“
I will accept any rules that you feel necessary to your freedom. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
”
”
Robert A. Heinlein (The Moon Is a Harsh Mistress)
“
What could he mean by speaking so, as if I were always thinking that he cared for me, when I know he does not; he cannot. ... But I won't care for him. I surely am mistress enough of myself to control this wild, strange, miserable feeling
”
”
Elizabeth Gaskell (North and South)
“
We’ll go where the air is pure, where all sounds are soothing, where, no matter how proud one may be, one feels humble and finds oneself small- in short, we’ll go to the sea. I love the sea as one loves a mistress and I long for her when I haven’t seen her for some time
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
I'm only a housewife, I'm afraid." How often do we hear this shocking admission. I'm afraid when I hear it I feel very angry indeed. Only a housewife: only a practitioner of one of the two most noble professions (the other one is that of a farmer); only the mistress of a huge battery of high and varied skills and custodian of civilization itself. Only a typist, perhaps! Only a company director, or a nuclear physicist; only a barrister; only the President! When a woman says she is a housewife she should say it with the utmost pride, for there is nothing higher on this planet to which she could aspire.
”
”
John Seymour (Forgotten Household Crafts)
“
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
”
”
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
“
I love you,” she said, not able to go on any longer without him hearing those words, without her saying them. “I always loved you. I never once stopped loving you. All those times I said I hated you, I never meant them, not once. I loved every part of you, every secret, every sin. I love what you are and what you do and how you make me feel so scared and so safe all at the same time.
”
”
Tiffany Reisz (The Mistress (The Original Sinners, #4))
“
I’ve loved Eleanor as long as you’ve been alive but it’s wrong of me to dismiss your feelings for her simply because they’re younger than mine.
”
”
Tiffany Reisz (The Mistress (The Original Sinners, #4))
“
How terrible it must be not to see and feel beauty.... I'm so glad I can find happiness in all lovely little things... It seems to me that every time I look out of a window the world gives me a gift.
”
”
L.M. Montgomery (Mistress Pat (Pat, #2))
“
I thought, perhaps you might have had something to say, but I see we are nothing to each other. If you're quite convinced that any foolish passion on my part is entirely over, I will wish you good afternoon.'
'What can he mean?' thought Margaret -- 'what could he mean by speaking so, as if I were always thinking that he cared for me, when I know he does not; he cannot. ... But I won't care for him. I surely am mistress enough of myself to control this wild, strange, miserable feeling, which tempted me even to betray my own dear Frederick, so that I might but regain his good opinion -- the good opinion of a man who takes such pains to tell me that I am nothing to him. Come! poor little heart! be cheery and brave. We'll be a great deal to one another, if we are thrown off and left desolate.
”
”
Elizabeth Gaskell
“
He was the son of this bitchy book reviewer. Totally blasted my first book. Called all my lovely kinksters ‘sick’ and ‘abusive.’ So I got my payback by sickly abusing her youngest all night long.”
“And you felt guilty about that?”
“Not the sex. The note I sent Mom the next day.”
“You sent his mother a note after you seduced her son? What did it say?”
“It said...” Nora began, and paused for a breath. Not one of her prouder moments. “It said, ‘Your son gave me five stars last night. And five fingers.’”
“You’re smiling.”
“I’m trying so hard to feel bad about it. I swear to God I am.
”
”
Tiffany Reisz (The Mistress (The Original Sinners, #4))
“
It quite often makes me feel sad that painting’s like a bad mistress one might have, who’s always spending, spending and it’s never enough.. [Letter 630, Arles, 23 June 1888]
”
”
Vincent van Gogh
“
Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
The prophecies are not literal, Mistress," OreSeur said. "They're metaphors - expressions of hope. Or, at least, that is how I have always seen them. Perhaps your Terris prophecies are the same? Expressions of a belief that if the people were in danger, their gods would send a Hero to protect them? In this case, the vagueness would be intentional - and rational. The prophecies were never meant to mean something specific, but more to speak of a general feeling. A general hope.
”
”
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
“
Have you noticed that death alone awakens our feelings? How we love the friends who have just left us? How we admire those of our teachers who have ceased to speak, their mouths filled with earth! Then the expression of admiration springs forth naturally, that admiration they were perhaps expecting from us all their lives. But do you know why we are always more just and more generous toward the dead? The reason is simple. With them there is no obligation. They leave us free and we can take our time, fit the testimonial between a cocktail party and a nice little mistress, in our spare time, in short.
”
”
Albert Camus (The Fall)
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
Practically every princess in peril has been saved by Love's First Kiss! For goodness' sake, between witches and fairies, can't we think of something more original? I'm weary of this. Why must a young girl need a man to save her? Why can't a princess fight for her own life, break her own curse? Why must it always be a prince? By Hades, I want to kill Prince Phillip on principle, just so we don't have yet one more prince kissing some helpless sleeping girl, making her feel like she has to marry him out of gratitude.
”
”
Serena Valentino (Mistress of All Evil (Villains, #4))
“
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
When I went into their family, it was the abode of happiness and contentment. The mistress of the house was a model of affection and tenderness. Her fervent piety and watchful uprightness made it impossible to see her without thinking and feeling—"that woman is a Christian.
”
”
Frederick Douglass (My Bondage and My Freedom (The Autobiographies #2))
“
But I will accept any rules that you feel necessary to your freedom. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
”
”
Robert A. Heinlein (The Moon is a Harsh Mistress)
“
Tell me, Lady Angeline, is there a color not represented in your rather splendid riding hat? It would be a shame if there were. It would be sitting all alone on a palette somewhere, feeling rejected and dejected.
”
”
Mary Balogh (The Secret Mistress (Mistress Trilogy, #3))
“
Telling her the truth seemed like the greatest of risks, and yet I loved her too much to keep her in the dark any longer. I’d feared she would spurn me. Instead, she said she belonged to me and knew she belonged to me from the moment we met, and her body was mine to do with what I wanted. She loved me. She trusted me. She knew I wouldn’t hurt her even if I hurt her. And we kissed for the first time, and I felt something I never dreamed I’d feel.”
“Happy?”
“Normal.
”
”
Tiffany Reisz (The Mistress (The Original Sinners, #4))
“
When your heart is crusted over with your own pain, it is easy to feel little for others.
”
”
Chitra Banerjee Divakaruni (The Mistress of Spices)
“
And after that until the end, there was no relief from being a girl with chores that she wasn’t being paid for, a girl with no new sandals and a friend who wasn’t a friend but a mistress, and a family that wasn’t but people who owned her and ordered her about, and nothing at all but her pretty breasts and her round bottom and her misbehaving hair to help her feel any different.
”
”
Ru Freeman (A Disobedient Girl)
“
Admittedly, there's a certain coarseness about [businessmen]; for there's no point in even trying to be [one] unless your love for money is so absolute that you're ready to accompany it on the walk to a double suicide. For money, believe you me, is a hard mistress, and none of her lovers are let off lightly. As a matter of fact, I've just been visiting a businessman and, according to him, the only way to succeed is to practice the "triangled" technique: try to escape your obligations, annihilate your kindly feelings, and geld yourself of the sense of shame.
