Mistress Quotes

We've searched our database for all the quotes and captions related to Mistress. Here they are! All 100 of them:

In addition to my other numerous acquaintances, I have one more intimate confidant… My depression is the most faithful mistress I have known — no wonder, then, that I return the love.
Søren Kierkegaard (Either/Or: A Fragment of Life)
A woman should be able to kiss a man beautifully and romantically without any desire to be either his wife or his mistress.
F. Scott Fitzgerald (The Beautiful and Damned)
I will be calm. I will be mistress of myself.
Jane Austen (Sense and Sensibility)
Belief?" "Yes," Sazed said. "Tell me, Mistress. What is it that you believe?" Vin frowned. "What kind of question is that?" "The most important kind, I think.
Brandon Sanderson (The Final Empire (Mistborn, #1))
Truth is a jealous, vicious mistress that never, ever sleeps.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other
Anton Chekhov
Memory is a cruel mistress with whom we all must learn to dance.
Kate Morton (The Forgotten Garden)
The truth is, every son raised by a single mom is pretty much born married. I don't know, but until your mom dies it seems like all the other women in your life can never be more than just your mistress.
Chuck Palahniuk
There is no worse tyranny than to force a man to pay for what he does not want merely because you think it would be good for him.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Who are you?" he asked. I am the future queen of this world, at the very least. You may refer to me as Mistress Koboi for the next five minutes. After that you may refer to me as Aaaaarrrrgh, hold your throat, die screaming, and so on.
Eoin Colfer (The Time Paradox (Artemis Fowl, #6))
Music is a proud, temperamental mistress. Give her the time and attention she deserves, and she is yours. Slight her and there will come a day when you call and she will not answer. So I began sleeping less to give her the time she needed.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
Winston S. Churchill
A member of Parliament to Disraeli: 'Sir, you will either die on the gallows or of some unspeakable disease.' That depends, Sir,' said Disraeli, 'whether I embrace your policies or your mistress.
Benjamin Disraeli
A woman can become a man's friend only in the following stages - first an acquantaince, next a mistress, and only then a friend.
Anton Chekhov (Uncle Vanya)
I remain Mistress of mine own self and mine own soul
Alfred Tennyson
There might be some hours of loneliness. But there was something wonderful even in loneliness. At least you belonged to yourself when you were lonely.
L.M. Montgomery (Mistress Pat (Pat, #2))
My new knight mistress is famed for wielding sharp edges: Sword, Knife and Tongue!
Tamora Pierce (Squire (Protector of the Small, #3))
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
Stephen Fry
Looking for an entirely reliable informant is like looking for a chaste mistress.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
It's okay," he whispers. "You'll be okay." Truth is a jealous, vicious mistress that never ever sleeps, is what I don't tell him. I'll never be okay.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
David Benioff (City of Thieves)
Stop. That was a mistake. It shouldn’t have happened." "No?" "No." "I could offer you more.” "What?” "Power. Access. Rewards. You’d need be available only to me.” "Are you asking me to be your mistress?” "Yes.” "Oh, my God.” "Is that a yes?” "No, Ethan, Jesus. Definitely not.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
The man is always the last to know when Cupid has struck him -Anonymous, Memoirs of a Mistress
Sabrina Jeffries (One Night with a Prince (Royal Brotherhood, #3))
My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.
William Shakespeare (Shakespeare's Sonnets)
My melancholy is the most faithful mistress I have known; what wonder, then, that I love her in return.
Søren Kierkegaard (Either/Or: A Fragment of Life)
The thing about witchcraft," said Mistress Weatherwax, "is that it's not like school at all. First you get the test, and then afterward you spend years findin' out how you passed it. It's a bit like life in that respect
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
You’re far too prickly tempered to be a mistress. You’re far better suited as a wife.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
I love the night passionately. I love it as I love my country, or my mistress, with an instinctive, deep, and unshakeable love. I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness. Skylarks sing in the sunshine, the blue sky, the warm air, in the fresh morning light. The owl flies by night, a dark shadow passing through the darkness; he hoots his sinister, quivering hoot, as though he delights in the intoxicating black immensity of space.
Guy de Maupassant
I will have but one mistress and no master
Elizabeth I
He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.
