β
I'm no model lady. A model's just an imitation of the real thing.
β
β
Mae West
β
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
β
β
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
β
You never change things by fighting the existing reality.
To change something, build a new model that makes the existing model obsolete.
β
β
R. Buckminster Fuller
β
Children have never been very good at listening to their elders, but they have never failed to imitate them.
β
β
James Baldwin
β
Don't tell me," Jace said, "Simon's turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you'll have have to wait till tomorrow. I'm out of commission." He pointed at himself - he was wearing blue pajamas with a hole in the sleeve. "Look. Jammies."
"Jace," Clary said, "this is important."
"Don't tell me," he said. "You've got a drawing emergency. You need a nude model. Well, I'm not in the mood. You could always ask Hodge," he said as an afterthought. "I hear he'll do anything for a -"
"JACE!" she interrupted him, her voice rising to a scream. "JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU?
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
I feel like a defective model, like I came off the assembly line flat-out fucked and my parents should have taken me back for repairs before the warranty ran out.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Being rich is not about how much money you have or how many homes you own; it's the freedom to buy any book you want without looking at the price and wondering if you can afford it.
β
β
John Waters (Role Models)
β
So the dickhead had a name. Daemonβseemed fitting. And of course his sister would be as attractive as him. Why not? Welcome to West
Virginia, the land of lost models.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
Hey, girls, you're beautiful. Don't look at those stupid magazines with sticklike models. Eat healthy and exercise. That's all. Don't let anyone tell you you're not good enough. You're good enough, you are too good. Love your family with all your heart and listen to it. You are gorgeous, whether you're a size 4 or 14. It doesn't matter what you look like on the outside, as long as you're a good person, as long as you respect others. I know it's been told hundreds of times before, but it's true. Hey, girls, you are beautiful.
β
β
Gerard Way
β
The first step - especially for young people with energy and drive and talent, but not money - the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.
β
β
Chuck Palahniuk
β
If your kid needs a role model and you ain't it, you're both fucked.
β
β
George Carlin (Brain Droppings)
β
How come we play war and not peace?"
"Too few role models.
β
β
Bill Watterson
β
I won't date a model, because models are perfect and perfect is boring.
β
β
Niall Horan
β
I'll teach you how to defend yourself, how to maim a man. We can use Po as a model.'
'Wonderful,' Po said. 'It's quite boring really, the way you beat me to death with your hands and feet, Katsa. It'll be refreshing to have you come at me with a knife.
β
β
Kristin Cashore (Graceling (Graceling Realm, #1))
β
Even if there is only one possible unified theory, it is just a set of rules and equations. What is it that breathes fire into the equations and makes a universe for them to describe? The usual approach of science of constructing a mathematical model cannot answer the questions of why there should be a universe for the model to describe. Why does the universe go to all the bother of existing?
β
β
Stephen Hawking (A Brief History of Time)
β
I cannot imagine a God who rewards and punishes the objects of his creation, whose purposes are modeled after our own -- a God, in short, who is but a reflection of human frailty. Neither can I believe that the individual survives the death of his body, although feeble souls harbor such thoughts through fear or ridiculous egotisms.
β
β
Albert Einstein
β
Find someone who has a life that you want and figure out how they got it. Read books, pick your role models wisely. Find out what they did and do it.
β
β
Lana Del Rey
β
You should never read just for "enjoyment." Read to make yourself smarter! Less judgmental. More apt to understand your friends' insane behavior, or better yet, your own. Pick "hard books." Ones you have to concentrate on while reading. And for god's sake, don't let me ever hear you say, "I can't read fiction. I only have time for the truth." Fiction is the truth, fool! Ever hear of "literature"? That means fiction, too, stupid.
β
β
John Waters (Role Models)
β
If one wanted to depict the whole thing graphically, every episode, with its climax, would require a three-dimensional, or, rather, no model: every experience is unrepeatable. What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space.
β
β
Italo Calvino (If on a Winterβs Night a Traveler)
β
Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.
β
β
Terence McKenna
β
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
β
β
Erma Bombeck (When God Created Mothers)
β
A father has to be a provider, a teacher, a role model, but most importantly, a distant authority figure who can never be pleased. Otherwise, how will children ever understand the concept of God?
β
β
Stephen Colbert (I Am America (And So Can You!))
