Mock My Pain Quotes

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You mock my pain! Life is pain, anyone who says otherwise is obviously selling something!
William Goldman (The Princess Bride)
Callistanas aren’t so bad either,” I said, looking down at my satchel. “That ‘pain in the ass’ screeching saved me from a face full of acid.” Adrian put his hand to his heart in mock horror. “Sage, did you just swear?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Exaggerating?" Silk sounded shocked. "You don't mean to say that horses can actually lie, do you? Hettar shrugged. "Of course. They lie all the time. They're very good at it." For a moment Silk looked outraged at the thought, and then he suddenly laughed. "Somehow that restores my faith in the order of the universe," he declared. Wolf looked pained. "Silk," he said pointedly, "you're a very evil man. Did you know that?" "One does one's best," Silk replied mockingly.
David Eddings (Queen of Sorcery (The Belgariad #2))
You are such a chick." I widened my eyes in mock surprise. "No way. Are you sure?" Sighing again, he rubbed at the tattoos on his wrist. "Mackenzie was right. You aren't slayer material." Before he had time to register my intentions, I threw a punch. My sore, swollen knuckles slammed into his cheekbone, thrusting his head to the side. Pain shot up my arm, but I bit my tongue to stop a moan. "You were saying?" He popped his jaw, rubbed at the reddening skin-and slowly grinned. "Okay, so now I understand why Cole likes you. You're worse than Kat.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
It would be nice to think that as I've got older times have changed, relationships have become more sophisticated, females less cruel, skins thicker, reactions sharper, instincts more developed. But there still seems to be an element of that evening in everything that happened to me since; all my other romantic stories seem to be a scrambled version of that first one. Of course, I have never had to take that long walk again, and my ears have not burned with quite the same fury, and I have never had to count the packs of cheap cigarettes in order to avoid mocking eyes and floods of tears... not really, not actually, not as such. It just feels that way, sometimes.
Nick Hornby (High Fidelity)
Don’t you dare mock me. I’ve seen more pain than you can even imagine. (Kiara) Yeah, your mother was shot dead in front of you. Boo-hoo. So what? You think you’re the only one who ever lived through that? My father was publicly executed for the entire Ichidian Universe to watch. The saddest part of that is I just wish I’d been the one who’d gassed the bastard. (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life.
Melina Marchetta (On the Jellicoe Road)
Out of the cradle endlessly rocking, Out of the mocking-bird’s throat, the musical shuttle, Out of the Ninth-month midnight, Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot, Down from the shower’d halo, Up from the mystic play of shadows, twining and twisting as if they were alive, Out from the patches of briers and blackberries, From the memories of the bird that chanted to me, From your memories, sad brother—from the fitful risings and fallings I heard, From under that yellow half-moon, late-risen, and swollen as if with tears, From those beginning notes of sickness and love, there in the transparent mist, From the thousand responses of my heart, never to cease, From the myriad thence-arous’d words, From the word stronger and more delicious than any, From such, as now they start, the scene revisiting, As a flock, twittering, rising, or overhead passing, Borne hither—ere all eludes me, hurriedly, A man—yet by these tears a little boy again, Throwing myself on the sand, confronting the waves, I, chanter of pains and joys, uniter of here and hereafter, Taking all hints to use them—but swiftly leaping beyond them, A reminiscence sing.
Walt Whitman (Song of Myself)
It was at a church service in Munich that I saw him, a former S.S. man who had stood guard at the shower room door in the processing center at Ravensbruck. He was the first of our actual jailers that I had seen since that time. And suddenly it was all there – the roomful of mocking men, the heaps of clothing, Betsie's pain-blanched face. He came up to me as the church was emptying, beaming and bowing. “How grateful I am for your message, Fraulein.” He said. “To think that, as you say, He has washed my sins away!” His hand was thrust out to shake mine. And I, who had preached so often to the people in Bloemendaal the need to forgive, kept my hand at my side. Even as the angry, vengeful thoughts boiled through me, I saw the sin of them. Jesus Christ had died for this man; was I going to ask for more? Lord Jesus, I prayed, forgive me and help me to forgive him. I tried to smile, I struggles to raise my hand. I could not. I felt nothing, not the slightest spark of warmth or charity. And so again I breathed a silent prayer. Jesus, I prayed, I cannot forgive him. Give me Your forgiveness. As I took his hand the most incredible thing happened. From my shoulder along my arm and through my hand a current seemed to pass from me to him, while into my heart sprang a love for this stranger that almost overwhelmed me. And so I discovered that it is not on our forgiveness any more than on our goodness that the world's healing hinges, but on His. When He tells us to love our enemies, He gives, along with the command, the love itself.
Corrie ten Boom
I once saw many flowers blooming Upon my way, in indolence I scorned to pick them in my going And passed in proud indifference. Now, when my grave is dug, they taunt me; Now, when I'm sick to death in pain, In mocking torment still they haunt me, Those fragrant blooms of my disdain.
Heinrich Heine
PS, I want a stripper for my birthday,” GQ announces. “Just decided now. Get on it.” “I’ll make a couple calls,” Garrett promises, but the second his friend wanders off, he confides, “He’s not getting a stripper. We all chipped in to get him a new iPod. He dropped his in the koi pond behind Hartford House.” When I snicker, Garrett pounces like a mountain lion. “Holy shit. Was that a laugh? I didn’t think you were capable of showing amusement. Can you do it again and let me film it?” “I laugh all the time.” I pause. “Mostly at you, though.” He grabs his chest in mock pain as if I’ve shot him. “You’re terrible for a guy’s ego, y’know that?
Elle Kennedy (The Deal (Off-Campus, #1))
There, there, sweetin’,” he murmured into her hair. “He loved me, he truly did,” she gasped. “I know he did,” Michael said. “And I loved him.” “Mm-hmm.” She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?” He laughed. “Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.” She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
According to the media, trans women were subject to pain and punch lines. Instead of proclaiming that I was not a plot device to be laughed at, I spent my younger years internalizing and fighting those stereotypes.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love So Much More)
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!" "I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room. "Aaaaaah... did you love him, little baby Potter?" Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!" Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor. "Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Mmm. You strike me as a jam-maker.” “Really? Why?” He grins down at me. Up close, his eyes look almost black, especially shadowed as they are by long eyelashes. Right now, they shine with barely restrained mirth. “Because you’re so sweet,” he says in a mock-saccharine voice. The mischief in his eyes makes me forget, for a too-brief second, that I am a slave and that my brother is in prison and that everyone else I love is dead. Laughter explodes out of me like a song, and my eyes blur and tear. A snort escapes, which sets my dance partner to laughing, which makes me laugh harder. Only Darin ever made me laugh like this. The release is foreign and familiar, like crying, but without the pain. “What’s
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
I still smart a little at the slight. When you've suffered a great deal in life, each additional pain is both unbearable and trifling. My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition. I mock this skull. I look at it and I say, "You've got the wrong fellow. You may not believe in life, but I don't believe in death. Move on!" The skull snickers and moves ever closer, but that doesn't surprise me. The reason death sticks so closely to life isn't biological necessity -- it's envy. Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can.
Yann Martel
Still is the night, it quiets the streets down, In that window my love would appear; She's long since gone away from this town, But this house where she lived still remains here. A man stands here too, staring up into space, And wrings his hands with the strength of his pain: It chills me, when I behold his pale face For the moon shows me my own features again! You spirit double, you specter with my face Why do you mock my love-pain so That tortured me here, here in this place So many nights, so long ago?
Heinrich Heine
It was not simply that I frenziedly desired what I could not have. That was but a blunt and unrefined kind of suffering. I was condemned to be with her even in her very rejection of me. And how long and how slow and how long-drawn-out that rejection would be. Still temptation would follow where she was. Endlessly she would give herself to others taking me with her. Like an obscene puny familiar I would sit in the corners of bedrooms where she kissed and loved. She would make consort with my foes, she would adore those that mocked me, she would drink contempt for me from alien lips. And all the time my very soul would travel with her, invisible and crying soundlessly with pain.
Iris Murdoch (The Black Prince)
She mock shudders the way you do when you talk about someone’s misfortunes that have nothing to do with you, that don’t touch you, and never will. I’ve never hit a woman in my life, but for one minute I want to punch her in the face, give her a taste of the pain she’s so casually describing.
Gayle Forman (Where She Went (If I Stay, #2))
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
Barry Pain (Ghostly By Gaslight)
Why? It’s because I love you, damn me to hell. Because I’ve always loved you. Because I loved you when you were with John, and I loved you when I was in India, and God only knows I don’t deserve you, but I love you, anyway.” Francesca sagged against the door. “How’s that for a witty little joke?” he mocked. “I love you. I love you, my cousin’s wife. I love you, the one woman I can never have. I love you, Francesca Bridgerton Stirling, who—” “Stop,” she choked out. “Now? Now that I’ve finally gotten started? Oh, I don’t think so,” he said grandly, waving one of his arms through the air like a showman. He leaned in close—painfully, uncomfortably close. And his smile was terrifying as he asked, “Are you scared yet?
