Mist Nature Quotes

Human life. Duration: momentary. Nature: changeable. Perception: dim. Condition of Body: decaying. Soul: spinning around. Fortune: unpredictable. Lasting Fame: uncertain. Sum Up: The body and its parts are a river, the soul a dream and mist, life is warfare and a journey far from home, lasting reputation is oblivion.

They dared not peer down into their own natures, down into the feverish confusion that filled their minds with a kind of dense, acrid mist.

Joys come from simple and natural things; mist over meadows, sunlight on leaves, the path of the moon over water. Even rain and wind and stormy clouds bring joy.

Bravery did not come to her naturally. She spent too much time weighing her options to be brave. Too much time calculating the many paths before her. But Mariko knew it was time to do more. Time to be more. She would not die a coward.

the ocean mist engulfs me, like a lifetime’s friendship honored.

Above all, be at ease, be as natural and spacious as possible. Slip quietly out of the noose of your habitual anxious self, release all grasping, and relax into your true nature. Think of your ordinary emotional, thought-ridden self as a block of ice or a slab of butter left out in the sun. If you are feeling hard and cold, let this aggression melt away in the sunlight of your meditation. Let peace work on you and enable you to gather your scattered mind into the mindfulness of Calm Abiding, and awaken in you the awareness and insight of Clear Seeing. And you will find all your negativity disarmed, your aggression dissolved, and your confusion evaporating slowly like mist into the vast and stainless sky of your absolute nature.

Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells.

Nothing in nature is that even; man is the inventor of straight edges.

It may be laid down as a general rule that if a man begins to sing, no one will take any notice of his song except his fellow human beings. This is true even if his song is surpassingly beautiful. Other men may be in raptures at his skill, but the rest of creation is, by and large, unmoved. Perhaps a cat or a dog may look at him; his horse, if it is an exceptionally intelligent beast, may pause in cropping the grass, but that is the extent of it. But when the fairy sang, the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy's song the earth recognized the names by which it called itself.

Mist in the morning is Earth’s morning breath…

Every summer there are a number of nights, not many, but a number, when everything is perfect. The light, the warmth, the smells, the mist, the birdsong – the moths. Who can sleep? Who wants to?

When Janie looked out of her door she saw the drifting mists gathered in the west -- that cloud field of the sky -- to arm themselves with thunders and march forth against the world. Louder and higher and lower and wider the sound and motion spread, mounting, sinking, darking.

Sometimes, it is true, a sense of isolation enfolds me like a cold mist as I sit alone and wait at life’s shut gate. Beyond there is light, and music, and sweet companionship; but I may not enter. Fate, silent, pitiless, bars the way…Silence sits immense upon my soul. Then comes hope with a smile and whispers, ‘there is joy is self-forgetfulness.’ So I try to make the light in others’ eyes my sun, the music in others; ears my symphony, the smile on others’ lips my happiness.

The mountain veiled in mist is not a hill; an oak tree in the rain is not a weeping willow.

There was so much time that marvelous summer. Day after day, mist rose from the meadow as the sky lightened and hedges, barns and woods took shape until, at last, the long curving back of the hills lifted away from the Plain. It was a sort of stage-magic.

Trees quiver in the wind, sailing on a sea of mist out of earshot.

You act as if I were your enemy. “You are my enemy. You seek to end the things I love.” And is an ending always bad? it asked. Must not all things, even worlds, someday end? “There is no need to hasten that end,” Vin said. “No reason to force it.” All things are subject to their own nature, Vin, Ruin said, seeming to flow around her. She could feel its touch on her—wet and delicate, like mist. You cannot blame me for what I am. Without me, nothing would end. Nothing could end. And therefore, nothing could grow. I am life. Would you fight life itself? Vin fell silent. Do not mourn because the day of this world’s end has arrived, Ruin said. That end was ordained the very day of the world’s conception. There is a beauty in death—the beauty of finality, the beauty of completion. For nothing is truly complete until the day it is finally destroyed.

The mental mist of ambiguity and the fog of ambivalence hamper human existence.

And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.

And if the earth Gods wreak vengeance on the sinless and the sinful alike, then this further destruction cannot be punishment for sins, but is in the way of all nature.

He dreams he is happy; that his corporeal nature has changed; or at least that he has flown off upon a purple cloud of another sphere peopled by beings of the same kind as himself. Alas! May his illusion last till dawn’s awakening! He dreams the flowers dance round him in a ring like immense demented garlands, and impregnate him with their balmy perfumes while he sings a hymn of love, locked in the arms of a magically beautiful human being. But it is merely twilight mist he embraces, and when he wakes their arms will no longer be entwined. Awaken not, hermaphrodite. Do not wake yet, I beg you. Why will you not believe me? Sleep … sleep forever. May your breast heave while pursuing the chimerical hope of happiness — that I allow you; but do not open your eyes. Ah! do not open your eyes.

There is the subtler music, the clear light Where time burns back about th'eternal embers. We are not shut from the thousand heavens: Lo, there are many gods whom we have seen, Folk of unearthly fashion, places splendid, Bulwarks of beryl and of chrysophrase. Sapphire Benacus, in thy mists and thee Nature herself's turned metaphysical, Who can look at that blue and not believe?

Happiness Makes Up in Height For What It Lacks in Length Oh, stormy stormy world, The days you were not swirled Around with mist and cloud, Or wrapped as in a shroud, And the sun’s brilliant ball Was not in part or all Obscured from mortal view— Were days so very few I can but wonder whence I get the lasting sense Of so much warmth and light. If my mistrust is right It may be altogether From one day’s perfect weather, When starting clear at dawn, The day swept clearly on To finish clear at eve. I verily believe My fair impression may Be all from that one day No shadow crossed but ours As through its blazing flowers We went from house to wood For change of solitude.

All about us the earth steamed; mists rose up toward heaven like clouds of incense; a shattered rainbow still hovered in the air.

Were I called on to define, very briefly, the term art, I should call it the Reproduction of what the senses perceive in nature through the veil of the mist.

...he talked quite naturally while we ate — about the difficulty of finding words to describe the luminous mist, and why one has the desire to describe beauty. "Perhaps it's an attempt to possess it," I said. "Or be possessed by it; perhaps that's the same thing, really. I suppose it's the complete identification with beauty one's seeking." The mist grew brighter and brighter.

He grew away from old associations, and saw something new in life and humanity. Secondarily, he made close acquaintance with phenomena which he had before known but darkly - the seasons in their moods, morning and evening, night and noon, winds in their different tempers, trees, waters and mists, shades and silences, and the voices of inanimate things.

Now she knew the haven she had sought in dreams, the place of warm safety which had always been hidden from her in the mist. It was not Ashley — oh, never Ashley! There was no more warmth in him than in a marsh light, no more security than in quicksand. It was Rhett — Rhett who had strong arms to hold her, a broad chest to pillow her tired head, jeering laughter to pull her affairs into proper perspective. And complete understanding, because he, like her, saw truth as truth, unobstructed by impractical notions of honor, sacrifice, or high belief in human nature.

I can no longer hear my voices, so I am a little lost. My suspicion is they would know far better how to tell this story. At least they would have opinions and suggestions and definite ideas as to what should go first and what should go last and what should go in the middle. They would inform me when to add detail, when to omit extraneous information, what was important and what was trivial. After so much time slipping past, I am not particularly good at remembering these things myself and could certainly use their help. A great many events took place, and it is hard for me to know precisely where to put what. And sometimes I'm unsure that incidents I clearly remember actually did happen. A memory that seems one instant to be as solid as stone, the next seems as vaporous as a mist above the river. That's one of the major problems with being crazy: you're just naturally uncertain about things. (9)

Of all the endless variety of phenomena which nature presents to our senses, there is none that fills our mind with greater wonder than that inconceivably complex movement which … we designate as human life. Its mysterious origin is veiled in the forever impenetrable mist of the past, its character is rendered incomprehensible by its in

To man has been given the grief, often, of seeing his gods overthrown and his altars crumbling; but to the wolf and the wild dog that have come in to crouch at man's feet, this grief has never come. Unlike man, whose gods are of the unseen and overguessed, vapors and mists of fancy eluding the garmenture of reality, wandering wraiths of desired goodness and power, intangible outcroppings of self into the realm of spirit - unlike man, the wolf and the wild dog that have come into their fire find the gods in the living flesh, solid to the touch, occupying earth-space and requiring time for the accomplishment of their ends and their existence. No effort of faith is necessary to believe in such a god; no effort of will can possibly induce disbelief in such a god. There is no getting away from it. There it stands, on its two hindlegs, club in hand, immensely potential, passionate and wrathful and loving, god and mystery and power all wrapped up and around by flesh that bleeds when it is torn and that is good to eat like any flesh.

It wasn't what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily, her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish perhaps it would have been Not to Know, Not to know what each day had in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend.

There is something about nature out of control that touches a primal terror. We are used to believing that we’re the masters of our domain, and that God has given us this earth to rule over. We need this illusion like a good night-light. The truth is more fearsome: we are as frail as young trees in tornadoes, and our beloved homes are one flood away from driftwood. We plant our roots in trembling earth, we live where mountains rose and fell and prehistoric seas burned away in mist. We and the towns we have built are not permanent; the earth itself is a passing train. When you stand in muddy water that is rising toward your waist and you hear people shouting against the darkness and see their figures struggling to hold back the currents that will not be denied, you realize the truth of it: we will not win, but we cannot give up.

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

There is a low mist in the woods— It is a good day to study lichens.

The ethereal nature of mists means that while they may appear solid and to have distinct forms, they are also immaterial, and can readily become formless.

As I see my soul reflected in Nature, As I see through a mist, One with inexpressible completeness, sanity, beauty, See the bent head and arms folded over the breast, the Female I see.

I had no fear of the stream's perils, and I listened with the greatest contentment to the quiet slap of water on rocks, the running whisper of the current, and the taps and creaks and croaks that rose with the mist around me. Overhead swing the glittering stars, and the bright moon shone down and lit the curling ripples of the water. At no time in my life had I been in greater danger from the elements, and yet if I learned that heaven is such as that night was, I should deem it a joy worth the dying.

The Mississippi and its paddle boats, and the rivers of Bengal and their gleaming steamers evoked a similar atmosphere of romance, of long, song-filled voyages, high winds and lonely sunsets.

Old trees want to hurt you. It doesn't matter if you're snowshoeing, cross-country skiing, or just taking a walk in the woods. Old trees want to hurt you, and I think they'd kill you if they could.

Each pedestrian could see no halo but his or her own, which never deserted the head-shadow, whatever its vulgar unsteadiness might be; but adhered to it, and persistently beautified it; till the erratic motions seemed an inherent part of the irradiation, and the fumes of their breathing a component of the night's mist; and the spirit of the scene, and of the moonlight, and of Nature, seemed harmoniously to mingle with the spirit of wine.

I sat wondering: Why is there always this deep shade of melancholy over the fields arid river banks, the sky and the sunshine of our country? And I came to the conclusion that it is because with us Nature is obviously the more important thing. The sky is free, the fields limitless; and the sun merges them into one blazing whole. In the midst of this, man seems so trivial. He comes and goes, like the ferry-boat, from this shore to the other; the babbling hum of his talk, the fitful echo of his song, is heard; the slight movement of his pursuit of his own petty desires is seen in the world's market-places: but how feeble, how temporary, how tragically meaningless it all seems amidst the immense aloofness of the Universe! The contrast between the beautiful, broad, unalloyed peace of Nature—calm, passive, silent, unfathomable,—and our own everyday worries—paltry, sorrow-laden, strife-tormented, puts me beside myself as I keep staring at the hazy, distant, blue line of trees which fringe the fields across the river. Where Nature is ever hidden, and cowers under mist and cloud, snow and darkness, there man feels himself master; he regards his desires, his works, as permanent; he wants to perpetuate them, he looks towards posterity, he raises monuments, he writes biographies; he even goes the length of erecting tombstones over the dead. So busy is he that he has not time to consider how many monuments crumble, how often names are forgotten!

Four seasons fill the measure of the year; There are four seasons in the mind of Man: He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honeyed cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness -to let fair things Pass by unheeded as a threshold brook: - He has his Winter too of pale misfeature, Or else he would forgo his mortal nature.

When the storm is over, the new growth, tiny and light, timid-green, starts edging our on the buses and three limbs. Then Nature brings April rain. It whispers down soft and lonesome, making mists in the hollows and on the trails where you walk under the drippings from hanging branches of trees. It's a good feeling, exciting--but sad too--in April rain. Granpa said he always got that kind of mixed-up feeling. He said it was exciting because something new was being born and it was sad, because you knowed you can't hold onto it. It will pass too quick. April wind is soft and warm as a baby's crib. It breathes on the crab apple tree until white blossoms open out, smeared with pink. The smell is sweeter than honeysuckle and brings bees swarming over the blossoms. Mountain laurel with pink-white blooms and purple centers grow everywhere, from the hollows to the top of the mountain, alongside of the dogtooth violet... Then, when April gets its warmest, all of a sudden the cold hits you. It stays cold for four or five days. This is to make the blackberries bloom and is called "blackberry winter." The blackberries will not bloom without it. That's why some years there are no blackberries. When it ends, that's when the dogwoods bloom out like snowballs over the mountainside in places you never suspicioned they grew: in a pine grove or stand of oak of a sudden there's a big burst of white.

...there are older people, teachers for example, of whom it is insufficient merely to say that they are unforgettable. People who have helped you in some significant way, I mean. You have to admit that these people are worthy to be remembered. Since they have sworn no oath of duty or affection for you, they have no obligation to you. You are just a stranger to them, and even when, by the very nature of things, you have forgotten them, it does not mean that you are lacking in affection or sense of obligation. However, there are some people in this world that you can just never forget.

Like an abandoned dog who cannot find a smell or a track and roams along the roads, with no road, like the child who in a night of the fair gets lost among the crowd, and the air is dusty, and the candles fluttering,--astounded, his heart weighed down by music and by pain; that’s how I am, drunk, sad by nature, a mad and lunar guitarist, a poet, and an ordinary man lost in dreams, searching constantly for God among the mists.

All night the earth and the heavens followed their usual arrangements. Stars passed: an immense tide hung over them. A silent sea raced back with the sun, its wave turn-over small, delicate and comfortless. The most glorious of all stars hung above the sun's threshold and went out. An hour later the sun governed the earth again, mist-chasing, flower-opening, bird-rousing, ghost-driving, spirit-shepherding back out the various gates of sleep.

Of all the intoxicants you can find on the road (including a "national beer" for nearly every country in the world), marijuana deserves a particular mention here, primarily because it's so popular with travelers. Much of this popularity is due to the fact that marijuana is a relatively harmless diversion (again, provided you don't get caught with it) that can intensify certain impressions and sensations of travel. The problem with marijuana, however, is that it's the travel equivalent of watching television: It replaces real sensations with artificially enhanced ones. Because it doesn't force you to work for a feeling, it creates passive experiences that are only vaguely connected to the rest of your life. "The drug vision remains a sort of dream that cannot be brought over into daily life," wrote Peter Matthiessen in The Snow Leopard. "Old mists may be banished, that is true, but the alien chemical agent forms another mist, maintaining the separation of the 'I' from the true experience of the 'One.'" Moreover, chemical highs have a way of distracting you from the utterly stoning natural high of travel itself. After all, roasting a bowl might spice up a random afternoon in Dayton, Ohio, but is it really all that necessary along the Sumatran shores of Lake Toba, the mountain basins of Nepal, or the desert plateaus of Patagonia? As Salvador Dali quipped, "I never took drugs because I am drugs." With this in mind, strive to be drugs as you travel, to patiently embrace the raw, personal sensation of unmediated reality--an experience for more affecting than any intoxicant can promise.

Walking away barefoot on the soft loam, with mist rising in ribbons all around her, Etty tucked the year's first violets into her hair.

