orchards and vineyards. Peaches ripen and the scent of bloom lingers in the air…I guide the water into my fields in an act of renewal, I think of Paul, a farmer and oil painter friend. He enjoys experimenting with green, capturing the subtle nuances of a fresh leaf or the thriving growth of mid-spring or the weak yellow green of a cover crop on bad soil… Paul knows his paintings work when the farmers gravitate toward a few, attracted by the colors, and begin talking about his greens. The true green of a field has depth, like the mysterious colors of a clear by deep lake. Each shade has meaning we interpret differently. Paul says farmers are his best art critics, we know more of greens than anyone else. I’ve lost raisin crops, peach harvests, whole trees and vines. I’ve lost money, my time, and my labor. I’ve lost my temper, my patience, and, at time, hope. Most of the time, it’s due to things beyond my control, like the weather, market prices, or insects or disease. Ironically, the moment I step off my farm I enter a world where it seems that everything, life and nature, is regulated and managed. Homes are built to insulate families from the outside weather. People work in climate controlled environments designed to minimize the impact of weather. In America, a lack of control means failure…I’ve abandoned my attempts to control and compete with nature, but letting go has been a challenge. I’m trying to listen to my farm. Before I had not reason to hear the sounds of nature. The sole strategy of conventional farming seems to be dominance. Now, with each passing week, I venture into fields full of life and change, clinging to a belief in my work and a hope that it’s working.

Some skeptical and debunking critics who have seen my documentary, The Life After Death Project, have misstated the basic facts of this incident. First, they like to refer to the ink obliteration as a “smudge.” I’ll cry foul at that. The word “smudge” implies something accidental, as if some moist ink had just smeared somehow. It was not a “smudge.” It was a deliberate targeting of four words, which is the only reasonable conclusion. There were also two levels of darkness, or opacity, also very precise.

How are earthworms going to get on board?” Sulfur asked, half-joking. “Good question. We’ll make sure there’s a way.” Zest looked at the structure with a critical eye. Acorn was confused. “Why would earthworms need transit?” Sulfur arched an eyebrow. “They’re members of the public.” “OK, I’ll put worm accessibility on the list.” With nonchalant acceptance, Acorn saved the audio of their last few seconds of conversation to a local to-do list for the team. “Probably they can use the same ramp as the naked mole rats, but we should check to be sure whether they might need some moist dirt to sit in during the ride.” “Thanks.” Zest sounded surprised but happy. “I wasn’t sure you’d actually do that.” Acorn tilted their head to the side quizzically. “Why wouldn’t we?