Giant Dog Quotes

We've searched our database for all the quotes and captions related to Giant Dog. Here they are! All 100 of them:

He was silent for a moment, staring out the window into the rain; I imagined he was contemplating the fact that his family's presence was turning the locals into giant dogs.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
So, been attacked by any vampires yet?" "Not one." "Zombies? Giant spiders? Water monsters?" It's been really quiet on the supernatural front" "Too bad, 'cause I got attacked by a devil dog. It was not awesome.
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
Why the hell would anyone be eating at the Grease Trap? I’ve seen flies die from buzzing by that place.” Andrea crossed her arms. “Oh, I don’t know, probably because your career just ended and you are depressed and don’t feel like breathing, let alone going out, but your body still needs food and that’s the closest place to your apartment and they don’t mind if you bring a giant dog with you.” “What, you couldn’t find a Dumpster that was closer?” Andrea glared at me. “What are you implying?” “The Dumpster would have better food in it.” “Well, excuse me, Miss Fine Dining.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
You don't fall in love like you fall in a hole. You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.) And you can bring your friends to visit. And read your favourite stories to each other. And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it. PS You have to be brave.
Jeanette Winterson
Elide said, "Your mount doesn't seem evil." Abraxos's tail thumped on the ground, the iron spikes in it glinting. A giant, lethal dog. With wings.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It might go down better than appearing as a giant reptile encased in a ball of fire and forcing yourself on her.' 'WHY DO YOU ALWAYS HAVE TO BRING THAT UP?
Meg Rosoff (There Is No Dog)
He took one long stride and caught me in another vice-tight bear hug. "You really, honestly don't mind that I morph into a giant dog?" he asked, his voice joyful in my ear. "No," I gasped. "Can't―breathe―Jake!" He let me go, but took both my hands. "I'm not a killer, Bella." I studied his face, and it was clear that this was the truth. Relief pulsed through me. "Really?" I asked. "Really," he promised solemnly. I threw my arms around him. It reminded me of that first day with the motorcycles―he was bigger, tough, and I felt even more like a child now. Like that other time, he stroked my hair. "Sorry I called you a hypocrite," he apologized. "Sorry I called you a murderer." He laughed.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.
Katherine Dunn (Geek Love)
And as he was capable of giant joy, so did he harbor huge sorrow, so that when his dog died the world ended.
John Steinbeck (East of Eden)
The room looks as if a giant dog after a large lunch of food, socks, paints, trousers and pencils, walked into that room and vomited everywhere.
Barbara Kingsolver (The Lacuna)
brain can hold anything, from giant things, like distant stars and planets, to tiny things we can’t see, like germs. A brain can even hold things that aren’t and never were, like hobbits. A brain can hold the whole universe, a fist just holds what little it can grab. Or hits what it can’t.
C.A. Fletcher (A Boy and His Dog at the End of the World)
When I was fourteen, I had a massive poster on my wall of a giant pop-art mouth advertising a Swiss exhibition of abstract art. My friends and family mocked my pretention, but I loved that poster and the hope it offered of an exciting world of thought beyond the boundaries of stifling Solihull. But one day the poster fell off the wall and the dog pissed all over it, ruining it for ever, while my mother laughed. That poster is what the Alternative Comedy dream meant to me - the possibility of a better world. And now it is covered in dog's piss.
Stewart Lee (How I Escaped My Certain Fate)
Growled. Like a pissed-off wolf. No, like a whiny dog, I told myself firmly. One of those little yappy ones. Wolves kicked ass and Hunter didn’t. He was a giant, fake asshole.
Joanna Wylde (Devil's Game (Reapers MC, #3))
Sometimes I worry about how attached I am to this dog. About the fact that the primary relationship of my life is with a canine. That at the end of a terrible day I look forward to nothing more than coming home and lying on the bed, under the covers, with a giant Great Dane.
Eve Marie Mont (Free to a Good Home)
In fairness, my mother suffers from Giant Irish Family Syndrome, where she can’t even remember her own children’s names without cycling through multiple cousins first. “Hey…Sean, I mean Patrick, I mean Colin!” It could be worse. She often gets to the dog’s name before my brother, Casey.
Colin Jost (A Very Punchable Face)
You shop in malls instead of mercados, you watch football instead of fútbol, you become another consumer in a giant machine that consumes consumers.
Don Winslow (The Cartel (Power of the Dog #2))
Uh, dumb fuck who left his wannabe woman with another man?” Julius lets the blinds loose, takes a giant bite of his corn dog, talking with a mouthful. “There’s an angry little virgin walking up the drive.
Meagan Brandy (The Deal Dilemma)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
And the continual non-up-turnance of so valuable a commodity as a giant squid—the thought of getting their alembics on which made the city’s alchemists whine like dogs—was provoking more and more interest from London’s repo-men and -women.
China Miéville (Kraken)
So yeah, you were part of the job. Don't get me wrong, Mercer, I like you. You're smart, fluent in sarcasm, and, Bad Dog incident aside, pretty kick-ass at magic. And it's not like you're hard to look at." "Be still my beating heart." "But to answer your question, no part of the Archer Cross you knew at Hecate exists. That day in the cellar, I kissed you back because it was my job to stay close to you. If that's where you wanted to take things, then that's where I was going to go. I kissed you because I had to. Not exactly the hardest assignment I've ever had, but an assignment nonetheless." I stood there absorbing his words like blows, my heart aching. But it wasn't what he said that made me feel like I'd been punched in the chest. It's that I knew he was lying. That speech came out way too quickly and way too smooth, almost like he'd been practicing it in his head. The same way I'd been practing what I'd say to him if I ever saw him again. I couldn't even begin to handle that right now, so instead I just said, "Okay,then. Yay for honesty. Now that we're done with the confessional part of the evening, why don't you tell me why we're here." There was another pause, then he started walking again. I followed, leaves crunching under my feet. "Like I said, Hacte Hall has always made The Eye nervous." "Why? Are they allergic to plaid?" I thought he might laugh, but instead, he said, "Think about it,Mercer.One place where Prodigium round up their most powerful members? Don't tell me that's not suspicious." That had never occurred to me. I'd always just thought of all us at Hecate as giant screwups, but in a way, Archer was right. We'd all been sentenced to Hex Hall because of spells that were powerful and dangerous. I thought of Cal saying I created "too big." Wasn't that what just about everyone at Hecate had done? Still, the idea that the place I'd called home for nearly a year was actually some evil farm for powerful Prodigium was unsettling to say the least.
Rachel Hawkins (Demonglass (Hex Hall, #2))
He looked so glorious. Just like the knights I had dreamed about when I was six years old, whacking at brambles iin our garden, imagining I was fighting dragons and giants with a sword that made me invincible and wearing armor that protected me from all the things that frightened me - older kids, dogs, a storm in the knight, or my little sister's questions about when our father would be coming back.
Cornelia Funke (Ghost Knight)
Streets were quieter then. Dogs had the run of the town and children played outdoors. The side streets were for Simon Says and Green Light and Giant Step and other games. We set up our own carnivals. We told fortunes and sold coin purses that we made. But the buses on Wisteria Drive meant no one played outside my house. Even the dogs were wary except for one who only had three legs and still chased cars.
