Mixed Messages Quotes

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You get mixed messages because I have mixed feelings.
Sarah Kane (Crave)
Girls get a lot of mixed messages—they are told, ‘Girl Power!’ and what does that mean? It means you wear a T-shirt that says, ‘Girl Power!’ but you call each other bitches. You make fun of a girl for being a virgin and you make fun of a girl for having sex. There’s no right place to be.
Tina Fey
Gideon laughed. "I like to be direct." "Okay," I said. "But I warn you, I like to be evasive, inserutable and generally send mixed messages." "I doubt it." "Human interaction is not my strong point," I told him. "Not seriously." "Seriously," I said. Thinking: There is so much about me he doesn't know. Gideon put his hand on my leg. "What's your strong point, then?" "Goats," I told him. "I am excellent with goats.
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
I am so used to hints and mixed messages, saying things that might mean what they sort of sound like they mean. Games and contests, roles and rituals, talking in twelve languages at once so the true words won't be so obvious. I am not used to a plainspoken, honest truth.
David Levithan (Boy Meets Boy)
When our father does the things he needs to do in the world, we understand it is his due. If our mother does the things she needs to do in the world, we feel she has abandoned us. It is a miracle she survives our mixed messages, written in society's most poisoned ink. It is enough to drive her mad.
Deborah Levy (The Cost of Living: A Working Autobiography)
the truth is often a mixed message
Dan Savage
Meanwhile a certain amount of moaning and groaning was coming from upstairs. Sophie kept muttering to the dog and ignored it. A loud, hollow coughing followed, dying away into more moaning. Crashing sneezes followed the coughing, each one rattling the window and all the doors. Sophie found those harder to ignore, but she managed. Poot-pooooot! went a blown nose, like a bassoon in a tunnel. The coughing started again, mingled with moans. Sneezes mixed with the moans and the coughs, and the sounds rose to a crescendo in which Howl seemed to be managing to cough, groan, blow his nose, sneeze, and wail gently all at the same time. The doors rattled, the beams in the ceiling shook, and one of Calcifer’s logs rolled off onto the hearth. “All right, all right, I get the message!” Sophie said, dumping the log back into the grate. “It’ll be green slime next”.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Asher, help!' she cried as she climbed down the steep, twisting path to the beach. 'Help. Don't help. You give me mixed messages.' Asher sighed as he stuck his keys into his pocket and followed Cam to the edge of the lawn.
Wendy Wunder (The Probability of Miracles)
Girls struggles with mixed messages: Be beautiful, but beauty is only skin deep. Be sexy, but not sexual. Be honest, but don’t hurt anyone’s feelings. Be independent, but be nice. Be smart, but not so smart you threaten boys.
Mary Pipher (Reviving Ophelia: Saving the Selves of Adolescent Girls)
I like to be direct." "Okay," I said. "But I warn you, I like to be evasive, inserutable and generally send mixed messages." "I doubt it." "Human interaction is not my strong point," I told him.
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
Kohaku aren't you afraid to die? No. Truly, there is neither fear nor hesitation in your eyes.
Rumiko Takahashi (InuYasha: Mixed Messages (InuYasha, #42))
And yet some people actually imagine that the revelation in God’s Word is not enough to meet our needs. They think that God from time to time carries on an actual conversation with them, chatting with them, satisfying their doubts, testifying to His love for them, promising them support and blessings. As a result, their emotions soar; they are full of bubbling joy that is mixed with self-confidence and a high opinion of themselves. The foundation for these feelings, however, does not lie within the Bible itself, but instead rests on the sudden creations of their imaginations. These people are clearly deluded. God’s Word is for all of us and each of us; He does not need to give particular messages to particular people.
Jonathan Edwards
I heard a noise on the back patio and opened the door. The rabbit was there in a black metal cage. It was big, not some fluffy little ball of fur, but a big, ugly rabbit. It stood on its hind legs and sniffed the air. “Yes, you smell that,” I told the rabbit. “That’s the smell of your enemy. Get a good whiff. We are not friends.” It could probably smell the apple I still held, not me. I bit off a piece and threw it into the cage, sending it a very mixed message considering the speech I’d given. “Just keeping you on your toes.” “Who are you talking to
Kasie West (P.S. I Like You)
It is so simple, yet so hard for some people to do. If you want someone out of your life then you and only “you” must tell him or her to leave. This can only be done by you. Otherwise, your silence shouts, “I am undecided.” When other people get involved it sends mixed signals. If only more people would be so bold, hearts would not linger so long.
Shannon L. Alder
The techniques of brainwashing are simple: isolate the victim, expose them to consistent messages, mix with sleep deprivation, add some form of abuse, get the person to doubt what they know and feel, keep them on their toes, wear them down, and stir well.
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
I don’t know, Reeve. Because you do a lot of talking, and all I hear are mixed messages.” “I’m unmixing them now. Listen. This is the one I want you to hear.
Laurelin Paige (First Touch (First and Last, #1))
He stares at me. “So you’re telling me that you obey all my orders, because honestly that would be news to me?” “I always obey your orders,” I say indignantly. “I am quite possibly the best assistant in history.” “That would certainly be true, if you were the only assistant in history.
Lily Morton (Rule Breaker (Mixed Messages, #1))
When our father does the things he needs to do in the world, we understand it is his due. If our mother does the things she needs to do in the world, we feel she had abandoned us. It is a miracle she survives our mixed messages, written in society's most poisoned ink. It is enough to drive her mad.