”
”
Natsume Sōseki
“
I had no schooling whatever while I was a slave, though I remember on several occasions I went as far as the schoolhouse door with one of my young mistresses to carry her books. The picture of several dozen boys and girls in a schoolroom engaged in study made a deep impression upon me, and I had the feeling that to get into a schoolhouse and study in this way would be about the same as getting into paradise.
”
”
Booker T. Washington (Up from Slavery)
“
Manon found herself walking toward the wyvern, and stopped with not five feet between them. “He’s mine,” Manon said, taking in the scars, the limp, the burning life in those eyes. The witch and the wyvern looked at each other for a moment that lasted for a heartbeat, that lasted for eternity. “You’re mine,” Manon said to him. The wyvern blinked at her, Titus’s blood still dripping from his cracked and broken teeth, and Manon had the feeling that he had come to the same decision. Perhaps he had known long before tonight, and his fight with Titus hadn’t been so much about survival as it had been a challenge to claim her. As his rider. As his mistress. As his.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
It is now obvious to us all that he has every objection," said Randall. "You know, you had very much better withdraw, my dear aunt. I feel sure that Uncle Henry's double life is going to be exposed. My own conviction is that he has been keeping a mistress for years."
[...]
Mrs. Lupton flushed. "You forget yourself, Randall. I am not going to stand here and see my husband insulted by your ill-bred notions of what is funny."
"Oh, I wasn't insulting him," said Randall. "Why shouldn't he have a mistress? I am inclined to think that in his place -as your spouse, my dear Aunt Gertrude- I should have several.
”
”
Georgette Heyer (Behold, Here's Poison)
“
I should have been struck down by the despair a young lover feels who has sworn lifelong fidelity, when a friend speaks to him of the other mistresses he will have in time to come.
”
”
Marcel Proust (Swann's Way)
“
Look, in my world slut is a term of endearment. Why do I have to keep explaining this to people? You’re going to have to find a new name if you want to actually hurt my feelings.
”
”
Tiffany Reisz (The Mistress (The Original Sinners, #4))
“
It feels a bit like expecting a proposal of marriage, only to get offered the role of mistress.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
A woman knows everything about her rival. Her habits, her perfume, her tastes. When a lover turns up at his mistress’s, he should feel like he’s on holiday, not back home.
”
”
Valérie Perrin (Fresh Water for Flowers)
“
She prayed for strength. Strength to endure the love she still felt for Leon Andreakos, would feel till the end of her days—a man who did not love her. Who never had. Who never could.
”
”
Julia James (The Mistress's Secret)
“
... I should have been struck down by the despair a young lover feels who has sworn lifelong fidelity, when a friend speaks to him of the other mistresses he will have in time to come.
”
”
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
“
Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He DID love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour- -suffocating with the bitterest tears of remorse and shame the next- -or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England?
”
”
Charlotte Brontë (Jane Eyre)
“
Dr. Kevorkian has just unstrapped me from the gurney after yet another controlled near-death experience. I was lucky enough on this trip to interview none other than the late Adolf Hitler.
I was gratified to learn that he now feels remorse for any actions of his, however indirectly, which might have had anything to do with the violent deaths suffered by thirty-five million people during World War II. He and his mistress Eva Braun, of course, were among those casualties, along with four million other Germans, six million Jews, eighteen million members of the Soviet Union, and so on.
I paid my dues along with everybody else,” he said.
It is his hope that a modest monument, possibly a stone cross, since he was a Christian, will be erected somewhere in his memory, possibly on the grounds of the United Nations headquarters in New York. It should be incised, he said, with his name and dates 1889-1945. Underneath should be a two-word sentence in German: “Entschuldigen Sie.”
Roughly translated into English, this comes out, “I Beg Your Pardon,” or “Excuse Me.
”
”
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
“
The lover readily imagines that he and his mistress are one. He feels he has love enough for both and that his loving will can swathe the two of them together like twin nuts in a shell. But what one loves is, after all, another human being, a person with other interests, other pains, in whose world one is oneself an object among others.
”
”
Iris Murdoch (An Unofficial Rose)
“
I loved this woman. You can't just turn off that kind of feeling. But I loved a person who didn't exist. I loved someone Diana was pretending to be. Maybe the signs were there, but I refused to see them. Maybe I didn't want to see them.
”
”
James Patterson (Mistress)
“
Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"
"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"
"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.
"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog, who still lives near,
And much I hope my movements here
Have not disturbed your rest?"
"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"
"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place.
”
”
Thomas Hardy
“
Oh, mention it! If I storm, you have the art of weeping."
"Mr. Rochester, I must leave you."
"For how long, Jane? For a few minutes, while you smooth your hair — which is somewhat dishevelled; and bathe your face — which looks feverish?"
"I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes."
"Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester — both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error — to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic."
His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak.
"Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical — is false."
"Jane, I am not a gentle-tempered man — you forget that: I am not long-enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and — beware!"
He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity — looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips.
"I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet — that I may have the evidence of touch as well as sight, to prove you are near me — and I will in a few words show you the real state of the case. Can you listen to me?"
"Yes, sir; for hours if you will.
”
”
Charlotte Brontë (Jane Eyre)
“
If one could only feel always like this," Pat had said once to Judy. "All the little worries swallowed up...all the petty spites and fears and disappointments forgotten...just love and peace and beauty."
"Oh, oh, but what wud there be lift for heaven, girl dear?" asked Judy.
”
”
L.M. Montgomery (Mistress Pat (Pat, #2))
“
Eunice Goddard," he said, all pretense of sleepiness gone from his eyes, "will you marry me? I have no flowery speech prepared and would feel remarkably idiotic delivering it even if I had. Will you just simply marry me, my love? Because I love you? Will you take the risk? I am fully aware that there is a risk. I can only urge you to take a chance on me while I promise to do my very best to love and cherish you for the rest of my days and even perhaps beyond them.
”
”
Mary Balogh (The Secret Mistress (Mistress Trilogy, #3))
“
He had heard these things said to him so often that for him there was nothing original about them. Emma was like any other of his mistresses, and the charm of novelty slipping off gradually like a peace of clothing revealed in his nakedness the eternal monotony of passion which always assumes the same form and uses the same languages. He could not perceive, this man of such broad experiences, the difference in feelings that might underlay similarities of expression.
”
”
Gustave Flaubert
“
A tramp, therefore, is a celibate from the moment when he takes to the road. He is absolutely without hope of getting a wife, a mistress, or any kind of woman except — very rarely, when he can raise a few shillings — a prostitute.
It is obvious what the results of this must be: homosexuality, for instance, and occasional rape cases. But deeper than these there is the degradation worked in a man who knows that he is not even considered fit for marriage. The sexual impulse, not to put it any higher, is a fundamental impulse, and starvation of it can be almost as demoralizing as physical hunger. The evil of poverty is not so much that it makes a man suffer as that it rots him physically and spiritually. And there can be no doubt that sexual starvation contributes to this rotting process. Cut off from the whole race of women, a tramp feels himself degraded to the rank of a cripple or a lunatic. No humiliation could do more damage to a man’s self-respect.