Georgia Scott (American Girl: Memories That Made Me)
But you can’t be amazed at the convergent examples of domestication across the cosmere. You can’t know any of this, because you live on a giant ball of rock full of slime where everything is wet and cold all the time. This is a dog, Kaladin. They’re fluffy and loyal and wonderful.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
The man in the headdress nodded. “On that note, I’d like to quickly ask David if there’s been any headway in getting the air conditioning back online.” A slight murmur of discontent indicated the importance of this matter, directed at a blond young man with a tanning-bed complexion. “Well, Gary,” he sighed. “There isn’t much we can do without electricity, but my team has been researching alternatives. One of my engineers proposed a system of fans powered by dogs in giant hamster wheels, but the major issue there is our limited dog inventory. We’ll keep looking into it.
Yahtzee Croshaw (Jam)
All day, the colours had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths. Briefly visible above the vapour, Kanchenjunga was a far peak whittled out of ice, gathering the last of the night, a plume of snow blown high by the storms at its summit. Sai, sitting on the veranda, was reading an article about giant squid in an old National Geographic. Every now and then she looked up at Kanchenjunga, observed its wizard phosphorescence with a shiver. The judge sat at the far corner with his chessboard, playing against himself. Stuffed under his chair where she felt safe was Mutt the dog, snoring gently in her sleep. A single bald lightbulb dangled on a wire above. It was cold, but inside the house, it was still colder, the dark, the freeze, contained by stone walls several feet deep.
Kiran Desai (The Inheritance of Loss)
Harry, Ron, and Hermione had always known that Hagrid had an unfortunate liking for large and monstrous creatures. During their first year at Hogwarts he had tried to raise a dragon in his little wooden house, and it would be a long time before they forgot the giant, three-headed dog he’d christened “Fluffy.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
But from the start I had withheld from him any information about the giant redwoods. It seemed to me that a Long Island poodle who had made his devoirs to Sequoia sempervirens or Sequoia gigantea might be set apart from other dogs--might even be like that Galahad who saw the Grail. The concept is staggering.
John Steinbeck (Travels with Charley: In Search of America)
Well, you’re part of the human fabric of experience. You don’t have to have cancer to write about cancer. You don’t have to have somebody close to you die to understand what death is. Definitely, the more you live, the more experiences fall into your spectrum, but I have songs like “Chemo Limo,” or “Ode to Divorce”—I wrote that when I was 18. And I remember having people come up to me and be like, “You totally described what it feels like to get divorced!” As a writer, you must have been told: Write about what you know. But Kafka didn’t. Gogol didn’t. Did Shakespeare write only what he knew? Did Camus? Our own selves are limitless.And our capacity for empathy is giant. That’s why we’re able to feel sympathy for, you know, a dog who has a puppy in its litter that died; we can feel for that, and write about that. I’ve never seen that, I just see things sometimes in my mind’s eye.I guess it sounds sort of hippie, and probably is, but I do feel that we’re all part of the experience. So in that way, I guess you don’t have to compartmentalize. You could just kind of let it all be.
Regina Spektor
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.
Nick Cave (The Death of Bunny Munro)
Except for the giant sword in his hand. "Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt. His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said. "It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal." "'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog." I rolled my eyes. "That was nearly a year ago. I'm way better now." "Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?" "I will be when people stop asking me that." "You know I had nothing to do with that, right?" "Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand." The corner of his mouth quirked. "Good to know." He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt. He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before. "This is the necklace one of the angels is wearing in the window at Hex Hall." "It is indeed." Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need." I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?" "Because we're going a very long way." I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked. "Graymalkin Island," he answered. And then he yanked me into the doorway.
Rachel Hawkins (Demonglass (Hex Hall, #2))
The giant fish devours the living and the dead and the inanimate. Bottles, tin cans, cuckoo clocks, truck tires, a whole sheep, an intact Newfoundland dog with its collar on, have all been taken from the stomach of white.
Michael Capuzzo (Close to Shore: The Terrifying Shark Attacks of 1916)
I am not a New Yorker. There are so many unspoken rules when you live here, like the way you're never supposed to stop in the middle of the sidewalk or stare dreamily up at the tall buildings or pause to read graffiti. No giant folding maps, no fanny packs, no eye contact. No humming songs from Dear Evan Hansen in public. And you're definitely not supposed to take selfies at street corners, even if there's a hot dog stand and a whole line of yellow taxis in the background, which is eerily how you always pictured New York. You're allowed to silently appreciate it, but you have to be cool. From what I can tell, that's the whole point of New York: being cool.
Becky Albertalli (What If It's Us (What If It's Us, #1))
1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
C.S. Lewis
Ben noticed the odd procession making its way up Gardam Street. Batty slowly pushing Lydia in her stroller-this he understood-but what kind of creature was that, struggling to keep up with them? "Batty's got a huge guinea pig on a leash," said Rafael, squinting to bring the scene into better focus. "Like the hugest one in the world." "Its nose is too pointy for a guinea pig. More like the hugest rat in the world." neither of the boys wanted to meet a huge rat, but they refused to run from something Lydia didn't seem to be afraid of. So they stood their ground and, as the procession came closer, were relieved to see that the giant rat was only a fat dog with short legs.
Jeanne Birdsall
Snorting, Sevro drops back to where the legendary Obsidian, Sefi Volarus, stands in her customary silence. He feigns an air of domesticity, but next to the giant woman, he looks a little like some sort of gutter dog an alcoholic father might ill-advisedly bring home to play with the children—washed and rid of fleas, but still possessing that weird mania behind the eyes. Pinched, thin lipped, with a nose crooked as an old knifefighter’s fingers. He eyes the crowd with resigned distaste.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
The monster was so large that its matted fur scratched along the rocky walls as it approached, its head forced to duck down. The best comparison was to a giant dirt matted canine, except it had as many eyes as a spider and far more legs than a dog.
E.J. Mellow (Song of the Forever Rains (Mousai, #1))
in such a rush that I tripped over Mirna’s pet pig in the hallway. Oscar grunted and oinked, and even in the darkness I saw the disapproving glare in his piggy eyes. “Fuck you, Oscar, don’t be all judgey,” I whispered. More grunting. “One more look like that and I’ll tell Mirna how you like to dry hump her teddy bear collection during her afternoon nap.” The oinking stopped and he backed away into the bathroom, where I’d set up the giant dog bed he slept on. I flashed him a smug winning look and flipped him off. I
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part One (King, #5))
You live in El Paso, you’re a pocho, an Americanized Mexican, and no one can tell Pablo that it doesn’t change you. You shop in malls instead of mercados, you watch football instead of fútbol, you become another consumer in a giant machine that consumes consumers.
Don Winslow (The Cartel (Power of the Dog #2))
Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?
