Mob Ties Quotes

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In Jharkhand, on 17 June 2019, a young man called Tabrez Ansari was tied to a pole sometime around midnight and beaten by a mob till six in the morning. As he was being battered, Tabrez Ansari was asked to say 'Jai Shri Ram'. He did. It did not save him. He died four days later.
Ravish Kumar (The Free Voice: On Democracy, Culture and the Nation)
Others did not fare so well. A German man in St. Louis who was believed to have spoken ill of his adopted country was set upon by a mob, dragged through the streets tied up in an American flag, and hanged. A jury subsequently found the mob leaders not guilty on the grounds that it had been a “patriotic murder.
Bill Bryson (One Summer: America, 1927)
Slaughter on a scale far greater than any attempted by the Paris mob was the portion of those village patriots who dared to resist them. Women and children were not spared, men were thrown, while still alive, into ditches piled high with corpses. Clergy who had sworn the oath to the Constitution were tied to horses and dragged on the dusty roads to a terrible death.
Daphne du Maurier (The Glass-Blowers)
The next morning the 2,600-seat auditorium was mobbed. Jobs arrived in a double-breasted blue blazer, a starched white shirt, and a pale green bow tie. “This is the most important moment in my entire life,” he told Sculley as they waited backstage for the program to begin. “I’m really nervous. You’re probably the only person who knows how I feel about this.” Sculley grasped his hand, held it for a moment, and whispered “Good luck.
Walter Isaacson (Steve Jobs)
Not…” Bree struggled for the right words. “All my life, I’ve just wanted someone to put me first. I thought Alessandro was that man. But even after everything Bernardo has done, I mean, Arturo wouldn’t have ever shot Alessandro if Bernardo hadn’t raised him to be a monster, even knowing that, Alessandro refuses to cut his ties with his father. So…yeah, I guess I do blame Alessandro for getting shot. God, that sounds so horrible.” Bree covered her face with her hands again.
E. Jamie (The Betrayal (Blood Vows, #2))
So tell me, giant philosopher, why we're not dukes," the Gray Mouser demanded, unrolling a forefinger from the fist on his knee so that it pointed across the brazier at Fafhrd. "Or emperors, for that matter, or demigods." "We are not dukes because we're no man's man," Fafhrd replied smugly, settling his shoulders against the stone horse-trough. "Even a duke must butter up a king, and demigods the gods. We butter no one. We go our own way, choosing our own adventure—and our own follies! Better freedom and a chilly road than a warm hearth and servitude." "There speaks the hound turned out by his last master and not yet found new boots to slaver on," the Mouser retorted with comradely sardonic impudence. "Look you, you noble liar, we've labored for a dozen lords and kings and merchants fat. You've served Movarl across the Inner Sea. I've served the bandit Harsel. We've both served this Glipkerio, whose girl is tied to Ilthmar this same night." "Those are exception," Fafhrd protested grandly. "And even when we serve, we make the rules. We bow to no man's ultimate command, dance to no wizard's drumming, join no mob, hark to no wildering hate-call. When we draw sword, it's for ourselves alone.
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
Even after slavery ended in New York, the South’s peculiar institution remained central to the city’s economic prosperity. New York’s dominant Democratic party maintained close ties to the South, and some local officials were more than happy to cooperate in apprehending and returning fugitive slaves. Abraham Lincoln carried New York State in the election of 1860 thanks to a resounding majority in rural areas, but he received only a little over one-third of the vote in New York City. More than once, proslavery mobs ran amok, targeting abolitionist homes and gatherings and the residences and organizations of free blacks.12
Eric Foner (Gateway to Freedom: The Hidden History of the Underground Railroad)
Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.
