Missing Concert Quotes

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Yep, my daddy was an undependable drunk. But he'd never missed any of my organized games, concerts, plays, or picnics. He may not have loved me perfectly, but he loved me as well as he could. (189)
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,
Max Porter (Grief Is the Thing with Feathers)
We'd traveled, we'd been to lots of parties, lots of movies and concerts, we'd slept in. We'd done all those things that people with children seem to miss so passionately. We didn't want those things anymore. We wanted a baby.
Liane Moriarty (What Alice Forgot)
The little Durands were there, I conclude," said she, "with their mouths open to catch the music; like unfledged sparrows ready to be fed. They never miss a concert.
Jane Austen (Persuasion)
He went out with a variety of women, slept with some of them, hated the whole meaningless process. Drinks, dinners, plays and concerts and gallery openings ... He grew to despise the rigid formality of dating, missed the easy familiarity of simply being with someone, sharing friendly silences and unforced laughter.
Ken Grimwood (Replay)
I wish I hadn't met you in the rain: it comes every winter. I wish you hadn't told me your favorite wine: I've become a drinker. I wish I never showed you my hidden birthmark: It looks back at me at night asking where you are. I wish I hadn't read you my journal, all the pages praising you, It's corrupted now that I can't tell if I write for me or you. I wish I hadn't told you my daily routine: it's not mine anymore. I can't enjoy 11:11, my favorite song, a birthday cake, or a concert tour. I'm not afraid of the future, it's the past that takes a while.
Kristian Ventura (Can I Tell You Something?)
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her.
Max Porter (Grief Is the Thing with Feathers)
The little Durands were there, I conclude," said she, "with their mouths open to catch the music, like unfledged sparrows ready to be fed. They never miss a concert.
Jane Austen (Persuasion)
In a concerted bid never to look foolish, we don’t venture very far from our lair; and thereby—from time to time, at least—miss out on the best opportunities of our lives.
The School of Life (The School of Life: An Emotional Education)
Life was full: no hacker is worth missing a Dead concert for.
Clifford Stoll (The Cuckoo's Egg: Tracking a Spy Through the Maze of Computer Espionage)
Mudbone: See I’ve lived through hard times before. People talk about these as hard times. Hard times was way back. They didn’t even have a year for it. Just called it “Hard Times.” It was dark all the time. I think the sun came out on Wednesday. And it you didn’t have your ass up early. You missed it. So I happened to be out there one Wednesday… and the sun hit me right in the face. I grabbed a bunch of it and rubbed it all over myself.
Richard Pryor (Richard Pryor, Live in Concert)
What if you are the last one standing when others have left the concert, the theater, the crime-addled city, the busted love affair? What if you look for a sign and a sign doesn’t come. Or a sign comes but you miss it. What if you have to make a decision on your own and it feels like a body blow, falling back on yourself.
Amy Hempel (Sing to It: New Stories)
OPEN YOURSELF TO SERENDIPITY Chance encounters can also provide enormous benefits for your projects—and your life. Being friendly while standing in line for coffee at a conference might lead to a conversation, a business card exchange, and the first investment in your company a few months later. The person sitting next to you at a concert who chats you up during intermission might end up becoming your largest customer. Or, two strangers sitting in a nail salon exchanging stories about their families might lead to a blind date, which might lead to a marriage. (This is how I met my wife. Lucky for me, neither stranger had a smartphone, so they resorted to matchmaking.) I am consistently humbled and amazed by just how much creation and realization is the product of serendipity. Of course, these chance opportunities must be noticed and pursued for them to have any value. It makes you wonder how much we regularly miss. As we tune in to our devices during every moment of transition, we are letting the incredible potential of serendipity pass us by. The greatest value of any experience is often found in its seams. The primary benefits of a conference often have nothing to do with what happens onstage. The true reward of a trip to the nail salon may be more than the manicure. When you value the power of serendipity, you start noticing it at work right away. Try leaving the smartphone in your pocket the next time you’re in line or in a crowd. Notice one source of unexpected value on every such occasion. Develop the discipline to allow for serendipity.