Julian Barnes (Flaubert's Parrot)
Make your own dream. That's the Beatles' story, isn't it? That's Yoko's story, that's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
John Lennon
That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street." "No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress." "You can't be serious." "In the governor's manor." "Of all the -" "In the governor's bed." "Damned lunatic!" "With the governor sleeping next to her." The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later. "It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Behold your new mistress, my wife," he pronounced, "and know that when she bids you, I have bidden you. What service you render her, you are rendering me. What loyalty you give or withhold from her, you give or withhold from me!" -Royce Westmoreland
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
I am eternally, devastatingly romantic, and I thought people would see it because 'romantic' doesn't mean 'sugary.' It's dark and tormented — the furor of passion, the despair of an idealism that you can't attain.
Catherine Breillat (Romance (Script in French Language))
Linh Cinder. Such a pleasure. My master has spoken so highly of you.” Cinder paused and studied her again. “Who are you?” “I’m called Darla. I am Captain Thorne’s mistress.” Cinder blinked. “Excuse me?” “He asked me to stay and keep watch over the vehicle,” she said. “He’s just gone inside to be heroic. I’m sure he’ll be glad to know you’re here. I believe he’s under the impression that you’re out in space somewhere.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake.
Milan Kundera (The Book of Laughter and Forgetting)
Don't explain computers to laymen. Simpler to explain sex to a virgin.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
I'm tired, I'm hungry and I have a head in a bag," I warned him. "Do not fuck with me.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
Each day has a color, a smell.
Chitra Banerjee Divakaruni (The Mistress of Spices)
To see the ocean once is to learn how to miss it. ~Mistress Coyle
Patrick Ness
I felt hot under my Mutton sleeves. "I just wish he'd have the decency to say whatever he came to say in front of his wife." "Perhaps his wife is busy today." "She shouldn't be." His wife should track him like a bloodhound.
Diana Forbes (Mistress Suffragette)
I wished he'd stop trying to put me off. It was becoming irksome. Or, if he were, then he really needed to stop acting so damned charming.
Diana Forbes (Mistress Suffragette)
What could he mean by speaking so, as if I were always thinking that he cared for me, when I know he does not; he cannot. ... But I won't care for him. I surely am mistress enough of myself to control this wild, strange, miserable feeling
Elizabeth Gaskell (North and South)
Don't be afraid" he whispered against her lips "This life is nothing but one blink of God's eyes. He'll blink again, and we'll be back together
Tiffany Reisz (The Mistress (The Original Sinners, #4))
Nothing uses up alcohol faster than political argument.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Love versus love. King, you’re comparing infinities. There is no ‘more.’ That’s not how love works. If it’s love, it’s infinite. You can’t count it.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
Don't die in a bone. I am your creature, gloom mistress. I serve you with fidelity as big as a mountain, penumbral lady." Harrow's eyes flickered open. "Stop." "I am your sworn sword, night boss." "Fine," said Harrow heavily. Gideon's mouth was about to round out the words "bone empress" before she realised what had been said.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
You know Søren’s not a vampire, right? He’s a sadist. You don’t turn kinky just because he bites you.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
Women are amazing creatures-sweet, soft, gentle, and far more savage than we are.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Anything which is physically possible can always be made financially possible; money is a bugaboo of small minds.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Mon Dieu, the entire vanilla world has taken over my house. Fine. Both of you stay. Have tea. Turn everyone in my house boring. -Kingsley
Tiffany Reisz (The Mistress (The Original Sinners, #4))
I will accept any rules that you feel necessary to your freedom. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Modern civilization has made woman a little wiser, but it has increased her suffering because of man's covetousness. The woman of yesterday was a happy wife, but the woman of today is a miserable mistress. In the past she walked blindly in the light, but now she walks open-eyed in the dark. She was beautiful in her ignorance, virtuous in her simplicity, and strong in her weakness. Today she has become ugly in her ingenuity, superficial and heartless in her knowledge. Will the day ever come when beauty and knowledge, ingenuity and virtue, and weakness of body and strength of spirit will be united in a woman?
Kahlil Gibran (Broken Wings)
I am a king's daughter, And if I cared to care, The moon that has no mistress Would flutter in my hair. No one dares to cherish What I choose to crave. Never have I hungered, For that I did not have I am a kings daughter, And I grow old within The prison of my person, The shackles of my skin. And I would run away And beg from door to door, Just to see your shadow Once, and never more.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Are not all loves secretly the same? A hundred flowers sprung from a single root.
Tanith Lee (Delirium's Mistress (Flat Earth, #4))
Was it really some other person I was so anxious to discover...or was it only my own solitude that I could not abide?
David Markson (Wittgenstein's Mistress)
Had we but World enough, and Time, This coyness Lady were no crime. We would sit down, and think which way To walk, and pass our long Loves Day.