Deborah Levy (The Cost of Living: A Working Autobiography)
Deep silence fell about the little camp, planted there so audaciously in the jaws of the wilderness. The lake gleamed like a sheet of black glass beneath the stars. The cold air pricked. In the draughts of night that poured their silent tide from the depths of the forest, with messages from distant ridges and from lakes just beginning to freeze, there lay already the faint, bleak odors of coming winter. ("The Wendigo")
Algernon Blackwood (Monster Mix)
Theo knew enough about women and their clothes to recognize she was trying to strike an appropriate balance between... what? Between liking him and hating him? Between wanting to look good and not wanting to look too available? Just because he knew a mixed message when he saw one didn't mean he knew exactly which messages were being mixed
Tad Williams (The War of the Flowers)
Another vital skill is managing pain. All the craziness in the world comes from people trying to escape suffering. All mixed up behaviour comes from unprocessed pain. People drink, hit their mates and children, gamble, cut themselves with razors and even kill themselves in an attempt to escape pain. I teach girls to sit with their pain, to listen to it for messages about their lives, to acknowledge and describe it rather than to run from it. They learn to write about pain, to talk about it, to express it through exercise, art, dance or music.
Mary Pipher (Reviving Ophelia: Saving the Selves of Adolescent Girls (Ballantine Reader's Circle))
The history of American women is about the fight for freedom, but it’s less a war against oppressive men than a struggle to straighten out the perpetually mixed message about women’s role that was accepted by almost everybody of both genders.
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
To: Gabe Foster From: Dylan Mitchell I have prepared the fourth pot of coffee for you to taste. I pray that this one meets your exacting taste buds, because I do actually have plans for the rest of my life.
Lily Morton (Rule Breaker (Mixed Messages, #1))
The truth is that I will always need you more than you need me. It’s also the truth that I’m not a good bet for someone as vital and young as you. I’m bad tempered, a perfectionist who is too serious, and too used to being on my own. You could go out tomorrow and find someone better for you, but the truth is that no one will ever need you like I do.” He pauses and then says firmly. “No one will ever love you like I do.
Lily Morton (Rule Breaker (Mixed Messages, #1))
All good sex comes with a side order of inappropriate laughter.
Lily Morton (Rule Breaker (Mixed Messages, #1))
Yes, Cinderella won a real prize - a man who couldn’t see her true worth until she fitted in the shoe properly.
Lily Morton (Rule Breaker (Mixed Messages, #1))
I feel something snap and settle in me. It's the last piece of my heart, falling for him without any input from me at all.
Lily Morton (Rule Breaker (Mixed Messages, #1))
Forever?” I say softly, and Asa buries his head in my neck. I shiver as I feel, as well as hear his words falling into the air like a magical incantation. “It’s a deal, Jude.
Lily Morton (Deal Maker (Mixed Messages, #2))
I smile limpidly at him. “I am a bit of a flibbertigibbet. My teachers always used to say so.” “Did you go to school in the 1850’s then?
Lily Morton (Deal Maker (Mixed Messages, #2))
all I hear are mixed messages.” “I’m unmixing them now. Listen. This is the one I want you to hear.
Laurelin Paige (First Touch (First and Last #1))
When our father does the things he needs to do in the world, we understand it is his due. If our mother does the things she needs to do in the world, we feel she has abandoned us. It is a miracle she survives our mixed messages, written in society’s most poisoned ink. It is enough to drive her mad.
Deborah Levy (The Cost of Living)
He’s adorably high-handed where you’re concerned, isn’t he?” My eyes slide closed. “With anyone.” “No,” he says thoughtfully. “Only you. He really can’t be bothered with anyone else, unless they’re connected to you. You’re all he sees.
Lily Morton (Rule Breaker (Mixed Messages, #1))
Begin at the beginning," Miss Perkins urged. "And when you get to the end, stop.
Jahnna N. Malcolm (Mixed Messages (Love Letters, #2))
Everyone is entitled to love who they want, and people aren’t weird just because of who they love. No one is weird.
Lily Morton (Deal Maker (Mixed Messages, #2))
He huffs. “Well, because of Phillip. Oh, I’m sorry.” He puts his hand over his mouth. “Was I not allowed to say his name?” “He’s not Voldemort,” I mutter, and Asa laughs,
Lily Morton (Deal Maker (Mixed Messages, #2))
To the accomplishment-oriented mother, what you achieve in life is paramount. Success depends on what you do, not who you are. She expects you to perform at the highest possible level. This mom is very proud of her children’s good grades, tournament wins, admission into the right college, and graduation with the pertinent degrees. She loves to brag about them too. But if you do not become what your accomplishment-oriented mother thinks you should, and accomplish what she thinks is important, she is deeply embarrassed, and may even respond with a rampage of fury and rage. A confusing dynamic is at play here. Often, while the daughter is trying to achieve a given goal, the mother is not supportive because it takes away from her and the time the daughter has to spend on her. Yet if the daughter achieves what she set out to do, the mother beams with pride at the awards banquet or performance. What a mixed message. The daughter learns not to expect much support unless she becomes a great hit, which sets her up for low self-esteem and an accomplishment-oriented lifestyle.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
So what happens when students get the message that saying the wrong thing can get you in trouble? They do what one would expect: they talk to people they already agree with, keep their mouths shut about important topics in mixed company, and often don’t bother even arguing with the angriest or loudest person in the room (which is a problem even for the loud people, as they may not recognize that the reason why others are deferring to their opinions is not because they are obviously right).
Greg Lukianoff (Unlearning Liberty: Campus Censorship and the End of American Debate)
It is no wonder that organizations struggle to cultivate experts who are both proficient with their tools and prepared to drop them. But there is an organizational strategy that can help. The strategy, strange as it sounds, is to send a mixed message.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
As with other relationships with CNs, there are a lot of mixed messages and intermittent reinforcement. They will make grand gestures; they might defend you in front of others. They will look out for you at times, as well as demean and devalue you. All the nice acts make you question negative thoughts you have about them.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse (The Narcissism Series Book 1))
Gabe, you’re sick, and much as you’re a shithead sometimes, I’ve trained you to be a fairly acceptable shithead to me. If you died I’d have to go to all the effort of training someone else.” “If I died maybe you should consider a change of career into the nursing profession. With your lovely bedside manner you’d be a shoo-in.
