Missing Father After Death Quotes

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We do this thing. We open our hearts to the world around us. And the more we do that, the more we allow ourselves to love, the more we are bound to find ourselves one day - like Dave, and Morley, and Sam, and Stephanie - standing in the kitchen of our live, surrounded by the ones we love, and feeling empty, and alone, and sad, and lost for words, because one of our loved ones, who should be there, is missing. Mother or father, brother or sister, wife or husband, or a dog or cat. It doesn't really matter. After a while, each death feels like all the deaths, and you stand there like eveyone else has stood there before you, while the big wind of sadness blows around and through you. "He was a great dog," said Dave. "Yes," said Morley. "He was a great dog.
Stuart McLean
Did you blame the men who fired the guns, the men who built the guns, or the men who invented the guys? Did you blame the men who had put those particular guns in the hands attached to those particular trigger fingers? When Nick's plane crashed into the ocean off Honduras at a speed which turned the ocean to unyielding stone, was it Western Mountain's fault, for sending him out?Nick's, for going? Anne's, for letting him? Did you blame the human beings who had made such a world possible, or the world that had made such human beings possible? The answer, she thought, lying now in her missing daughter's bed (Was it Miranda, for pushing a limit any time she saw one? Anne again, for uprooting her so callously, for failing in some way to adequately console her after her father's death?), was that you had two choices: you could blame everybody, or you could blame nobody.
Kelly Braffet (Last Seen Leaving)
For many years, February was a difficult month for me after the death of my parents. My father died in February, just a week before my mother's birthday. For years their loss cast a pall over the month. I missed them terribly. But time has changed things. I see my father often in the face of my son and I run into my mother daily each time I pass the hall mirror.
Mary Morrell (Things My Father Taught Me About Love)
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair. But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive! Of course it's Jesus, who's done the impossible and beaten death. And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy. Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.
Tony Hendra (Father Joe: The Man Who Saved My Soul)
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
He had plans, but his hopes for higher education, like all his others, were built on “mights.” He might go hang out somewhere, with someone. He might get a job and earn some money. He might go to college, a really old school with gray stone buildings and an enormous library. He was thinking of applying next year. Maybe the year after. He wasn’t thinking about application deadlines. That sort of detail wasn’t a part of his plan. Not at the moment. And why tell his mother about this anyway? It would rekindle her expectations, and she’d only start riding him again. Better to let it be. When his dad came home, they’d sort it out together. His mother retreated into her world, Silas into his. What a family, his mother would say, but until now, Silas had never realized that they weren’t really much of one. The names of the days retreated from them both, and soon after the school term ended, Silas was no longer sure what day of the week it was. Every morning when he woke up, he missed his father more keenly than the night before, but the details and differences of each day blurred and eventually vanished. For Silas, the passage of time became a longing ache in his heart that grew daily worse.
Ari Berk (Death Watch (The Undertaken, #1))
I loved my father, and I wished for him every minute of life that his body could afford him. He didn’t want to die. Still, after his death, I wrote with an openness I had not previously known. I was fifty-one years old. I wrote about California and divorce and police officers, second marriages and stepchildren. I wrote about people who were like my family and nothing like my family. It was time to pull down the fences and let my story go wherever it wanted to go. I had been a good daughter, and my father had been a good father. He had helped me in every way he knew how. I would miss his advice, even the advice that had irritated me. His death marked a passage in my growth as a writer, but if I were able to choose—the book or my father—I would have him back.