Leaves crumble under my feet as I walk, the scent of fallen apples and damp soil in air, the shadowlands felt in the mist hanging over the fields, ancient whispers awaken the night.

Faith gives us hope, so if faith is lost, hope flees away like mist in the wind. Loss of faith leads to loss of hope, which leads to despair. Life becomes pointless and without value.

but the older priestesses had explained to her, as they gathered in the courtyard, that the Moon God was effacing the brightness of the Goddess, and she ran out with them joyously to join in the shrieks of the women to frighten him away. Later it had been explained to her how the sun and moon moved, and why, now and again, one of them crossed the face of the other; that it was in the way of nature, and the common people’s beliefs about the face of the Gods were symbols which these people, at the current state of their evolution, needed to visualize the great truths. Some day all men and women would know the inner truths, but now they needed them not.

There are gigantic trees that have grown tall into the winds and the clouds over the thousands of years of their lives, their tops are rustled and tossed by the mists of the atmosphere! Then there are the short trees that don't live for long, they are young with no deep roots and only a few annual rings to tell their stories.The tall, ancient trees sway in the realm of freedom while the short young trees cannot even raise their branches into that direction of the sky! Now, you are the bird who needs a tree to live in; if you choose to live in the tree which thrives in the realm of freedom, that doesn't mean you are not committed to that tree. You are still committed to your tree, but together you and your tree live in freedom. Freedom is not the absence of commitment. If you are the bird who chooses to fly around amongst the short trees and live in them, that's because your wings are too short to make it any higher and your vision too near to see any further into the clouds. And if you move from one short tree to the next short tree, that doesn't mean you are free, you are still down there below, freedom is still nowhere near you.

Of all the stars I admired, drenched in various rivers and mists, I chose only the one I love, Since then I sleep with the night. Of all the waves, one wave and another wave, green sea, green chill, branchings of green, I chose only the one wave, The indivisible wave of your body All the waterdrops, all the roots all the threads of light gathered to me here; they came to me sooner or later I wanted your hair all for myself From all the gaces of my homeland offered I chose only your savage heart.

I grow into these mountains like a moss. I am bewitched. The blinding snow peaks and the clarion air, the sound of earth and heaven in the silence, the requiem birds, the mythic beasts, the flags, great horns, and old carved stones, the silver ice in the black river, the Kang, the Crystal Mountain. Also, I love the common miracles-the murmur of my friends at evening, the clay fires of smudgy juniper, the coarse dull food, the hardship and simplicity, the contentment of doing one thing at a time… gradually my mind has cleared itself, and wind and sun pour through my head, as through a bell. Though we talk little here, I am never lonely; I am returned into myself. In another life-this isn’t what I know, but how I feel- these mountains were my home; there is a rising of forgotten knowledge, like a spring from hidden aquifers under the earth. To glimpse one’s own true nature is a kind of homegoing, to a place East of the Sun, West of the Moon- the homegoing that needs no home, like that waterfall on the supper Suli Gad that turns to mist before touching the earth and rises once again to the sky.

The conviction that life has a purpose is rooted in every fibre of man, it is a property of the human substance. Free men give many names to this purpose, and think and talk a lot about its nature. But for us the question is simpler. Today, in this place, our only purpose is to reach the spring. At the moment we care about nothing else. Behind this aim there is not at the moment any other aim. In the morning while we wait endlessly lined up in roll-call square for the time to leave for work, while every breath of wind penetrates our clothes and runs in violent shivers over our defenceless bodies, and everything is grey around us, and we are grey; in the morning, when it is still dark, we all look at the sky in the east to spot the first signs of a milder season, and the rising of the sun is commented on every day: today a little earlier than yesterday, today a little warmer than yesterday, in two months, in a month, the cold will call a truce and we will have one enemy less. Today the sun rose bright and clear for the first time from the horizon of mud. It is a Polish sun, cold, white, distant, and only warms the skin, but when it dissolved the last mists a murmur ran through our colourless numbers, and when even I felt its lukewarmth through my clothes I understood how men can worship the sun.

Every moment the patches of green grew bigger and the patches of snow grew smaller. Every moment more and more of the trees shook off their robes of snow. Soon, wherever you looked, instead of white shapes you saw the dark green of firs or the black prickly branches of bare oaks and beeches and elms. Then the mist turned from white to gold and presently cleared away altogether. Shafts of delicious sunlight struck down on to the forest floor and overhead you could see a blue sky between the tree tops. Soon there were more wonderful things happening. Coming suddenly round a corner into a glade of silver birch trees Edmund saw the ground covered in all directions with little yellow flowers- celandines. The noise of water grew louder. Presently they actually crossed a stream. Beyond it they found snowdrops growing.

Lisa was thinking, as she climbed the apparently unending staircase, the she had taken pretty long odds. She had not hesitated to buck the Tiger, Life. Simon Iff had warned her that she was acting on impulse. But--on the top of that--he had merely urged her to be true to it. She swore once more that she would stick to her guns. The black mood fell from her. She turned and looked upon the sea, now far below. The sun, a hollow orb of molten glory, hung quivering in the mist of the Mediterranean; and Lisa entered for a moment into a perfect peace of spirit. She became once with Nature, instead of a being eternally at war with it.

How beautiful the sky looked, how blue and calm and deep! How brilliant and majestic was the setting sun! How tenderly shone the distant waters of the Danube! And fairer still were the purpling mountains stretching far away beyond the river, the convent, the mysterious gorges, the pine forests veiled in mist to their summits. ...There all was peace and happiness. 'I should wish for nothing, wish for nothing, for nothing in the world, if only I were there', thought Rostov. 'In myself alone and in that sunshine there is so much happiness'...

FAUSTUS. Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damn'd perpetually! Stand still, you ever-moving spheres of heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again, and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente,172 lente currite, noctis equi! The stars move still, time runs, the clock will strike, The devil will come, and Faustus must be damn'd. O, I'll leap up to my God!—Who pulls me down?— See, see, where Christ's blood streams in the firmament! One drop would save my soul, half a drop: ah, my Christ!— Ah, rend not my heart for naming of my Christ! Yet will I call on him: O, spare me, Lucifer!— Where is it now? 'tis gone: and see, where God Stretcheth out his arm, and bends his ireful brows! Mountains and hills, come, come, and fall on me, And hide me from the heavy wrath of God! No, no! Then will I headlong run into the earth: Earth, gape! O, no, it will not harbour me! You stars that reign'd at my nativity, Whose influence hath allotted death and hell, Now draw up Faustus, like a foggy mist. Into the entrails of yon labouring cloud[s], That, when you173 vomit forth into the air, My limbs may issue from your smoky mouths, So that my soul may but ascend to heaven! [The clock strikes the half-hour.] Ah, half the hour is past! 'twill all be past anon O God, If thou wilt not have mercy on my soul, Yet for Christ's sake, whose blood hath ransom'd me, Impose some end to my incessant pain; Let Faustus live in hell a thousand years, A hundred thousand, and at last be sav'd! O, no end is limited to damned souls! Why wert thou not a creature wanting soul? Or why is this immortal that thou hast? Ah, Pythagoras' metempsychosis, were that true, This soul should fly from me, and I be chang'd Unto some brutish beast!174 all beasts are happy, For, when they die, Their souls are soon dissolv'd in elements; But mine must live still to be plagu'd in hell. Curs'd be the parents that engender'd me! No, Faustus, curse thyself, curse Lucifer That hath depriv'd thee of the joys of heaven. [The clock strikes twelve.] O, it strikes, it strikes! Now, body, turn to air, Or Lucifer will bear thee quick to hell! [Thunder and lightning.] O soul, be chang'd into little water-drops, And fall into the ocean, ne'er be found! Enter DEVILS. My God, my god, look not so fierce on me! Adders and serpents, let me breathe a while! Ugly hell, gape not! come not, Lucifer! I'll burn my books!—Ah, Mephistophilis! [Exeunt DEVILS with FAUSTUS.]

17. Human life. Duration: momentary. Nature: changeable. Perception: dim. Condition of Body: decaying. Soul: spinning around. Fortune: unpredictable. Lasting Fame: uncertain. Sum Up: The body and its parts are a river, the soul a dream and mist, life is warfare and a journey far from home, lasting reputation is oblivion. Then what can guide us? Only philosophy. Which means making sure that the power within stays safe and free from assault, superior to pleasure and pain, doing nothing randomly or dishonestly and with imposture, not dependent on anyone else’s doing something or not doing it. And making sure that it accepts what happens and what it is dealt as coming from the same place it came from. And above all, that it accepts death in a cheerful spirit, as nothing but the dissolution of the elements from which each living thing is composed. If it doesn’t hurt the individual elements to change continually into one another, why are people afraid of all of them changing and separating? It’s a natural thing. And nothing natural is evil.

Yorkshire's autumn was as great a gift as Yorkshire's summer. I loved watching the rusting of the leaves while the dales mellowed to shades of ochre, and rose hips and blackberries grew deliciously fat on their branches. The morning mists were mystical and magical to me, and the rose-glow of the evening sun lent the sky a hypnotic light that matched any Cape Town sunset.

There is something about nature out of control that touches a primal terror. We are used to believing that we’re the masters of our domain, and that God has given us this earth to rule over. We need this illusion like a good night-light. The truth is more fearsome: we are as frail as young trees in tornadoes, and our beloved homes are one flood away from driftwood. We plant our roots in trembling earth, we live where mountains rose and fell and prehistoric seas burned away in mist. We and the towns we have built are not permanent; the earth itself is a passing train.

A mountain shrouded in mist is not hiding anything profound. There is no more wisdom on top of that mountain than there is anywhere else. It is just as sacred as a nap below the bough of a tree, washing the dishes, the sun fading over a meadow, belly laughter, a walk down a narrow path.

The evening's light, silvery, casts its dull brightness onto the trees--trees gelid in this blue light of winter. But whiteness dominates with the pines and evergreens steeped in vibrant grades of silver. I hear notes in the mist, like silvery chattering, coins in a pocket, the jangle of keys.

The challenge for scratch and sniff sticker makers isn't in the end to mimic the natural world, which does not actually exist as a thing separate from humanity. The challenge is to imagine what combination of smells will make humans remember the smell of bananas or ocean mist, or freshly mown grass.

As it moves closer, Galen can make out smaller bodies within the mass. Whales. Sharks. Sea turtles. Stingrays. And he knows exactly what’s happening. The darkening horizon engages the full attention of the Aerna; the murmurs grow louder the closer it gets. The darkness approaches like a mist, eclipsing the natural snlight from the surface. An eclipse of fish. With each of his rapid heartbeats, Galen thinks he can feel the actual years disappear from his life span. A wall of every predator imaginable, and every kind of prey swimming in between, fold themselves around the edges of the hot ridges. The food chain hovers toward, over them, around them as a unified force. And Emma is leading it. Nalia gasps, and Galen guesses she recognizes the white dot in the middle of the wall. Syrena on the outskirts of the Arena frantically rush to the center, the tribunal all but forgotten in favor of self-preservation. The legion of sea life circles the stadium, effectively barricading the exits and any chance of escaping. Galen can’t decide if he’s proud or angry when Emma leaves the safety of her troops to enter the Arena, hitching a ride on the fin of a killer whale. When she’s but three fin-lengths away from Galen, she dismisses her escort. “Go back with the others,” she tells it. “I’ll be fine.” Galen decides on proud. Oh, and completely besotted. She gives him a curt nod to which he grins. Turning to the crowd of ogling Syrena, she says, “I am Emma, daughter of Nalia, true princess of Poseidon.” He hears murmurs of “Half-Breed” but it sounds more like awe than hatred or disgust. And why shouldn’t it? They’ve seen Paca’s display of the Gift. Emma’s has just put it to shame.

And is an ending always bad? it asked. Must not all things, even worlds, someday end? "There is no need to hasten that end," Vin said. "No reason to force it." All things are subject to their own nature, Vin, Ruin said, seeming to flow around her. She could feel its touch upon her -- wet and delicate, like mist. You cannot blame me for being what I am. Without me, nothing would end. Nothing could end. And therefore, nothing could grow. I am life. Would you fight life itself?

The trees were tinted exquisitely to an uncertain glory as the great red sinking sun flashed its rays on their crystal mantle. The vale of Aylesbury was drowsing beneath a slowly deepening shroud of mist. Above it the hills, their crests rounded and shaded by silver and rose coppices, seemed to have set in them great smoky eyes of flame where the last rays burned in them. 'It is like some dream world,' thought Mr. Cort. 'It is curious how, wherever the sun strikes, it seems to make an eye, and each one fixed on me; those hills, even those windows. But, judging from that mist, I shall have a slow journey home... ("Blind Man's Bluff")

Mindful of you the sodden earth in spring, And all the flowers that in the springtime grow, And dusty roads, and thistles, and the slow Rising of the round moon, all throats that sing The summer through, and each departing wing, And all the nests that the bared branches show, And all winds that in any weather blow, And all the storms that the four seasons bring. You go no more on your exultant feet Up paths that only mist and morning knew, Or watch the wind, or listen to the beat Of a bird’s wings too high in air to view,— But you were something more than young and sweet And fair,—and the long year remembers you.

With every word the mist which had enveloped them, making them seem unreal to each other, since the previous afternoon melted a little further, and their contact became more and more natural. Up through the sultry southern landscape they saw the world they knew appear clearer and more vividly than it had ever appeared before.

Excerpt from "The Long Road from Perdition" for the day: "...I've always been drawn to the ocean. It is here that I now feel peaceful and can lose my thoughts while immersed in the deafening sounds of waves crashing around me. The spray and mist of the ocean's past seem to be a living, breathing yet wounded animal. The fury of the waves never settled and the spew of the foam touched all that dared to sit near it. There is no reason to flinch as the waves spray and crash against the shore. It is a natural progression I have learned to endure. However, it is the rescinding of the waves and fluid release of fury that I struggle to understand and coexist with peacefully. I hope one day to master it.

You thought blackberries had passed, didn’t you? Or you’ve eaten them and thought you didn’t like them. No, you need to wait until the last moment, that moment between perfect and spoiled. The blackbirds know that moment. And if the mist comes right then, laying the salt air gently on the fruit, you have something that money can’t buy and chefs can’t create. A perfect, lightly salted blackberry. You can’t make them; it has to come with time and nature. They’re a gift, when you think summer’s over, and the good stuff has all

She’d slipped from his fingers like a rising mist and fled from him as the haze of morning flees from the light of the sun.

beneath the rosy sky veiled in mist the blooming meadow

They appeared to me like a thin veil of mist, translucent, almost- not quite there. But for all their misty peculiarity, they were as clear to me as the minnows in the shallows and the foxgloves on the riverbank and the butterflies fanning their wings. They flitted from flower to flower, as swift as dragonflies, sometimes glowing brightly like a candle flame suddenly catching, sometimes fading like a breath of warm air on glass, so that you would never know they had been there at all. Yet there they were. And there I was, watching them.

Now the wood in early morning was utterly silent. She walked carefully through damp leaves, around tangles of bramble and vine, trying not to disturb the stillness. She could not see the sky, only green and shadow woven thickly above her, yelding not a scrap of blue. She breathed soundlessly. So did the wood around her, she felt; it seemed a live thing, alert and watching her, trees trailing whisps of morning mist, their faces hidden, their thoughts seeping into the air like scent. It was, she thought, like being surrounded by unspoken words.

