Modelling Funny Quotes

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1. You left a multipack of Mars Bars on top of your wardrobe. Can I have one? Dad x 2. I had three. Hope that's OK. Dad x 3. I'm just going to have one more. Dad x 4. Harriet, your Dad's made himself sick on an entire multipack of Mars Bars again. Please don't leave sweets where we can find them. A x
Holly Smale (Model Misfit (Geek Girl, #2))
I had met Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquis of Dalí de Púbol, previously in Spain in the company of his pet anteater and a glamorous model called Mercedes Benz.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit." "You don't mean that." "Come on. I still like you, you know, even if you... crave plasma." Michael blinked and looked at her as if he had never seen her before. "You what?" "Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup. "How clueless are you? Does it come with the fangs?" "I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know." "I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said. "It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look." " How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch. She laughed. "Oh come on. You're a total model-babe." "You're kidding." "You don't think you are?" He shook his head. "Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms. “So? What exactly do you think about me, except that I’m intimidating?” “I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.” Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.” “Well, to be fair, you are Shane’s bratty freak friend.” “Hey!” “You can be bratty and beautiful,” Michael said. “I think it’s interesting.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
If someone had asked him, “Ben, are you lonely? , ” he would have looked at that someone with real surprise. The question had never even occurred to him. He had no friends, but he had his books and his dreams; he had his Revell models; he had a gigantic set of Lincoln Logs and built all sorts of stuff with them. His mother had exclaimed more than once that Ben’s Lincoln Logs houses looked better than some real ones that came from blueprints. He had a pretty good Erector Set, too. He was hoping for the Super Set when his birthday came around in October. With that one you could build a clock that really told time and a car with real gears in it. Lonely? he might have asked in return, honestly foozled. Huh? What? A child blind from birth doesn’t even know he’s blind until someone tells him. Even then he has only the most academic idea of what blindness is; only the formerly sighted have a real grip on the thing. Ben Hanscom had no sense of being lonely because he had never been anything but. If the condition had been new, or more localized, he might have understood, but loneliness both encompassed his life and overreached it. It simply was, like his double-jointed thumb or the funny little jag inside one of his front teeth, the little jag his tongue began running over whenever he was nervous.
Stephen King (It)
If my hair was on fire and llamas came to put it out, he'd tell me the shot was great.
Erin Dionne (Models Don't Eat Chocolate Cookies)
Every cell of my body says, ‘Oh god yes! Crime? I can do some crime!’ I want this ship like I’ve never wanted anything in my life. I had a poster of the first-ever Breakbolt model on my bedroom wall when I was nine. It’s like a manifestation of every dream I’ve ever had, everything I’ve ever wanted for myself: a piloting license, a beautiful ship under me, and stars out the viewport. Child Nax says, ‘Do it, do the crime!
M.K. England (The Disasters)
Oh. Well was this your first time painting a live model?” She nodded her head, with an almost guilty look on her face. “What’s it like?” “Hard,” she replied.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
That raccoon is my goddamn role model. He is the worst and best Patronus ever, and I want to be just like him when I grow up.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Scientist say that music can change the speed of a heartbeat. They failed to add: so can a text message.
Holly Smale (Model Misfit (Geek Girl, #2))
We seldom look up to the person; we usually look up to their persona.
Mokokoma Mokhonoana
(When asked “Was the model for Midori (a character in Norwegian Wood) modeled after your wife?”) I showed your message to my wife. She got mad and yelled: “What would make them think I was the model for Midori?!” She told me to fix the misunderstanding immediately, so that’s why I’m writing this reply now. Please stop causing problems in my household. Thank you.
Haruki Murakami
Just like how most if not all poor boys look up to and aspire to someday be rich men, most if not all underdeveloped and developing countries look up to and aspire to someday be developed countries.
Mokokoma Mokhonoana (The Use and Misuse of Children)
Suddenly, however, the dastardly department of my personality presented two plans, one of which involved dynamite, mustache wax, some rope, and train tracks . . . which I rejected due to financial investment.
Laurie Notaro (It Looked Different on the Model: Epic Tales of Impending Shame and Infamy)
Putting yourself in a position where you can be rejected, saying a joke that may not be funny, asserting an opinion that may offend others, joining a table of people you don’t know, telling a woman that you like her and want to date her. All of these things require you to stick your neck out on the line emotionally in some way. You’re making yourself vulnerable when you do them. In this way, vulnerability represents a form of power, a deep and subtle form of power.