Nicole Krauss (The History of Love)
You expect me to believe you're a witch? A broom riding, cauldron stirring, poison apple witch? Witches are Fae, Angelina," Dasan mocked. "No, you creeper, witches are not Fae. Maybe some are, but there are mortals who practice witchcraft, and I'm one of them!" Angelina almost spit the words at him. "And we don't ride brooms, get real! How Hans Christian Anderson are you, anyway? As for poison apples, you'll be lucky to not get served one in your lifetime! I mean, you and your buddy here turn into giant... what are you... dogs... but you can't believe in a little earth magic? Grow up!" "See, this is the kind of conversation that would crop up on like a third or fourth date," I chimed in, unable to help myself. -told by Finley in The Sacred Oath
D.C. Grace (The Sacred Oath (The Guardians Series))
Everything's a painting, anyway," Fawn said. "That's what I think. We live inside a giant painting, only we can't see who's holding the paintbrush. Any time something strange happens in your life it's because the painter added a new brushstroke you can't see. The big picture keeps changing, but we're stuck in the small one.
Rose Christo (The Dogs of Balboa)
Let the sleeping dogs lie, but rise up! You sleeping giants.
Bernard Kelvin Clive
Hitler had a pet dog, whom he ordered to be killed.
Jake Jacobs (The Giant Book Of Strange Facts (The Big Book Of Facts 15))
Am I a dog that you should come to me with sticks?
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
Nobody told me there would be hellhounds!” I sprinted across the field, trying to focus more on not dying than my annoyance with my roommates. Surely, someone should have felt the need to mention that the hundred-yard dash involved three giant black dogs with burning red eyes and the stench of death. Not exactly the routine exercise I envisioned this morning.
Annabel Chase (Outclassed (Warden of the West, #2; Spellslingers Academy of Magic, #2))
So what is this place?” asked Shadow, as they walked through the parking lot toward a low, unimpressive wooden building. “This is a roadside attraction,” said Wednesday. “One of the finest. Which means it is a place of power.” “Come again?” “It’s perfectly simple,” said Wednesday. “In other countries, over the years, people recognized the places of power. Sometimes it would be a natural formation, sometimes it would be a place that was, somehow, special. They knew that something important was happening there, that there was some focusing point, some channel, some window to the Immanent. And so they would build temples or cathedrals, or erect stone circles, or…well, you get the idea.” “There are churches all across the States, though,” said Shadow. “In every town. Sometimes on every block. And about as significant, in this context, as dentists’ offices. No, in the USA people still get the call, or some of them, and they feel themselves being called to from the transcendent void, and they respond to it by building a model out of beer bottles of somewhere they’ve never visited, or by erecting a giant bat house in some part of the country that bats have traditionally declined to visit. Roadside attractions: people feel themselves being pulled to places where, in other parts of the world, they would recognize that part of themselves that is truly transcendent, and buy a hot dog and walk around, feeling satisfied on a level they cannot truly describe, and profoundly dissatisfied on a level beneath that.
Neil Gaiman (American Gods (American Gods, #1))
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
James McBride (Deacon King Kong)
In the old tales, when people undertake quests, they find themselves fighting dragons or serpents or giant dogs. Or maybe a dark warrior of some kind, folk who are enemies from the start. But it's far more frightening when someone seems friendly and good, and turns out to be different altogether. The odd and uncanny are not terrifying in themselves. The most disturbing thing is the ordinary turned strange. Things familiar and safe becoming not right.
Juliet Marillier
bed and watch distant flashes of lightning illuminate the inside of giant, looming thunderheads six or seven miles high. The earth itself had ceased to be the prime element in my consciousness. This was a land of the sky, and every turn, every action, lifted the eye upward.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
Scavenger Hunt Day. We pair up in teams pulled out of a hat and disperse around Park City to collect photo evidence of a long list of random things Ricky and Lisa dream up for us—a silver ornament, a giant candy cane, a dog wearing a sweater, things like that. Occasionally video evidence is needed, like last year when we had to get video of a group of people doing the cancan. Permission is required, and asking strangers to do weird things can be mortifying, but mostly it’s a blast. The hunt also gives us the chance to do any last-minute Christmas shopping we might need
Christina Lauren (In a Holidaze)
The Undivided Wholeness of All Things Most mind-boggling of all are Bohm's fully developed ideas about wholeness. Because everything in the cosmos is made out of the seamless holographic fabric of the implicate order, he believes it is as meaningless to view the universe as composed of "parts, " as it is to view the different geysers in a fountain as separate from the water out of which they flow. An electron is not an "elementary particle. " It is just a name given to a certain aspect of the holomovement. Dividing reality up into parts and then naming those parts is always arbitrary, a product of convention, because subatomic particles, and everything else in the universe, are no more separate from one another than different patterns in an ornate carpet. This is a profound suggestion. In his general theory of relativity Einstein astounded the world when he said that space and time are not separate entities, but are smoothly linked and part of a larger whole he called the space-time continuum. Bohm takes this idea a giant step further. He says that everything in the universe is part of a continuum. Despite the apparent separateness of things at the explicate level, everything is a seamless extension of everything else, and ultimately even the implicate and explicate orders blend into each other. Take a moment to consider this. Look at your hand. Now look at the light streaming from the lamp beside you. And at the dog resting at your feet. You are not merely made of the same things. You are the same thing. One thing. Unbroken. One enormous something that has extended its uncountable arms and appendages into all the apparent objects, atoms, restless oceans, and twinkling stars in the cosmos. Bohm cautions that this does not mean the universe is a giant undifferentiated mass. Things can be part of an undivided whole and still possess their own unique qualities. To illustrate what he means he points to the little eddies and whirlpools that often form in a river. At a glance such eddies appear to be separate things and possess many individual characteristics such as size, rate, and direction of rotation, et cetera. But careful scrutiny reveals that it is impossible to determine where any given whirlpool ends and the river begins. Thus, Bohm is not suggesting that the differences between "things" is meaningless. He merely wants us to be aware constantly that dividing various aspects of the holomovement into "things" is always an abstraction, a way of making those aspects stand out in our perception by our way of thinking. In attempts to correct this, instead of calling different aspects of the holomovement "things, " he prefers to call them "relatively independent subtotalities. "10 Indeed, Bohm believes that our almost universal tendency to fragment the world and ignore the dynamic interconnectedness of all things is responsible for many of our problems, not only in science but in our lives and our society as well. For instance, we believe we can extract the valuable parts of the earth without affecting the whole. We believe it is possible to treat parts of our body and not be concerned with the whole. We believe we can deal with various problems in our society, such as crime, poverty, and drug addiction, without addressing the problems in our society as a whole, and so on. In his writings Bohm argues passionately that our current way of fragmenting the world into parts not only doesn't work, but may even lead to our extinction.
Michael Talbot (The Holographic Universe)
While everyone adjusted themselves and their packs, Donna sniffed curiously at Louie's nose. Her attitude suggested she might want to make friends with the giant dog; Lou couldn't resist the temptation. Once Donna lured Louie in, she slowly, cautiously, turned about to align her hooves with Louie's head. Perhaps she didn't like dogs. Perhaps she didn't want a rival for Monty's attentions. Perhaps she was merely an impish tarkus much like the Dane himself. Cody watched as the Dane failed to grasp the gravity of his predicament. At the last moment, Cody smacked Louie's hind end, scuttling the devious donkey's murderous trap.
