Mistress Love Quotes

In addition to my other numerous acquaintances, I have one more intimate confidant… My depression is the most faithful mistress I have known — no wonder, then, that I return the love.

My melancholy is the most faithful mistress I have known; what wonder, then, that I love her in return.

My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.

I love the night passionately. I love it as I love my country, or my mistress, with an instinctive, deep, and unshakeable love. I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness. Skylarks sing in the sunshine, the blue sky, the warm air, in the fresh morning light. The owl flies by night, a dark shadow passing through the darkness; he hoots his sinister, quivering hoot, as though he delights in the intoxicating black immensity of space.

Love versus love. King, you’re comparing infinities. There is no ‘more.’ That’s not how love works. If it’s love, it’s infinite. You can’t count it.

He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.

Had we but World enough, and Time, This coyness Lady were no crime. We would sit down, and think which way To walk, and pass our long Loves Day.

Are not all loves secretly the same? A hundred flowers sprung from a single root.

A love story can never be about full possession. The happy marriage, the requited love, the desire that never dims--these are lucky eventualites but they aren't love stories. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name. We value love not because it's stronger than death but because it's weaker. Say what you want about love: death will finish it. You will not go on loving in the grave, not in any physical way that will at all resemble love as we know it on earth. The perishable nature of love is what gives love its importance in our lives. If it were endless, if it were on tap, love wouldn't hit us the way it does. And we certainly wouldn't write about it.

For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake.

We come together, we create our families, we chose our mates out of the desire to form a life together. Love takes many forms, wears many faces, but when it's real, when it touches your heart, you will know it and--with hope--embrace it. Love is stronger than hate, love is stronger than anger. Love is stronger than all artificial divisions that exist n our world.

Love is a tempestuous mistress. And none of us shall ever master her.

Each spice has a special day to it. For turmeric it is Sunday, when light drips fat and butter-colored into the bins to be soaked up glowing, when you pray to the nine planets for love and luck.

Every night, my love. All nights are yours.

Let go with me. Let me comfort you with my body...there's no shame in forgetting for a night even if you know you'll remember in the morning.

The only way to lose a kingdom is if your power drops or..well, if you're killed." "I'm sure Volusian would love to help with that." My minion walked near me, needing no horse to move swiftly. Upon hearing his name, he said, "I would perform the deed with great relish and much suffering on your part, mistress." "You can't put a price on that kind of loyalty," I told Kiyo.

I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.

Please let him come, and give me the resilience & guts to make him respect me, be interested, and not to throw myself at him with loudness or hysterical yelling; calmly, gently, easy baby easy. He is probably strutting the backs among crocuses now with seven Scandinavian mistresses. And I sit, spiderlike, waiting, here, home; Penelope weaving webs of Webster, turning spindles of Tourneur. Oh, he is here; my black marauder; oh hungry hungry. I am so hungry for a big smashing creative burgeoning burdened love: I am here; I wait; and he plays on the banks of the river Cam like a casual faun.

I know that love is giving yourself to someone else. Giving yourself to someone without losing yourself

I wonder if it is possible to have two boyfriends. I mean, times are changing. Relationships are more complicated. In France men always have mistresses and wives and so on. Henri probably has two girlfriends. He would laugh if you told him you just had one. He would say, 'C'est tres, tres tragique.'

Silent as a flower, her face fell in dismay, aware that the ghost of lust ate and left, sensing that there was a different scent of perfume consuming the room, and that she had numbered and counted the he loves me, he loves me not of each petal, where the lifeless dust had settle.

Why would a man need both a wife and a mistress? A smart man would seek out and fall in love with a woman who can play both.

We’ll go where the air is pure, where all sounds are soothing, where, no matter how proud one may be, one feels humble and finds oneself small- in short, we’ll go to the sea. I love the sea as one loves a mistress and I long for her when I haven’t seen her for some time

Finding out that you are not your lover’s only lover hurts, but not as much as discovering that you are the side chick … or the side dick.

Why do you love me so much, you stupid man?” He smiled down at her. “Because I met you.