Lily Morton (Rule Breaker (Mixed Messages, #1))
Perch Rory on their backs and they’d stand still for a second but by the time I’d backed up and gotten them in focus they’d turn around like, “What are you doing? Why is there a raccoon on my back? Why do they even let you be in charge of things?” and then they’d just flop over on their sides like a bunch of ingrates who didn’t understand art. Rory would gently tumble onto the floor, which I suspect sent the cats mixed messages because he was still waving his hands in the air like he just didn’t care, as if he were celebrating the cats being assholes, and I was like, “You’re killin’ me, Smalls,” but then he just celebrated the fact that I was frustrated. Honestly, it is impossible to stay mad at that raccoon.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
It hurts to know that fate has given me the perfect person for me to love, but has failed to make it reciprocal.
Lily Morton (Rule Breaker (Mixed Messages, #1))
Women's ideas of themselves had changed, but the world's idea of women, somehow, had not. The cognitive dissonance was palpable at all times.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
I am the man who loves you utterly and madly. It gives me certain rights, one of which is to take some of your burdens and make them mine.
Lily Morton (Deal Maker (Mixed Messages, #2))
My Jude. My best friend, my lover and my heart.
Lily Morton (Deal Maker (Mixed Messages, #2))
Sometimes we think that a certain path in life is the way we have to go. We see other routes, but we avoid them because we’re so insistent they’re not for us, that we might get lost or hurt. Then sometimes fate sets in, and someone takes your hand or waves you over. You step off your chosen path, and find that although this one is new and scary, somehow your feet know the way to navigate it. You might even find that it leads you the way that you were always meant to go.
Lily Morton (Rule Breaker (Mixed Messages, #1))
It [puberty] is not that you lose control of your body so much as that you lose control over the way your body is interpreted. Your body becomes an alien body, a question rather than a statement.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Listen to me very carefully, and think hard about what happens if you go over my head to do something for me that you think is right. What is my normal reaction?” Gabe slumps slightly. “Not favourable?
Lily Morton (Rule Breaker (Mixed Messages, #1))
I have always suffered from the feeling that it's better to read a good book than to write a poor one; and I've done so much mixed reading in my time that my mind is full of echoes and voices of better men. But this book I'm worrying about now really deserves to be written, I think, for it has a message of its own.
Christopher Morley (Parnassus on Wheels (Parnassus, #1))
I snort at the thought, and he looks at me with one supercilious eyebrow raised. I sigh inwardly because anyone else would find that gesture charming and sexy. Instead, it just makes me want to poke a pen in his eye.
Lily Morton (Rule Breaker (Mixed Messages, #1))
He leans back in his seat. His legs are spread and his head tipped back, with his eyes challenging me. “Okay what’s next, boss?” I shudder theatrically. “I see why you like it. Just the word makes me feel all powerful.
Lily Morton (Rule Breaker (Mixed Messages, #1))
And I was alone, had been for a while, and might be for a while, but it no longer frightened me the way it had. I was discovering something terrifyingly simple: there was absolutely nothing I could do about it. I was discovering this in the way, I suppose, that everybody does, but having tried, endlessly, to do something about it. You attach yourself to someone, or you allow someone to attach themselves to you. This person is not for you, and you, really, are not for that person--and that's it, son. But you try, you both try. The only result of all your trying is to make absolutely real the unconquerable distance between you: to dramatize, in a million ways, the absolutely unalterable truth of this distance. Side by side, and hand in hand, your sunsets, nevertheless are not occurring in the same universe. It is not merely that the rain falls differently on each of you, for that can be a wonder and a joy: it is that what is rain for the one is not rain for the other. Your elements will not mix, unless one agrees that the elements be pulverized--and the result of that is worse than being alone. The result of that is to become one of the living dead. The most dreadful people I have ever known are those who have been "saved," as they claim, by Christ--they could not possibly be more deluded--those for whom the heavenly telephone is endlessly ringing, always with disastrous messages for everybody else. Or those people who have been cured by their psychiatrists, a cure which has rendered them a little less exciting than oatmeal. I prefer sinners and madmen, who can learn, who can change, who can teach--or people like myself, if I may say so, who are not afraid to eat a lobster alone as they take on their shoulders the monumental weight of thirty years.
James Baldwin (Just Above My Head)
No, I'm serious," Frankie insisted, fed up with being silenced. "Why didn't you just make me a normie?" Viktor sighed. "Because that's not who we are. We're special. And I'm very proud that. You should be, too." "Proud?" Frankie spat out the word as if it had been soaked in nail polish remover. "How can I be proud when everyone is telling me to hide?" "I'm telling you to hide so you'll be safe. But you can still feel proud of who you are," he explained, like it really was that simple. "Pride has to come from within you and stay with you, no matter what people say." Huh? Frankie crossed her arms and looked away.
Lisi Harrison (Monster High (Monster High, #1))
Shithead Boss Man, eh? You know, Dylan, I really lucked out in the assistant department. The other partners in the firm have ended up with someone awful, who soothes them, is at their beck and call and agrees with them all the time. I got one who is sarcastic, argumentative, scruffy, rarely where he should be, and calls me Shithead Boss Man rather than Sir.” Jude laughs at him, before reaching out and swiping one of the prawns from my carton of sweet and sour. “He’d call you Sir if you spanked him.