Ann Patchett (These Precious Days: Essays)
I forgot about this journal. Apparently, it’s been six years since I last wrote in here. There’s not much to say other than how big Paedyn is getting. It’s clear now why she was left on my doorstep. She’s Ordinary. Her parents didn’t want to deal with hiding a child. And, damn, are they missing out on her. She’s got this fire about her. This quickness. I’ve been training her differently, more extremely. I never want her to feel anything but strong. And when I noticed how observant she was as a young child, I figured it was best to stick to her strengths. So I’m sharpening that little mind of hers into a weapon to protect herself with. As a “Psychic,” she can do more than pass as an Elite, more than survive. She can live. I told her about Alice. Except the truth of how she died. Pae thinks it’s illness that took her away from us shortly after she was born. I’ve lost sleep trying to decide if I should ever tell Paedyn the truth. But I am the only father she’s had, and even in death, Alice is her mother.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
I probably won’t be seeing you again, will I? I mean, I know the others might come back, but you…” He trails off, but picks up the thought again a moment later. “Just seems like you’ll be happy to leave it behind, that’s all.” “Yeah, you’re probably right.” I look at my shoes. “You sure you won’t come?” “Can’t. Shauna can’t wheel around where you guys are going, and it’s not like I’m gonna leave her, you know?” He touches his jaw, lightly, testing the skin. “Make sure Uri doesn’t drink too much, okay?” “Yeah,” I say. “No, I mean it,” he says, and his voice dips down the way it always does when he’s being serious, for once. “Promise you’ll look out for him?” It’s always been clear to me, since I met them, that Zeke and Uriah were closer than most brothers. They lost their father when they were young, and I suspect Zeke began to walk the line between parent and sibling after that. I can’t imagine what it feels like for Zeke to watch him leave the city now, especially as broken by grief as Uriah is by Marlene’s death. “I promise,” I say. I know I should leave, but I have to stay in this moment for a little while, feeling its significance. Zeke was one of the first friends I made in Dauntless, after I survived initiation. Then he worked in the control room with me, watching the cameras and writing stupid programs that spelled out words on the screen or played guessing games with numbers. He never asked me for my real name, or why a first-ranked initiate ended up in security and instruction instead of leadership. He demanded nothing from me. “Let’s just hug already,” he says. Keeping one hand firm on Caleb’s arm, I wrap my free arm around Zeke, and he does the same. When we break apart, I pull Caleb down the alley, and can’t resist calling back, “I’ll miss you.” “You too, sweetie!” He grins, and his teeth are white in the twilight. They are the last thing I see of him before I have to turn and set out at a trot for the train.
Veronica Roth (Allegiant (Divergent, #3))
I did not begin to come to terms with losing my father for a long time after his death. And I will always miss him. Grieving means having to let go and move on, and when you are able to, it becomes possible to remember the person you have lost as they really were – not as an idealised saint or vilified target for anger and disappointment, but as a complicated, real and very human being. I
Linda Gask (The Other Side of Silence: A Psychiatrist's Memoir of Depression)
I did not begin to come to terms with losing my father for a long time after his death. And I will always miss him. Grieving means having to let go and move on, and when you are able to, it becomes possible to remember the person you have lost as they really were – not as an idealised saint or vilified target for anger and disappointment, but as a complicated, real and very human being.
Linda Gask (The Other Side of Silence: A Psychiatrist's Memoir of Depression)
when, as we grow older, we discover their imperfections.” “You loved your father.” She stated the obvious. “Tell me one of his imperfections.” “I can’t.” He stiffened. When he went to draw away his hand, she refused to release him. “But he had them.” Charley watched what seemed to be a battle of emotions in his expressions. “You just said that we still love them even knowing they aren’t perfect.” “I cannot dishonor him.” His voice came out gravelly. “Not after precipitating his death.” “Does it dishonor a person to embrace their humanness?” Charley thought about her parents. She had been quite unforgiving where her mother was concerned. Had she merely convinced herself that her mother didn’t love her? “Forgive me.” She was no one to offer any sort of advice. “I’ve forgotten why I brought you out here.” His features softened. “You didn’t come to dinner.” She could hardly tell him that she missed him. Silly, really. Only… He was not at all the person she’d initially taken him to be. Something squeezed her heart at the realization. He was not her enemy. In fact, she was coming to… care for him. As a friend, perhaps? More than a friend? He used his thumb to draw small circles on the back of her hand, making her feel like her limbs had been filled with a warm heavy syrup. “Did you miss me?” His question echoed her own misguided thoughts. “It is fake.” But somehow, she was losing her conviction. “Why do you persist with that?” He tilted his head. “You are courting me so that you can honor the wager you made with my father.” She inhaled a deep breath. “Not because you want to court me.” Her words finally seemed to penetrate his understanding. He nodded but then blinked and shook his head. “No.” A tiny wrinkle appeared between his eyes. “I’m courting you because I want to.” Amazement underscored his words. “But why?