What is any of this to us? Time is endless and ours. Love and Death are only the games we play in it.

ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path.

You know, mistress, that I love you, and shall love you always

No one loves like Nora loves,” Wes said. “I wish I knew how she did it, how she could love so hard and still stay sane.

Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.

It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.

He loves me hard

A man of the Night's Watch lives his life for the realm. Not for a king, nor a lord, nor the honor of this house or that house, neither for gold nor glory nor a woman's love, but for the realm, and all the people in it. A man of the Night's Watch takes no wife and fathers no sons. Our wife is duty. Our mistress is honor. And you are the only sons we shall ever know.

O Mistress mine, where are you roaming? O, stay and hear; your true love's coming, That can sing both high and low: Trip no further, pretty sweeting; Journeys end in lovers meeting, Every wise man's son doth know. What is love? 'Tis not hereafter; Present mirth hath present laughter; What's to come is still unsure: In delay there lies not plenty; Then, come kiss me, sweet and twenty, Youth's a stuff will not endure.

We are born, we suffer, we love, we die, but the waves continue to beat upon the rocks; the seed time and the harvest come and go, but the earth remains.

Love- however doomed, had the capacity to attach bouys to the soul.

Some women would not cheat, and some would not have cheated, had they each married a man whom they love … or at least like.

She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.

Stephan was secretive and a liar, but he was a very gentle and expert lover. She was the petted, cherished child, the desired mistress, the worshipped, perfumed goddess. She was all these things to Stephan - or so he made her believe.

I love you,” she said, not able to go on any longer without him hearing those words, without her saying them. “I always loved you. I never once stopped loving you. All those times I said I hated you, I never meant them, not once. I loved every part of you, every secret, every sin. I love what you are and what you do and how you make me feel so scared and so safe all at the same time.

Ethics are my veiled mistress; I love them, but know not what they are.

You were in love, not stupid. They're two very different diseases with identical symptoms.

Sovereign," like "love," means anything you want it to mean; it's a word in dictionary between "sober" and "sozzled.

Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse.

...more than six people cannot agree on anything, three is better and one is perfect for a job that one can do. This is why parliamentary bodies all through history, when they accomplished anything, owed it to a few strong men who dominated the rest.

Doc still loved true things but he knew that it was not a general love and it could be a very dangerous mistress.

It is not love that matters, Mistress Boy, it is what you choose to do with it. What’d you choose to do with yours?

I’ve loved Eleanor as long as you’ve been alive but it’s wrong of me to dismiss your feelings for her simply because they’re younger than mine.

How terrible it must be not to see and feel beauty.... I'm so glad I can find happiness in all lovely little things... It seems to me that every time I look out of a window the world gives me a gift.

Years later she finally realized what he’d been doing by making her wait so long. He’d given her a reason to leave him. A very good reason. He loved her enough to let her go even before he’d had her. And she’d loved him enough to wait for him.

To be beautiful, handsome, means that you possess a power which makes all smile upon and welcome you; that everybody is impressed in your favor and inclined to be of your opinion; that you have only to pass through a street or to show yourself at a balcony to make friends and to win mistresses from among those who look upon you. What a splendid, what a magnificent gift is that which spares you the need to be amiable in order to be loved, which relieves you of the need of being clever and ready to serve, which you must be if ugly, and enables you to dispense with the innumerable moral qualities which you must possess in order to make up for the lack of personal beauty.

To be the mistress of a married man is to have the better role. Do you realize? His dirty shirt, his disgusting underwear, his daily ironing, his bad breath, his hemorrhoid attacks, his fuss, not to mention his bad moods, and his tantrums. Well all that is for his wife. When a married man comes to his mistress... he's always bleached and ironed, his teeth sparkle, his breath is like perfume, he's in a good mood, he's full of conversation, he is there to have a good time with you.

A wife is meant to be cherished and to be treated with a gentle hand, while a mistress is a convenient cunt to rut in.

She had a quality he had never known- she WAS quality.

Mistress of her fate for the first time, Angela Vicario then discovered that hate and love are reciprocal passions.