P.G. Wodehouse
At the same time that he was devising a response to the Afghanistan incursion, Carter had to confront a much more acute crisis in Iran, where he had brought the greatest disaster of his presidency down upon himself. In November 1977, he welcomed the shah of Iran to the White House, and on New Year’s Eve in Tehran, raising his glass, he toasted the ruler. Though the shah was sustained in power by a vicious secret police force, Carter praised him as a champion of “the cause of human rights” who had earned “the admiration and love” of the Iranian people. Little more than a year later, his subjects, no longer willing to be governed by a monarch imposed on them by the CIA, drove the shah into exile. Critically ill, he sought medical treatment in the United States. Secretary of State Cyrus Vance warned that admitting him could have repercussions in Iran, and Carter hesitated. But under pressure from David Rockefeller, Henry Kissinger, and the head of the National Security Council, Zbigniew Brzezinski, he caved in. Shortly after the deposed shah entered the Mayo Clinic, three thousand Islamic militants stormed the US embassy compound in Tehran and seized more than fifty diplomats and soldiers. They paraded blindfolded US Marine guards, hands tied behind their backs, through the streets of Tehran while mobs chanted, “Death to Carter, Death to the Shah,” as they spat upon the American flag and burned effigies of the president—scenes recorded on camera that Americans found painful to witness.
William E. Leuchtenburg (The American President: From Teddy Roosevelt to Bill Clinton)
I did not see the hanging. They hanged him in front of the jail in Toronto, and You should have been there Grace, say the keepers, it would have been a lesson to you. I've pictured it many times, poor James standing with his hands tied and his neck bare, while they put the hood over his head like a kitten to be drowned. At least he had a priest with him, he was not all alone. If it had not been for Grace Marks, he told them, none of it would have happened. It was raining, and a huge crowd standing in the mud, some of them come from miles away. If my own death sentence had not been commuted at the last minute, they would have watched me hang with the same greedy pleasure. There were many women and ladies there; everyone wanted to stare, they wanted to breathe death in like fine perfume, and when I read of it I thought, If this is a lesson to me, what is it I am supposed to be learning?
Margaret Atwood (Alias Grace)
I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!
Herman Melville (Mobs Dick or The Whale)
You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread. “I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.” “People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.” “In other words, fate is a lie we tell ourselves?” asked Reina drolly. Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.” No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape. “I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.” Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.” “Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own. Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head. “So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.” “But I should be able to fix things. Change things.” “Why?” “Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?” “These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.” “And that is power to you?” Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.
Olivie Blake (The Atlas Complex (The Atlas, #3))
But the Psalmist, frequently the designated victim of an approaching lynch mob, is about as uncooperative as a victim can get. And we see here a deep irony in the problems that many modern Christians have with the imprecatory psalms† and psalms of protested innocence. We think the language is over the top. The man is sitting on the back of a horse, hands tied behind his back, and a rope around his neck. He looks at the bulls of Bashan round about and calls them a brood of snakes. “Tsk,” we think. “That kind of language is a little inappropriate.
Douglas Wilson (Heaven Misplaced: Christ's Kingdom on Earth)
P lanning a wedding can be murder. Planning weddings for a living is nothing short of suicide. “Is there a patron saint for wedding consultants? Because I think after this wedding, I just might meet the requirements.” I stood near the top of the wide marble staircase that swept down the middle of the Corcoran Gallery of Art’s central foyer. Below me, dozens of tuxedo-clad waiters scurried around the enormous hall filled end to end with tables and gold ladder-backed chairs. After having draped ivory chiffon into swags on all forty tables, I massaged the red indentations left on my fingers by the heavy pins. “Annabelle, darling, I may be a lapsed Catholic, but I’m pretty sure you have to be dead to qualify for sainthood.” Richard Gerard has been one of my closest friends since I arrived in Washington, D.C. three years ago and started “Wedding Belles.” At the time he’d been the only top caterer who’d bother talking to a new wedding planner. Now I worked with him almost exclusively. “The wedding isn’t over yet.”“At least your suffering hasn’t been in vain.” Richard motioned at the room below us. “It’s divine.” The museum’s enormous hall did look magical. The side railings of the staircase were draped with a floral garland, leading to a pair of enormous white rose topiaries flanking the bottom of the stairs. Amber light washed each of the three-story limestone columns bordering the room, and white organza hung from the ceiling, creating sheer curtains that were tied back at each column with clusters of ivory roses. “I just hope the MOB is happy.” My smile disappeared as I thought
Laura Durham (Better Off Wed (Annabelle Archer, #1))
But when Perna first put on the uniform in the late 1980s there was another unsolved murder case in town that drew attention for its organized crime ties, blatant ruthlessness, and murder-for-hire origins. The “Pizza Killing,” as it was dubbed, even sounded like a mob movie or an episode of The Sopranos, with everything except a theme song. Edward Potcher, 37, owned Jack’s Pizzeria at the corner of Springfield and Boyden avenues in Maplewood when he was shot four times at close range on August 12, 1986, in the pizzeria. He died just hours later.
