Mistress And Wife Quotes

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A woman should be able to kiss a man beautifully and romantically without any desire to be either his wife or his mistress.
F. Scott Fitzgerald (The Beautiful and Damned)
Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other
Anton Chekhov
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
Stephen Fry
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
David Benioff (City of Thieves)
I felt hot under my Mutton sleeves. "I just wish he'd have the decency to say whatever he came to say in front of his wife." "Perhaps his wife is busy today." "She shouldn't be." His wife should track him like a bloodhound.
Diana Forbes (Mistress Suffragette)
You’re far too prickly tempered to be a mistress. You’re far better suited as a wife.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Behold your new mistress, my wife," he pronounced, "and know that when she bids you, I have bidden you. What service you render her, you are rendering me. What loyalty you give or withhold from her, you give or withhold from me!" -Royce Westmoreland
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
Don't say 'wife.' I'm your mistress. Wife's such an ugly word. Your 'permanent mistress' is so much more tangible and desirable… .
F. Scott Fitzgerald (The Beautiful and Damned)
Modern civilization has made woman a little wiser, but it has increased her suffering because of man's covetousness. The woman of yesterday was a happy wife, but the woman of today is a miserable mistress. In the past she walked blindly in the light, but now she walks open-eyed in the dark. She was beautiful in her ignorance, virtuous in her simplicity, and strong in her weakness. Today she has become ugly in her ingenuity, superficial and heartless in her knowledge. Will the day ever come when beauty and knowledge, ingenuity and virtue, and weakness of body and strength of spirit will be united in a woman?
Kahlil Gibran (Broken Wings)
When a man takes a mistress, he doesn't turn around and divorce his wife.
Arthur Golden (Memoirs of a Geisha)
Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other. Though it is irregular, it is less boring this way, and besides, neither of them loses anything through my infidelity.
Anton Chekhov
Silent as a flower, her face fell in dismay, aware that the ghost of lust ate and left, sensing that there was a different scent of perfume consuming the room, and that she had numbered and counted the he loves me, he loves me not of each petal, where the lifeless dust had settle.
Anthony Liccione
Why would a man need both a wife and a mistress? A smart man would seek out and fall in love with a woman who can play both.
Brenda Jackson (Delaney's Desert Sheikh (The Westmorelands, #1))
So, " Nathan said, attention focused on Adrian, "now that Vasilisa's graduated, what are you going to do with yourself? You aren't going to keep slumming with high school students, are you? There's no point in you being there anymore. " "I don't know, " said Adrian lazily. "I kind of like hanging out with them. They think I'm funnier than I really am. " "Unsurprising, " his father replied. "You aren't funny at all. It's time you do something productive. If you aren't going to go back to college, you should at least start sitting in on some of the family business meetings. Tatiana spoils you, but you could learn a lot from Rufus. " "True, " said Adrian deadpan."I'd really like to know how he keeps his two mistresses a secret from his wife. " "Adrian!" snapped Daniella, a flush spilling over her pale cheeks
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.
Vladimir Nabokov (Laughter in the Dark)
A man of the Night's Watch lives his life for the realm. Not for a king, nor a lord, nor the honor of this house or that house, neither for gold nor glory nor a woman's love, but for the realm, and all the people in it. A man of the Night's Watch takes no wife and fathers no sons. Our wife is duty. Our mistress is honor. And you are the only sons we shall ever know.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The lover thinks oftener of reaching his mistress than the husband thinks of guarding his wife; the prisoner thinks more often of escape than the jailer thinks of locking the doors. Therefore, in spite of every obstacle, the lover and the prisoner are certain to succeed.
Stendhal (The Charterhouse of Parma)
Lepida, has anyone ever told you that you're a cruel spiteful selfish slut?...You're vicious. You're unprincipled. You mistreat your slaves and abuse your daughter. And furthermore you're the worst, most neglectful, most criminal wife in Rome. I think we can go now.
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
The larger the diamonds, the older the wife, the more the mistress.
Kevin Kwan (China Rich Girlfriend (Crazy Rich Asians, #2))
Hortense was a wife; Valerie a mistress. Many men desire to have these two editions of the same work, although it is proof of deep inferiority in a man if he cannot make his wife his mistress. Seeking variety is a sign of impotence.
Honoré de Balzac (Cousin Bette)
One never owns a book. It sits on your shelf in a fine edition like a piece of furniture, and you are its admiring ward until it flies off from you in a time of financial hardship. If it is a tattered paperback, she is your casual mistress you use a few times. If you have read it a hundred times then it is your wife, and a source of infinite mystery.
Bauvard (Morsels)
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
And my wife…well, I guess she’d earned her scene with me, but still; did she really have that much reason to be angry? I mean, when she married me she knew what she was getting into, didn’t she? She had been my mistress, for Chrissake! That spoke volumes, didn’t it”?
Jordan Belfort (The Wolf of Wall Street (The Wolf of Wall Street, #1))
A wife is meant to be cherished and to be treated with a gentle hand, while a mistress is a convenient cunt to rut in.
Sylvia Day (The Stranger I Married)
Everybody who flashed the signs of loyalty he took to be loyal. Everybody who flashed the signs of intelligence he took to be intelligent. And so he had failed to see into his daughter, failed to see into his wife, failed to see into his one and only mistress—probably had never even begun to see into himself
Philip Roth (American Pastoral)
To be the mistress of a married man is to have the better role. Do you realize? His dirty shirt, his disgusting underwear, his daily ironing, his bad breath, his hemorrhoid attacks, his fuss, not to mention his bad moods, and his tantrums. Well all that is for his wife. When a married man comes to his mistress... he's always bleached and ironed, his teeth sparkle, his breath is like perfume, he's in a good mood, he's full of conversation, he is there to have a good time with you.