He was the son of this bitchy book reviewer. Totally blasted my first book. Called all my lovely kinksters ‘sick’ and ‘abusive.’ So I got my payback by sickly abusing her youngest all night long.” “And you felt guilty about that?” “Not the sex. The note I sent Mom the next day.” “You sent his mother a note after you seduced her son? What did it say?” “It said...” Nora began, and paused for a breath. Not one of her prouder moments. “It said, ‘Your son gave me five stars last night. And five fingers.’” “You’re smiling.” “I’m trying so hard to feel bad about it. I swear to God I am.

I’ll never leave you. I’ll never mistreat you. I think you know that by now. Try with me. Let us find what we may find.” “What do you expect to find, Robert?” “How should I know? I’ve never experienced anything like this before in my life.” Tears shone briefly under her graceful long lashes before she blinked them away and glanced at him again with a reluctant twist of a smile. Sitting up, she wrapped her arms around her bent knees and sighed. “You are asking us both to set ourselves up for great hurt when it comes time for me to leave.” “Leave? Don’t speak of leaving, angel. You must stay forever.” “As your mistress.” “As my love,” he countered insistently.

I read that I profess, the Art of Love. Bianca: And may you prove, sir, master of your art! Lucentio: While you, sweet dear, prove mistress of my heart!

Tell me not, sweet, I am unkind,” he said, “That from the nunnery, Of they chaste breast and quiet mind.” I looked up at him, and said the next line, “To war and arms I fly.” “True, a new mistress now I chase,” he said. “The first foe in the field,” I said, and let him draw me closer. “And with a stronger faith embrace,” he said. “A sword, a horse, a shield.” And the last word was whispered against his chest, still looking up into those eyes, searching his face. “Yet this inconstancy is such, As thou too shalt adore,” he whispered against my hair. I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. “I could not love thee, dear, so much, Loved I not honor more.

Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.

Woe to the man who in the first moments of a love-affair does not believe that it will last forever! Woe to him who even in the arms of some mistress who has just yielded to him maintains an awareness of trouble to come and foresees that he may later tear himself away!

During a party, Luis Buñuel, seduced by Carrington’s beauty and emboldened by the notion that she had transcended all bourgeois morality, proposed (with his characteristic bluntness) that she become his mistress. Without even waiting for her answer, he gave her the key to the secret studio that he used as a love nest and told her to meet him at three o’clock the next afternoon. Early the next morning, Leonora went to visit the place alone. She found it tasteless: It looked exactly like a motel room. Taking advantage of the fact that she was in her menstrual period, she covered her hands with blood and used them to make bloody handprints all over the walls in order to provide a bit of decoration for that anonymous, impersonal room. Buñuel never spoke to her again.

How one realizes the shortness of life by the rapidity of sensations! I have only known Marguerite for two days, she has only been my mistress since yesterday, and she has already so completely absorbed my thoughts, my heart, and my life.

i will always remember what my life might have been like if i had married a man who loved me with undying passion. perhaps i might not have been so vunerabel to the attension of a rake.

Have you noticed that death alone awakens our feelings? How we love the friends who have just left us? How we admire those of our teachers who have ceased to speak, their mouths filled with earth! Then the expression of admiration springs forth naturally, that admiration they were perhaps expecting from us all their lives. But do you know why we are always more just and more generous toward the dead? The reason is simple. With them there is no obligation. They leave us free and we can take our time, fit the testimonial between a cocktail party and a nice little mistress, in our spare time, in short.

Let me twine Mine arms about that body, where against My grained ash an hundred times hath broke And scarr'd the moon with splinters: here I clip The anvil of my sword, and do contest As hotly and as nobly with thy love As ever in ambitious strength I did Contend against thy valour. Know thou first, I loved the maid I married; never man Sigh'd truer breath; but that I see thee here, Thou noble thing! more dances my rapt heart Than when I first my wedded mistress saw Bestride my threshold.

Methinks, mistress, you should have little reason for that: and yet, to say the truth, reason and love keep little company together now-a-days; the more the pity that some honest neighbours will not make them friends.