”
”
George Orwell (Down and Out in Paris and London)
“
Why must a young girl need a man to save her? Why can’t a princess fight for her own life, break her own curse? Why must it always be a prince? By Hades, I want to kill Prince Phillip on principle, just so we don’t have yet one more prince kissing some helpless sleeping girl, making her feel like she has to marry him out of gratitude.
”
”
Serena Valentino (Mistress of All Evil: A Tale of the Dark Fairy (Villains #4))
“
Sometimes I -- I feel caught between the present and the past. Waiting. Hoping.
”
”
Laura Frantz (The Mistress of Tall Acre)
“
Whoever was in her presence trembled before her, and the more she made herself feared, the more it delighted her, the more it seemed to make her feel happy.
”
”
Leopold von Sacher-Masoch (The Master Masochist: Tales of a Sadistic Mistress)
“
Finally on Tuesday I understood why I was feeling depressed.
”
”
David Markson (Wittgenstein's Mistress)
“
We citizens of Luna are jailbirds and descendants of jailbirds. But Luna herself is a stern schoolmistress; those who have lived through her harsh lessons have no cause to feel ashamed.
”
”
Robert A. Heinlein (The Moon is a Harsh Mistress)
“
You’d think the fairies would have thought of something more creative. Practically every princess in peril has been saved by Love’s First Kiss! For goodness’ sake, between witches and fairies, can’t we think of something more original? I’m weary of this. Why must a young girl need a man to save her? Why can’t a princess fight for her own life, break her own curse? Why must it always be a prince? By Hades, I want to kill Prince Phillip on principle, just so we don’t have yet one more prince kissing some helpless sleeping girl, making her feel like she has to marry him out of gratitude.
”
”
Serena Valentino (Mistress of All Evil: A Tale of the Dark Fairy (Villains #4))
“
I found myself thinking that she could not have been more than twenty-two or so and wondering whether I looked old to her, and then I found myself envying the two young men who escorted her. A feeling almost of despair came over me. I felt a devastating sense of loss for something which I had never had, and it didn't occur to me that that something was a thing which no one ever possesses for the simple reason that it is something which is created in being seen and which exists only for the spectator without whom it could never become an object to tantalize. I was tired and distraught and it did not strike me then that her escorts were even farther than I from the thing for which I felt an acute sense of loss, infinitely farther from it, because it did not exist for them - their laughter, the swing of her hips, the ribbon, their familiarity, all that. And even if she were the mistress of one of them, I had created the thing for which I felt the sense of loss and it was not anyone else's to be enjoyed.
”
”
Alexander Trocchi (Young Adam)
“
Most of all we learned to feel without words the sorrows of our sisters, and without words to console them. In this way our lives were not so different from those of the girls we had left behind in our home villages
”
”
Chitra Banerjee Divakaruni (The Mistress of Spices)
“
A woman sees herself dying, in these cases not at the actual moment of death but months, sometimes years before, when death has hideously come to dwell in her. The sufferer makes the acquaintance of the stranger whom she hears coming and going in her brain. She does not know him by sight, it is true, but from the sounds which she hears him regularly make she can form an idea of his habits. Is he a criminal? One morning, she can no longer hear him. He has gone. Ah! If it were only for ever! In the evening he has returned. What are his plans? Her specialist, put to the question, like an adored mistress, replies with avowals that one day are believed, another day fail to convince her. Or rather it is not the mistress’s part but that of the servants one interrogates that the doctor plays. They are only third parties. The person whom we press for an answer, whom we suspect of being about to play us false, is life itself, and although we feel her to be no longer the same we believe in her still or at least remain undecided until the day on which she finally abandons us.
”
”
Marcel Proust (The Guermantes Way)
“
My new mistress proved to be all she appeared when I first met her at the door,—a woman of the kindest heart and finest feelings. She had never had a slave under her control previously to myself, and prior to her marriage she had been dependent upon her own industry for a living. She was by trade a weaver; and by constant application to her business, she had been in a good degree preserved from the blighting and dehumanizing effects of slavery. I was utterly astonished at her goodness. I scarcely knew how to behave towards her. She was entirely unlike any other white woman I had ever seen. I could not approach her as I was accustomed to approach other white ladies. My early instruction was all out of place. The crouching servility, usually so acceptable a quality in a slave, did not answer when manifested toward her. Her favor was not gained by it; she seemed to be disturbed by it. She did not deem it impudent or unmannerly for a slave to look her in the face. The meanest slave was put fully at ease in her presence, and none left without feeling better for having seen her. Her face was made of heavenly smiles, and her voice of tranquil music.
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
...she sat down at the piano and began to run over the first act of the Walkure, the last of his roles they had practiced together; playing listlessly and absently at first, but with gradually increasing seriousness. Perhaps it was the still heat of the summer night, perhaps it was the heavy odors from the garden that came in through the open windows; but as she played there grew and grew the feeling that he was there, beside her, standing in his accustomed place. In the duet at the end of the first act she heard him clearly: "Thou art the Spring for which I sighed in Winter's cold embraces." Once as he sang it, he had put his arm about her, his one hand under her heart, while with the other he took her right from the keyboard, holding her as he always held Sieglinde when he drew her toward the window. She had been wonderfully the mistress of herself at the time; neither repellent nor acquiescent. She remembered that she had rather exulted, then, in her self-control--which he had seemed to take for granted, though there was perhaps the whisper of a question from the hand under her heart. "Thou art the Spring for which I sighed in Winter's cold embraces." Caroline lifted her hands quickly from the keyboard, and she bowed her head in them, sobbing.
”
”
Willa Cather (The Troll Garden: Short Stories)
“
Manuel, I don’t think the situation is as bad as you seem to feel that it is. In each age it is necessary to adapt to the popular mythology. At one time kings were anointed by Deity, so the problem was to see to it that Deity anointed the tight candidate. In this age the myth is ‘the will of the people’. . . but the problem changes only superficially. Comrade Adam and I have had long discussions about how to determine the will of the people. I venture to suggest that this solution is one we can work with.
”
”
Robert A. Heinlein (The Moon Is a Harsh Mistress)
“
At that moment he didn’t like mankind, the grown-ups, the adults. He never liked them when it was dark. At such times it was his habit to think mankind away. Then the world would seem like a dark, empty house, and he felt a shudder inside himself, as if now he had to search through room after room—dark rooms where you didn’t know what was hidden in the corners—feeling his way across the thresholds where no foot would tread any more apart from his, until in one room the doors in front of and behind him would suddenly close and he would be facing the mistress of the black hordes herself. And at that moment all the locks of all the other doors he had come through would shut, and far beyond the walls the shadows of the darkness would stand watch, like black eunuchs, keeping out all human contact.
”
”
Robert Musil (The Confusions of Young Törless)
“
A man who suffers can lessen his anguish by knowing whence it comes. By thought he can locate it in a certain portion of his body which can be cured, or, if necessary, torn away. He fixes the bounds of it, and separates it from himself. A child has no such illusive resource. His first encounter with suffering is more tragic and more true. Like his own being, it seems infinite. He feels that it is seated in his bosom, housed in his heart, and is mistress of his flesh. And it is so. It will not leave his body until it has eaten it away.