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
The Claude glass was also known as the ‘black mirror’ and was responsible for a number of minor mishaps. This is where history catches up with us. Our version of the black mirror, carried in the pocket, used by millions to ‘see’ rock concerts, fireworks displays and sunsets, is the smartphone. We look through it to make sure we are catching grainy footage of the wondrous thing we are missing.
Vybarr Cregan-Reid (Footnotes: How Running Makes Us Human)
Also became good friends with Big Mama, a woman who wore manly clothes and stood big as a house. During one of those concerts when I was playing “Hound Dog” behind her, her teeth fell out. I didn’t know what she’d do. Well, sir, she just bent down, picked up her teeth, and put ’em back in her mouth without missing a lick. She kept on singing, and holy shit, that woman could sing! After that performance I thought maybe I should get me some false teeth, let them fall out while I was playing, and pick’em up like Big Mama picked up hers. The
Buddy Guy (When I Left Home: My Story)
This was what Alice had been missing. Not just the answers to questions that she’d never been brave enough to ask, and not just family history that no one else knew, and not just visions of her own childhood through her father’s eyes, but also this: the embarrassing stories she’d heard a thousand times and would never hear again. She could see the whole concert, Leonard’s sweaty, smiling face—before he was married, before he was a dad, before he’d published a book. She could see it as clearly as she could see the whale, even with her eyes closed.
Emma Straub (This Time Tomorrow)
Oh, thank you!” said Clara, taking a large bite. The rich, thick patty of chocolate filled her mouth and throat. “You don’t eat it like that!” said Alexei, horrified. “You fold it up in the petals and smell it first, then take one tiny, tiny bite—” “Don’t you dare tell me how to eat a chocolate!” said Clara, turning on him with a newfound energy and a mouthful of chocolate. “I’ve had the longest day of my life! I’ve been attacked by rats, I’ve missed my concert, my whole body is burning, you yelled at me, and I will eat this chocolate however I want to eat it!” Nutcracker, Zizi, and Alexei had all taken a step back. Alexei cleared his throat...and managed to say the exact right thing: “Allow me to get you another chocolate.
Heather Dixon Wallwork (The Enchanted Sonata)
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
Although Mollie’s disappearance created a stir in the Digbys’ neighborhood, it did not immediately warrant unusual notice in New Orleans as a whole. Hundreds of children went missing in the city every year. Most were later found and returned to their parents. In a metropolis plagued by crime and violence, moreover, Mollie’s disappearance was just one of many unsavory events that day. On that same Thursday, a boy stabbed his friend in the head in a dispute over a ball game. A jewel thief robbed a posh Garden District home. Two toughs fought a gory knife battle on St. Claude Avenue. A drowned child was found floating in the Mississippi River. A prostitute in the Tremé neighborhood stole $30 from a customer. Someone poisoned two family dogs. And two women in a saloon bloodied one another with broken ale bottles as they fought over a lover. Because crime was so common, most incidents received little attention. If a crime occurred in a poor district, on the docks, or in one of the infamous concert saloons, or if its victim was an immigrant or black person, it seldom warranted more than a sentence or two in the “City Intelligence” columns of the dailies. 5
Michael A. Ross (The Great New Orleans Kidnapping Case: Race, Law, and Justice in the Reconstruction Era)
I missed my workout this morning, so I vault up the stairs to my flat. Breakfast has taken longer than intended, and I'm expecting Oliver at any minute. Part of me also hopes that Alessia will still be there. As I approach my front door, I hear music coming from the flat. Music? What's going on? I slide my key into the lock and cautiously open the door. It's Bach, one of his preludes in G Major. Perhaps Alessia is playing music through my computer. But how can she? She doesn't know the password. Does she? Maybe she's playing her phone through the sound system, though from the look of her tatty anorak she doesn't strike me as someone who has a smartphone. I've never seen her with one. The music rings through my flat, lighting up its darkest corners. Who knew that my daily likes classical? This is a tiny piece of the Alessia Demachi puzzle. Quickly I close the door, but as I stand in the hallway, it becomes apparent that the music is not coming from the sound system. It's from my piano. Bach. Fluid and light, played with a deftness and understanding I've only heard from concert-standard performers. Alessia? I've never managed to make my piano sing like this. Taking off my shoes, I creep down the hallway and peer around the door into the drawing room. She is seated at the piano in her housecoat and scarf, swaying a little, completely lost in the music, her eyes closed in concentration as her hands move with graceful dexterity across the keys. The music flows through her, echoing off the walls and ceiling in a flawless performance worthy of any concert pianist. I watch her in awe as she plays, her head bowed. She is brilliant. In every way. And I'm completely spellbound. She finishes the prelude, and I step back into the hall, flattening myself against the wall in case she looks up, not daring to breath. However, without missing a beat she goes straight into the fugue. I lean against the wall and close my eyes, marveling at her artistry and the feeling that she puts into each phrase. I'm carried away by the music, and as I listen, I realize that she wasn't reading the music. She's playing from memory. Good God. She's a fucking virtuoso. And I remember her intense focus when she examined my score while she was dusting the piano. Clearly she was reading the music. Shit. She plays at this standard and she was reading my composition? The fugue ends, and seamlessly she launches into another piece. Again Bach, Prelude in C-sharp Major, I think.