Marjane Satrapi (Embroideries)
A wife who discomforts you with truth is better than a mistress who massages you with lies.
Matshona Dhliwayo
You can never be sure of what has passed between husband and wife or lover and mistress. There's always a little corner which remains a secret to the world and is only known to those two.
Fyodor Dostoevsky
Bold words, befitting the mistress of the Montgomery clan,” Graeme said in approval. “Come, wife. Let’s go home. I have a need to show my lass just how much her laird loves her.
Maya Banks (Never Seduce a Scot (The Montgomerys and Armstrongs, #1))
Intelligence is the wife, imagination is the mistress, memory is the servant.
Victor Hugo
Consciousness may be seen as the haughty and restless second cousin of morphology. Memory is its mistress, perception its somewhat abused wife, logic its housekeeper, and language its poorly paid secretary
Gerald M. Edelman
We don't really want to get what we think that we want. I am married to a wife and relationship with her are cold and I have a mistress. And all the time I dream oh my god if my wife were to disappear - I'm not a murderer but let us say- that it will open up a new life with the mistress.Then, for some reason, the wife goes away, you lose the mistress. You thought this is all I want, when you have it there, you turn out it was a much more complex situation. It was not to live with the mistress, but to keep her as a distance as on object of desire about which you dream. This is not an excessive example, I claim this is how things function. We don't really want what we think we desire
Slavoj Žižek
Debbie often talked about Gretchen as if she was his mistress. But to Archie it sometimes felt like the other way around. As if, by moving back in with his ex-wife, he was cheating on Gretchen. That was probably worthy of bringing up in therapy
Chelsea Cain (Sweetheart (Archie Sheridan & Gretchen Lowell, #2))
It is written that a wife shall be submissive to her husband. It is nowhere written that his mistress should be.
Jóhann Sigurjónsson (The Wish)
Virtue will cut your head off, vice will only cut your hair.
Honoré de Balzac (Cousin Bette)
doubt is a good servant but a bad master; a perfect mistress, but a nagging wife.
Aleister Crowley (The Book of Lies)
You see, Ross, in every right marriage, in every good marriage a woman has to be three things, don't she? She's got to be a wife and look after a man's comforts in the way a man should be looked after. Then she's got to bear his children and get all swelled up like a summer pumpkin and then often-times feed them after and smell of babies and have them crawling all about her . . . But then, third, she has also to try and be his mistress at the same time; someone he is still interested in; someone he wants, not just the person who happens to be there and convenient; someone a bit mysterious . . . someone whose knee or -- or shoulder he wouldn't instantly recognize if he saw it beside him in bed. It's -- it's impossible.
Winston Graham (The Black Moon (Poldark, #5))
Sir, your wife is living; that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress; to say otherwise is sophistical -- is false.
Charlotte Brontë (Jane Eyre)
I have been taking stock of my 50 years since I left Wichita in 1922 at the age of 15 to become a dancer with Ruth St. Denis and Ted Shawn. How I have existed fills me with horror. For I have failed in everything -- spelling, arithmetic, riding, tennis, golf; dancing, singing, acting; wife, mistress, whore, friend. Even cooking. And I do not excuse myself with the usual escape of 'not trying.' I tried with all my heart.
Louise Brooks
He stared at her and his smile slowly faded. He put his hands on his hips. He took a deep breath and felt tears gather in his eyes. “You’re all I need to be happy, Shelby,” he said. “You’re everything I need…” He actually surprised her. Her arms dropped from over her chest and she gaped at him for a second. “You’re everything,” he said. “It scares me to death, but I want it all with you. I want you for life. I want what you want, and I want it right now. Everything, Shelby. I want you to be the lead in my shoes that keeps me on the ground. The mother of my children. My best friend, my wife, my mistress. It’s a tall order.” He took a breath. “If you won’t quit, I won’t.
Robyn Carr (Temptation Ridge (Virgin River, #6))
There are no whores in Scaithe’s Ebb, or none that consider themselves as such, although there have always been many women who, if pressed, would describe themselves as much-married, with one husband on this ship here every six months, and another husband on that ship, back in port for a month or so every nine months. The mathematics of the thing have always kept most folk satisfied; and if ever it disappoints and a man returns to his wife while one of her other husbands is still in occupancy, why, then there is a fight — and the grog shops to comfort the loser. The sailors do not mind the arrangement, for they know that this way there will, at the least, be one person who, at the last, will notice when they do not come back from the sea, and will mourn their loss; and their wives content themselves with the certain knowledge that their husbands are also unfaithful, for there is no competing with the sea in a man’s affections, since she is both mother and mistress, and she will wash his corpse also, in time to come, wash it to coral and ivory and pearls.
Neil Gaiman (Stardust)
Intelligence is the wife, imagination is your mistress and memory is your slave.
Victor Hugo
No!" he cried and his face pinched with frustration and pain. "I don't want to hear more reasons why we shouldn't be together. No more confessions to explain why you want to run away from what we share." "Julian," she attempted to interrupt again, but he held up a trembling hand. His dark gaze held hers. "I have moved heaven and earth to bring you back to me. I refuse to let you leave again. You are mine and you shall be mine for the rest of my life. Not as my mistress, but as my wife. And if you don't say yes, I shall be forced to drag you into Hyde Park and make love to you in plain view of everyone. Then you will have to accept my proposal in order to save your reputation." His face softened. "I love you, Cecilia.
Jess Michaels (Undeniable)
An Army wife is probably the only woman in the world who knows and readily accepts that she is the mistress, because, let’s face it, the Army is the wife and the wife gets all the damn attention!
