“
Some mistakes... Just have greater consequences than others. But you don't have to let the result of one mistake be the thing that defines you. You, Clark, have the choice not to let that happen.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I’d ever make.
”
”
Colleen Houck
“
Even I make mistakes." I put on my brash, overconfident face. "I know it's hard to believe—kind of surprises me myself—but I guess it has to happen. It's probably some kind of karmic way to balance out the universe. Otherwise, it wouldn't be fair to have one person so full of awesomeness.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
It was one thing to make a mistake; it was another thing to keep making it. I knew what happened when you let yourself get close to someone, when you started to believe they loved you: you'd be disappointed. Depend on someone, and you might as well admit you're going to be crushed, because when you really needed them, they wouldn't be there. Either that, or you'd confide in them and you added to their problems. All you ever really had was yourself, and that sort of sucked if you were less than reliable.
”
”
Jodi Picoult (Handle with Care)
“
In a lifetime of mistakes, you two are the greatest things that have ever happened to me.
”
”
Nicholas Sparks (The Last Song)
“
If I've learned one lesson from all that's happened to me, it's that there is no such thing as the biggest mistake of your existence. There's no such thing as ruining your life. Life's a pretty resilient thing, it turns out.
”
”
Sophie Kinsella (The Undomestic Goddess)
“
I marvel at how even the wrong choices can keep us on the right path. How the worst mistake can wind up being the best thing that ever happened to us.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
Just be you-strong and honest. The rest falls into place if you do that. It always has. It always will. Remember that. No matter what happens over the . . . centuries ahead of you, remember to be honest with yourself. And if you fail, forgive yourself. You'll make mistakes. The whole world is new, and they have so many more years in the then you.
”
”
Melissa Marr (Fragile Eternity (Wicked Lovely, #3))
“
But it was a mistake thinking of that as an end. There is no end. Bad things happen, and then they stop, but they keep on wreaking havoc inside of people.
”
”
Rainbow Rowell (Wayward Son (Simon Snow, #2))
“
Everyone makes mistakes, even if some are worse than others. Accidents happen.
”
”
Nicholas Sparks (The Best of Me)
“
You'd think, 'What if I make a mistake today, I'll regret it'. I don’t believe in regret, I feel everything leads us to where we are and we have to just jump forward, mean well, commit and just see what happens.
”
”
Angelina Jolie
“
Sometimes a "mistake" can end up being the best decision you ever make.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
Don’t aim for perfection. Evolution, and life, only happen through mistakes.
”
”
Matt Haig (The Humans)
“
I believe in love. I believe in hard times and love winning. I believe marriage is hard. I believe people make mistakes. I believe people can want two things at once. I believe people are selfish and generous at the same time. I believe very few people want to hurt others. I believe that you can be surprised by life. I believe in happy endings.
”
”
Isabel Gillies (Happens Every Day: An All-Too-True Story)
“
Stop. That was a mistake. It shouldn’t have happened."
"No?"
"No."
"I could offer you more.”
"What?”
"Power. Access. Rewards. You’d need be available only to me.”
"Are you asking me to be your mistress?”
"Yes.”
"Oh, my God.”
"Is that a yes?”
"No, Ethan, Jesus. Definitely not.
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"
Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
”
”
Anaïs Nin
“
The thing about real life is, when you do something stupid, it normally costs you. In books the heroes can make as many mistakes as they like. It doesn't matter what they do, because everything works out in the end. They'll beat the bad guys and put things right and everything ends up cool.
In real life, vacuum cleaners kill spiders. If you cross a busy road without looking, you get whacked by a car. If you fall from a tree, you break some bones.
Real life's nasty. It's cruel. It doesn't care about heroes and happy endings and the way things should be. In real life, bad things happen. People die. Fights are lost. Evil often wins.
I just wanted to make that clear before I begun.
”
”
Darren Shan (Cirque du Freak: A Living Nightmare (Cirque du Freak, #1))
“
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
”
”
Anaïs Nin
“
Mistakes are painful when they happen, but years later a collection of mistakes is what is called experience.
”
”
Denis Waitley
“
History,' Mari muttered, as if she'd overheard his thoughts. 'Why do we need to know what happened before we were born?'
'So hopefully we get smarter and don't make the same mistakes again.
”
”
Cinda Williams Chima (The Demon King (Seven Realms, #1))
“
The mistake of every young person is to think they're the only ones who see darkness and hardship in the world."
...
"The mistake of every adult, though, is to think darkness and hardship aren't important to young people because we'll grow out of it. Who cares if we will? Life is happening to us now, just like it's happening to you.
”
”
Patrick Ness (The Rest of Us Just Live Here)
“
Do you know what the worst thing about being a parent is? That you're always judged by your worst moments. You can do a million things right, but if you do one single thing wrong you're forever that parent who was checking his phone in the park when your child was hit in the head by a swing. We don't take our eyes off them for days at a time, but then you read just one text message and it's as if all your best moments never happened. No one goes to see a psychologist to talk about all the times they weren't hit in the head by a swing as a child. Parents are defined by their mistakes.
”
”
Fredrik Backman (Anxious People)
“
Mind your own Brazilian!" The words fly out of my mouth before I can stop them. Oops.
OK. The trick when you've said something embarrassing by mistake is to pretend nothing happened.