Mark Manson
Give him Bigfoot with an AK-47, a room full of sugar-induced five-year-olds, or any supermodel on the circuit in a little black dress playing a private game of cops and robbers with his fly, and he’d be fine. Wouldn’t break a sweat. But, put him within fifty feet of Maddie Freemont? He turned into a tongue-tied, forgot-his-own-name, card-carrying member of the idiot brigade.
Kelly Moran (Under Pressure (Redwood Ridge, #5))
Lvov is a city like New York City in America. New York City, in truth, was designed on the model of Lvov.
Jonathan Safran Foer (Everything is Illuminated)
After a few seconds of scraping, I realize what he has isn’t a trail, it’s a whole forest! Ack! Weren’t all men supposed to shave their chest and stuff nowadays? Whatever happened to having fuzz-free Hollywood heroes as role models? At least my embarrassment is completely foregone by the irritation at his lack of upkeep. The only thing distracting me now is that heady mix of musk, shaving cream and a distinctly…male scent. And God knows that is one seriously jeopardizing distraction. Especially with a whizzing needle in one’s hand.
Rucy Ban (All My Life (First Things, #1))
Observe," she said. "You put the diaper under here, and around there, and you—if you had one—pin the whole thing ogether. Now you try it." "Not me," he objected. "How about a paper clip? Or a paper staple?" "I don't see what's bothering you," Meg said. "She's only a little girl." "I did notice." "And, if you follow scripture, was created after Adam." "And—what's your point?" "Being the second model, women turned out considerably better than men. God, when She did this second work, you'll note, got all the plumbing inside.
Emma Goldrick
I'm friends with a guy who is friends with a former Playboy model. So I guess you could say I'm 1 degree away from 212 degrees.
Ryan Lilly (Write like no one is reading)
Ryan was a real girl-strong, pretty, and funny. She could built a model car and make spaghetti. She was everything to him, and he loved her.
Cory Cyr (Bite & Release (Bite & Release, #1))
If someone were to come up to you in a dark alley and say, "Psst, wanna see a UML diagram?" that diagram would probably be a class diagram.
Martin Fowler (UML Distilled: A Brief Guide to the Standard Object Modeling Language)
With his blond hair, broad shoulders, and perpetual tan, Bryce looked like a California underwear model. Not that I’d thought about him in his underwear. Much.
Chris Cannon (Blackmail Boyfriend)
As the resident dude, Shane was responsible for the acquisition of party favors, like glow-in-the-dark necklaces and drinks. Non-alcoholic drinks for Claire, of course, because I am a stern house mother even if I suck as a role model.
Rachel Caine (All Hallows (The Morganville Vampires, #6.6))
There are different types of fancy photographers. Some are big, fun personalities like Mario Testino, who once told me, “Lift your chin, darling, you are not eighteen.” I enjoyed his honesty. Also, I’m pretty sure he says that to models who are nineteen.
Tina Fey (Bossypants)
Are you having fun playing with those plastic 3-D models of ears, noses and throats? That’s kind of like what I do, except instead of cute little plastic models, it’s living human tissue, and instead of playing, I’m fucking working, and instead of fun, it’s fucking not fun, it’s serious.
Colin Nissan
So I did some research,” she went on. “The good thing about being a famous model is that you can call anyone and they’ll talk to you. So I called this illusionist I’d seen on Broadway a couple of years ago. He heard the story and then he laughed. I said what’s so funny. He asked me a question: Did this guru do this after dinner? I was surprised. What the hell could that have to do with it? But I said yes, how did you know? He asked if we had coffee. Again I said yes. Did he take his black? One more time I said yes.” Shauna was smiling now. “Do you know how he did it, Beck?” I shook my head. “No clue.” “When he passed the card to Wendy, it went over his coffee cup. Black coffee, Beck. It reflects like a mirror. That’s how he saw what I’d written. It was just a dumb parlor trick.