Aditi Mathur Kumar (Soldier and Spice - An Army Wife's Life)
For as much as Hillary Clinton might hate admitting this about Monica Lewinisky, Eleanor Roosevelt about Missy Le Hand, Queen Alexandra about Lillie Langtry, Lady Nelson about Emma Hamilton, or Jackie about Marilyn, the reality is that despite their intrinsic animosity toward each other, on a a deep level, the wife and the mistress generally have far more in common than they might care to admit and could, had fate dealt them different cards, even been true friends.
Wendy Leigh (The Secret Letters: of Marilyn Monroe and Jacqueline Kennedy)
I’m suggesting that you let someone inside that empty room you call a heart. Whether you make her your wife or your mistress, a man’s bed is decidedly warmer if there’s a fire burning in something other than his cock.
Sabrina Jeffries ('Twas the Night after Christmas (Hellions of Halstead Hall, #6; The Duke's Men, #0.5))
I hate being predictable.” “I believe they call that classy.
Ariel Lawhon (The Wife, the Maid, and the Mistress)
One is bound to one's wife, but has a bond to one's mistress.
Peter Prange (The Philosopher's Kiss)
When out driving with his mistress, a gentleman places her at his left hand so that everyone he meets will know she is not his wife.
Carol Wallace (To Marry an English Lord)
You have not been yourself all day," said Henry, and rose from his seat with face unmoved. Margaret rushed at him and seized both his hands. She was transfigured. "Not any more of this!" she cried. "You shall see the connection if it kills you, Henry! You have had a mistress—I forgave you. My sister has a lover—you drive her from the house. Do you see the connection? Stupid, hypocritical, cruel—oh, contemptible!—a man who insults his wife when she's alive and cants with her memory when she's dead. A man who ruins a woman for his pleasure, and casts her off to ruin other men. And gives bad financial advice, and then says he is not responsible. These men are you. You can't recognise them, because you cannot connect. I've had enough of your unneeded kindness. I've spoilt you long enough. All your life you have been spoiled. Mrs. Wilcox spoiled you. No one has ever told what you are—muddled, criminally muddled. Men like you use repentance as a blind, so don't repent. Only say to yourself, 'What Helen has done, I've done.
E.M. Forster (Howards End)
For a good wife contains so many persons in herself. What was H. not to me? She was my daughter and my mother, my pupil and my teacher, my subject and my sovereign; and always, holding all these in solution, my trusty comrade, friend, shipmate, fellow-soldier. My mistress; but at the same time all that any man friend (and I have good ones) has ever been to me. Perhaps more.
C.S. Lewis (A Grief Observed)
I miss being a mistress. I enjoyed it. I loved it, in fact. I never felt guilty. I pretended I did. I had to, with my married girlfriends, the ones who live in terror of the pert au pair or the pretty, funny girl in the office who can talk about football and spends half her life in the gym. I had to tell them that of course I felt terrible about it, of course I felt bad for his wife, I never meant for any of this to happen, we fell in love, what could we do?
Paula Hawkins (The Girl on the Train)
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself. Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city. With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
Jane Austen (Pride and Prejudice)
The very decided manner with which he spoke, and strove to impress his wife with the evil consequences of giving me instruction, served to convince me that he was deeply sensible of the truths he was uttering. It gave me the best assurance that I might rely with the utmost confidence on the results which, he said, would flow from teaching me to read. What he most dreaded, that I most desired. What he most loved, that I most hated. That which to him was a great evil, to be carefully shunned, was to me a great good, to be diligently sought; and the argument which he so warmly urged, against my learning to read, only served to inspire me with a desire and a determination to learn. In learning to read, I owe almost as much to the bitter opposition of my master, as to the kindly aid of my mistress. I acknowledge the benefit of both.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Che abandoned his first wife, Hilda, a Peruvian woman of Indian extraction, for a taller, blonder trophy wife (also named Aleida). Their 1959 wedding in Havana was the social event of the year and featured Raul Castro as "best man." After he married Aleida, Che would continue to "upgrade" his women, taking the worldly Tamara "Tania" Bunke, born of German parents in Argentina, as his mistress.
Humberto Fontova (Exposing the Real Che Guevara: And the Useful Idiots Who Idolize Him)
She might be furious at such things, jealous too on a purely human level; but she would never consider that the position of mistress could or would be converted into that of wife. That to Isabella – or her daughter – was quite unthinkable.
Antonia Fraser (The Six Wives Of Henry VIII (WOMEN IN HISTORY))
In the act of creation there is always, it seems, an awful selfishness. So Dickens's wife and mistress had to suffer so that dickens could make his novels and his fortune. At least a bank manager's money is not so tainted by egotism. Mine was not a destructive profession. A bank manager doesn't leave a trail of the martyred behind him.
Graham Greene (Travels with My Aunt)
Strike me silly,' said Mr Owens, 'if that isn't a baby.' 'Of course it's a baby,' said his wife. And the question is, what is to be done with it?' 'I dare say that is a question, Mistress Owens,' said her husband. 'And yet, it is not our question. For this here baby is unquestionably alive, and as such is nothing to do with us, and is no part of our world.
Neil Gaiman (The Graveyard Book)
A woman should be able to kiss a man beautifully and romantically without any desire to be either his wife or his mistress." As
F. Scott Fitzgerald (The Beautiful and Damned)
Don't say wife. I'm your mistress. Wife's such un ugly word.
F. Scott Fitzgerald (The Beautiful and Damned)
I will not endure a wife who tells me to go back to a mistress. I will not have a wife who refuses to demand explanations.
