Linton Quotes

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My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Healthcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave?
Emily Brontë (Wuthering Heights)
Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire
Emily Brontë
You loved me-then what right had you to leave me? What right-answer me-for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart- you have broken it; and in breaking it, you have broken mine." ~Heathcliff
Emily Brontë (Wuthering Heights)
I've no more business to marry Edgar Linton than I have to be in heaven and if the wicked man in there had not brought Heathcliff so low I shouldn't have thought of it. It would degrade me to marry Heathcliff now so he shall never know how I love him and that not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of his and mine are the same and Linton's is as different as a moonbeam from lightning or frost from fire.
Emily Brontë (Wuthering Heights)
In the nonstop tsunami of global information, librarians provide us with floaties and teach us to swim.
Linton Weeks
But I begin to fancy you don't like me. How strange! I thought, though everybody hated and despised each other, they could not avoid loving me. (Catherine Linton, nee Earnshaw)
Emily Brontë (Wuthering Heights)
Yet I was a fool to fancy for a moment that she valued Edgar Linton's attachment more than mine -- If he love with all the powers of his puny being, he couldn't love as much in eighty years, as I could in a day. And Catherine has a heart as deep as I have; the sea could be as readily contained in that horse-trough, as her whole affection be monopolized by him -- Tush! He is scarcely a degree dearer to her than her dog, or her horse -- It is not in him to be loved like me, how can she love in him what he has not?
Emily Brontë (Wuthering Heights)
It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
Cathy, this lamb of yours threatens like a bull!' he said. 'It is in danger of splitting its skull against my knuckles. By God! Mr. Linton, I'm mortally sorry that you are not worth knocking down!
Emily Brontë (Wuthering Heights)
He's more myself than I am. Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
I'm not going to act the lady among you, for fear I should starve .
Emily Brontë (Wuthering Heights)
If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes trees. My love for Heatcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
I didn't want him to become gray and multi-dimensional and complicated like everyone else. Was every Heathcliff a Linton in disguise?
Margaret Atwood (Lady Oracle)
My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.
Emily Brontë (Wuthering Heights)
I got the sexton, who was digging Linton’s grave, to remove the earth off her coffin lid, and I opened it. I thought, once, I would have stayed there, when I saw her face again—it is hers yet—he had hard work to stir me; but he said it would change, if the air blew on it...
Emily Brontë (Wuthering Heights)
My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn into a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff [...]
Emily Brontë (Wuthering Heights)
The first dance for the first woman I knew, the last one for the last. You may not have been the first woman in my life, Miss Linton - but I promise you, you will be the last. There won't be anyone else as long as I live.
Robert Thier (Silence Breaking (Storm and Silence, #4))
You have a strange definition of “fun”, Mr Linton.’ ‘And you don't have one at all.’ ‘Mr Linton?’ ‘Yes, Sir?’ ‘Be quiet.’ ‘Yes, Sir!
Robert Thier (Storm and Silence (Storm and Silence, #1))
Is she sane?’ asked Mrs. Linton, appealing to me. ‘I’ll repeat our conversation, word for word, Isabella; and you point out any charm it could have had for you.
Emily Brontë (Wuthering Heights)
Mr. Linton?" "Yes, Sir?" "You do know what I would do if you ever lied to me, don't you?" "Err... no?" "Good. Keep wondering.
Robert Thier (Silence Breaking (Storm and Silence, #4))
I was only going to say that heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung my out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy. That will do to explain my secret, as well as the other. I've no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he's handsome, but because he's more myself than I am. What ever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.' Ere this speech ended, I became sensible of Heathcliff's presence. Having noticed a slight movement, I turned my head, and saw him rise from the bench, and steal out noiselessly. He had listened till he heard Catherine say it would degrade her to marry him, and then he stayed to hear no further.
Emily Brontë (Wuthering Heights)
You are worth it! You may be a stubborn, chauvinistic, cold-hearted, ruthless, self-righteous son of a bachelor-" "Don't flatter me too much, Miss Linton." "-but you're a good man. Well, to me, anyway. Sometimes. Mostly." "Are you quite sure that you are in love with me?" "Yes!" "Just checking.
Robert Thier (Silence Breaking (Storm and Silence, #4))
Two words would comprehend my future—death and hell: existence, after losing her, would be hell. Yet I was a fool to fancy for a moment that she valued Edgar Linton’s attachment more than mine. If he loved with all the powers of his puny being, he couldn’t love as much in eighty years as I could in a day. And Catherine has a heart as deep as I have: the sea could be as readily contained in that horse-trough as her whole affection be monopolised by him. Tush! He is scarcely a degree dearer to her than her dog, or her horse. It is not in him to be loved like me: how can she love in him what he has not?
Emily Brontë (Wuthering Heights)
In the nonstop tsunami of global information, librarians provide us with floaties and teach us how to swim." -- Linton Weeks, Washington Post, Jan. 13, 2001.
Linton Weeks
Nu ştiu din ce sunt plămădite sufletele noastre, dar ştiu că al lui şi al meu sunt la fel. (...) Iubirea mea pentru Linton seamănă cu frunzele pădurii, timpul o va schimba, îmi dau bine seama, aşa cum iarna schimbă pomii. Iubirea mea pentru Heathcliff însă e asemeni stâncilor eterne de sub pământ: nu prilej de încântare, ci necesitate.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees — my love for Heathcliff resembles the eternal rocks beneath — a source of little visible delight, but necessary. Nelly, I am Heathcliff — he's always, always in my mind — not as a pleasure, any more than I am always a pleasure to myself — but as my own being — so, don't talk of our separation again — it is impracticable.
Emily Brontë (Wuthering Heights)
You loved me—then what right had you to leave me? What right—answer me—for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart—you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you—oh, God! would you like to live with your soul in the grave?
Emily Brontë (Wuthering Heights)
We fight not for glory nor for wealth nor honours; but only and alone we fight for freedom, which no good man surrenders but with his life.
Bernard De Linton (Declaration of Arbroath: A Letter from the Nobility, Barons and Commons of Scotland, in the Year 1320 (Akros Pocket Classics))
Was every Heathcliff a Linton in disguise?
Margaret Atwood (Lady Oracle)
Knowledge is power is time is money.
Rob Thier
for every thought she spends on Linton, she spends a thousand on me!
Emily Brontë
Far rather would I be condemned to a perpetual dwelling in the infernal regions, than, even for one night, abide beneath the roof of Wuthering Heights again.
Charlotte Brontë (Wuthering Heights)
Critasism is just a way of saying i'm jelous of your talents
Rayvon L. Browne
The guest was now the master of Wuthering Heights: he held firm possession, and proved to the attorney, who, in his turn, proved it to Mr. Linton, that Earnshaw had mortaged every yard of land he owned for cash to supply his mania for gaming; and he, Heathcliff, was the mortgagee. In that manner, Hareton, who should now be the first gentleman in the neighbourhood, was reduced to a state of complete dependence on his father's inveterate enemy; and lives in his own house as a servant deprived of the advantage of wages, and quite unable to right himself, because of his friendlessness, and his ignorance that he has been wronged.
Emily Brontë (Wuthering Heights)
◦“Does that ass of yours repel bullets now?” I asked, eyeballing the blonde nurse.- Laneyism
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
Seja qual for a matéria de que as nossas almas são feitas, a minha e a dele são iguais, e a do Linton é tão diferente delas como um raio de lua de um relâmpago, ou a geada do fogo.