Julia Quinn (When He Was Wicked (Bridgertons, #6))
...[A]s much as she burned to come, she wanted Olive to know without a doubt that this—that they—were about more than sex. She whispered, “On that note, I haven’t forgotten that I owe you a very fancy, very private dinner date.” Clearly pleased by the comment, Olive caught a lock of her hair and gave it a playful tug. “As much as I appreciate that, right now you’re all I want to eat...Kate groaned at the sensation of yet more wetness seeping from her body, drawn out by Olive’s blunt language and the slight pain of having her hair pulled. She ducked out of Olive’s grip, shooting her a mock dirty look. “Keep doing that and you’ll really have a mess to contend with.” “Promise?” Olive’s eyes flashed with pure, sinful mischief. “Now will you please sit on my face already?
Meghan O'Brien (The Muse)
When at last he could lift his head, he asked, “What have you done?” “What have I done?” She lifted a mocking brow. “Why, I’ve kidnapped the marquees of Northcliff.” “You dare to admit it?” Inch by painful inch, he dragged himself onto the cot. “Admitting to it is the least of my sins. I did it.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
Oh! very well," exclaimed Miss Bates, "then I need not be uneasy. 'Three things very dull indeed.' That will just do for me, you know. I shall be sure to say three dull things as soon as ever I open my mouth, shan't I?—(looking round with the most good-humoured dependence on every body's assent)—Do not you all think I shall?" Emma could not resist. "Ah! ma'am, but there may be a difficulty. Pardon me—but you will be limited as to number—only three at once." Miss Bates, deceived by the mock ceremony of her manner, did not immediately catch her meaning; but, when it burst on her, it could not anger, though a slight blush shewed that it could pain her.
Jane Austen (Emma)
I was used to my mind being my best friend; of carrying on endless conversations within my head; of having a built-in source of laughter or analytic thought to rescue me from boring or painful surroundings. Now, all of a sudden, my mind had turned on me: it mocked me for my vapid enthusiasms; it laughed at all my foolish plans; it no longer found anything interesting or enjoyable or worthwhile.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life, every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.” Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just. “If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.” “You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?” Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke. “I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.” “What do you know about love and souls?” Lindsay growled as he stalked to the study door. “I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.” “You do indeed.” Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
Charlotte Featherstone (Addicted (Addicted, #1))
It shouldn't be here. This sedge grass is decorative bullshit he imported from Northern Asia. The lab spent two years modifying it to slot into our ecosystem, all so that the mountain would literally smell of honey. Terra di latte e miele, she said, mockingly. Thank god my father went into business, not poetry. He's far too much of a romantic. I laughed, incredulous at this portrait of my stiff employer, and Aida reddened. It is romantic, if you think about it. He planted the grass for my mother. She's one of those Catholic Koreans, painfully devout. You know. The promised land, Canaan, found after forty years of wandering the desert. The land of milk and honey.
C Pam Zhang (Land of Milk and Honey)
I had experienced similar hours in the past. During such periods of despair it seemed to me as if I, a lost pilgrim, had reached the extreme edge of the world, and there was nothing left for me to do but to satisfy my last desire: to let myself fall from the edge of the world into the void—to death. In the course of time this despair returned many times; the compelling suicidal impulse, however, had been diverted and had almost vanished. Death was no longer nothingness, a void, negation. It had also become many other things to me. I now accepted the hours of despair as one accepts acute physical pain; one endures it, complainingly or defiantly; one feels it swell and increase, and sometimes there is a raging or mocking curiosity as to how much further it can go, to what extent the pain can still increase.
Hermann Hesse (The Journey to the East)
You can’t be in here.” Ian stated it as a fact. Sam sank back onto the bed. He was definitely growing stronger, but standing could be troublesome on shaky legs. The pain of his wound had definitely receded. “Why not?” he asked a little belligerently. “She can’t; it’s impossible. I was standing guard at her door.” Ian’s gaze met Azami’s. “To protect you of course.” “Of course, because there are so many enemies creeping around your halls,” Azami said, her voice soft and pleasant, a musical quality lending innocence and sweetness. Ian’s frown deepened as if he was puzzled. She certainly couldn’t have meant that the way it came out, anyone listening would be certain of it. “Just what are you two doing in here anyway?” he asked, suspicion lending his tone a dark melodrama. He even wiggled his eyebrows like a villain. Sam kept a straight face with difficulty. Ian was a large man with red hair and freckles. He didn’t look in the least bit mean or threatening, even when he tried. “Azami was just telling me how when she left her room to inquire after my health, there was a giant man with carroty hair snoring in the hallway beside her door.” “There was no way to get past me,” Ian insisted. Sam grinned at him. “Are you saying you did fall asleep on the job, then?” “Hell no.” Ian scowled at him. “I was wide awake and she didn’t slap past me.” “You say,” Sam pointed out, his tone mocking as he folded his arms across his chest and leaned back casually, pleased he could tease his friend. “Still, she’s here and that proves you were looking the other way or sleeping, just like that time in Indonesia when we parachuted in and you fell asleep on the way down. I believe that time you got tangled in a very large tree right in the center of the enemies’ camp.” Azami’s lashes fluttered, drawing Sam’s attention. He almost reached out to her, wanting to hold her hand, but she’d mentioned a couple of times she didn’t show affection in public. “You fell asleep while parachuting?” she asked, clearly uncertain whether or not they were joking. Ian shook his head. “I did not. A gust of heavy wind came along and pushed me right into that tree. Gator told everyone I was snoring when he shoved me out of the plane. The entire episode is all vicious fabrication. On the other hand, Sam here, actually did fall asleep while he was driving as we were escaping a very angry drug lord in Brazil.” Azami raised her eyebrow as she turned to Sam for an explanation. Her eyes laughed at him and again he had a wild urge to pull her to him and hold her tight. Primitive urges had never been a part of his makeup until she’d come along; now he figured he was becoming a caveman. Her gaze slid to his face as if she knew what he was thinking—which was probably the case. He flashed a grin at her.
Christine Feehan (Samurai Game (GhostWalkers, #10))
It seemed that out of the battle I escaped Down some profound dull tunnel, long since scooped Through granites which Titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands as if to bless. And by his smile, I knew that sullen hall, By his dead smile, I knew we stood in Hell. With a thousand pains[3]that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. "Strange, friend," I said, "Here is no cause to mourn." "None," said the other, "Save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled. Or, discontent, boil bloody, and be spilled. They will be swift with swiftness of the tigress, None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery; To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark; for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now. . . .
Wilfred Owen (The Collected Poems of Wilfred Owen)
At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.
Bernie Morris (The Fury of the Fae)
So I should probably just tell you I'm about as green as these pistachios when it comes to macaroons. I've never even eaten one, let alone made---" I begin self-consciously, but Benny cuts me off. "Macarrrons," he says, throwing his hands up emphatically and rolling the r for longer than seems necessary. Not macaroons. Important distinction, Reese's Pieces. Two different cookies." I shake my head on an exhale, trying hard to keep my composure. "Right, well. Painful as it was to admit it the first time, I'll repeat that I've still never had a macaron, so you've gotta, like, tell me what to do." Benny grins at me, then looks directly into the camera. "It would be my honor." He shuffles around more bowls and I mock-whisper to the imaginary audience, "Apologies in advance to, well, feminism as a whole." "Did you say something?" Benny teases, pushing the pistachios toward me with finality. "There are just so many recipes, so much knowledge in my head that sometimes it's hard to hear anything outside it, you know?" "Keep it up, Benjamin," I say in the warning tone that my mamaw would use to tell my papaw that he should very much not keep it up.