Meredith Duran (A Lady's Code of Misconduct (Rules for the Reckless, #5))
In innumerable cases, the woman fell in love, not with the man, but with the lifestyle that came with being his girlfriend, wife, or mistress.
Mokokoma Mokhonoana (On Friendship: A Satirical Essay)
On the lowest level, this loss of soul turns the man into the hen-pecked husband who lives with his wife as though she were his mother upon whom he is solely dependent in all things having to do with emotions and the inner life. But even the relatively positive case where the woman is the mistress of the inner domain and mother of the home who simultaneously has the responsibility for dealing with all the man's questions and problems having to do with emotions and the inner life, even this leads to a lack of emotional vitality and sterile one-sidedness in the man. He discharges only the "outer" and "rational" affairs of life, profession, politics, etc. Owing to his loss of soul, the world he has shaped becomes a patriarchal world that, in its soullessness, presents an unprecedented danger for humanity. In this context we cannot delve further into the significance of a full development of the archetypal feminine potential for a new, future society.
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
No, I've neither wife nor progeny, Miss Plum. I've often tried to get married, but something always prevented. Sometimes everyone was willing but the girl herself. Sometimes nobody was willing.
L.M. Montgomery (Mistress Pat (Pat, #2))
but never try to answer for what is between a husband and his wife, or a lover and his mistress. There is always one little corner which remains hidden from all the world, and is known only to the two of them.
Fyodor Dostoevsky (Crime and Punishment)
I had a teacher at school who told me once that I was a mistress of self-reinvention. I didn't know what he was on about at the time, I thought he was putting me on, but I've since come to like the idea. Runaway, lover, wife, waitress, gallery manager, nanny, and a few more in between. So who do I want to be tomorrow?
Paula Hawkins
Mrs. Ackerley,” Mather said stiffly. “Have a care for your reputation. People might put it about that you’re his mistress.” By people, Mather likely meant himself. Before Beth could answer, Ian said quietly, “Beth is my wife.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair — which is somewhat dishevelled; and bathe your face — which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester — both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error — to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical — is false." "Jane, I am not a gentle-tempered man — you forget that: I am not long-enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and — beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity — looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet — that I may have the evidence of touch as well as sight, to prove you are near me — and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will.
Charlotte Brontë (Jane Eyre)
A critical analysis of the present global constellation-one which offers no clear solution, no “practical” advice on what to do, and provides no light at the end of the tunnel, since one is well aware that this light might belong to a train crashing towards us-usually meets with reproach: “Do you mean we should do nothing? Just sit and wait?” One should gather the courage to answer: “YES, precisely that!” There are situations when the only true “practical” thing to do is to resist the temptation to engage immediately and to “wait and see” by means of a patient, critical analysis. Engagement seems to exert its pressure on us from all directions. In a well-known passage from his ‘Existentialism and Humanism’, Sartre deployed the dilemma of a young man in France in 1942, torn between the duty to help his lone, ill mother and the duty to enter the war and fight the Germans; Sartre’s point is, of course, that there is no a priori answer to this dilemma. The young man needs to make a decision grounded only in his own abyssal freedom and assume full responsibility for it. An obscene third way out of this dilemma would have been to advise the young man to tell his mother that he will join the Resistance, and to tell his Resistance friends that he will take care of his mother, while, in reality, withdrawing to a secluded place and studying. There is more than cheap cynicism in this advice. It brings to mind a well-known Soviet joke about Lenin. Under socialism; Lenin’s advice to young people, his answer to what they should do, was “Learn, learn, and learn.” This was evoked all the time and displayed on the school walls. The joke goes: Marx, Engels, and Lenin are asked whether they would prefer to have a wife or a mistress. As expected, Marx, rather conservative in private matters, answers, “A wife!” while Engels, more of a bon vivant, opts for a mistress. To everyone’s surprise, Lenin says, “I’d like to have both!” Why? Is there a hidden stripe of decadent jouisseur behind his austere revolutionary image? No-he explains: “So that I can tell my wife that I am going to my mistress and my mistress that I am going to my wife. . .” “And then, what do you do?” “I go to a solitary place to learn, learn, and learn!” Is this not exactly what Lenin did after the catastrophe in 1914? He withdrew to a lonely place in Switzerland, where he “learned, learned, and learned,” reading Hegel’s logic. And this is what we should do today when we find ourselves bombarded with mediatic images of violence. We need to “learn, learn, and learn” what causes this violence.
Slavoj Žižek (Violence: Six Sideways Reflections)
A man has carried off your mistress, a man has seduced your wife, a man has dishonored your daughter; he has rendered the whole life of one who had the right to expect from heaven that portion of happiness God has promised to every one of his creatures, an existence of misery and infamy; and you think you are avenged because you send a ball through the head, or pass a sword through the breast, of that man who has planted madness in your brain, and despair in your heart.
Alexandre Dumas (The Count of Monte Cristo)
A tramp, therefore, is a celibate from the moment when he takes to the road. He is absolutely without hope of getting a wife, a mistress, or any kind of woman except — very rarely, when he can raise a few shillings — a prostitute. It is obvious what the results of this must be: homosexuality, for instance, and occasional rape cases. But deeper than these there is the degradation worked in a man who knows that he is not even considered fit for marriage. The sexual impulse, not to put it any higher, is a fundamental impulse, and starvation of it can be almost as demoralizing as physical hunger. The evil of poverty is not so much that it makes a man suffer as that it rots him physically and spiritually. And there can be no doubt that sexual starvation contributes to this rotting process. Cut off from the whole race of women, a tramp feels himself degraded to the rank of a cripple or a lunatic. No humiliation could do more damage to a man’s self-respect.