Joe Strupp (A Long Walk Home: A young woman’s unsolved murder and her sister’s lifelong search for answers)
So you're having a case of conscience. You like to think of yourself as a legitimate businessman, and now you're doing business with Jimmy Hoffa, who has more mob ties than you have silk ones.
Max Allan Collins (Target Lancer (Nathan Heller, #14))
because mob figures often serve as scapegoats for the government and quickly become everyone’s favorite bad guys. This country has a long tradition of bias against Italian-Americans, and we love making villains out of individuals who are linked to organized crime. Defendants accused of such ties are almost always discriminated against, almost always assumed to be guilty. In America, if your last name ends in a vowel, you’re immediately suspect.
David Langum (William M. Kunstler: The Most Hated Lawyer in America)
Getting into the club’s tax information gave me Yukiko’s last name: Nohara. From there, I was able to learn a reasonable amount. She was twenty-seven years old, born in Fukuoka, educated at Waseda University. She lived in an apartment building on Kotto-dori in Minami-Aoyama. No arrests. No debt. Nothing remarkable. The club was more interesting, and more opaque. It was owned by a succession of offshore corporations. If there were any individual names tied to its ownership, they existed only on certificates of incorporation in someone’s vault, not on computers, where I might have gotten to them. Whoever owned the club didn’t want the world to know of the association. In itself, this wasn’t damning. Cash businesses are always mobbed up.
Barry Eisler (A Lonely Resurrection (John Rain #2))
It’s like Jack Kennedy,” DeMarco said to Emma. “All the rumors about Joe Kennedy being a bootlegger and having ties to the mob and getting rich on insider trading never really hurt Jack. It sounds like the same thing with Stephanie. By the time she jumped onto the political stage, her old man was dead, his money had been laundered clean, she had nothing to do with his past life.
Mike Lawson (House Reckoning (Joe DeMarco #9))
Luke hadn’t been nervous when he’d disarmed a cold-eyed gunslinger in an El Paso saloon. Nor when he’d charged the hideout of the notorious Miller Gang. Nor when he’d single-handedly subdued a mob. But as he tied Honey Dew to Georgie’s hitching post, his hands shook, his forehead beaded with sweat, and his mouth went dry. He blew out a long breath. It was just a woman. And she was tiny as a cricket bug.
Deeanne Gist (Love on the Line)
On August 12, 1933, President Machado fled Cuba with ABC terrorists shooting at his laden airplane as it prepared to take off from the long hot runway. He left Cuba without any continuity of leadership and a smooth transfer of authority to the next administration became impossible in Havana. American envoy, Sumner Welles stepped into the vacuum and encouraged Carlos Manuel de Céspedes y Quesada to accept the office of Provisional President of Cuba. Céspedes was a Cuban writer and politician, born in New York City, son of Carlos Manual de Céspedes del Castillo who was a hero of the Cuban War of Independence. Wearing a spotlessly clean, crisp white suit, Céspedes was installed as the Provisional President of Cuba, on what was his 62nd birthday. This expedient political move failed to prevent the violence that broke out in the streets. Mobs looted and behaved with viciousness that lasted for six long hours and created a mayhem not witnessed since Cuba’s Independence from Spain. Students from the university ransacked the previously pro-Machado newspaper “Heraldo de Cuba.” The Presidential Palace was stormed and severely damaged, with the culprits leaving a “For Rent” sign hanging on the front gate. The temperament of the mob that rallied against the Machado supporters, including the hated Porristas who had been left behind, was ferocious. They wounded over 200 hapless souls and cost 21 people their lives. Five members of the Porristas as well as Colonel Antonio Jimenez, the head of Machado’s secret police, were summarily shot to death and trampled upon. The rioters then tied the mutilated body of Jimenez to the top of a car and paraded his bullet-riddled carcass through the streets of Havana, showing it off as a trophy. When the howling throng of incensed people finally dumped him in front of the hospital, it was determined that he had been shot 40 times. Students hammered away at an imposing bronze statue of Machado, until piece by piece it was totally destroyed. Shops owned by the dictator’s friends were looted and smashed, as were the homes of Cabinet members living in the affluent suburbs.