Kaitlyn Hill (Love from Scratch)
Majesty, A frozen swamp. Icicles on branches and uprooted trees. That was our crystal palace, once upon a time. I was your king and you were my queen. I promised you I’d always try to give you your desires. I meant that. And since you wanted Derek, I tried to get him for you. I tried to get Derek to see how beautiful, sweet and amazing you are, in spite of myself, in spite of my rending heart. He never saw you the way I did, and you never saw me at all. I thought maybe if I found love with someone else, I’d be rid of my feelings for you, but that empty relationship only made me long for you more. I’ve offered you the most support and devotion a person can give an unwanting heart, but all I get in return are your mocking advances, which blatantly scream and reiterate the fact that you’ll never love me. It’s been so excruciating to be around you lately. You’re always teasing me, and it kills me. That’s why I’ve been so irritable and angry. It’s inconceivable to me how you could think I’d EVER hurt you, when all I’ve been living for is to try and make you happy. Well, I’m done. Your doubt has caused me more pain than anything I’ve ever known. I always thought we’d be life-long friends, but this fairytale has no happy ending. The crystal has shattered. I can’t be your king anymore. Then again, I never really was. I’ve always been the lowly jester. And everyone knows a fool can never be with a queen. Goodbye, Alec
Courtney Vail (Kings & Queens (Kings & Queens, #1))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Both of you are going to suffer. If you give in first, Kereseth, you will tell me what you know about the fated chancellor of Thuvhe. And if you give in first, Cyra, you will tell me what you know about the renegades, and their connections to the exile colony.” Ryzek glanced at Vas. “Go ahead.” I braced myself for a blow, but it didn’t come. Instead, Vas grabbed my wrist, and forced my hand toward Akos. At first I let it happen, sure my touch wouldn’t affect him. But then I remembered--Ryzek had said to see if Akos was “weak enough.” That meant they had been starving him for the days I had been in the prison; they had weakened his body, and his gift. I strained against Vas’s vice-hand, but I wasn’t strong enough. My knuckles brushed Akos’s face. The shadows crept toward him, even as I silently begged them not to move. But I was not their master. I never had been. Akos moaned, his own brother holding him in place as he tried to flinch away. “Excellent. It worked,” Ryzek said, coming to his feet. “The chancellor of Thuvhe, Kereseth. Tell me about her.” I pulled my elbow back as hard as I could, twisting and thrashing in Vas’s grip. The shadows grew richer and more numerous the more I struggled, like they were mocking me. Vas was strong, and there was nothing I could do to him now; he held me steady with one hand and pushed my palm forward with the other, so it lay flat against Akos’s throat. I could imagine nothing more horrible than this, Ryzek’s Scourge turned against Akos Kereseth. I felt the heat of him. The pain inside me was desperate to be shared; it moved into him, but instead of diminishing in my own body the way it usually did, it only multiplied in us both. My arm shook from the effort of trying to pull away. Akos screamed, and so did I, so did I. I was dark with the current, the center of a black hole, a shred of the starless fringe of the galaxy. Every inch of me burned, ached, begged for relief. Akos’s voice and mine met like two clasped hands. I closed my eyes.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Do you believe that?” Melinda says, directing her wonderment at Irv. “That if someone commits suicide they go to hell?” “No.” “But many Christians do, right?” “There’s a debate, but it’s doctrine.” “But you don’t think so?” “No.” “Why not?” “For the same reason the Catholics believe in the Trinity, Melinda.” The appetizers arrive with a speed that Sigrid finds suspicious. “Which is . . . what?” “It’s how I understand Jesus’s words spoken from the cross,” says Irv, taking a calamari. “Jesus spoke seven times on the cross. In Matthew Twenty-Seven, verse forty-six and in Mark Fifteen verse thirty-four he says, ‘My God, my God, why have you forsaken me?’ This led to the Trinity,” Irv said, sucking cocktail sauce and grease from his thumb. “The thinking is, if Jesus was Lord, who was he speaking to? He was obviously speaking to someone or something other than himself, unless . . . ya know.” Irv makes a circular cuckoo motion by his head with a piece of squid. “So perhaps he was speaking to the Father, or to the Holy Spirit. In this act, he distinguishes himself from the eternal and embodies everything that is Man. The fear, the sadness, the tragedy. The longing. The recognition of betrayal. We see him, in that moment, only as the Son, and because of that, as ourselves. As I read it, Melinda, we are not invited in that moment to be cruel to him for his despair, or to mock him. Instead we are asked to feel his pain. When Jesus says, ‘It is finished’ I don’t read, ‘Mission accomplished.’ I see a person resigned. A person who has lost hope. A person who has taken a step away from this life. And our pity for him grows. And finally he says, ‘Father, into your hands I commend my spirit.’ Now, I’m not going to equate Jesus letting go with suicide, but any decent and forgiving Christian person would have to admit that we are looking at a person who cannot fight anymore. We are being taught to be understanding of that state of mind and sympathetic to the suffering that might lead a person to it. It does not follow to me that if someone succumbs to that grief we are to treat them with eternal contempt. I just don’t believe it.
Derek B. Miller (American by Day (Sigrid Ødegård #2))
Mikhail didn’t flinch away from the blade. His black eyes snapped open, blazing with power. Slovensky fell backward, scrambling away on all fours to crouch against the far wall. Fumbling in his coat, he jerked out the gun and held it pointed at Mikhail. The ground rolled almost gently, seemed to swell so that the concrete floor bulged, then cracked. Slovensky grabbed for the wall behind him to steady himself and lost the gun in the process. Above his head a rock fell from the wall, bounced dangerously close, and rolled to a halt beside him. A second rock, and a third, fell, so that Slovensky had to cover his head as the rocks rained down in a roaring shower. Slovensky’s cry of fear was high and thin. He made himself even smaller, peering through his fingers at the Carpathian. Mikhail had not moved to protect himself. He lay exactly as Slovensky had positioned him, those dark eyes, two black holes, windows to hell, staring at him. Swearing, Slovensky tried to lunge for the gun. The floor bucked and heaved under him, sending the gun skittering out of reach. A second wall swayed precariously, and rocks cascaded down, striking the man about the head and shoulders, driving him to the floor. He watched a curious, frightening pattern form. Not one rock touched the priest’s body. Not one came close to Mikhail. The Carpathian simply watched him with those damn eyes and that faint mocking smile as the rocks buried Slovensky’s legs, then fell on his back. There was an ominous crack, and Slovensky screamed under the heavy load on his spine. “Damn you to hell,” Slovensky snarled. “My brother will track you down.” Mikhail said nothing, simply watching the havoc Gregori created. Mikhail would have killed James Slovensky outright, without the drama Gregori had such a flair for, but he was tired, his body in a precarious state. He had no wish to drain his energy further. Raven would be in the vampire’s hands for the time it took Gregori to heal him. He couldn’t allow himself to think of what Andre might do to her. For the first time in centuries of living, Mikhail was forced to rely on another being. Gregori. The dark one. A royal pain in the neck. I read your thoughts, my friend. Mikhail stirred, pain shafting through him. More rocks fell on Slovensky in retaliation, covering him like a blanket, beginning to form a macabre grave. As you were meant to. Gregori moved into the room with his familiar silent glide, grace and power clinging to him as he strode through the wreckage of the wall. “This is becoming a bad habit.” “Oh, shut up,” Mikhail said without rancor.
Christine Feehan (Dark Prince (Dark, #1))
When Robinson and Davis take over at orientation, they bark at the new recruits to stand up, then issue their first command: “Smile.” Students will learn a lot of things in Strive, but the first lesson is how to smile. The first few days are devoted to it. The new class members are always confused, and then they start to smile—except for about 20 percent of the room, who stand stone-faced. Robinson calls out those who don’t smile, pulls them up to the front of the room, and says, “This is my smile crew.” He tells the rest of the room to cheer until they can get these men and women, mostly men, to finally crack a smile. The claps and hoots and whistles rise in a crescendo heard throughout the building. Meanwhile, Davis and Robinson walk up and down the line, yelling, “Smile,” and pantomiming it, using their fingers to pull the corners of their own mouths back. The reluctant recruits roll their eyes. Some get tense, their faces get stuck in passive displays of aggression, as Robinson goes up and down the line and mocks: “Is it painful? Is there a medical condition? Smile!” He and Davis continue their full-on assault of well-wishing and joking and silliness until one by one, the students fold. A smile is the Strive game face, they explain. “I’m not asking you to smile on North Monroe Street at two in the morning,” Davis says. “I’m asking you to smile in here.” It’s usually the youngest men who bow out at this stage—the 19- and 20-year-olds who are too cool to tolerate the corniness, the guys who’ve been strongly encouraged to try Strive by some parole officer or social worker attempting to keep them from spending their twenties in prison. It’s the older guys who are eager to cooperate. They’re hungry.
Anonymous
My hands were trembling out of anger and distress by the time I reached the end. When I finally raised my eyes to his, Narian answered my unspoken question. “These have replaced the High Priestess’s laws everywhere they were posted.” He turned from me to address Cannan. “The regulations as they were intended still stand, and will be enforced whether or not the people are aware of them. Inform any who might have had a hand in mocking the High Priestess’s rules that their game is putting their countrymen at greater risk.” Cannan remained silent in face of the order, and Narian did not wait for a reply. With a quick, respectful nod toward me, he departed, Rava at his heels, and the office door closed resoundingly behind them. I stared at the parchment I still held, unable to keep it from shaking, and my vision blurred. It was foolish to be hurt, for this blow was not aimed at me, but yet the insolence of the document stung. “Steldor and Galen did this?” I demanded. “So it would seem.” “Why?” My throat and jaw were tight. “Why would they do this, undermine my authority? They’ve taken what I’m trying to do and ground it underfoot. The Cokyrians will be furious. They’ll bear down harder than ever.” I whisked the moisture from my eyes, taking deep breaths to calm myself. “How can they think this will help?” Cannan sighed and leaned forward, assuming a more fatherly posture. “They’re allowing the people to dissent. They’re showing that we can still laugh and, most of all, that we haven’t been forgotten. I don’t approve of the method, either, Alera, but what they’ve done may not be all bad.” I forced myself to nod, struggling to control my raging emotions. The hard work had scarcely begun, I knew that, but to see what I had accomplished tempered with and ridiculed was painful, even with Cannan’s assurance that it could be taken in a positive light. Then London’s words about being neither too cooperative nor too defiant returned to me. Perhaps this was what my bodyguard had meant--opposition, but on an isolated scale. “You’re right,” I finally said. “This might not be all bad, provided it doesn’t escalate.” “I agree. I will, however, talk with them.” “Thank you,” I murmured, and he rose to see me to the door. As I crossed the Hearing Hall toward my study, I debated whether I should be the one to talk to Steldor, all the time knowing he would probably deny any involvement if I broached the topic. No, he was far more likely to listen to his father. When had he ever been open to listening to me on matters affecting the kingdom?