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes - you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous. Everything I do and say and think relates back to the marriage. I saw you as the mistress of your home, a Moor with a heavy face, a negress with a white body, eyes all over your skin, woman, woman, woman. I can't see how I can go on living away from you. [...] You became a woman with me. I was almost terrified by it. You are not just thirty years old - you are a thousand years old. [...] Anaïs, I only thought I loved you before; it was nothing like this certainty that's in me now. Was all this so wonderful only because it was brief and stolen? Were we acting for each other, to each other? Was I less I, or more I, and you less or more you? Is it madness to believe that this could go on? When and where would the drab moments begin?

I imagine that the goddess of Love has come down from Olympus to visit a mortal. So as not to die of cold in this modern world of ours, she wraps her sublime body in great heavy furs and warms her feet on the prostrate body of her lover. I imagine the favorite of this beautiful despot, who is whipped when his mistress grows tired of kissing him, and whose love only grows more intense the more he is trampled underfoot. I shall call the picture "Venus in Furs

Practically every princess in peril has been saved by Love's First Kiss! For goodness' sake, between witches and fairies, can't we think of something more original? I'm weary of this. Why must a young girl need a man to save her? Why can't a princess fight for her own life, break her own curse? Why must it always be a prince? By Hades, I want to kill Prince Phillip on principle, just so we don't have yet one more prince kissing some helpless sleeping girl, making her feel like she has to marry him out of gratitude.

To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.

Oh, thou did'st then ne'er love so heartily. If thou rememb'rest not the slightest folly That ever love did make thee run inot, Thou has not loved. Of if thou has't not sat as I do now, Wearying they hearer in thy mistress's praise, Thou has not loved. Of if thou hast not broke from company Abruptly, as my passion now makes me, Thou has not loved. (Silvius)

A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!

Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.

Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.

I say seduce her, seduce her tonight. Break the door down if you have to. Tell her all those things you said to me about her. You will love her more tomorrow than today and how you want to die with her hand in yours–which is an excellent line, by the way, that I fully intend to borrow when the time comes.

The old sailors who traveled Earth's seas were said to have loved the ocean. The great captains said they were married to the sea or called the sea their mistress. Modern sailors held no such fantasies about outer space. Space did not love or hate, it simply killed anything it touched.

Something must be done about the food.” Seeing his speculative glance Clare laid down her fork and gave him a warning scowl. “Yes, I’m a good cook, but I will not have time to work in the kitchen. And don’t try to convince me that a mistress also has to cook for her lover.” “I wasn’t thinking of wasting your valuable time in the kitchen.” He smiled mischievously. “But a mistress can do interesting thing with food. Shall I describe them?” “No!” “Another time, perhaps.

To Lucasta, Going to the Wars Tell me not, Sweet, I am unkind, That from the nunnery Of thy chaste breast and quiet mind To war and arms I fly. True, a new mistress now I chase, The first foe in the field; And with a stronger faith embrace A sword, a horse, a shield. Yet this inconstancy is such As thou too shalt adore; I could not love thee, Dear, so much, Loved I not Honour more.

Your wound, your silly little wound! That's your real love, Leo, that wound, the one true love of your life! I know how it will be, even if we tried, even if we managed to build something all over again. The music too, that would be no different. Even if they'd accepted you tonight, even if you became celebrated in this town, you'd destroy it all, you'd destroy everything, pull it all down around you just as you did before. And all because of that wound. Me, the music, we're neither of us anything more to you than mistresses you seek consolation from. You'll always go back to your one real love. To that wound! And you know what makes me so angry? Leo, are you listening to me? Your wound, it's nothing special, nothing special at all. In this town alone, I know there are many people with far worse. And yet they carry on, every one of them, with far greater courage than you ever did. They go on with their lives. They become something worthwhile. But you, Leo, look at you. Always tending your wound.