Harlan Coben (Tell No One)
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
Of all the things we could have said to the people of other planets, we chose to fire into space a capsule containing the model for the double helix structure, the composition of DNA and the formation of nucleotides. Not a message that declared: it is sunny here it also rains a lot we love colours and dope we sign and we dance we cook up a storm with anything we can find we are fucked up in too many ways but we are a funny bunch so may we request the pleasure of your company
Meena Kandasamy
Ohio is a scale model of the entire country, jammed into 43,000 square miles. Cleveland views itself as the intellectual East (its citizens believe they have a rivalry with Boston and unironically classify the banks of Lake Erie as the North Coast). Cincinnati is the actual South (they fly Confederate flags and eat weird food). Dayton is the Midwest. Toledo is Pittsburgh, before Pittsburgh was nice. Columbus is a low-altitude Denver, minus the New World Order airport. Ohio experiences all possible US weather, sometimes simultaneously.
Chuck Klosterman (But What If We're Wrong? Thinking About the Present As If It Were the Past)
If you like cool, funny entertainment, you might like this one. It's a first novel by a local author." She handed him a copy of Practical Demonkeeping. "A very different kind of buddy novel. I thought it was hilarious." "You're reading me like a book." The guy shook his head as if embarrassed by his own lame joke. Then he looked over at Blythe. Natalie saw his gaze move swiftly over her mother's red V-neck sweater and short skirt. "How can you tell that's exactly what would make me happy?" he asked. Oh boy. He was flirting. Guys did that a lot with her mom. She was super pretty, and Natalie knew it wasn't only because Mom was her mom and all kids thought their moms were pretty. Even her snottiest friends like Kayla said Blythe looked like a model. Like Julia Roberts. Plus, her mom had a knack for dressing cool and being social---she could talk to anyone and make them like her. Also, she had a superpower, which was on full display right now. She had the ability to see a person for the first time and almost instantly know what book to recommend. She was really smart and had also read every book ever written, or so it seemed to Natalie. She could talk to high school kids about Ivanhoe and Silas Marner. She ran a mystery discussion group. She could tell people the exact day the new Mary Higgins Clark novel would come out. She knew which kids would only ever read Goosebumps books, no matter what, and she knew which kids would try something else, like Edward Eager or Philip Pullman. Sometimes people didn't know anything about the book they were searching for except "It's blue with gold page edges" and her mom would somehow figure it out.
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
Negroes know about each other what can here be called family secrets, and this means that one Negro, if he wishes, can “knock” the other’s “hustle”—can give his game away. It is still not possible to overstate the price a Negro pays to climb out of obscurity—for it is a particular price, involved with being a Negro; and the great wounds, gouges, amputations, losses, scars, endured in such a journey cannot be calculated. But even this is not the worst of it, since he is really dealing with two hierarchies, one white and one black, the latter modeled on the former. The higher he rises, the less is his journey worth, since (unless he is extremely energetic and anarchic, a genuinely “bad nigger” in the most positive sense of the term) all he can possibly find himself exposed to is the grim emptiness of the white world—which does not live by the standards it uses to victimize him—and the even more ghastly emptiness of black people who wish they were white. Therefore, one “exceptional” Negro watches another “exceptional” Negro in order to find out if he knows how vastly successful and bitterly funny the hoax has been. Alliances, in the great cocktail party of the white man’s world, are formed, almost purely, on this basis, for if both of you can laugh, you have a lot to laugh about. On the other hand, if only one of you can laugh, one of you, inevitably, is laughing at the other.