”
”
Romain Rolland
“
But you don’t seem to want any rules!” “True. But I will accept any rules that you feel necessary to your freedom. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
”
”
Robert A. Heinlein (The Moon is a Harsh Mistress)
“
The next dish given him was spinach with hard-boiled eggs, while Nadyezhda Fyodorovna, as an invalid, had jelly and milk. When with a preoccupied face she touched the jelly with a spoon and then began languidly eating it, sipping milk, and he heard her swallowing, he was possessed by such an overwhelming aversion that it made his head tingle. He recognised that such a feeling would be an insult even to a dog, but he was angry, not with himself but with Nadyezhda Fyodorovna, for arousing such a feeling, and he understood why lovers sometimes murder their mistresses. He would not murder her, of course, but if he had been on a jury now, he would have acquitted the murderer.
”
”
Anton Chekhov (The Duel (Modern Library Classics))
“
The day is impossibly bright: the sort of crystalline clarity that comes when winter still sits in the air. They have already entered at the narrow mouth of the fjord, and the cliffs rise sheerly either side, a clean hundred feet, the black rock raked with lines of lighter grey. The sea is green and glitters with chips of ice, and as soon as the wind bites at her face and brings up its blood, chilling her lungs, she feels better than she has since she left home.
‘They are magnificent, are they not?’
‘They are,’ she breathes, and is embarrassed by the keenness in her voice. ‘Though you must have seen mightier, captain?’
‘I take each sight for itself alone, Mistress Cornet.
”
”
Kiran Millwood Hargrave (The Mercies)
“
What makes us endure pain so poorly is that we are not accustomed to find our principal contentment in the soul, and that we do not concentrate enough on it; for the soul is the one and sovereign mistress of our condition and conduct. The body has, except for differences of degree, only one gait and one posture. The soul may be shaped into all varieties of forms, and molds to itself and to its every condition the feelings of the body, and all other accidents. Therefore we must study the soul and look into it, and awaken in it its all-powerful springs. There is no reason, prescription, or might that has power against its inclination and its choice. Out of the many thousands of attitudes at its disposal, let us give it one conducive to our repose and preservation, and we shall be not only sheltered from all harm, but even gratified and flattered, if it please, by ills and pains. The soul profits from everything without distinction. Error and dreams serve it usefully, being suitable stuff for giving us security and contentment.
”
”
Michel de Montaigne
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
Mistress mine, your unique and special quality is this: When I'm around you, I'm happy."
"Richard!"
"Quit blubbering. Can't stand a female who has to lick tears off her upper lip."
"Brute. I'll cry if I goddam well feel like it... and I need this one. Richard, I love you."
"I'm fond of you, too, monkey face. What I was saying was that, if your present pack of lies is wearing thin, don't bother to build up another structure filled with solemn assurances that this is at last the truth, the whole truth, and nothing but the truth. Forget it. The old structure may be threadbare -- but I don't care. I'm not looking for holes or inconsistencies because I don't care. I just want to live with you and hold your hand and hear you snore.
”
”
Robert A. Heinlein
“
When a Parisian drops into the country he is cut off from all his usual habits, and soon feels the dragging hours, no matter how attentive his friends may be to him. Therefore, because it is so impossible to prolong in a tete-a-tete conversations that are soon exhausted, the master and mistress of a country-house are apt to say, calmly, “You will be terribly bored here.
”
”
Honoré de Balzac (Works of Honore de Balzac)
“
The frequent hearing of my mistress reading
the bible--for she often read aloud when her
husband was absent--soon awakened my
curiosity in respect to this mystery of reading,
and roused in me the desire to learn. Having no
fear of my kind mistress before my eyes, (she
had given me no reason to fear,) I frankly asked
her to teach me to read; and without hesitation,
the dear woman began the task, and very soon,
by her assistance, I was master of the alphabet,
and could spell words of three or four
letters...Master Hugh was amazed at the
simplicity of his spouse, and, probably for the
first time, he unfolded to her the true philosophy
of slavery, and the peculiar rules necessary to
be observed by masters and mistresses, in the
management of their human chattels. Mr. Auld
promptly forbade the continuance of her
[reading] instruction; telling her, in the first
place, that the thing itself was unlawful; that it
was also unsafe, and could only lead to mischief.... Mrs. Auld evidently felt the force of
his remarks; and, like an obedient wife, began
to shape her course in the direction indicated by
her husband. The effect of his words, on me,
was neither slight nor transitory. His iron
sentences--cold and harsh--sunk deep into my
heart, and stirred up not only my feelings into a
sort of rebellion, but awakened within me a
slumbering train of vital thought. It was a new
and special revelation, dispelling a painful
mystery, against which my youthful
understanding had struggled, and struggled in
vain, to wit: the white man's power to perpetuate
the enslavement of the black man. "Very well,"
thought I; "knowledge unfits a child to be a
slave." I instinctively assented to the
proposition; and from that moment I understood
the direct pathway from slavery to freedom. This
was just what I needed; and got it at a time, and
from a source, whence I least expected it....
Wise as Mr. Auld was, he evidently underrated
my comprehension, and had little idea of the
use to which I was capable of putting the
impressive lesson he was giving to his wife....
That which he most loved I most hated; and the
very determination which he expressed to keep
me in ignorance, only rendered me the more
resolute in seeking intelligence.
”
”
Frederick Douglass
“
As I rock down the hall I am flung from my path- snatched and grabbed. Before I can even utter a word, a large palm is covering my mouth. In less than five seconds I am inside a pitch black room, pushed face first into a cold metal door, and I hear the lock snick into place. A heavy weight presses at my back. I didn’t even have time to panic. It was a well-timed attack.
My mind flashes to another time and place, another hand on my mouth. I breathe though the panic that tries to overcome me.
I allow my senses to put me at ease. He’s just softly breathing near my ear. His body is relaxed. The way he holds me feels more playful than threatening.
“Let me guess… the Boss,” I say to the heavy weight at my back. My tone is a mix of amused annoyance.
”
”
Erica Chilson (Restraint (Mistress & Master of Restraint, #1))
“
Song
When I am dead, my dearest,
Sing no sad songs for me;
Plant thou no roses at my head,
Nor shady cypress tree:
Be the green grass above me
With showers and dewdrops wet;
And if thou wilt, remember,
And if thou wilt, forget.
I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain:
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.
Sir Thomas Wyatt has been credited with introducing the Petrarchan sonnet into the English language. Wyatt's father had been one of Henry VII's Privy Councilors and remained a trusted adviser when Henry VIII came to the throne in 1509. Wyatt followed his father to court, but it seems the young poet may have fallen in love with the king’s mistress, Anne Boleyn. Their acquaintance is certain, although whether or not the two actually shared a romantic relationship remains unknown. But in his poetry, Wyatt called his mistress Anna and there do seem to be correspondences. For instance, this poem might well have been written about the King’s claim on Anne Boleyn:
”
”
Christina Rossetti
“
THE METAPHYSICAL POETS
Had we but world enough, and time,
This coyness, lady, were no crime
(Andrew Marvell, To His Coy Mistress)
While theatre was the most public literary form of the period, poetry tended to be more personal, more private. Indeed, it was often published for only a limited circle of readers. This was true of Shakespeare's sonnets, as we have seen, and even more so for the Metaphysical poets, whose works were published mostly after their deaths. John Donne and George Herbert are the most significant of these poets.