Andrew Marvell (To His Coy Mistress)
There are things we want, and things we may have.... Sanity lies in knowing the difference.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
The worst thing about loneliness is that it brings one face to face with oneself.
Mary Balogh (No Man's Mistress (Mistress Trilogy, #2))
A managed democracy is a wonderful thing... for the managers... and its greatest strength is a 'free press' when 'free' is defined as 'responsible' and the managers define what is 'irresponsible'.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Yes, but knee pants are so much more flattering. You can see my legs." You want people to see your legs?" I have very nice legs!" We both paused to admire them for a moment.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
The only way to lose a kingdom is if your power drops or..well, if you're killed." "I'm sure Volusian would love to help with that." My minion walked near me, needing no horse to move swiftly. Upon hearing his name, he said, "I would perform the deed with great relish and much suffering on your part, mistress." "You can't put a price on that kind of loyalty," I told Kiyo.
Richelle Mead (Thorn Queen (Dark Swan, #2))
Limiting the freedom of news 'just a little bit' is in the same category with the classic example 'a little bit pregnant.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
A love story can never be about full possession. The happy marriage, the requited love, the desire that never dims--these are lucky eventualites but they aren't love stories. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name. We value love not because it's stronger than death but because it's weaker. Say what you want about love: death will finish it. You will not go on loving in the grave, not in any physical way that will at all resemble love as we know it on earth. The perishable nature of love is what gives love its importance in our lives. If it were endless, if it were on tap, love wouldn't hit us the way it does. And we certainly wouldn't write about it.
Jeffrey Eugenides (My Mistress's Sparrow Is Dead: Great Love Stories from Chekhov to Munro)
You went up a girl and came down a woman.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
Have you ever been - well, i mean, have you ever - really wanted someone ? Wanted them like water in the desert - even when you knew all their faults, every single one - and it didnt matter ?
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
Please let him come, and give me the resilience & guts to make him respect me, be interested, and not to throw myself at him with loudness or hysterical yelling; calmly, gently, easy baby easy. He is probably strutting the backs among crocuses now with seven Scandinavian mistresses. And I sit, spiderlike, waiting, here, home; Penelope weaving webs of Webster, turning spindles of Tourneur. Oh, he is here; my black marauder; oh hungry hungry. I am so hungry for a big smashing creative burgeoning burdened love: I am here; I wait; and he plays on the banks of the river Cam like a casual faun.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Well...what did you promise exactly? Not to tell anyone that Eric Dragomir had a mistress and baby?" Sonya nodded. "And not to tell who they were?" Sonya nodded again. Sydney gave Sonya the warmest, friendliest smile i'd ever seen on the Alchemist. "Did you promise not to tell anyone where they are?" Sonya nodded, and Sydney's smile faltered a little. Then her eyes lit up. "Did you promise not to LEAD anyone to where they are?
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Will these books be comedies or tragedies?” “Both. Just like life.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
One might define adulthood as the age at which a person learns that he must die ...and accepts his sentence undismayed.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Our Nora has a magic pussy. It’s the opposite of the Bermuda Triangle. Lost men sail into it and then find themselves.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
We live in a society where too many women tear each other down instead of raising each other up. That's absurd to me. We need to empower one another, teach future generations of girls that it's important to stand together. Once upon a time, we had a common goal and a common enemy. We were burning bras, and fighting for the right to vote. Now we're body shaming each other on social media and blaming the mistress if our man cheats.
Elle Kennedy (The Chase (Briar U, #1))
I quote Tolkien because he puts it better. But I can still open a can of whup ass all over you." You're right," I told him. "He does put it better.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
A daughter,' Rowley scooped up the child and held her high. The baby blinked from sleep and crowed with him. 'Any fool can have a son,' he said. 'It takes a man to conceive a daughter.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
Revolution is an art that I pursue rather than a goal I expect to achieve. Nor is this a source of dismay; a lost cause can be as spiritually satisfying as a victory.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Thus, though we cannot make our sun Stand still, yet we will make him run.