”
”
Sophie Kinsella (I've Got Your Number)
“
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I’d ever make. It would make my life worth living or it would crush me against stony rocks and break me utterly. Perhaps the wise thing to do would be to slow things down. Being friends would be so much easier.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
Fellowship is a place of grace, where mistakes aren't rubbed in but rubbed out. Fellowship happens when mercy wins over justice.
”
”
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
“
That's what they all say. Everyone says they want to know you, but they don't. They want to know the nice things, the pretty things. No one wants to know the ugly parts, the parts that keep you up at night. They say they're okay with it, but then they drift away and you never see them again. I've seen it happen way too many times.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
We mistake sex for romance. Guys are taught that pushing a girl up against a wall is romance. Sex is easy; you can do it with anyone, yourself, with batteries. Romance is when someone you like walks into a room and they take your breath away. Romance is when two people are dancing and they fit together perfectly. Romance is when two people are walking next to each other and all of a sudden they find themselves holding hands, and they don’t know how that happened
”
”
John C. Moffi
“
Dear Woman,
Sometimes you’ll just be too much woman.
Too smart,
Too beautiful,
Too strong.
Too much of something that makes a man feel like less of a man,
Which will make you feel like you have to be less of a woman.
The biggest mistake you can make
Is removing jewels from your crown
To make it easier for a man to carry.
When this happens, I need you to understand
You do not need a smaller crown—
You need a man with bigger hands.
”
”
Michael Reid
“
I'm not afraid of you." And to demonstrate that point, I leaned forward and kissed like he'd kissed me in the drawing room, careful not to spill my drink. Me heart pounded in my chest as I waited for him to respond, hoping he wouldn't pull away and declare everything that had happened a mistake.
”
”
Aimee Carter (The Goddess Test (Goddess Test, #1))
“
My Name
“I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrong—“Sorry for the mistake,”—and you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There as something near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.
”
”
Richard Brautigan (In Watermelon Sugar)
“
Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you do later. If you survive.
”
”
Lee Child (Killing Floor (Jack Reacher #1))
“
Millions of deaths would not have happened if it weren’t for the consumption of alcohol. The same can be said about millions of births.
”
”
Mokokoma Mokhonoana
“
Miracles do happen. You just admitted to a mistake. What was your mistake? Not f-cking me sooner?'
'It was my mistaken-' he turned and met her eyes '-thinking we had all the time in the world.
”
”
Tiffany Reisz (The Siren (The Original Sinners, #1))
“
I've lived so little that I tend to imagine I'm not going to die; it seems improbable
that human existence can be reduced to so little; one imagines, in spite of oneself,
that sooner or later something is bound to happen. A big mistake. A life can just as
well be both empty and short. The days slip by indifferently, leaving neither trace nor
memory; and then all of a sudden they stop.
”
”
Michel Houellebecq (Whatever)
“
Your expectation of something unique and dramatic, of some wonderful explosion, is merely hindering and delaying your Self Realization. You are not to expect an explosion, for the explosion has already happened - at the moment when you were born, when you realized yourself as Being-Knowing-Feeling. There is only one mistake you are making: you take the inner for the outer and the outer for the inner. What is in you, you take to be outside you and what is outside, you take to be in you. The mind and feelings are external, but you take them to be intimate. You believe the world to be objective, while it is entirely a projection of your psyche. That is the basic confusion and no new explosion will set it right! You have to think yourself out of it. There is no other way.
”
”
Nisargadatta Maharaj (I Am That: Talks with Sri Nisargadatta Maharaj)
“
She loved him. But he didn’t know how to love.
He could talk about love. He could see love and feel love. But he couldn’t give love.
He could make love. But he couldn’t make promises.
She had desperately wanted his promises.
She wanted his heart, knew she couldn’t have it so she took what she could get.
Temporary bliss. Passionate highs and lows. Withdrawal and manipulation.
He only stayed long enough to take what he needed and keep moving.
If he stopped moving, he would self-destruct.
If he stopped wandering, he would have to face himself.
He chose to stay in the dark where he couldn’t see.
If he exposed himself and the sun came out, he’d see his shadow.
He was deathly afraid of his shadow.
She saw his shadow, loved it, understood it. Saw potential in it.
She thought her love would change him.
He pushed and he pulled, tested boundaries, thinking she would never leave.
He knew he was hurting her, but didn’t know how to share anything but pain.
He was only comfortable in chaos. Claiming souls before they could claim him.
Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her.
His dark heart concealed.
She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender.
Wide open, exposed to deception.
It had never occurred to her that this desire was not love.
It was blinding the way she wanted him.
She couldn’t see what was really happening, only what she wanted to happen.
She suspected that he would always seek to minimize the risk of being split open, his secrets revealed.
He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs.
Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake.
When she discovered his indiscretions, she threw love in his face and beat him with it.
Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem.
She felt a sense of privilege for having such passion in her life.
He stirred her core.
The place she dared not enter.
The place she could not stir for herself.
But something wasn’t right.
His eyes were cold and dark.
His energy, unaffected.
He laughed at her and her antics, told her she was a mess.
Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain.
And her heart stopped.
”
”
G.G. Renee Hill (The Beautiful Disruption)
“
Mistakes are something that happen by accident. You didn't walk out the door one morning and fall into some guy's bed. You thought about it, for a while. You made that choice.
”
”
Jodi Picoult (The Tenth Circle)
“
My lesson from Soros is to start every meeting at my boutique by convincing everyone that we are a bunch of idiots who know nothing and are mistake-prone, but happen to be endowed with the rare privilege of knowing it.