β
He'd changed since the last summer. Instead of Bermuda shorts and a T-shirt, he wore a button-down shirt, khaki pants, and leather loafers. His sandy hair, which used to be so unruly, was now clipped short. He look like an evil male model, showing off what the fashionable college-age villain was wearing to Harvard this year.
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.
β
β
Sally Rooney (Beautiful World, Where Are You)
β
The leading cause of death among fashion models is falling through street grates.
β
β
Dave Barry
β
A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.
β
β
Tim O'Brien (The Things They Carried)
β
He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it's like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century.
β
β
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
β
Youth need less critics and more models.
β
β
Thomas S. Monson
β
Who are your favorite heroines in real life? The women of Afghanistan, Iraq, and Iran who risk their lives and their beauty to defy the foulness of theocracy. Ayaan Hirsi Ali and Azar Nafisi as their ideal feminine model.
β
β
Christopher Hitchens (Hitch 22: A Memoir)
β
Some people want it to happen, some wish it would happen, and others make it happen.
β
β
Michael Jordan
β
Each of us, famous or infamous, is a role model for somebody, and if we aren't, we should behave as though we are -- cheerful, kind, loving, courteous. Because you can be sure someone is watching and taking deliberate and diligent notes.
β
β
Maya Angelou
β
People focus on role models; it is more effective to find antimodels - people you don't want to resemble when you grow up
β
β
Nassim Nicholas Taleb
β
Be a light, not a judge. Be a model, not a critic
β
β
Stephen R. Covey
β
I think dogs are the most amazing creatures;
they give unconditional love.
For me they are the role model for being alive.
β
β
Gilda Radner
β
Even the models we see in magazines wish they could look like their own images.
β
β
Cheri K. Erdman
β
I'm a model!"
"Who the fuck cares? You're a model, good for you. I'm a rock star bitch.
β
β
Terri Anne Browning (The Rocker That Loves Me (The Rocker, #4))
β
Any customer can have a car painted any colour that he wants so long as it is black.
β
β
Henry Ford
β
In order to change an existing paradigm you do not struggle to try and change the problematic model. You create a new model and make the old one obsolete.
β
β
R. Buckminster Fuller
β
I wish people would stop hitting Po," whispered Bitterblue.
"Well," Giddon said. "Yes. I'm hoping Skye is following my model. Punch Po; go on a long trip; feel better; come back and make up.
β
β
Kristin Cashore (Bitterblue (Graceling Realm, #3))
β
No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.
β
β
Antonin Artaud
β
The world in which you were born is just one model of reality. Other cultures are not failed attempts at being you; they are unique manifestations of the human spirit.
β
β
Wade Davis
β
Nothing is more impotent than an unread library.
β
β
John Waters (Role Models)
β
Handsome, fictional men were so much easier to stomach than real life ones who smelled of Christmas and looked like a Calvin Klein model
β
β
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
β
What mazes there are in this world. The branches of trees, the filigree of roots, the matrix of crystals, the streets her father recreated in his models... None more complicated than the human brain, Etienne would say, what may be the most complex object in existence; one wet kilogram within which spin universes.
β
β
Anthony Doerr (All the Light We Cannot See)
β
Each person must live their life as a model for others.
β
β
Rosa Parks
β
I nod in approval. βDamn. I should go into modeling.β βYou photograph really well,β Garrett agrees in a serious voice. βAnd dude, your package looks huge.β Fuck, it totally does.
β
β
Elle Kennedy (The Mistake (Off-Campus, #2))
β
We are happy when people/things conform and unhappy when they don't. People and events don't disappoint us, our models of reality do. It is my model of reality that determines my happiness or disappointments.
β
β
Stefan Zweig (Chess Story)
β
All subjects are the same. I memorize notes for a test, spew it, ace it, then forget it. What makes this scary for the future of our country is that I'm in the tip-top percentile on every standardized test. I'm a model student with a very crappy attitude about learning.
β
β
Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
β
If by that you mean that I dislike celebrity magazines, prefer food to anorexia, refuse to watch TV shows about models, and hate the color pink, then yes. I am proud to be not really a girl.
β
β
John Green (Let It Snow: Three Holiday Romances)
β
Life is an exam where the syllabus is unknown and question papers are not set. Nor are there model answer papers.