Emily Brontë (O Morro dos ventos uivantes)
I am not a man who often expresses is emotions, Miss Linton." "You don't say?" "But I must admit I was... somewhat concerned for you." I had to work hard to keep a smile from my face." "Somewhat concerned? Dear God, really?" Abruptly, he turned to me, his eyes blazing with cold fire. "Dammit! Do not joke, Miss Linton!" I looked up at him, the picture of innocence drawn by a five-year-old with absolutely no artistic talent. "I wouldn't dare!" Stepping towards me, he reached out, until one of his hands gently touched my cheek. "I..." He swallowed, and tried again. "I might be slightly... irrationally infatuated with you." Warmth spread deep inside me. And on my face, a grin did. "Irrationally infatuated? Dear me!" His jaw clenched. "All right, all right! I may even have certain... impulses towards you that border on caring about you." "You don't say?" I raised an eyebrow at him. "Well, I am so glad to hear that you feel a certain amount of friendship towards me." His dark gaze pierced me accusingly. But I was enjoying this far too much to stop. I wouldn't make it easy for him. "Friendship is not the right word, Miss Linton," he bit out between clenched teeth, every word like a shard of burning ice. "My impulses towards you... they might go slightly beyond the platonic." "Oh, so they are Aristotelian?" "Mr Lin-" He swallowed, hard. "I mean Miss Linton, we are not discussing philosophy here!" I batted my eyelashes at him. "Indeed? Then pray tell, what are we discussing?" "I... I..." "You can say it, you know," I told him. "The word isn't poisonous." "I... have feelings towards you." "Clearly. I knew that from the first day from the way you shouted at me and pelted me with threats." "Not those kinds of feelings!" "What kind, then?" "I feel... affection towards you." "You're nearly there," I encouraged him, my smile widening. "Just four little letters. The word starts with L. Go on. You can do it." "You're enjoying this, Miss Linton, aren't you?" "Very much so." "Oh, to hell with it!"... His mouth took mine in a fast, fierce, bruising kiss... Finally he broke away, and with the remnants of his breath whispered: "I love you!
Robert Thier (Silence Breaking (Storm and Silence, #4))
Bad floor! Bad! Just because drunk people always end up drooling on you, that’s no reason to be vindictive. How could you want to hurt those cute little piggies? Can’t you see how well they dance?’ ‘Mr Linton, I think I’d better get you upstairs to your room.’ ‘No! I need to have a serious talk with this floor.’ ‘There’s plenty of floor upstairs, Mr Linton.’ Really? Damn! This was a conspiracy.
Robert Thier (Hunting for Silence (Storm and Silence, #5))
Then you believe I care more for my own feelings than yours, Cathy?" he said. "No, it was not because I disliked Mr. Healthcliff, but because Mr. Healthcliff dislikes me and is a most diabolical man, delighting to wrong and ruin those he hates, if they give him the slightest opportunity. I knew that you could not keep up an acquaintance with your cousin without being brought into contact with him; and I knew he would detest you, on my account; so for your own good, and nothing else, I took precautions that you should not see Linton again.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary."?
Emily Brontë
Heathcliff, if I were you, I’d go stretch myself over her grave and die like a faithful dog. The world is surely not worth living in now, is it? You had distinctly impressed on me the idea that Catherine was the whole joy of your life: I can’t imagine how you think of surviving her loss.
Charlotte Brontë (Wuthering Heights)
Ah! you are come, are you, Edgar Linton?' she said, with angry animation. 'You are one of those things that are ever found when least wanted, and when you are wanted, never! I suppose we shall have plenty of lamentations now - I see we shall - but they can't keep me from my narrow home out yonder: my resting-place, where I'm bound before spring is over! There it is: not among the Lintons, mind, under the chapel-roof, but in the open air, with a head-stone; and you may please yourself whether you go to them or come to me!
Emily Brontë (Wuthering Heights)
You shall not leave me in that temper. I should be miserable all night, and I won’t be miserable for you!
Emily Brontë (Wuthering Heights)
Ah, vieste não é, Edgar Linton? - disse, com irada excitação.- És uma dessas coisas que sempre encontramos quando menos as queremos, e que quando são desejadas, nunca se encontram!
Emily Brontë (Wuthering Heights)
You know as well as I do, that for every thought she spends on Linton, she spends a thousand on me!
Emily Brontë (Wuthering Heights)
Så han kommer aldrig att få veta hur mycket jag älskar honom - inte för att han är vacker, Nelly, utan för att han är mera jag än jag själv är. Vad våra själar än är gjorda av så är de av samma slag, och Lintons själ liknar dem lika lite som en månstråle liknar blixten och frosten liknar elden.
Emily Brontë (Wuthering Heights)
It would degrade me to marry Heathcliff, now; so he shall never know how I love him; and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton's is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
I used to draw a comparison between him, and Hindley Earnshaw, and perplex myself to explain satisfactorily, why their conduct was so opposite in similar circumstances. They had both been fond husbands, and were both attached to their children; and I could not see how they shouldn't both have taken the same road, for good or evil. But, I thought in my mind, Hindley, with apparently the stronger head, has shown himself sadly the worse and the weaker man. When his ship struck, the captain abandoned his post; and the crew, instead of trying to save her, rushed into riot, and confusion, leaving no hope for their luckless vessel. Linton, on the contrary, displayed the true courage of a loyal and faithful soul: he trusted God; and God comforted him. One hoped, and the other despaired; they chose their own lots, and were righteously doomed to endure them.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees.  My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees.  My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. 
Emily Brontë
Mi amor por Linton es cómo la maleza de los bosques: el tiempo lo cambiará, yo ya sé que el invierno muda los árboles. Mi amor por Heathcliff se parece a las eternas rocas profundas, es fuente de escaso placer visible, pero necesario.
Emily Brontë (Wuthering Heights)
like I was back to being the girl folks gossiped about on Friday afternoon while tossing back a cold one, then prayed for over the Sunday potluck.
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
Gettin’ old is shit, kid. Avoid that as long as ya can!
Russ Linton (Crimson Son (Crimson Son #1))
Have faith and Believe and you will Succeed.
Linton Burke
I see a repose that neither earth nor hell can break, and I feel an assurance of the endless and shadowless hereafter—the Eternity they have entered—where life is boundless in its duration, and love in its sympathy, and joy in its fullness. I noticed on that occasion how much selfishness there is even in a love like Mr. Linton's, when he so regretted Catherine's blessed release!
Emily Brontë (Wuthering Heights)
Lo quiero más que a mi misma, Ellen. Lo sé porque todas las noches rezo para que yo le sobreviva, porque prefiero ser yo desdichada a que lo sea él. Eso prueba que le quiero más que a mí misma.
Emily Brontë (Cumbres Borrascosas)
Non saprà mai quanto io lo ami: e questo non perché è bello Nelly, ma perché lui è più me di me stessa. Di qualsiasi cosa siano fatte le nostre anime, la sua e la mia sono simili; e l’anima di Linton è differente come un raggio di luna dal lampo, o il gelo dal fuoco.
Emily Brontë (Wuthering Heights)
Ce n'est pas plus mon affaire d'épouser Edgar Linton que d'être au ciel; et si l'individu pervers qui est ici n'avait pas ainsi dégradé Heathcliff, je n'y aurais jamais songé. Ce serait me dégrader moi-même, maintenant, que d'épouser Heathcliff. Aussi ne saura-t-il jamais comme je l'aime; et cela, non parce qu'il est beau, Nelly, mais parce qu'il est plus moi-même que je ne le suis. De quoi que soient faites nos âmes, la sienne et la mienne sont pareilles et celle de Linton est aussi différente des nôtres qu'un rayon de lune d'un éclair ou que la gelée du feu.
Emily Brontë (Wuthering Heights)
[The] tremendous and still accelerating development of science and technology has not been accompanied by an equal development in social, economic, and political patterns...We are now...only beginning to explore the potentialities which it offers for developments in our culture outside technology, particularly in the social, political and economic fields. It is safe to predict that...such social inventions as modern-type Capitalism, Fascism, and Communism will be regarded as primitive experiments directed toward the adjustment of modern society to modern methods
Ralph Linton
Well then?' He bent down from his towering height, until I could feel the hard muscles of his chest against mine, and his mouth almost brushed my lips. I could barely breathe, so thick with delicious tension was the air around me. ' What is your answer? Miss Linton, will you be my wife?
Robert Thier (In the Eye of the Storm (Storm and Silence, #2))
por isso ele nunca saberá o quanto o amo: e não por ele ser bonito, Nelly, mas por ele ser mais eu, do que eu própria. Não sei de que são feitas as nossas almas, mas elas são iguais; e a de Linton é tão diferente da minha quanto um raio de lua é diferente de um relâmpago, ou o fogo do gelo.