Rarely, rarely comest thou, Spirit of Delight! Wherefore hast thou left me now Many a day and night? Many a weary night and day 'Tis since thou art fled away. How shall ever one like me Win thee back again? With the joyous and the free Thou wilt scoff at pain. Spirit false! thou hast forgot All but those who need thee not. As a lizard with the shade Of a trembling leaf, Thou with sorrow art dismayed; Even the sighs of grief Reproach thee, that thou art not near, And reproach thou wilt not hear. Let me set my mournful ditty To a merry measure;-- Thou wilt never come for pity, Thou wilt come for pleasure; Pity then will cut away Those cruel wings, and thou wilt stay. I love all that thou lovest, Spirit of Delight! The fresh Earth in new leaves dressed, And the starry night; Autumn evening, and the morn When the golden mists are born. I love snow and all the forms Of the radiant frost; I love waves, and winds, and storms, Everything almost Which is Nature's, and may be Untainted by man's misery. I love tranquil solitude, And such society As is quiet, wise, and good; Between thee and me What difference? but thou dost possess The things I seek, not love them less. I love Love--though he has wings, And like light can flee, But above all other things, Spirit, I love thee-- Thou art love and life! O come! Make once more my heart thy home!

In Views of Nature Humboldt conjured up the quiet solitude of Andean mountaintops and the fertility of the rainforest, as well as the magic of a meteor shower and the gruesome spectacle of catching the electric eels in the Llanos. He wrote of the ‘glowing womb of the earth’ and ‘bejewelled’ riverbanks. Here a desert became a ‘sea of sands’, leaves unfolded ‘to greet the rising sun’, and apes filled the jungle with ‘melancholy howlings’. In the mists at the rapids of the Orinoco, rainbows danced in a game of hide-and-seek – ‘optical magic’, as he called it. Humboldt created poetic vignettes when he wrote of strange insects that ‘poured their red phosphoric light on the herb-covered ground, which glowed with living fire as if the starry canopy of heaven had sunk upon the turf’.

You seem very qualified, sir, to express the negative one. At the same time I would repeat in my own person the words of Thackeray. He said to some objector: 'What you say is natural, but if you had seen what I have seen you might alter your opinion'. Perhaps sometime you will be able to look into the matter, for your high position in the scientific world would give your opinion great weight.

My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.

On December the twenty-third, the park was hazy from clammy mists that muted and softened all color and distance. Michael had not set off for Whitelow after breakfast, so I bundled myself into my redingote that was as thick and warm as a man's, and pulled on my sable hat and muff. Even so, the chill pinched my nose as I hurried along paths of mushy leaves, sending startled birds pink-pinking up into the air. Claw-like seed pods clung to my skirts; the fine flowers of summer drooped slimy and black. I collected a few posies of evergreens to paint: stiff pine cones, jewel-like berries of black and scarlet, and oval seed pods as lustrous as pearl.

It is noted that from 1967 to 1995 essays on negative emotions far outnumbered those on positive emotions in the psychological literature. The ratio was 21:1. Even those supreme perpetrators of pop nihilism, The New York Times and The Washington Post, have a better ratio than psychological literature. They average 12 negative stories to every one that might be construed to be non-negative. Many of their non-negative stories, however, cover success in sports and entertainment. I demand that the purveyors of despair who pretend to be dispassionate observes of the human condition go ahead and disclose that the 10 most beautiful words in the English languages are chimes, dawn, golden, hush, lullaby, luminous, melody, mist, murmuring, and tranquil; that Java sparrows prefer the music of Back over that of Schoenberg; that math experts have determined there are 1/96 trillion ways to lace up your shoes; that the Inuit term for making love is translated as ‘laughing together in bed;' and that according to Buckminster Fuller, “pollution is nothing but resources we’re not harvesting.

In the summer, if I was up early, I liked to walk into the lake naked and lie on top of the water. I liked to watch the mist evaporate above me, my ears immersed so I could listen to the quiet hum of nature under water.

I am not a churchgoing man. Strangled in the vines of form and choked with ritual Christians, Sunday service held no appeal for me as a child. When my parents released me from compulsory attendance, I would never return. In my view, religion is best practiced out of doors, in nature's cathedral of miracles where spirits and the arts of heaven mingle unencumbered. The spirits were present on the tiny unmarked parcel at Mount Vernon that early autumn afternoon. Hazel and I stood for a long while in complete silence. Words would have marred, much as they misserve this inadequate telling of what we felt. We had been touched by wearied souls calling, in a language ethereal as morning mist, from the near realm that awaits us all. These were 'our' ancestors and, alone behind an old wooden outbuilding, my wife and I had wordlessly worshiped with them on that clear crisp afternoon.

My gods are not tame. They do not always come when they are called. This is not a failure of ritual or a weakness of belief. It is the nature of my gods. I would no more expect a god to “show up” in my ritual space than I would expect to be able to call a mountain into my living room. That is simply not the nature of mountains. If I want to meet a mountain, I am the one who must move." - Alison Leigh Lilly, "Gods Like Mountains, Gods Like Mist

Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.

The brown autumn came. Out of doors, it brought to the fields the prodigality of the golden harvest, —to the forest, revelations of light,⁠—and to the sky, the sharp air, the morning mist, the red clouds at evening. Within doors, the sense of seclusion, the stillness of closed and curtained windows, musings by the fireside, books, friends, conversation, and the long, meditative evenings. To the farmer, it brought surcease of toil,⁠—to the scholar, that sweet delirium of the brain which changes toil to pleasure. It brought the wild duck back to the reedy marshes of the south; it brought the wild song back to the fervid brain of the poet. Without, the village street was paved with gold; the river ran red with the reflection of the leaves. Within, the faces of friends brightened the gloomy walls; the returning footsteps of the long-absent gladdened the threshold; and all the sweet amenities of social life again resumed their interrupted reign.

I like the idea of mist as much as I enjoy the lovely mist itself. Aren’t transitions always marked by tumult and confusion? How comforting it would be to say, as a matter of unremarkable fact, “I’m wandering in the mist just now. It will blow off in a bit.

There was no portion of land in the world with so contradictory a nature as the Highlands. Now it was a land of sunlit moors stained red with heather, knowing only the peace of the quiet sky and the heart-shaking beauty of the blue hills; now it was a harsh and awesome place where silent mists obscured the peaks and a bitter relentless rain came down from bitter skies, where an angry sea washed against the shore, and sullen clouds reflected in sullen gray lochs. Scotland in the sun and Scotland in the rain...

Into lightness and darkness, into shadows and mist, may you rest for eternity. Over the mountains and beneath the sea, let your spirit find peace. May nature keep your soul, the wind hold your memories, the river bless your spirit, and the fire carry you away.

The sun has disappeared, and the light there still is, is left in the atmosphere enclosed by the gloomy mist as pools are left by the receding tide. Through the sand the water slips, and through the mist the light glides away. (Haunts of the Lapwing: I. Winter)

And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music which the ear half catches but lets fall; a bark, a bleat; irregular, intermittent, yet somehow related; the hum of an insect, the tremor of cut grass, dissevered yet somehow belonging; the jar of a dor beetle, the squeak of a wheel, loud, low, but mysteriously related; which the ear strains to bring together and is always on the verge of harmonising but they are never quite heard, never fully harmonised, and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost, and like mist rising, quiet rose, quiet spread, the wind settled; loosely the world shook itself down to sleep, darkly here without a light to it, save what came green suffused through leaves, or pale on the white flowers by the window. [Lily Briscoe had her bag carried up to the house late one evening in September. Mr. Carmichael came by the same train.]

In the marshes the buckbean has lifted its feathery mist of flower spikes above the bed of trefoil leaves. The fimbriated flowers are a miracle of workmanship and every blossom exhibits an exquisite disorder of ragged petals finer than lace. But one needs a lens to judge of their beauty: it lies hidden from the power of our eyes, and menyanthes must have bloomed and passed a million times before there came any to perceive and salute her loveliness. The universe is full of magical things patiently waiting for our wits to grow sharper.

From the middle of a tomb whose lights burn only for survival…our tired bodies finally understand and obey our beating hearts. Meet me in the country, Meet me in the country, The city's breath is getting way too evil to breathe. Meet us in the country, Leave the pigs and rats in the city— Under the gypsy sun, we all will clearly reach the grace of living—…to give and receive with love and ease. We'll dance to the drums of the open life… love is the rhythm of man and wife… faith in the beat for everyone. God breathes music…through the life of the Gypsy Sun…

The conclusion, therefore, is that of Augustine, who said that the heart of man was created for God and that it cannot find rest until it rests in his Father’s heart. Hence all men are really seeking after God, as Augustine also declared, but they do not all seek Him in the right way, nor at the right place. They seek Him down below, and He is up above. They seek Him on the earth, and He is in heaven. They seek Him afar, and He is nearby. They seek Him in money, in property, in fame, in power, and in passion; and He is to be found in the high and the holy places, and with him that is of a contrite and humble spirit (Isa. 57:15). But they do seek Him, if haply they might feel after Him and find Him (Acts 17:27). They seek Him and at the same time they flee Him. They have no interest in a knowledge of His ways, and yet they cannot do without Him. They feel themselves attracted to God and at the same time repelled by Him. In this, as Pascal so profoundly pointed out, consists the greatness and the miserableness of man. He longs for truth and is false by nature. He yearns for rest and throws himself from one diversion upon another. He pants for a permanent and eternal bliss and seizes on the pleasures of a moment. He seeks for God and loses himself in the creature. He is a born son of the house and he feeds on the husks of the swine in a strange land. He forsakes the fountain of living waters and hews out broken cisterns that can hold no water ( Jer. 2:13). He is as a hungry man who dreams that he is eating, and when he awakes finds that his soul is empty; and he is like a thirsty man who dreams that he is drinking, and when he awakes finds that he is faint and that his soul has appetite (Isa. 29:8). Science cannot explain this contradiction in man. It reckons only with his greatness and not with his misery, or only with his misery and not with his greatness. It exalts him too high, or it depresses him too far, for science does not know of his Divine origin, nor of his profound fall. But the Scriptures know of both, and they shed their light over man and over mankind; and the contradictions are reconciled, the mists are cleared, and the hidden things are revealed. Man is an enigma whose solution can be found only in God.

I have a great idea, Gregori," she told him wickedly. "Let's take a commercial flight." "What?" He was staring at her mouth. She had a great mouth.A perfect mouth. A sexy mouth. Mon Dieu, he wanted her mouth. "Doesn't a commercial flight sound fun? We could take a night flight, mingle with people.It might even throw off the reporter." "Nothing is going to throw off the reporter.He is tenacious.And there will be no commercial flight.There will be no discussion on this,either. None. If we go to New Orleans,and I am not saying we will, commercial flights are out." "Oh,Gregori,I was only kidding. Naturally we'll do things your way," she added demurely. He shook his head,exasperated at himself. Of course she had been teasing. He wasn't used to anyone treating him as Savannah did. Outrageous woman. "I need to go out and talk with Wade Carter." She stood up instantly, expectantly, her blue eyes wide in anticipation. "Tell me what you want me to do. I can probably manage mist.I'm stronger now,using your blood.I can back you up." Amusement warmed the cool silver of his eyes. "Mon Dieu, Savannah, you sound like a cop movie.

There is something about nature out of control that touches a primal terror. We are used to believing that we're the masters of our domain, and that God has given us this earth to rule over. We need this illusion like a good night-light. The truth is more fearsome: we are as frail as young trees in tornadoes, and our beloved homes are one flood away from driftwood. We plant our roots in trembling earth, we live where mountains rose and fell and prehistoric seas burned away in mist. We and the towns we have built are not permanent; the earth itself is a passing train.

Go outside and let your breath be stolen away. Find the forests, seek the seas, meditate on the mountains, mist-covered from morning. We are nurtured by nature, born for the wild places. We've no business in cities, in buildings taller than trees can grow. Go outside and begin living again.

He could seek no object in life now, because now he had faith—not faith in any sort of principles, or words, or ideas, but faith in a living, ever-palpable God. In old days he had sought Him in the aims he set before himself. That search for an object in life had been only a seeking after God; and all at once in his captivity he had come to know, not through words or arguments, but by his own immediate feeling, what his old nurse had told him long before; that God is here, and everywhere. In his captivity he had come to see that the God in Karataev was grander, more infinite, and more unfathomable than the Architect of the Universe recognised by the masons. He felt like a man who finds what he has sought at his feet, when he has been straining his eyes to seek it in the distance. All his life he had been looking far away over the heads of all around him, while he need not have strained his eyes, but had only to look in front of him. In old days he had been unable to see the great, the unfathomable, and the infinite in anything. He had only felt that it must be somewhere, and had been seeking it. In everything near and comprehensible, he had seen only what was limited, petty, everyday, and meaningless. He had armed himself with the telescope of intellect, and gazed far away into the distance, where that petty, everyday world, hidden in the mists of distance, had seemed to him great and infinite, simply because it was not clearly seen. Such had been European life, politics, freemasonry, philosophy, and philanthropy in his eyes. But even then, in moments which he had looked on as times of weakness, his thought had penetrated even to these remote objects, and then he had seen in them the same pettiness, the same ordinariness and meaninglessness. Now he had learnt to see the great, the eternal, and the infinite in everything; and naturally therefore, in order to see it, to revel in its contemplation, he flung aside the telescope through which he had hitherto been gazing over men’s heads, and looked joyfully at the ever-changing, ever grand, unfathomable, and infinite life around him. And the closer he looked at it, the calmer and happier he was. The terrible question that had shattered all his intellectual edifices in old days, the question: What for? had no existence for him now. To that question, What for? he had now always ready in his soul the simple answer: Because there is a God, that God without whom not one hair of a man’s head falls.

of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!

We hear the rain not through silent falling water but in the many translations delivered by objects that the rain encounters. Like any language, especially one with so much to pour out and so many waiting interpreters, the sky’s linguistic foundations are expressed in an exuberance of form: downpours turn tin roofs into sheets of screaming vibration; rain smatters onto the wings of hundreds of bats, each drop shattering, then falling into the river below the bats’ skimming flight; heavy-misted clouds sag into treetops and dampen leaves without a drop falling, their touch producing the sound of an inked brush on a page.

When I describe for my far-away friends the Northwest’s subtle shades of weather — from gloaming skies of ‘high-gray’ to ‘low-gray’ with violet streaks like the water’s delicate aura — they wonder if my brain and body have, indeed, become water-logged. Yet still, I find myself praising the solace and privacy of fine, silver drizzle, the comforting cloaks of salt, mold, moss, and fog, the secretive shelter of cedar and clouds. Whether it’s in the Florida Keys, along the rocky Maine coast, within the Gulf of Mexico’s warm curves, on the brave Outer Banks; or, for those who nestle near inland seas, such as the brine-steeped Great Salk Lake or the Midwest’s Great Lakes — water is alive and in relationship with those of us who are blessed with such a world-shaping, yet abiding, intimate ally. Every day I am moved by the double life of water — her power and her humility. But most of all, I am grateful for the partnership of this great body of inland sea. Living by water, I am never alone. Just as water has sculpted soil and canyon, it also molds my own living space, and every story I tell. …Living by water restores my sense of balance and natural rhythm — the ebb and flow of high tides and low tides, so like the rise and fall of everyday life. Wind, water, waves are not simply a backdrop to my life, they are steady companions. And that is the grace, the gift of inviting nature to live inside my home. Like a Chambered Nautilus I spin out my days, drifting and dreaming, nurtured by marine mists, like another bright shell on the beach, balancing on the back of a greater body.

Each of us has his own way of classifying humanity. To me, as a child, men and women fell naturally into two great divisions: those who had gardens and those who had only houses. Brick walls and pavements hemmed me in and robbed me of one of my birthrights; and to the fancy of childhood a garden was a paradise, and the people who had gardens were happy Adams and Eves walking in a golden mist of sunshine and showers, with green leaves and blue sky overhead, and blossoms springing at their feet; while those others, dispossessed of life's springs, summers, and autumns, appeared darkly entombed in shops and parlors where the year might as well have been a perpetual winter.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Do you know what a dream is? It is not a chimera engendered by our desire, but another way we absorb the substance of the world, and gain access to the same truths as those the mists unveil by concealing the visible and unveiling the invisible.... There are no limits to our powers to accomplish and our natural spirit is stronger than anything.