β
β
Sudha Murty (Wise & Otherwise)
β
There must exist a paradigm, a practical model for social change that includes an understanding of ways to transform consciousness that are linked to efforts to transform structures.
β
β
bell hooks (Killing Rage: Ending Racism)
β
The secret to modeling is not being perfect. What one needs is a face that people can identify in a second. You have to be given whatβs needed by nature, and whatβs needed is to bring something new.
β
β
Karl Lagerfeld
β
Being a role model is the most powerful form of educating...too often fathers neglect it because they get so caught up in making a living they forget to make a life.
β
β
John Wooden (Wooden: A Lifetime of Observations and Reflections On and Off the Court)
β
If you are dirty, insignificant and unloved then rats are the ultimate role model.
β
β
Banksy (Wall and Piece)
β
Me: βI refuse to attend Support Group.β
Mom: βOne of the symptoms of depression is disinterest in activities.β
Me: βPlease just let me watch Americaβs Next Top Model. Itβs an activity.β
Mom: βTelevision is a passivity.β
Me: βUgh, Mom, please.β
Mom: βHazel, youβre a teenager. Youβre not a little kid anymore. You need to make friends, get out of the house, and live your life.β
Me: βIf you want me to be a teenager, donβt send me to Support Group. Buy me a fake ID so I can go to clubs, drink vodka, and take pot.β
Mom: βYou donβt take pot, for starters.β
Me: βSee, thatβs the kind of thing Iβd know if you got me a fake ID.β
Mom: βYouβre going to Support Group.β
Me: βUGGGGGGGGGGGGG.β
Mom: βHazel, you deserve a life.
β
β
John Green (The Fault in Our Stars)
β
If a rat is a good model for your emotional life, you're in big trouble.
β
β
Robert M. Sapolsky
β
Find someone who has the life that you want and figure how they got it. Read books. Pick your role models wisely. Find out what they did and do it.
β
β
Lana Del Rey
β
I want an Oompa-Loompa!' screamed Veruca.
β
β
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
β
I believe in recovery, and as a role model I have the responsibility to let young people know that you can make a mistake and come back from it.
β
β
Ann Richards
β
Often men who have been emotionally neglected and abused as children by dominating mothers bond with assertive women, only to have their childhood feelings of being engulfed surface. While they could not 'smash their mommy' and still receive love, they find that they can engage in intimate violence with partners who respond to their acting out by trying harder to connect with them emotionally, hoping that the love offered in the present will heal the wounds of the past. If only one party in the relationship is working to create love, to create the space of emotional connection, the dominator model remains in place and the relationship just becomes a site for continuous power struggle.
β
β
bell hooks
β
Dogs are my favorite role models. I want to work like a dog, doing what I was born to do with joy and purpose. I want to play like a dog, with total, jolly abandon. I want to love like a dog, with unabashed devotion and complete lack of concern about what people do for a living, how much money they have, or how much they weigh. The fact that we still live with dogs, even when we don't have to herd or hunt our dinner, gives me hope for humans and canines alike.
β
β
Oprah Winfrey
β
True success is figuring out your life and career so you never have to be around jerks.
β
β
John Waters (Role Models)
β
Personally, I like to think my brother is having a college experience like they do in the movies. I don't mean the big fraternity party kind of movie. More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain. I think something like that would be very good for him, especially if the girl were unconventionally beautiful. They are the best kind of girls, I think. I personally find 'super models' strange. I don't know why this is.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Wait, you remember that?"
"Of course I remember that. You sounded like a frat boy and looked like a fucking model. What man could ever forget that?"
"I would have given anything to know what you were thinking right then."
"I was thinking, 'Highly fuckable intern, twelve o'clock. Disengage, soldier. I repeat, disengage.
β
β
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
β
Why Not You?
Today, many will awaken with a fresh sense of inspiration. Why not you?
Today, many will open their eyes to the beauty that surrounds them. Why not you?
Today, many will choose to leave the ghost of yesterday behind and seize the immeasurable power of today. Why not you?
Today, many will break through the barriers of the past by looking at the blessings of the present. Why not you?
Today, for many the burden of self doubt and insecurity will be lifted by the security and confidence of empowerment. Why not you?
Today, many will rise above their believed limitations and make contact with their powerful innate strength. Why not you?