”
”
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto, #1))
“
Rain amplifies your mistakes, and water on the track can make your car handle unpredictably. When something unpredictable happens you have to react to it; if you’re reacting at speed, you’re reacting too late. And so you should be afraid.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Take the stupidest thing you've ever done. At least it's done. It's over. It's gone. We can all learn from our mistakes and heal and move on. But it's harder to learn or heal or move on from something that hasn't happened; something we don't know and is therefore indefinable; something which could very easily have been the best thing in our lives, if only we'd taken the plunge, if only we'd held our breath and stood up and done it, if only we'd said yes.
”
”
Danny Wallace (Yes Man)
“
I wish your donkey well, but you should always feel free to correct me when I make mistakes.'
'Yes, Your Highness,' Isaak said uncomfortably.
'Don't worry,' said Nikolai as they turned their backs on the gardens and headed toward the Grand Palace. 'It doesn't happen often.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
Lieutenant Chatrand: I don’t understand this omnipotent-benevolent thing.
Camerlengo Carlo Ventresca: You are confused because the Bible describes God as an omnipotent and benevolent deity.
Lieutenant Chatrand: Exactly.
Camerlengo Carlo Ventresca: Omnipotent-benevolent simply means that God is all-powerful and well-meaning.
Lieutenant Chatrand: I understand the concept. It’s just... there seems to be a contradiction.
Camerlengo Carlo Ventresca: Yes. The contradiction is pain. Man’s starvation, war, sickness...
Lieutenant Chatrand: Exactly! Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn’t he?
Camerlengo Carlo Ventresca: Would He?
Lieutenant Chatrand: Well... if God Loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.
Camerlengo Carlo Ventresca: Do you have children?
Lieutenant Chatrand: No, signore.
Camerlengo Carlo Ventresca: Imagine you had an eight-year-old son... would you love him?
Lieutenant Chatrand: Of course.
Camerlengo Carlo Ventresca: Would you let him skateboard?
Lieutenant Chatrand: Yeah, I guess. Sure I’d let him skateboard, but I’d tell him to be careful.
Camerlengo Carlo Ventresca: So as this child’s father, you would give him some basic, good advice and then let him go off and make his own mistakes?
Lieutenant Chatrand: I wouldn’t run behind him and mollycoddle him if that’s what you mean.
Camerlengo Carlo Ventresca: But what if he fell and skinned his knee?
Lieutenant Chatrand: He would learn to be more careful.
Camerlengo Carlo Ventresca: So although you have the power to interfere and prevent your child’s pain, you would choose to show you love by letting him learn his own lessons?
Lieutenant Chatrand: Of course. Pain is part of growing up. It’s how we learn.
Camerlengo Carlo Ventresca: Exactly.
”
”
Dan Brown (Angels & Demons (Robert Langdon, #1))
“
My friend Terry says that when you need to make a decision, in your work or otherwise, and you don’t know what to do, just do one thing or the other, because the worst that can happen is that you will have made a terrible mistake.
”
”
Anne Lamott
“
I tell you these stories because these things happen to everyone. It's not about being starched or polished or cute or polite. It's about having ears that stick out, about breaking yet another glass. It's about seeing something for the first time and making a million mistakes and not ever getting completely discouraged.
”
”
Maira Kalman
“
What's agitating about solitude is the inner voice telling you that you should be mated to somebody, that solitude is a mistake. The inner voice doesn't care about who you find. It just keeps pestering you, tormenting you--if you happen to be me--with homecoming queens first, then girls next door, and finally anybody who might be pleased to see you now and then at the dinner table and in bed on occasion. You look up from reading the newspaper and realize that no one loves you, and no one burns for you.
”
”
Charles Baxter (El festín del amor)
“
My mistakes burn me up inside. But as one of my favorite poets, Mary Oliver, says, while our mistakes make us want to cry, the world doesn’t need more of that.
”
”
Hillary Rodham Clinton (What Happened)
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
The past doesn't exist. There is nothing to be sorry for. Today is when we start to live. Look... look at the sea. The sea has no past. It is just there. It will never ask us to explain. The stars, the moon are there to light our way, to shine for us. What do they care what might have happened in the past? They are accompanying us, and are happy with that; can you see them shine? The stars are twinkling in the sky; would they do that if the past mattered? Wouldn't there be a huge storm if God wanted to punish us? We are alone, you and I, with no past, no memories, no guilt, nothing that can stand in the way of... our love.
”
”
Ildefonso Falcones (La catedral del mar (La catedral del mar, #1))
“
For a candidate, a leader, or anyone, really, the question is not “Are you flawed?” It’s “What do you do about your flaws?” Do you learn from your mistakes so you can do and be better in the future? Or do you reject the hard work of self-improvement and instead tear others down so you can assert they’re as bad or worse than you are?
”
”
Hillary Rodham Clinton (What Happened)
“
1. Write like you’ll live forever — fear is a bad editor.
2. Write like you’ll croak today — death is the best editor.
3. Fooling others is fun. Fooling yourself is a lethal mistake.
4. Pick one — fame or delight.
5. The archer knows the target. The poet knows the wastebasket.
6. Cunning and excess are your friends.
7. TV and liquor are your enemies.
8. Everything eternal happens in a spare room at 3 a.m.
9. You’re done when the crows sing.
”
”
Ron Dakron
“
being a good mother does not mean being perfect every single moment. we screw up. we get mad, we drink too much, eat too much, yell too much. a good mother learns from her mistakes and does what she can to not let them happen over and over.