James Baldwin (Nobody Knows My Name)
In the longer term, by bringing together enough data and enough computing power, the data giants could hack the deepest secrets of life, and then use this knowledge not just to make choices for us or manipulate us but also to reengineer organic life and create inorganic life-forms. Selling advertisements may be necessary to sustain the giants in the short term, but tech companies often evaluate apps, products, and other companies according to the data they harvest rather than according to the money they generate. A popular app may lack a business model and may even lose money in the short term, but as long as it sucks data, it could be worth billions.4 Even if you don’t know how to cash in on the data today, it is worth having it because it might hold the key to controlling and shaping life in the future. I don’t know for certain that the data giants explicitly think about this in such terms, but their actions indicate that they value the accumulation of data in terms beyond those of mere dollars and cents. Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
Do you know if John McClaren still does Model UN?” He gives me a funny look. “How should I know?” “I don’t know. I was just wondering.” “Why?” “I think maybe I’m going to go to the Model UN scrimmage this weekend. I have a feeling that he’ll be there.” “For real?” Peter hoots. “If he is, what are you going to do?” “I haven’t figured that part out yet. Maybe I’ll go up to him, maybe I won’t. I just want to see how he turned out.” “We can look him up online right now and I’ll show you.” I shake my head. “No, that would be cheating. I want to see him with my own eyes. I want to be surprised.” “Well, don’t bother asking me to go and keep you company. I’m not going to waste a whole Saturday on Model UN.” “I wasn’t planning on asking you to go.” Peter throws me a hurt look. “What? Why not?” “It’s just something I want to do by myself.” Peter lets out a low whistle. “Wow. The body ain’t even cold yet.” “Huh?” “You’re a little player, Covey. We aren’t even broken up yet and you’re already trying to talk to other guys. I would be hurt if I wasn’t impressed.” This makes me smile.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I said to myself, This is going to be quick. I also thought: I’ll take the epidural now! Because the contractions were starting to demonstrate what the pain of birth is all about. The obstetrician came in. I smiled, ready for my shot. “I don’t know how to tell you this,” she said. “Your platelets are really, really low.” “Okay,” I said. I knew what platelets were-blood cells whose job it is to stop bleeding-but I had no idea why that was significant. “So, my epidural?” “You can’t have any medications.” “Come again?” “No drugs, no medications,” she said. “No epidural. I’ve called around to different anesthesiologists, and no one will touch you.” “No epidural?” “Nothing.” There are girls from third-world countries who do it with no drugs, I reminded myself. My mother elected for natural childbirth. How bad can it be? I got this. It started to hurt. I thought to myself, I am not going to cuss. Hell no! I am about to be a mother. I am bringing our baby into a positive environment and must be a good role model. Wow! The contractions built up quickly. My pristine vision of perfect, calm, quiet childbirth disappeared. A banshee snuck into the room and took over my body. Arrrgggh!!! No cursing! There was a rocking chair in the birth room. I went over and sat in it and began moving back and forth. Chris put on a CD by Enya that we’d brought to listen to: peaceful, pleasant music. I took a deep breath. Jeez, Louise! That one was a monster! Then, a breather. I’m doing goooooood! Breathe. Breathe… Wow! Then I said some other things. The banshee had a mind of her own. “I’m sorry, I’m sorry, I’m sorry!” I apologized to the nurses as I recovered from the surge of the contraction. “It’s okay,” said Chris. The pain surged again. Dang! Jiminy! And other things. Chris would watch the monitor. Suddenly he’d turn to look at me. “What?” I asked. “That was a strong one.” “Uh-huh.” The funny thing is, the stronger the contractions were on the monitor, the less they seemed to hurt. Maybe when things are really bad you focus more on being tough. Or perhaps my brain’s pain mechanism simply went on strike when the agony got too much.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
And then there’s that thing I do with photo frames. I buy them. I display them around my home. The thing I never seem to get around to doing is filling them with photos of real-life people I know and love. In fact, if you come to my house, glance at a sofa table, and see a framed photo of an attractive person with cover-girl looks on par with Christie Brinkley’s, then turn to me and say, “Who’s this?” there’s a chance that I will answer, “Oh, that’s my mom” or “that’s my daughter.” There’s also a good chance I’ll shrug my shoulders and confess I have absolutely no earthly idea. That’s because you’ll be looking at a photo of some anonymous model hired by the company that sells the frames.
Karen Scalf Linamen (Welcome to the Funny Farm: The All-True Misadventures of a Woman on the Edge)
When Cloud Yabuki-Varma takes off her heart-shaped glasses all manner of items disappear, and when she puts them on they come back, and when she holds them out in front of her nose she can see stuff in the lenses but not around the edges. Spooky. The dinosaurs in Reptile Republic, the instruments in Music Corner, the entirety of Cupcake Garden, the floating mathematical models that can be manipulated to score points: now you see it, now you don’t; now you see it, now you don’t. People do look silly in mesh when you are real world. Her classmates interact with invisible beasts, gesticulate at empty space, laugh in unison when nothing funny has happened. Some big trick. Every child is wearing i-specs in various designs
Katie Ward (Girl Reading: A Novel)
What exactly constitutes an emergency in a modelling agency? Two girls fighting to death with a hair straightener?