Today, many will choose to live in such a manner that they will be a positive role model for their children. Why not you?
Today, many will choose to free themselves from the personal imprisonment of their bad habits. Why not you?
Today, many will choose to live free of conditions and rules governing their own happiness. Why not you?
Today, many will find abundance in simplicity. Why not you?
Today, many will be confronted by difficult moral choices and they will choose to do what is right instead of what is beneficial. Why not you?
Today, many will decide to no longer sit back with a victim mentality, but to take charge of their lives and make positive changes. Why not you?
Today, many will take the action necessary to make a difference. Why not you?
Today, many will make the commitment to be a better mother, father, son, daughter, student, teacher, worker, boss, brother, sister, & so much more. Why not you?
Today is a new day!
Many will seize this day.
Many will live it to the fullest.
Why not you?
β
β
Steve Maraboli (Life, the Truth, and Being Free)
β
You donβt get it, do you?" I said. βItβs not a question of βwhat thenβ. Some people get a kick out of reading railroad timetables and thatβs all they do all day. Some people make huge model boats out of matchsticks. So whatβs wrong if there happens to be one guy in the world who enjoys trying to understand you?
β
β
Haruki Murakami (Norwegian Wood)
β
I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?
β
β
John Waters (Role Models)
β
Conversation between a princess and an outlaw:
"If I stand for fairy-tale balls and dragon bait--dragon bait--what do you stand for?"
"Me? I stand for uncertainty, insecurity, bad taste, fun, and things that go boom in the night."
"Franky, it seems to me that you've turned yourself into a stereotype."
"You may be right. I don't care. As any car freak will tell you, the old models are the most beautiful, even if they aren't the most efficient. People who sacrifice beauty for efficiency get what they deserve."
"Well, you may get off on being a beautiful stereotype, regardless of the social consequences, but my conscience won't allow it."
"And I goddamn refuse to be dragon bait. I'm as capable of rescuing you as you are of rescuing me."
"I'm an outlaw, not a hero. I never intended to rescue you. We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
β
β
Tom Robbins (Still Life with Woodpecker)
β
We often feel that we lack something, and seem to see that very quality in someone else, promptly attributing all our own qualities to him too, and a kind of ideal contentment as well. And so the happy mortal is a model of complete perfection--which we have ourselves created.
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
Unhappy the land that is in need of heroes
β
β
Bertolt Brecht (Galileo)
β
Free yourself from one passion to be dominated by another and nobler one. But is not that, too, a form of slavery? To sacrifice oneself to an idea, to a race, to God? Or does it mean that the higher the model the longer the longer the tether of our slavery?
β
β
Nikos Kazantzakis (Zorba the Greek)
β
They came for him near midnight, seven hard-faced men arriving simultaneously in a matching set of Zis 101s, the black-lacquered saloon car so shamelessly modeled on the American Buick Roadmaster, and so capriciously favored by the sinister flying squads of the NKVD.
Ironically, the arrest when it came did not shock Batya. He had prepared for it.
β
β
K.G.E. Konkel (Who Has Buried the Dead?: From Stalin to Putin β¦ The last great secret of World War Two)
β
β¦there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting thisβand I have countless times, in just about every act Iβve committedβand coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothingβ¦.
β
β
Bret Easton Ellis (American Psycho)
β
Much of clinician burnout is due to spending time writing notes, placing orders, generating referrals, writing prior authorization letters, and creating patient communication. In other words, burnout is caused by physicians having to generate output! With the emergence of large language models that are used to train generative AI solutions, these use cases will be at the frontier of AIβs applications in healthcare.
β
β
Ronald M. Razmi (AI Doctor: The Rise of Artificial Intelligence in Healthcare - A Guide for Users, Buyers, Builders, and Investors)
β
You cannot be a powerful and life-changing presence to some people without being a joke or an embarrassment to others.
β
β
Mark Manson (Models: Attract Women Through Honesty)
β
I love you Rush Finlay. You are going to be the best husband and father the world has ever known. One day our sonβs wife will be thankful that her husband will have had you for a role model. Sheβll be lucky because of you. Because you will have raised our son to be the man that you are. Heβll love her completely because heβll know how.
β
β
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
β
The only insult I've ever received in my adult life was when someone asked me, "Do you have a hobby?" A HOBBY?! DO I LOOK LIKE A FUCKING DABBLER?!