Lily Morton (Rule Breaker (Mixed Messages, #1))
Fucking hell, Jude. You can see how cold my nipples are in this, and these black jeans are so tight that if I take them off there'll be an imprint of my dick on them. Is it puritanical to not want to tell the general public that I've been circumcised?
Lily Morton (Rule Breaker (Mixed Messages, #1))
When I first met him on a photo shoot, I was dazzled by his long legs, slender, toned body, and those full lips that looked like they could rival a hoover for sucking potential. I completely failed to realise therefore that Dean’s workable brain cells are quite lonely.
Lily Morton (Deal Maker (Mixed Messages, #2))
We appeared to be done with the marriage plot. ('What's the alternative to the marriage plot?' She said: ' The alternative is adventure.') My generation (I thought) was the first post-feminist generation. The first to be allowed to see love in terms of adventure and quest, not salvation and redemption.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Shortly after I started hitting some notable milestones on my Spiritual journey, I went into a thrift store that benefits veterans, My eyes were quickly drawn to a dusty and tattered image of Christ laying mixed in with some other things on a shelf. I picked it up, And on it was written these words: "If you accept it... I would give you the gift of seeing yourself as I see you..." The truth and love of that image and simple words stopped me in my tracks and opened my heart. Since then I have received a wonderful gift, to know myself as an Eternal Spiritual Being, a Child of our Loving Father in Heaven. ...And no I didn't buy it, I received the message loud and clear, So I left it there, in hopes that the image and words would speak to someone else's Soul in the same way they had spoken to mine.
Raymond D. Longoria Jr.
There was another problem with Emma's father, difficult for a small child who already thought of herself as greedy - his way of trying to keep her attention, to bribe her, with gifts. On each vof her visits, he would appear with you presents, beautifully wrapped> And her confusion that she liked - and wanted - the presents, but not the man, was painful. He used 'sparkly Sellotape' and cut things into nice shapes and she wistfully writes: I wish he'd be able to translate that care into his treatment of me.
Carol Lee (To Die For)
But alas, I'd have to find a way to be opinionated without being too opinionated, authoritative without being a bitch about it, smart without being elitist, fair without being a pushover. If the boyfriends of my youth found me too authoritative when I should have been cheering on the sidelines as they kicked and tossed and smacked balls toward the vanguard, the male colleagues of my adulthood kept reminding me of my lack of authority as they unconsciously displayed theirs. I was always failing someone's standards of legitimacy, as a girlfriend, as a producer of opinions. It was an eternal no-win. I was always too big or too small, like Alice, and forever being told, in one way or another, 'Eat me.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
I think over his insinuation that doing paperwork might make my pretty little head explode. Then I smile slowly. If he wants a bird-brained model. I’ll give him one.
Lily Morton (Deal Maker (Mixed Messages, #2))
You can learn a lot about the longings and generalized gender anxieties of an era by the kinds of fake women it dreams up.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Oh, Henry, I’ve always wanted to be a patriarch. It sounds like something from The Thorn Birds.
Lily Morton (Risk Taker (Mixed Messages, #3))
Tradition comes from something being so brilliant and such a good memory, that you try to recreate it every time that you can.
Lily Morton (Rule Breaker (Mixed Messages, #1))
There's a decadent glamour to falling apart, but not everyone can afford it.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Asa smiles and kisses Billy’s cheek. “Jude can’t stay, baby.” “Why can’t he?” “Because he has to go. He has a life out there away from us, and at the end of the summer he’ll go back to it.
Lily Morton (Deal Maker (Mixed Messages, #2))
Using the analogy of the human mind as a computer, gossip can be compared to a computer virus. A computer virus is a piece of computer language written in the same language all the other codes are written in, but with a harmful intent. This code is inserted into the program of your computer when you least expect it and most of the time without your awareness. After this code has been introduced, your computer doesn’t work quite right, or it doesn’t function at all because the codes get so mixed up with so many conflicting messages that it stops producing good results.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
One could say the messages Tack had been giving me since I met him were most assuredly mixed. One could also say the personalities Tack had been displaying since I met him were most assuredly multiple.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
That brings me back to my predicament, and I stare at the closed front door. “Speaking of my new living arrangements, what would be the good answer when someone demands a password before they’ll let you in?” There’s a long pause, and then he snorts. “Oh my God, where are you going to stay? Is it a sex club? Is it the password for the dungeons?” He starts to laugh. “If that’s the case, I’d go with red botty.
Lily Morton (Deal Maker (Mixed Messages, #2))
The parallels with my own experience are numerous – but so are the differences. If the same source was beaming ideas to both Phil and me, the messages got our individual flavors mixed into them as we decoded the signals.
Robert Anton Wilson
See . . . um . . . the thing is, I met with Lisa a few days ago. She wanted to apologize for . . . Halloween, and not calling . . . Thing is, her previous story . . . um . . . She wanted me to read it. She . . . wanted to explain her issues. She was jealous . . . of you and me becoming friends and . . . kinda lost it, I guess. My point is, um . . . she used the story to put it into words . . . I think she is writing messages. . . to you.