The term 'Metaphysical' was used to describe their work by the eighteenth-century critic, Samuel Johnson. He intended the adjective to be pejorative. He attacked the poets' lack of feeling, their learning, and the surprising range of images and comparisons they used. Donne and Herbert were certainly very innovative poets, but the term 'Metaphysical' is only a label, which is now used to describe the modern impact of their writing. After three centuries of neglect and disdain, the Metaphysical poets have come to be very highly regarded and have been influential in recent British poetry and criticism. They used contemporary scientific discoveries and theories, the topical debates on humanism, faith, and eternity, colloquial speech-based rhythms, and innovative verse forms, to examine the relationship between the individual, his God, and the universe. Their 'conceits', metaphors and images, paradoxes and intellectual complexity make the poems a constant challenge to the reader.
”
”
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
“
In the past I was a vicious hunter. I would stalk my prey with pinpoint accuracy. Ever since Monica came into my life I’ve abstained from the game. It almost feels strange to stand here and look to the crowd knowing I could pick one and f*ck them into oblivion. I won’t though. I may love her, but that isn’t the reason. If I were to pick someone for the sake of revenge sex then I’m giving control to Monica and Dalton for betraying me. I’m strong enough to wait. A good hunter is always patient and never stalks in anger.'
'I always crack it until Tobias stops flinching at the sound. It’s never the same amount of times. I don’t want it to become obvious so I always do it a few more times to create a sense of surprise.
I coil up the leather and with the flick of my wrist I set a perfect line against Monica’s back. She yelps in pain and surprise, and Tobias joins her. He thought he’d get the first blow.
I breathe through the pounding in my cock. It beats in time with my rapidly beating heart.
I flick my wrist again taking Monica across the shoulder. I see Tobias tense as she screams. Mustn’t allow the slaves to think they are taking even turns. The blow’s shock is what makes my cock burn for release. I palm my balls as they tighten, threatening to shoot my release up the stock of my dick. I inhale through my nose and breathe out my mouth until I regain my control.
I flick my wrist again and hit Monica across her thighs. She screams bloody murder at the ceiling and I smile to myself. It hurts like a bitch, but the marks will fade. I never break skin. This is my passion- my gift.
”
”
Erica Chilson (Dexter (Mistress & Master of Restraint, #3))
“
I’m her slave, he imagined. Her toy. She owns me, completely. Again, like the bottle. Both Merry and the gin had proven harsh mistresses, but where Rob had once hid in the false comforts of his addiction, Merry’s indulgence drew him out—made him feel wildly, vibrantly conscious, when alcohol had only deadened. The bottle had been a blanket to cower beneath. This . . . This was exposure, pure and sharp.
”
”
Cara McKenna (Unbound)
“
To a chorus of resonant barking, the instruments proceeded to adjust themselves into tune. A billy-goat, alarmed, aroused his harem, and distantly a muffled lowing broke out.
Philippa said, ‘Oh dear. It must have cost a fortune. Did Gideon ever do this to you?’
Kate thought. ‘No, but I did it to him. He hadn’t called to see me for a week, so I sent eight bell ringers to serenade him at cock-crow and his mother’s parrot dropped dead, quoting Luther.’
‘What did it say?’ Philippa said. Sitting on the sill, with her long brown hair falling over her night robe, she looked, in the darkness, like the daughter who had come back from Turkey: calm and smiling and soignée.
‘Music is a fair and lovely gift of God, and deserves to be extolled as the mistress and governess of the feelings of the human heart,’ said Kate, surprised.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
We have been feeling for some time that Le Chiffre is getting into deep water. In nearly all respects he is an admirable agent of the U.S.S.R., but his gross physical habits and predilections are an Achilles heel of which we have been able to take advantage from time to time and one of his mistresses is a Eurasian (No. 1860) controlled by Station F., who has recently been able to obtain insight into his private affairs.
”
”
Ian Fleming (Casino Royale (James Bond, #1))
“
Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy; now, describing a circle of short barks round the horse, where he was being rubbed down at the stable-door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now, eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now, exhibiting an obtrusive interest in the baby; now, going round and round upon the hearth, and lying down as if he had established himself for the night; now, getting up again, and taking that nothing of a fag-end of a tail of his, out into the weather, as if he had just remembered an appointment, and was off, at a round trot, to keep it.
”
”
Charles Dickens (The Cricket on the Hearth)
“
Cody is really very sick and tired of me bringing gangs arbitrarily to his place, running off with his mistress, getting drunk and thrown out of family plays, hundred dollars or no hundred dollars he probably feels I’m just a fool now anyway and hopelessly lost forever but I dont realize that myself because I’m feeling good—I want us to resume down that road singing bawdier and darker songs till we’re negotiating narrow mountain roads at the pitch of the greatest songs.
”
”
Jack Kerouac (Big Sur)
“
God, please don’t make me go blind This job bites Nothing ever stays the same My ears hurt My lobes once beautiful and tender, now flaky with pain red with burning intensity My elbows feel weird exposed to the universe of hardwood and panel My eyes Oh, God, I love my eyes They are the foundation on which I built my papier kingdom on which I am the high priestess and the shrewd mistress If an owl cannot see describe prescribe then what remains of the night queen? God, please don’t make me go blind For blind is on the list of what it means not to be Me
”
”
جيلان صلاح - Jaylan Salah (Workstation Blues)
“
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm.
With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years.
“I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
”
”
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
“
Since his back was to her front Chloe had to practically plaster herself against his wide back in order to unbutton his crisp dress shirt, but somehow she didn’t mind. From his low, masculine groan that her action had elicited, she assumed Mark didn’t mind either. His spicy, dangerous scent filled her head as she spread the shirt to find a smooth, muscular chest leading down to powerfully sculpted abs. She wondered what line of work Mark was in. Whatever it was, he certainly kept himself in shape.
“Are you enjoying yourself, Mistress?” His smart-ass tone threw her, breaking her concentration on his muscled chest.
“I’ll ask the questions,” Chloe snapped, deciding abruptly that it was time to move on. She still felt a definite lack of control in this situation and it made her nervous, shattering the fragile self-confidence she’d managed to build. But she couldn’t stop searching him now or he’d be the winner of this little confrontation.
She let her hands slide lower, past the waistband of his pants to the bulging crotch. Oh my God, is he for real? She hadn’t been with very many men—okay, two. She’d only been with two other men. But Mark more than measured up to any other guy in her experience. In fact, she could barely believe what she was feeling was real. It was a damn good thing rule number two was “never have sex with the client”. She was pretty sure she wouldn’t have been able to handle what Mark was packing.
“Uh, Mistress, that’s all me, not a toy.” Mark’s deep voice still held a hint of amusement though it was sounding rather strained now. “And you might want to think of it less as a ‘toy’ than a loaded gun. One that’s going to go off if you’re not careful.