”
”
Amy Hatvany
“
so here i sit. a sum of the parts. about a third way down this wonderful path, so to speak. and i've been thinking lately about a friendship that fell apart with time, with distance, and with the misunderstanding of youth. i'm trying not to confuse sadness with regret. not the easiest thing at times. i dont regret that certain things happened. i understand that perhaps i had a choice in the matter, or perhaps i believe in fate. probably not, but so far actions as small as the quickest glance to events as monumental as death have pushed me slowly along to right here, right now. there was no other way to get here. the meandering and erratic path was actually the straightest of lines. take away a handful of angry words, things once thought of as mistakes or regrets, and i'm suddenly a different person with a different history, a different future. that, i would regret. so here i sit. thinking about a person i once called my best friends. a man who might be full of sadness and regret, who might not give a damn, or who might, just might, remember the future and realize that's where its at.
”
”
Chris Wright
“
Shit. I want you, Chess. Make no mistake on that one, dig? Want you bad. So bad I ain’t even can think of any else sometimes, ’cept gettin you under me. Ain’t give a fuck what pills you swallow get you through the day or what happens you ain’t got em, aye? Still want you.
”
”
Stacia Kane (Unholy Magic (Downside Ghosts, #2))
“
Whenever you make a mistake or get knocked down by life, don't look back at it too long. Mistakes are life's way of teaching you. Your capacity for occasional blunders is inseparable from your capacity to reach your goals. No one wins them all, and your failures, when they happen, are just part of your growth. Shake off your blunders. How will you know your limits without an occasional failure? Never quit. Your turn will come.
”
”
Og Mandino
“
Oh, justice exists," Charlie said, looking up at the rain. "Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words – good and bad, right and wrong – they don’t really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No," he shook his head. "I think we all get to decide what good and bad and right and wrong mean to us, not what we’re told to accept. You did nothing wrong. Don’t beat yourself up for other people’s mistakes.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
What are you going to do? Are you going to live in the dark, locked in here? Afraid to look out, answer the door, leave? Yes, he's out there, and he's clearly not going to leave you alone until one of three things happens: he hurts you and gets arrested, or he makes a mistake and gets arrested, or you stop him.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
And this is the moment where I went wrong. This is the gut-churning, if-only instant. If I could go back in time, that's the moment I would march up to myself and say severely, "Poppy, priorities."
But you don't realize, do you? The moment happens, and you make your crucial mistake, and then it's gone and the chance to do anything about it is blown away.
”
”
Sophie Kinsella (I've Got Your Number)
“
And if they really fuck it up and do make a horrible mistake, which can happen to anyone, from any culture, you still have to sit back and watch from the sidelines. It's their life. What you need is a life of your own. You can't hang on to them forever and live theirs or stop them from making mistakes. That's the deal. Once they grow up, they belong to themselves, not to us.
”
”
Danielle Steel (Family Ties)
“
Sometimes having no script, having no idea what is going to happen next, having no map, might be the way to go. Because life just happens, and when it does, how you handle it will teach you more about who you are than any class or test ever can. The best preparation for the rest of your life is, maybe, no preparation at all. Dive right in. Make mistakes. Break a few rules. Wing it.
”
”
Valerie Thomas (From What I Remember...)
“
I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a piercing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase--nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it.
”
”
R.J. Anderson (Ultraviolet (Ultraviolet, #1))
“
Guidance, like all God's acts of blessing under the covenant of grace, is a sovereign act. Not merely does God will to guide us in the sense of showing us his way, that we may tread it; he wills also to guide us in the more fundamental sense of ensuring that, whatever happens, whatever mistakes we may make, we shall come safely home. Slippings and strayings there will be, no doubt, but the everlasting arms are beneath us; we shall be caught, rescued, restored. This is God's promise; this is how good he is.
”
”
J.I. Packer (Knowing God)
“
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.
During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."
"If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
”
”
Nicole Krauss (The History of Love)
“
She heard footsteps thumping from the crew quarters and Jacin appeared in the cargo bay, eyes wide. “What happened? Why is the ship screaming?”
“Nothing. Everything’s fine,” Cinder stammered.
“No, everything is not fine,” said Iko. “How can they be invited? I’ve never seen a bigger injustice in all my programmed life, and believe me, I have seen some big injustices.”
Jacin raised an eyebrow at Cinder.
“We just learned that my former guardian received an invitation to the wedding.” She opened the tab beside her stepmother’s name, thinking maybe it was a mistake.
But of course not.
Linh Adri had been awarded 80,000 univs and an official invitation to the royal wedding as an act of gratitude for her assistance in the ongoing manhunt for her adopted and estranged daughter, Linh Cinder.
“Because she sold me out,” she said, sneering. “Figures.”
“See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. I’m disgusted. I hope they spill soy sauce on their fancy dresses.”
Jacin’s concern turned fast to annoyance. “Your ship has some messed-up priorities, you know that?”
“Iko. My name is Iko. If you don’t stop calling me the ‘ship,’ I am going to make sure you never have hot water during your showers again, do you understand me?”
“Yeah, hold that thought while I go disable the speaker system.”
“What? You can’t mute me. Cinder!