Stjepan Šejić (Sunstone, Vol. 5)
The repeated finding that people with happier, less troubled thought patterns can suffer more illness seems to defy common sense. The general belief is that positive emotions must be conducive to good health. While it is true that genuine joy and satisfaction enhance physical well-being, “positive” states of mind generated to tune out psychic discomfort lower resistance to illness. The brain governs and integrates the activities of all organs and systems of the body, simultaneously coordinating our interactions with the environment. This regulating function depends on the clear recognition of negative influences, danger signals and signs of internal distress. In children whose environment chronically conveys mixed messages, an impairment occurs in the developing apparatus of the brain. The brain’s capacity to evaluate the environment is diminished, including its ability to distinguish what is nourishing from what is toxic.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
...She recalls talking to her 'about how there were no women in The Godfather.' Or rather, that the women only served to reaffirm that it was a man's space, that they were only there to serve drinks and be shut out. In classic Hollywood cinema, a woman walks on-screen; She is there to be looked at. She interrupts the action. Diane Keaton in The Godfather is a foil for Al Pacino: She whines, she interrupts, and at the end, she's put in her place. She makes drinks and gets the door shut in her face.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
He flushes slightly. “I was mad about him when I was fifteen.” “How didn’t I know this?” I say indignantly. “We tell each other everything.” “Not anymore,” Dylan adds hastily, looking at Gabe, but he shrugs unconcerned. “Don’t try and cover it up, Dylan. Jude’s our very own Camilla - the third person in our relationship.” “Why am I the old woman in this scenario?” I say indignantly. “I want to be the younger, much fitter princess, who captured people’s hearts and minds.” “You would have been, babe,” Dylan says hastily. “And you’d look way better with a tiara than she does.” “I would,” I nod firmly. “I would be a very desirable addition to the royal family, and a very stabilizing influence, if I do say so myself. I also have a full head of my own hair.” Gabe shakes his head. “I’m worried that I not only follow these odd flights of fancy, but I find myself actually wanting to weigh in with my own opinions.” “What did you want to say?” Dylan asks immediately, but he shakes his head. “I said I wanted to, not that I was going to. I’m looking through the windows of the mental asylum, not going through the door.
Lily Morton (Deal Maker (Mixed Messages, #2))
Friedan demystified the fairy tale and traced it back to its roots. She named the unnamed problem. She told women they weren’t crazy, that the culture was set up to drive them crazy and make them relinquish themselves and step into a mass-produced, ready-made identity, ready to please.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
The idea that America is one great shopping mall, and that all anyone wants to do is, you know, grasp their credit card and run out and buy stuff is a stereotype, and it’s a generalization but, but but as a way to summarize a certain kind of ethos in the U.S., it’s pretty accurate. [...] Language like that, the wounded inner child, the inner pain, is part of the kind of pop psychological movement in the, in the United-States, that is a sort of popular Freudianism, that, that has its own paradox which is that the more we are thought to list and resent the things of which we were deprived as children, the more we live in that anger and frustration and the more we remain children. For young people in America, there are very mixed messages from the culture, that, there is a streak of moralism in American life that extol the virtues of being grown up and having a family and being a responsible citizen, but there is also the sense of… of . Do what you want, Gratify your appetites because of … of when I’m a corporation appealing to the parts of you that are selfish and self-centered and want to have fun all the time is the best way to sell you things, right?” ZDF German Television Interview
David Foster Wallace
I'd been so tired of 'strong female characters' for so long by then. I was so tired of the way female strength was made to look cold and humorless; the way it was characterized as deviant and 'unnatural' and always lonely and exceptional. I was tired of the grim undertone of tragedy that lurked under its surface. 'Strong female characters' were never funny, and they never had any fun, either. More often than not, they were celibate, friendless, and clinically depressed. Their monomaniacal devotion to crime fighting made them lean, cranky, and impatient. Naturally, they had axes to grind: they were avenging brides, poker-faced assassins, gloomy ninjas with commitment issues. Who were these characters? What were they trying to tell us? Why didn't they ever say goodbye before hanging up the phone? And why were they always being reborn or remade as killing machines after losing everything they held dear? ...I don't want to see another symbolic woman start all over again. I want to see the symbolic world change to acknowledge her existence. I don't want to see a young girl get a makeover or go shopping with her boyfriend's credit card. I want to watch her blow up the Death Star - metaphorically, of course.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
One speaker in Church directs, "You can't do everything. Don't run faster than you have strength". The next says, "Push yourself. You can always do more." One person advises, "Don't worry about what you can't do" at the same time someone else says, "You can do anything you put your mind to." In one hymn we sing, "I need thee every hour," and in another we sing, "We will work out our salvation". In this world of mixed messages, I never can seem to escape the nagging though, "If only I were better organized or if only I tried harder." Satan tempted Christ with the word if. He often comes to me with the words if only.
Brad Wilcox (The Continuous Atonement)
Once when I was in graduate school, I got a terrible case of the flu and dropped a good deal of weight in a short amount of time. When I returned to campus, a professor said, “You look good! Did you lose weight?” When I responded that I had lost weight because I’d been seriously ill, she just shrugged and said, “Well, however it happened, looks good!” I remember that moment as such a clear example that much of what we claim to be health-based concern about other women’s weight is not at all. It’s nothing more than an ill-disguised bit of buy-in to a culture that says our worth is determined by our body size and that less is always more, no matter how we get there.
Renee Engeln (Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women)
How energy changes energy depends upon the energies that are interacting. It is all about which energies are mixing. This is the best news you could ever receive, because this is something you can control. You cannot totally control the energies outside of you, but you can totally control the energy within you—and that is where the power is.
Neale Donald Walsch (What God Said: The 25 Core Messages of Conversations with God That Will Change Your Life and th e World)
I feel tears in my eyes. “Fuck you, Ivo,” I whisper lovingly. “You could always talk me into anything, no matter the risk.” He laughs and gathers me close. “That’s my very special superpower. Is that a yes?” I nod and he kisses me, and we lay back in the scented water with steam rising around us as Louis sings about a life that’s finally mine.