”
”
Evangeline Anderson (Masks)
“
He’s wondering if I saw him wipe the remnants of her off his mouth. Off his neck. He’s wondering if I saw him adjust his tie. He’s wondering if I saw him press his head to the steering wheel in dread. Or regret. He doesn’t bring his eyes back to mine. Instead, he looks down. “What’s her name?” I somehow ask the question without it sounding spiteful. I ask it with the same tone I often use to ask him about his day. How was your day, dear? What’s your mistress’s name, dear? Despite my pleasant tone, Graham doesn’t answer me. He lifts his eyes until they meet mine, but he’s quiet in his denial. I feel my stomach turn like I might physically be sick. I’m shocked at how much his silence angers me. I’m shocked at how much more this hurts in reality than in my nightmares. I didn’t think it could get worse than the nightmares. I somehow stand up, still clenching my glass. I want to throw it. Not at him. I just need to throw it at something. I hate him with every part of my soul right now, but I don’t blame him enough to throw the glass at him. If I could throw it at myself, I would. But I can’t, so I throw it toward our wedding photo that hangs on the wall across the room. In repeat the words as my wineglass hits the picture, shattering, bleeding down the wall and all over the floor. “What’s her fucking name, Graham?!” My voice is no longer pleasant. Graham doesn’t even flinch. He doesn’t look at the wedding photo, he doesn’t look at the bleeding floor beneath it, he doesn’t look at the front door, he doesn’t look at his feet. He looks me right in the eye and he says, “Andrea.” As soon as her name has fallen from his lips completely, he looks away. He doesn’t want to witness what his brutal honesty does to me.
”
”
Colleen Hoover (All Your Perfects)
“
Many women feel invisible or aberrant when they are subsumed under a masculine term that is supposed to be universal; yet they are often made to feel trivial and nit-picking if they object. But look at it this way: Would a man feel included in “womankind”? Would he refer to himself as “chairwoman,” “Congresswoman,” or “Mr. Mary Smith”? If a male student earned a “Spinster of Arts” degree, a “Mistress of Science,” or had to apply for a “Sistership,” would he feel equal in academia? If men had grown up seeing God portrayed only as Mother and She, would they feel an equal godliness within themselves?
”
”
Gloria Steinem (Revolution from Within)
“
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
”
”
P.C. Cast (Revealed (House of Night #11))
“
How quiet is the house when the mistress has gone.
You walk in, and the same smell is a comfort to you, the air on your cheek has the same feel, the fire makes the same noise, the china plates on the dresser shelves laugh at you as they always did, and the clock is still as loud as he always was with his heels on the road of Time.
But a warmness is missing, a briskness, that moved as soon as the latch was lifted, and those sounds that followed, the rattle of the teacaddy, the crunch of the lid, the chime of spoons in saucers, the poking of the fire, and the hot hurry of scalding water upon tea leaves, are gone, too.
”
”
Richard Llewellyn (How Green Was My Valley)
“
Utena! Who do you like, Anthy Himeniya or me?”
“Wakaba, what are you talking—“
“Don’t you see? You’re always with Anthy these days. I don’t like it! I belong to you!”
“Wakaba, you’re my dearest friend. C’mon…don’t cry.”
“Then what about Anthy Himeniya?”
“How to put it…Himeniya is kind of like family. When I’m with her and Chu-Chu…I feel at peace. Like I don’t have to say or do anything…”
“Hmph! Isn’t that the sort of thing…that married people would say?”
“Wakaba…”
“That’s even worse, Utena! That means Anthy Himeniya—is your wife!”
“Well…she is my Rose Bride…but I can’t tell her that…”
“If that’s how you want it, fine! I’ll be the mistress. And I’ll just fight the legal wife over you!”
“Wakaba!
”
”
Chiho Saito (Revolutionary Girl Utena, Vol. 3: To Sprout)
“
He shook his head. “Most men have never attempted to look past your exterior show, let alone actually seen past it. And to their detriment, for to know you, even as little as you allow me, is a gift. You are intelligent, focused and as strong as any man I’ve ever known. Those things did not happen from some magical wave of a wand. They must have been built from a foundation of some kind.” She stared at him, surprised that her eyes filled briefly with tears. He loved her, truly loved her. With the kind of depth of feeling she had scoffed at in books or pretended only existed for others as she watched her best friends find love and true happiness with their husbands. It made the fact they could not truly be together all the more unfair.
”
”
Jess Michaels (Her Perfect Match (Mistress Matchmaker, #3))
“
Marketa really desired, with both her body and her senses, the women she considered Karel's mistresses. And she also desired them with her head: fulfilling the prophecy of her old math teacher, she wanted - at least to the limits of the disastrous contract - to show herself enterprising and playful, and to astonish Karel.
But as soon as she found herself naked with them on the wide daybed, the sensual wanderings immediately vanished from her mind, and seeing her husband was enough to return her to her role, the role of the better one, the one who is wronged, Even when she was with Eva, whom she loved very much and of whom she was not jealous, the presence of the man she loved too well weighed heavily on her, stifling the pleasure of the senses.
The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her.
But here the headless body interrupted his movements and, in a voice that reminded her unpleasantly of Karel's, uttered unbelievably idiotic words: "I'm Bobby Fischer! I'm Bobby Fischer!"
It was like being awakened from a dream. And just then, as she lay snuggled against Eva (as the awakening sleeper snuggles against his pillow to hide from the dim first light of day), Eva had asked her, "All right?" and she had consented with a sign, pressing her lips against Eva's. She had always loved her, but today for the first time sh loved her with all her senses, for herself, for her body, and for her skin, becoming intoxicated with this fleshly love as with a sudden revelation.
Afterward, while they lay side by side on their stomachs, with their buttocks slightly raised, Marketa could feel on her skin that the infinitely efficient body was again fixing its eyes on hers and at any moment was going to start again making love to them. She tried to ignore the voice talking about seeing beautiful Mrs. Nora, tried simply to be a body hearing nothing while lying pressed between a very soft-skinned girlfriend and some headless man.
”
”
Milan Kundera (The Book of Laughter and Forgetting)
“
How times changed, between the older ages and the new! Some seventeen or eighteen centuries ago, the ignorant men of Rome were wont to put Christians in the arena of the Coliseum yonder, and turn the wild beasts in upon them for a show. It was for a lesson as well. It was to teach the people to abhor and fear the new doctrine the followers of Christ were teaching. The beasts tore the victims limb from limb and made poor mangled corpses of them in the twinkling of an eye. But when the Christians came into power, when the holy Mother Church became mistress of the barbarians, she taught them the error of their ways by no such means. No, she put them in this pleasant Inquisition and pointed to the Blessed Redeemer, who was so gentle and so merciful toward all men, and they urged the barbarians to love him; and they did all they could to persuade them to love and honor him--first by twisting their thumbs out of joint with a screw; then by nipping their flesh with pincers--red-hot ones, because they are the most comfortable in cold weather; then by skinning them alive a little, and finally by roasting them in public. They always convinced those barbarians. The true religion, properly administered, as the good Mother Church used to administer it, is very, very soothing. It is wonderfully persuasive, also. There is a great difference between feeding parties to wild beasts and stirring up their finer feelings in an Inquisition. One is the system of degraded barbarians, the other of enlightened, civilized people. It is a great pity the playful Inquisition is no more.