Andrew Marvell (To His Coy Mistress)
You know,” OreSeur muttered quietly, obviously counting on her tin to let Vin hear him, “it seems that these meetings would be more productive if someone forgot to invite those two.” Vin smiled. “They’re not that bad,” she whispered. OreSeur raised an eyebrow. “Okay,” Vin said. “They do distract us a little bit.” “I could always eat on of them, if you wish,” OreSeur said. “That might speed things up.” Vin paused. OreSeur, however had a strange little smile on his lips. “Kandra humor, Mistress. I apologize. We can be a bit grim.” Vin smiled. “They probably wouldn’t taste very good anyway. Ham’s far too stringy, and you don’t want to know the kinds of things that Breeze spends his time eating….” “I’m not sure,” OreSeur said. “One is, after all, named ‘Ham.’ As for the other…” He nodded to the cup of wine in Breeze’s hand. “He does seem quite fond of marinating himself.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
We come together, we create our families, we chose our mates out of the desire to form a life together. Love takes many forms, wears many faces, but when it's real, when it touches your heart, you will know it and--with hope--embrace it. Love is stronger than hate, love is stronger than anger. Love is stronger than all artificial divisions that exist n our world.
Yasmine Galenorn (Demon Mistress (Otherworld / Sisters of the Moon, #6))
I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim." Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me." "I thought you'd appreciate it." "Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you." "You see? There's a silver lining to everything. Now hurry up.
Richelle Mead (Thorn Queen (Dark Swan, #2))
So, " Nathan said, attention focused on Adrian, "now that Vasilisa's graduated, what are you going to do with yourself? You aren't going to keep slumming with high school students, are you? There's no point in you being there anymore. " "I don't know, " said Adrian lazily. "I kind of like hanging out with them. They think I'm funnier than I really am. " "Unsurprising, " his father replied. "You aren't funny at all. It's time you do something productive. If you aren't going to go back to college, you should at least start sitting in on some of the family business meetings. Tatiana spoils you, but you could learn a lot from Rufus. " "True, " said Adrian deadpan."I'd really like to know how he keeps his two mistresses a secret from his wife. " "Adrian!" snapped Daniella, a flush spilling over her pale cheeks
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.
Vladimir Nabokov (Laughter in the Dark)
ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path.
Edmond Rostand (Cyrano de Bergerac)
I'm only a housewife, I'm afraid." How often do we hear this shocking admission. I'm afraid when I hear it I feel very angry indeed. Only a housewife: only a practitioner of one of the two most noble professions (the other one is that of a farmer); only the mistress of a huge battery of high and varied skills and custodian of civilization itself. Only a typist, perhaps! Only a company director, or a nuclear physicist; only a barrister; only the President! When a woman says she is a housewife she should say it with the utmost pride, for there is nothing higher on this planet to which she could aspire.
John Seymour (Forgotten Household Crafts)
Mistresses, have you ever noticed that when we disagree with a male – I hesitate to say ‘man’ – or find ourselves in a position over males, the first comment they make is always about our reputations or our monthlies?” One of the new women snorted. Others snickered. Kel looked at the man, who was momentarily speechless. “If I disagree with you, should I place blame on the misworkings of your manhood? Or do I refrain from so serious an insult” – she made a face – “far more serious, of course, than your hint that I am a whore. Because my mother taught me courtesy, I only suggest that my monthlies will come long after your hair has escaped your head entirely.
Tamora Pierce (Lady Knight (Protector of the Small, #4))
From somewhere, back in my youth, heard Prof say, 'Manuel, when faced with a problem you do not understand, do any part of it you do understand, then look at it again.' He had been teaching me something he himself did not understand very well—something in math—but had taught me something far more important, a basic principle.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
The chef turned back to the housekeeper. “Why is there doubt about the relations between Monsieur and Madame Rutledge?” The sheets,” she said succinctly. Jake nearly choked on his pastry. “You have the housemaids spying on them?” he asked around a mouthful of custard and cream. Not at all,” the housekeeper said defensively. “It’s only that we have vigilant maids who tell me everything. And even if they didn’t, one hardly needs great powers of observation to see that they do not behave like a married couple.” The chef looked deeply concerned. “You think there’s a problem with his carrot?” Watercress, carrot—is everything food to you?” Jake demanded. The chef shrugged. “Oui.” Well,” Jake said testily, “there is a string of Rutledge’s past mistresses who would undoubtedly testify there is nothing wrong with his carrot.” Alors, he is a virile man . . . she is a beautiful woman . . . why are they not making salad together?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
Frances Hodgson Burnett (The Secret Garden (Dover Children's Evergreen Classics))
I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse.