Emily Brontë (Wuthering Heights)
Meine Liebe zu Linton ist wie das Laub der Wälder. Sie unterliegt dem Wandel der Zeit, das weiß ich sehr wohl, so wie der Winter die Bäume verwandelt, doch meine Liebe zu Heathcliff gleicht dem Felsen darunter - sie ist ein Quell kaum wahrnehmbarer Freuden, aber ohne sie kann ich nicht sein.
Emily Brontë (Wuthering Heights)
Throughout 150 years of the science of bacteriology, there is no evidence that one species of bacteria has changed into another... Since there is no evidence for species changes between the simplest forms of unicellular life, it is not surprising that there is no evidence for evolution from prokaryotic [i.e., bacterial] to eukaryotic [i.e., plant and animal] cells, let alone throughout the whole array of higher multicellular organisms.
Alan H. Linton
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
Yes,' said Catherine, stroking his long soft hair, 'if I could only get papa's consent, I'd spend half my time with you - Pretty Linton! I wish you were my brother.' 'And then you would like me as well as your father?' observed he more cheerfully. 'But papa says you would love me better than him, and all the world, if you were my wife-so I'd rather you were that!' 'No! I should never love anybody better than papa,' she returned gravely. 'And people hate their wives, sometimes; but not their sisters and brothers, and if you were the latter, you would live with us, and papa would be as fond of you, as he is of me.
Emily Brontë (Wuthering Heights)
He quite deserted! we separated!" she exclaimed, with an accent of indignation. "Who is to separate us, pray? They'll meet the fate of Milo! Not as long as I live, Ellen — for no mortal creature. Every Linton on the face of the earth might melt into nothing, before I could consent to forsake Heathcliff! Oh, that's not what I intend — that's not what I mean! I shouldn't be Mrs Linton were such a price demanded! He'll be as much to me as he has been all his lifetime.
Emily Brontë (Wuthering Heights)
The extra padding in my bra wasn’t doing much to hide my bullet-like nipples." -Laneyism
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
But that luxury had just imploded faster than a two dollar hooker takes to her knees.” -Laneyism
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
Please write to him (I said please, but that’s an order).
J.D. Linton (The Last Storm (Rogue X Ara #1))
The last thing a fish would ever notice would be water.
Ralph Linton
Prayer is an inner journey, the ultimate destination of self-discovery rather than a desired destination.
Marjorie Daun Timberlake-Linton (Embracing Truth in Times of Adversity: Learning How to Listen and Trust Divine Guidance)
Whatever our souls are made of, his and mine are the same; and Linton’s is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë
No! I tell you, I have such faith in Linton’s love, that I believe I might kill him, and he wouldn’t wish to retaliate.’ I advised her to value him the more for his affection.
Emily Brontë (Wuthering Heights)
By God!  Mr. Linton, I’m mortally sorry that you are not worth knocking down!
Emily Brontë (Wuthering Heights)
Y la de Linton es tan distinta como un rayo de luna de un relampago o como el hielo del fuego
Emily Brontë (Wuthering Heights)
Usted sabe tan bien como yo que por cada pensamiento que dedique a Linton tiene mil para mí
Emily Brontë (Cumbres borrascosas)
Every Linton on the face of the Earth could melt into nothing before I’d agree to give up Heathcliff.
Emily Brontë (Wuthering Heights)
You know as well as I do, that every thought she spends on Linton, she spends a thousand more on me!
Emily Brontë (Wuthering Heights)
At West Linton, near Edinburgh, Scotland,
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that god or satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart - you have broken it; and in breaking it, you have broken mine. - Heathcliff
Emily Brontë (WUTHERING HEIGHTS)
I left her, as merry as she could be, dividing her food between the little dog and Skulker, whose nose she pinched as he ate; and kindling a spark of spirit in the vacant blue eyes of the Lintons—a dim reflection from her own enchanting face. I saw they were full of stupid admiration; she is so immeasurably superior to them—to everybody on earth, is she not, Nelly?
Emily Brontë
Lui è più me di me stessa. Di qualsiasi cosa siano fatte le nostre anime, la sua e la mia sono simili; e l'anima di Linton è differente come un raggio di luna dal lampo, o il gelo dal fuoco.
Emily Brontë (Cime tempestose)
Take you with her, pitiful changeling!' I exclaimed. 'YOU marry? Why, the man is mad! or he thinks us fools, every one. And do you imagine that beautiful young lady, that healthy, hearty girl, will tie herself to a little perishing monkey like you? Are you cherishing the notion that anybody, let alone Miss Catherine Linton, would have you for a husband? You want whipping for bringing us in here at all, with your dastardly puling tricks: and - don't look so silly, now! I've a very good mind to shake you severely, for your contemptible treachery, and your imbecile conceit.
Emily Brontë (Wuthering Heights)
If I were in heaven, Nelly, I should be extremely miserable.” “Because you are not fit to go there,” I answered. “All sinners would be miserable in heaven.” “But it is not for that. I dreamt, once, that I was there.” “I tell you I won’t harken to your dreams, Miss Catherine! I’ll go to bed,” I interrupted again. She laughed, and held me down, for I made a motion to leave my chair. “This is nothing,” cried she; “I was only going to say that heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out, into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy. That will do to explain my secret, as well as the other. I’ve no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn’t have thought of it. It would degrade me to marry Heathcliff, now; so he shall never know how I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton’s is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
Cathy, this lamb of yours threatens like a bull!" he said. "It is in danger of splitting its skull against my knuckles. By God! Mr. Linton, I'm mortally sorry that you are not worth knocking down" - pg 150
Charlotte Brontë
Cathy, this lamb of yours threatens like a bull!" he said. "It is in danger of splitting its skull against my knuckles. By God! Mr. Linton, I'm mortally sorry that you are not worth knocking down" - pg 150
Emily Brontë (Wuthering Heights)
Linton did not appear to remember what she talked of and he had evidently great difficulty in sustaining any kind of conversation. His lack of interest in the subjects she started, and his equal incapacity to contribute to her entertainment, were so obvious that she could not conceal her disappointment. An indefinite alteration had come over his whole person and manner. The pettishness that might be caressed into fondness, had yielded to a listless apathy; there was less of the peevish temper of a child which frets and teases on purpose to be soothed, and more of the self-absorbed moroseness of a confirmed invalid, repelling consolation, and ready to regard the good-humoured mirth of others as an insult. Catherine perceived, as well as I did, that he held it rather a punishment, than a gratification, to endure our company.
Emily Brontë (Wuthering Heights)
Ahora me doy cuenta de lo cruel que has sido conmigo, de lo falsa y cruel que has sido. ¿Por qué me despreciaste? ¿Por qué traicionaste, Cathy, a tu propio corazón? No puedo tener una sola palabra de consuelo para tí; te mereces lo que te pasa. Eres tú quien se ha matado a sí misma. Sí, puedes abrazarme y llorar cuanto quieras, puedes provocar mis lágrimas y mis besos, pero ellos serán tu ruina y tu perdición. Si me amabas, ¿en nombre de qué ley me abandonaste? ¿En nombre de la mezquina ilusión que despertó en ti Linton? Dímelo. Porque tú misma, por voluntad propia, hiciste lo que ni la desgracia, ni el envilecimiento, no la muerte, ni nada de lo que Dios o el Diablo nos pudieran infligir habría logrado en su empeño de separarnos. No he sido yo quien ha roto tu corazón, te lo has roto tú misma, y al hacerlo has destrozado, de paso, el mío. Y la peor parte me toca a mí, porque aún tengo fortaleza. ¿Crees que me apetece vivir? ¿Qué clase de vida podrá ser la mía cuando tú...? ¡Oh, Dios Mío! ¿Acaso te gustaría a ti vivir si te encerraran el alma en una tumba?»
Emily Brontë
A very agreeable portrait,' [of Edgar Linton] I observed to the housekeeper. 'Is it like?' 'Yes,' she answered; 'but he looked better when he was animated; that is his everyday countenance; he wanted spirit in general.