Map Whitman (Journey to Diappeared: Discovery)
Tom, the third son, was most like his father. He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn’t discover the world and its people, he created them. When he read his father’s books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow, so that when his dog died the world ended.
John Steinbeck (East of Eden)
Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!
Charles Dickens (Bleak House)
Suddenly, the giant, three-headed dog that guards the entrance to the Underworld appears next to her—sans two of its heads—and sits down. As a child, we had a neighbor with a Great Dane, and I know they’re about three feet tall at the shoulder. Allow another twelve inches for their T-Rex-sized heads, and you’ve got a dog that this woman could throw a saddle on and ride like a pony.
Elle Lothlorien (Alice in Wonderland)
And so two dogs are swimming in the waters between Singapore and Borneo—but in opposite directions. They pause halfway to exchange greetings. The dog headed toward Borneo asked the other dog why he’s swimming to Singapore. The answer: “Ah, the shopping, the housing, the air conditioning, the health care, the schools. So why are you going to Borneo?” Says the dog from Singapore: “Oh, I just want to bark.” The
Tom Plate (Conversations with Lee Kuan Yew Citizen Singapore: How to Build a Nation (Giants of Asia Series))
oversized grave with a granite obelisk for a headstone. Scattered around it were faded wreathes and crushed bouquets of plastic flowers, which made the place seem even sadder. Aurum and Argentum were playing keep-away in the woods with one of the coach’s handballs. Ever since getting repaired by the Amazons, the metal dogs had been frisky and full of energy – unlike their owner. Reyna sat cross-legged at the entrance of the tent, staring at the memorial obelisk. She hadn’t said much since they fled San Juan two days ago. They’d also not encountered any monsters, which made Nico uneasy. They’d had no further word from the Hunters or the Amazons. They didn’t know what had happened to Hylla, or Thalia, or the giant Orion. Nico didn’t like the Hunters of Artemis. Tragedy followed them as surely as their dogs and birds of
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
Late night and rain wakes me, a downpour, wind thrashing in the leaves, huge ears, huge feathers, like some chased animal, a giant dog or wild boar. Thunder & shivering windows; from the tin roof the rush of water. I lie askew under the net, tangled in damp cloth, salt in my hair. When this clears there will be fireflies & stars, brighter than anywhere, which I could contemplate at times of panic. Lightyears, think of it. Screw poetry, it’s you I want, your taste, rain on you, mouth on your skin. —Margaret Atwood, “Late Night
Margaret Atwood
We have snacks, everybody!” “Where’d you get them from, Delaware?” Ben asked. He was glaring behind me, where Sage leaned casually against the wall. “Practically,” I said. “My fault-I was dying for Red Hots. Pretty much impossible to find. So what movie are we watching?” Back in the cave, Sage had told me I wasn’t much of an actress, and apparently he was right. I thought I put on a brilliant show, but Ben’s eyes were filled with suspicion, Rayna looked like she was ready to pounce, and Sage seemed to be working very hard to stifle his laughter. Rayna yawned. “Can’t do it. I’m so tired. I’m sorry, but I have to kick you guys out and get some sleep.” She wasn’t much better at acting than I was. I knew she wanted to talk, but the idea of being away from Sage killed me. “No worries,” I said. “I can bring he snacks to the guys’ room. We can watch there and let you sleep.” “Great!” Ben said. Rayna gaped, and in the space of ten seconds, she and I had a full conversation with only our eyes. Rayna: “What the hell?” Me: “I know! But I want to hang out with Sage.” Rayna: “Are you insane?! You’ll be with him for the rest of your life. I’m only with you until morning!” I couldn’t fight that one. She was right. “Actually, I’m pretty tired too,” I said. I even forced a yawn, though judging from Sage’s smirk, it wasn’t terribly convincing. “You sure?” Ben asked. He was staring at me in a way that made me feel X-rayed. “Positive. Take some snacks, though. I got dark chocolate M&Ms and Fritos.” “Sounds like a slumber party!” Rayna said. “Absolutely,” Sage deadpanned. “Look out, Ben-I do a mean French braid.” Ben paid no attention. He had moved closer and was looking at me suspiciously, like a dog whose owner comes from after playing with someone else’s pet. I almost thought he was going to smell me. “G’night,” he said. He had to brush past Sage to get to the door, but he didn’t say a word to him. Sage raised an amused eyebrow to me. “Good night, ladies,” he said, then turned and followed Ben out. It hurt to see him go, like someone had run an ice cream scoop through my core, but I knew that was melodramatic. I’d see him in the morning. We had our whole lives to be together. Tonight he could spend with Ben. I laughed out loud, imagining the two of them actually cheating, snacking, and French braiding each other’s hair as they sat cross-legged on the bed. Then a pillow smacked me in the side of the head. “’We can watch there and let you sleep’?” Rayna wailed. “Are you crazy?” “I know! I’m sorry. I took it back, though, right?” “You have two seconds to start talking, or I reload.” Before now, if anyone had told me that I could have a night like tonight and not want to tell Rayna everything, I’d have thought they were crazy. But being with Sage was different. It felt perfectly round and complete. If I said anything about it, I felt like I’d be giving away a giant scoop of it that I couldn’t ever get back. “It was really nice,” I said. “Thanks.” Rayna picked up another pillow, then let it drop. She wasn’t happy, but she understood. She also knew I wasn’t thanking her just for asking, but for everything. “Ready for bed?” she asked. “We have to eat the guys to breakfast so they don’t steal all the cinnamon rolls.” I loved her like crazy.
Hilary Duff (Elixir (Elixir, #1))
Grazer and Cohn - two outsiders with learning disabilities-played a trick. They bluffed their way into professions that would have been closed to them. The man in the cab assumed that no one would be so audacious as to say he knew how to trade options if he didn't. And it never occurred to the people Brian Grazer called that when he said he was Brian Grazer from Warner Brothers, what he meant was that he was Brian Grazer who pushed the mail cart around at Warner Brothers. What they did is not "right," just as it is not "right" to send children against police dogs. But we need to remember that our definition of what right is, often as not, simply the way that people in positions of privilege close the door on those on the outside. David has nothing to lose, and because he has nothing to lose, he has the freedom to thumb his nose at the rules set by others. That's how people with brains a little bit different from the rest of ours get jobs as options traders and Hollywood producers-and a small band of protesters armed with nothing but their wits have a chance against the likes of Bull Connor
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.
Orson Scott Card
We approached the long, heavily guarded causeway. There were soldiers at the entrance. Our names were taken, and our permissions scrutinized, and then a bell rang and a military escort went with us through the gate. We didn’t go to the side where the government offices are. We walked inside the huge place, past the old cathedrals which have been there for so long, and we went through the museums in the giant palace which was used by so many czars, from Ivan the Terrible on. We went into the tiny bedroom that Ivan used, and into the little withdrawing rooms, and the private chapels. And they are very beautiful, and strange, and ancient, and they are kept just as they were. And we saw the museum where the armor, the plate, the weapons, the china services, the costumes, and the royal gifts for five hundred years are stored. There were huge crowns covered with diamonds and emeralds, there was the big sledge of Catherine the Great. We saw the fur garments and the fantastic armor of the old boyars. There were the gifts sent by other royal houses to the czars—a great silver dog sent by Queen Elizabeth, presents of German silver and china from Frederick the Great to Catherine, the swords of honor, the incredible claptrap of monarchy. It became apparent, after looking at a royal museum, that bad taste, far from being undesirable in royalty, is an absolute necessity.