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Make no mistake, they are connected, these disease outbreaks coming one after another. And they are not simply happening to us; they represent the unintended results of things we are doing. They reflect the convergence of two forms of crisis on our planet. The first crisis is ecological, the second is medical.
”
”
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
“
Why had he done it? Why couldn't it just not have happened? Why didn't they have time-travel, why couldn't he go back and stop it happening? Ships that could circumnavigate the galaxy in a few years, and count every cell in your body from light-years off, but he wasn't able to go back one miserable day and alter one tiny, stupid, idiotic, shameful decision...
”
”
Iain Banks (The Player of Games (Culture, #2))
“
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer."
I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back.
"What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?"
"Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?"
"Because," I said as I felt the familiar twisting in my stomach.
"You saw me lose it. You saw me almost go insane."
The muscles in his shoulders visibly tensed.
"I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us."
Noah inhaled and slowly let the air out. His stance softened and so did his voice.
"If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
A totalitarian state is in effect a theocracy, and its ruling caste, in order to keep its position, has to be thought of as infallible. But since, in practice, no one is infallible, it is frequently necessary to rearrange past events in order to show that this or that mistake was not made, or that this or that imaginary triumph actually happened.
”
”
George Orwell (Collected Essays, Journalism and Letters of George Orwell Volume 2 My Country Right or Left 1940 - 1943)
“
So, so you made a lot of mistakes
Walked down the road a little sideways
Cracked a rib when you hit the wall
Yeah, you've had a pocket full of regrets
Pull you down faster than a sunset
Hey, it happens to us all
When the cold hard rain just won't quit
And you can't see your way out of it
You find your faith has been lost and shaken
You take back what's been taken
Get on your knees and dig down deep
You can do what you think is impossible
Keep on believing, don't give in
It'll come and make you whole again
It always will, it always does
Love is unstoppable
”
”
Rascal Flatts
“
Extroverts are more likely to take a quick-and-dirty approach to problem-solving, trading accuracy for speed, making increasing numbers of mistakes as they go, and abandoning ship altogether when the problem seems too difficult or frustrating. Introverts think before they act, digest information thoroughly, stay on task longer, give up less easily, and work more accurately. Introverts and extroverts also direct their attention differently: if you leave them to their own devices, the introverts tend to sit around wondering about things, imagining things, recalling events from their past, and making plans for the future. The extroverts are more likely to focus on what's happening around them. It's as if extroverts are seeing "what is" while their introverted peers are asking "what if.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness.
Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally.
White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
”
”
bell hooks (All About Love: New Visions)
“
Every human being makes mistakes and does things they’re not proud of. They can be everyday, or they can be catastrophic. And the unfortunate truth of being human is that we all have moments of indifference to other people’s suffering. To me, that’s the central thing that allows crime to happen: indifference to other people’s suffering. If you’re stealing from someone, if you’re hurting them physically, if you’re selling them a product that you know will hurt them—the thing that allows a person to do that is that they somehow convince themselves that that’s not relevant to them. We all do things that we’re not proud of, even though they might not have as terrible consequences.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
It was one think to make a mistake, it was another thing to keep making it. I knew what happened when you let yourself get close to someone, when you started to believe they loved you: you'd be disappointed. Depend on someone, and you might as well admit you're going to be crushed, because when you really needed them, they wouldn't be there. Either that or you'd confide in them and you added to their problems. All you ever really had was yourself and that sort of sucked if you were less than reliable.
”
”
Jodi Picoult
“
Funny thing about those Middle Ages, said Joseph. "They just keep coming back. Mortals keep thinking they're in Modern Times, you know, they get all this neat technology and pass all these humanitarian laws, and then something happens: there's an economic crisis, or science makes some discovery people can't deal with. And boom, people go right back to burning Jews and selling pieces of the true Cross. Don't you ever make the mistake of thinking that mortals want to live in a golden age. They hate thinking.
”
”
Kage Baker
“
For it is dangerous to attach one's self to the crowd in front, and so long as each one of us is more willing to trust another than to judge for himself, we never show any judgement in the matter of living, but always a blind trust, and a mistake that has been passed on from hand to hand finally involves us and works our destruction. It is the example of other people that is our undoing; let us merely separate ourselves from the crowd, and we shall be made whole. But as it is, the populace,, defending its own iniquity, pits itself against reason. And so we see the same thing happening that happens at the elections, where, when the fickle breeze of popular favour has shifted, the very same persons who chose the praetors wonder that those praetors were chosen.
”
”
Seneca
“
Trust me, son. The pair of you are going to do this from time to time, and you might as well start to deal with it rationally now. Took me a good fifty years of making shit worse till I figured out a better way to handle arguments. Learn from my mistakes.”
John’s head cranked over, and he started to mouth, I love her so much. I’d die if anything happened to h—
When he stopped short, Tohr took a deep breath through the pain in his chest. “I know. Trust me … I know.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Tequila again?” Feely glared at Gibsie. “Really?”
“Listen, I’m not going to sit here and apologize for something that happened a million years ago,” Gibsie huffed. “I puked on your dog. Feely. It was a genuine mistake. I’ve done it to Sookie a million times and you don’t see her giving me the cold shoulder. And I haven’t done it since, so can we please move past it?”
“I don't have a dog – that was my mother you puked on!” Feely snapped, sounding outraged. “And it was last Christmas, not a million years ago, asshole.”