Emily Brontë (Wuthering Heights)
I see now you think me a selfish wretch; but did it never strike you that if Heathcliff and I married, we should be beggars? whereas, if I marry Linton I can aid Heathcliff to rise, and place him out of my brother’s power.
Emily Brontë
This exact reason was why I read, to escape into stories of adventure and lust and soul-consuming passion, everything that was lacking in my real life. I lived through the books and they mended me for a time, but once they were finished, the hole in my soul returned. The emptiness in my chest that comes with crashing back to reality, reminded of duty and responsibility, rules and confinement. And in my heart of hearts, I knew no book would ever fill the ache that plagued me constantly. It felt as if everything I desired was just out of reach, just barely out of sight, taunting me but never revealing itself, and I was desperately chasing it in every book I devoured.
J.D. Linton (The Last Storm (Rogue X Ara #1))
I'd not exchange, for a thousand lives, my condition here, for Edgar Linton's at Thrushcross Grange--not if I might have the privilege of flinging Joseph off the highest gable and painting the house-front with Hindley's blood.
Emily Brontë
A che servirebbe essere stata creata se fossi tutta contenuta qui? Le mie grandi pene a questo mondo sono state le pene di Heathcliff, e io le ho osservate e provate tutte fin dall'inizio; il mio grande pensiero nella vita è lui. Se tutto il resto perisse, e lui rimanesse, io continuerei a esistere; e se tutto il resto rimanesse, e lui fosse annientato, l'universo mi diventerebbe totalmente estraneo. Io non sembrerei farne parte. Il mio amore per Linton è come le fronde di un bosco. Il tempo le cambierà, ne sono consapevole, come l'inverno cambia gli alberi...il mio amore per Heathcliff somiglia all'eterna roccia sottostante...fonte di scarsa gioia visibile, ma necessaria.
Emily Brontë
My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees—my love for Heathcliff resembles the eternal rocks beneath—a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary.
Emily Brontë (Wuthering Heights)
You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they’ll blight you—they’ll damn you. You loved me—then what right had you to leave me? What right—answer me—for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart—you have broken it; and in breaking it, you have broken mine.
Emily Brontë
People are complicated, and they hurt each other. Effie Linton had known this for a long time, just as she knew that sometimes those wounds were inflicted deliberately, over and over, and not with fists or weapons. Sometimes, they did it with love.
Megan Hart (Hold Me Close)
My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!
Emily Brontë (Wuthering Heights)
Mostraste-me agora o quão cruel tens sido. Cruel e falsa! Por que me desprezaste, Cathy? Por que traíste o teu próprio coração? Não tenho sequer uma palavra de conforto para dar. Tu mereces tudo aquilo por que estás passando. Mataste a ti própria. Sim, podes beijar-me e chorar o quanto quiseres. Arrancar-me beijos e lágrimas. Mas eles vão te queimar e serás amaldiçoada. Se me amavas, por que me deixaste? Com que direito? Responde-me! Por causa da mera inclinação que sentias pelo Linton? Pois não foi a miséria, nem a degradação, nem a morte, nem algo que Deus ou Satanás pudessem enviar, que nos separou. Foste tu, de livre vontade, que o fizeste. Não fui eu que despedacei teu coração, foste tu própria. E, ao despedaçares o teu, despedaçaste o meu também.
Emily Brontë (Wuthering Heights)
You loved me—then what right had you to leave me?  What right—answer me—for the poor fancy you felt for Linton?  Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it.  I have not broken your heart—you have broken it; and in breaking it, you have broken mine.  So much the worse for me that I am strong.  Do I want to live?  What kind of living will it be when you—oh, God! would you like to live with your soul in the grave?
Emily Brontë (Wuthering Heights)
tu e todo o mundo têm noção de que há ou deverá haver uma existência para além de nós. Qual seria o sentido de eu ter sido criada, se estivesse contida apenas em mim mesma? Os grandes desgostos que tive foram os desgostos de Heathcliff, e eu senti cada um deles desde o início: o que me faz viver é ele. Se tudo o mais acabasse, e ele permanecesse, eu continuaria a existir; e, se tudo o mais permanecesse e ele fosse aniquilado, o universo transformar-se-ia um imenso desconhecido. O meu amor por Linton é como a folhagem das florestas. O tempo transformá-lo-á, tenho a certeza, da mesma forma que o Inverno transforma o arvoredo. O meu amor por Heathcliff lembra as rochas eternas: proporciona uma alegria pouco visível, mas é necessário. Nelly, eu sou Heathcliff!"
Emily Brontë (Wuthering Heights)
Everything I do is linked to Heathcliff because it’s impossible for us to be separated. My love for Linton is like the leaves on the trees but my love for Heathcliff is like the rocks on the moors. He is always in my mind – so don’t ever talk of separation again…
Emily Brontë (Wuthering Heights)
Mi amor por Linton es como el follaje de los bosques: cambiará con el tiempo, estoy convencida, como el invierno cambia las hojas de los árboles. Pero mi amor por Heathcliff es como el sustrato eterno de las rocas: una fuente de disfrute casi invisible, pero necesaria.
Emily Brontë (Cumbres borrascosas (Spanish Edition))
I’d pieced my heart back together and salvaged what little dignity I had left by jumping back in the saddle with a man safer than a Katherine Heigl chick flick. Unfortunately for me, old wounds can be a bitch the same way straying cowboys can be heartbreakers.” -Laneyism
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
no sabrá nunca cuánto le amo, y eso no es porque sea guapo, Nelly, sino porque tiene más de mí que yo misma. Estén nuestras almas de lo que estén hechas, la suya y la mía son iguales, y la de Linton es tan distinta como la luz de la luna lo es del rayo y la helada del fuego.
Emily Brontë (Cumbres borrascosas)
I got Miss Catherine and myself to Thrushcross Grange: and, to my agreeable disappointment, she behaved infinitely better than I dared to expect. She seemed almost over-fond of Mr. Linton; and even to his sister, she showed plenty of affection. They were both very attentive to her comfort, certainly. It was not the thorn bending to the honeysuckles, but the honeysuckles embracing the thorn. There were no mutual concessions: one stood erect, and the others yielded: and who can be ill-natured and bad-tempered when they encounter neither opposition nor indifference?
Emily Brontë (Wuthering Heights)
Maybe because I knew Haze and Kate so well by then the passage leapt out at me, clear and sharp as diamond. “My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath…He’s always, always in my mind: not as a pleasure any more than I am always a pleasure to myself, but as my own being.” A love that was terrifying in its depth, but all the more enticing because of that. I thought I understood. Love could be just as destructive as hate if it became poisoned or twisted.
J.A. Ironside (I Belong to the Earth)
Ele nunca saberá como eu o amo; e não é por ele ser bonito, Nelly mas por ele ser mais parecido comigo do que eu própria. Seja qual for a matéria do que nossas almas são feitas, a minha e a dele são iguais, e a do Linton é tão diferente delas como um raio de lua num relâmpago, ou a geada de fogo
Emily Brontë
It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same; and Linton’s is as different as a moonbeam from lightning, or frost from fire
Emily Brontë (Wuthering Heights)
It would degrade me to marry Heathcliff, now; so he shall never know how I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton’s is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
Do you believe such people are happy in the other world, sir?  I’d give a great deal to know. I declined answering Mrs. Dean’s question, which struck me as something heterodox.  She proceeded: Retracing the course of Catherine Linton, I fear we have no right to think she is; but we’ll leave her with her Maker.
Emily Brontë (Wuthering Heights)
How do you do, Mr Linton. And may I ask what position you occupy under my son?” Immediately, my mind flashed back several months, to a dark hotel room in Egypt, the messy double bed, and all the positions I had occupied under Mr Rikkard Ambrose. Thank God that my face was too tanned to really blush. Still, I could feel my ears burning.