John Steinbeck (A Russian Journal)
Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.
Emily Kimelman (Unleashed (Sydney Rye, #1))
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
His phone dinged again. “This crazy-ass voicemail. It’s all jacked—Wait, when did you call me?” “Please don’t listen to that,” I blurted. He grinned. “Okay, now I have to hear it. Was this last night? Were you drunk? Did you drunk-dial me?” he teased. But it was too late, he’d already lifted the phone. Bile rose in my throat and the room became a thousand degrees hotter. “Please. Don’t.” “Why? What’s wrong?” He grew quiet and listened. “I don’t hear anything. Wait. You didn’t mean to call, did you? Is that another guy?” I put my face in my hands. Cade was quiet as he listened. And I prayed for a giant black hole to open and swallow me. His phone made a soft thump as he tossed it onto the coffee table. The couch moved with him as he settled back. “You can uncover your face now.” His tone didn’t sound angry but I still couldn’t face him. His hands slid around my wrists and gently tugged, forcing me to lower them. I swallowed the lump in my throat, annoyed that I didn’t even have my own car to leave. “Was that your roommate?” he asked. I nodded, my face still tucked down. “And…her boyfriend?” “No, her best friend.” “So you told your roommate about me?” I could hear the smile in his voice and looked up. “I mean, I assume you don’t know a bunch of ‘therapy dog’ guys named Cade, but I could be wrong.” “You aren’t pissed about what you heard?” “All I heard were some friends teasing you…about me. They think you want me. Bad.” He grinned. “And what I said?” “Were you serious? Because to me you sounded annoyed, maybe even defensive. And considering you stayed home last night and are with me tonight, I don’t think you really planned a, how did you put it? ‘Weekend fuckfest.’ ” He bit back a smile. “You were never supposed to hear that.” I crossed my arms. “And I expected you to be upset, not tease me about it.” He grabbed my hand. “C’mon, I’m sorry. Did you want to have a weekend fuckfest? I don’t want to interfere with your plans.” He tugged my hand, urging me to look up. “Look, we can have one. I’m game. Don’t stop on account of me.” “Shut up.” His hand made its way to my arm and he slid me along the leather couch, and tucked me into him. “Quit being all grumpy. I’m RSVPing to your fuckfest. I mean, I’ve never had one, but it seems pretty self-explanatory.” “You’re an asshole.” And by that I really meant the most perfect fucking guy ever. Who hears something like that and plays it totally cool? “So, am I also supposed to bend you over a table or something? Because I think your roommate might have mentioned that as well.” I shoved him back while trying hard not to smile. “I hate you.” He laughed and scooped me into his lap. “If it makes you feel any better, my roommate knows I have the hots for you too.” I rolled my eyes
Renita Pizzitola (Just a Little Flirt (Crush, #2))
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
red meat that has been processed into bacon, bologna, hot dogs, sandwich meats, and other products with added salt is best avoided altogether.
Michael Moss (Salt Sugar Fat: How the Food Giants Hooked Us)
While we sat at the bar, Dave told me the most important advice about talking to women I had ever received, and that was to be as relaxed as possible and not fear rejection. Dave then began hooking up with some girl who looked like a hybrid of Rosie O’Donnell and Miss Piggy, leaving me alone to ponder his words.” “When I was in 8th grade, there was this girl named Sandra who I used to ride the school bus with. Sandra was about 5’2, 120 lbs, and looked like the Hamburglar. She was the prettiest girl in my class.” “In my mind I was the life of the party and felt as though I could do no wrong when it came to interacting with the opposite sex. That was until Marissa caught me red handed hooking up with some girl who looked like a combination of John Madden and Andre the Giant, tapping me on the shoulder and kicking me square in the nuts.” “I was starting to feel bad about how I treated women. Oh wait, no I wasn’t. The girls at Binghamton were nothing more than a bunch of dumb sluts that just wanted to get drunk and suck dick, and besides, they were all going to make a lot more money than me in the future. So I may as well catch brains while these bitches were dumb enough to blow me.” “Out of all the people I could’ve stumbled into blackout drunk, why did it have to be THE MOOSE? As son as she saw me her 300 lb frame waddled over, and she jammed her tongue down my throat, devouring me as though I were a Big Mac. This was embarrassing. Here I was making out with some girl who looked like Eric Cartman in a dress, and everybody was watching. My life was effectively over.” “After annihilating Ruben’s toilet, I looked over my shoulder for some much-needed toilet paper, when to my shock and dismay there was not a single sheet of paper in sight. There’s no way in hell I was rejoining the party covered in poop and I would have wiped my ass with anything. That’s when I noticed his New York Yankees bath towel.” “I spent the rest of my week off getting completely shitfaced with Chris, and that’s when I realized I might be developing a drinking problem. At Bar None, hooking up with some girl who looked like the Loch Ness Monster; this shit had to stop. Alcohol was turning me into a drunken mess, and I vowed right then and there to quit drinking and start smoking more weed immediately.” “I got a new roommate. His name was Erick and he was an ex-marine. Erick and I didn’t know each other, but he knew Kevin, and he also knew that I didn’t shower and that last semester I left a used condom on the floor for two weeks without throwing it away. Eric therefore did not want to live with me.” “Believe it or not, I got another job working with the disabled. See, Manny was nice enough to hook me up with a position as a job coach at the Lavelle School for the Blind. The kid’s name was Fred and he was blind with cerebral palsy. Fred loved dogs and I loved smoking week. Bad combination, and I was fired with 3 days left in the program after allowing Fred to run across the street into oncoming traffic, because I had smoked a bowl an hour earlier. Manny and I never spoke again.” “My life was a dream and a nightmare rolled into one. Here I was living this carefree existence, getting drunk, boning bitches, and playing Sega Genesis in between. Oh wait, what am I talking about? My life was awesome. It’s the rest of my life that’s going to suck.
Alexander Strenger
So it figured that with Quinn gone, Gabe would show up with a giant wet dog and a smile on his face, though Emma was still having a hard time deciphering the looks he was giving her. “Here you go.
Cali MacKay (Seduction and Surrender (The Billionaire's Temptation, #1))
We're going to ride giant dogs to save the world," says Kelsey. "My grandkids are never even going to believe this story.
Skylar Dorset (The Boy with the Hidden Name (Otherworld, #2))
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
Thrity Umrigar (The Space Between Us)
All people under severe stress find a giant friendly dog to be a comfort.