Kate Forster (Head Over High Heels)
Because that's the truth about people with obsessively organised plans: we're not trying to control everything in our lives. We're trying to block everything we can't.
Holly Smale (Model Misfit (Geek Girl, #2))
Life sometimes confuses us by making us discover in someone we hate a quality or qualities we love.
Mokokoma Mokhonoana
Antigone," he told the dark-haired woman, "I'd like you to meet Flavia de Luce." I knew for a fact that she was going to say, "Oh, yes, my husband has mentioned you," and she would say it with that little smirk that tells you so much about the amused conversation that had followed. "I'm so pleased to meet you, Flavia," she said, putting out the most beautiful hand in the world and giving me a good solid shake, "and to find that you share my love of marionettes." If she'd told me to "fetch" I would have done it. "I love your name," I managed. "Do you? My father was Greek and my mother Italian. She was a ballet teacher and he was a fishmonger, so I grew up dancing in the streets of Billingsgate." With her dark hair and sea green eyes, she was the image of Botticelli's Flora, whose features adorned the back of a hand mirror at Buckshaw that Father had once given to Harriet.
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
like a person who musts up the courage to take part in a tomahawk throwing competition only for their shoulder to lock into place, straining a vein and looking like you’re posing for a portrait that would probably look even more badass if you had signed up to be the nude model in an art class which takes a lot of courage unless you’re already vain.
J.S. Mason (The Satyrist...And Other Scintillating Treats)
And for all of its moments that didn’t age well, there’s just no denying that Chris Tucker is a big bright shining star and one of the most naturally funny and watchable human beings to ever live and Jackie Chan is a narcotically lovable model of masculine warmth, and some things are just greater than the sum of their parts on a level that is magic!
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
Dear God, Why don't you ever get inspired by those carmakers who recall defective models? Please be humble, accept that you made and mistake and recall all idiots, criminals, haters, terrorists and replace their defective minds.
EverSkeptic
Asa looked up, drawing a deep breath, and saw that his harpy wasn't amused by his laughter. "I don't think why you find the thought of me helping with your books so funny," she said in a stiff little voice. "Or, for that matter, letting me paint you." Her mouth- the only soft part of her, as far as he could tell- trembled a bit. Well, he hadn't meant to hurt her feelings. "Don't worry about it, luv," he said, tearing off a bite of the bread with his teeth. "You'll find out soon enough when you see my books. As for the other-" he set down the piece of bread and shrugged off his coat- "do you want to start now?" That got him a wide-eyed look, and he couldn't help but grin at her, mouth obnoxiously full, as he began unbuttoning his waistcoat. Had the lady bitten off more than she could chew? "What are you doing?" she asked, her voice high and a bit panicked. He opened his eyes in mock innocence as he yanked his shirt from his breeches. "Stop that at once." "Why?" he asked curiously, his fingers still on his lifted shirt. Her gaze darted to his bared navel and then away again like that of a sweet canary frightened by an ugly alley cat. "You said you wanted me to 'model' for you.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
Very funny. Does swallowing sewage water always have this effect on you?” “No. Just you have this effect on me,” he answered. How was I supposed to take that?
Carina Axelsson (A Crime of Fashion (Model Under Cover #1))
If you want a picture of the future; imagine a skinny man who belongs to a race with the lowest birthrates in human history fucking the latest model 300 robot pussy whilst a TV blares in the background announcing a 2% increase to white privilege tax, all the while the man is careful not to utter any misogynistic words like 'bitch' or 'whore' to his robot companion as he gets close to orgasm; lest he gets reported by said robots anti-hate speech monitoring software in doing so receiving a fine and not being allowed access to the robots simulated snatch for 30 days.