”
”
Mark Twain (The Innocents Abroad)
“
get out on the rocks or the fields or the water and spout them." Captain Jim had come up that afternoon to bring Anne a load of shells for her garden, and a little bunch of sweet-grass which he had found in a ramble over the sand dunes. "It's getting real scarce along this shore now," he said. "When I was a boy there was a-plenty of it. But now it's only once in a while you'll find a plot—and never when you're looking for it. You jest have to stumble on it—you're walking along on the sand hills, never thinking of sweet-grass—and all at once the air is full of sweetness—and there's the grass under your feet. I favor the smell of sweet-grass. It always makes me think of my mother." "She was fond of it?" asked Anne. "Not that I knows on. Dunno's she ever saw any sweet-grass. No, it's because it has a kind of motherly perfume—not too young, you understand—something kind of seasoned and wholesome and dependable—jest like a mother. The schoolmaster's bride always kept it among her handkerchiefs. You might put that little bunch among yours, Mistress Blythe. I don't like these boughten scents—but a whiff of sweet-grass belongs anywhere a lady does." Anne had not been especially enthusiastic over the idea of surrounding her flower beds with quahog shells; as a decoration they did not appeal to her on first thought. But she would not have hurt Captain Jim's feelings for anything; so she assumed a virtue she did not at first feel, and thanked him heartily. And when Captain Jim had proudly encircled every bed with a rim of the big, milk-white shells, Anne found to her surprise that she liked the effect.
”
”
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
“
But when she got up it was quite light, and it turned out to be half past nine. There had been a heavy fall of snow in the night; the trees were clothed in white, and the air was particularly light, transparent, and tender, so that when Anna Akimovna looked out of the window her first impulse was to draw a deep, deep breath. And when she had washed, a relic of faraway childish feelings—joy that today was Christmas—suddenly stirred within her. After that she felt lighthearted, free, and pure in soul, as though her soul, too, had been washed or plunged in the white snow. Masha came in, dressed up and tightly laced, and wished her a happy Christmas; then she spent a long time combing her mistress’s hair and helping her to dress. The fragrance and feeling of the new, gorgeous, splendid dress, its faint rustle, and the smell of fresh scent, excited Anna Akimovna.
”
”
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
“
I got what I wanted, I guess. I’m here, in this home that I worked so hard to insulate from the problems of the world, our happy little bubble. The girls have their father every night. Adam has a newfound respect for me, the New Rachel, for the glittering, sharp edge that’s emerged like a razor in the grass. When I think about my old self, I feel pity and yearning at the same time. Poor Old Rachel, the sweet, naive idiot. And lucky Old Rachel, so completely happy. There’s one niggling thought I can’t shake, one that keeps me awake at night. What would I tell my daughters if they came to me with the news that their husband had a mistress? That he told her, my precious daughter, that sex with the other woman was amazing? Stay and work things out. Oh, and get that STD panel ASAP, darlings! But do stay. Take all that hurt and betrayal and just ball it up and swallow it. Want to bake cookies?
”
”
Kristan Higgins (If You Only Knew)
“
You have no idea what this country truly is, my carefree young mistress. You've only shed tears for another dress you could not get, another dance you were denied, another piece of jewelry you lost. Do you know what starvation can do to a proud soul? Do you know the thoughts that injustice can bring to the innermost parts of a person's mind? No. You avoid beggars on the street as if they are plagues - instead of humans who wish they could be born to your birth; you enjoy your winter ice cream by the fireplace while hundreds of those ones whom you call 'dregs' are freezing to death on the street; you enjoy the feeling of superiority you get from bestowing your charity on those who receive it in trade for their pride. You don't care to give a thought to their pain or frustration when they have to wear their ingratiating smile as a mask. This world judges people not by their deeds, their talents, or their morals - only by their birth and wealth.
”
”
Catherine Aerie (The Dance of the Spirits)
“
Ever since my school days I've always taken a scunner to businessmen. They'll do anything for money. They are, after all, what they used to be called in the good old days; the very dregs of society." My master, with a businessman right there in front of him, indulges in tactlessness.
"Oh, have a heart. They arent always like that. Admittedly there's a certain coarseness about them; for there's no point in even trying to be a businessman unless your love for money is so absolute that you're ready to accompany it on the walk to a double suicide. For money, believe you me, is a hard mistress and none of her lovers are let off lightly. As a matter of fact, I've just been visiting a businessman and according to him, the only way to succeed is to practice the 'triangle technique': try to escape your obligations, annihilate your kindly feelings, and geld yourself of the sense of shame. Try-an-geld. You get it? Jolly clever, don't you think?"
"What awful fathead told you that?
”
”
Natsume Sōseki
“
What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily.
“I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer.
“I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience.
The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush.
“Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing.
He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards.
I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.
”
”
Erica Chilson (Jaded (Mistress & Master of Restraint, #5))
“
He nodded. “From the first moment I saw you, I wanted you. It was the night of the Nethercourt gathering three years ago. You wore a green gown and your eyes seemed to be alive with color. You entered the room and I had to have you… I would have had you, except that Owen told me you were his new mistress.”
Mariah blinked in increasing disbelief at the detail John could recount of the night of their first meeting. “I—I had no idea of your feelings.”
“Of course not.” John frowned. “I made certain you did not, nor did Owen. I would not have betrayed him in such a manner. But my desire for you never decreased. Although I suppose that fact is rather clear since I have taken you not once, but twice in recent days. And without much finesse either time, for which I apologize.”
Mariah set her cup away and leaned back in the chair to stare at him. “You act as though I received no pleasure from those encounters. I assure you, I did. A great deal, both times.”
He smiled, almost in relief. “Good. I would hate to think I have left a poor impression.
”
”
Jess Michaels (For Desire Alone (Mistress Matchmaker, #2))
“
Meantime, let me ask myself one question—Which is better?—To have surrendered to temptation; listened to passion; made no painful effort—no struggle;—but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester’s mistress; delirious with his love half my time—for he would—oh, yes, he would have loved me well for a while. He did love me—no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace—for never to any one else shall I seem to possess these charms. He was fond and proud of me—it is what no man besides will ever be.—But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool’s paradise at Marseilles—fevered with delusive bliss one hour—suffocating with the bitterest tears of remorse and shame the next—or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England?
”
”
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
“
But Pastor Prince, doesn't such preaching just make believers feel that it is all right to go on sinning?"
Let me ask you a question: when a truly born-again believer knows that he is forgiven of all his sins, does he go, "Yippee! Now I can go sin all I want"?
I submit to you that no true believer of Jesus is looking for an excuse to sin. Many may be struggling with sin, but they are looking for a way out. They know that what they are doing is self-destructive and not glorifying to their Lord and Savior.
"Oh, Pastor Prince, I know of so-and-so, who says he is under grace, and now he has left his wife to be with his mistress."
Friend, let me be the first to tell you that this person isn't living under grace. The Word of God tells us in no uncertain terms that "sin shall not have dominion over you, for you are not under law but under grace" (Rom. 6:14).