Hank Bracker
RIVER QUAY In Kansas City, if one were to bring up the topic of River Quay (pronounced “River Key”), that conversation would no doubt evolve into a conversation about River Market. Today, River Market is a hip-and-trendy neighborhood in Kansas City, Missouri. Located just south of the Missouri River. Adorning River Market’s quaint neighborhood feel, you’ll find chic eateries. Coupled to an urban lifestyle. Complete with a streetcar. A stone’s throw to the west of Christopher S. Bond Bridge. That’s today. Today’s River Market. Yesterday’s River Quay. In 1971, Marion Trozzolo - then, a Rockhurst University professor - began renovating historic buildings alongside the “Big Muddy” in a section of Kansas City that we now know to be River Market. It was Professor Trozzolo who came up with the River Quay nickname. Trozzolo’s idea for River Quay? For River Quay to undergo a thorough, artsy-remake. Into a Kansas City-styled French Quarter. A neighborhood comparable to Chicago’s Old Town. To San Francisco’s Ghirardelli Square. Trozzolo envisioned a family-friendly environ for River Quay. Unfortunately, the latter half of the ‘70’s was a rough time for this neighborhood next to the muddy Missouri. The word Quay? It's a word of French origin. The translation for Quay? Loading platform. Or wharf. Did River Quay ever become a Kansas City French Quarter? Did River Quay ever become a Kansas City Old Town? Did River Quay ever become a Kansas City Ghirardelli Square? Hardly. By the late ‘70’s, revitalization efforts in River Quay had stalled. Leaving River Quay saddled with boarded up buildings. Deserted through-streets. A neighborhood, with no vibrancy. Streets, with no traffic. Sidewalks, with no passers-by. By the late ‘70’s, developers were walking away from unfinished River Quay projects. Whereas River Quay had once - not long before - been primed for a grandiose new identity. One which bespoke of a rebirth for this neighborhood. A transition. From blight. To that of an entertainment district. Yet by the late ‘70’s, River Quay was not on its way to becoming Kansas City’s French Quarter. By the late ‘70’s, you’d still find an X-rated theatre in River Quay. With mob ties. Homeless, sleeping next to decrepit River Quay buildings. Empty River Quay buildings which had once been fancied as prime renovation opportunities. Projects, sadly cast aside and forgotten. In River Quay.  In the late 1970’s? Well, at that time, River Quay was as an unfinished idea. Full of unrealized potential. Full of unrealized promise. Disappointing, no doubt. Yet today, on those same grounds, alongside the Missouri River, we have Kansas City’s stunning River Market. A great idea. Then a detour. Yet, a happy ending - and a nice story, with a unique history- in Kansas City.
Ted Ihde, Thinking About Becoming A Real Estate Developer?