Rob Thier (Storm and Silence)
Casar-me com Heathcliff agora me degradaria; por isso, ele nunca vai saber quanto eu o amo; e o amo não por ele ser bonito, Nelly, mas por ele ser mais eu do que eu própria sou. Não sei de que nossas almas são constituídas, mas a dele e a minha são iguais, e a de Linton é tão diferente quanto um raio de luar de um relâmpago, ou a geada do fogo
Emily Brontë (Wuthering Heights)
For a while parents seemed to forget that their responsibility as parents did not cease when the child turned on the radio; rather it increases. In the August, 1938, issue of Your Life, Mary Linton has this to say to the parent who is blaming everyone but himself for his child's actions: It isn't up to the teachers in the schools, nor the Federal Radio Commissioners, nor anyone else on earth. It's up to us — it's our job! Our job to teach them right from wrong, honesty from dishonesty, a clean and intelligent attitude toward sex, a healthful fastidiousness about their own bodies. We can teach these things because we have the daily opportunity of knowing our children and their reactions.
Judith C. Waller (Radio: The Fifth Estate)
It’s beautiful,' she whispered, her eyes following their movement. 'Yes, quite beautiful,' I whispered back, my eyes never leaving her.
J.D. Linton (The Last Storm (Rogue X Ara, #1))
You should never feel ashamed showing your skin. It’s just that: skin. Skin the Goddess gave you, no less. You should be proud.
J.D. Linton (The Last Storm (Rogue X Ara #1))
Maybe it was bad luck or part of the good Lord’s divine plan. At any rate, I was one of the unfortunate two hundred that called Pistol Rock, Texas home."- Laneyism
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
Grab a lime and suck it, Mr. Badass Texas Ranger.
Jodi Linton (Talk Dirty to Me, Cowboy (Deputy Laney Briggs #1.6))
The challenge with racial privilege is that the recipient does not need to know of its existence in order to benefit from it.
Curtis W. (Wallace) Linton (Equity 101- The Equity Framework: Book 1)
I grab the nearest can of miracle paint this guy is spazzing about and a church key from the paint desk.
Russ Linton (Crimson Son (Crimson Son #1))
That brute of a lad has warmed me nicely. Next time, Master Edgar, take the law into your own fists it will give you an appetite!
Emily Brontë (Wuthering Heights)
far noh mattah wat dey say, come wat may, we are here to stay inna Inglan, inna disya time yah...
Linton Kwesi Johnson (Inglan is a Bitch)
O konuştukça ona karşı duygularım değişti. Onu bağışlamam gerektiğini, benimle yine kavga etse bile onu yeniden affetmem gerektiğini anladım. Barışmıştık ama ağlamadan da edemedik. Orada kaldığım süre boyunca da ağlaştık. Ağlamam üzüntüden çok Linton'ın bu karmakarışık tabiatı yüzündendi. Ne çevresinde bir kimseye huzur verecek ne de kendisi rahat yüzü görecekti!
Emily Brontë
My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë
At least, it was praiseworthy ambition for him to desire to be as accomplished as Linton; and probably he did not learn merely to show off: you had made him ashamed of his ignorance before, I have no doubt; and he wished to remedy it and please you. To sneer at his imperfect attempt was very bad breeding. Had you been brought up in his circumstances, would you be less rude?
Emily Brontë
This exact reason was why I read, to escape into stories of adventure and lust and soul-consuming passion—everything lacking in my real life. I lived through books, and they mended me for a time, but once they were finished, the hole in my soul returned, the emptiness in my chest that comes with crashing back to reality, reminded of duty and responsibility, rules and confinement.
J.D. Linton (The Last Storm (Rogue X Ara #1))
Loving!’ cried I, as scornfully as I could utter the word. ‘Loving! Did anybody ever hear the like! I might just as well talk of loving the miller who comes once a year to buy our corn. Pretty loving, indeed! and both times together you have seen Linton hardly four hours in your life! Now here is the babyish trash. I’m going with it to the library; and we’ll see what your father says to such loving.
Emily Brontë (Wuthering Heights)
You teach me now how cruel you’ve been—cruel and false.  Why did you despise me?  Why did you betray your own heart, Cathy?  I have not one word of comfort.  You deserve this.  You have killed yourself.  Yes, you may kiss me, and cry; and wring out my kisses and tears: they’ll blight you—they’ll damn you.  You loved me—then what right had you to leave me?  What right—answer me—for the poor fancy you felt for Linton?  Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it.  I have not broken your heart—you have broken it; and in breaking it, you have broken mine.  So much the worse for me that I am strong.  Do I want to live?  What kind of living will it be when you—oh, God! would you like to live with your soul in the grave?
Emily Brontë (Wuthering Heights)
Next morning—bright and cheerful out of doors—stole softened in through the blinds of the silent room, and suffused the couch and its occupant with a mellow, tender glow. Edgar Linton had his head laid on the pillow, and his eyes shut. His young and fair features were almost as deathlike as those of the form beside him, and almost as fixed: but his was the hush of exhausted anguish, and hers of perfect peace.
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being. So don’t talk of our separation again: it is impracticable;
Emily Brontë (Wuthering Heights)
The essence of equity is that each of us must develop the necessary skills to treat the collective of diverse people around us with the same degree of hope, aspiration, and positive expectation that we afford ourselves.
Curtis W. (Wallace) Linton (Equity 101- The Equity Framework: Book 1)
My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff - he’s always, always in my mind - not as a pleasure, any more than I am always a pleasure to myself - but, as my own being - so, don’t talk of our separation again - it is impracticable
Emily Brontë (Wuthering Heights)
My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees – my love for Heathcliff resembles the eternal rocks beneath – a source of little visible delight, but necessary. Nelly, I am Heathcliff – He’s always, always on my mind – not as a pleasure, any more than I am always a pleasure to myself – but, as my own being – so, don’t talk of our separation again – it is impracticable; and –
Emily Brontë (Wuthering Heights)
I’ve no more business to marry Edgar Linton than I have to be in heaven and if the wicked man in there had not brought Heathcliff so low I shouldn’t have thought of it. It would degrade me to marry Heathcliff now so he shall never know how I love him and that not because he’s handsome Nelly but because he’s more myself than I am. Whatever our souls are made of his and mine are the same and Linton’s is as different as a moonbeam from lightning or frost from fire.
Emily Brontë (Wuthering Heights)
We laughed outright at the petted things; we did despise them! When would you catch me wishing to have what Catherine wanted? or find us by ourselves, seeking entertainment in yelling, and sobbing, and rolling on the ground, divided by the whole room? I’d not exchange, for a thousand lives, my condition here, for Edgar Linton’s at Thrushcross Grange—not if I might have the privilege of flinging Joseph off the highest gable, and painting the house-front with Hindley’s blood!
Emily Brontë
Busqué, y pronto descubrí, las tres lapidas en el declive próximo al páramo: La de ej medio, gris y medio enterrada en brezos. Solamente la d Edgar Linton armonizaba con el césped y el musgo que crecía al pie. La de Heathcliff estaba aún desnuda. Me demoré ante aquel cielo benigno, contemplé las alevillas revoloteando entre brezos y campánulas, escuchado el rumor de la suave brisa entre el césped, y me preguntaba como nadie puede atribuir sueños inquietos a los que dormían bajo una tierra tan sosegada.
Emily Brontë (Wuthering Heights)
An equitable educator will acknowledge that just because it worked for me does not mean it works for my students. Passion for equity leads to a creative process of building a new educational system that works for all students and all educators all of the time.
Curtis W. (Wallace) Linton (Equity 101- The Equity Framework: Book 1)
My great miseries in this world have been his and I watched and felt each from the beginning. My great thought in living is himself. If all else perished and he remained, I should still continue to be and if all else remained and he were annihilated, the universe would turn into a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods, time will change it. My love for Heathcliff resembles the eternal rocks beneath. I am Heathcliff. He is always, always in my mind as my own being.
Emily Brontë (Wuthering Heights)
Lindsey turned to Maude and said sweetly, “I guess I’ll be seeing you in Ms. Tragent’s class this evening since Jazmine’s Dad managed to get you in. She usually takes nothing but the best, but seeing as you’re James Baldwin’s charity case, she couldn’t say no to the poor, little French orphan he’s taken in, could she?” Maude’s face grew hot with anger. “You know what? Nobody’s even heard of the name Lindsey Linton in France. So I guess Mrs. Tragent must really like charity cases if she’s taken your sorry, shallow self in her class,” she retorted.