But all he could think of was what Sabina would have said about it. Everything he did, he did for Sabina, the way Sabina would have liked to see it done. It was a perfectly innocent form of infidelity and one eminently suited to Franz, who would never have done his bespectacled student-mistress any harm. He nourished the cult of Sabina more as a religion than as love

But what have I to prove? It should be you wrapped up in Zmey Gorinich’s coils, proving that you are not a monster, that you are worthy of me!” “Have I not proven it? Have I not taken you out of your starving city and fed you, clothed you in fine things, taught you how to listen and how to speak, brought you to a place where you are a mistress, a tsarevna adored and worshipped, made love to, your skin dusted with jewels? Did I not dower myself? Did I not come to you on my knees with a kingdom in my hand?

No!" he cried and his face pinched with frustration and pain. "I don't want to hear more reasons why we shouldn't be together. No more confessions to explain why you want to run away from what we share." "Julian," she attempted to interrupt again, but he held up a trembling hand. His dark gaze held hers. "I have moved heaven and earth to bring you back to me. I refuse to let you leave again. You are mine and you shall be mine for the rest of my life. Not as my mistress, but as my wife. And if you don't say yes, I shall be forced to drag you into Hyde Park and make love to you in plain view of everyone. Then you will have to accept my proposal in order to save your reputation." His face softened. "I love you, Cecilia.

I don’t know. I think I’m sick. And I don’t know if my ailment has a name - it’s just me sitting and staring at the internet or the television for long periods of time interspersed by trying to not do that and then lying about what I’ve been doing. Then I’ll get so excited about something that the excitement overwhelms me and I can’t sleep or do anything - and then I just am in love with everything but can’t figure out how to make myself work in the world

When our mother is seen only as the one-dimensional Mary of modern times, instead of the great dual force of life and death, She is relegated to the same second-class status of most women in the world. She is without desires of Her own, selfless and sexless except for Her womb. She is the cook, the mistress, bearer and caretaker of children and men. Men call upon Her and carry Her love and magic to form a formidable fortress, a team of cannons to protect them against their enemies. But for a long, long time the wars that women have been left to wage on behalf of men, on behalf of the human race, have started much sooner, in the home, in front of the hearth, in the womb. We do what we must to protect and provide for our young our families, our tribes

Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend’s of ten years back—your dear friend whom you hate now. Look at a file of your sister’s! How you clung to each other till you quarreled about the twenty-pound legacy! Get down the round-hand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the Nabob—your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude; how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen’s bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else

The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.

The very decided manner with which he spoke, and strove to impress his wife with the evil consequences of giving me instruction, served to convince me that he was deeply sensible of the truths he was uttering. It gave me the best assurance that I might rely with the utmost confidence on the results which, he said, would flow from teaching me to read. What he most dreaded, that I most desired. What he most loved, that I most hated. That which to him was a great evil, to be carefully shunned, was to me a great good, to be diligently sought; and the argument which he so warmly urged, against my learning to read, only served to inspire me with a desire and a determination to learn. In learning to read, I owe almost as much to the bitter opposition of my master, as to the kindly aid of my mistress. I acknowledge the benefit of both.

Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself. Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city. With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.

There was a basic harmony between Ántonia and her mistress. They had strong, independent natures, both of them. They knew what they liked, and were not always trying to imitate other people. They loved children and animals and music, and rough play and digging in the earth. They liked to prepare rich, hearty food and to see people eat it; to make up soft white beds and to see youngsters asleep in them. They ridiculed conceited people and were quick to help unfortunate ones. Deep down in each of them there was a kind of hearty joviality, a relish of life, not over-delicate, but very invigorating.

Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He DID love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour- -suffocating with the bitterest tears of remorse and shame the next- -or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England?

All men, at one time or another, have fallen in love with the veiled Isis whom they call Truth. With most, this has been a passing passion: they have early seen its hopelessness and turned to more practical things. But others remain all their lives the devout lovers of reality: though the manner of their love, the vision which they make to themselves of the beloved object varies enormously. Some see Truth as Dante saw Beatrice: an adorable yet intangible figure, found in this world yet revealing the next. To others she seems rather an evil but an irresistible enchantress: enticing, demanding payment and betraying her lover at the last. Some have seen her in a test tube, and some in a poet’s dream: some before the altar, others in the slime. The extreme pragmatists have even sought her in the kitchen; declaring that she may best be recognized by her utility. Last stage of all, the philosophic sceptic has comforted an unsuccessful courtship by assuring himself that his mistress is not really there.