Annabelle Anders (Cocky Earl (Regency Cocky Gents, #1))
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win. A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly. “Don’t you dare show me your teeth,” Javier warned with a dark look. He ran his hand through hair, already tousled and sweaty from the match. “What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?” Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in. “I missed. It happens and besides, it’s not like we needed the point to win.” “Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned. “I think I found my mate,” Ethan muttered. A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips. Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan. “I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.” “Not really.” Although he should have been. Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match. His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?” “No, she appears perfect. Or did.” Ethan groaned as banged his head off the locker door. “I am so screwed.” A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.” Ethan looked up in time to see Javier’s mock shudder. “Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin. Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together. Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.” Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.” Ethan groaned and dropped his head back into his hands. Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor? Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking. He tended to speak with his fists more often than not. Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived. Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.” If I add “darling” on the end, will she count it as sweet talk?
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Three years earlier her father had been buried (irritable and impatient as he always had been) in the Fladstrand Church cemetery that bordered the lovely park, Plantagen, which shared with the cemetery its trees, shared its beech and ash and maple, in the same plot where her mother, wide eyed and confused, had lain down almost willingly two years before, where her brother had lain for thirty-five years, dazed and unwillingly after too short a life. A dove was looking down from atop the family gravestone. It was made from metal so it could not fly away, but sometimes it went missing all the same and only a spike would remain. Someone had taken that dove, someone out there maybe had an entire collection of doves and angels and other small, Christian bronze sculptures in a cupboard at home and on long evenings would close the curtains and take them out and run his fingers gently over the smooth, cold bodies.
Per Petterson
The Sad Boy Ay, his old mother was a glad one. And his poor old father was a mad one. The two begot this sad one. Alas for the single shoe The Sad Boy pulled out of the rank green pond, Fishing for fairies On the prankish advice Of two disagreeable lovers of small boys. Pity the unfortunate Sad Boy With a single magic shoe And a pair of feet And an extra foot With no shoe for it. This was how the terrible hopping began That wore the Sad Boy thin and through To his only shoe And started the great fright in the provinces above Brent Where the Sad Boy became half of himself To match the beautiful boot He had dripped from the green pond. Wherever he went weeping and hopping And stamping and sobbing, Pounding a whole earth into a half-heaven, Things split where he stood Into the left side for the left magic, Into no side for the missing right boot. Mercy be to the Sad Boy Scamping exasperated After a wide boot To double the magic Of a limping foot. Mercy to the melancholy folk On the Sad Boy's right. It was not for want of wandering He lost the left boot too And the knowledge of his left side, But because one awful Sunday This dear boy dislimbed Went back to the old pond To fish up another shoe And was quickly (being too light for his line) Fished in. Gracious how he kicks now All the little ripples up! The quiet population of Brent has settled down, And the perfect surface of the famous pond Is slightly pocked, marked with three signs, For visitors come to fish for souvenirs, Where the Sad Boy went in And his glad mother and his mad father after him.
Laura (Riding) Jackson (The Poems of Laura Riding: A Newly Revised Edition of the 1938-1980 Collection)
I love you,” Val began, wondering where in the nine circles of hell that had come from. He sat forward, elbows on his knees, and scrubbed a hand over his face. “I’m sorry; that came out… wrong. Still…” He glanced at her over his shoulder. “It’s the truth.” Ellen’s fingers settled on his nape, massaging in the small, soothing circles Val had come to expect when her hands were on him. “If you love me,” she said after a long, fraught silence, “you’ll tell me the truth.” Val tried to see that response as positive—she hadn’t stomped off, railed at him, or tossed his words back in his face. Yet. But neither had she reciprocated. “My name is Valentine Windham,” he said slowly, “but you’ve asked about my family, and in that regard—and that regard only—I have not been entirely forthcoming.” “Come forth now,” she commanded softly, her hand going still. “My father is the Duke of Moreland. That’s all. I’m a commoner, my title only a courtesy, and I’m not even technically the spare anymore, a situation that should improve further, because my brother Gayle is deeply enamored of his wife.” “Improve?” Ellen’s voice was soft, preoccupied. “I don’t want the title, Ellen.” Val sat up, needing to see her eyes. “I don’t ever want it, not for me, not for my son or grandson. I make pianos, and it’s a