The Britiannic Scribian
She had devoted time to improving her reading and was now more than proficient. The shelf she'd first cleared with Bianca overflowed with tales of King Arthur and his knights, Ovid's poetry, plays by Sophocles, Aristotle and Aeschylus, Apuleius, names she loved repeating in her mind because the mere sound of them conjured the drama, pageantry, passion, transformations and suffering of their heroes and heroines. One of her favorite writers was Geoffrey Chaucer-- his poems of pilgrims exchanging stories as they traveled to a shrine in Canterbury were both heart aching and often sidesplittingly funny. Admittedly, one of the reasons she loved Chaucer was because she could read him for herself. It was the same reason she picked up Shakespeare over and over, and the works of Margaret Cavendish, the Duchess of Newcastle upon Tyne. They all wrote in English. Regarded as quite the eccentric, the duchess was a woman of learning who, like Rosamund, was self-taught. Her autobiography, A True Relation of my Birth, Breeding and Life, a gift from Mr. Henderson, gave Rosamund a model to emulate. Here was a woman who dared to consider not only philosophy, science, astronomy and romance, but to write about her reflections and discoveries in insightful ways. Defying her critics, she determined that women were men's intellectual equal, possessed of as quick a wit and as many subtleties if only given the means to express themselves-- in other words, access to education.
Karen Brooks (The Chocolate Maker's Wife)
Us yokels who majored in beer and getting the skirts off Tri-Delts bear no responsibility for Thoreau’s hippie jive or John Kenneth Galbraith’s nitwit economics or Henry Kissinger’s brown-nosing the Shah of Iran. None of us served as models for characters in that greasy Love Story book. Our best and brightest stick to running insurance agencies and don’t go around cozening the nation into Vietnam wars. It wasn’t my school that laid the educational groundwork for FDR’s demagoguery or JFK’s Bay of Pigs slough-off or even Teddy Roosevelt’s fool decision to split the Republican Party and let that buttinski Wilson get elected. You can’t pin the rap on us.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny About This?" (O'Rourke, P. J.))
Had he worn a sweater tied around his neck he could have served as the undeniable unintentional intimidating model poster boy for all the ever disappearing middle-class parents who saw the brochure for any ivy league school and were dreading money they had to shell out.
J.S. Mason (Whisky Hernandez)
Life is sweet when the whisky's sour.
Jazz Egger
I think of this whenever someone says to me, “Jerry Lewis says women aren’t funny,” or “Christopher Hitchens says women aren’t funny,” or “Rick Fenderman says women aren’t funny…. Do you have anything to say to that?” Yes. We don’t fucking care if you like it. I don’t say it out loud, of course, because Jerry Lewis is a great philanthropist, Hitchens is very sick, and the third guy I made up. Unless one of these men is my boss, which none of them is, it’s irrelevant. My hat goes off to them. It is an impressively arrogant move to conclude that just because you don’t like something, it is empirically not good. I don’t like Chinese food, but I don’t write articles trying to prove it doesn’t exist. So my unsolicited advice to women in the workplace is this. When faced with sexism or ageism or lookism or even really aggressive Buddhism, ask yourself the following question: “Is this person in between me and what I want to do?” If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you. If the answer is yes, you have a more difficult road ahead of you. I suggest you model your strategy after the old Sesame Street film piece “Over! Under! Through!” (If you’re under forty you might not remember this film. It taught the concepts of “over,” “under,” and “through” by filming toddlers crawling around an abandoned construction site. They don’t show it anymore because someone has since realized that’s nuts.) If your boss is a jerk, try to find someone above or around your boss who is not a jerk.* If you’re lucky, your workplace will have a neutral proving ground—like the rifle range or the car sales total board or the SNL read-through. If so, focus on that. Again, don’t waste your energy trying to educate or change opinions. Go “Over! Under! Through!” and opinions will change organically when you’re the boss. Or they won’t. Who cares? Do your thing and don’t care if they like it.
Tina Fey (Bossypants)
The woman looked like she was starving, her ribs thrusting out from her sides, her legs so thin that Tally wondered how they didn’t snap under her weight. Her elbows and pelvic bones looked sharp as needles. But there she was, smiling and proudly baring her body, as if she’d just had the operation and didn’t realize they’d sucked out way too much fat. The funny thing was, her face was closer to being pretty than any of the rest. She had the big eyes, smooth skin, and small nose, but her cheekbones were too tight, the skull practically visible beneath her flesh. “What on earth is she?” “A model.” “Which is what?” “Kind of like a professional pretty. I guess when everyone else is ugly, being pretty is sort of, like, your job.