Your true soul and body appear before me. Whoever you are, now I place my hand upon you, that you be my poem, I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb, I should have made my way straight to you long ago, I should h ave blabb'd nothing but you, I should have chanted nothing but you. I will leave all and come and make the hymns of you, none has understood you, but I understand you, none has done justice to you, you have not done justice to yourself, none but has found you imperfect, I only find no imperfection in you, none but would subordinate you, I only am he who will never consent to subordinate you, I only am he who places over you no master, owner, better, God, beyond what waits instrinsically in yourself. O I could sing such grandeurs and glories about you! You have not known what you are, you have slumber'd upon yourself all your life, Your eyelids have been the same as closed most of the time. I pursue you where none else has pursued you. Conceal you from others or from yourself, they do not conceal you from me. I give nothing to any one except I give the like carefully to you. These immense meadows, these interminable rivers, you are immense and interminable as they, these furies, elements, storms, motions of Nature, throes of apparent dissolution, you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

A house that lacks, seemingly, mistress and master, With doors that none but the wind ever closes, Its floor all littered with glass and with plaster; It stands in a garden of old-fashioned roses. I pass by that way in the gloaming with Mary; 'I wonder,' I say, 'who the owner of those is.' 'Oh, no one you know,' she answers me airy, 'But one we must ask if we want any roses.' So we must join hands in the dew coming coldly There in the hush of the wood that reposes, And turn and go up to the open door boldly, And knock to the echoes as beggars for roses. 'Pray, are you within there, Mistress Who-were-you?' 'Tis Mary that speaks and our errand discloses. 'Pray, are you within there? Bestir you, bestir you! 'Tis summer again; there's two come for roses. 'A word with you, that of the singer recalling-- Old Herrick: a saying that every maid knows is A flower unplucked is but left to the falling, And nothing is gained by not gathering roses.' We do not loosen our hands' intertwining (Not caring so very much what she supposes), There when she comes on us mistily shining And grants us by silence the boon of her roses.

Ah, are you digging on my grave, My loved one? -- planting rue?" -- "No: yesterday he went to wed One of the brightest wealth has bred. 'It cannot hurt her now,' he said, 'That I should not be true.'" "Then who is digging on my grave, My nearest dearest kin?" -- "Ah, no: they sit and think, 'What use! What good will planting flowers produce? No tendance of her mound can loose Her spirit from Death's gin.'" "But someone digs upon my grave? My enemy? -- prodding sly?" -- "Nay: when she heard you had passed the Gate That shuts on all flesh soon or late, She thought you no more worth her hate, And cares not where you lie. "Then, who is digging on my grave? Say -- since I have not guessed!" -- "O it is I, my mistress dear, Your little dog, who still lives near, And much I hope my movements here Have not disturbed your rest?" "Ah yes! You dig upon my grave... Why flashed it not to me That one true heart was left behind! What feeling do we ever find To equal among human kind A dog's fidelity!" "Mistress, I dug upon your grave To bury a bone, in case I should be hungry near this spot When passing on my daily trot. I am sorry, but I quite forgot It was your resting place.

I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the waterspout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country. "Clerval! beloved friend! even now it delights me to record your words, and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart.

This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.

When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.

I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.” I bit my lip. “Have you come to take my soul, then?” “I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.” “Because I took your qi?” He inclined his head. “I should have stopped you sooner.” I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it. “It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.” “That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?” “Long enough,” he said. Then more gently, “You may have a happy marriage, though.” “I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form. “Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet. “Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.” “Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart. “I’ve never lied to you.” “Can’t I go with you now?” He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.” I glared at him. “What if I’d rather not wait?” He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?” I dropped my gaze. “If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.” I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?” His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.” I tightened my arms around him. “Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.” “But what would you do for fifty years?” He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.