Isolation In The Metamorphosis Quotes

A season of loneliness and isolation is when the caterpillar gets its wings. Remember that next time you feel alone.

A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.

Rather like "Orwellian", the term "Kafkaesque" has come to be used, often enough by those who have not read a word of Kafka, to describe what are perceived as typically or even uniquely modern traumas: existential alienation, isolation and insecurity, the labyrinth of state bureaucracy, the corrupt or whimsical abuse of totalitarian power, the impenetrable tangle of legal systems, the knock on the door in the middle of the night….

Metamorphosis is not a group activity this is why you've felt so alone. Rejoice in isolation. It's preparation for flight!

During his illness he had spent every minute of consciousness calling upon God, every second of every minute. Ya Allah whose servant lies bleeding do not abandon me now after watching oven me so long. Ya Allah show me some sign, some small mark of your favour, that I may find in myself the strength to cure my ills. O God most beneficent most merciful, be with me in this my time of need, my most grievous need. Then it occurred to him that he was being punished, and for a time that made it possible to suffer the pain, but after a time he got angry. Enough, God, his unspoken words demanded, why must I die when I have not killed, are you vengeance or are you love? The anger with God carried him through another day, but then it faded, and in its place there came a terrible emptiness, an isolation, as he realized he was talking to _thin air_, that there was nobody there at all, and then he felt more foolish than ever in his life, and he began to plead into the emptiness, ya Allah, just be there, damn it, just be. But he felt nothing, nothing nothing, and then one day he found that he no longer needed there to be anything to feel. On that day of metamorphosis the illness changed and his recovery began. And to prove to himself the non-existence of God, he now stood in the dining-hall of the city's most famous hotel, with pigs falling out of his face.

Capitalism does not merely oppress workers on the factory floor. It creates an entire culture in which the logic of oppression and competition become common sense. It turns people against each other and their mvn humanity. Like Franz Kafka's character in The Metamorphosis, Gregor Samsa, people are alienated from their human selves, isolated from their fellmv beings, and tortured by the loss of all that could be possible.

As a child he was deprived of genuine communication. He suffered unspeakably from this deficiency, and all his works describe nothing other than miscommunication, be it The Castle, The Trial, or The Metamorphosis. In all these novels and stories the questions are never heard—they are answered with strange distortions, and the central figures are totally isolated, totally incapable of getting someone to listen.

During his illness he had spent every minute of consciousness calling upon God, every second of every minute. Ya Allah whose servant lies bleeding do not abandon me now after watching over me so long. Ya Allah show me some sign, some small mark of your favour, that I may find in myself the strength to cure my ills. O God most beneficent most merciful, be with me in this my time of need, my most grievous need. Then it occurred to him that he was being punished, and for a time that made it possible to suffer the pain, but after a time he got angry. Enough, God, his unspoken words demanded, why must I die when I have not killed, are you vengeance or are you love? The anger with God carried him through another day, but then it faded, and in its place there came a terrible emptiness, an isolation, as he realized he was talking to thin air, that there was nobody there at all, and then he felt more foolish than ever in his life, and he began to plead into the emptiness, ya Allah, just be there, damn it, just be. But he felt nothing, nothing nothing, and then one day he found that he no longer needed there to be anything to feel. On that day of metamorphosis the illness changed and his recovery began. And to prove to himself the non-existence of God, he now stood in the dining-hall of the city’s most famous hotel, with pigs falling out of his face. He looked up from his plate to find a woman watching him. Her hair was so fair that it was almost white, and her skin possessed the colour and translucency of mountain ice. She laughed at him and turned away. ‘Don’t you get it?’ he shouted after her, spewing sausage fragments from the corners of his mouth. ‘No thunderbolt. That’s the point.’ She came back to stand in front of him. ‘You’re alive,’ she told him. ‘You got your life back. That’s the point.

I am a transgressive maverick who prefers to be alone as my constant metamorphosis requires isolation. Due to my arcane nature and mercurial disposition, I am only to be found at some coterie of eccentrics if you are lucky.

When a caterpillar becomes a butterfly, it takes all of its experiences and everything that lives inside itself and transforms into a beautiful creature. What people don’t always notice is the metamorphosis - the isolation, the discomfort, even the pain.