Lily Morton (Risk Taker (Mixed Messages, #3))
The third moment of silence is in front of Herod and his band of mockers. They wanted a show. The Bible says this: When Herod saw Jesus, he was greatly pleased, because for a long time he had been wanting to see him. From what he had heard about him, he hoped to see him perform some miracle. He plied him with many questions, but Jesus gave him no answer. . . . Then Herod and his soldiers ridiculed and mocked him. Dressing him in an elegant robe, they sent him back to Pilate. That day Herod and Pilate became friends—before this they had been enemies. (Luke 23:8–9, 11–12) This passage tells a fearsome tale. There are many who want Jesus to be nothing more than a miracle worker or an entertainer. And how ironic it is that enemies became friends out of a common desire to be rid of Him. Has anything changed since then? The fourth time Jesus was silent was when Pilate became fearful, hearing that He claimed to be the Son of God. “Where do You come from?” he asked. But Jesus remained silent. He had already told Pilate where He came from. But Pilate did not have the courage to deal with His answer. In the mix of these silent responses, there is a wealth of thought from God to us. A
Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
Girls in pop culture are also often represented in ways that feel almost, but not quite, human. They are lifelike rather than alive, and more than anything they resemble the 'idea of woman' in late capitalist culture; the twenty-first-century 'true women.' There isn't a girl in the world who has not, at some point, come across an image or portrayal that made her feel a sense of recognition and alienation at the same time, a me/not-me, real/not real, true/not-true feeling that, once experienced, never quite goes away. Sure, these images and portrayals do not share the same qualities as the objects Mori first mapped - they are not, at least to start with, artificial beings. They aren't cyborgs or replicants or reanimated corpses. But we don't recognize them as human, either, at least not like any humans we know. Some ineffable thing is missing.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Martha spouted off a long message to the gnome, including all the details of my injuries, precisely where I was, and who Martha was and her son Helmut. When she asked the gnome to repeat the message, he got it all mixed up, and so she did it again and made it longer, but he still got it all mixed up, and so they went back and forth, and finally Martha lost patience and threw him out the window. The gnome scurried away chanting, “Red for message! Red for message!
Liesl Shurtliff (Rump: The True Story of Rumpelstiltskin)
Why Westerners are so obsessed with "saving" Africa, and why this obsession so often goes awry? Western countries should understand that Africa’s development chances and social possibilities remain heavily hindered due to its overall mediocre governance. Africa rising is still possible -- but first Africans need to understand that the power lies not just with the government, but the people. I do believe, that young Africans have the will to "CHANGE" Africa. They must engage their government in a positive manner on issues that matters -- I also realize that too many of the continent’s people are subject to the kinds of governments that favor ruling elites rather than ordinary villagers and townspeople. These kind of behavior trickles down growth. In Zimbabwe Robert Mugabe is the problem. In South Africa the Apartheid did some damage. The country still wrestles with significant racial issues that sometimes leads to the murder of its citizens. In Ethiopia, Somalia and Kenya the world’s worst food crisis is being felt. In Libya the West sends a mixed messages that make the future for Libyans uncertain. In Nigeria oil is the biggest curse. In Liberia corruption had make it very hard for the country to even develop. Westerners should understand that their funding cannot fix the problems in Africa. African problems can be fixed by Africans. Charity gives but does not really transform. Transformation should come from the root, "African leadership." We have a PHD, Bachelors and even Master degree holders but still can't transform knowledge. Knowledge in any society should be the power of transformation. Africa does not need a savior and western funds, what Africa needs is a drive towards ownership of one's destiny. By creating a positive structural system that works for the majority. There should be needs in dealing with corruption, leadership and accountability.
Henry Johnson Jr
Alice's predicament in Wonderland is a familiar one to modern women: She's a post-Enlightenment girl in a persistently feudal world. She perceives herself as a subject with inalienable rights, but she's perceived, variously, as an interloper, a servant, a threat, an object, a bother, a girl. Alice believes this can be remedied with information. She believes that if she explains and assets herself, if she reasonably points out the facts, then she will shift the perception. At the very least, she thinks, she can learn the rules and fit in. So, she tries. She takes others' good faith for granted. She makes her case again and again. She tries to learn their rules. But she is eternally frustrated, because Wonderland is governed not by reason or rules but by ideology, faith, superstition, and fear. Something is real if you believe it's real, if you continually affirm its existence. It disappears if you don't, subsumed into a parallel universe.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
On the other hand, maybe what attracts us aren't the stories of falling apart so much as the stories of self-creation. The falling apart stuff is just a byproduct, a hazard of the trade. Maybe what I loved about Camille Claudel was what she created out of what she smashed to bits. How did a bourgeois girl become an artist and a woman? What was the female equivalent of the Great Man? If it didn't exist, why not? Who said it didn't? Who said it couldn't? What were the conditions that made it so hard? Rodin was the image Claudel identified with and against which she defined herself. Scott was this image for Zelda. A woman could not be a great artist and have a traditional marriage - not unless her husband was a Leonard Woolf. One boyfriend I had in college used to joke, 'Only one artist in the family,' meaning not me. I didn't get it then, but I get it now. There was always something self-annihilating in the act of loving, for a girl with creative aspirations - always - but far more then than now. The message, invariably, was that youthful passions lead to middle-age breakdowns, so choose your institution wisely. Marriage or the nuthouse. One or the other. It started to dawn on me that it wasn't that I was attracted to stories about girls who went mad, I was attracted to stories about girls with ambitions who wound up institutionalized. Getting locked up was not the result of adventure, it was the price you paid for adventure, it was your punishment. I had mistaken correlation for causation. Rookie mistake.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Mixing obedience to law as a way to merit God’s favor is the exact opposite of salvation by God’s free grace through faith in Jesus Christ. I myself grew up in a church that preached 80 percent law and 20 percent Jesus. The leaders believed there needed to be some law added to their message; otherwise, how would they frighten people into obedience and submission? But this legal foundation brings only condemnation and fear, because should you die unexpectedly, who knows if you had obeyed perfectly enough to go to heaven?