“What?” Gibsie frowned. “That's was your Mam?”
“Yes, asshole!”
“Ah, lad, I’m so fucking sorry,” Gibsie strangled out, slapping a hand across his mouth. “I thought she was a dog.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
There is a common misunderstanding that emotions cause us to think illogically But recent scientific thinking, reviewed by psychologist Roy Baumeister and his colleagues, has placed emotion at the center of wisdom. One reason is that most emotion is felt after an event, which apparently serves to help us remember what happened and learn from it. The more upset we are by a mistake, the more we think about it and will be able to avoid it the next time. The more delighted we are by a success, the more we think and talk about it and how we did it, causing us to be more likely to be able to repeat it.
”
”
Elaine N. Aron (The Highly Sensitive Person)
“
[...] it would be false to say that because we're on the side of justice, we can go ahead and destroy our opponents and the world will be at peace. [...] Now, I know that there are such things as good and evil in the world, and that people do good things. But people who do good things are not necessarily good people, they just happen to be people who have done good things. The next instant they might wind up doing something bad, and if we don't take that into account in our view of humans, we'll constantly make mistakes when making political decisions or decisions about ourselves.
”
”
Hayao Miyazaki (Starting Point 1979-1996)
“
Saying something is “meant to be” is a cop out. It’s a way for people to deal when they screw up or when life hands them a bowl of shit stew. The things that are meant to be are the things we can’t control, the things we don’t cause, the things that happen regardless of who or what we are. Like sunsets and snow-fall and natural disasters. I’ve never believed hardship or suffering was meant to be. I’ve never believed relationships were meant to be. We choose. In large part, we choose. We create, we make mistakes, we burn bridges, we build new ones.
”
”
Amy Harmon (The Song of David (The Law of Moses, #2))
“
Sure I worried that writing about it might be a mistake. You write a thing down because you're hoping to get a hold on it. You write about experiences partly to understand what they mean, partly not to lose them to time. To oblivion. But there's always the danger of the opposite happening. Losing the memory of the experience itself to the memory of writing about it. Like people whose memories of places they've traveled to are in fact only memories of the pictures they took there. In the end, writing and photography probably destroy more of the past than they ever preserve of it. So it could happen: by writing about someone lost - or even just talking too much about them - you might be burying them for good.
”
”
Sigrid Nunez (The Friend)
“
When cells are no longer needed, they die with what can only be called great dignity. They take down all the struts and buttresses that hold them together and quietly devour their component parts. The process is known as apoptosis or programmed cell death. Every day billions of your cells die for your benefit and billions of others clean up the mess. Cells can also die violently- for instance, when infected- but mostly they die because they are told to. Indeed, if not told to live- if not given some kind of active instruction from another cell- cells automatically kill themselves. Cells need a lot of reassurance.
When, as occasionally happens, a cell fails to expire in the prescribed manner, but rather begins to divide and proliferate wildly, we call the result cancer. Cancer cells are really just confused cells. Cells make this mistake fairly regularly, but the body has elaborate mechanisms for dealing with it. It is only very rarely that the process spirals out of control. On average, humans suffer one fatal malignancy for each 100 million billion cell divisions. Cancer is bad luck in every possible sense of the term.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
A strange thing happened then. The Speaker agreed with her that she had made a mistake that night, and she knew when he said the words that it was true, that his judgment was correct. And yet she felt strangely healed, as if simply saying her mistake were enough to purge some of the pain of it. For the first time, then, she caught a glimpse of what the power of speaking might be. It wasn’t a matter of confession, penance, and absolution, like the priests offered. It was something else entirely. Telling the story of who she was, and then realizing that she was no longer the same person. That she had made a mistake, and the mistake had changed her, and now she would not make the mistake again because she had become someone else, someone less afraid, someone more compassionate.
”
”
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
“
A boy was watching his grandmother write a letter. At one point he asked:
‘Are you writing a story about what we’ve done? Is it a story about me?’
His grandmother stopped writing her letter and said to her grandson:
I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’
Intrigued, the boy looked at the pencil. It didn’t seem very special.
‘But it’s just like any other pencil I’ve ever seen!’
‘That depends on how you look at things. It has five qualities which, if you manage to hang on them, will make you a person who is always at peace with the world.’
‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’
‘Second quality: now and then, I have to stop writing and use a sharpner. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person.
‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice.’
‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’
‘Finally, the pencil’s fifth quality: it always leaves a mark. in just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action
”
”
Paulo Coelho (Like the Flowing River)
“
Here is another truth about wintering: you’ll find wisdom in your winter, and once it’s over, it’s your responsibility to pass it on. And in return, it’s our responsibility to listen to those who have wintered before us. It’s an exchange of gifts in which nobody loses out. This may involve the breaking of a lifelong habit, one passed down carefully through generations: that of looking at other people’s misfortunes and feeling certain that they brought them upon themselves in a way that you never would. This isn’t just an unkind attitude. It does us harm, because it keeps us from learning that disasters do indeed happen and how we can adapt when they do. It stops us from reaching out to those who are suffering. And when our own disaster comes, it forces us into a humiliated retreat, as we try to hunt down mistakes that we never made in the first place or wrongheaded attitudes that we never held. Either that, or we become certain that there must be someone out there we can blame. Watching winter and really listening to its messages, we learn that effect is often disproportionate to cause; that tiny mistakes can lead to huge disasters; that life is often bloody unfair, but it carries on happening with or without our consent. We learn to look more kindly on other people’s crises, because they are so often portents of our own future.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
But the one great shocking occasion, when tens or hundreds or thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions would have been sufficiently shocked—if, let us say, the gassing of the Jews in ’43 had come immediately after the ‘German Firm’ stickers on the windows of non-Jewish shops in ’33. But of course this isn’t the way it happens. In between come all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D.