β
β
John Waters (Role Models)
β
I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service."
He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep.
Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?"
Thanks, Apollo," I said. "I'll, um, let you handle the poetry.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
The study of history is the best medicine for a sick mind; for in history you have a record of the infinite variety of human experience plainly set out for all to see: and in that record you can find for yourself and your country both examples and warnings: fine things to take as models, base things, rotten through and through, to avoid.
β
β
Livy (The History of Rome, Books 1-5: The Early History of Rome)
β
But the problem with readers, the idea we're given of reading is that the model of a reader is the person watching a film, or watching television. So the greatest principle is, "I should sit here and I should be entertained." And the more classical model, which has been completely taken away, is the idea of a reader as an amateur musician. An amateur musician who sits at the piano, has a piece of music, which is the work, made by somebody they don't know, who they probably couldn't comprehend entirely, and they have to use their skills to play this piece of music. The greater the skill, the greater the gift that you give the artist and that the artist gives you. That's the incredibly unfashionable idea of reading. And yet when you practice reading, and you work at a text, it can only give you what you put into it. It's an old moral, but it's completely true.
β
β
Zadie Smith
β
Jane,' she said, climbing down from the chair. 'Remember last year when I built that model wind tower for you and you wrote those poems for me?'
And you said you'd never switch homework assignments with me again.'
For good reason. My teacher had a hard time believing I wrote Tra-la the joy of tulips blooming, Ha-ha the thrill of bumblebees zooming. I'm alive and I dance, I'm alive though death is always looming. When I finally convinced her that I had, she asked me if I needed to talk to the school counselor.
β
β
Jeanne Birdsall (The Penderwicks on Gardam Street (The Penderwicks, #2))
β
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
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Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
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Alcohol makes other people less tedious, and food less bland, and can help provide what the Greeks called entheos, or the slight buzz of inspiration when reading or writing. The only worthwhile miracle in the New Testamentβthe transmutation of water into wine during the wedding at Canaβis a tribute to the persistence of Hellenism in an otherwise austere Judaea. The same applies to the seder at Passover, which is obviously modeled on the Platonic symposium: questions are asked (especially of the young) while wine is circulated. No better form of sodality has ever been devised: at Oxford one was positively expected to take wine during tutorials. The tongue must be untied. It's not a coincidence that Omar Khayyam, rebuking and ridiculing the stone-faced Iranian mullahs of his time, pointed to the value of the grape as a mockery of their joyless and sterile regime. Visiting today's Iran, I was delighted to find that citizens made a point of defying the clerical ban on booze, keeping it in their homes for visitors even if they didn't particularly take to it themselves, and bootlegging it with great brio and ingenuity. These small revolutions affirm the human.
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Christopher Hitchens (Hitch 22: A Memoir)
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I always hear people talk about 'dysfunctional families.' It annoys me, because it makes you think that somewhere there's this magical family where everyone gets along, and no one ever screams things they don't mean, and there's never a time when sharp objects should be hidden. Well, I'm sorry, but that family doesn't exist. And if you find some neighbors that seem to be the grinning model of 'function,' trust me - that's the family that will get arrested for smuggling arms in their SUV between soccer games.
The best you can really hope for is a family where everyone's problems, big and small, work together. Kind of like an orchestra where every instrument is out of tune, in exactly the same way, so you don't really notice.
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Neal Shusterman (Antsy Does Time (Antsy Bonano, #2))
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We have to go from what is essentially an industrial model of education, a manufacturing model, which is based on linearity and conformity and batching people. We have to move to a model that is based more on principles of agriculture. We have to recognize that human flourishing is not a mechanical process; it's an organic process. And you cannot predict the outcome of human development. All you can do, like a farmer, is create the conditions under which they will begin to flourish.
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Ken Robinson
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Sometimes she would cry. I was so lonely, she'd say. You have no idea how lonely I was. And I had friends, I was a lucky one, but I was lonely anyway.
I admired my mother in some ways, although things between us were never easy. She expected too much from me, I felt. She expected me to vindicate her life for her, and the choices she'd made. I didn't want to live my life on her terms. I didn't want to be the model offspring, the incarnation of her ideas. We used to fight about that. I am not your justification for existence, I said her to once.