George Orwell (Down and Out in Paris and London)
There are four types of husbands. The husband who always wants to stay in in the evening, has no vices and works for a salary. Totally undesirable! The atavistic master whose mistress one is, to wait on his pleasure. This sort always considers every pretty woman “shallow,” a sort of peacock with arrested development. Next comes the worshiper, the idolaters of his wife and all that is his, to the utter oblivion of everything else. This sort demands an emotional actress for a wife. God! It must be an exertion to be thought righteous! And Anthony—a temporarily passionate lover with wisdom enough to realize when it has flown and that it must fly. And I want to get married to Anthony.
F. Scott Fitzgerald
To celebrate his prosperity, fellow employees and friends urged him to take a young concubine to "serve him". Even Ye Ye's boss, the London-educated K. C. Li, jokingly volunteered to "give" him a couple of girls with his bonus. Ye Ye reported all this in a matter-of-fact way in a letter to his wife, adding touchingly that he was a "one-woman man".
Adeline Yen Mah
What happiness there had been in those days! What freedom! What hope! What an abundance of illusions! She had none left now. Each new venture had cost her some of them, each of her successive conditions: as virgin, wife and mistress; she had lost them all along the course of her life, like a traveler who leaves some of his wealth at every inn along the road.
Gustave Flaubert (Madame Bovary)
I see that you have come to the last stage of human life; you are close upon your hundreth year, or even beyond: come now, hold an audit of your life. Reckon how much of your time has been taken up by a money-lender, how much by a mistress, a patron, a client, quarreling with your wife, punishing your slaves, dashing about the city on your social obligations. Consider also the diseases which we have brought on ourselves, and the time too which has been unused. You will find that you have fewer years than you reckon. Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind was undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left to you. You will realize that you are dying prematurely.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
That as my sister-in-law at Colchester had said, beauty, wit, manners, sense, good humour, good behaviour, education, virtue, piety, or any other qualification, whether of body or mind, had no power to recommend; that money only made a woman agreeable; that men chose mistresses indeed by the gust of their affection, and it was requisite to a whore to be handsome, well-shaped, have a good mien and a graceful behaviour; but that for a wife, no deformity would shock the fancy, no ill qualities the judgment; the money was the thing; the portion was neither crooked nor monstrous, but the money was always agreeable, whatever the wife was.
Daniel Defoe (Moll Flanders)
Dwayne Hoover, incidentally, had an unusually large penis, and didn’t even know it. The few women he had had anything to do with weren’t sufficiently experienced to know whether he was average or not. The world average was five and seven-eighths inches long, and one and one-half inches in diameter when engorged with blood. Dwayne’s was seven inches long and two and one-eighth inches in diameter when engorged with blood. Dwayne’s son Bunny had a penis that was exactly average. Kilgore Trout had a penis seven inches long, but only one and one-quarter inches in diameter... Harry LeSabre, Dwayne’s sales manager, had a penis five inches long and two and one-eighth inches in diameter. Cyprian Ukwende, the black physician from Nigeria, had a penis six and seven-eighths inches long and one and three-quarters inches in diameter. Don Breedlove, the gas-conversion unit installer who raped Patty Keene, had a penis five and seven-eighths inches long and one and seven-eighths inches in diameter. Patty Keene had thirty-four-inch hips, a twenty-six-inch waist, and a thirty-four-inch bosom. Dwayne’s late wife had thirty-six-inch hips, a twenty-eight-inch waist, and a thirty-eight-inch bosom when he married her. She had thirty- nine-inch hips, a thirty-one-inch waist, and a thirty-eight-inch bosom when she ate Dr‚no. His mistress and secretary, Francine Pefko, had thirty-seven-inch hips, a thirty-inch waist, and a thirty-nine-inch bosom. His stepmother at the time of her death had thirty-four-inch hips, a twenty-four-inch waist, and a thirty-three-inch bosom.
Kurt Vonnegut Jr. (Breakfast of Champions)
No, I have made sure of that over the past few weeks, hell, over the past few years. But I want to correct that. I…” He hesitated. “I love you, Mariah.” Her mouth dropped open and she stared at him. She was dreaming. Except when she pinched herself, she remained just where she was, only with a sore spot tingling her arm. “I do want a wife,” he continued. “To protect me as much as I protect her. To be a partner. A friend. A lover. That wife is you. It could only ever be you.
Jess Michaels (For Desire Alone (Mistress Matchmaker, #2))
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
Michel Tremblay
This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
Marcel Proust (In the Shadow of Young Girls in Flower)
Talent must be a fanatical mistress. She’s beautiful; when you’re with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence: your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she’s been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
David Benioff (City of Thieves)
I miss being a mistress. I enjoyed it. I loved it, in fact. I never felt guilty. I pretended I did. I had to, with my married girlfriends, the ones who live in terror of the pert au pair or the pretty, funny girl in the office who can talk about football and spends half her life in the gym. I had to tell them that of course I felt terrible about it, of course I felt bad for his wife, I never meant for any of this to happen, we fell in love, what could we do? The truth is, I never felt bad for Rachel.... She just wasn’t real to me, and anyway, I was enjoying myself too much. Being the other woman is a huge turn-on, there’s no point denying it: you’re the one he can’t help but betray his wife for, even though he loves her. That’s just how irresistible you are.