And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying ‘Jewish swine,’ collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose. The world you live in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.
”
”
Milton Sanford Mayer (They Thought They Were Free: The Germans 1933-45)
“
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to know.
And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
"Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject."
I saw Maxon swallow, and I lowered my eyes.
"America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell."
I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
When we learn to work with our own Inner Nature, and with the natural laws operating around us, we reach the level of Wu Wei. Then we work with the natural order of things and operate on the principle of minimal effort. Since the natural world follows that principle, it does not make mistakes. Mistakes are made–or imagined–by man, the creature with the overloaded Brain who separates himself from the supporting network of natural laws by interfering and trying too hard.
When you work with Wu Wei, you put the round peg in the round hole and the square peg in the square hole. No stress, no struggle. Egotistical Desire tries to force the round peg into the square hole and the square peg into the round hole. Cleverness tries to devise craftier ways of making pegs fit where they don’t belong. Knowledge tries to figure out why round pegs fit into round holes, but not square holes. Wu Wei doesn’t try. It doesn’t think about it. It just does it. And when it does, it doesn’t appear to do much of anything. But Things Get Done.
When you work with Wu Wei, you have no real accidents. Things may get a little Odd at times, but they work out. You don’t have to try very hard to make them work out; you just let them. [...] If you’re in tune with The Way Things Work, then they work the way they need to, no matter what you may think about it at the time. Later on you can look back and say, "Oh, now I understand. That had to happen so that those could happen, and those had to happen in order for this to happen…" Then you realize that even if you’d tried to make it all turn out perfectly, you couldn’t have done better, and if you’d really tried, you would have made a mess of the whole thing.
Using Wu Wei, you go by circumstances and listen to your own intuition. "This isn’t the best time to do this. I’d better go that way." Like that. When you do that sort of thing, people may say you have a Sixth Sense or something. All it really is, though, is being Sensitive to Circumstances. That’s just natural. It’s only strange when you don’t listen.
”
”
Benjamin Hoff (The Tao of Pooh)
“
Damon spoke without moving. “I’m not like you.”
“You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.”
Damon snapped, almost automatically, “Because I wasn’t invited!”
Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon.
“But how did Klaus get in, then—?” she began, following her own thoughts.
“That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.”
“Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question.
“Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.”
Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made.
“You see, I’m not like you,” he said.
“It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.
”
”
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
“
But do you ever experience a sort of diluted, personalised version of that feeling, as if your own life, your own world, has slowly but perceptibly become an uglier place? Or even a sense that while you used to be in step with the cultural discourse, you’re not anymore, and you feel yourself adrift from the world of ideas, alienated, with no intellectual home? Maybe it is about our specific historical moment, or maybe it’s just about getting older and disillusioned, and it happens to everyone. When I look back on what we were like when we first met, I don’t think we were really wrong about anything, except about ourselves. The ideas were right, but the mistake was that we thought we mattered. Well, we’ve both had that particular error ground out of us in different ways – me by achieving precisely nothing in over a decade of adult life, and you (if you’ll forgive me) by achieving as much as you possibly could and still not making one grain of difference to the smooth functioning of the capitalist system. When we were young, we thought our responsibilities stretched out to encompass the earth and everything that lived on it.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin.
"Echo, stop!" Ashley propelled her self out of the gliter.
I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope.
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable?
He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends."
Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars.
I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?"
Blinking my self back to life, i answered for them, "My curfew is eleven."
"Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Wasn’t it true, then, that everything in his life from that point on had been a succession of things he hadn’t really wanted to do? Taking a hopelessly dull job to prove he could be as responsible as any other family man, moving to an overpriced, genteel apartment to prove his mature belief in the fundamentals of orderliness and good health, having another child to prove that the first one hadn’t been a mistake, buying a house in the country because that was the next logical step and he had to prove himself capable of taking it. Proving, proving; and for no other reason than that he was married to a woman who had somehow managed to put him forever on the defensive, who loved him when he was nice, who lived according to what she happened to feel like doing and who might at any time—this was the hell of it—who might at any time of day or night just happen to feel like leaving him.
It was as ludicrous and as simple as that.
”
”
Richard Yates (Revolutionary Road)
“
The mistake we make is in thinking rape isn’t premeditated, that it happens by accident somehow, that you’re drunk and you run into a girl who’s also drunk and half-asleep on a bench and you sidle up to her and things get out of hand and before you know it, you’re being accused of something you’d never do. But men who rape are men who watch for the signs of who they believe they can rape. Rape culture isn’t a natural occurrence; it thrives thanks to the dedicated attention given to women in order to take away their security. Rapists exist on a spectrum, and maybe this attentive version is the most dangerous type: women are so used to being watched that we don’t notice when someone’s watching us for the worst reason imaginable. They have a plan long before we even get to the bar to order our first drink.
”
”
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me.
What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows.
This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
Omnipotent-benevolent simply means that God is all-powerful and well-meaning.'
'I understand the concept. It's just . . . there seems to be a contradiction.'