When we get the insight into this Self, we are able to have the open sesame to the mysteries of the universe, because to know the nature of a drop of water is to know the nature of the river, the lake, and the ocean—nay, even of vapour, mist, and cloud; in other words, to get an insight into individual life is the key to the secret of Universal Life.

So spake our mother Eve, and Adam heard Well pleased, but answered not; for now too nigh Th' Archangel stood, and from the other hill To their fixed station, all in bright array The Cherubim descended; on the ground Gliding meteorous, as ev'ning mist Ris'n from a river o'er the marish glides, And gathers ground fast at the labourer's heel Homeward returning. High in front advanced, The brandished sword of God before them blazed Fierce as a comet; which with torrid heat, And vapour as the Libyan air adust, Began to parch that temperate clime; whereat In either and the hast'ning angel caught Our ling'ring parents, and to th' eastern gate Led them direct, and down the cliff as fast To the subjected plain; then disappeared. They looking back, all th' eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide: They hand in hand with wand'ring steps and slow, Through Eden took their solitary way.

Sam came to take its somber vastness as natural; felt the million histories being enacted behind the curtained windows of the million houses. On clear days, when rare thin sunshine caressed the gray-green bricks which composed the backs of London houses, even these ugly walls had for him, in relief at the passing of the mist-pall, a charm he had never found in the hoydenish glare of sunshine on bright winter days in Zenith.

This is how the universe came into being: There was no heaven, no earth, no universe—just empty space. In this vast emptiness, a single point suddenly manifested itself. From that point, steam, smoke, and mist spiraled forth in a luminous sphere and the sacred sound SU was born. As SU expanded circularly up and down, left and right, nature and breath began, clear and uncontaminated. Breath developed life, and sound appeared

To apprehend things—walking on a hill, seeing the light change, the mist, the dark, being aware, using the whole of one’s body to instruct the spirit—yes, that is a secret life one has and knows others have. But to be able to share it, in and through words—that is what frightens me ... It dissolves one’s being, I am no longer myself but a part of a life beyond myself when I read pages which are so much an expression of myself

Let Observation with extensive View, Survey Mankind, from China to Peru; Remark each anxious Toil, each eager strife, And watch the busy Scenes of crowded Life; Then say how Hope and Fear, Desire and Hate, O'erspread with Snares the clouded Maze of Fate, Where wav'ring Man, betray'd by vent'rous Pride, To tread the dreary Paths without a Guide; As treach'rous Phantoms in the Mist delude, Shuns fancied Ills, or chases airy Good. How rarely Reason guides the stubborn Choice, Rules the bold Hand, or prompts the suppliant Voice, How Nations sink, by darling Schemes oppress'd, When Vengeance listens to the Fool's Request. Fate wings with ev'ry Wish th' afflictive Dart, Each Gift of Nature, each Grace of Art, With fatal Heat impetuous Courage glows, With fatal Sweetness Elocution flows, Impeachment stops the Speaker's pow'rful Breath, And restless Fire precipitates on Death.

[...] ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out. So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.

A Chipewyan guide named Saltatha once asked a French priest what lay beyond the present life. 'You have told me heaven is very beautiful,' he said. 'Now tell me one more thing. Is it more beautiful than the country of the muskoxen in the summer, when sometimes the mist blows over the lakes, and sometimes the water is blue, and the loons cry very often? That is beautiful. If heaven is still more beautiful, I will be glad. I will be content to rest there until I am very old.

PATER PROFUNDUS. [Far below]   The chasm at my feet, dark, yawning,   Rests on a chasm deeper still,   A thousand streams, their waters joining,   In a cascade terrific fall;   The tree’s own life, its strength from nature,   Its trunk lifts skywards straight and tall—   All, all, show love’s almighty power   That shapes all things, cares for them all.   The storm breaks round me, fiercely howling,   The woods, ravines, all seem to quake, 12240 And yet, swelled by the deluge falling,   The torrent plunges down the rock   To water lovingly the valley;   The lightning burns the overcast   And clears the air, now smelling freshly,   Of all its foulness, dankness, mist—   All love proclaim! the creating power   By which the whole world is embraced.   Oh kindle, too, in me your fire,   Whose thoughts, disordered, cold, depressed, 12250 Inside the cage of dull sense languish,   Tormented, helpless, hard beset!   Dear God, relieve my spirit’s anguish,   My needy heart illuminate!

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and to be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, and cloud the eye as it sought its prey, and make the tongue stammer as it declared its love. It was the fatal nature of this disease to substitute a phantom for reality, so that Orlando, to whom fortune had given every gift--plate, linen, houses, men-servants, carpets, beds in profusion--had only to open a book for the whole vast accumulation to turn to mist. The nine acres of stone which were his house vanished; one hundred and fifty indoor servants disappeared; his eighty riding horses became invisible; it would take too long to count the carpets, sofas, trappings, china, plate, cruets, chafing dishes and other movables often of beaten gold, which evaporated like so much sea mist under the miasma. So it was, and Orlando would sit by himself, reading, a naked man.

A woman was bargaining with the gardener for a piece of vine, half as big as her finger, for her miniature Japanese garden. It was just what she wanted to climb up the stone in her dish. I looked with wonder on the Japanese appreciation of all small things in nature. Is it because their country, beautifully and theatrically mountainous, hardly ever allows a long vista, letting them always see things at close range? Or have her strange and lovely mists some part in teaching them to see, falling often like a backdrop behind a single pine, separating it from the rest of the world? Or have the Japanese, from generations spent in one-story paper houses, learned a language, an alphabet of beauty in nature, that we, in our houses of brick and stone, have shut out? Or is it, again, only because they are always artists and see more than we do? If only I could stay here long enough, I would learn to see too. And after minutely watching the surface of things I would learn to see below the surface. I would see the essence of a thing.

To man has been given the grief, often, of seeing his gods over-thrown and his altars crumbling; but to the wolf and the wild dog that have come in to crouch at man's feet, this grief has never come. Unlike man, whose gods are of the unseen and the overguessed, vapors and mists of fancy eluding the garmenture of reality, wandering wraiths of desired goodness and power, intangible outcropings of self into the realm of spirit--unlike man, the wolf and the wild dog that have come in to the fire find their gods in the living flesh, solid to the touch, occupying earth-space and requiring time for the accomplishment of their ends and their existence. No effort of faith is neccessary to believe in such a god; no effort of will can possibly induce disbelief in such a god. There is no getting awy from it. There it stands, on its own two hind legs, club in hand, immensely potential, passionate and wrathful and loving, god and mystery and power all wrapped up and around by flesh that bleeds when it is torn and that is good to eat like any flesh.

Beyond the tilled plain, beyond the toy roofs, there would be a slow suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peace tinge pervading the upper edge of a two-dimensional, dove-gray cloud fusing with the distant amorous mist. There might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and Claude Lorrain clouds inscribed remotely into misty azure with only their cumulus part conspicuous against the natural swoon of the background

Beyond the tilled plain, beyond the toy roofs, there would be a slow suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peace tinge pervading the upper edge of a two-dimensional, dove-gray cloud fusing with the distant amorous mist. There might be a line of spaces trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and Claude Lorrain clouds inscribed remotely into misty azure with only their cumulus part conspicuous against the natural swoon of the background.

...and in the spell Of Proust's great paragraphs we hear and see The ocean into which we all, as he did, Must sink back, our achievements left behind – Whether a necessary task fulfilled Or else whole symphonies – and be reclaimed By nature, which has no mind of its own But simply makes us welcome, as the ashes Of Maria Callas, spread on the Agean, Were first a cloud, and then a mist, then nothing But an everlasting song reduced to atoms Which, though they drift apart, are still together In the memories of those of us who live.

The rising sun silvered the mist lying low and dense on the meadow, where cattle stood on unseen legs. Over the mist the white owl was flying, on broad soft wings. It wafted itself along, light as the mist; the sun showed the snowy feathers on breast and underwings and lit the tallow-gold and grey of its back. It sailed under the middle arch of the bridge and pulled itself by its talons into one of the spaces left in the stone-work by masons. Throughout the daylight it stood among the bones and skulls of mice, often blinking, and sometimes yawning.

The vampire live on, and cannot die by mere passing of the time; he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger; that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. But he cannot flourish without this diet; he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him to eat, never! He throws no shadow; he make in the mirror no reflect, as again Jonathan observe. He has the strength of many in his hand—witness again Jonathan when he shut the door against the wolfs, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog; he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. He can come in mist which he create—that noble ship’s captain proved him of this; but, from what we know, the distance he can make this mist is limited, and it can only be round himself. He come on moonlight rays as elemental dust—as again Jonathan saw those sisters in the castle of Dracula. He become so small—we ourselves saw Miss Lucy, ere she was at peace, slip through a hair-breadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire—solder you call it. He can see in the dark—no small power this, in a world which is one half shut from the light. Ah, but hear me through. He can do all these things, yet he is not free. Nay; he is even more prisoner than the slave of the galley, than the madman in his cell. He cannot go where he lists; he who is not of nature has yet to obey some of nature’s laws—why we know not. He may not enter anywhere at the first, unless there be someone of the household who bid him to come; though afterwards he can come as he please. His power ceases, as does that of all evil things, at the coming of the day. Only at certain times can he have limited freedom. If he be not at the place whither he is bound, he can only change himself at noon or at exact sunrise or sunset.

A person must live in harmony with his or her inner self while recognizing a vital connection to the entire world. A quiet and virtuous mind can live contently no matter what their circumstances, because they do not spend their precious time engaged in worthless faultfinding. Like all despairing men, I need to cease expecting anything from life while expecting more from myself. I aspire to find beauty and joy in the humblest of human activities. I must learn how to ride the clouds and mist, be unperturbed by the petty disputes of humankind, and imperious to other people’s unfavorable opinion of me.

The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper's rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough (as far as reality goes) but it does not exist at all as an accepted entirety: it is chaos, and to this chaos the author says "go!" allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to map it and to name the natural objects it contains. Those berries are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountain--and that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets? The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever.

False was all this - false all but the affections of our nature, and the links of sympathy with pleasure or pain. There was but one good and one evil in the world - life and death. The pomp of rank, the assumption of power, the possessions of wealth vanished like morning mist. One living beggar had become of more worth than a national peerage of dead lords - alas the day! than of dead heroes, patriots, or men of genius. There was much of degradation in this: for even vice and virtue had lost their attributes - life - life - the continuation of our animal mechanism - was the Alpha and Omega of the desires, the prayers, the prostrate ambition of human race.

Do not make passion an argument for truth! - O you good-natured and even noble enthusiasts, I know you! You want to win your argument against us, but also against yourself, and above all against yourself!and a subtle and tender bad conscience so often incites you against your enthusiasm! How ingenious you then become in the outwitting and deadening of this conscience! How you hate the honest, the simple, the pure, how you avoid their innocent eyes! That knowing better whose representatives they are and whose voice you hear all too loudly within you, how it casts doubt on your belief- how you seek to make it suspect as a bad habit, as a sickness of the age, as neglect and infection of your own spiritual health! You drive yourself to the point of hating criticism, science, reason! You have to falsify history so that it may bear witness for you, you have to deny virtues so that they shall not cast into the shade those of your idols and ideals! Coloured pictures where what is needed is rational grounds! Ardour and power of expression! Silvery mists! Ambrosial nights! You understand how to illuminate and how to obscure, and how to obscure with light! And truly, when your passion rises to the point of frenzy, there comes a moment when you say to yourself: now I have conquered the good conscience, now I am light of heart, courageous, self-denying, magnificent, now I am honest! How you thirst for those moments when your passion bestows on you perfect self-justification and as it were innocence; when in struggle, intoxication, courage, hope, you are beside yourself and beyond all doubting; when you decree: 'he who is not beside himself as we are can in no way know what and where truth is!' How you thirst to discover people of your belief in this condition - it is that of intellectual vice - and ignite your flame at their torch! Oh your deplorable martyrdom! Oh your deplorable victory of the sanctified lie! Must you inflict so much suffering upon yourself? - Must you?

Second driven nature I was always a mad drunken sailor. Once nature is denied, we were whispers over graveyards, operating on every level, more touched by destiny, left you a mess underneath higher poems, you tasted like mystery; and our role was to appreciate the relationship with the dying world you brought into calm waves, and her poems were stranger than I can suppose. Your hot pink mist rose, unrecognizable, and this world mutes the poetry waving through your pure hair, mathematics all in my mind deciding statements in your name. My eyes become the picture of life, not the shadow of my flesh your visible glance made drip endlessly against the golden California streets.

Tunes her nocturnal Note. Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev’n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out. So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight. Now

My father became High King, and my mother his queen, yet this island on which you stand, this place … my mother claimed it for herself. The very island where she had once served as a slave became her domain, her sanctuary. The Daglan female who’d ruled it before her had chosen it for its natural defensive location, the mists that kept it veiled from the others. So, too, did my mother. But more than that, she told me many times that she and her heirs were the only ones worthy of tending this island. Nesta murmured to Azriel, “The Prison was once a royal territory?” Bryce didn’t care—and Azriel didn’t reply. Silene had glossed over how Theia and Fionn had used the Trove and Cauldron against the Asteri, and why the Hel had she come to this planet if not to learn about that? Yet once again, Silene’s memory plowed forward. And with the Daglan gone, as the centuries passed, as the Tithe was no longer demanded of us or the land, our powers strengthened. The land strengthened. It returned to what it had been before the Daglan’s arrival millennia before. We returned to what we’d been before that time, too, creatures whose very magic was tied to this land. Thus the land’s powers became my mother’s. Dusk, twilight—that’s what the island was in its long-buried heart, what her power bloomed into, the lands rising with it. It was, as she said, as if the island had a soul that now blossomed under her care, nurtured by the court she built here. Islands, like those they’d seen in the carvings, rose up from the sea, lush and fertile.

Edward paced on under the painful and yet not altogether embittered feelings which separation and uncertainty produce in the mind of a youthful lover. I am not sure if the ladies understand the full value of the influence of absence, nor do I think it wise to teach it them, lest, like the Clelias and Mandanes of yore, they should resume the humour of sending their lovers into banishment. Distance, in truth, produces in idea the same effect as in real perspective. Objects are softened, and rounded, and rendered doubly graceful; the harsher and more ordinary points of character are mellowed down, and those by which it is remembered are the more striking outlines that mark sublimity, grace, or beauty. There are mists too in the mental as well as the natural horizon,

But, sceptic that he was, he had one fanatical devotion, not for an idea, a creed, an art or a science, but for a man — for Enjolras. Grantaire admired, loved, and venerated Enjolras. The anarchic questioner of all beliefs had attached himself to the most absolute of all that circle of believers. Enjolras had conquered him not by any force of reason but by character. It is a not uncommon phenomenon. The sceptic clinging to a believer is something as elementary as the law of complementary colours. We are drawn to what we lack. No one loves daylight more than a blind man. The dwarf adores the drum-major. The toad has its eyes upturned to Heaven, and for what? — to watch the flight of the birds. Grantaire, earthbound in doubt, loved to watch Enjolras soaring in the upper air of faith. He needed Enjolras. Without being fully aware of it, or seeking to account for it himself, he was charmed by that chaste, upright, inflexible, and candid nature. Instinctively he was attracted to his opposite. His flabby, incoherent, and shapeless thinking attached itself to Enjolras as to a spinal column. He was in any case a compound of apparently incompatible elements, at once ironical and friendly, affectionate beneath his seeming indifference. His mind could do without faith, but his heart could not do without friendship: a profound contradiction, for affection in itself is faith. Such was his nature. There are men who seem born to be two-sided. They are Pollux, Patrocles, Nisus, Ephestion. They can live only in union with the other who is their reverse side; their name is one of a pair, always preceded by the conjunction "and"; their lives are not their own; they are the other side of a destiny which is not theirs. Grantaire was one of those, the reverse side of Enjolras. Truly the satellite of Enjolras, he formed one of that circle of young men, went everywhere with them and was only happy in their company. His delight was to see those figures moving amid the mists of wine, and they bore with him because of his good humour. Enjolras, the believer, despised the sceptic and soberly deplored the drunkard. His attitude towards him was one of pitying disdain. Grantaire was an unwelcome Ephestion. But, roughly treated though he was by Enjolras, harshly repulsed and rejected, he always came back, saying of him: "What a splendid statue!