Anna Adams (A French Girl in New York (The French Girl, #1))
My sister taught me everything I knew back then. She taught me how to tie my shoes and she made sure I finished my homework. When she shook me awake in the middle of the night and said, “It’s time to get out of here,” I got up and went because it was how she helped me get ready for the world.
Amy Smith Linton
Progress had not invaded, science had not enlightened, the little hamlet of Pieuvrot, in Brittany. They were a simple, ignorant, superstitious set who lived there, and the luxuries of civilization were known to them as little as its learning. They toiled hard all the week on the ungrateful soil that yielded them but a bare subsistence in return; they went regularly to mass in the little rock-set chapel on Sundays and saint’s days; believed implicitly all that monsieur le cure said to them, and many things which he did not say; and they took all the unknown, not as magnificent but as diabolical
Eliza Lynn Linton
Pray don't imagine that he conceals depths of benevolence and affection beneath a stern exterior! He's not a rough diamond - a pearl-containing oyster of a rustic; he's a fierce, pitiless, wolfish man... and he'd crush you like a sparrow's egg, Isabella, if he found you a troublesome charge. I know he couldn't love a Linton; and yet he'd be quite capable of marrying your fortune and expectations. Avarice is growing with him a besetting sin. There's my picture; and I'm his friend - so much so, that had he thought seriously to catch you, I should, perhaps, have held my tongue, and let you fall into his trap.
Emily Brontë (Wuthering Heights)
After downloading some crypto software, hex editors and a few system tools, the time comes to locate the D3dm4n$ Ch3$t. Tracking down the site takes a while. The portal regularly relocates, piggybacking off legitimate websites until discovered and then relocating. Once there, you take a dive into the Deep.
Russ Linton (Crimson Son (Crimson Son #1))
If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.—My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being. So don’t talk of our separation again: it is impracticable; and—
Emily Brontë (Wuthering Heights)
Equity is about the “tomorrows” for our students and children. Equity provides an educational experience wherein all students can succeed because they are individually accepted, understood, and supported by the educators within the school. With equity, every student owns his or her future. With equity, excellence is found.
Curtis W. (Wallace) Linton (Equity 101- The Equity Framework: Book 1)
Si me amabas, ¿en nombre de qué ley me abandonaste? ¿En nombre de la mezquina ilusión que despertó en ti Linton? Dímelo. Porque tú misma, por voluntad propia, hiciste lo que ni la desgracia, ni el envilecimiento, no la muerte, ni nada de lo que Dios o el Diablo nos pudieran infligir habría logrado en su empeño de separarnos. No he sido yo quien ha roto tu corazón, te lo has roto tú misma, y al hacerlo has destrozado, de paso, el mío. Y la peor parte me toca a mí, porque aún tengo fortaleza. ¿Crees que me apetece vivir? ¿Qué clase de vida podrá ser la mía cuando tú...? ¡Oh, Dios Mío! ¿Acaso te gustaría a ti vivir si te encerraran el alma en una tumba?
Emily Brontë
Why isn't there the smell of heather in your hair? Isabella: Oh Heathcliff, why won't you let me come near you? You're not black and horrible as they all think. You're full of pain. I can make you happy. Let me try. You won't regret it. I'll be your slave. I can bring life back to you, new and fresh. Heathcliff: Why are your eyes always empty? Like Linton's eyes. Isabella: They're not empty, if you'd only look deeper. Look at me. I'm pretty. I'm a woman and I love you. You're all of life to me. Let me be a single breath of it for you. Heathcliff, let your heart look at me just once! Heathcliff: Almighty God, give me life. What is it but hunger and pain?
Emily Brontë (Wuthering Heights)
The dog was throttled off; his huge, purple tongue hanging half a foot out of his mouth, and his pendent lips streaming with bloody slaver.  The man took Cathy up; she was sick: not from fear, I’m certain, but from pain.  He carried her in; I followed, grumbling execrations and vengeance.  “What prey, Robert?” hallooed Linton from the entrance.  “Skulker has caught a little girl, sir,” he replied; “and there’s a lad here,” he added, making a clutch at me, “who looks an out-and-outer!  Very like the robbers were for putting them through the window to open the doors to the gang after all were asleep, that they might murder us at their ease.  Hold your tongue, you foul-
Emily Brontë (Wuthering Heights)
[in my dream] heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out, into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy. That will do to explain my secret... I've no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff, now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made out of, his and mine are the same, and Linton's is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the Universe would turn to a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees - My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being. So don’t talk of our separation again: it is impracticable;
Emily Brontë (Wuthering Heights)
The story is complicated and contradictory. Sometimes this proclaimed ‘war on drugs’ has followed shifts in military threats; at times it is coloured by religious paranoia; often it is rooted in genuine fear of widespread social misery. But mostly, and sometimes quite unintentionally, it is the result of political strategies that have very little to do with its expressed goal of fighting drugs.
Magnus Linton
I used to draw a comparison between him and Hindley Earnshaw, and perplex myself to explain satisfactorily why their conduct was so opposite in similar circumstances. They had both been fond husbands, and were both attached to their children; and I could not see how they shouldn’t both have taken the same road, for good or evil. But, I thought in my mind, Hindley, with apparently the stronger head, has shown himself sadly the worse and the weaker man. When his ship struck, the captain abandoned his post; and the crew, instead of trying to save her, rushed into riot and confusion, leaving no hope for their luckless vessel. Linton, on the contrary, displayed the true courage of a loyal and faithful soul: he trusted God; and God comforted him. One hoped, and the other despaired: they chose their own lots, and were righteously doomed to endure them.
Emily Brontë (Wuthering Heights)
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.— My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
Gunner’s grin widened as he took a single step back. “That blouse of yours is causing me all kinds of pain in all the right places.” I gave my blouse a once over and quickly decided that there was nothing wrong with the dang thing. “Then maybe you should go back to your motel room, grab a towel, and do something about it,” I told him. He wrapped a callused hand around my face and tipped my chin up. Our mouths were way too close. “I could use the help of a good-looking lady.
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.—My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being. So don’t talk of our separation again: it is impracticable; and—
Emily Brontë (Wuthering Heights)
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you.  What were the use of my creation, if I were entirely contained here?  My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning: my great thought in living is himself.  If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.—My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees.  My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.  Nelly, I am Heathcliff!  He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.  So don’t talk of our separation again: it is impracticable; and—
Emily Brontë (Wuthering Heights)
This is for the sake of one who comprehends in his person my feelings to Edgar and myself. I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and HE remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. - My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I AM Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
Drugs flow as effortlessly through the harbour as through los esteros, but the government and the DEA view drug trafficking as more of a hazard to society when it moves through the poor area, with its dirty waters and seeming chaos, than when it has to do with corporate boardrooms and the main harbour. And for the FARC, it is becoming easier and easier to convince the city’s Afro-Colombian majority that the focus of the war on drugs is not primarily on the flow of drugs, but on what kind of people are involved in it.
Magnus Linton (Cocaína: A Book on Those Who Make It)
Não tenho condições de expressá-lo, mas com certeza você e todo mundo têm a noção de que há ou deveria haver uma existência para além de nós. De que valeria eu ter sido criada se estivesse inteiramente contida aqui? Meus maiores sofrimentos neste mundo foram os sofrimentos de Heathcliff, e observei e senti cada um deles desde o início; o maior pensamento que tenho na vida é ele. Se tudo mais perecesse e ele permanecesse, eu continuaria a existir; e se tudo mais permanecesse e ele fosse aniquilado, o universo passaria a ser estranho, eu não mais faria parte dele. Meu amor por Linton é como folhagem do bosque, o tempo há de transformá-lo, não tenho dúvidas, como o inverno transforma as árvores. Meu amor por Heathcliff se assemelha às rochas eternas sob o bosque, uma ponte de alegria pouco visível, mas necessária. Nelly, eu sou Heathcliff! Ele está sempre, sempre em minha mente. Não como fonte de prazer, não mais do que sou uma fonte de prazer para mim mesma, mas como meu próprio ser. Então não volte a falar da nossa separação... é impossível, e...