Todd Borg (Tahoe Blue Fire (Owen McKenna #13))
Here a giant white dog had died. The
Stephen Graham Jones (Mongrels)
The legend of a giant black saltie in Cape York had been growing for years. It haunted a river system in north Queensland and eluded all attempts at capture or death. In 1988 the East Coast Crocodile Management Program enlisted Bob and Steve to remove this “problem” crocodile and relocate him back to their zoo. It was a difficult assignment. At first they could find no sign of the mythical black croc. Perhaps it was a figment of the public imagination, tying together several incidents and sightings to create a single animal out of many. For months, Bob and Steve surveyed the mangrove swamps and riverbanks, finally locating a telltale belly slide that betrayed the presence of a huge male. Then Bob gave his son the ultimate vote of confidence. He left him alone. Bob went back to Beerwah. It was just Steve and his dog, Chilli. The huge saltwater crocodile had repeatedly outwitted hunters with high-powered rifles and “professionals” from crocodile farms sent in to exterminate him. Steve took up a hunt that had already lasted for years. Only he planned to save this modern-day dinosaur rather than kill it.
Terri Irwin (Steve & Me)
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
Ba’al led Ashtart down the underground tunnel in a dog collar. It had been thirteen years since the battle of nine kings, where Marduk had defeated Ashtart and became Ba’al, the king of the gods of Canaan. Ashtart’s plan had been set back generations with the devastation of her giant progeny throughout the land by Chedorlaomer’s forces. But with the addition of Ba’al as the Most High God of Canaan, the two of them together could do what she could not do alone. Ashtart had revitalized the original program of miscegenation of the Watchers. The rest of the pantheon of gods were fearful of the consequences of such a pursuit, since El Shaddai had already flooded the earth the first time such a course of action had been undertaken. But with the two most powerful divinities united, the pantheon could do little but sit back and see what happened.
Brian Godawa (Abraham Allegiant (Chronicles of the Nephilim Book 4))
Several times a day a group of people we had never seen before would tour the neighborhood. That was the only time the young children in their dirty clothes stopped crying. Even the browbeaten dogs of shouting owners stopped barking and retreated. The entire neighborhood grew calm. Suddenly it was so still - what the heck was going on? I was ashamed of the way our neighborhood smelled. They had bowed and greeted Father. Father had to stand on tiptoe to shake hands with them. But that didn't matter to us. In our eyes our dwarf of a father was a giant. (Cho 2006: 54)
Cho Se-Hui (The Dwarf (Modern Korean Fiction))
We believed Harriet had been collected in 1835 by Charles Darwin himself. She was brought to Australia from England in 1841 by Captain Wickham aboard the HMS Beagle. Actually, three giant Galapagos tortoises had been donated to the Brisbane Botanic Gardens, after Darwin realized they did not flourish in England, where he had originally taken them in 1835. How could we determine whether Harriet was one of the Darwin Three? Scott Thomson found a giant tortoise in the collection of the Queensland Museum that had been mislabeled an Aldabran tortoise. Carved on the carapace was the animal’s name. “Tom,” and “1929.” We now had potentially found two of the three Darwin tortoises. Harriet and Tom had been seen together in living memory. The third tortoise was never found and was presumed buried somewhere in the botanic gardens. Harriet lived on. Steve and I became very excited at this news. Our studies and research into Harriet’s history continued for years, and it was amazing to learn what a special resident we had at the zoo. Despite her impressive background, Harriet remained attractively modest. She had a sweet personality like a little dog. She loved hibiscus flowers, and certain veggies were her favorites. Steve carried on a practice that his parents had implemented: Whatever you feed animals should be good enough for you to eat. Thus Harriet got the most beautiful mustard greens, kale, eggplant, zucchinis, and even roses. In return, Harriet gave zoo visitors a rare chance to watch her keepers cuddle and scratch one of the grandest creatures on earth. She was the oldest living chelonian and the only living creature to have met Charles Darwin and traveled aboard the Beagle. And she gave us all something else, too--a lesson in how to live a long life. Don’t worry too much. Take it easy. Stop and munch the flowers. It was a lesson Steve noted and understood but could never quite take to heart. He was a meteor. Harriet was more of a mountain. In this world, we need both.
Terri Irwin (Steve & Me)
I had heard this dog barking over the music earlier, but this was the first time I had seen him. He was a giant, brown Great Dane who was either annoyed or excited by everything that was going on. He made a beeline for the girls who had just stepped back onto the sidewalk. Ruby was the first of them to spot him coming at them and began to scream and run backwards. The rest of the group froze in place. The dog was barking like crazy as it charged at them. He circled Ruby once and then pounced on her. Ruby screamed and swatted at the dog with her bucket and then took off down the sidewalk. “Ruby!” I screamed, “Don’t run!” - The Stable House
Laura Smith
Farah answered the door and I knew immediately her pants had recently been off. When our eyes met, I sensed she knew I knew. Farah gave me a casual smile then realized her ponytail was hanging weird off her head. “Sex is fun, huh?” Lark said, walking past her friend. “We’re like rabbits too.” Farah laughed. “We got home late and needed to let off some steam.” “Four times,” Cooper announced, bouncing the stairs. Grinning, I was ready to smack that smirk right off his face. “We have news.” “Moving in together is such a great first step in a relationship,” Cooper said, wrapping an arm around Farah’s shoulders. “We remember those days, don’t we, baby? So long ago.” “You’re being obnoxious,” Farah murmured to her husband. “A giant obnoxious stud.” Lark laughed and winked at me. “Speaking of studs, Aaron knocked me up our first time while I was on the pill. Bam! That is some super sperm!” Farah burst out laughing while I gave Cooper two middle fingers. He just glared at me like I’d knocked up my new girlfriend just so I could make him look weak. Yes, everything in the world revolved around Cooper including my sex life. “Fuck you,” Cooper growled at me. “Don’t feel bad. I mean, you had sex four times,” I said, putting up four fingers. “Wow, you’re bound to have at least one good swimmer in the bunch.” When Cooper ran at me, I took off through the dining room, past the kitchen, and out the backdoor. My buddy was big and strong, but he was slow. I was in the front yard before he got past his excited dogs. Lark opened the door for me then we shut it on Cooper who started cussing until he realized kids were nearby. Farah was laughing so hard she sat on the ground to keep from falling. “Let me in,” Cooper said in a low pissed voice as he glared through the side window. “Say it first.” “Congratulations, jackass. Now, let me in my damn house.” “That’s not what I want you to say.” “Then what? I’m not saying please, so it better not be that.” “Not please. I was thinking something like, ‘Gee, Aaron, can your balls dumb down things for my balls? I’d be ever so grateful to know how babies are made.’ Yeah, something like that.” Farah was rolling around on the floor and no help to Cooper who clearly wasn’t saying what I suggested. Lark finally unlocked the door and smiled at Cooper who exhaled like a pissed bull. “You’re welcome,” she said, grinning. “For what?” “I talked Aaron out of mocking you as badly as he wanted. This was the tame version. So you’re welcome.” Cooper shook his head and finally smiled.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Gods blast it, I was asking ye where you shite in the city, not where I should do it!” I might have said that a bit too loudly, because people on the sidewalk look at me out of the corners of their eyes and swerve away from the man talking to a giant dog about where to drop a pound.