Cayla Kluver (Sacrifice (Legacy, #3))
He turned to me and, with a mockingly courteous gesture, said, “I fault no one for ambition. If you wish, you may gracefully exit now and save yourself some regrettably painful experience. I like you. Your ignorance is refreshing, and your passions amusing. For a time we could keep each other company.” I opened my mouth, trying to find an insult cosmic enough to express my rejection, but I realized just in time that resistance would only encourage him. He would enjoy my being angry and helpless, and I knew then what he would not enjoy. “Unfortunately,” I said, striving to mimic Vidanric’s most annoying Court drawl, “I find you boring.
Sherwood Smith (Court Duel (Crown & Court, #2))
The serum wears off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to…smell flowers, or whatever you wanted to do while you were on that stuff.” “I’ll kill them,” I say. “I will kill them.” “Don’t bother. We’re leaving soon anyway,” he says, closing the door behind him. He takes the hard drive from his back pocket. “I thought we could hide this behind your dresser.” “That’s where it was before.” “Yeah, and that’s why Peter won’t look for it here again.” Tobias pulls the dresser away from the wall with one hand and wedges the hard drive behind it with the other. “Why couldn’t I fight the peace serum?” I say. “If my brain is weird enough to resist the simulation serum, why not this one?” “I don’t know, really,” he says. He drops down next to me on the bed, jostling the mattress. “Maybe in order to fight off a serum, you have to want to.” “Well, obviously I wanted to,” I say, frustrated, but without conviction. Did I want to? Or was it nice to forget about anger, forget about pain, forget about everything for a few hours? “Sometimes,” he says, sliding his arm across my shoulders, “people just want to be happy, even if it’s not real.” He’s right. Even now, this peace between us comes from not talking about things--about Will, or my parents, or me almost shooting him in the head, or Marcus. But I do not dare to disturb it with the truth, because I am too busy clinging to it for support. “You might be right,” I say quietly. “Are you conceding?” he says, his mouth falling open with mock surprise. “Seems like that serum did you some good after all…” I shove him as hard as I can. “Take that back. Take it back now.” “Okay, okay!” He puts up his hands. “It’s just…I’m not very nice either, you know. That’s why I like you so--” “Out!” I shout, pointing at the door. Laughing at himself, Tobias kisses my cheek and leaves the room.
Veronica Roth (Insurgent (Divergent, #2))
My lady?” he asked, looking at her with concern. “Are you all right?” “Fine, I’m fine.” Kat blinked, trying to clear the bright spots that were dancing in front of her eyes. “Weak you will be,” whispered the voice of Mother L’rin in her head. “The pain…return it will.” But that couldn’t be happening yet, could it? She was probably just weak because she hadn’t eaten much today and her blood sugar was low. That must be it, Kat told herself. Please God, that has to be it. I can’t deal with this right now. I just need to be strong enough to go get this damn flower and get back again. “Are you sure you’re all right?” Deep was frowning down at her, his bottomless black eyes filled with some emotion she couldn’t read—it roiled inside him like a cloud of smoke, nebulous and confusing. “What happened, anyway?” he asked. “Nothing,” Kat lied. “I just started to trip but Lock saved me. No big deal.” “It had better not be. If I find out there’s something you’re not telling us…” “Leave her alone, Deep.” Lock frowned at his brother. “Go make sure the boat’s ready to sail. We need to go if we’re going to catch the crosswind.” “Yes, Captain.” Performing a mock salute, Deep turned to go. But not before he pierced Kat with another impenetrable look. “So
Evangeline Anderson (Sought (Brides of the Kindred, #3))
I wanted to let you to know that I agree to the match and I will marry you.” He couldn’t suppress a chuckle at her regal demeanor. “Well, I should certainly hope so as our engagement is a foregone conclusion. The contracts have already been drawn up.” Ian reached to touch her silken hair, unable to resist her. Her eyes narrowed as she rose from her seat. “I would have you know, Your Grace, that it was not a ‘foregone conclusion.’ In fact, I was not going to marry you at all! I have been doing everything I can to avoid becoming leg-shackled to you and I was going to run away!” His jaw clenched. Ian had hoped to dispel her feelings that he was a monster and apparently had failed far worse than he had ever anticipated. “And just where were you planning to run to?” he asked icily, unwilling to acknowledge the pain in his heart. Angelica did not flinch at his tone. Her skirts rustled as she paced the room. “I would have used the money I made from my stories to rent a flat somewhere in the city and support myself with short stories until I finished a novel. I heard that the lady who wrote Pride and Prejudice made one hundred forty pounds.” “That would not be enough to buy your pretty gowns,” he mocked, his temper rising at her sheer ignorance and ingratitude. “Gowns can go to the devil!” she retorted, cheeks growing pink in indignation. She looked down at her pale-blue satin opera gown as if offended by the shimmering elegance adorning her exquisite form. “Besides, they are not sensible garb for an author, I should say.” The way Angelica glibly spoke of living in squalor and subjecting herself to the sordid dangers of London rather than being his duchess made him clench his fists. Did she really think he was a fate worse than death? Or was she truly that naive? “What play are we going to see?” she asked in a blatant attempt to change the subject. Ian did not intend to let her off that easily. Inspiration struck him. Oh, he would take her to a “play” for certain. A play that she would never forget. “Something pitiful and tragic,” he said with an evil smile. It was high time his bride received a taste of reality. “I think you will be quite affected.” Her eyes narrowed in suspicion at his tone but she nodded in assent, ever displaying her indomitable courage. “I will get my cape.” “Put on a sensible pair of boots as well.” Ian’s heart twisted with bitterness. He would show her a fate worse than death. ***
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
Gareth didn't need to open his eyes to know his brother was there, gazing down at him with his black stare that was severe enough to freeze the Devil in his lair of fire. And he didn't need to see Lucien's stark face to know what he would read there:  blatant disapproval. Fury. He felt Lucien's cool hand on his cheek. "Ah, Gareth," the duke said blandly, in a tone that didn't fool anyone in the room. "Another scrape you've got yourself into, I see. What is it this time, eh? No, let me guess. You were posing as a target and taking bets that none of your friends could hit you. Or perhaps you got so foxed that you fell from Crusader and impaled yourself on a fence? Do tell, dear boy. I have all night." "Go to hell, Luce." "I'm sure I will, but I'll have an explanation from you first." Bastard. Gareth refused to respond to the mocking taunts. Instead, he reached up, his fingers closing around Lucien's immaculate velvet sleeve. "Don't send her away, Luce. She's here. She needs us.... We owe it to Charles to take care of her and the baby." Footsteps came running down the hall, into the room. "Over here, Dr. Highworth!" Chilcot cried, suddenly. Lucien never moved. "Take care of whom, Gareth?" he inquired, with deadly menace. Weakly, Gareth turned his head on the pillow and looked up at his brother through a swirling fog of pain and alcohol. "Juliet Paige," he whispered, meeting Lucien's cool, veiled gaze. "The woman Charles was to marry ... she's here ... downstairs ... with his baby. Don't send her away, Lucien. I swear I'll kill you if you do." "My dear boy," Lucien murmured, with a chilling little smile, "I would not dream of it." But he had straightened up and was already moving toward the door. Gareth raised himself on one elbow even as the doctor tried to hold him down. "Lucien ... damn you, don't!" The duke kept walking. "Lucien!"  With the last of his strength, Gareth lunged from the bed, but the effort — and the Irish whiskey — did him in at last. As his feet hit the rug, his legs gave out beneath him, and he crashed heavily to the floor in a dead faint. Doctor, servants, and friends all rushed to his assistance. The duke never looked back.   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
A loser like Larry didn’t deserve a fine vintage car like Gloria. The Corvette Stingray had been lovingly restored by a jackass who named his car, yet treated his kids like afterthoughts. I planned to lovingly tear the fucking thing apart. “Have your fun then we’ll torch it and get a beer,” Vaughn said, yawning. “Did anyone see you?” I asked just to annoy him. My question worked like a charm and Vaughn squinted disgusted at me then walked over to a large rock where he sat down and looked at his phone. Swinging the bat, I smashed out the taillight. As painful as it was to tear apart such a beautiful car, Lark needed vengeance. In my mind, I wasn’t hitting the Corvette. I was destroying every person who ever hurt my girl. Every stepfather who hit her, mocked her, and ignored her. I imagined the hung over fucker who let her little brother die. I even pictured her mother who chose the latest fuck over her own kids. I hated them all for every tear Lark ever shed. If I couldn’t hunt them down, I’d destroyed the prized possession of the latest bastard to mistreat my muse. Smashing the windows, the lights, denting the cherry red doors, I trashed the car until I was out of breath. Eventually, I grabbed a blade and tore the tires, just to finish off my rage. “Wuss,” Vaughn said, standing over me as I leaned against the car. “Shame about Gloria. She was a beauty.” “I haven’t been to the batting cage in awhile. I think I pulled something” “Sure,” Vaughn muttered, yanking me to my feet. “Let’s light this little bitch up and get a beer.” “I need to get home to Lark.” “Are you fucking kidding me? I steal this car for you and don’t even get to trash it and you won’t have a beer with me? What an asshole.” “Please, don’t cry,” I said, patting his shoulder. “I don’t have the energy to hold you until your sobs turn to baby hiccups.” Vaughn laughed. “I miss Judd. The guy knew how to drink a beer and he didn’t mind when I pissed myself weeping like a chick.” “The guy is the epitome of patience,” I said, picking up the container of gas. “Or indifference. He always did seem a little bored when you two were talking.” “You looking to have me use that bat on you, is that it?” Grinning, I splashed gasoline on Gloria, careful not to have the liquid hit me. Once the car was thoroughly drenched, Vaughn lit a match.