good income. I can provide well for you, if you’ll let me.” “As your mistress?” “Bloody, blazing… no!” Val rose and paced across the porch, turning to face her when he could go no farther. “As my wife, as my beloved, dearest wife.” A few heartbeats of silence went by, and with each one, Val felt the ringing of a death knell over his hopes. “I would be your mistress. I care for you, too, but I cannot be your wife.” Val frowned at that. It wasn’t what he’d been expecting. A conditional rejection, that’s what it was. She’d give him time, he supposed, to get over his feelings and move along with his life. “Why not marry me?” he asked, crossing his arms over his chest. She crossed her arms too. “What else haven’t you told me?” “Fair enough.” Val came back to sit beside her and searched his mind. “I play the piano. I don’t just mess about with it for polite entertainment. Playing the piano used to be who I was.” “You were a musician?” Val snorted. “I was a coward, but yes, I was a musician, a virtuoso of the keyboard. Then my hand”—he held up his perfectly unremarkable left hand—“rebelled against all the wear and tear, or came a cropper somehow. I could not play anymore, not without either damaging it beyond all repair or risking a laudanum addiction, maybe both.” “So you came out here?” Ellen guessed. “You took on the monumental task of setting to rights what I had put wrong on this estate and thought that would be… what?” “A way to feel useful or maybe just a way to get tired enough each day that I didn’t miss the music so much, and then…” “Then?” She took his hand in hers, but Val wasn’t reassured. His mistress, indeed. “Then I became enamored of my neighbor. She beguiled me—she’s lovely and dear and patient. She’s a virtuoso of the flower garden. She cared about my hand and about me without once hearing me play the piano, and this intrigued me.” “You intrigued me,” Ellen admitted, pressing the back of his hand to her cheek. “You still do.” “My Ellen loves to make beauty, as do I.” Val turned and used his free hand to trace the line of Ellen’s jaw. “She is as independent as I am and values her privacy, as I do.” “You are merely lonely, Val.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
When her father mentioned their old house, tears sprang to her eyes. In a way it was helpful to be in a place her mother had never seen. It was one of the last conversations she had had with her mother, telling her about Adam's new job, which back then was only a remote possibility, as they rode together to the hospital. "Don't go," her mother had said from the front seat. "It's too far away. I'll never see you again." Six hours after saying this, her mother was dead. Ruma suddenly wanted to ask her father, as she'd wanted to ask so many times, if he missed her mother, if he'd ever wept for her death. But she'd never asked, and he'd never admitted whether he'd felt or done those things.
Anonymous
When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.
Andrew Morton (Diana: Her True Story in Her Own Words)
as alexander hamilton who shared my name with one phillp skylar my mother, and my father eliza who i told to steal my identy in the war, iam nothign more then proud of the work on my deathbed writing again. i always surive true imoratlity and amenia disorder wtih life like reborn disorders cant be cured. but as alexian smith the former princess diana and smauel sabery you just seem unread. unscripted. and missed the point of the burnings of heart and bon fires in reetribution to racism in state and notion. You miss the point of what occured or whatever relaxed to it. I dont hate having multiple personaltiis. or living forever in stupid wayward ideas. that donald bloke has a diosrder called idiocy where hes accidently racist and you liked him for that. no i still dont hate you as avery pines. and no matter what occured when i was tortured in stupid situations, worst then a single one and counting somehow creepily for all of them, because my dad was and i was not. you must understand the history of why it was a town you now never knew of the name of. and why it was occurance and why it was the stories of it. And why nobody knew the musical hamilton was about my father alexander of americas presdient and me the secretary of state. my real name is adam snowflake. and if you loved a dam thing i ever wrteo from death note to creepy stalkings or the kingdom diaries or lspds, and what i built at disney naimating snow white and aruara and filming hawkuseris abotu my lack of faith as scince lik ebuilding jeeus you would know i never often resented it after highschool. and its better to remember a dead name as dead. i am not the evil events that defined me. but i am all the pain of them. and that is my wolrd. And you are ar acit for demanding i be things liek civil war or holocuast. and you are a racist slutty loser like i and bad king actors were steryped to be. and no matter what ever occured or how casuality is evil when in office. i want you to know no matter what i study or why i dress. its th history of me being an emo teenage fagot, and my mother was abusive as reya. and just interputed me to scream her ass off as reya fine an adbucter when orphaned. its easy to blame a color when the person is faceless. did you know im half that story. and did you know in the way i looked like the one you liked? When you have a boogie man, its so easy to hate the things you try to stop. Fuck you ukraine im jewish. and i know what you took. and while i didnt go. Oh god can i never go by frank again as someone in a clsoet room who surived that. and i want you to know as adam i will never be what you did to me. but oh god did you amke it look liket he people from russia fuck you royal.