Paula Hawkins (The Girl on the Train)
Do you remember when everyone thought Bush (sr) had a mistress too"" he asks in the course of a Clinton era conversation. "But she was rumored to be someone wealthy and Waspy, of course...The problem here is the goddamn Democrats, who sleep down, you see. They love that white trash...And white trash loves publicity,so the Democrats are the ones who get into all the trouble. As opposed to the Republicans. They sleep up...Up, where all is Episcopalian and quiet as death itself, and no one ever has to hear a thing about it
Sue Miller (The Senator's Wife)
Nim looked aghast. “Of course not. Do you think my future wife would be a servant? No—it’s Number Seven of the wives. Her name is Begonia.” “Oh, no, Nim,” Vesper said. “You can’t fall for one of the wives! She’s married. And to the king, no less. That’s illegal. Maybe it shouldn’t be, but you’ll still probably be arrested if anyone finds out—or worse.” “I knew you’d say that,” Nim said, turning away. “You’re such a prude, Vesper. Love is above things like rules. And the king has so many wives and mistresses—he doesn’t even remember all of them.
Colleen Chen (Dysmorphic Kingdom)
He had told Flora all about his slim, expensive mistress, Lily, who made boring scenes and took up the time and energy which he would much sooner have spent with his wife, but he had to have Lily, because in Beverly Hills, if you did not have a mistress, people thought you were rather queer, and if, on the other hand, you spent all your time with your wife, and were quite firm about it, and said that you liked your wife, and, anyway, why the hell shouldn’t you, the papers came out with repulsive articles headed ‘Hollywood Czar’s Domestic Bliss’, and you had to supply them with pictures of your wife pouring your morning chocolate and watering the ferns. So there was no way out of it, Mr Neck said. Anyway, his wife quite understood, and they played a game called ‘Dodging Lily’, which gave them yet another interest in common.
Stella Gibbons (Cold Comfort Farm)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
Women, he would say, are not Muses. Muses are Muses. To confuse one with the other is to mistake the Devouring Void for the Seminal Light. Earthly Women and the Muses are ancient, sworn enemies. The battlefield is the Creative Male. On the one side is the encampment of Discordia, of Diana, of Venus located in his Heart and in his Groin. On the other is the Bastion of Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania, in his Brain and in his Mind. The Muses are tolerant and understanding of border raids, skirmishes, and harassing maneuvers. Throughout the history of the Male Light, there have been few painters, few writers, who have not had a She Who Must Be Accommodated. For some it was their mothers. For many their wives, their mistresses, their girlfriends. For many it was their daughters, a favourite waitress, a stripper, a whore. To the Muses, they are all one. Mother, whore, wife, daughter, stripper, waitress, mistress, girlfriend.
Dave Sim
There’s an old joke about a man who buys a cookbook for his wife and a negligee for his mistress. Somehow, though, the two parcels get mixed up and he fears that all will be lost. But on the contrary both women are delighted: the wife thrilled to be viewed in a sexual manner after years of domestic tedium, the mistress overjoyed that her lover considers her as more than just a body. I imagined the scenario as I trudged my way through Myer and David Jones. Should I look for lingerie for Cress, reassure her that despite all the hiccups of the past few months I still loved and wanted her? I thought I did, but a leopard-print G-string didn’t seem the right way to express that.
Kylie Ladd (After the Fall)
Guests brought their own servants, too, so at weekends it was not unusual for the number of people within a country house to swell by as many as 150. Amid such a mass of bodies, confusion was inevitable. On one occasion in the 1890s Lord Charles Beresford, a well-known rake, let himself into what he believed was his mistress’s bedroom and with a lusty cry of ‘Cock-a-doodle-doo!’ leapt into the bed, only to discover that it was occupied by the Bishop of Chester and his wife. To avoid such confusions, guests at Wentworth Woodhouse, a stately pile in Yorkshire, were given silver boxes containing personalized confetti, which they could sprinkle through the corridors to help them find their way back to, or between, rooms.
Bill Bryson (At Home: A Short History of Private Life)
Rhys cleared his throat and tugged on his cravat. “I wanted to ask you something.” “Yes?” St. Clare livened up immediately as he took a sip of whisky. “Do you treat your wife like your mistress?” St. Clare raised a brow. Any other man would be sputtering his drink out of his mouth in surprise at the question. Not St. Clare. “No, I treat my wife a lot better than I have ever treated any of my mistresses.” “That’s not exactly what I mean….” Rhys cleared his throat again. “Then what do you mean?” Rhys scratched his temple. “I mean in bed.” “Oh…” Gabriel scowled. “I do not think I follow.” “Well, I mean… All the depraved things you did with your mistresses, do you do them to your wife?” Gabriel raised his brow. “If by depraved, you mean whether I pleasure my wife in every way I have learned how then yes. And she does the same for me.” “You let her—” “I let her do anything she wants to do to me and then teach her to do even more,” he added with a wink. Rhys tugged on his cravat again in agitation. “What I mean is… I’ve heard time and time again that ladies are delicate creatures who cannot withstand arduous pursuits… There are things that are indecent—” “Let me stop you right there, my dear, virtuous friend. What you think is indecent, I do to my wife every morning before breakfast. And what you call degrading or embarrassing, I call Tuesday.” He finished his drink and slammed the glass onto the desk. “There is no such thing as indecent between a husband and a wife. The only thing indecent is a cold marriage bed. Take it from a former rake.
