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I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse

The only responsible course is to deny oneself the ideological misuse of one’s own existence, and for the rest to conduct oneself in private as modestly, unobtrusively and unpretentiously as is required, no longer by good upbringing, but by the shame of still having air to breathe, in hell.

Michael titled his head. “But . . . Uriel, if I were to misuse it . . .” “I would Fall,” Uriel said quietly. I choked on the air. Holy crap. The last time an archangel Fell, I’m pretty sure there were extended consequences.

Satan was not disturbed, but I could not endure it, and had to be whisked out of there. I was faint and sick, but the fresh air revived me, and we walked toward my home. I said it was a brutal thing. "No, it was a human thing. You should not insult the brutes by such a misuse of that word; they have not deserved it," and he went on talking like that. "It is like your paltry race—always lying, always claiming virtues which it hasn't got, always denying them to the higher animals, which alone possess them. No brute ever does a cruel thing—that is the monopoly of those with the Moral Sense. When a brute inflicts pain he does it innocently; it is not wrong; for him there is no such thing as wrong. And he does not inflict pain for the pleasure of inflicting it—only man does that. Inspired by that mongrel Moral Sense of his!

Love is not static; love does not divide. What love we find in this world is coming toward us and traveling away from us simultaneously. To say we find love is a misuse of the word fine. Love finds us, passes through us, continues. We cannot find it any more than we can find air or water, we cannot live without either thing any more than we can live without love. Love is essential and as common as bread. if you look for it, you will see it everywhere, and you will never be without it.

The Christian church has preached a powerless gospel that has led countless people into a religious maze that goes nowhere. They have handcuffed the masses to a false God. The Bible has been misinterpreted and misused by religious leaders who claim to have spiritual authority, giving this bankrupt system a false air of legitimacy and credibility. I’m not pointing the finger; I was one of them. I was sincere, but I was sincerely wrong.

The British Army had learned so much during the long years of war, yet it was incredible how often generals continued to misuse strategic air power. Time and again, the heavy bombers had been called in and had flattened towns, with the net result of not only the destruction of centuries of history but the creation of a mass of craters and piles of rubble that made the task of advancing harder, not easier. Cassino, Caen, Saint-Lô and now Cleve. It was astonishing how they simply had not learned.

His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train. And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition. His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now? I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then? The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.

Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience. ---------------------------- Weep softly O mother, the walls have ears you know... The streets are awash o mother! I cannot go searching for him anymore. The streets are awash o mother with blood and tears, pellets and screams. that silently remain locked in the air, while they seal our soulless dreams. The guns are out, O mother, while our boys go armed with stones, I cannot go looking for him O mother, I have no courage to face what I will find. For, I need to tend to this little one beside, with bound eyes that see no more. ----- Weep for the home we lost O mother, Weep for the valley we left behind, the hills that once bore our names, where shoulder to shoulder, we walked the vales, proud of our heritage. Hunted out of our very homes, flying like thieves in the night, abandoning it all, fearful for the lives of our men, fearful of our being raped, our children killed, Kafirs they called us O mother, they marked our homes to kill. We now haunt the streets of other cities, refugees in a country we call our own, belonging nowhere, feeling homeless without the land we once called home. ------------- Weep loudly O mother, for the nation hears our pain. As the fresh flag moulds his cold body, I know his sacrifice was not in vain. We need to put our chins up, O mother and face this moment with pride. For blood is blood, and pain is pain, and death is final, The false story we must tell ourselves is that we are always the right side, and forget the pain we inflict on the other side. Until it all stops, it must go on, the dry tears on either side, Every war and battle is within and without, and must claim its wounds and leave its scars, And, if we need to go on O mother, it matters we feel we are on the right side. We need to tell ourselves we are always the right sight... We need to repeat it a million times, We are always the right side... For god forbid, what if we were not? --- Request you to read the full poem on my website.