Those who pass their time immured in the smoky circumference of the city, amid the rattling of carts, the brawling of the multitude, and the variety of unmeaning and discordant sounds that prey insensibly upon the nerves, and beget a weariness of the spirits, can alone understand and feel that expansion of the heart, that physical renovation which a citizen experiences when he steals forth from his dusty prison, to breathe the free air of heaven, and enjoy the unsophisticated face of nature. Who that has rambled by the side of one of our majestic rivers, at the hour of sun-set, when the wildly romatick scenery around is softened and tinted by the voluptuous mist of evening; when the bold and swelling outlines of the distant mountain seem melting into the glowing horizon, and rich mantle of refulgence is thrown over the whole expanse of the heavens, but must have felt how abundant is nature in sources of pure enjoyment; how luxuriant in all that can enliven the senses or delight the imagination. The jocund zephyr full freighted with native fragrance, sues sweetly to the senses; the chirping of the thousand varieties of insects with which our woodlands abound, forms a concert of simple melody; even the barking of the farm dog, the lowing of the cattle, the tinkling of their bells, and the strokes of the woodman's axe from the opposite shore, seem to partake of the softness of the scene and fall tunefully upon the ear; while the voice of the villager, chaunting some rustick ballad, swells from a distance, in the semblance of the very musick of harmonious love.

Natasha and I used to go for walks in the orchard, and beyond that, there was a vast dank forest, where we once got lost… Unforgettable, golden days! Life was just beginning to assert itself, mysteriously and alluringly – and it was a sweet experience. It seemed then that behind every bush, every tree, some mysterious and unknowable being lurked; the fairy-tale world merged into the real one, and when the evening mist thickened in the deep valleys and its grey, sinuous wisps reached out towards the brambles clinging to the rocky ridges of our great gorge, Natasha and I would stand hand in hand on the edge, peering with bated breath into the depths, expecting at any moment to see someone emerge or call out to us from the mist at the bottom and turn our nursery stories into manifest reality.

We warily sipped ‘fresh’ buffalo milk in a Krishna temple. We travelled into the Himalayas until, at a height of two kilometres above sea level where we found ourselves surrounded by men as hard and tough as the mountains that bred them. We negotiated a price of 100 rupees for one of these men to carry our two heaviest bags the 15-minute walk to the hotel with nothing more than rope and a forehead strap. I paid him 300 rupees and his face lit up! We watched the morning mist clear to reveal views of the green Doon Valley and the distant white-capped Himalayan peaks. We rode an elephant up to the Amber Fort of Jaipur, and the next day we painted, washed and fed unpeeled bananas to another elephant, marvelling at her gentle nature as we placed the bananas on her huge bubble-gum coloured tongue.

Spring was a long time unfolding. During the last weeks of Lent the weather was clear and frosty. In the daytime it thawed in the sun, but at night it went down to seven below; there was such a crust that carts could go over it where there was no road. There was still snow at Easter. Then suddenly, on Easter Monday, a warm wind began to blow, dark clouds gathered, and for three days and nights warm, heavy rain poured down. On Thursday the wind dropped, and a thick grey mist gathered, as if concealing the mysteries of the changes taking place in nature. Under the mist waters flowed, ice blocks cracked and moved off, the muddy, foaming streams ran quicker, and on the eve of Krasnaya Gorka the mist scattered, the dark clouds broke up into fleecy white ones, the sky cleared, and real spring unfolded. In the morning the bright sun rose and quickly ate up the thin ice covering the water, and the warm air was all atremble, filled with the vapours of the reviving earth. The old grass and the sprouting needles of new grass greened, the buds on the guelder-rose, the currants and the sticky, spiritous birches swelled, and on the willow, all sprinkled with golden catkins, the flitting, newly hatched bee buzzed. Invisible larks poured trills over the velvety green fields and the ice-covered stubble, the peewit wept over the hollows and marshes still filled with brown water; high up the cranes and geese flew with their spring honking. Cattle, patchy, moulted in all but a few places, lowed in the meadows, bow-legged lambs played around their bleating, shedding mothers, fleet-footed children ran over the drying paths covered with the prints of bare feet, the merry voices of women with their linen chattered by the pond, and from the yards came the knock of the peasants’ axes, repairing ploughs and harrows. The real spring had come.

He spoke about the different beauties of Spring and Autumn. 'Each has its own delight,' he said. 'On Spring nights the sky is beautifully shrouded with mist. The moon then is not too bright and its light seems to be floating away in the distance. How delightful it is at such a time to hear someone plucking gently at the strings of a lute that have been set in the key of the Fragrant Breeze! When Autumn comes the sky is still misty, but the lucent moon shines through so clearly that one feels one could pick it up in one's hands. The soughing of the wind and the hum of the insects blend in such a way that all the savours of Nature seem to have come together. At such moments the strumming of the great zither accompanied by the clear notes of a flute makes one wonder how one could ever have admired Spring. But then there is a Winter night when the sky is chill, the air bitter cold, and the piles of snow reflect in the moonlight.

Again burst out that chant McKay had heard as he had floated through the mists upon the lake. Now, as then, despite his opened ears, he could distinguish no words, but clearly he understood its mingled themes - the joy of Spring's awakening, rebirth, with the green life streaming singing up through every bough, swelling the buds, burgeoning with tender leaves the branches; the dance of the trees in the scented winds of Spring; the drums of the jubilant rain on leafy hoods; passion of Summer sun pouring its golden flood down upon the trees; the moon passing with stately step and slow and green hands stretching up to her and drawing from her breast milk of silver fire; riot of wild gay winds with their mad pipings and strummings; - soft interlacing of boughs, the kiss of amorous leaves - all these and more, much more that McKay could not understand for it dealt with hidden, secret things for which man has no images. ("The Women Of The Woods")

the feeling that binds a man to a child. He was there before me, believing that age and wisdom can find a remedy against the pain of truth, giving me a glimpse of himself as a young fellow in a scrape that is the very devil of a scrape, the sort of scrape greybeards wag at solemnly while they hide a smile. And he had been deliberating upon death — confound him! He had found that to meditate about because he thought he had saved his life, while all its glamour had gone with the ship in the night. What more natural! It was tragic enough and funny enough in all conscience to call aloud for compassion, and in what was I better than the rest of us to refuse him my pity? And even as I looked at him the mists rolled into the rent, and his voice spoke — ‘“I was so lost, you know. It was the sort of thing one does not expect to happen to one. It was not like a fight, for instance.” ‘“It was not,” I admitted. He appeared changed, as if he had suddenly matured.

she throws herself into her safest refuge: herself; this moist trace on her cheeks, this burning in her eyes, are the tangible presence of her suffering soul; gentle on one's skin, barely salty on one's tongue, tears are also a tender and bitter caress; the face burns under a stream of mild water; tears are both complaint and consolation, fever and soothing coolness. They are also a supreme alibi; sudden as a storm, coming out in fits, a cyclone, shower, deluge, they metamorphose the woman into a complaining fountain, a stormy sky; her eyes can no longer see, mist blurs them: they are no longer even a gaze, they melt in rain; blinded, the woman returns to the passivity of natural things. She must be vanquished: she is lost in her defeat; she sinks, she drowns, she escapes man who contemplates her, powerless as if before a cataract. He judges this way of behaving as unfair: but she thinks that the battle has been unfair from the beginning because no effective weapon has been put into her hands.

Philip had never been soothed by that mother’s love which flows out to us in the greater abundance because our need is greater, which clings to us the more tenderly because we are the less likely to be winners in the game of life; and the sense of his father’s affection and indulgence toward him was marred by the keener perception of his father’s faults. Kept aloof from all practical life as Philip had been, and by nature half feminine in sensitiveness, he had some of the woman’s intolerant repulsion toward worldliness and the deliberate pursuit of sensual enjoyment; and this one strong natural tie in his life,—his relation as a son,—was like an aching limb to him. Perhaps there is inevitably something morbid in a human being who is in any way unfavourably excepted from ordinary conditions, until the good force has had time to triumph; and it has rarely had time for that at two-and-twenty. That force was present in Philip in much strength, but the sun himself looks feeble through the morning mists.

It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.

It was a short walk from the bridge to the waterfall, and I heard it long before I actually saw it, a loud, roaring sound that reverberated like rolling thunder. We passed under an outcropping of rock, and then there it was on the other side. Quixotic Falls. It took my breath away. The waterfall was so tall, I had to crane my neck to see the top of it. Shimmers of a rainbow reflected in the mist and sunlight, and the air was cool and damp. It felt good in the humidity of the afternoon. I closed my eyes, and enjoyed the mist that clung to my skin, coagulating into droplets. We walked along the underside of it, and the sunlight hit the falling water like it was glimmers of glass. The tunnel between the rock face and the waterfall was smooth and rounded from thousands of years of erosion. Vines crawled across the rocks--- morning glories and four o'clocks and honeysuckles. The waterfall poured down into a small watering hole that then slowly wormed its way into a larger river down the mountain. I knew this place would feel whimsical. Surrounding the swimming hole, the bright pink heather and stark white yarrow mixed with coneflowers and black-eyed Susans.

See how cruel the whites look. Their lips are thin, their noses sharp, their faces furrowed and dis­torted by folds. Their eyes have a staring expression; they are always seeking something. What are they seeking? The whites always want something; they are always uneasy and restless. We do not know what they want. We do not understand them. We think that they are mad." I asked him why he thought the whites were all mad. "They say that they think with their heads," he replied. "Why of course. What do you think with?" I asked him in surprise. "We think here," he said, indicating his heart. I fell into a long meditation. For the first time in my life, so it seemed to me, someone had drawn for me a picture of the real white man. It was as though until now I had seen nothing but sentimental, prettified color prints. This Indian had struck our vulnerable spot, unveiled a truth to which we are blind. I felt rising within me like a shapeless mist something unknown and yet deeply familiar. And out of this mist, image upon image detached itself: first Roman legions smashing into the cities of Gaul, and the keenly incised features of Julius Caesar, Scipio Africanus, and Pompey. I saw the Roman eagle on the North Sea and on the banks of the White Nile. Then I saw St. Augus­tine transmitting the Christian creed to the Britons on the tips of Roman lances, and Charlemagne's most glorious forced con­versions of the heathen; then the pillaging and murdering bands of the Crusading armies. With a secret stab I realized the hol­lowness of that old romanticism about the Crusades. Then fol­lowed Columbus, Cortes, and the other conquistadors who with fire, sword, torture, and Christianity came down upon even these remote pueblos dreaming peacefully in the Sun, their Father. I saw, too, the peoples of the Pacific islands decimated by firewater, syphilis, and scarlet fever carried in the clothes the missionaries forced on them. It was enough. What we from our point of view call coloniza­tion, missions to the heathen, spread of civilization, etc., has another face - the face of a bird of prey seeking with cruel in­tentness for distant quarry - a face worthy of a race of pirates and highwaymen. All the eagles and other predatory creatures that adorn our coats of arms seem to me apt psychological representatives of our true nature.

It was around six in the evening, and light the colour of opal, pierced by the golden rays of the autumn sun, spread over a bluish sea. The heat of the day had gradually expired and one was starting to feel that light breeze which seems like the breath of nature awaking after the burning midday siesta: that delicious breath that cools the Mediterranean coast and carries the scent of trees from shore to shore, mingled with the acrid scent of the sea. Over the huge lake that extends from Gibraltar to the Dardanelles and from Tunis to Venice, a light yacht, cleanly and elegantly shaped, was slipping through the first mists of evening. Its movement was that of a swan opening its wings to the wind and appearing to glide across the water. At once swift and graceful, it advanced, leaving behind a phosphorescent wake. Bit by bit, the sun, whose last rays we were describing, fell below the western horizon; but, as though confirming the brilliant fantasies of mythology, its prying flames reappeared at the crest of every wave as if to reveal that the god of fire had just hidden his face in the bosom of Amphitrite, who tried in vain to hide her lover in the folds of her azure robe.

The principal energy sources of our present industrial civilization are the so-called fossil fuels. We burn wood and oil, coal and natural gas, and, in the process, release waste gases, principally CO2, into the air. Consequently, the carbon dioxide content of the Earth’s atmosphere is increasing dramatically. The possibility of a runaway greenhouse effect suggests that we have to be careful: Even a one- or two-degree rise in the global temperature can have catastrophic consequences. In the burning of coal and oil and gasoline, we are also putting sulfuric acid into the atmosphere. Like Venus, our stratosphere even now has a substantial mist of tiny sulfuric acid droplets. Our major cities are polluted with noxious molecules. We do not understand the long-term effects of our course of action. But we have also been perturbing the climate in the opposite sense. For hundreds of thousands of years human beings have been burning and cutting down forests and encouraging domestic animals to graze on and destroy grasslands. Slash-and-burn agriculture, industrial tropical deforestation and overgrazing are rampant today. But forests are darker than grasslands, and grasslands are darker than deserts. As a consequence, the amount of sunlight that is absorbed by the ground has been declining, and by changes in the land use we are lowering the surface temperature of our planet. Might this cooling increase the size of the polar ice cap, which, because it is bright, will reflect still more sunlight from the Earth, further cooling the planet, driving a runaway albedo* effect? Our lovely blue planet, the Earth, is the only home we know. Venus is too hot. Mars is too cold. But the Earth is just right, a heaven for humans. After all, we evolved here. But our congenial climate may be unstable. We are perturbing our poor planet in serious and contradictory ways. Is there any danger of driving the environment of the Earth toward the planetary Hell of Venus or the global ice age of Mars? The simple answer is that nobody knows. The study of the global climate, the comparison of the Earth with other worlds, are subjects in their earliest stages of development. They are fields that are poorly and grudgingly funded. In our ignorance, we continue to push and pull, to pollute the atmosphere and brighten the land, oblivious of the fact that the long-term consequences are largely unknown.

They climbed through the fog, trusting their guide, whose sheepdog ran ahead of them, unearthing a hedgehog among the crags. As they got higher, ‘the ground appeared to brighten’. A flash of light illuminated the turf and, all of a sudden, the moon was out. Wordsworth looked down. They were above the mist, which now resembled a sea with the peaks of the surrounding mountains emerging like the backs of whales. In the distance, they saw the mist dipping and swirling into the real sea. And somewhere between the mountains and the sea, they spotted ‘a blue chasm, a fracture in the vapour’, A deep and gloomy breathing-place thro’ which Mounted the roar of waters, torrents, streams Innumerable, roaring with one voice. ‘In that breach’, Wordsworth writes in The Prelude, ‘Through which the homeless voice of waters rose’, Nature had lodged ‘The soul, the imagination of the whole’.37 This idea of the imagination filling a gap, emerging from an abyss of emptiness, and indeed of homelessness, is at the core of Wordsworth’s vocation. His poetry, the work of his imagination, filled the void of the losses – of parents, of home, of political ideals, and later of friends, siblings and children – that afflicted him.