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Finishing her cigarette, Raven put it out in the ashtray then sighed. “I never really bought into the God thing. Religion felt like a lie men told to make people listen to them. Mostly, it seemed dumb to think a magic man in the sky cared about us. Like if I was a magic man and could make the earth or whatever, I wouldn’t waste time on helping out losers.” Raven set the ashtray on the ground and crossed her arms as if cold. “I see what Lark has now with you, this house, the ugly dogs, her friends, and now the baby. It makes me think God might exist. While losers run in our family, Lark could be more if she let herself. Now she has more and I think God might have helped her out. I prayed someone would. Even not believing, I prayed and told God if He was real and wanted me to believe that He needed to help Lark. I guess He heard me because she’s happy like I’ve never seen her happy before. Not even when Phoenix was alive and we were the best we ever were as a family.” “I’m glad you’re here and you’re welcome to stay as long as you want, but, Raven, my dogs aren’t ugly.” She laughed and tapped her foot against mine. “You’re a good guy. I know I said that before, but I didn’t think you would be. I’ve been around and good guys are rare.” “They exist though.” Raven nodded. “I need to quit men the way I need to quit smoking. Just go cold turkey. If I try to be rational about it, I’ll fool myself into falling for another creep. No, just say enough is enough all that shit. Focus on other stuff like a job and roller derby and family.” “If you ever get sick of living here, the Johanssons have an apartment that Cooper used to live in.” “There are plenty of apartments in Ellsberg.” “Yeah, but if you want to avoid loser men, those apartments won’t help. They’re full of assholes. College shitheads and lowlife fuckers. If you stay out there with the Johanssons, no man will bother you. You might even like Bailey. She’s an acquired taste, but a good friend if you can deal with her mouth.” “Bossy bitches are my favorite,” Raven said, pulling her knees up to her chest. “No hurry moving out though. Lark is feeling unsure about stuff and having you here makes her feel more centered. Like she’s combining her old life with her new one and it fits.” “I just have one question, bud,” Raven said, standing up and ready to leave the cold evening. “Are you planning to fix her damn worm?” “I don’t normally tattoo pregnant women.” “You really going to have your kid born to a chick with a worm tattoo?” Smiling at Raven, I nodded. “I don’t want to do anything to jinx the pregnancy. Since we’ve been together, Lark was hurt by Larry, got into a fight with my ex, and had to hide under the table during a bar brawl. I want the rest of her pregnancy to be as pain free as possible.” “Sissy,” she said, grinning. “I’m really glad you aren’t an asshole. It was a pleasant surprise.” “Glad you approve, but don’t mock my dogs again and stop barking at Pollack.” “Fuck off,” she said over her shoulder while walking inside.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Where is she?” Slamming my hands down on the table, I leaned over it as I yelled, “Tell me!” “You expect me to know what you’re talking about?” I would have thrown the table if it weren’t bolted down to the floor. Rounding it, I went over to where Juarez was sitting and kicked his chair back into the wall. “Don’t fuck with me, Juarez!” Stalking over to him, I gripped the arms of the chair he was cuffed to and leaned in so my face was directly in front of his. “Tell me where my goddamn fiancée is!” His only answer was a sardonic smile. “Tell me or I swear to God I will make your death slow and painful,” I growled. “You mean like Rachel’s?” Juarez whispered. I punched him, and grabbed the collar of his gray prison shirt to bring him closer to me. “I will end you, you son of a bitch! Where the fuck is she?” I was so far gone—my mind only on finding Rachel and making every one of the sick bastards involved in her kidnapping pay for what they’d done to her—that I didn’t even register what the yelling outside the room was about until I was being dragged away from Juarez. “Kash, calm down,” Mason grunted as I struggled to get away from him and Byson as they pulled me back. “Tell me where she is!” Another mocking smile crossed Juarez’s face, and my frustrated roar filled the room. “I will make you pay for everything that has happened to her!
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Oh, little girl,” a sinister voice rang out in the hall behind me, and every hair on my body rose. “Have you finally come out to play with the rest of us?” A low growl built up in my captor’s chest, and my body started shaking uncontrollably. “I won’t bite . . . hard.” My captor pressed his body closer to mine, and after slowly moving his hand away from my mouth, moved close to whisper in my ear. I cringed back but couldn’t go far. “Don’t say anything.” “Where’d you go, you little bitch?” the voice said again, but this time the sinister tone was laced with hatred. When my captor pulled back, his face was murderous. Tears sprang to my eyes, but I somehow knew that I needed to listen to him. Suddenly his head turned to the side, and I froze . . . not wanting to see the man that voice belonged to. “Damn, bro, already claiming her?” “Leave,” my captor growled. “Now.” “No need to get touchy. I’ll wait for my go at her.” “I said get. The fuck. Out.” “I’m going . . . I’m going. You better keep an eye on your bitch. Because next time she’s alone, Marco might be the one to find her . . . and you know how bad Marco wants her.” “No one touches her.” His body was vibrating, and I looked up at his face to see the barely concealed rage. “For now,” the voice said in a mocking tone. “Possessive doesn’t suit you. You might want to be careful with that, you know how we all like a challenge.” With a deep laugh, I heard footsteps retreating from us. “I’ll be seeing you soon, sweetheart.” A few seconds passed before my captor looked back at me. His face was dark when he whispered, “Do not run from me again, understood?” Not waiting for me to respond, he pushed off me, grabbed my arm, and started walking out of the kitchen. I shrank into him when he suddenly stopped, and we came face-to-face with three men. “Look what we have here,” one of them said. “Told you I’d be seeing you soon, sweetheart,” another said, and I would have recognized that disturbing voice anywhere. “We need her.” The third spoke directly to my captor, his eyes never once looking at me. The man holding my arm pulled me behind him. A move the first two didn’t miss. “You’ve gotten by fine without her, Marco. I’m sure you’ll figure something out.” Moving me to his other side, and closer to the wall, he began walking again. Not four steps later, pain spread over my scalp, and a cry burst from my chest as I was yanked back by my hair. My captor’s arm moved around my waist as he put himself between Marco and me, and his other arm was straight in front of him with a gun pointed at Marco’s head. “Someone’s moody.” Marco never flinched. But a smile slowly crossed his face as he let my hair fall from his fingers. “You have beautiful hair. What a shame.” “No. One. Touches her,” my captor said low, his words full of warning. “Just fuck her and get that pent-up anger out of your system already,” he said to my captor, his smile never fading. Marco stepped back to the other two guys, his hands raising up in mock-surrender. “Until next time.” My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Being invisible to your father hurts,” Val said. He fell silent, wondering where the words had come from. Growing up, he’d been the runt, too young, too dreamy, too artistic to keep up with his brothers or their friends. As a younger man, he’d been disinclined to academic brilliance, social wit, or business acumen, and denied by ducal fiat from buying his colors. For the first time, he wondered if he’d chosen the piano or simply chained himself to it by default. Nick shot him a curious glance. “Would it be so much better if you’d ended up like Bart and Victor? If Esther and Percy had to bury three sons instead of two, while you were spared the pains of living the life God gave you? I think the more important question now, Val, is are you invisible to yourself?” “No, Nick.” A mirthless laugh. “I am not, but just when I realize what a pit I had fallen into with my slavish devotion to a simple manual skill, just when I can begin to hope there might be more to life than benumbing myself on a piano bench, I find a woman I can love, but she can’t love me back.” “I think she does love you,” Nick replied, remaining seated as Val rose and crossed the room. “And you certainly do love her.” Val considered Nick’s words. They settled something inside him, in his head—where he planned and worked out strategies—and in his heart, where his music and his love for Ellen both resided. “I do love her.” Val lowered himself to sit on the little stage enthroning the piano. “I most assuredly do. It’s helpful to be reminded of this.” “Now I am going to cry,” Nick said with mock disgust as he crossed the room and once again sat right next to Val. “What will you do about Ellen?” “About Ellen? I agree with you: We love each other. She believes her love for me requires us to part. I believe our love requires us to be together for whatever time the good Lord grants.” “So you must convince her,” Nick concluded with a nod. “How will you go about this?” “I have some ideas.” Those ideas were like the first stirrings of a musical theme in Val’s head. Tenuous, in need of development, but they were taking hold in Val’s mind with the same tenacity as a lovely new tune. “God alone knows if my ideas will work.” Val
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Your father's last words were touching." Elie's breath hitched. "You're lying." "Why would I do that?" He reached into his vest and withdrew a silver chain. Dropping the piece into Ellie's hand, she realized what is was- her mother's ring, on the chain her dad always wore around his neck. "Hold your gusto, darlin'," he drawled, breath hot on her neck. "I didn't kill him." Ellie shook her head, staring at the ring. "How dare you?" she whispered. Jutting her chin out, Ellie grasped the front of Terrence's shirt. "So help me God, I'll-" "Making threats are we, now?" His brows raised in mock fear. "You're not in a place to be doing that." Open handed, Terrence shoved straight finger's into Ellie's ribs, sending her to the ground. Pain zig-zagged through her torso, nearly making her vomit. Ellie glared up at North as she willed the air back into her lungs. "I will never stop fighting," she wheezed as the room drifted out of focus then back again. Terrence crouched next to her. "Just remember lover-boy the next time you think about getting in my way.