True blues ain't no new news about who's been abused For the blues is as old as my stolen soul I sang the blues when the missionaries came Passing out bibles in Jesus' name I sang the blues in the hull of the ship Beneath the sting of the slavemaster's whip I sang the blues when the ship anchored the dark My family being sold on a slave block I sang the blues being torn from my first born And hung my head and cried when my wife took his life And then committed suicide. I sang the blues on the slavemaster's plantation helping Him build his free nation I sang the blues in the cottonfield, hustlin' to make the daily yield I sang the blues when he forced my woman to beg Lord knows how I wished he was dead I sang the blues on the run, ducking the dogs and dodging the gun I sang the blues hanging from the tree in a desperate attempt to break free I sang the blues when the sun went down, cursing the master when he wasn't around I sang the blues in all these wars dying for some unknown cause I sang the blues in a high tone, low moan, loud groan, soft grunt, hard funk I sang the blues in land sea and air, about who when why and where I sang the blues in church on sunday, slaving on monday, misused on tuesday, abused on wednesday, accused on thursday, fried alive on friday, and died on saturday. Sho nuff singing the blues I sang the blues in the summer, fall winter and spring I know sho nuff the blues is my thing I sang the backwater blues, rhythm and blues, gospel blues, saint louis blues, crosstown blues, chicago blues, mississippi GODDAMN blues, the watts blues, the harlem blues, hoe blues, gut-bucket blues, funky chunky blues, i sang the up north cigarette corp blues, the down south sprung out the side of my mouth blues, I sang the blues black, i sang the blues blacker, i sang the blues blackest I SANG BOUT MY SHO NUFF BLUE BLACKNESS! from "True Blues" by the Last Poets

pass across virtually all areas of public policy. As Frederick Winslow Taylor’s principles of scientific management gained traction, progressives began to see expertise and a professional civil service as a way to insulate policy making from corruption. During Roosevelt’s time, the Pure Food and Drug Act and the Meat Inspection Act (both passed in 1906) created federal regulation of food and pharmaceuticals. Throughout the twentieth century, federal regulation would become the dominant model in a variety of areas. Aviation, occupational safety, consumer products, clean water, clean air, hazardous materials—all are areas in which the national government regulates markets to protect the public from the misuse of corporate power and to advance the public interest. Roosevelt’s incorporation law simply applied

But the facts are now clear: the preparation for this misuse of power preceded the explosion of the first atom bomb. Well before the first atom bomb was tested, the American Air Force had adopted the hitherto 'unthinkable' practice of the wholesale, indiscriminate bombing of concentrated civilian populations: this paralleled, except for distance from the victims, the practices employed by Hitler's sub-men in extermination camps like Buchenwald and Auschwitz. By using napalm bombs the American Air Force had roasted alive 180,000 civilians in Tokyo in a single night. Thus the descent to total demoralization and extermination was neatly plotted well before the supposedly 'ultimate' weapon, the atom bomb, was invented.

The history in the bookscreens, Earth History, that appalling record of injustice, cruelty, enslavement, hatred, murder — that record, justified and glorified by every government and institution, of waste and misuse of human life, animal life, plant life, the air, the water, the planet? If that is who we are, what hope for us?

Tell me what you are so reluctant to reveal.” The black velvet voice never hardened or increased in volume. Byron stood silent for a long moment, then steadily met the direct, penetrating stare. “Jacques’ blood runs in her veins. I would know his scent anywhere.” Mikhail did not blink, his body utterly still. “Jacques is dead.” Byron shook his head. “I am not mistaken. It is Jacques.” The black eyes swept over Byron once, then Mikhail lifted his face, drinking in the night. He sent a powerful call along a familiar path and met emptiness, blankness, a void. “He is dead, Byron,” he repeated softly, a clear warning to end the subject. Byron stood his ground, militarily erect. “I am not mistaken.” Mikhail studied him for a time. “Are you saying Jacques misused this woman? Perhaps turned a human?” There was a low hiss accompanying the question. At once the power in Mikhail flowed from him to fill the air and surround them both. “She is Carpathian, no vampires. And she visited the local clinic’s blood bank. I do not know her connection to Jacques, but there is one.” Byron was adamant. “In any case, Byron, we can do no other than find this mystery woman and protect her until such time as she is given a true lifemate. I will tell Raven I am going with you. I do not wish her to hear of Jacques.” That was spoken in the softest of tones, all the more menacing, an absolute edict. Beneath the words was a darker promise. If Mikhail ever found Jacques alive, unable or unwilling to answer the call, swift and deadly retribution would follow. And if the woman was a part of it…Byron sighed and looked up at the sky as Mikhail dissolved into the fog. Wisps of clouds were beginning to move across the stars, and the land stirred restlessly, disturbed by an unseen danger. Mikhail emerged from the mist already shape-shifting, his powerful body taking flight as he did so. Byron had never mastered the speed Mikhail had and was forced to change on the stone column before launching himself skyward.

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