I compare human life to a large Mansion of Many Apartments, two of which I can only describe, the doors of the rest being as yet shut upon me — The first we step into we call the infant or thoughtless Chamber, in which we remain as long as we do not think — We remain there a long while, and notwithstanding the doors of the second Chamber remain wide open, showing a bright appearance, we care not to hasten to it; but are at length imperceptibly impelled by awakening of the thinking principle — within us — we no sooner get into the second Chamber, which I shall call the Chamber of Maiden-Thought, than we become intoxicated with the light and the atmosphere, we see nothing but pleasant wonders, and think of delaying there for ever in delight: However among the effects this breathing is father of is that tremendous one of sharpening one’s vision into the nature and heart of Man — of convincing one’s nerves that the World is full of misery and Heartbreak, Pain, sickness and oppression — whereby This Chamber of Maiden Thought becomes gradually darken’d and at the same time on all sides of it many doors are set open — but all dark — all leading to dark passages — We see not the balance of good and evil. We are in a Mist — We are now in that state — We feel the burden of the Mystery.

In this, Pascal so profoundly pointed out, consists the greatness and the miserableness of man. He longs for truth and is false by nature. He yearns for rest and throws himself from one diversion upon another. He pants for a permanent and eternal bliss and seizes on the pleasures of a moment. He seeks for God and loses himself in the creature. He is a born son of the house and he feeds on the husks of the swine in a strange land. He forsakes the fountain of living waters and hews out broken cisterns that can hold no water (Jer 2:13). He is as a hungry man who dreams that he is eating, and when he awakes finds that his soul is empty; and he is like a thirsty man who dreams that he is drinking, and when he awakes finds that he is faint and that his soul has appetite (Isa 29:8). Science cannot explain this contradiction in man. It reckons only with his greatness and not with his misery, or only with his misery and not with his greatness. It exalts him too high, or it depresses him too far, for science does not know of his Divine origin, nor of his profound fall. But the Scriptures know of both, and they shed their light over man and over mankind; and the contradictions are reconciled, the mists are cleared, and the hidden things are revealed. Man is an enigma whose solution can be found only in God.

I studied the wings, the arm around my waist. 'Please don't drop me. And please don't-' We shot into the sky, fast as a shooting star. Before my yelp finished echoing, the city had yawned wide beneath us. Rhys's hand slid under my knees while the other wrapped around my back and ribs, and we flapped up, up, up into the star-freckled night, into the liquid dark and singing wind. The city lights dropped away until Velaris was a rippling velvet blanket littered with jewels, until the music no longer reached even our pointed ears. The air was chill, but no wind other than a gentle breeze brushed my face- even as we soared with magnificent precision for the House of Wind. Rhys' body was hard and warm against mine, a solid force of nature crafted and honed for this. Even the smell of him reminded me of the wind- rain and salt and something citrus-y I couldn't name. We swerved into an updraft, rising so fast it was instinct to clutch his black tunic as my stomach clenched. I scowled at the soft laugh that ticked my ear. 'I expected more screaming from you. I must not be trying hard enough.' 'Do not,' I hissed, focusing on the approaching tiara of lights in the eternal wall of the mountain. With the sky wheeling overhead and the lights shooting past below, up and down became mirrors- until we were sailing through a sea of stars. Something tight in my chest eased a fraction of its grip.

All words have to be coined by a wordsmith at some point in the mists of history. The wordsmith had an idea to get across and needed a sound to express it. In principle, any sound would have done - basic principle of linguistics is that the relation of a sound to a meaning is arbitrary - so the first coiner of a term from for a political affiliation, for instance, could have used glorg or schmendrick or mcgillicuddy. But people are poor at conjuring sounds out of the blue, and they probably wanted to ease their listeners understanding of the coinage rather than having to define it or illustrate it with examples. So they reached for a metaphor that reminded them of the idea and they hoped would evoke a similar idea in the minds of their listeners, such as band or bond for a political affiliation. The metaphorical hint allowed the listeners to cotton on to the meaning more quickly than if they had had to rely on context alone, giving the word an advantage in the Darwinian competition among neologisms […] The word spread and became endemic to the community, adding to the language’s stock of apparent metaphors. But then it came to be used often enough, and in enough contexts, the speakers kicked the ladder away, and today people think not a whit about the metaphorical referent. It persists as a semantic fossil, a curiosity to amuse etymologists and wordwatchers [stet], but with no more resonance in our minds than any other string of vowels and consonants.

Straight off, we were in the country. It was most lovely and pleasant in those sylvan solitudes in the early cool morning in the first freshness of autumn. From hilltops we saw fair green valleys lying spread out below, with streams winding through them, and island groves of trees here and there, and huge lonely oaks scattered about and casting black blots of shade; and beyond the valleys we saw the ranges of hills, blue with haze, stretching away in billowy perspective to the horizon, with at wide intervals a dim fleck of white or gray on a wave-summit, which we knew was a castle. We crossed broad natural lawns sparkling with dew, and we moved like spirits, the cushioned turf giving out no sound of footfall; we dreamed along through glades in a mist of green light that got its tint from the sun-drenched roof of leaves overhead, and by our feet the clearest and coldest of runlets went frisking and gossiping over its reefs and making a sort of whispering music, comfortable to hear; and at times we left the world behind and entered into the solemn great deeps and rich gloom of the forest, where furtive wild things whisked and scurried by and were gone before you could even get your eye on the place where the noise was; and where only the earliest birds were turning out and getting to business with a song here and a quarrel yonder and a mysterious far-off hammering and drumming for worms on a tree trunk away somewhere in the impenetrable remotenesses of the woods. And by and by out we would swing again into the glare.

The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. "But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. "He can come in mist which he create, that noble ship's captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. "He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through. "He can do all these things, yet he is not free. Nay, he is even more prisoner than the slave of the galley, than the madman in his cell. He cannot go where he lists, he who is not of nature has yet to obey some of nature's laws, why we know not. He may not enter anywhere at the first, unless there be some one of the household who bid him to come, though afterwards he can come as he please. His power ceases, as does that of all evil things, at the coming of the day. "Only at certain times can he have limited freedom. If he be not at the place whither he is bound, he can only change himself at noon or at exact sunrise or sunset. These things we are told, and in this record of ours we have proof by inference. Thus, whereas he can do as he will within his limit, when he have his earth-home, his coffin-home, his hell-home, the place unhallowed, as we saw when he went to the grave of the suicide at Whitby, still at other time he can only change when the time come. It is said, too, that he can only pass running water at the slack or the flood of the tide. Then there are things which so afflict him that he has no power, as the garlic that we know of, and as for things sacred, as this symbol, my crucifix, that was amongst us even now when we resolve, to them he is nothing, but in their presence he take his place far off and silent with respect. There are others, too, which I shall tell you of, lest in our seeking we may need them.

Yes, but what about the firemen, then?” asked Montag. “Ah.” Beatty leaned forward in the faint mist of smoke from his pipe. “What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man? Me? I won’t stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior; official censors, judges, and executors. That’s you, Montag, and that’s me.

Christianity was the vampire of the imperium Romanum, — overnight it destroyed the vast achievement of the Romans: the conquest of the soil for a great culture that could await its time. Can it be that this fact is not yet understood? The imperium Romanum that we know, and that the history of the Roman provinces teaches us to know better and better, — this most admirable of all works of art in the grand manner was merely the beginning, and the structure to follow was not to prove its worth for thousands of years. To this day, nothing on a like scale sub specie aeterni has been brought into being, or even dreamed of! — This organization was strong enough to withstand bad emperors: the accident of personality has nothing to do with such things — the first principle of all genuinely great architecture. But it was not strong enough to stand up against the corruptest of all forms of corruption — against Christians .... These stealthy worms, which under the cover of night, mist and duplicity, crept upon every individual, sucking him dry of all earnest interest in real things, of all instinct for reality — this cowardly, effeminate and sugar-coated gang gradually alienated all “souls,” step by step, from that colossal edifice, turning against it all the meritorious, manly and noble natures that had found in the cause of Rome their own cause, their own serious purpose, their own pride. The sneakishness of hypocrisy, the secrecy of the conventicle, concepts as black as hell, such as the sacrifice of the innocent, the unio mystica in the drinking of blood, above all, the slowly rekindled fire of revenge, of Chandala revenge — all that sort of thing became master of Rome...

Azriel and Cassian were there in an instant, their colored shields shrinking back into their Siphons. The three of them forces of nature in the pine forest, Rhysand didn’t even look at me as he ordered Cassian, “Take her to the palace, and stay there until I’m back. Az, you’re with me.” Cassian reached for me, but I stepped away. “No.” “What?” Rhys snarled, the word near-guttural. “Take me with you,” I said. I didn’t want to go to that moonstone palace to pace and wait and wring my fingers. Cassian and Azriel, wisely, kept their mouths shut. And Rhys, Mother bless him, only tucked in his wings and crossed his arms—waiting to hear my reasons. “I’ve seen ash arrows,” I said a bit breathlessly. “I might recognize where they were made. And if they came from the hand of another High Lord … I can detect that, too.” If they’d come from Tarquin … “And I can track just as well on the ground as any of you.” Except for Azriel, maybe. “So you and Cassian take the skies,” I said, still waiting for the rejection, the order to lock me up. “And I’ll hunt on the ground with Azriel.” The wrath radiating through the snowy clearing ebbed into frozen, too-calm rage. But Rhys said, “Cassian—I want aerial patrols on the sea borders, stationed in two-mile rings, all the way out toward Hybern. I want foot soldiers in the mountain passes along the southern border; make sure those warning fires are ready on every peak. We’re not going to rely on magic.” He turned to Azriel. “When you’re done, warn your spies that they might be compromised, and prepare to get them out. And put fresh ones in. We keep this contained. We don’t tell anyone inside that court what happened. If anyone mentions it, say it was a training exercise.

Was that not the effect behind my daily reading of the paper? In their businesses and politics, their taverns, movies, assaults, divorces, murders, I tried continually to find clear signs of their common humanity. It was undeniably to, my interest to do this. Because I was involved with them; because, whether I liked it or not, they were my generation, my society, my world. We were figures in the same plot, eternally fixed together. I was aware, also, that their existence, just as it was, made mine possible. And if, as was often said, this part of the century was approaching the nether curve in a cycle, then I, too, would remain on the bottom and there, extinct, merely add my body, my life, to the base of a coming time. This would probably be a condemned age. But... it might be a mistake to think of it in that way. Mists faded and spread and faded on the pane as I breathed. Perhaps a mistake. And when I thought of the condemned ages and those unnamed, lying in their obscurity, I wondered. How did we know how it was? In all principal ways the human spirit must have been the same. Good apparently left fewer traces. And we were coming to know that we had misjudged whole epochs. Besides, the giants of the last century had their Liverpools and Londons, their Lilles and Hamburgs to contend against, as we have our Chicagos and Detroits. And there might be a chance that I was misled, even with these ruins before my eyes, sodden, themselves the color of the fateful paper that I read daily. I have spoken of an "invariable question." But the fact is that it had for many months been not in the least invariable. These were things I would have thought last winter, and now, in their troubled density, they served only to remind me of the sort of person I had been. For a long time "common humanity" and "bring myself to concede" had been completely absent from my mind. And all at once I saw how I had lapsed from that older self to whom they had been so natural.

The conclusion, therefore, is that of Augustine, who said that the heart of man was created for God and that it cannot find rest until it rests in his Father’s heart. Hence all men are really seeking after God, as Augustine also declared, but they do not all seek Him in the right way, nor at the right place. They seek Him down below, and He is up above. They seek Him on the earth, and He is in heaven. They seek Him afar, and He is nearby. They seek Him in money, in property, in fame, in power, and in passion; and He is to be found in the high and the holy places, and with him that is of a contrite and humble spirit (Isa. 57:15). But they do seek Him, if haply they might feel after Him and find Him (Acts 17:27). They seek Him and at the same time they flee Him. They have no interest in a knowledge of His ways, and yet they cannot do without Him. They feel themselves attracted to God and at the same time repelled by Him. In this, as Pascal so profoundly pointed out, consists the greatness and the miserableness of man. He longs for truth and is false by nature. He yearns for rest and throws himself from one diversion upon another. He pants for a permanent and eternal bliss and seizes on the pleasures of a moment. He seeks for God and loses himself in the creature. He is a born son of the house and he feeds on the husks of the swine in a strange land. He forsakes the fountain of living waters and hews out broken cisterns that can hold no water (Jer. 2:13). He is as a hungry man who dreams that he is eating, and when he awakes finds that his soul is empty; and he is like a thirsty man who dreams that he is drinking, and when he awakes finds that he is faint and that his soul has appetite (Isa. 29:8). Science cannot explain this contradiction in man. It reckons only with his greatness and not with his misery, or only with his misery and not with his greatness. It exalts him too high, or it depresses him too far, for science does not know of his Divine origin, nor of his profound fall. But the Scriptures know of both, and they shed their light over man and over mankind; and the contradictions are reconciled, the mists are cleared, and the hidden things are revealed. Man is an enigma whose solution can be found only in God.

My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.

The assessment will be guided by insights from research in particle physics, astrophysics, and cosmology that allow us to predict how the universe will unfold over epochs that dwarf the timeline back to the bang. There are significant uncertainties, of course, and like most scientists I live for the possibility that nature will slap down our hubris and reveal surprises we can’t yet fathom. But focusing on what we’ve measured, on what we’ve observed, and on what we’ve calculated, what we’ll find, as laid out in chapters 9 and 10, is not heartening. Planets and stars and solar systems and galaxies and even black holes are transitory. The end of each is driven by its own distinctive combination of physical processes, spanning quantum mechanics through general relativity, ultimately yielding a mist of particles drifting through a cold and quiet cosmos. How will conscious thought fare in a universe experiencing such transformation? The language for asking and answering this question is provided once again by entropy. And by following the entropic trail we will encounter the all-too-real possibility that the very act of thinking, undertaken by any entity of any kind anywhere, may be thwarted by an unavoidable buildup of environmental waste: in the distant future, anything that thinks may burn up in the heat generated by its own thoughts. Thought itself may become physically impossible. While the case against endless thought will be based on a conservative set of assumptions, we will also consider alternatives, possible futures more conducive to life and thinking. But the most straightforward reading suggests that life, and intelligent life in particular, is ephemeral. The interval on the cosmic timeline in which conditions allow for the existence of self-reflective beings may well be extremely narrow. Take a cursory glance at the whole shebang, and you might miss life entirely. Nabokov’s description of a human life as a “brief crack of light between two eternities of darkness”6 may apply to the phenomenon of life itself. We mourn our transience and take comfort in a symbolic transcendence, the legacy of having participated in the journey at all. You and I won’t be here, but others will, and what you and I do, what you and I create, what you and I leave behind contributes to what will be and how future life will live. But in a universe that will ultimately be devoid of life and consciousness, even a symbolic legacy—a whisper intended for our distant descendants—will disappear into the void. Where, then, does that leave us?