This Scripture shows us that when a person is truly under grace, he is not ruled by sin, nor does he happily continue to live a sinful lifestyle. Notice that it also tells us that the way to be liberated from sin's dominion is to come under grace.
”
”
Joseph Prince (Grace Revolution: Experience the Power to Live Above Defeat)
“
Meantime, let me ask myself one question—Which is better?—To have surrendered to temptation; listened to passion; made no painful effort—no struggle;—but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester’s mistress; delirious with his love half my time—for he would—oh, yes, he would have loved me well for a while. He did love me—no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace—for never to any one else shall I seem to possess these charms. He was fond and proud of me—it is what no man besides will ever be.—But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool’s paradise at Marseilles—fevered with delusive bliss one hour—suffocating with the bitterest tears of remorse and shame the next—or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance!
”
”
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
“
After many years the woman died, of natural causes. And a few years after that, the ogre died. Eventually, his mistresses died, down on the ground, in the people village, over decades. The war men and women died. The human girl who had escaped her early death died, across the land, over by the ocean, in her shack of blue bowls and rocking chairs. The witch, who had originally made the cake and made up up the spell and given it as a gift to her beloved ogre friend, died.
The cake went on and on. Time passed...
And the cake, always wanting to please, the cake who had found a way to survive its endlessness by recreating its role over and over again, tried to figure out, in its cake way, what this light-dappled object might want to eat. So it became darkness, a cake of darkness. It did not have to be human food. It did not have to be digestible through a familiar tract. It lay there on the dirt, waiting, a simmering cake of darkness. Through time, and wind, and earthquakes, and chance. At last the cloak fell out of the tree and blew across the land and happened upon the cake where it ate its darkness and extinguished its own dappled light. The cloak disappeared into night and was not seen again, as it was only a piece of coat shaped darkness now and could not be spotted so easily, had there been any eyes left to see it. It floated and joined with nowhere.
Darkness was overtaking everything, anyway, pouring over the land and sky. The cake itself, still in the shape of darkness, sat on the hillside.
'What's left?' said the cake.
It thought in blocks of feeling. It felt the thick darkness all around it.
'What is left to eat me, to take me in?'
Darkness did not want to eat more darkness, not especially. Darkness did not care for carrot cake, or apple pie. Darkness did not seem interested in a water cake or a cake of money. Only when the cake filled with light did it come over. The darkness circling around the light, devouring the light. But the cake kept refilling, as we know. This is the spell of the cake. And the darkness eating light, and again, light, and again, light, lifted.
”
”
Aimee Bender (The Color Master: Stories)
“
As Oliver and Freddy pulled away from the Blue Swan, Oliver paid little heed to the lad’s chatter about his spectacular meal. All he could hear was Maria calling him my lord, as if she hadn’t just been trembling in his arms.
And the look on her face! Had she been insulted? Or just ashamed? How the devil had she stayed so collected, when he’d felt ready to explode after seeing her find her pleasure so sweetly in his arms? He’d actually come in his trousers, like a randy lad with no control over his urges. Now he had to keep his cloak buttoned up until he could reach Halstead Hall and change his clothes.
She’d made light of their encounter, damn her. Though I thank you for the lesson in passion…Had it meant nothing more to her? Apparently not, since she’d said, It isn’t something we should repeat.
Though the idea grated, she was right. They should stay apart, for his sake as well as hers. He’d actually offered to make her his mistress! He, who’d never kept a mistress in his life, who’d joked to his friends that mistresses were more trouble than they were worth since one woman was as good as another.
He’d always been driven by the fear that a mistress might tempt him to let down his guard and reveal his secrets. Then even his family would desert him, and he couldn’t bear that.
Even with his friends, he kept the strongbox of his secrets firmly closed. But with Maria…
He stared out the window, trying to figure out at what point in their conversation he’d lost all good sense. Had it been when she’d said she didn’t believe the gossip about him? Or before that, when she’d chastised Pinter for telling it to her?
No. Astonishing as those things had been, what had prompted his rash offer was the lost look on her face after he’d pointed out that Hyatt might not wish to be found. Even now he could see the fear rising in her eyes, much like the fear he’d seen in Mother’s eyes-of being inconsequential, unwanted.
And suddenly he’d desired nothing more than to make Maria feel wanted.
Not that he’d succeeded very well. She could hardly be flattered that he wanted her only for a mistress. He hadn’t meant it to insult her-he’d just been utterly swept up in the idea of her and him in a cottage together somewhere, without the rest of the rest of the world to muddy their lives.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Cassie,” I growl at the young brunette. “How’s the sobriety?”
Alex brought the submissive to us. She’s an addict that he councils at Transcend. I don’t want to be mean to her right now, especially since my best friend brought her here, but I’m furious and she’s an outlet. She can’t strike back.
“Ninety days sober,” she says with pride.
“That’s awesome,” I say enthusiastically and smile at her. “I love how we have to give fuck ups a medal when they behave. I would think it should go to those who never fuck up. What’s the incentive to behave if all you have to do is get shit-faced and steal shit for years and then ninety days on the straight-and-narrow we have to pat you on the back for being a good girl,” I say in a saccharine voice.
She gazes at me with huge, glassy brown eyes. I can see the tears forming. Cassie worries her full bottom lip between her teeth and tries not to blink.
“But hey, what do I know. It just seems like the system is flawed. The good little boys and girls just don’t get the recognition that a crack-whore thief gets,” I shrug.
Cassie blinks and the surface of her tears breaks and they finally slide down her cheeks in shame.
“But go you!” I shout sarcastically. I give her a thumbs up and walk down the hall.
“Cold… that was just cold, dude,” Alex chuckles at me.
That was so bad that I have to laugh or I’d puke. I shake my head as my belly contracts from laughter.
“Score on my newest asshattery?” I ask my partner in crime. If I didn’t have him I’d scream. I’ll owe Master Marcus forever. He stripped me bare until Font was naked in the impact room at Brownstone I trained in. Alex walked in and shook my hand- instant best friend.
“Ah…” He taps his chin in thought and the bastard tucks his black hair behind his ear. I growl at him because he did it on purpose. He knows how much I miss the feel of my hair swinging at my jawline.
Alex arches a perfect brow above his aqua eye and smirks. He runs his hands through his hair and groans in pleasure.
“8.5. It was a decent attempt, but you pulled your hit. You’re too soft. I bet you were scared you’d make her relapse.”
“Yeah,” I say bashfully.
“Not happening, bud. I’m just that fucking good. I better go do some damage control. Don’t hurt any more subs. Pick on the big bastards. They may bite back, but their egos are delicate.
”
”
Erica Chilson (Dalton (Mistress & Master of Restraint, #4))
“
Gentleman,” I purr smoothly in greeting.
Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable.
While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress.
I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait.
“Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing.
No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy.
“I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot.
“And who are you, Ma’am?” Ezra asks respectfully.
“Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling.
“Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment.
I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely.
“What did you say to upset her?” Ezra accuses Cortez.
“Nothing,” Cort complains in confusion.
“Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
”
”
Erica Chilson (Queened (Mistress & Master of Restraint, #6))