Ashley Nikole (Present History (Hands of Time, #1))
The One of My Heart (The Sonnet) I see the one of my heart, In every direction, in every face. Yet I won't say a word, In silence I'll bear all coldness. You may throw me out of your heart, But you can't oust yourself from mine. You are in every pore of my being, You are my only lifeline. You are the one that runs in my nerves, As the power-grid of my mind. The pain of being a one-sided lover, Is sweeter to me than a thousand goldmines. Cuss me, mock me, hurt me all you like. All I care about is to be an aid in your life.
Abhijit Naskar (Şehit Sevda Society: Even in Death I Shall Live)
Life mocked at my sorrows; the love of it freed me from the malaise of pain and despair.
Naguib Mahfouz (Voices from the Other World: Ancient Egyptian Tales)
craft your landing page effortlessly and not have to stare at a blank template for long, you need the following elements: • The title of your lead magnet • The main benefit or main promise of your lead magnet • What your lead magnet teaches or what your subscribers will learn from it? o What will they achieve or overcome by consuming your lead magnet? o What pain points or problems does your lead magnet solve? o What desires or motivations does your lead magnet fulfill? o What mini transformation does it give? • Testimonials for social proof • A screenshot, mock-up, or visual of your lead magnet Note: You want to convert these benefits into 3–7 bullet points. These bullet points should begin with an action verb, with “how to” or “why,” or with a number. They should also include specific details such as page numbers or time stamps in videos where key information is found. For example, • How a 20-minute video recording turned into my first digital product that brought in $36,429.56 in the first month • 13 limiting beliefs that keep 99% of people from ever launching their ecommerce store—and how to beat them (Hint: You’re probably suffering from at least 5 of these) – pg. 3 • The ONLY two blogging rules ever (seriously, if you ignore these it will take you YEARS to launch your blog and business!) – 1min 37sec Your landing page should be a reflection of the words and sentences your target audience uses to describe their pain points. When it does, your target audience recognizes and identifies with the problem. Your lead magnet also becomes immediately more attractive.
Meera Kothand (300 Email Marketing Tips: Critical Advice And Strategy 
To Turn Subscribers Into Buyers & Grow 
A Six-Figure Business With Email)
My focus is to forget the pain of life. Forget the pain, mock the pain, reduce it. And laugh.” - Jim Carrey
Tarah DeWitt (Funny Feelings)
The list of paradoxes is endless: the relentless pursuit of pleasure brings pain; the greatest risk is not taking any. My personal favorite is the truth that everything in life is a good news/bad news story. The long-sought promotion brings more money and more headaches; our dream vacation puts us in debt; experience has taught us well, but now we are too old to use the knowledge; youth is wasted on the young. Impermanence mocks us. Our efforts—to learn, to acquire, to hold on to what we have—all eventually come to naught. This is the final and controlling paradox: Only by embracing our mortality can we be happy in the time we have. The intensity of our connections to those we love is a function of our knowledge that everything and everyone is evanescent. Our ability to experience any pleasure requires either a healthy denial or courageous acceptance of the weight of time and the prospect of ultimate defeat.
Gordon Livingston (Too Soon Old, Too Late Smart: Thirty True Things You Need to Know Now)
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.' The whites of his knuckles showed. 'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you. 'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.' My lips wobbled, and I pressed them together. 'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.' Two tears slid down his cheeks, swift and cold. He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Taking out your enemy before the battle is really smart; I'll give you that,' he whispers, his warm breath brushing the shell of my ear. Oh gods. He knows what I've been doing. The pain in my arm is nothing compared to the nausea churning in my stomach at the thought of what he might do with that knowledge. 'Problem is, if you aren't testing yourself in here'- he scrapes the dagger down my neck, but there's no warm trickle of blood, so I know he hasn't cut me- 'then you're not going to get any better.' 'You'd rather I die, no doubt,' I fire back, the side of my face pressed into the mat. This isn't just painful, it's humiliating. 'And be denied the pleasure of your company?' he mocks. 'I fucking hate you.' The words are past my lips before I can shut my mouth. 'That doesn't make you special.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
City of Love. What had I been thinking, coming here? I feel attacked by all the love around me. Personally victimized, as if love itself were mocking my pain, stabbing gleefully at me with poison-tipped knives.
J.T. Geissinger (Perfect Strangers)
I do not like that you fear me, Shea. “If you wouldn’t persist in reading my thoughts, Jacques,” she said gently, afraid she had hurt him, “then you wouldn’t have to see these things I worry about. You are capable of violence. You cannot deny it. I see it in you.” She stood up with a return of her quick, restless energy, and he allowed her silken hair to slide through his fingers. With half-closed eyes, Jacques watched the transparent thoughts slipping across her expressive face. Shea was incapable of subterfuge. What she was, who she was, was an open book. “I didn’t think things through, you know. I just rushed out and rescued you. I caused you great suffering.” Her large green eyes fastened on his face. Storm clouds gathered instantly when she felt his faint, mocking amusement echoing through her mind. “What? What’s so funny? Some idiot tried to put a stake through your heart, and he didn’t even hit the darn thing!” For which I am grateful. And I am even more grateful that you rescued me. I did not like being imprisoned and in such pain. “I guess I’m glad I rescued you, too, but the truth is, Jacques, I have watched you healing faster than is possible. You’re even more dangerous now. You are, aren’t you?” Never to you, he denied. She raised an eyebrow. “Is that strictly the truth? I’ve been in your head, too, remember.” She had touched his mind and had recoiled at the seething cauldron of raw violence and black fury often swirling within him. “Sometimes I can even read you as well as you read me. You have no idea what you’re doing half the time. You have no idea who you are.” Perhaps not, Shea, but I know you are my lifemate. I could not harm you now.
Christine Feehan (Dark Desire (Dark, #2))
Do I need a reason to want to hear my girl sing?” Ok, Julie decided she might as well get used to the blush on her cheeks being a permanent companion for the day. “Your girl?” She repeated, intending to sound mocking but managing only to sound a little awed. Somehow his eyes managed to soften even more than usual when he looked at her. Luckily he kept his tone joking even if his words were clearly sincere. She wasn’t sure if she could have handled it if he approached the subject seriously. “What? Am I wrong?” He asked, bouncing on his heels a little. They had already exchanged “I love you’s” so why was his labeling of her as his girl managing to shake her so much? If she was truly honest with herself, she knew. Ever since she had tumbled into the past she had been adrift, feeling caught between two worlds and like she didn’t fully belong in either of them. Even before that she had lost her sense of self. She knew there was more to her, but being Rose Molina’s daughter had always been the anchoring fact in Julie’s life, the thing that made her feel safe, and grounded and special . Until she wasn’t anymore. Of course she was still her mother’s daughter but it had gone from being a source of belonging to a source of pain. So to hear Luke label her “his girl” didn’t stir up any of the independent thoughts bristling at the phrase that she might have expected. It just made her feel safe, and grounded and special Like even if it was just for this one, precarious moment she found herself in, she knew who she was and where she belonged. Julie Molina. Rose Molina’s daughter. Luke’s girl. “You’re not wrong,” She blurted, quickly turning to the keyboard in order to avoid looking at him.