There’s still a lingering afterglow here from the euphoria earlier. A feeling that maybe some great victory has been won and there is a reason to be optimistic. On the other hand, I see a guy tying a hangman’s noose when I get closer to the monument. He grins maniacally as he ties it. “Traitors get the rope,” he says in a hollow, emotionless voice that sends chills down my spine. “Hey man, you’re gonna do whatever you want to do, I’m not going to try to stop you. I’m just gonna say that I think that might backfire.” I say, pointing at the tied rope in his hands. “I think that if anyone in the media sees that they’re gonna say it’s racist. I think you’re running the risk of making your whole movement look bad. This isn’t my fight, but you might want to think about that. OK, I spoke my piece.” There is a pause, he stares at me, his expression unreadable. “Traitors get the rope,” he says in a hollow, emotionless voice that sends chills down my spine. It’s like he’s a recording. He just says the exact same thing, in the exact same way, every time anyone tries to talk to him. Why do I even care if these people make themselves look bad? They’re not my people. At least some of them look bad because they are bad; right? Do I really think the guy with the hangman’s noose is just misunderstood? In my travels, I’ve seen many instances where the media was unfair to Trump supporters, but I’ve also met some damn creepy mother-f*ckers, especially in the last few weeks. Maybe the old protester in me just hates to see all this effort go into an anti-government demonstration and have nothing good come out of it.
Ben Hamilton (Sorry Guys, We Stormed the Capitol: The Preposterous, True Story of January 6th and the Mob That Chased Congress From the Capitol. Told in Their Own Words. (The Chasing History Project #1))
When I sent you out without purse, wallet, and sandals, were you in need of anything?” Peter remembered his mission journey. “Nothing,” he said. “Nothing,” they all said. “But now, whoever has a purse, let him take it, and a wallet as well; and whoever has no sword, let him sell his cloak and buy one. For I tell you that this which is written must be fulfilled in Me; 'He was even ranked among outlaws. ...” The word “sword” fell pleasantly on the ears of Peter, “Lord, look! here are two swords!” “That will do,” He said. The fisherman tied one of the blades to his girdle. He had certainly not understood much that had been said, but he thought he understood the meaning of this cold steel of Damascus, this ruler of mobs, this maker of kings, that fell so pleasantly against his stout leg. He was beginning to feel that after all something might have been accomplished that evening.
William Thomas Walsh (Saint Peter the Apostle)
Two horrific murders, the first of a black man, the second of a white, form the backdrop to this speech. The first was the lynching of twenty-six-year-old Francis McIntosh in St. Louis. McIntosh was tied to a tree and burned alive. A grand jury being convened, the judge instructed them not to blame the mob, but rather those abolitionists who had stirred things up. He called one out by name—the minister and newspaper editor Elijah Lovejoy. Lovejoy then fled St. Louis for Alton, Illinois, where the mob killed him anyway. In that trial, the jury chair had been part of the mob and the judge himself was called as a witness for the defense. In neither case was anyone found guilty. The death of the white man, Lovejoy, has a national impact. This is allegedly the moment John Brown decides to devote his life to the eradication of slavery. But both murders affect Lincoln deeply. In his speech, he warns of two possible threats to the republic. The first is found in the lawless actions of the mob, the second in the inevitable rise someday of an aspiring dictator. The gravest peril will come if the mob and the dictator unite.
Karen Joy Fowler (Booth)
The mob, you see, only ever has one reason for beating up a man and tying him to a post, the same reason why they do all the things they do: it’s because they’re very angry, and they’ve found someone to take it out on.