Emily Brontë (Wurthering Heights)
Não tenho condições de expressá-lo, mas com certeza você e todo mundo têm a noção de que há ou deveria haver uma existência para além de nós. De que valeria eu ter sido criada se estivesse inteiramente contida aqui? Meus maiores sofrimentos neste mundo foram os sofrimentos de Heathcliff, e observei e senti cada um deles desde o início; o maior pensamento que tenho na vida é ele. Se tudo mais perecesse e ele permanecesse, eu continuaria a existir; e se tudo mais permanecesse e ele fosse aniquilado, o universo passaria a ser estranho, eu não mais faria parte dele. Meu amor por Linton é como folhagem do bosque, o tempo há de transformá-lo, não tenho dúvidas, como o inverno transforma as árvores. Meu amor por Heathcliff se assemelha às rochas eternas sob o bosque, uma ponte de alegria pouco visível, mas necessária. Nelly, eu sou Heathcliff! Ele está sempre, sempre em minha mente. Não como fonte de prazer, não mais do que sou uma fonte de prazer para mim mesma, mas como meu próprio ser. Então não volte a falar da nossa separação... é impossível, e...
Emily Brontë (Wurthering Heights)
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn to a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff - he's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself - but, as my own being. So, don't talk of our separation again - it is impracticable; and - ' She paused, and hid her face in the folds of my gown; but I jerked it forcibly away. I was out of patience with her folly!
Emily Brontë (Wuthering Heights)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
About twelve o’clock that night was born the Catherine you saw at Wuthering Heights: a puny, seven-months’ child; and two hours after the mother died, having never recovered sufficient consciousness to miss Heathcliff, or know Edgar. The latter’s distraction at his bereavement is a subject too painful to be dwelt on; its after-effects showed how deep the sorrow sunk. A great addition, in my eyes, was his being left without an heir. I bemoaned that, as I gazed on the feeble orphan; and I mentally abused old Linton for (what was only natural partiality) the securing his estate to his own daughter, instead of his son’s. An unwelcomed infant it was, poor thing! It might have wailed out of life, and nobody cared a morsel, during those first hours of existence. We redeemed the neglect afterwards; but its beginning was as friendless as its end is likely to be. Next morning—bright and cheerful out of doors—stole softened in through the blinds of the silent room, and suffused the couch and its occupant with a mellow, tender glow. Edgar Linton had his head laid on the pillow, and his eyes shut. His young and fair features were almost as deathlike as those of the form beside him, and almost as fixed: but his was the hush of exhausted anguish, and hers of perfect peace. Her brow smooth, her lids closed, her lips wearing the expression of a smile; no angel in heaven could be more beautiful than she appeared. And I partook of the infinite calm in which she lay: my mind was never in a holier frame than while I gazed on that untroubled image of Divine rest. I instinctively echoed the words she had uttered a few hours before: ‘Incomparably beyond and above us all! Whether still on earth or now in heaven, her spirit is at home with God!’ I don’t know if it be a peculiarity in me, but I am seldom otherwise than happy while watching in the chamber of death, should no frenzied or despairing mourner share the duty with me. I see a repose that neither earth nor hell can break, and I feel an assurance of the endless and shadowless hereafter—the Eternity they have entered—where life is boundless in its duration, and love in its sympathy, and joy in its fulness. I noticed on that occasion how much selfishness there is even in a love like Mr. Linton’s, when he so regretted Catherine’s blessed release! To be sure, one might have doubted, after the wayward and impatient existence she had led, whether she merited a haven of peace at last. One might doubt in seasons of cold reflection; but not then, in the presence of her corpse. It asserted its own tranquillity, which seemed a pledge of equal quiet to its former inhabitant.
Emily Brontë (Wuthering Heights)
J’ai remarqué souvent que quand deux amis pétersbourgeois se rencontrent quelque part, après s’être salués, ils demandent en même temps : Quoi de neuf ? il y a une tristesse particulière dans leurs voix, quelle qu’ait été l’intonation initiale de leur conversation. En effet, une désespérance totale est liée à cette question à Pétersbourg. Mais le plus agaçant c’est que, très souvent, l’homme qui la pose est tout à fait indifférent, un Pétersbourgeois de naissance, qui connaît très bien la coutume, sait d’avance qu’on ne lui répondra rien, qu’il n’y a rien de nouveau, qu’il a posé cette question peut-être mille fois sans aucun succès ; cependant, il la pose, et il a l’air de s’y intéresser, comme si les convenances l’obligeaient de participer lui aussi à la vie publique, d’avoir des intérêts publics. Mais les intérêts publics... C’est-à-dire nous ne nions pas que nous ayons des intérêts publics ; nous tous aimons ardemment la patrie, nous aimons notre cher Pétersbourg, nous aimons jouer si l’occasion se présente. En un mot il y a beaucoup d’intérêts publics. Mais ce qu’il y a surtout chez nous, ce sont les groupes. On sait que Pétersbourg n’est que la réunion d’un nombre considérable de petits groupes dont chacun a ses statuts, ses conventions, ses lois, sa logique et son oracle. C’est en quelque sorte le produit de notre caractère national qui a encore peur de la vie publique et tient plutôt au foyer. En outre, la vie publique exige un certain art ; il faut s’y préparer ; il faut beaucoup de conditions. Aussi, l’on préfère la maison. Là, tout est plus simple ; il ne faut aucun art ; on est plus tranquille. Dans le groupe, on vous répondra bravement à la question : Quoi de neuf ? La question reçoit tout de suite un sens particulier, et l’on vous répond ou par un potin, ou par un bâillement, ou par quelque chose qui vous force vous-même à bâiller cyniquement, magistralement. Dans le groupe, on peut traîner de la façon la meilleure et la plus douce une vie utile entre le bâillement et le ragot, jusqu’au moment où la grippe, ou bien la fièvre chaude, visite votre demeure ; et vous quittez alors la vie stoïquement, avec indifférence, sans savoir comment et pourquoi tout cela était avec vous jusqu’alors. Aujourd’hui, dans l’obscurité, au crépuscule, après une triste journée, plein d’étonnement que tout se soit arrangé ainsi, il semble qu’on ait vécu, qu’on ait atteint quelque chose, et tout à coup, on ne sait pas pourquoi, il faut quitter ce monde agréable et sans soucis pour émigrer dans un monde meilleur. Dans certains groupes, d’ailleurs, on parle fortement de la cause. Quelques personnes instruites et bien intentionnées se réunissent. On bannit sévèrement tous les plaisirs innocents, comme les potins et la préférence, et, avec un entrain incompréhensible, on parle de différents sujets très importants. Enfin, après avoir bavardé, parlé, résolu quelques questions d’utilité générale, et après avoir réussi à imposer aux uns et aux autres une opinion sur toutes choses, le groupe est saisi d’une irritation quelconque et commence à s’affaiblir considérablement. Finalement, tous se fâchent les uns contre les autres. On se dit quelques dures vérités. Quelques caractères tranchants se font jour et tout se termine par la dislocation totale. Ensuite on se calme ; on fait provision de bon sens et, peu à peu, l’on se réunit de nouveau dans le groupe décrit ci-dessus. Sans doute il est agréable de vivre ainsi. Mais à la longue cela devient irritant ; cela irrite fortement.
Fyodor Dostoevsky
This exact reason was why I read, to escape into stories of adventure and lust and soul-consuming passion, everything that was lacking in my real life. I lived through the books and they mended me for a time, but once they were finished, the hole in my soul returned. The emptiness in my chest that comes with crashing back to reality, reminded of duty and responsibility, rules and confinement.
J.D. Linton (The Last Storm (Rogue X Ara #1))
As soon as the door closed, it opened again. I froze as a woman entered. When she glanced up, she looked straight at me and I felt everything at once. The pull. The lust. The blinding, overwhelming need. The bond. I was staring at the most beautiful woman I had ever seen and she was my mate. I knew it in my soul as we locked eyes.
J.D. Linton (The Last Storm (Rogue X Ara, #1))
This'—his thumb slid down across the mark—'is a symbol of… surrender. I know you believe that it was my claim upon you, but it wasn’t. It never was. I bound my body and soul to you, little storm.