Jim Cymbala (Storm: Hearing Jesus for the Times We Live In)
Every new generation of women, it seems, feminist and housewife alike, is encouraged by popular culture to disavow its forebears and rebrand itself as an all-new, never-before-seen generational phenomenon, completely different in every way from what came before. The 'housewives' of the 1970s gave way to the Martha Stewart 'homemakers' of the 1980s, then the 'soccer moms' of the 1990s, then the stay-at-home moms of the 2000s. Next may come the homeschooling homesteaders of the impending post-apocalypse - who knows? What's significant is that the cycle of idealization, devaluation, and revision gives an appearance of progress, of superficial change, that distracts us from the big picture.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Georgia Populist Tom Watson was the party’s most vocal advocate of black-white cooperation in facing their common economic problems. Time and again, he pointed out “the accident of color can make no difference in the interests of farmers, croppers, and laborers.”105 Watson often spoke to mixed groups of black and white farmers, always hammering home the message of their shared plight. In 1892 Watson told an audience: “You are kept apart that you may be separately fleeced of your earnings. You are made to hate each other because upon that hatred is rested the keystone of the arch of financial despotism which enslaves you both. You are deceived and blinded that you may not see how this race antagonism perpetuates a monetary system which beggars both.
David Williams (A People's History of the Civil War: Struggles for the Meaning of Freedom (New Press People's History))
I myself," said Gibbon, "am slightly underdone in the personal worthlessness line. It was Papa's fault. He used no irony. The communications mix offered by the parent to the child is as you know twelve percent do this, eighty-two percent don't do that, and six percent huggles and endearments. That is standard. Now, to avoid boring himself or herself to death during this monition the parent enlivens the discourse with wit, usually irony of the cheaper sort. The irony ambigufies the message, but more importantly establishes in the child the sense of personal lack-of-worth. Because the child understands that one who is talked to in this way is not much of a something. Ten years of it goes a long way. Fifteen is better. That is where Pap fell down. He eschewed irony.
Donald Barthelme (Sixty Stories)
It strikes me that it would be more efficient, and more effective in learning terms, to shift our focus to the noun, since it is the noun that conveys the core meaning. So, instead of presenting the learner with a list of mixed sentences using make and do, we could provide examples of verbs that collocate with, for example, the noun appointment: You’ll need to make an appointment with the doctor. He failed to keep his appointment with the optician. I had a heavy cold and had to cancel my dental appointment. I’ll rearrange the appointment for Friday. This approach is referred to as a key word approach (Woolard 2005), and it feels intuitively closer to the way we actually store vocabulary: one senses that learners are more likely to retain the lexis when it is presented as above. In
George Woolard (Messaging: Beyond a Lexical Approach)
About time,” Brianna said. “Hey, sorry, we were kind of busy,” Quinn snapped. “And I didn’t exactly realize I was on a schedule.” “I don’t like what I have to do here,” Brianna said. She handed Quinn the note. He read it. Read it again. “Is this some kind of joke?” he demanded. “Albert’s dead,” Brianna said. “Murdered.” “What?” “He’s dead. Sam and Dekka are off in the wilderness somewhere. Edilio’s got the flu, he might die, a lot of kids have. A lot. And there are these, these monsters, these kind of bugs . . . no one knows what to call them . . . heading toward town.” Her face contorted in a mix of rage and sorrow and fear. She blurted, “And I can’t stop them!” Quinn stared at her. Then back at the note. He felt his contented little universe tilt and go sliding away. There were just two words on the paper: “Get Caine.
Michael Grant (Plague (Gone, #4))
Respect but do not fear your own fear. Do not let it come between you and something that might be deeply enjoyable. Remember it is quite normal to be a bit frightened of being alone. Most of us grew up in a social environment that sent out the explicit message that solitude was bad for you: it was bad for your health (especially your mental health) and bad for your 'character' too. Too much of it and you would promptly become weird, psychotic, self-obsessed, very possibly a sexual predator and rather literally a wanker. Mental (and even physical) well-being, along with virtue, depends, in this model, on being a good mixer, a team-player, and having high self-esteem, plus regular, uninhibited, simultaneous orgasms with one partner (at a time). Actually, of course, it is never this straightforward because at the same time as pursuing this 'extrovert ideal', society gives out an opposite - though more subterranean - message. Most people would still rather be described as sensitive, spiritual, reflective, having rich inner lives and being good listeners, than the more extroverted opposites. I think we still admire the life of the intellectual over that of the salesman; of the composer over the performer (which is why pop stars constantly stress that they write their own songs); of the craftsman over the politician; of the solo adventurer over the package tourist. People continue to believe, in the fact of so much evidence - films, for example - that Great Art can only be produced by solitary geniuses. But the kind of unexamined but mixed messages that society offers us in relation to being alone add to the confusion; and confusion strengthens fear.