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

Soon after that, Eno briefly joined a group called the Scratch Orchestra, led by the late British avant-garde composer Cornelius Cardew. There was one Cardew piece that would be a formative experience for Eno—a piece known as “Paragraph 7,” part of a larger Cardew masterwork called The Great Learning. Explaining “Paragraph 7” could easily take up a book of its own. “Paragraph 7”’s score is designed to be performed by a group of singers, and it can be done by anyone, trained or untrained. The words are from a text by Confucius, broken up into 24 short chunks, each of which has a number. There are only a few simple rules. The number tells the singer how many times to repeat that chunk of text; an additional number tells each singer how many times to repeat it loudly or softly. Each singer chooses a note with which to sing each chunk—any note—with the caveats to not hit the same note twice in a row, and to try to match notes with a note sung by someone else in the group. Each note is held “for the length of a breath,” and each singer goes through the text at his own pace. Despite the seeming vagueness of the score’s few instructions, the piece sounds very similar—and very beautiful—each time it is performed. It starts out in discord, but rapidly and predictably resolves into a tranquil pool of sound. “Paragraph 7,” and 1960s tape loop pieces like Steve Reich’s “It’s Gonna Rain,” sparked Eno’s fascination with music that wasn’t obsessively organized from the start, but instead grew and mutated in intriguing ways from a limited set of initial constraints. “Paragraph 7” also reinforced Eno’s interest in music compositions that seemed to have the capacity to regulate themselves; the idea of a self-regulating system was at the very heart of cybernetics. Another appealing facet of “Paragraph 7” for Eno was that it was both process and product—an elegant and endlessly beguiling process that yielded a lush, calming result. Some of Cage’s pieces, and other process-driven pieces by other avant-gardists, embraced process to the point of extreme fetishism, and the resulting product could be jarring or painful to listen to. “Paragraph 7,” meanwhile, was easier on the ears—a shimmering cloud of sonics. In an essay titled “Generating and Organizing Variety in the Arts,” published in Studio International in 1976, a 28-year-old Eno connected his interest in “Paragraph 7” to his interest in cybernetics. He attempted to analyze how the design of the score’s few instructions naturally reduced the “variety” of possible inputs, leading to a remarkably consistent output. In the essay, Eno also wrote about algorithms—a cutting-edge concept for an electronic-music composer to be writing about, in an era when typewriters, not computers, were still en vogue. (In 1976, on the other side of the Atlantic, Steve Jobs and Steve Wozniak were busy building a primitive personal computer in a garage that they called the Apple I.) Eno also talked about the related concept of a “heuristic,” using managerial-cybernetics champion Stafford Beer’s definition. “To use Beer’s example: If you wish to tell someone how to reach the top of a mountain that is shrouded in mist, the heuristic ‘keep going up’ will get him there,” Eno wrote. Eno connected Beer’s concept of a “heuristic” to music. Brecht’s Fluxus scores, for instance, could be described as heuristics.

The centre of the conception of wisdom in the Bible is the Book of Ecclesiastes, whose author, or rather, chief editor, is sometimes called Koheleth, the teacher or preacher. Koheleth transforms the conservatism of popular wisdom into a program of continuous mental energy. Those who have unconsciously identified a religious attitude either with illusion or with mental indolence are not safe guides to this book, although their tradition is a long one. Some editor with a “you’d better watch out” attitude seems to have tacked a few verses on the end suggesting that God trusts only the anti-intellectual, but the main author’s courage and honesty are not to be defused in this way. He is “disillusioned” only in the sense that he has realized that an illusion is a self-constructed prison. He is not a weary pessimist tired of life: he is a vigorous realist determined to smash his way through every locked door of repression in his mind. Being tired of life is in fact the only mental handicap for which he has no remedy to suggest. Like other wise men, he is a collector of proverbs, but he applies to all of them his touchstone and key word, translated in the AV [the Authorized Version] as “vanity.” This word (hebel) has a metaphorical kernel of fog, mist, or vapour, a metaphor that recurs in the New Testament (James 4:14). It this acquires a derived sense of “emptiness,” the root meaning of the Vulgate’s vanitas. To put Koheleth’s central intuition into the form of its essential paradox: all things are full of emptiness. We should not apply a ready-made disapproving moral ambience to this word “vanity,” much less associate it with conceit. It is a conception more like the shunyata or “void” of Buddhist though: the world as everything within nothingness. As nothing is certain or permanent in the world, nothing either real or unreal, the secret of wisdom is detachment without withdrawal. All goals and aims may cheat us, but if we run away from them we shall find ourselves bumping into them. We may feel that saint is a “better” man than a sinner, and that all of our religious and moral standards would crumble into dust if we did not think so; but the saint himself is most unlikely to take such a view. Similarly Koheleth went through a stage in which he saw that wisdom was “better” than folly, then a stage in which he saw that there was really no difference between them as death lies in wait for both and finally realized that both views were equally “vanity”. As soon as we renounce the expectation of reward, in however, refined a guise, for virtue or wisdom, we relax and our real energies begin to flow into the soul. Even the great elegy at the end over the failing bodily powers of old age ceases to become “pessimistic” when we see it as part of the detachment with which the wise man sees his life in the context of vanity. We take what comes: there is no choice in the matter, hence no point in saying “we should take what comes.” We soon realize by doing so that there is a cyclical rhythm in nature. But, like other wheels, this is a machine to be understood and used by man. If it is true that the sun, the seasons, the waters, and human life itself go in cycles, the inference is that “there is a time for all things,” something different to be done at each stage of the cycle. The statement “There is nothing new under the sun” applies to wisdom but not to experience , to theory but not to practice. Only when we realize that nothing is new can we live with an intensity in which everything becomes new.

For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.

...the Otherworld is not a myth, but a reality, and in all ages there have been souls who have been willing to brave the great adventure, and to risk all for the chance of bringing back with them some assurance of the future life. Naturally these ventures passed into tradition with the men who risked them. The early races of men became semi-mythic, their beliefs, their experiences, receded into a land of mist, where their figures assumed fantastic outlines, and the record of their deeds departed more and more widely from historic accuracy. The poets and dreamers wove their magic webs, and a world apart from the world of actual experience came to life. But it was not all myth, nor all fantasy; there was a basis of truth and reality at the foundation of the mystic growth, and a true criticism will not rest content with wandering in these enchanted lands, and holding all it meets with for the outcome of human imagination. The truth may lie very deep down, but it is there, and it is worth seeking...

every sermon, full of Christ, that we preach, rolls away some of the mists and fogs from the surface of the planet; at any rate, morally and spiritually, if not naturally.

Your friends aren’t afraid of that little scrap of mist, are they?” Reece asked with a sly smile.   “We’re Trateri,” Buck said, jutting his chin out and giving the other man a crazy grin. “We’re afraid of nothing.”   Eamon grunted, his expression even more severe than usual.   Reece’s lips twisted. “Then, you’re stupider than you look. Only a fool feels no fear in the face of that.”   He jerked his head toward the mist that waved at them with smoky tendrils.   “Doesn’t look too bad to me. No worse than the last time, at any rate.” Buck clapped a hand on Shea’s shoulder and tugged her in front of him. “And you forget, we have this one on our side. She wouldn’t lead us astray.”   A crafty expression dawned on Buck’s face. “Or is it that you’re the one afraid and you’re hoping for a little solidarity on this side?” His face turned understanding. “It’s okay. Not everyone can be as great as us. We understand and will console your pitiful fears.”   He held his arms out and gestured for Reece to come and give him a hug.   Reece looked at her friend like he thought he’d lost his mind. An apt reaction given Buck’s nature. Shea had to conceal a smile or else risk tipping Reece off to the game. It was rare for her cousin to be out-Reece’d, but it looked like Buck was more than capable of matching him.   “Go on,” Eamon rumbled. “His hugs are miraculous. They’ll soothe your mind.”   Reece got an odd expression on his face, and he slowly started backing away from the three of them. This time Shea’s mouth trembled with the need to laugh. She got her face under control and gave her cousin a sympathetic look, her eyes big.   “Yes, cousin. They’ll change your life.” Her voice sounded slightly strangled by the end.   Trenton snorted from where he leaned against the cliff.   Reece gave them a disgusted look and he stalked off without responding. Shea’s laugh burst from her before he’d even gone a few feet. It came from deep inside and nearly doubled her over.   Buck watched her with exasperation. “What was that face at the end? You looked like you were trying not to shit yourself. I’ve told you before that you have to fully commit or you’ll never be convincing.”   “You’re ridiculous,” Shea said, her laughter finally petering off. “Trying to make him hug you. What were you thinking?”   Buck shrugged and gave her a cat-like smile. “I was thinking his face irritated me and I wanted him to go away.”   Eamon lips tilted up as he watched the two of them with amusement. It was the equivalent of a laugh in the normally serious man.   “Pretty impressive stronghold if this is the only way into it,” Trenton said. “I assume few ever breech it.”   “Nothing human anyway,” Shea agreed. 

When Mom says “bong,” she means her nebulizer. It turns water into vapor, and she huffs it all day like a singer breathing hot mist before a performance. Except Mom’s machine is handheld. I’m surprised she doesn’t carry it in a gun sling. But my mom is not just inhaling water. “Let’s get some colloidal silver in those lungs,” she says. Second to prayer, colloidal silver is Mom’s insurance policy on life. She makes her own, soaking two silver rods in a glass vat of water that sits next to her kitchen sink. I’ll let her explain it. This is from one of her emails telling me how to live forever: “I use distilled water and 99% pure silver rods. The rods are connected to a positive and negative charge (think of a jumper cable for your car) and they are immersed in the distilled water. Some people leave the rods in the water 2–4 hours. I leave mine in for 8–12 hours so my silver water is extra strength and powerful…I drink ¼ cup colloidal silver in a glass of water before bed, and have for years and years. RARELY am I ever sick. I take a bottle of colloidal silver on every trip (especially overseas) in case I pick up a stomach bug or am around anyone who is sick. I use it on wounds, use it for pink eye, ear infections, the flu, and more because it kills over 600 viruses and most bacteria, including MRSA. There are also studies that show the benefits of colloidal silver against cancer.” Every time I’m home, she gives me a bottle of the stuff to take back to Los Angeles. I, like a good millennial, googled its effectiveness. The scientific establishment seems to believe that colloidal silver does approximately nothing good, and in large quantities, some bad. Perhaps you’ve seen the viral meme of the old blue man? He consumed so much colloidal silver that his skin dyed blue from the inside. He looks like a Smurf with a white beard. Well, he looked like a Smurf. He’s dead. Maybe from something common like heart failure, but… When I told my mother this, she wouldn’t hear it. “I know it works. I’ve been using it for years. I don’t care what those articles say. I’ve read hundreds of articles about it.

Rhys cringed. “My mother was low-born,” he told me, “and worked as a seamstress in one of their many mountain war-camps. When females come of age in the camps—when they have their first bleeding—their wings are … clipped. Just an incision in the right place, left to improperly heal, can cripple you forever. And my mother—she was gentle and wild and loved to fly. So she did everything in her power to keep herself from maturing. She starved herself, gathered illegal herbs—anything to halt the natural course of her body. She turned eighteen and hadn’t yet bled, to the mortification of her parents. But her bleeding finally arrived, and all it took was for her to be in the wrong place, at the wrong time, before a male scented it on her and told the camp’s lord. She tried to flee—took right to the skies. But she was young, and the warriors were faster, and they dragged her back. They were about to tie her to the posts in the center of camp when my father winnowed in for a meeting with the camp’s lord about readying for the War. He saw my mother thrashing and fighting like a wildcat, and …” He swallowed. “The mating bond between them clicked into place. One look at her, and he knew what she was. He misted the guards holding her.

Stella looked out at the passing countryside now. It was like England as it is depicted on exported biscuit tins, a country of little valleys and beech copses, of gilded fields and mellow, misted hollows. Green hills rolled evenly, as if they'd been landscaped by Capability Brown, and oak-framed vistas presented themselves for her approval. Even the sheep here appeared to have been shampooed and set. Stella thought that if she'd grown up in Gloucestershire, she might be painting watercolor landscapes and infinitely contemplating variations of green.

It had been a dove-colored morning when Stella had left home, a soft gray sky touched with pink at the horizon. It had brightened after the rain, though, and everything was edged with gold this afternoon, like the pages of a precious book. Mist clung on in hollows, and water was running at the side of the road, but the hedgerows glittered now, wood pigeons lifting from wheat fields, and the hills were burnished bronze. Stella breathed in a scent of fallen leaves and wood fires, and vaguely wished for a less complicated life in which she might simply sit and evaluate the light with a box of watercolors on her lap.

The morning air carried a chill in it that Libby hadn't anticipated, but one that made her smile even as she suppressed a shiver. Sunlight, soft as a kiss, shot the mist through with gold, encircling the island with a promise of another beautiful day.

Sweetly the summer air came up to the tumulus, the grass sighed softly, the butterflies went by, sometimes alighting on the green dome. Two thousand years! Summer after summer the blue butterflies had visited the mound, the thyme had flowered, the wind sighed in the grass. The azure morning had spread its arms over the low tomb; and full glowing noon burned on it; the purple of sunset rosied the sward. Stars, ruddy in the vapour of the southern horizon, beamed at midnight through the mystic summer night, which is dusky and yet full of light. White mists swept up and hid it; dews rested on the turf; tender harebells drooped; the wings of the finches fanned the air—finches whose colours faded from the wings how many centuries ago! Brown autumn dwelt in the woods beneath; the rime of winter whitened the beech clump on the ridge; again the buds came on the wind-blown hawthorn bushes, and in the evening the broad constellation of Orion covered the east. Two thousand times! Two thousand times the woods grew green, and ring-doves built their nests. Day and night for two thousand years—light and shadow sweeping over the mound—two thousand years of labour by day and slumber by night. Mystery gleaming in the stars, pouring down in the sunshine, speaking in the night, the wonder of the sun and of far space, for twenty centuries round about this low and green-grown dome. Yet all that mystery and wonder is as nothing to the Thought that lies therein, to the spirit that I feel so close.

Mathematics with Brouwer gains its highest intuitive clarity. He succeeds in developing the beginnings of analysis in a natural manner, all the time preserving the contact with intuition much more closely than had been done before. It cannot be denied, however, that in advancing to higher and more general theories the inapplicability of the simple laws of classical logic eventually results in an almost unbearable awkwardness. And the mathematician watches with pain the larger part of his towering edifice which he believes to be built of concrete blocks dissolve into mist before his eyes.

Rhys cringed. “My mother was low-born,” he told me, “and worked as a seamstress in one of their many mountain war-camps. When females come of age in the camps—when they have their first bleeding—their wings are … clipped. Just an incision in the right place, left to improperly heal, can cripple you forever. And my mother—she was gentle and wild and loved to fly. So she did everything in her power to keep herself from maturing. She starved herself, gathered illegal herbs—anything to halt the natural course of her body. She turned eighteen and hadn’t yet bled, to the mortification of her parents. But her bleeding finally arrived, and all it took was for her to be in the wrong place, at the wrong time, before a male scented it on her and told the camp’s lord. She tried to flee—took right to the skies. But she was young, and the warriors were faster, and they dragged her back. They were about to tie her to the posts in the center of camp when my father winnowed in for a meeting with the camp’s lord about readying for the War. He saw my mother thrashing and fighting like a wildcat, and …” He swallowed. “The mating bond between them clicked into place. One look at her, and he knew what she was. He misted the guards holding her.” My brows narrowed. “Misted?” Cassian let out a wicked chuckle as Rhys floated a lemon wedge that had been garnishing his chicken into the air above the table. With a flick of his finger, it turned to citrus-scented mist. “Through the blood-rain,” Rhys went on as I shut out the image of what it’d do to a body, what he could do, “my mother looked at him. And the bond fell into place for her. My father took her back to the Night Court that evening and made her his bride. She loved her people, and missed them, but never forgot what they had tried to do to her—what they did to the females among them. She tried for decades to get my father to ban it, but the War was coming, and he wouldn’t risk isolating the Illyrians when he needed them to lead his armies. And to die for him.

REDWOODS The first time I entered a forest I saw the trees, of course, huddled together in rings, thin veils of mist between their branches, some dead but still standing, or fallen thigh bones on the desiccated floor, but I also saw the great buttery platters of fungus climbing like stepping stones up their shaggy trunks: tzadee, tzadee, tzadee, each a different size: small to large or large to small, as if some rogue architect had been cocky enough to install them on the stunned trees’ northern sides, leading up to the balcony of their one ton boughs. I was here to investigate my place among them, these giants, 3000 years old, still here, living in my lifetime. I should have felt small, a mere human—petty in my clumsy boots, burrs in my socks, while these trees held a glossary of stars in their crowns, their heads up there in the croissant-shaped clouds, the wisdom of the ages flowing up through from root to branchlet— though rather I felt large inside my life, the sum of Jung’s archetypes: the self, the shadow, the anima, the persona of my personhood fully recognized and finally accepted, the nugget of my being, my shadow of plush light. I felt like I was climbing up those fungal discs toward something endless, beyond my birth and death, into my here-ness and now-ness, the scent and silence overwhelming me, seeping back into my pores. You had to have been there to know such joy, fear intermingled, my limbs tingling: ancient, mute.