I want her back. I want everything back, the way it was. But there is no point to it, this wanting.
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Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
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Dominator culture teaches all of us that the core of our identity is defined by the will to dominate and control others. We are taught that this will to dominate is more biologically hardwired in males than in females. In actuality, dominator culture teaches us that we are all natural-born killers but that males are more able to realize the predator role. In the dominator model the pursuit of external power, the ability to manipulate and control others, is what matters most. When culture is based on a dominator model, not only will it be violent but it will frame all relationships as power struggles.
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bell hooks
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The brain-disease model overlooks four fundamental truths: (1) our capacity to destroy one another is matched by our capacity to heal one another. Restoring relationships and community is central to restoring well-being; (2) language gives us the power to change ourselves and others by communicating our experiences, helping us to define what we know, and finding a common sense of meaning; (3) we have the ability to regulate our own physiology, including some of the so-called involuntary functions of the body and brain, through such basic activities as breathing, moving, and touching; and (4) we can change social conditions to create environments in which children and adults can feel safe and where they can thrive.
When we ignore these quintessential dimensions of humanity, we deprive people of ways to heal from trauma and restore their autonomy. Being a patient, rather than a participant in oneβs healing process, separates suffering people from their community and alienates them from an inner sense of self.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.
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Joan Didion (The Year of Magical Thinking)
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Evolution has no foresight. Complex machinery develops its own agendas. Brains β cheat. Feedback loops evolve to promote stable heartbeats and then stumble upon the temptation of rhythm and music. The rush evoked by fractal imagery, the algorithms used for habitat selection, metastasize into art. Thrills that once had to be earned in increments of fitness can now be had from pointless introspection. Aesthetics rise unbidden from a trillion dopamine receptors, and the system moves beyond modeling the organism. It begins to model the very process of modeling. It consumes evermore computational resources, bogs itself down with endless recursion and irrelevant simulations. Like the parasitic DNA that accretes in every natural genome, it persists and proliferates and produces nothing but itself. Metaprocesses bloom like cancer, and awaken, and call themselves I.
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Peter Watts (Blindsight (Firefall, #1))
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But where was God now, with heaven full of astronauts, and the Lord overthrown? I miss God. I miss the company of someone utterly loyal. I still don't think of God as my betrayer. The servants of God, yes, but servants by their very nature betray. I miss God who was my friend. I don't even know if God exists, but I do know that if God is your emotional role model, very few human relationships will match up to it. I have an idea that one day it might be possible, I thought once it had become possible, and that glimpse has set me wandering, trying to find the balance between earth and sky. If the servants hadn't rushed in and parted us, I might have been disappointed, might have snatched off the white samite to find a bowl of soup.
As it is, I can't settle, I want someone who is fierce and will love me until death and know that love is as strong as death, and be on my side for ever and ever. I want someone who will destroy and be destroyed by me. There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name. Romantic love has been diluted into paperback form and has sold thousands and millions of copies. Somewhere it is still in the original, written on tablets of stone. I would cross seas and suffer sunstroke and give away all I have, but not for a man, because they want to be the destroyer and never the destroyed.
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Jeanette Winterson (Oranges Are Not the Only Fruit)
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I ate the roll, and forced down some more sparkling wine. When your eyes closed against the sun again, and I had nothing else to look at I glanced quickly at your chest, curious, really. I'd only seen chests like that in magazines. I wondered if that's how you'd got all your money . . . modeling. I looked down at my stomach. I grabbed at it, seeing how much fat I could lift up in a roll.
"Don't worry," you said, one eye open again like a crocodile, watching me. "You're beautiful." You tipped your head back again "Beautiful," you murmured. "Perfect."
"You wouldn't know. You're built like some sort of supermodel." I bit my lip, wishing I hadn't complimented you like that. "Or a stripper," I added. "Prostitute."
"I wouldn't want you to think I'm repulsive," you said, half smiling.
"Too late."
You opened your other eye to squint at me. "Will you ever give me a break?
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Lucy Christopher (Stolen (Stolen, #1))
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You know that the beginning is the most important part of any work, especially in the case of a young and tender thing; for that is the time at which the character is being formed and the desired impression is more readily taken....Shall we just carelessly allow children to hear any casual tales which may be devised by casual persons, and to receive into their minds ideas for the most part the very opposite of those which we should wish them to have when they are grown up?