Sara Maitland (How to Be Alone (The School of Life))
How much more relevant could God be than to be a provider of food for life? What good is religion if it cannot feed the hungry? Satan was perilously and painfully close to a truth. But it was a half-truth, and a half-truth gets so interwoven with a lie that it becomes deadlier by the mix. Ask yourself this question: What kind of a following would result if the sole reason for the affection toward the leader is that he provides his followers with bread? Both motives would be wrong—for the provider and the receiver. These are the terms of reward and punishment that are mercenarily tainted and have diminishing returns, at best engendering compliance, but not love. Their appeal, too, is soon lost when offered as enticements or when withheld to engender fears. Dependence without commitment will ever look for ways to break the stranglehold. The
Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
She leans back again against the pine’s trunk. Some slight change in the atmosphere, the humidity, and her mind becomes a greener thing. At midnight, on this hillside, perched in the dark above this city with her pine standing in for a Bo, Mimi gets enlightened. The fear of suffering that is her birthright—the frantic need to steer—blows away on the wind, and something else wings down to replace it. Messages hum from out of the bark she leans against. Chemical semaphores home in over the air. Currents rise from the soil-gripping roots, relayed over great distances through fungal synapses linked up in a network the size of the planet. The signals say: A good answer is worth reinventing from scratch, again and again. They say: The air is a mix we must keep making. They say: There’s as much belowground as above. They tell her: Do not hope or despair or predict or be caught surprised. Never capitulate, but divide, multiply, transform, conjoin, do, and endure as you have all the long day of life. There are seeds that need fire. Seeds that need freezing. Seeds that need to be swallowed, etched in digestive acid, expelled as waste. Seeds that must be smashed open before they’ll germinate. A thing can travel everywhere, just by holding still. The next day dawns. The sun rises so slowly that even the birds forget there was ever anything else but dawn. People drift back through the park on their way to jobs, appointments, and other urgencies. Making a living. Some pass within a few feet of the altered woman. Mimi comes to, and speaks her very first Buddha’s words. “I’m hungry.” The answer comes from right above her head. Be hungry. “I’m thirsty.” Be thirsty. “I hurt.” Be still and feel.
Richard Powers (The Overstory)
Our “It’s your life” message produced one particularly interesting outcome: none of our three children completed college, though each certainly had the intellect to do so. Neither Susie Sr. nor I were at all bothered by this. Besides, as I often joke, if the three combine their college credits, they would be entitled to one degree that they could rotate among themselves. I don’t believe that leaving college early has hindered the three in any way. They, like every Omaha Buffett from my grandfather to my great-grandchildren, attended public grammar and high schools. In fact, almost all of these family members, including our three children, went to the same inner-city, long-integrated high school, where they mixed daily with classmates from every economic and social background. In those years, they may have learned more about the world they live in than have many individuals with postgrad educations.
Howard G. Buffett (40 Chances: Finding Hope in a Hungry World)
Voyages from Montreal to the Frozen and Pacific Ocean had been written by a Scottish fur trader, from Stornoway in the Scottish Outer Hebrides, named Alexander Mackenzie. Or more accurately, Sir Alexander Mackenzie—since King George III had awarded him a knighthood for becoming the first white man ever to cross the entirety of North America. Mackenzie had completed his voyage almost nine years earlier. He suspected that his seven-month overland journey to the Pacific was probably of historic moment, and so he had left a memorial. He had created what he hoped would be a lasting inscription on a tiny sea-washed rock near the present-day British Columbia fishing village of Bella Coola: “Alex. MacKenzie, from Canada by land. 22nd July, 1793.” He had inscribed the message with his finger, using an old trappers’ trick for long-duration messages, dipping it into a poultice made of bear grease mixed with vermilion powder and smearing out words that he hoped would survive the cold and lashing rains for which the Pacific coast is notorious.
Simon Winchester (The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible)
There are people in this country who will argue that because of the demise of morals in general, and Sunday school in particular, kids today are losing their innocence before they should, that because of cartoons and Ken Starr and curricula about their classmates who have two mommies, youth learn too soon about sex and death. Well, like practically everyone else in the Western world who came of age since Gutenberg, I lost my innocence the old-time-religion way, by reading the nursery rhyme of fornication that is the Old Testament and the fairy tale bloodbath that is the New. Job taught me Hey! Life's not fair! Lot's wife taught me that I'm probably going to come across a few weird sleazy things I won't be able to resist looking into. And the book of Revelation taught me to live in the moment, if only because the future's so grim. Being a fundamentalist means going straight to the source. I was asked to not only read the Bible, but to memorize Bible verses. If it wasn't for the easy access to the sordid Word of God I might have had an innocent childhood. Instead, I was a worrywart before my time, shivering in constant fear of a god who, from what I could tell, huffed and puffed around the cosmos looking like my dad did when my sister refused to take her vitamins that one time. God wasn't exactly a children's rights advocate. The first thing a child reading the Bible notices is that you're supposed to honor your mother and father but they're not necessarily required to reciprocate. This was a god who told Abraham to knife his boy Isaac and then at the last minute, when the dagger's poised above Isaac's heart, God tells Abraham that He's just kidding. This was a god who let a child lose his birthright because of some screwball mix-up involving fake fur hands and a bowl of soup. This was a god who saw to it that his own son had his hands and feet nailed onto pieces of wood. God, for me, was not in the details. I still set store by the big Judeo-Christian messages. Who can argue with the Ten Commandments? Don't kill anybody: don't mess around with other people's spouses: be nice to your mom and dad. Fine advice. It was the minutiae that nagged me.
Sarah Vowell (Take the Cannoli)
Sex may be completely out in the open now, but it's still defined and controlled by a powerful subset of elite men. In the past thirty years, ideas about what makes women sexy have become narrower, more rigid, and more pornographic in their focus on display and performance. Nancy Jo Sales wrote an article in Vanity Fair about the 'porn star' aesthetic and young girls' behavior on social media, observing that pornography is not about liberation but about control. The more pornography, the more control. 'Girls talk about feeling like they have to be like what they see on TV,' the director of a youth-counseling service for teens told Sales. 'They talk about body-image issues and not having any role models. They all want to be like the Kardashians.' The pervasiveness of the porn aesthetic, combined with the under-representation of more multidimensional female characters, affects the attitudes, behavior, and ideas about gender roles in both girls and boys, but it's especially insidious for girls' self-concept; as they constantly absorb the message that the choice comes down to either duck-faced selfies across a portfolio of social-media accounts, or abject invisibility.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)