Sadie Bosque (An Offer from the Marquess (Necessary Arrangements, #4))
The frequent hearing of my mistress reading the bible--for she often read aloud when her husband was absent--soon awakened my curiosity in respect to this mystery of reading, and roused in me the desire to learn. Having no fear of my kind mistress before my eyes, (she had given me no reason to fear,) I frankly asked her to teach me to read; and without hesitation, the dear woman began the task, and very soon, by her assistance, I was master of the alphabet, and could spell words of three or four letters...Master Hugh was amazed at the simplicity of his spouse, and, probably for the first time, he unfolded to her the true philosophy of slavery, and the peculiar rules necessary to be observed by masters and mistresses, in the management of their human chattels. Mr. Auld promptly forbade the continuance of her [reading] instruction; telling her, in the first place, that the thing itself was unlawful; that it was also unsafe, and could only lead to mischief.... Mrs. Auld evidently felt the force of his remarks; and, like an obedient wife, began to shape her course in the direction indicated by her husband. The effect of his words, on me, was neither slight nor transitory. His iron sentences--cold and harsh--sunk deep into my heart, and stirred up not only my feelings into a sort of rebellion, but awakened within me a slumbering train of vital thought. It was a new and special revelation, dispelling a painful mystery, against which my youthful understanding had struggled, and struggled in vain, to wit: the white man's power to perpetuate the enslavement of the black man. "Very well," thought I; "knowledge unfits a child to be a slave." I instinctively assented to the proposition; and from that moment I understood the direct pathway from slavery to freedom. This was just what I needed; and got it at a time, and from a source, whence I least expected it.... Wise as Mr. Auld was, he evidently underrated my comprehension, and had little idea of the use to which I was capable of putting the impressive lesson he was giving to his wife.... That which he most loved I most hated; and the very determination which he expressed to keep me in ignorance, only rendered me the more resolute in seeking intelligence.
Frederick Douglass
Bitch" Now, when he and I meet, after all these years, I say to the bitch inside me, don’t start growling. He isn’t a trespasser anymore, Just an old acquaintance tipping his hat. My voice says, “Nice to see you,” As the bitch starts to bark hysterically. He isn’t an enemy now, Where are your manners, I say, as I say, “How are the children? They must be growing up.” At a kind word from him, a look like the old days, The bitch changes her tone; she begins to whimper. She wants to snuggle up to him, to cringe. Down, girl! Keep your distance Or I’ll give you a taste of the choke-chain. “Fine, I’m just fine,” I tell him. She slobbers and grovels. After all, I am her mistress. She is basically loyal. It’s just that she remembers how she came running Each evening, when she heard his step; How she lay at his feet and looked up adoringly Though he was absorbed in his paper; Or, bored with her devotion, ordered her to the kitchen Until he was ready to play. But the small careless kindnesses When he’d had a good day, or a couple of drinks, Come back to her now, seem more important Than the casual cruelties, the ultimate dismissal. “It’s nice to know you are doing so well,” I say. He couldn’t have taken you with him; You were too demonstrative, too clumsy, Not like the well-groomed pets of his new friends. “Give my regards to your wife,” I say. You gag As I drag you off by the scruff, Saying, “Goodbye! Goodbye! Nice to have seen you again.
Carolyn Kizer
The gestures of models (mannequins) and mythological figures. The romantic use of nature (leaves, trees, water) to create a place where innocence can be refound. The exotic and nostalgic attraction of the Mediterranean. The poses taken up to denote stereotypes of women: serene mother (madonna), free-wheeling secretary (actress, king’s mistress), perfect hostess (spectator-owner’s wife), sex-object (Venus, nymph surprised), etc. The special sexual emphasis given to women’s legs. The materials particularly used to indicate luxury: engraved metal, furs, polished leather, etc. The gestures and embraces of lovers, arranged frontally for the benefit of the spectator. The sea, offering a new life. The physical stance of men conveying wealth and virility. The treatment of distance by perspective – offering mystery. The equation of drinking and success. The man as knight (horseman) become motorist. Why does publicity depend so heavily upon the visual language of oil painting? Publicity is the culture of the consumer society. It propagates through images that society’s belief in itself. There are several reasons why these images use the language of oil painting. Oil painting, before it was anything else, was a celebration of private property. As an art-form it derived from the principle that you are what you have.
John Berger (Ways of Seeing)
No regrets?” he murmured to Hunt as they strode down the hall, while Shaw and St. Vincent followed at a more leisurely pace. Hunt glanced at him with a questioning smile. He was a big, dark-haired man, with the same sense of uncompromising masculinity and the same avid interest in hunting and sportsmanship that Marcus possessed. “About what?” “Being led around by the nose by your wife.” That drew a wry grin from Hunt, and he shook his head. “If my wife does lead me around, Westcliff, it’s by an altogether different body part. And no, I have no regrets whatsoever.” “I suppose there’s a certain convenience in being married,” Marcus mused aloud. “Having a woman close at hand to satisfy your needs, not to mention the fact that a wife is undoubtedly more economical than a mistress. There is, moreover, the begetting of heirs to consider…” Hunt laughed at his effort to cast the issue in a practical light. “I didn’t marry Annabelle for convenience. And although I haven’t tabulated any numbers, I can assure you that she is not cheaper than a mistress. As for the begetting of heirs, that was the farthest thing from my mind when I proposed to her.” “Then why did you?” “I would tell you, but not long ago you said that you hoped I wouldn’t start—how did you put it?—‘pollinate the air with maudlin sentiment.’” “You believe yourself to be in love with her.” “No,” Hunt countered in a relaxed manner, “I am in love with her.” Marcus lifted his shoulders in a brief shrug. “If believing that makes marriage more palatable to you, so be it.” “Good God, Westcliff…” Hunt murmured, a curious smile on his face, “haven’t you ever been in love?” “Of course. Obviously I have found that some women are preferable to others in terms of disposition and physical appearance—” “No, no, no…I’m not referring to finding someone who is ‘preferable.’ I mean completely being absorbed by a woman who fills you with desperation, longing, ecstasy…” Marcus threw him a disparaging glance. “I haven’t time for that nonsense.” Hunt annoyed him by laughing.