ICanSpellConfusionWithAK (We Found Wonderland)
Professor Hex looked on the city of Amarillo and raised her arms. “In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David. And the virgin's name was Mary. And he came to her and said, “Greetings, O favored one, the Lord is with you!” But she was greatly troubled at the saying, and tried to discern what sort of greeting this might be. And the angel said to her, “Do not be afraid, Mary, for you have found favor with God.” Professor Hex laughed. “Oh my dear, dear men, you are the new Mary.” As she recited these words, the city lights illuminated her face, revealing a disturbing grin that hinted at mischief and maybe even malevolence. A sinister laugh came from the depths of her pain. “You've been impregnated by the Holy Spirit!” Her words took on a mocking tone, the resonance of her laughter cutting through the night. “You will now know what it is like to be forced to carry a child by God!
Melanie Sovran Wolfe (Professor Hex vs. Texas Men: Where Women's Rights and Revenge Fantasy Meet)
The briars of Malkar’s compulsion twisted round and round me, gouging me, mocking the truth I could not speak, mocking my pain.
Sarah Monette (Mélusine (Doctrine of Labyrinths, #1))
What else did her mother tell you?” Ethan asked, looking for any advantage in his task of winning her over. “That she’d call us later and give us pointers on wooing her daughter. Apparently, Naomi has something of a stubborn nature.” A snort escaped him. “I hadn’t noticed.” Javier paced the living room as Ethan stroked Naomi’s silky hair, unable to resist running his fingers through the long brown strands. “What are you thinking?” “That fate is laughing at me.” A chuckle made Ethan’s chest vibrate, causing Naomi’s head to jiggle. He cradled her head in his big palm to prevent her from falling before replying. “She’s certainly not what either of us expected, that’s for sure.” Javier shot him a dark look. “No shit, Sherlock. I mean don’t get me wrong, short and curvy works fine for me, but I always expected, if ever fate was cruel enough to curse me, she’d at least give me a woman who likes me.” “I’m sure she will in time. We took her by surprise, not to mention she’s in pain. Besides, I kind of like that she’s feisty. She’ll need it to keep up with us.” Round eyes and an open mouth met his answer. “You, my friend, are insane. One ball too many to the head I think. I mean, not only does she not want you, shouldn’t you be more pissed that it looks like she’s meant for both of us?” Ethan shrugged. “I’ll admit, I never expected to share, but if fate says that’s my lot, then at least it chose someone I could tolerate. And beat in a wrestling match if I need to. Besides, I’ll only have to share if you bother to stick around to mark her.” “Oh, I’m staying, so you can forget about keeping her for yourself,” Javier replied shooting him a dark look. “What happened to I’m not meant for monogamy?” Ethan pitched his voice mockingly. A sigh emerged from Javier’s mouth before he slumped in the chair across from him. “I haven’t thought that far ahead. It’s hard to think at all with my damned cat yammering for me to bite her. Mayhap if you were to claim her first, the need for me to do so would vanish?” The optimism in his friend’s voice made him laugh again. “Sorry, no such luck I’m afraid. From everything I’ve ever heard, once you find the one, you’re done for. The need to mark her, claim her, just gets stronger and stronger.” Already the urge to take her rode Ethan hard. It didn’t help that he held her cuddled on his lap, her sweet fragrance tickling his nose while her lush body pressed against his turgid cock.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Enjoy a small dramatic excerpt of CRESCENT SUN: SONS OF BLOOD...Book 2 in my vampire series! Thayne looked over at Sebastian and released his hold on Leelee. Sebastian could feel himself trembling from his father's icy stare. He had never heard his father yell, but he had heard of his father's temper. Sebastian stood frozen in place. Thayne chuckled as he turned his attention back to Leelee. ... “It is good to see that while I was away, you took yourself a young lover.” Thayne said mockingly, as he walked passed his wife a short distance. Thayne stopped, but kept his back to Leelee. “Of course I will kill him as soon as I've rested.” Thayne said coolly, as he continued down the long hall. Sebastian's eyes widened in true fear at his father's words. “He is not my lover.” Leelee said softly in Vamprin. Thayne stopped walking when he heard his wife speaking his language, but kept his back to Leelee. “You've learned my tongue in my absence.” Thayne said calmly. “I am impressed Leelee Markum.” Thayne said smoothly. Leelee walked over to Sebastian and took his hand. “He is your son.” She said. “Father.” Sebastian said, his voice shaky. Thayne turned around and quickly went to Sebastian. He stood in front of his son and wife. Sebastian briefly looked into his father's blood red eyes. He lowered his own and offered his father a bow of respect. “My king.” Sebastian said in their tongue. “This is Sebastian, your son.” Leelee said. Sebastian stood tall at his mother's introduction. Neither Sebastian nor Leelee moved as Thayne slowly made his way around Sebastian. Thayne stopped directly behind his son. Leelee let her son's hand go and faced Thayne. She watched as a sly smile came across her husband's lips. Before she could open her mouth to speak, Leelee watched in horror as Thayne grabbed Sebastian's hair and bent his head over to expose the side of his neck. Thayne's fangs quickly grew and he bit down into Sebastian's neck. Sebastian screamed out in pain and Leelee punched and screamed at Thayne. The moment Thayne bit into his son's neck, Leelee's scent escaped from the open wound. Thayne released his son and watched as Sebastian stumbled against a wall in fear. Sebastian held his hand to his neck and Leelee ran to her son's aid. Thayne continued his walk down the hall. Leelee moved Sebastian's hand and watched as his skin immediately healed before her eyes. Leelee looked in shock at Thayne. “Are you fucking crazy?” Leelee yelled. Thayne stopped, but again kept his back to his wife. “You are correct Miss Markum, he is my son.” Thayne said coolly. “Sebastian.” Thayne said. “Yes father.” Sebastian replied. “Escort your mother to her room.” Thayne replied sternly. “Yes father.” Sebastian replied. Thayne walked away from his wife and son.
Tiana Washington
It was an almost supernatural power, I sometimes came to think (though immediately I mocked the idea), making normally talkative people like the Bolognan fall silent, or silent people like the Libyan turn entirely mute, a force that wrested every last question from the mouths of the eternally curious, that created a space of artificial silence and darkness where I could cry and writhe in pain because I didn't like what I was doing, but where I could also come as many times as I wanted and where I could walk (or probe the surface of reality with my fingertips) without false hope, without illusion, not knowing the meaning of it all but knowing the end result, knowing why things are where they are, with a degree of clarity that I haven't had since, though sometimes I sense that it's there, curled up inside of me, shrunken and dismembered - luckily for me - but still there.
Roberto Bolaño (Una novelita lumpen)
He reached over and with one deft gesture stripped the black ribbon from her hair, freeing it around her shoulders. "Will you dance or will you play?" She rose abruptly, angry, though she wasn't quite sure why. He was so determined to prove himself a villain- she could hardly have expected him to admit to honorable impulses. Still, she'd half hoped for a gentle word. Silly, of course. "Neither, my lord," she said, pushing away from the clavichord and starting past him, carefully out of reach. She should have known better. He barely seemed to move, but her hand was caught in his. "Dancing it is," he murmured. She had learned long ago that there was no escape from a man like Killoran. The hand holding hers was neither tight nor painful, but it was a prison as he led her through the same, intricate moves that Nathaniel had. There was no music, no off-tune humming, no sound at all but the rhythmic swish of her black skirts against the floor. The gathering darkness, broken only by the candlelight, threw eerie shadows that danced with them, ghosts of a darker time, hovering, watching them, mimicking their footsteps, embracing them with the chill of night. Emma sank into a deep curtsy as Killoran bowed, all mocking flourish. She stayed down. Her heart was racing, her pulses pounding, her face flushed. Without music the silent dance had been strangely, frighteningly intimate.