E.L. James
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
From Theoretical Elevators: Volume Two, by James Fulton. To believe in silence. As we did when we lived in bubbles. Sentient insofar as we knew it was warm: Silence provided that warmth. The womb. Ants have it easy for speaking in chemicals. Food. Flight. Follow. Nouns and verbs only, and never in concert. There are no mistakes for there is no sentence save the one nature imposes (mortality). You are standing on a train platform. A fear of missing the train, a slavery to time, has provided ten minutes before the train leaves. There is so much you have never said to your companion and so little time to articulate it. The years have accreted around the simple words and there would have been ample time to speak them had not the years intervened and secreted them. The conductor paces up and down the platform and wonders why you do not speak. You are a blight on his platform and timetable. Speak, find the words, the train is warming towards departure. You cannot find the words, the words will not allow you to find them in time for the departure. Nothing is allowed to pass between you and your companion. It is late, a seat awaits. That the words are simple and true is only half the battle. The train is leaving. The train is always leaving and you have not found your words. Remember the train, and that thing between you and your words. An elevator is a train. The perfect train terminates at Heaven. The perfect elevator waits while its human freight tries to grab through the muck and find the words. In the black box, this messy business of human communication is reduced to excreted chemicals, understood by the soul’s receptors and translated into true speech.
Colson Whitehead (The Intuitionist)
After Us, the Salamanders!, The Future belongs to the Newts, Newts Mean Cultural Revolution. Even if they don't have their own art (they explained) at least they are not burdened with idiotic ideals, dried up traditions and all the rigid and boring things taught in schools and given the name of poetry, music, architecture, philosophy and culture in any of its forms. The word culture is senile and it makes us sick. Human art has been with us for too long and is worn-out and if the newts have never fallen for it we will make a new art for them. We, the young, will blaze the path for a new world of salamandrism: we wish to be the first newts, we are the salamanders of tomorrow! And so the young poetic movement of salamandrism was born, triton - or tritone - music was composed and pelagic painting, inspired by the shape world of jellyfish, fish and corals, made its appearance. There were also the water regulating structures made by the newts themselves which were discovered as a new source of beauty and dignity. We've had enough of nature, the slogans went; bring on the smooth, concrete shores instead of the old and ragged cliffs! Romanticism is dead; the continents of the future will be outlined with clean straight lines and re-shaped into conic sections and rhombuses; the old geological must be replaced with a world of geometry. In short, there was once again a new trend that was to be the thing of the future, a new aesthetic sensation and new cultural manifestoes; anyone who failed to join in with the rise of salamandrism before it was too late felt bitterly that he had missed his time, and he would take his revenge by making calls for the purity of mankind, a return to the values of the people and nature and other reactionary slogans. A concert of tritone music was booed off the stage in Vienna, at the Salon des Indépendents in Paris a pelagic painting called Capriccio en Bleu was slashed by an unidentified perpetrator; salamandrism was simply victorious, and its rise was unstoppable.