Kevin Hearne (Staked (The Iron Druid Chronicles, #8))
levels, meandering around and down the hillside to where the jungle encroached. The postmodern structure looked to have been built on a clearing at the very top of the hill. It was totally surrounded by dense jungle and warnings like PRIVATE. NO TRESPASSING! And orders to KEEP OUT! GUARD DOGS! His curiousity piqued, Hawke said, “Let’s go take a look at this damn thing, Stoke. It’s two and a half miles away, at the southern tip of the island. The beach runs along directly below it. It’s jungle all the way, but we’ve got your machete.” “You gonna carry, boss? Just in case,” Stoke said. “Yeah. I’ll stick the Walther in the waistband of my swimsuit. You?” “Around this place? Always. Listen, before I forget, I saw something on my way down here from Miami I meant to tell you about soon as I got off the G-plane.” “Now’s as good a time as any, man.” “Well, it was at the end of the flight. We were coming out of five thousand feet, descending and on final approach. I happened to be looking out the window, expecting to see blue water. But what I saw was green. It was a giant mangrove swamp, stretching out as far as I could see. And suddenly we’re over water again. Right in the center of the swamp was a large bay, totally surrounded
Ted Bell (Dragonfire (Alexander Hawke #11))
Link Ferris was as much a part of the Ferris farm as was the giant bowlder in the south mowing. He had been born in the paintless shack which his father had built with his own rheumatic hands. He had worked for more than a quarter century, in and out of the hill fields and the ramshackle barns. From babyhood he had toiled there. Scant had been the chances for schooling, and more scant had been the opportunities for outside influence. Wherefore, Link had grown to a wirily weedy and slouching manhood, almost as ignorant of the world beyond his mountain walls as were any of his own "critters." His life was bounded by fruitless labor, varied only by such sleep and food as might fit him to labor the harder.
Albert Payson Terhune (His Dog)
see as mortals see; they look on the outward appearance, but the Lord looks on the heart.” 1 Samuel 16:7 Introduction Goliath “Am I a dog that you should come to
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
Because it was part of old Gondwana and because it is insular and was isolated for tens of millions of years, New Zealand has a quirky evolutionary history. There seems to have been no mammalian stock from which to evolve on the Gondwanan fragment, and so, until the arrival of humans, there were no terrestrial mammals, nor were there any of the curious marsupials of nearby Australia—no wombats or koalas or kangaroos, no rodents or ruminants, no wild cats or dogs. The only mammals that could reach New Zealand were those that could swim (like seals) or fly (like bats), and even then there are questions about how the bats got there. Two of New Zealand’s three bat species are apparently descended from a South American bat, which, it is imagined, must have been blown across the Pacific in a giant prehistoric storm. Among New Zealand’s indigenous plants and animals are a number of curious relics, including a truly enormous conifer and a lizard-like creature that is the world’s only surviving representative of an order so ancient it predates many dinosaurs. But the really odd thing about New Zealand is what happened to the birds. In the absence of predators and competitors, birds evolved to fill all the major ecological niches, becoming the “ecological equivalent of giraffes, kangaroos, sheep, striped possums, long-beaked echidnas and tigers.” Many of these birds were flightless, and some were huge. The largest species of moa—a now extinct flightless giant related to the ostrich, the emu, and the rhea—stood nearly twelve feet tall and weighed more than five hundred pounds. The moa was an herbivore, but there were also predators among these prehistoric birds, including a giant eagle with claws like a panther’s. There were grass-eating parrots and flightless ducks and birds that grazed like sheep in alpine meadows, as well as a little wren-like bird that scampered about the underbrush like a mouse. None of these creatures were seen by the first Europeans to reach New Zealand, for two very simple reasons. The first is that many of them were already extinct. Although known to have survived long enough to coexist with humans, all twelve species of moa, the Haast’s eagle, two species of adzebills, and many others had vanished by the mid-seventeenth century, when Europeans arrived. The second is that, even if there had still been moas lumbering about the woods, the European discoverers of New Zealand would have missed them because they never actually set foot on shore.
Christina Thompson (Sea People: The Puzzle of Polynesia)
My women screeched while Deya reared up and roared with fury, and I crashed to the ground before I whipped around and saw both ogres yanking the dog back and forth to try to get a bite in. Before any of us could save Ruela, though, another pained yowl rent the air, and my blood turned to ice. Then one of the ogres staggered back while he clutched his oozing wrist, and I’d only just furrowed my brow in confusion when Ruela tore the second ogre’s jugular out. My jaw dropped as I watched the wolfish beast rip his face off next, and as soon as the ogre hit the ground, she lunged to clamp her jaws in the other ogre’s bulging gut. Blood splattered across the ground while she ripped into the giant green beast with a vengeance, and the nearby ogres could only stand by and stare while Ruela mauled both of her attackers until their insides were on the outside, and their faces were shredded pits with mushed brains in the middle. When it was all done, I finally remembered to blink again, and Ruela snorted some green flesh from her nose before she shook herself off, stepped in the ogre’s guts, and retrieved her severed deer head. Then the wolfish beast trotted toward the mansion with her tail held high, and every ogre turned toward me in silent, furious shock. “Okay,” I muttered as I got up on wobbly legs, and I nodded like everything was still under control. “So… now you know not to eat my dog, but let’s lay out a few more ground rules before I head out.
Eric Vall (Metal Mage 13 (Metal Mage, #13))
Tom, the third son, was most like his father. He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn’t discover the world and its people, he created them. When he read his father’s books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow, so that when his dog died the world ended.
John Steinbeck (East of Eden)
In the few weeks we've been in residence, Schatzi has kicked dirt in the eye of a Chihuahua, resulting in a squealing of eardrum-perforating shrillness. She nipped the fingers of a very nice young woman walking her terrier mix when she tried to pet her. She growled at a Yorkie so menacingly the dog had immediate violently explosive diarrhea. All over my leg. It was like some invisible hand just squeezed her in the middle and hot liquid poop shot out of her with such velocity that despite being only like eight inches tall, she hit me from ankle to over the knee. I'm still grateful she wasn't a bigger dog. Schatzi was never mean to other dogs, or owners for that matter, when we were in the West Loop. She had her neighborhood pals, Otto the black Lab, who always tried to give her gifts of mangy tennis balls, Lucy, the sweet old arthritic collie who would nuzzle Schatzi like a doting grandmother, and her best buddy, Klaus, a giant schnauzer, the perfect replica of Schatzi herself, just supersized. They would romp around and then put their square bearded heads together and have what appeared to be very serious conversations about things. Jimmy, Klaus's dad, would always lean over and ask, "Do you think they're planning to invade Poland?" which never failed to make me laugh.
Stacey Ballis (Recipe for Disaster)
Whoa, that sounds really scary. Giant Mice, giant ducks, giant dogs. Eating dogs that are stuck on a stick. And all of those humans in one place… Dude, you’re freaking me out!” I said.