Anne Stuart (To Love a Dark Lord)
Just a moon ago, at dawn, I was drunk. Very drunk. I wasn’t thinking of you. You were the last thing on my mind. I was trying to get up from where I lay on the riverbank without falling in. I couldn’t tell the water from the sky. I was seeing two skies and two rivers and knew that if I took a wrong step I would probably drown, and I was deciding whether or not that would be a bad thing. The next thing I knew I was in the center of the river on that flat rock you used to sit on, and I looked up into the sky, and suddenly my vision cleared. I knew that you wanted me back. I knew, at that moment, we were both seeing into your heart.” She didn’t tell him that was probably the morning the baby came, but he saw her struggle and her resignation and her surprise. There’s no real reason for this, she thought. There’s no good reason. I can’t believe such nonsense, but it happened. I don’t know my own mind even now when he’s standing right in front of me, so dear, so beautiful, and much too good. Much too good. Why can’t I have his faith? Rising Hawk watched her face, and he began to believe that if he could just touch her, kiss her the way he had on the trail, she would give in. But then she said, “Rising Hawk. Would you do something for me?” Her voice suggested some new torment. His vulnerable expression fled. He wasn’t going to be made to look like a fool. Not even by Livy, no matter how dear she was to him. He thought about the winter. She made him laugh. Most of the time, she made him happy. They all believed she still had him bewitched. Maybe she did. Against his better judgment and his gut feeling, he felt himself nod yes. She took a deep breath. “Turn around and walk away.” “What?” “Turn around and walk away.” She had done all the thinking she could. By itself it held no answers. This was her last chance. “That’s what you want?” “Yes.” His next words had to fight their way out. His teeth were set like a bear trap. “I don’t know why I love you. It never makes any sense to me. Nothing about you does.” He turned. Livy watched him walk away. His familiar stride, the way he held his head, and the slight limp helped her remember the trail, their strange journey, and the gunshot. It’s not fair, she told herself as the pain of seeing him walk away one last time took hold of her. “It’s not enough,” she said aloud in an angry sob that rose in her throat and nearly choked her next words. “But I can’t help it. I can’t, and I don’t care anymore. I don’t care. Rising Hawk, wait!” she called, and broke into a run. He slowed at the sound of her voice and looked over his shoulder. The old smile returned to his face, gentle, mocking, assured. He didn’t wait for her to reach him, but turned to meet her halfway.
Betsy Urban (Waiting for Deliverance)
A woman lay before the exhausted flames of her dying fire, and he could see at once that she, as was the habit of mortals, was dying too. But in her arms she held a new-born child, covered by a shawl. “Why do you weep?” Azhrarn inquired in fascination as he leant at the door, marvelously handsome, with hair that shone like blue-black fire, and clothed in all the magnificence of night. “I weep because my life has been so cruel, and because now I must die,” said the woman. “If your life has been cruel, you should be glad to leave it, therefore dry your tears, which will, in any case, avail you nothing.” The woman’s eyes grew dry indeed, and flashed with anger almost as vividly as the coal-black eyes of the stranger. “You vileness! The gods curse you that you come mocking me in my last moments. All my days have been struggle and torment and pain, but I should perish without a word if it were not for this boy that I have brought into the world only a few hours since. What is to become of my child when I am dead?” “That will die, too, no doubt,” said the Prince, “for which you should rejoice, seeing he will be spared all the agony you tell me of.” At this the mother shut her eyes and her mouth and expired at once, as if she could no longer bear to linger in his company. But as she fell back, her hands left the shawl, and the shawl unfolded from the baby like the petals of a flower.
Tanith Lee (Night's Master (Tales from the Flat Earth, #1))
Okay, Parker. Enrapture us once again with your dullness.” “You mean, my evil courthouse.” Giving a mock shudder, Parker lounged comfortably back on the bed. “Evil judge. Unfair convictions. Botched hangings. Judge swings from rafters and dies a slow, painful death. Judge gets exactly what he deserves. Nothing we don’t already know.” Ashley was clearly annoyed. “That’s it?” “What else do you want?” “Some historical facts would be nice.” “Like what?” “Well, tell us something about the prisoners. What kinds of crimes did they commit?” “I don’t know anything about the prisoners. Why would I need to know that?” “Parker!” “Come on, crime is crime. You got murder. Stealing. Murder. Treason. Murder. Oh, and did I mention murder?” “That’s incredibly historical.” Roo’s stare was bland. “And incredibly descriptive. Wow. I feel like I was there.” Parker grimaced. “Okay, fine. Let me run through the prisoners for you. Murderers. Thieves. Murderers. Spies. Murderers. Oh, and did I happen to mention killers, too?” Frowning, Ashley shook her finger at him. “I will say this one more time. If you mess up our project--” “Miranda!” Parker broke in quickly. “Update us on your dashing, see-through soldier!” “Parker Wilmington, shame on you. Don’t call him that. And Miranda has enough on her shoulders right now without you being so insensitive.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Jason put a hand on each shoulder and shook me gently. "Damn it, Anita, get a grip. It isn't like you to wallow in the horror. You're a good soldier. You kill and keep going like you're supposed to." I pushed him away from me. "I tortured a man, Jason. I reduced him to something that writhed on the floor, mewling with terror and pain. And I wanted to do it. I wanted him to hurt because of what they'd done to Charlotte and Daniel. I wanted to do it." I shook my head. "I'll do my bit tonight, but forgive me if it's a little harder to keep going than normal. Forgive me if I'm not superwoman, after all." "Not superwoman?" he exclaimed, putting a hand on his chest in mock surprise. "You've lied to me all these years!" It made me smile, and I didn't want to smile. "Stop it." "Stop what? Cheering you up? Or is life supposed to stop because you did something horrible? I'll tell you the real horrible truth, Anita. No matter what you do or how bad you feel about it, life just goes on. Life doesn't give a fuck that you're sorry or upset or deranged or tormented. Life just goes on, and you gotta go on with it, or sit in the middle of the road and feel sorry for yourself. And I don't see you doing that." "I am not feeling sorry for myself." "You aren't all broken up about Thompson. You're broken up because of what you did to Thompson and how it makes you feel. You don't give a rat's ass about him. You're just weeping and gnashing your teeth about how much of a monster you are. Well, I get enough of that from Richard. I don't need it from you. So get your act together. We've got people we care about to save.
Laurell K Hamilton
God stopped answering my prayers years ago. It took me too long to notice it—the way every hopeful utterance was met with silent indifference from an empty sky mocking me for daring to look up, for thinking there was anything waiting for me in the clouds besides raindrops that fell for the sole purpose of washing away my tears, invalidating their existence, and disappearing my pain. But once I noticed, I stopped praying altogether.
JL Seegars (Release Me (New Haven Series #3))
Oh, now you want to talk to me. Now that Lorelai isn’t here, naked with a ready ass for you to fuck? You stayed with her! That moment in your hotel room ruined me. That would have been hard enough for me to survive”—my voice shakes—“but then you tucked her away into a car this morning. A sweet goodbye for the entire world to see. For me to see. You put my pain on display to be mocked by others. There isn’t a way for you to make that right.
Alison Rhymes (Broken Play (False Start, #1))
The reality is that men are hurting and that the whole culture responds to them by saying, “Please do not tell us what you feel.” I have always been a fan of the Sylvia cartoon where two women sit, one looking into a crystal ball as the other woman says, “He never talks about his feelings.” And the woman who can see the future says, “At two P.M. all over the world men will begin to talk about their feelings—and women all over the world will be sorry.” If we cannot heal what we cannot feel, by supporting patriarchal culture that socializes men to deny feelings, we doom them to live in states of emotional numbness. We construct a culture where male pain can have no voice, where male hurt cannot be named or healed. It is not just men who do not take their pain seriously. Most women do not want to deal with male pain if it interferes with the satisfaction of female desire. When feminist movement led to men’s liberation, including male exploration of “feelings,” some women mocked male emotional expression with the same disgust and contempt as sexist men. Despite all the expressed feminist longing for men of feeling, when men worked to get in touch with feelings, no one really wanted to reward them. In feminist circles men who wanted to change were often labeled narcissistic or needy. Individual men who expressed feelings were often seen as attention seekers, patriarchal manipulators trying to steal the stage with their drama. When I was in my twenties, I would go to couples therapy, and my partner of more than ten years would explain how I asked him to talk about his feelings and when he did, I would freak out. He was right. It was hard for me to face that I did not want to hear about his feelings when they were painful or negative, that I did not want my image of the strong man truly challenged by learning of his weaknesses and vulnerabilities. Here I was, an enlightened feminist woman who did not want to hear my man speak his pain because it revealed his emotional vulnerability. It stands to reason, then, that the masses of women committed to the sexist principle that men who express their feelings are weak really do not want to hear men speak, especially if what they say is that they hurt, that they feel unloved. Many women cannot hear male pain about love because it sounds like an indictment of female failure. Since sexist norms have taught us that loving is our task whether in our role as mothers or lovers or friends, if men say they are not loved, then we are at fault; we are to blame.
bell hooks (The Will to Change: Men, Masculinity, and Love)
[t]he art of talking comes easier to some of us but others. For boys and men, so many of them still socialised in a myriad of destructive ways to hide weakness and took out their difficulties, the idea of sharing deep emotional pain with anyone is often unthinkable, even in the 21st century. When you are punished or mocked if you dare to express, or even have, feelings, you typically put a lot of effort into appearing strong and stoic. Except for anger. Male conditioning is much more accepting of anger, and emotion that is more about 'doing' that 'feeling'. Men are, generally speaking, more likely to deal with distress by doing something: overworking, sex, drinking, drugs, aggression, violence, suicide. What is suicide if not the most decisive of actions, after al. Small wonder then that the ultra-macho prison environment, where having emotions is seen as a sign of weakness, is full of men acting out their distress in harmful ways.
Kerry Daynes (The Dark Side of the Mind: True Stories from My Life as a Forensic Psychologist)