'Yes. The contradiction is pain. Man's starvation, war, sickness . . .'
'Exactly!' Chartrand knew the camerlengo would understand. 'Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn't He?'
The camerlengo frowned. 'Would He?'
Chartrand felt uneasy. Had he overstepped his bounds? Was this one of those religious questions you just didn't ask? 'Well . . . if God loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.'
'Do you have children, Lieutenant?'
Chartrand flushed. 'No, signore.'
'Imagine you had an eight-year-old son . . . would you love him?'
'Of course.'
'Would you let him skateboard?'
Chartrand did a double take. The camerlengo always seemed oddly "in touch" for a clergyman. 'Yeah, I guess,' Chartrand said. 'Sure, I'd let him skateboard, but I'd tell him to be careful.'
'So as this child's father, you would give him some basic, good advice and then let him go off and make his own mistakes?'
'I wouldn't run behind him and mollycoddle him if that's what you mean.'
'But what if he fell and skinned his knee?'
'He would learn to be more careful.'
The camerlengo smiled. 'So although you have the power to interfere and prevent your child's pain, you would choose to show your love by letting him learn his own lessons?'
'Of course. Pain is part of growing up. It's how we learn.'
The camerlengo nodded. 'Exactly.
”
”
Dan Brown (Angels & Demons (Robert Langdon, #1))
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
Other Lives And Dimensions And Finally A Love Poem
My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think
praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,
it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different
theres and elsewheres, an Idaho known for bluegrass,
a Bronx where people talk
like violets smell. Perhaps I am somewhere patient, somehow
kind, perhaps in the nook
of a cousin universe I've never defiled or betrayed
anyone. Here I have
two hands and they are vanishing, the hollow of your back
to rest my cheek against,
your voice and little else but my assiduous fear to cherish.
My hands are webbed
like the wind-torn work of a spider, like they squeezed
something in the womb
but couldn't hang on. One of those other worlds
or a life I felt
passing through mine, or the ocean inside my mother's belly
she had to scream out.
Here, when I say I never want to be without you,
somewhere else I am saying
I never want to be without you again. And when I touch you
in each of the places we meet,
in all of the lives we are, it's with hands that are dying
and resurrected.
When I don't touch you it's a mistake in any life,
in each place and forever.
”
”
Bob Hicok
“
Mitchell Maxwell’s Maxims
• You have to create your own professional path. There’s no longer a roadmap for an artistic career.
• Follow your heart and the money will follow.
• Create a benchmark of your own progress. If you never look down while you’re climbing the ladder you won’t know how far you’ve come.
• Don’t define success by net worth, define it by character. Success, as it’s measured by society, is a fleeting condition.
• Affirm your value. Tell the world “I am an artist,” not “I want to be an artist.”
• You must actively live your dream. Wishing and hoping for someday doesn’t make it happen. Get out there and get involved.
• When you look into the abyss you find your character.
• Young people too often let the fear of failure keep them from trying. You have to get bloody, sweaty and rejected in order to succeed.
• Get your face out of Facebook and into somebody’s face. Close your e-mail and pick up the phone. Personal contact still speaks loudest.
• No one is entitled to act entitled. Be willing to work hard.
• If you’re going to buck the norm you’re going to have to embrace the challenges.
• You have to love the journey if you’re going to work in the arts.
• Only listen to people who agree with your vision.
• A little anxiety is good but don’t let it become fear, fear makes you inert.
• Find your own unique voice. Leave your individual imprint on the world, not a copy of someone else.
• Draw strength from your mistakes; they can be your best teacher.
”
”
Mitchell Maxwell
“
I will never be a brain surgeon, and I will never play the piano like Glenn Gould.
But what keeps me up late at night, and constantly gives me reason to fret, is this: I don’t know what I don’t know. There are universes of things out there — ideas, philosophies, songs, subtleties, facts, emotions — that exist but of which I am totally and thoroughly unaware. This makes me very uncomfortable. I find that the only way to find out the fuller extent of what I don’t know is for someone to tell me, teach me or show me, and then open my eyes to this bit of information, knowledge, or life experience that I, sadly, never before considered.
Afterward, I find something odd happens. I find what I have just learned is suddenly everywhere: on billboards or in the newspaper or SMACK: Right in front of me, and I can’t help but shake my head and speculate how and why I never saw or knew this particular thing before. And I begin to wonder if I could be any different, smarter, or more interesting had I discovered it when everyone else in the world found out about this particular obvious thing. I have been thinking a lot about these first discoveries and also those chance encounters: those elusive happenstances that often lead to defining moments in our lives.
[…]
I once read that the definition of insanity is doing the same thing over and over and expecting different results. I fundamentally disagree with this idea. I think that doing the same thing over and over and expecting different results is the definition of hope. We might keep making mistakes but the struggle gives us a sense of empathy and connectivity that we would not experience otherwise. I believe this empathy improves our ability to see the unseen and better know the unknown.
Lives are shaped by chance encounters and by discovering things that we don’t know that we don’t know. The arc of a life is a circuitous one. … In the grand scheme of things, everything we do is an experiment, the outcome of which is unknown.
You never know when a typical life will be anything but, and you won’t know if you are rewriting history, or rewriting the future, until the writing is complete.
This, just this, I am comfortable not knowing.
”
”
Debbie Millman (Look Both Ways: Illustrated Essays on the Intersection of Life and Design)