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Though all the brilliant intellects of the ages were to concentrate upon this one theme, never could they adequately express their wonder at this dense darkness of the human mind. Men do not suffer anyone to seize their estates, and they rush to stones and arms if there is even the slightest dispute about the limit of their lands, yet they allow others to trespass upon their life—nay, they themselves even lead in those who will eventually possess it. No one is to be found who is willing to distribute his money, yet among how many does each one of us distribute his life! In guarding their fortune men are often closefisted, yet, when it comes to the matter of wasting time, in the case of the one thing in which it is right to be miserly, they show themselves most prodigal. And so I should like to lay hold upon someone from the company of older men and say: "I see that you have reached the farthest limit of human life, you are pressing hard upon your hundredth year, or are even beyond it; come now, recall your life and make a reckoning. Consider how much of your time was taken up with a moneylender, how much with a mistress, how much with a patron, how much with a client, how much in wrangling with your wife, how much in punishing your slaves, how much in rushing about the city on social duties. Add the diseases which we have caused by our own acts, add, too, the time that has lain idle and unused; you will see that you have fewer years to your credit than you count. Look back in memory and consider when you ever had a fixed plan, how few days have passed as you had intended, when you were ever at your own disposal, when your face ever wore its natural expression, when your mind was ever unperturbed, what work you have achieved in so long a life, how many have robbed you of life when you were not aware of what you were losing, how much was taken up in useless sorrow, in foolish joy, in greedy desire, in the allurements of society, how little of yourself was left to you; you will perceive that you are dying before your season!"7 What, then, is the reason of this? You live as if you were destined to live forever, no thought of your frailty ever enters your head, of how much time has already gone by you take no heed. You squander time as if you drew from a full and abundant supply, though all the while that day which you bestow on some person or thing is perhaps your last. You have all the fears of mortals and all the desires of immortals. You will hear many men saying: "After my fiftieth year I shall retire into leisure, my sixtieth year shall release me from public duties." And what guarantee, pray, have you that your life will last longer? Who will suffer your course to be just as you plan it? Are you not ashamed to reserve for yourself only the remnant of life, and to set apart for wisdom only that time which cannot be devoted to any business? How late it is to begin to live just when we must cease to live! What foolish forgetfulness of mortality to postpone wholesome plans to the fiftieth and sixtieth year, and to intend to begin life at a point to which few have attained!
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play. The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied. When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understanding. The man gave it to them. “I am not the master of this instrument,” he said. “The lady is her own mistress. I am only the channel through which she speaks. What you have heard tonight — what you will continue to hear — is not a performance, but a séance. In my … unworthy hands … she will tell you her story: Sorrow, pain, loss, truth, and beauty. This is not the work of one man; it is the story of all men, of all people everywhere, throughout her long history. Which means, of course, that it is also your story, and mine.” He held up the violin once more. In the uncertain play of light and shadow, faces seemed to appear and vanish in the blood-red surface of the wood. “Her name is Threnody,” he said. “And she has come to make you free.
Chris Lester (Whispers in the Wood (Metamor City, #6))
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back. “Get out of here, man!” “Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare. “Stay where you are, madam! I am not finished with you.” “You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!” “I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!” More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!” Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse. When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation. “Are you hurt, Christopher?” she asked sweetly. “Aye! My pride has been mightily bruised!” “Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.” “ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.” “You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.” “That’s an impossibility, madam, for that thing is surely made of cold, hard steel.” “You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.” “I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically. Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye. “Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?” He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve. -Christopher, Erienne, and Aggie
Kathleen E. Woodiwiss (A Rose in Winter)
At eight-thirty that night Ian stood on the steps outside Elizabeth’s uncle’s town house suppressing an almost overwhelming desire to murder Elizabeth’s butler, who seemed to be inexplicably fighting down the impulse to do bodily injury to Ian. “I will ask you again, in case you misunderstood me the last time,” Ian enunciated in a silky, ominous tone that made ordinary men blanch. “Where is your mistress?” Bentner didn’t change color by so much as a shade. “Out!” he informed the man who’d ruined his young mistress’s life and had now appeared on her doorstep, unexpected and uninvited, no doubt to try to ruin it again, when she was at this very moment attending her first ball in years and trying bravely to live down the gossip he had caused. “She is out, but you do not know where she is?” “I did not say so, did I?” “Then where is she?” “That is for me to know and you to ponder.” In the last several days Ian had been forced to do a great many unpleasant things, including riding across half of England, dealing with Christina’s irate father, and finally dealing with Elizabeth’s repugnant uncle, who had driven a bargain that still infuriated him. Ian had magnanimously declined her dowry as soon as the discussion began. Her uncle, however, had the finely honed bargaining instincts of a camel trader, and he immediately sensed Ian’s determination to do whatever was necessary to get Julius’s name on a betrothal contract. As a result, Ian was the first man to his knowledge who had ever been put in the position of purchasing his future wife for a ransom of $150,000. Once he’d finished that repugnant ordeal he’d ridden off to Montmayne, where he’d sopped only long enough to switch his horse for a coach and get his valet out of bed. Then he’d charged off to London, stopped at his town house to bathe and change, and gone straight to the address Julius Cameron had given him. Now, after all that, Ian was not only confronted by Elizabeth’s absence, he was confronted by the most insolent servant he’d ever had the misfortune to encounter. In angry silence he turned and walked down the steps. Behind him the door slammed shut with a thundering crash, and Ian paused a moment to turn back and contemplate the pleasure he was going to have when he sacked the butler tomorrow.
Judith McNaught (Almost Heaven (Sequels, #3))
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)