J.M. Barrie (Peter Pan)
I thought, perhaps you might have had something to say, but I see we are nothing to each other. If you're quite convinced that any foolish passion on my part is entirely over, I will wish you good afternoon.' 'What can he mean?' thought Margaret -- 'what could he mean by speaking so, as if I were always thinking that he cared for me, when I know he does not; he cannot. ... But I won't care for him. I surely am mistress enough of myself to control this wild, strange, miserable feeling, which tempted me even to betray my own dear Frederick, so that I might but regain his good opinion -- the good opinion of a man who takes such pains to tell me that I am nothing to him. Come! poor little heart! be cheery and brave. We'll be a great deal to one another, if we are thrown off and left desolate.
Elizabeth Gaskell
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
A rational anarchist believes that concepts such as ‘state’ and ‘society’ and ‘government’ have no existence save as physically exemplified in the acts of self-responsible individuals. He believes that it is impossible to shift blame, share blame, distribute blame… as blame, guilt, responsibility are matters taking place inside human beings singly and nowhere else. But being rational, he knows that not all individuals hold his evaluations, so he tries to live perfectly in an imperfect world…aware that his effort will be less than perfect yet undismayed by self-knowledge of self-failure. [...] “My point is that one person is responsible. Always. [...] In terms of morals there is no such thing as ‘state.’ Just men. Individuals. Each responsible for his own acts.
Robert A. Heinlein (The Moon Is a Harsh Mistress)
Ah, mistress, you’re an angel. Sure there’s not a drop left? I might have remembered one more person….” “Up yours,” I said rudely with another belch. “It’s empty. You should tell me the name anyway, after making me drink all that sewage.” Winston gave me a devious smile. “Come back with a full bottle and I will.” “Selfish spook,” I mumbled, and staggered away. I’d made it a few feet when I felt that distinct pins-and-needles sensation again, only this time it wasn’t in my throat. “Hey!” I looked down in time to see Winston’s grinning, transparent form fly out of my pants. He was chuckling even as I smacked at myself and hopped up and down furiously. “Drunken filthy pig!” I spat. “Bastard!” “And a good eve’in’ to you, too, mistress!” he called out, his edges starting to blur and fade. “Come back soon!” “I hope worms shit on your corpse!” was my reply. A ghost had just gotten to third base with me. Could I sink any lower?
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
We cannot do this now!" .... "Sure we can." He scowled.... "Go home, Dory." "Give me what I want and I will!" Radu appeared in the doorway. "I know this is a stupid question before I ask it, but is there any chance that we can discuss this like civilized people?" Louis-Cesare.... stepped back a pace and dangled the duffel of one long finger. "Come and get it." I stared. "Oh, no, you didn't." "Oh, yeah. He did. You gonna take that?" Raymond piped up.... "You really want to do this?" I demanded.... The only answer I got was a flying tackle that caught me around the knees and sent me skidding on my back over hard wood. I grinned. Well, all right then. "That's what I thought." Radu sighed.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.
Andrew Marvell (The Complete Poems)
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Walt Whitman
Sad Girl" Being a mistress on the side, It might not appear to fools like you. Creeping around on the side Might not be somethin' you would do. But you haven't seen my man, You haven't seen my man, You haven't seen my man, You haven't seen him. He's got the fire and he walks with fame, He's got the fire and he talks with fame. His bonnie on the side, bonnie on the side, Makes me so sad, girl. His money on the side, money on the side, Makes me so sad, girl. I'm a sad girl, I'm a sad girl, I'm a sad girl. I'm a sad girl, I'm a bad girl, I'm a bad girl. Being a bad bitch on the side, Might not appeal to fools like you. We been around while he gets high, It might not be somethin' you would do. But you haven't seen my man, You haven't seen my man, You haven't seen my man, You haven't seen him. He's got the fire and he walks with fame, He's got the fire and he talks with fame. His bonnie on the side, bonnie on the side, Makes me so sad, girl. His money on the side, money on the side, Makes me so sad, girl. I'm a sad girl, I'm a sad girl, I'm a sad girl. I'm a sad girl, I'm a bad girl, I'm a bad girl. Watch what you say to me, Careful who you're talkin' to. Watch what you say to me, Careful who you're talkin' to. I'm on fire, baby, I'm on fire. He's got the fire and he walks with fame, He's got the fire and he talks with fame. His bonnie on the side, bonnie on the side, Makes me so sad, girl. His money on the side, money on the side, Makes me so sad, girl. I'm a sad girl, I'm a sad girl, I'm a sad girl. I'm a sad girl, I'm a bad girl, I'm a bad girl. I'm a sad girl, I'm a sad girl, I'm a sad girl. I'm a sad girl, I'm a bad girl, I'm a bad girl.
Lana Del Rey