We cannot....Anything received into the mind at that age is likely to become indelible and unalterable; and therefore it is most important that the tales which the young first hear should be models of virtuous thoughts....
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Plato (The Republic)
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Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator.
What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artists who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.
An artists is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artists takes it personally.
That's why Bob Dylan is an artist, but an anonymous corporate hack who dreams up Pop 40 hits on the other side of the glass is merely a marketer. That's why Tony Hsieh, founder of Zappos, is an artists, while a boiler room of telemarketers is simply a scam.
Tom Peters, corporate gadfly and writer, is an artists, even though his readers are businesspeople. He's an artists because he takes a stand, he takes the work personally, and he doesn't care if someone disagrees. His art is part of him, and he feels compelled to share it with you because it's important, not because he expects you to pay him for it.
Art is a personal gift that changes the recipient. The medium doesn't matter. The intent does.
Art is a personal act of courage, something one human does that creates change in another.
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Seth Godin (Linchpin: Are You Indispensable?)
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You donβt need fashion designers when you are young. Have faith in your own bad taste. Buy the cheapest thing in your local thrift shop - the clothes that are freshly out of style with even the hippest people a few years older than you. Get on the fashion nerves of your peers, not your parents - that is the key to fashion leadership. Ill-fitting is always stylish. But be more creative - wear your clothes inside out, backward, upside down. Throw bleach in a load of colored laundry. Follow the exact opposite of the dry cleaning instructions inside the clothes that cost the most in your thrift shop. Donβt wear jewelry - stick Band-Aids on your wrists or make a necklace out of them. Wear Scotch tape on the side of your face like a bad face-lift attempt. Mismatch your shoes. Best yet, do as Mink Stole used to do: go to the thrift store the day after Halloween, when the childrenβs trick-or-treat costumes are on sale, buy one, and wear it as your uniform of defiance.
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John Waters (Role Models)
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people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, βhey daddy could i be a hand modelβ
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you couldβve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
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Sarah Kay
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The point is, the brain talks to itself, and by talking to itself changes its perceptions. To make a new version of the not-entirely-false model, imagine the first interpreter as a foreign correspondent, reporting from the world. The world in this case means everything out- or inside our bodies, including serotonin levels in the brain. The second interpreter is a news analyst, who writes op-ed pieces. They read each other's work. One needs data, the other needs an overview; they influence each other. They get dialogues going.
INTERPRETER ONE: Pain in the left foot, back of heel.
INTERPRETER TWO: I believe that's because the shoe is too tight.
INTERPRETER ONE: Checked that. Took off the shoe. Foot still hurts.
INTERPRETER TWO: Did you look at it?
INTERPRETER ONE: Looking. It's red.
INTERPRETER TWO: No blood?
INTERPRETER ONE: Nope.
INTERPRETER TWO: Forget about it.
INTERPRETER ONE: Okay.
Mental illness seems to be a communication problem between interpreters one and two.
An exemplary piece of confusion.
INTERPRETER ONE: There's a tiger in the corner.
INTERPRETER TWO: No, that's not a tiger- that's a bureau.
INTERPRETER ONE: It's a tiger, it's a tiger!
INTERPRETER TWO: Don't be ridiculous. Let's go look at it.
Then all the dendrites and neurons and serotonin levels and interpreters collect themselves and trot over to the corner.
If you are not crazy, the second interpreter's assertion, that this is a bureau, will be acceptable to the first interpreter. If you are crazy, the first interpreter's viewpoint, the tiger theory, will prevail.
The trouble here is that the first interpreter actually sees a tiger. The messages sent between neurons are incorrect somehow. The chemicals triggered are the wrong chemicals, or the impulses are going to the wrong connections. Apparently, this happens often, but the second interpreter jumps in to straighten things out.
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Susanna Kaysen (Girl, Interrupted)
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A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
βThis old thing,β Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didnβt know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronanβs first kiss.
βIβm gonna go downstairs,β Ronan said.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
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It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been.
The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it.
Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire.
Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.
They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen.
I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man...
Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing.
Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object.
...we, perhaps, remember him best for his declaration:
'The world is my country; to do good my religion.'
Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'.
Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him.
'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.'
Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France.
So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument.
But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part.
Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking.
{The Philosophy of Paine, June 7, 1925}
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Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)