Zack Zombie (When Nature Calls (Diary of a Minecraft Zombie, #3))
In what is one of the most bizarre and ecologically damaging episodes of the Great Leap Forward, the country was mobilised in an all-out war against the birds. Banging on drums, clashing pots or beating gongs, a giant din was raised to keep the sparrows flying till they were so exhausted that they simply dropped from the sky. Eggs were broken and nestlings destroyed; the birds were also shot out of the air. Timing was of the essence, as the entire country was made to march in lockstep in the battle against the enemy, making sure that the sparrows had nowhere to escape. In cities people took to the roofs, while in the countryside farmers dispersed to the hillsides and climbed trees in the forests, all at the same hour to ensure complete victory. Soviet expert Mikhail Klochko witnessed the beginning of the campaign in Beijing. He was awakened in the early morning by the bloodcurdling screams of a woman running to and fro on the roof of a building next to his hotel. A drum started beating, as the woman frantically waved a large sheet tied to a bamboo pole. For three days the entire hotel was mobilised in the campaign to do away with sparrows, from bellboys and maids to the official interpreters. Children came out with slings, shooting at any kind of winged creature.77 Accidents happened as people fell from roofs, poles and ladders. In Nanjing, Li Haodong climbed on the roof of a school building to get at a sparrow’s nest, only to lose his footing and tumble down three floors. Local cadre He Delin, furiously waving a sheet to scare the birds, tripped and fell from a rooftop, breaking his back. Guns were deployed to shoot at birds, also resulting in accidents. In Nanjing some 330 kilos of gunpowder were used in a mere two days, indicating the extent of the campaign. But the real victim was the environment, as guns were taken to any kind of feathered creature. The extent of damage was exacerbated by the indiscriminate use of farm poison: in Nanjing, bait killed wolves, rabbits, snakes, lambs, chicken, ducks, dogs and pigeons, some in large quantities.
Frank Dikötter
Where they differ is in temper. Izzy has no control over hers.  When the anger switch flips in her tiny little brain, no one can turn it off.  She is focused to a fault, her tantrums often triggered by the fear of her sightless world. Morgan sighs. She is ready to be released.  She quiets easily and quickly. She is a gentle giant, not a fighter.  She bites only to defend herself.  If her intent were to eliminate her assailant, it would happen in one quick snap of her jaw.  She cannot understand why this monster was brought into our peaceful home.  We were a happy family until Izzy appeared.  She is the Anti-Christ.  She is pure evil.  Our home has become a salient battleground with opponents always vigilant, wary of the other, waiting for the first sign of war. Finally,
Barbara Boswell Brunner (Dog-Ma, the Zen of Slobber)
Modern art is a waste of time. When the zombies show up, you can't worry about art. Art is for people who aren't worried about zombies. Besides zombies and icebergs, there are other things that Soap has been thinking about. Tsunamis, earthquakes, Nazi dentists, killer bees, army ants, black plague, old people, divorce lawyers, sorority girls, Jimmy Carter, giant quids, rabid foxes, strange dogs, new anchors, child actors, fascists, narcissists, psychologists, ax murderers, unrequited love, footnotes, zeppelins, the Holy Ghost, Catholic priests, John Lennon, chemistry teachers, redheaded men with British accents, librarians, spiders, nature books with photographs of spiders in them, darkness, teachers, swimming pools, smart girls, pretty girls, rich girls, angry girls, tall girls, nice girls, girls with superpowers, giant lizards, blind dates who turn out to have narcolepsy, angry monkeys, feminine hygiene commercials, sitcoms about aliens, things under the bed, contact lenses, ninjas, performances artists, mummies, spontaneous combustion, Soap has been afraid of all of these things at one time or another, Ever since he went to prison, he's realized that he doesn't have to be afraid. All he has to do is come up with a plan. Be prepared. It's just like the Boy Scouts, except you have to be even more prepared. You have to prepare for everything that the Boy Scouts didn't prepare you for, which is pretty much everything.
Kelly Link (Magic for Beginners)
But every once in a great while, the pull of her heritage would hit her, and Grand-mere would cook something real. I could never figure out what it was that triggered her, but I would come home from school to a glorious aroma. An Apfel-strudel, with paper-thin pastry wrapped around chunks of apples and nuts and raisins. The thick smoked pork chops called Kasseler ribs, braised in apple cider and served with caraway-laced sauerkraut. A rich baked dish with sausages, duck, and white beans. And hoppel poppel. A traditional German recipe handed down from her mother. I haven't even thought of it in years. But when my mom left, it was the only thing I could think to do for Joe, who was confused and heartbroken, and it was my best way to try to get something in him that didn't come in a cardboard container. I never got to learn at her knee the way many granddaughters learn to cook; she never shared the few recipes that were part of my ancestry. But hoppel poppel is fly by the seat of your pants, it doesn't need a recipe; it's a mess, just like me. It's just what the soul needs. I grab an onion, and chop half of it. I cut up the cold cooked potatoes into chunks. I pull one of my giant hot dogs out, and cut it into thick coins. Grand-mere used ham, but Joe loved it with hot dogs, and I do too. Plus I don't have ham. I whisk six eggs in a bowl, and put some butter on to melt. The onions and potatoes go in, and while they are cooking, I grate a pile of Swiss cheese, nicking my knuckle, but catching myself before I bleed into my breakfast. By the time I get a Band-Aid on it, the onions have begun to burn a little, but I don't care. I dump in the hot dogs and hear them sizzle, turning down the heat so that I don't continue to char the onions. When the hot dogs are spitting and getting a little browned, I add the eggs and stir up the whole mess like a scramble. When the eggs are pretty much set, I sprinkle the cheese over the top and take it off the heat, letting the cheese melt while I pop three slices of bread in the toaster. When the toast is done, I butter it, and eat the whole mess on the counter, using the crispy buttered toast to scoop chunk of egg, potato, and hot dog into my mouth, strings of cheese hanging down my chin. Even with the burnt onions, and having overcooked the eggs to rubbery bits, it is exactly what I need.
Stacey Ballis (Recipe for Disaster)
MOLLY’S OWN CHILDHOOD MEMORIES ARE SCANT AND PARTIAL. SHE remembers that the TV in the living room seemed to be on all the time and that the trailer smelled of cigarette smoke and the cat’s litterbox and mildew. She remembers her mother lying on the couch chain-smoking with the shades drawn before she left for her job at the Mini-Mart. She remembers foraging for food—cold hot dogs and toast—when her mother wasn’t home, and sometimes when she was. She remembers the giant puddle of melting snow just outside the door of the trailer, so large that she had to jump across it from the top step to get to dry ground.
Christina Baker Kline (Orphan Train)
Micah had closed his jaws around the dog’s throat. Blood streamed down the sides of his mouth as he clamped down hard. The vampire dog fell to the floor and writhed around as Micah lowered his mouth to the beast’s chest. He mauled through its skin before finally closing his teeth around the dog’s heart. He pulled out the giant organ and threw it down on the floor. I looked away, my stomach queasy. Even my mother couldn’t stand the sight. “Let’s continue, shall we?” Micah called down from below. Keeping my eyes firmly away from the mess that was left of the dog, we hurried past it toward the werewolf. “You are gross, Micah,” I muttered. “Thanks,” he said, licking his lips with his long tongue and grinning darkly.
Bella Forrest (An End of Night (A Shade of Vampire, #16))