Sebastien de Castell (Saint's Blood (The Greatcoats #3))
While the Italian mob’s heyday in Cleveland was during the sixties and seventies, Youngstown remained an epicenter for decades longer, featuring constant FBI attention as well as the occasional car bombing or sniper takedown of a major player. During one attempt to pay off the town’s mayor, a priest was involved as a money handler. Ties run deep in Youngstown,
Michael Koryta (The Silent Hour (Lincoln Perry, #4))
Migration is the story of America. It is foundational. From Pilgrims fleeing oppression in Europe, to the millions who took advantage of the Homestead Act to “go West,” to the erection of the Statue of Liberty in New York’s harbor, all the way up to the U.S. Congress tying Most Favored Nation status to the human right of Soviet Jews to emigrate, the movement of people fleeing tyranny, violence, and withered opportunities is sacrosanct to Americans. In fact, “freedom of movement” is a treasured right in the nation’s political lexicon. Yet, when more than 1.5 million African Americans left the land below the Mason-Dixon Line, white Southern elites raged with cool, calculated efficiency. This was no lynch mob seeking vengeance; rather, these were mayors, governors, legislators, business leaders, and police chiefs who bristled at “the first step … the nation’s servant class ever took without asking.”12 In the wood-paneled rooms of city halls, in the chambers of city councils, in the marbled state legislatures, and in sheriffs’ offices, white government officials, working hand in hand with plantation, lumber mill, and mine owners, devised an array of obstacles and laws to stop African Americans, as U.S. citizens, from exercising the right to find better jobs, to search for good schools, indeed simply to escape the ever-present terror of lynch mobs. In short, the powerful, respectable elements of the white South rose up, in the words of then-secretary of labor William B. Wilson, to stop the Great Migration and interfere with “the natural right of workers to move from place to place at their own discretion.
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
these rampages had in common: the mobs tended to go after the most prosperous in the lowest caste, those who might have managed to surpass even some people in the dominant caste. In the 1921 riot in Tulsa, Oklahoma, a mob leveled the section of town that was called black Wall Street, owing to the black banking, insurance, and other businesses clustered together and surrounded by well-kept brick homes that signaled prosperity. These were burned to the ground and never recovered. Decades before, in the early 1890s, a black grocery and a white grocery sat across the street from each other at an intersection just outside Memphis, Tennessee. The black store, known as People’s Grocery, was a cooperative that was thriving even as the walls of Jim Crow closed in. Its owner, Thomas H. Moss, was an upright figure in a three-piece suit and bow tie with a side part in his close-cropped hair, who did double duty delivering mail and running the
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Henry spared a moment to regret his own decision to give up hunting. He had loved it so much: the sound, the smell, the sight of the hunt. It had all seemed so perfectly splendid until one day, quite suddenly as if a new pair of eyes had been put into his head, he had seen a mob of well-fed expensive people, with red faces, astraddle shiny quadrupeds, all whooping ceremoniously after a very small creature which later on was torn to pieces while the lucky ones sat on their horses and looked on, well satisfied. To his violent annoyance, he had found that he could not rid himself of this unlovely picture and, as it made him feel slightly sick, he had given up everything but drag-hunting.
Ngaio Marsh (Inspector Alleyn 3-Book Collection 3: The intriguing murder mystery detective novels (Death in a White Tie, Overture to Death, Death at the Bar) (The Ngaio Marsh Collection))
As to the technique employed at Ahmedabad Girish Mathur gave the following description: “What happened in Ahmedabad was not a communal riot in the ordinary sense. Rachi, Rourkela, Calcutta were put to shame by Ahmedabad. There more people were burnt alive than died of stabbings or as a result of clashes, and they were burnt alive not because they were caught in the fire. The technique was to set fire to a group of houses belonging to the minorities and, as men and women and children rushed out they were caught hold of, their hands and feet were tied and then they were thrown into the fire. This could not have been the spontaneous action of an angry mob. And the largest number of cases of arson and this type of murder took place during the curfew hours, which can mean only one thing, that the curfew was ineffective.” Prime Minister Indira Gandhi’s shock with pain over what she saw and heard in Ahmedabad could be seen on her face as she stepped out of her plane at Palam on her return to Delhi. A dog feeding on a half-burnt corpse in the midst of the ruins of buildings razed to the ground; five thousand refugees confined without food or even drinking water in a small chawl stinking with human excreta, there being no lavatories nearby; scores of young and old men, women and children rushing towards her crying, some with folded hands–“Indraben, I have lost all my children, I have lost my parents, my wife was cut to pieces, they caught hold of my son and threw him into the burning house; now at least save us, for God’s sake, save us, may you live long.
K.L. Gauba (Passive Voices: A Penetrating Study of Muslims in India)