Scott Westerfeld (Uglies (Uglies, #1))
In 1984, I had another conversation that had underscored this point to me. Herb Okun, the deputy US ambassador to the UN, had come to his post after serving as US ambassador to communist East Germany. “What’s it like there, Herb?” I had asked him. “Oh, nothing much,” Herb answered. “They live in dilapidated housing, drive funny little Trabants, drink vodka all day while watching eight hours of West German television.” “What!” I asked in disbelief. “What did you just say?” “They watch eight hours of West German television every day and then drink themselves to sleep,” he repeated. “You mean to tell me that watching eight hours a day of West German television doesn’t have any effect on them?” I asked incredulously. “None that I can see,” Okun answered. “Herb,” I said, “that can’t be. It’s just a question of time until the cracks will appear.” The conversation made me recall an engineering course I took at MIT. We loaded a small model bridge with steadily increasing loads and photographed the process. The bridge held fine, until it suddenly collapsed. Yet upon closer examination of the film we could see tiny cracks propagating in the structure well before the fall.
Benjamin Netanyahu (Bibi: My Story)
With a foolproof financial plan tucked in our back pocket like a secret weapon, we flung those ballroom doors open like we were unveiling a new phone model. -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle
Kim Lee (The Big Apple Took a Bite Off Me: A funny memoir of a SoHo-living foreigner who survived NYC)
You’re covered in blood,” Felix noted. Jericho snorted. “Yeah, kind of a hazard of the job.” Felix scoffed. “Yeah, but you’re also wearing that weird smug, smirky look you only get whenever you get laid, and since you were in an abandoned cabin with Trevor the perv, we’re…alarmed.” He flicked his hand dramatically. “Alarmed,” Jericho echoed. Arsen leaned in, his tone conspiratorial. “Did you fuck Trevor the perv, Coe?" Felix pulled a face. “I’m just hoping he fucked him before he killed him, not after. Once you cross that line, you don’t come back.” Jericho tried to follow their dizzying thought process, but before he could formulate a response, Nico and Levi arrived. Fuck. Levi looked like a wanted poster had fucked a tattoo model. His inky dark hair fell in his face, and he sucked on a Dum-Dum lollipop. Nico’s springy blond curls hung in his face. He looked surprisingly angelic for somebody who was such a little monster. “What’s up? Why’s everybody looking so constipated?” Levi asked. “Coe fucked Trevor the perv,” Arsen said, as if this was fact and not their wild speculation. Levi wrinkled his nose. “That dude was gay? Or was he, like”—he mimed a blowjob—“trying to bribe his way out of it?” Jericho’s face contorted at the idea of a blowjob from greasy ass Trevor, but they paid him no mind. Nico also looked disgusted. “What the fuck, man? Like, I get it. Who hasn’t wanted to fuck somebody they killed or kill somebody they fucked? But it’s a slippery slope, man.” “This is what I told him,” Arsen said, shaking his head. “Once you cross that line…” “Jesus Christ. I didn’t fuck Trevor the perv. I killed Trevor the perv,” Jericho said, walking around the four of them to head to his office, attempting to close the door behind him. His brother caught it and swung it back open. “If you didn’t fuck Trevor, then who was it? And don’t lie and say it didn’t happen. Your after orgasm glow never lies,” Arsen said, flopping down into a chair hard enough to rock it back dangerously far before it righted itself. “I—” Jericho shook his head. “I ran into a guy.” “With your dick?” Levi asked. Nico’s brows knitted together. “In the middle of the woods?” “Like, a homeless man in the woods? A… What’s the word? A hobo?” Arsen asked. Levi elbowed him. “We don’t call them that anymore. Show some respect.” Arsen shrugged. “Sorry. What do you call a man roaming the woods looking for sex?” “A lie,” Felix said, his mouth set in a hard line. “No way my brother banged some hot, sweaty lumberjack in the woods. That’s not his type.” His long, elegant fingers trailed over his collarbones, a slow smile spreading along his face as his brother seemed to get lost in his own lumberjack fantasy. “I—” “There’s nothing in the woods but animals and Sasquatch,” Nico said. “Sasquatch?” Levi parroted. Nico nodded. “Yeah, you know. Bigfoot.” “Did you fuck Bigfoot?” Levi asked, pulling the lollipop from his mouth with a pop.
Onley James (Moonstruck (Necessary Evils, #3))
Very funny, Kristy. Hilarious. I have stolen a man’s suitcase with a murder victim inside it, the mob is about to close in, I’m making my European debut looking like a cover model for Parenting magazine, and you’re making fun of me!