Sometimes, just sometimes you would feel like leaving everything and finding a safe place, somewhere distant very very distant, like to get lost somewhere, to entirely disappear, take that call, disappear for a while, the World isn't running anywhere. Who knows, you might find a cloud floating on a morning mist, carrying the missing pieces of your heart, lost in the chaos of Time, in the mad conundrum of Life, in the crazy hunt for a fairytale, in everything that needed you to leave, to leave for a safe place in Yourself. Love & Light, always - Debatrayee

He soon laid eyes on the enemy again – warriors of Lorgar’s Legion, advancing through the unnatural dusk with raw confidence, surrounded by the spectral flicker of half-instantiated daemonkind. Their armour was carved with words of power, decorated with the bones and the flesh of those they had slain, their helms deformed into outstretched maws, or serpent’s mouths, or the leer of some Neverborn warp prince. Their cantrips stank and pulsed around them, making the natural air recoil and mist shred itself into appalled ribbons. They were engorged with their veil-drawn power, sick on it, their blades running with new-cut fat and their belts hung with severed scalps. For all that, they were still warriors, and they detected Valdor’s presence soon enough. Nine curved blades flickered into guard, nine genhanced bodies made ready to take him down. He raced straight into the heart of them, lashing out with his spear, slicing clean through corrupted ceramite. The combined blades danced, snickering in and out of one another’s path as if in some rehearsed ritual of dance-murder, all with the dull gold of the lone Custodian at its centre. A poisoned gladius nearly caught his neck. A fanged axe-edge nearly plunged into his chest. Long talons nearly pulled him down, ripe to be trodden into the mire under the choreo graphed stamp of bronze-chased boots. But not quite. They were always just a semi-second too slow, a fraction too predictable. The gap between the fighters was small, but it remained unbridgeable. His spear slammed and cut, parried and blocked, an eye-blink ahead of the lesser blades, a sliver firmer and more lethal in its trajectory, until black blood was thrown up around it in thick flurries and the lens-fire in the Word Bearers’ helms died out, one by one. Afterwards, Valdor withdrew, breathing heavily, taking a moment to absorb the visions he had been gifted with each kill. Lorgar’s scions were little different to the true daemons in what they gave him – brief visions of eternal torment, wrapped up in archaic religious ciphers and a kind of perpetually forced ecstasy. They were steeped in some of the purest, deepest strands of Chaos, wilfully dredging up the essence of its mutating, despoiling genius and turning it, through elaborate tortures, into a way of war. To fight them was to be reminded, more acutely than with most others, of the consequences of defeat.

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The three of them forces of nature in the pine forest, Rhysand didn’t even look at me as he ordered Cassian, “Take her to the palace, and stay there until I’m back. Az, you’re with me.” Cassian reached for me, but I stepped away. “No.” “What?” Rhys snarled, the word near-guttural. “Take me with you,” I said. I didn’t want to go to that moonstone palace to pace and wait and wring my fingers.

Bravery did not come to her naturally. She spent too much time weighing her options to be brave. Too much time calculating the many paths before her.

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In the evenings the boat spun on its anchor and mist fell to its knees, raining directly into seawater. Trees grew on red buoys, bald eagles lifted out of dark trunks like white-steepled chapels, a raven ate a crab in the boat's crow's nest, and schools of herring, who sometimes migrate in rolled-up balls five or six inches thick, broad-jumped the incoming tide.

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have wanted to collect the Deck.” I gripped the lip of my chair so tightly my knuckles ached. “But you’re not working with King Rowan. Otherwise, you would have already given him your Nightmare Card. You’re collecting the Deck on your own account…” My eyes flew to the table. “Is there going to be a rebellion? Are you going to depose the King?” Fenir’s voice was sharp. “Nothing of the sort. Rebellion would destroy Blunder.” Then why not work alongside the King to collect the Deck? the Nightmare said, coiling through my mind. They’re hiding something. I waited, the room so quiet it might have been a tomb. “With the Deck of Cards,” Fenir said, “the King will lift the mist, regaining ownership of Blunder from the Spirit of the Wood.” He took his wife’s hand, his face drawn. “And he will be able to cure the infection.” I waited, my breath fast. “But as The Old Book of Alders so loves to remind us,” Elm said from the hearth, twirling the Scythe, “nothing comes for free. Now that my father has the Nightmare Card, he needs only two things to unite the Deck: the lost Twin Alders Card and blood. Infected blood.” He looked toward the flames, his shoulders tight. “And he’s going to kill Emory to get it.” The strange boy—his erratic, fitful nature. Infected. Which meant Emory Yew was not a resident in the King’s castle as a token of hospitality. He was a captive. And they were going to commit treason to save him.

he did retain some elements that make it possible to pin down a little better the personality and nature of Alberîch. The dwarf lives in a mountainous country, or even inside a mountain—one where treasure has been hidden. The inhabitants of these lands remain imprecisely defined, but there are giants and most likely dwarfs, those over whom Alberîch is ruler. The names of the sovereigns of this land are quite revealing. Nibelung is formed from nibel-, “mist, fog, cloud” (cf. Old Norse nifl; it is also related to Latin nebula) and -ing/-ung, a Germanic suffix that establishes a relationship of belonging and kinship or lineage, such as we find in the word Merovingians, the sons of Merovech. Etymologically, Nibelung therefore refers to the “descendant or son of the mist,” which makes the land that takes its name from him a mythical empire comparable to the Norse Niflheimr, the “World of the Mist,” one of the names given to the realm of the dead in ancient Scandinavian mythology. It is essential that we do not underestimate the importance of this revelation.

I let my breathing come naturally, my breaths kissing the night. The night kisses me back, butterfly kisses made of mist.

Mind is pure and bright in its essence. It is always free from passions and mean desires, just as the sun is always bright, despite of cloud and mist that cover its face. Therefore one must get an insight into this essential nature of Mind, and realize that one has no mean desires and passions from the first, and also that there is no tree of Bodhi nor the mirror of Enlightenment without him, but they are within him. Perhaps

Enlightened consciousness is often called Buddha-nature, as it is the real nature of Universal Spirit. Zen teachers compare it with a precious stone ever fresh and pure, even if it be buried in the heaps of dust. Its divine light can never be extinguished by doubt or fear, just as the sunlight cannot be destroyed by mist and cloud.

Every book adds a grain of humility and humanity to the communal ground that we tread. Writing is the one method that the modern shaman employs to interpret reality and create messages that will provide a beacon of light to other members of our tribe. So long as ignorance, misery, and confusion remain on earth, and people look to expand their state of awareness, books that contribute to the aesthetics of despair, a world composed of mist and shadows cannot be useless. Writing is a personal effort to coexist with the banality, tedium, and anguish of living a fated life. Writing is a shamanistic act of faith because seeking to link thoughts together in order to understand how one fits into nature’s wonderland is a quest for unity and wholeness, the ultimate medicinal poultices that all self-disciplined shaman and alchemistic writers aspire to achieve.

Variations on a Summer Day" I Say of the gulls that they are flying In light blue air over dark blue sea. II A music more than a breath, but less Than the wind, sub-music like sub-speech, A repetition of unconscious things, Letters of rock and water, words Of the visible elements and of ours. III The rocks of the cliffs are the heads of dogs That turn into fishes and leap Into the sea. IV Star over Monhegan, Atlantic star, Lantern without a bearer, you drift, You, too, are drifting, in spite of your course; Unless in the darkness, brightly-crowned You are the will, if there is a will, Or the portent of a will that was, One of the portents of the will that was. V The leaves of the sea are shaken and shaken. There was a tree that was a father. We sat beneath it and sang our songs. VI It is cold to be forever young, To come to tragic shores and flow, In sapphire, round the sun-bleached stones, Being, for old men, time of their time. VII One sparrow is worth a thousand gulls, When it sings. The gull sits on chimney-tops. He mocks the guineas, challenges The crow, inciting various modes. The sparrow requites one, without intent. VIII An exercise in viewing the world. On the motive! But one looks at the sea As one improvises, on the piano. IX This cloudy world, by aid of land and sea, Night and day, wind and quiet, produces More nights, more days, more clouds, more worlds. X To change nature, not merely to change ideas, To escape from the body, so to feel Those feelings that the body balks, The feelings of the natures round us here: As a boat feels when it cuts blue water. XI Now, the timothy at Pemaquid That rolled in heat is silver-tipped And cold. The moon follows the sun like a French Translation of a Russian poet. XII Everywhere the spruce trees bury soldiers: Hugh March, a sergeant, a redcoat, killed, With his men, beyond the barbican. Everywhere spruce trees bury spruce trees. XIII Cover the sea with the sand rose. Fill The sky with the radiantiana Of spray. Let all the salt be gone. XIV Words add to the senses. The words for the dazzle Of mica, the dithering of grass, The Arachne integument of dead trees, Are the eye grown larger, more intense. XV The last island and its inhabitant, The two alike, distinguish blues, Until the difference between air And sea exists by grace alone, In objects, as white this, white that. XVI Round and round goes the bell of the water And round and round goes the water itself And that which is the pitch of its motion, The bell of its dome, the patron of sound. XVII Pass through the door and through the walls, Those bearing balsam, its field fragrance, Pine-figures bringing sleep to sleep. XVIII Low tide, flat water, sultry sun. One observes profoundest shadows rolling. Damariscotta dada doo. XIX One boy swims under a tub, one sits On top. Hurroo, the man-boat comes, In a man-makenesse, neater than Naples. XX You could almost see the brass on her gleaming, Not quite. The mist was to light what red Is to fire. And her mainmast tapered to nothing, Without teetering a millimeter's measure. The beads on her rails seemed to grasp at transparence. It was not yet the hour to be dauntlessly leaping.

All things are subject to their own nature, Vin, Ruin said, seeming to flow around her. She could feel its touch upon her—wet and delicate, like mist. You cannot blame me for being what I am. Without me, nothing would end. Nothing could end. And therefore, nothing could grow. I am life. Would you fight life itself? Vin fell silent. Do not mourn because the day of this world’s end has arrived, Ruin said. That end was ordained the very day of the world’s conception. There is a beauty in death—the beauty of finality, the beauty of completion. For nothing is truly complete until the day it is finally destroyed.

The rays of sun spilled Like coffee into a pot Gently, warmly flowing Almost as an afterthought. The morning dew melted to vapor Rising into a morning mist As the supple steam rose from the cup And with the breeze, was dismissed. I took my mocha with extra cream As clouds drifted across the sky Forming thick, bushy clumps Becoming one with the liquid nearby. I took my first sip As sun crested horizon The heat nearly burnt my lips As blue sky began to lighten. I sighed with contentment Enjoying the myriad flavors The coffee swirled and mixed Rhythmically as the light wavered.

The air was pure and still, and early sunshine sparkled on the heavy dew. In the valley sat cotton candy mist, and the distant hills stood softly, their edges blurred and colors muted by the moist air. Swallows and house martins swooped and dipped, hungry for their breakfasts, catching the first rise of insects of the day. The honeysuckle and roses had not yet warmed to release their scent, so the strongest smell was of wet grass and bracken. Laura smiled, breathing deeply, and walked lightly through the gate into the meadows. She hadn't the courage to head off onto the mountain on her own just yet but could not wait to explore the woods at the end of the fields. By the time she reached the first towering oaks, her feet were washed clean by the dew. She felt wonderfully refreshed and awake. As she wandered among the trees she had the sense of a place where time had stood still. Where man had left only a light footprint. Here were trees older than memory. Trees that had sheltered farmers and walkers for generations. Trees that had been meeting points for lovers and horse dealers. Trees that had provided fuel and food for families and for creatures of the forest with equal grace. As she walked deeper into the woods she noticed the quality of sound around her change. Gone were the open vistas and echoes of the meadows and their mountain backdrop. Here even the tiniest noises were close up, bouncing back off the trunks and branches, kept in by the dense foliage. The colors altered subtly, too. With the trees in full leaf the sunlight was filtered through bright green, giving a curious tinge to the woodland below. White wood anemones were not white at all, but the palest shade of Naples yellow. The silver lichens which grew in abundance bore a hint of olive. Even the miniature violets reflected a suggestion of viridian.

This 'Planck length' is the only quantity with the dimensions of a length that can be built from the three mist fundamental constants of Nature: the velocity of light c, Planck's constant h, and Newton's gravitational conatant G. It is given by Lp = (Gh/c^3)^1/2 = 4 X 10 ^ -33 cm. This tiny dimension encapsulates the attributes of a world that is at once relativistic (c), quantum mechanical (h), and gravitational (G). It is a standard of length that makes no reference to any artefact of man or even of the chemical and nuclear forces of Nature. Relative to this unit of length, the size of the entire visible universe today extends roughly 10^60 Planck lengths, but the cosmological constant must be less than 10^-118 when referred to these Planck units of length rather than centimetres. To have to consider such a degree of smallness is unprecedented in the entire history of science. Any quantity that is required to be so close to zero by observation must surely in reality be precisely zero. This is what many cosmologists believe. But why?

What transcends us when we stand before a great river like divine Ganges or a great mountain with mist & snow covering its summit or the vision of sea at a beach? The feeling that we are so utterly small in this beautiful creation. No matter how great and relevant, we make ourselves feel, nature transcend us all the time with its beautiful visions and deeds whether creative or destructive, making us feel smaller and irrelevant.

FROM HEAD TO TOE   The smooth stones that dream by that peaceful stream have been made in the likeness of her smooth body that moves like the water, shaping my love for her by the natural method of Mother Earth. Warm shades of yellow and scarlet seem to cast themselves before me even from beneath the cool of a clouded day. Feeling her lips nuzzled against me gives me refuge in such a way that I have never before encountered. I am enchanted by the closeness of her. I have become curious as to that course of nature and what I do believe it will decide. The deep brown embers glowing from inside the richness of her eyes reveal to me just how irresistible I have become to her. She reaches out to kiss me as the stars from heaven thrust themselves to the earth in a glittery glow, encircling these two hearts in a bird-like formation that delivers our love from this cultural hindrance. The curves of her lips gyrate duly over mine for a duration of fitting ecstasy that adduces her unyielding conviction in me evermore. Fermented in the pulp of her demulcent lips our kisses contort within this impassioned expressiveness that defines the candor of our love. My declared state of awareness brings me to bow to our allegiance deduced by the serum secreting from her chamomile kiss. Her fine glacé lips bear the splendid petimezi of all hidden vineyards. Her touch is as still as the mist that warms a cool forest as she feels for me from head to toe.

Generally the thunder-storms came in the afternoon, but once I saw one at sunrise, driving down the high mountain valleys toward us. It was a very beautiful and almost terrible sight; for the sun rose behind the storm, and shone through the gusty rifts, lighting the mountain-crests here and there, while the plain below lay shrouded in the lingering night. The angry, level rays edged the dark clouds with crimson, and turned the downpour into sheets of golden rain; in the valleys the glimmering mists were tinted every wild hue; and the remotest heavens were lit with flaming glory.

It was a mark of refinement, of sensibility, to be sad. That is, to be powerless. In Stendhal’s Armance, the anxious mother is reassured by the doctor that Octave is not, after all, suffering from tuberculosis but only from that “dissatisfied and critical melancholy characteristic of young people of his generation and position.” Sadness and tuberculosis became synonymous. The Swiss writer Henri Amiel, himself tubercular, wrote in 1852 in his Journal in-time: Sky draped in gray, pleated by subtle shading, mists trailing on the distant mountains; nature despairing, leaves falling on all sides like the lost illusions of youth under the tears of incurable grief [...]