Adam snowflake
I’ve come to the conclusion that the true purpose of marriage is none other than talking, and this is not only precisely what distinguishes it from other types of personal relationships but also what is most missed: the trivial conversations about everything from the neighbor’s bad mood to how ugly a friend’s daughter is. Pointless and none too insightful observations are the essence of intimacy, what we mourn after the death of our wives, our fathers, our friends. A few months after Maia’s death I was
Andrés Barba (A Luminous Republic)
It happened not long after Aude’s death,” he said. “I missed her, you see, and I needed someone to raise the children. No such thing as a househusband then.” He laughed. “I had to go raiding. I had to be sure the slaves were doing what they ought in the fields. So I needed another wife. One night I went to visit the family of a young woman I hoped would marry me. She lived a mile or two away. I had some worldly goods, and my father was a chief, and I was thought a handsome man and was a noted fighter, so I was a good prospect. Her brothers and her father were glad to greet me, and she seemed . . . agreeable. I was trying to get to know her a bit. It was a good evening. I had high hopes. But I had a lot to drink there, and on my way home that night . . .” Eric paused, and I saw his chest move. In remembering his last moments as a human, he had actually taken a deep breath. “It was the full moon. I saw a man lying hurt by the side of the road. Ordinarily I would have looked around to find those who had attacked him, but I was drunk. I went over to help him; you can probably guess what happened after that.” “He wasn’t really hurt.” “No. But I was, soon after. He was very hungry. His name was Appius Livius Ocella.” Eric actually smiled, though without much humor. “He taught me many things, and the first was not to call him Appius. He said I didn’t know him well enough.
Charlaine Harris (Dead and Gone (Sookie Stackhouse, #9))
Andrei rested on a bench directly in front of a grave that belonged to: 'A father, hard worker, and beloved friend.' He leaned back, resting in the cemetery, and with each second, his desire to know more about this man 'Yeah, he’s a father, hard worker, and beloved friend. Weren’t we all at some point? What’s his kink? The worst thing he’s done to a person? The greatest thing he’s good at?' he thought. That’s what Andrei wanted to know. Not titles the man himself would disapprove of. What good was a proper impression in a cemetery filled with thousands of proper impressions? One must be indecent. So Andrei closed his eyes and imagined the father who worked hard and was a beloved friend. Maybe his kink was that he needed to do it in public—in the restroom after a date or at church during mass. Maybe the worst thing he had ever done was work so hard for his family that he never once saw them. Maybe the best thing he was good at was giving gifts to his friends. Yes, that’s it. He never gave money or handed them gift cards, but instead gave his brothers exactly what filled them the most. One year, he gave a notebook to his buddy John with the same line written over and over in painful cursive. The line said: 'Happy Birthday, you get thirteen hours of my life' and repeated until you could see the traces of hand cramps squiggling for life on the forty-second page. 'What a good man,' imagined Andrei. 'Hell of a mate.
Kristian Ventura (A Happy Ghost)
and a doctor had been in attendance, so there didn’t seem to be anything amiss that I could discern.” Warneke was taking great care with how he phrased his answers. “But there’s a reason why you particularly remember the Judge?” “He was a very well-known man, Mr. Hunter, often in the newspapers. His wife had begun to make her mark in society.” “Do you always know this much about the people you bury?” “Part of what we do is advise families on the most suitable services for the departed, tailored to the appropriate station in life. We assisted with Judge MacKenzie’s first wife, so we naturally assumed we would be serving the family again. There’s a certain comfort and trust in familiarity.” “I don’t remember much about what happened in the hours and days immediately after my father’s death, Mr. Warneke. By the time I was able to ask, I was told it would be better to remember him as he had been in life. I accepted that idea. Then. Now I want answers.” “I don’t wish to cause you undue pain, Miss MacKenzie. Or to reawaken your grief.” “I want the truth, Mr. Warneke. You may be one of the very few people who
Rosemary Simpson (What the Dead Leave Behind (A Gilded Age Mystery, #1))