Ann M. Martin (Baby-sitters' European Vacation (The Baby-Sitters Club Super Special, #15))
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
I don't know if I can do this. Rhys went quiet for a moment. Do you want me to come with you? To paint? I'd be an excellent nude model. I smiled, not caring that I was by myself in the street with countless people streaming past me. My hood concealed most of my face, anyway. You'll forgive me if I don't feel like sharing the glory that is you with anyone else. Perhaps I'll model for you later, then. A sensuous brush down the bond that had my blood heating. It's been a while since we had paint involved. The cabin and kitchen table flashed into my mind, and my mouth went a bit dry. Rogue.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
I brought you some pictures of my work,” he said proudly. His name was William Weinstein, which may have explained why he left Jews off his hate list. He had been born in Brooklyn, and moved to Santa Fe ten years before. He took an envelope out of his pocket, rifled through some pictures, and handed them to Paris. They were ten-foot phallic symbols made of clay. The man had penises on the brain. “It’s very interesting work,” Paris said, pretending to be impressed. “Do you use live models?” she asked more in jest, and he nodded. “Actually, I use my own.” He thought that hysterically funny and laughed so hard he almost coughed himself to death. Along with the clay under his nails, enough of it to create another sculpture, his fingers were stained with nicotine. “Do you like to ride?” “Yes, but I haven’t in a long time. Do you?
Danielle Steel (Dating Game)
Apparently, it was Braless and No Undies Night at Bacaro Jazz. It was funny to see bras and panties dangling above a dance floor. Ubaid’s party seemed to find this fun as the models started unhooking their bras. Many stared at their voluptuous bosoms and ogled as they took off their underwear, while leaving on their mini dresses. Ubaid, the extrovert, dropped his jeans and then dropped his briefs, in full view of every one. All the patrons were oohing and aahing, cheering them on.
Young (Initiation (A Harem Boy's Saga Book 1))
For instance, making yourself vulnerable doesn’t just mean being willing to share your fears or insecurities. It can mean putting yourself in a position where you can be rejected, saying a joke that may not be funny, asserting an opinion that may offend others, introducing yourself to a group of people you don’t know, telling a woman that you like her and want to date her. All of these things require you to stick your neck out on the line emotionally in some way. You’re making yourself vulnerable when you do them.
Mark Manson (Models: Attract Women Through Honesty)
This is what happened when I cofounded LinkedIn. The key business model innovations for LinkedIn, including the two-way nature of the relationships and filling professionals’ need for a business-oriented online identity, didn’t just happen organically. They were the result of much thought and reflection, and I drew on the experiences I had when founding SocialNet, one of the first online social networks, nearly a decade before the creation of LinkedIn. But life isn’t always so neat. Many companies, even famous and successful ones, have to develop their business model innovation after they have already commenced operations. PayPal didn’t have a business model when it began operations (I was a key member of the PayPal executive team). We were growing exponentially, at 5 percent per day, and we were losing money on every single transaction we processed. The funny thing is that some of our critics called us insane for paying customers bonuses to refer their friends. Those referral bonuses were actually brilliant, because their cost was so much lower than the standard cost of acquiring new financial services customers via advertising. (We’ll discuss the power and importance of this kind of viral marketing later on.) The insanity, in fact, was that we were allowing our users to accept credit card payments, sticking PayPal with the cost of paying 3 percent of each transaction to the credit card processors, while charging our users nothing. I remember once telling my old college friend and PayPal cofounder/ CEO Peter Thiel, “Peter, if you and I were standing on the roof of our office and throwing stacks of hundred-dollar bills off the edge as fast as our arms could go, we still wouldn’t be losing money as quickly as we are right now.” We ended up solving the problem by charging businesses to accept payments, much as the credit card processors did, but funding those payments using automated clearinghouse (ACH) bank transactions, which cost a fraction of the charges associated with the credit card networks. But if we had waited until we had solved this problem before blitzscaling, I suspect we wouldn’t have become the market leader.
Reid Hoffman (Blitzscaling: The Lightning-Fast Path to Building Massively Valuable Companies)
The Paris couturier, Hubert de Givenchy, who sketched all Audrey’s dresses for Funny Face and who designed her personal wardrobe, called her ‘the perfect model’.
Ian Woodward (Audrey Hepburn: Fair Lady of the Screen)