J.D. Linton (The Last Storm (Rogue X Ara, #1))
I could be worthy. For her. For them. For me.
J.D. Linton (The Last Draig (Rogue X Ara #2))
permanence. This exact reason was why I read, to escape into stories of adventure and lust and soul-consuming passion—everything lacking in my real life.
J.D. Linton (The Last Storm (Rogue X Ara #1))
I would’ve always been yours, and gladly so, but to know you are mine because you want to be? Because you gave yourself to me? That is a gift I didn’t expect to see in this lifetime.
J.D. Linton (The Last Draig (Rogue X Ara #2))
When I got stalled on a painting project, I’d learned over time to resist the impulse to tackle the creative problem head-on. Maybe because I always had a second or third job to keep me occupied, I’d gotten into the habit of letting my thoughts percolate. Instead of worrying about the problem directly, I’d stop thinking about it, put it to one side. Some other part of my brain would work on it and a solution would present itself as if it had been there the whole time.
Amy Smith Linton (She Taught Me Everything)
It’s funny, isn’t it? How much bigger the world is outside our small village? How odd is it that I was so consumed with such a minuscule life as if that was all the realm had to offer? I couldn’t see beyond what I already had. I didn’t have it in me to want for more, but I get it now, you know? Your hunger for more and your unwillingness to settle for less. I didn’t… I didn’t know there was this much more.
J.D. Linton (The Last Draig (Rogue X Ara #2))
it seemed everyone was cut from one cloth, and I was cut from an entirely different one. For my entire life, I had never quite fit in with the people surrounding me. It was as if I was watching through a window, understanding their wishes and desires to an extent, watching them settle, have children, build houses… But while they were content to live happily ever after here, I was not.
J.D. Linton (The Last Storm (Rogue X Ara #1))
Will could still hear the compassionate tone Sara Linton had used as she explained how Zabel and taken her life. He could not remember the last time a woman had talked to him that way - tried to throw him a life vest instead of yelling at him to swim harder the way Faith did, or worse, grabbing onto his legs and pulling him farther down the way way Angie always tried.
Karin Slaughter (Undone (Will Trent, #3))
it is time for some of the sentimental fog in which so many of us have been living to be dispelled in favour of the light of truth!
Eliza Lynn Linton (About Ireland)
whirligig
Eliza Lynn Linton (About Ireland)
Grief was heavy—too heavy. It was a weight permanently tied to our souls after loss, only lessening with time, and it could all too easily drag us to the deep, unending bottom of our sorrow if given the opportunity. Without help to lighten the load, that was exactly what it would do: drown the hurt and vulnerable.
J.D. Linton (The Last Draig (Rogue X Ara #2))
You can be angry. Hell, you should be, but you’ll be angry here. With me. Take it out on me. Take out every ugly, suffocating emotion on me, because I am not letting you go out there to shoulder this alone.” He brought his hands to my cheeks. “You are not alone, Ara.
J.D. Linton (The Last Storm (Rogue X Ara #1))
You can be angry. Hell, you should be, but you’ll be angry here. With me. Take it out on me. Take out every ugly, suffocating emotion on me, because I am not letting you go out there to shoulder this alone.
J.D. Linton (The Last Storm (Rogue X Ara #1))
It’s you. All of you. Your strength and resilience. Your determination to endure no matter what fate throws at you. Your love of love and stories and hope. You are entirely the opposite of everything that I am, and I would gladly wear your shackles if it meant I could have you.
J.D. Linton (The Last Storm (Rogue X Ara #1))
As a woman in a man’s world, that feeling was an addictive, dangerous thing—a dangerously eye-opening thing, revealing just how fragile a man can be in the face of a powerful woman.
J.D. Linton (The Last Draig (Rogue X Ara #2))
It was odd how a man in love could hold his entire world in his arms.
J.D. Linton (The Last Draig (Rogue X Ara #2))
They say time heals all wounds, but I was beginning to lose faith in that statement. How does anything heal wounds that don’t bleed? That aren’t severed or cut? They don’t scab or close. There was no healing salve or stitch or tea to mend the areas afflicted. How could one heal a wound that reopened with every mention or memory? Would that not lead to a scar more permanent than a wound of grief? A scar of nostalgia, a constant reminder of something or someone irretrievably gone.
J.D. Linton (The Last Draig (Rogue X Ara #2))
My sister taught me everything I knew back then. She taught me how to tie my shoes and she made sure I finished my homework. When she shook me awake in the middle of the night and said, "It's time to get out of here," I got up and went because it was how she helped me get ready for the world.
Amy Smith Linton
When the telephone rang in the middle of the night, I knew. The Tennessee state trooper on the other end said, "Your sister's been hurt pretty bad." In my haste to get to Nashville I didn't ask a single question. There had been a car accident. What else did I need to know? I'd been dreading a call like that my whole life.
Amy Smith Linton
True assertiveness isn’t about speaking the loudest—it’s about standing firmly in your truth, even when the world whispers doubt. Navigate your life with nerve, and you’ll never be overlooked again.
Linton J. Khor (Navigating with Nerve: Assertive Strategies for Life)
Assertiveness is the quiet power that transforms hesitation into action. When you navigate with nerve, you don’t just speak up—you redefine how the world listens.
Linton J. Khor (Navigating with Nerve: Assertive Strategies for Life)
We fit the stereotype that Tim Brooks described as “antisocial” at least insofar as having no desire to waste our time and effort contributing to the morass of social networking’s “pointless babble”—as researchers at Pear Analytics aptly described the largest category of Twitter messages. Dear Netflix executives, you are probably equally “antisocial” in this regard.
Blake Linton (Hey Netflix! Save Stargate Universe!)
Somebody’d better pray for him, don’t you think? He IS a lost soul. ~Pastor John Linton
Janet Sketchley (Heaven's Prey (Redemption's Edge, #1))
She had an ass that could make any man sin."~ Gunner Wilson
Jodi Linton (Talk Dirty to Me, Cowboy (Deputy Laney Briggs #1.6))
I guess you’re going for the hard-ass Texas Ranger thing today” ~ Laney Briggs
Jodi Linton (Pretty Shameless (Deputy Laney Briggs, #2))
Have you checked your ass out lately? It’s pretty dang distracting, darling.” ~ Gunner Wilson
Jodi Linton (Pretty Shameless (Deputy Laney Briggs, #2))
I only swing for one girl. But if she's into a certain kind of kink, who am I to deny her such pleasantries?"~ Luke Wagner
Jodi Linton (Pretty Shameless (Deputy Laney Briggs, #2))
Suddenly, she understood. Matt and she had never been friends. They were more, so much more. He drove her crazy. He was incessantly irritating, arrogant, and completely full of himself, but they also had crazy musical chemistry, and he was funny. He made her laugh, when he wasn’t laughing at her that is. And she had feelings for him. Never would she have believed herself capable of falling for a guy with whom she couldn’t spend over five minutes before getting angry with him, but there they were. Those feelings were there and there wasn’t much she could do about them but tell him how she felt. And she hated Lindsey Linton! She hated the fact that he was probably dancing with Lindsey while she was here wasting time with Thomas. She
Anna Adams (A French Girl in New York (The French Girl, #1))
Belbroughton Road, Linton Road, Bardwell Road. The houses there are quite normal. They are ordinary sizes and have ordinary chimneys and roofs and gardens with laburnum and flowering cherry. Park Town. As you go south they are growing. Getting higher and odder. By the time you get to Norham Gardens they have tottered over the edge into madness: these are not houses but flights of fancy. They are three storeys high and disguise themselves as churches. They have ecclesiastical porches instead of front doors and round norman windows or pointed gothic ones, neatly grouped in threes with flaring brick to set them off. They reek of hymns and the Empire, Mafeking and the Khyber Pass, Mr Gladstone and Our Dear Queen. They have nineteen rooms and half a dozen chimneys and iron fire-escapes. A bomb couldn't blow them up and the privet in their gardens has survived two World Wars.
Penelope Lively (The House in Norham Gardens)