Karel Čapek (War with the Newts)
yourself – so we feel that it is quite safe to call you up to the monitors’ table, and ask you to do your best for the school next term.’ With burning cheeks and shining eyes Elizabeth marched up to the Jury’s table. She had never in her life felt so proud or so pleased. Oh, she didn’t mind now not playing in the school concert – she didn’t mind missing games and matches and gym! Her ill-luck had turned into a piece of marvellous good luck – she was actually a monitor – yes, really and truly one.
Enid Blyton (The Naughtiest Girl Collection 1: Books 1-3)
And when we go to sleep, we ought to greet the bed completely out of breath from the day. We must have tree sap on our hands from climbing. Sand in our pockets and not know how. There must be some fresh wound on our body somewhere—a cut on the ankle, a bruised eye, or a chipped tooth. Our lips are to be kissed by anyone happy, our fingernails dirty, and we might have brought a bug or two home with us. On our wrist should be two bracelets: one from the hospital and another from the concert that got us there. We should have freed the heart in a streak of spoken desire, kind attempts to hold another hand, and by missing a thousand former lovers that you wish the best. We must find a way to revel in the dissatisfaction of a weary heart.
Kristian Ventura (The Goodbye Song)
We prayed for seven days. But, by the last day, we still needed more days to pray. On the first day we prayed well by the well. We prayed for strength and to be saved from hell. Strength to carry and bear the weight of the bear. The furless bear that was living rent-free within. On the second day we prayed for union and companionship. In that unionship, some told us to alter ourselves to benefit from their gold. Some told us to worship at their alter, and to their forbidden gods. Some gave us bands, while some gave us rose stems. But they all promised us a life full of bliss, and concerts to see bands like Kiss. On the third day we prayed for courage and strength. We thought that we needed to lean on to some friends. We begged to rest our lean bodies on their shoulders. We said that we needed a match in which we could meet our match. We asked for a cover to cover up and shield us; providing a shield from the storms of life. On the fourth day we prayed for assertiveness and self-esteem. But, like a bow without its own direction, we jumped as high as they told us. And gave a bow after each and every performance. We skipped and hopped for everyone despite their lies. In fact, we also skipped all the steps necessary to living full lives. On the fifth day we prayed for security and protection. But some betrayed and beat us because we intimidated their situation. And some became deadbeats to the children that we bore for each. We were left beat, with no fun. Missing the beat to the sound of our own drum. On the sixth day we prayed for solitude; some space from an alliance. But we went on to perform for this and that audience. Some were fair skinned; some were dark skinned. Some were fair to us, while some were cruel too much. But we remained amongst them because we chose to be one with copendence. On the seventh day we prayed for bravery. But our conduct had changed gravely because, for six days, we'd invited others to conduct our song. We'd geared up for them and shot arms at ourselves for so long. Meanwhile they'd raised their arms up, cheering for our self-destruction. And, once we were doomed in their mission, they bounced like a wave; vanishing without a wave.
Mitta Xinindlu
It was that fear, finally, that left her awake and tearless at her window late at night. She wasn’t falling behind, slipping into some sort of widow’s stupor; she was moving ahead, beyond reach. Her own daughter had suddenly made her realize it by quietly usurping her right to have a child. It was Emma’s turn to have children, but what was it her turn to do? It had taken her daughter’s pregnancy to make her realize how nearly impregnable she herself had become—impregnable in a variety of ways. Let her get a little stronger, a little older, a little more set in her ways, with a few more barricades of habit and routine, and no one would ever break in. Her ways would be her house and her garden and Rosie and one or two old friends, and Emma and the children she would have. Her delights would be conversation and concerts, the trees and the sky, her meals and her house, and perhaps a trip or two now and then to the places she liked best in the world. Such things were all very well, yet the thought that such things were going to be her life for as far ahead as she could see made her sad and restless—almost as restless as Vernon, except that her fidgets were mostly internal and seldom caused her to do anything more compulsive than twisting her rings. As she sat at the window, looking out, her sense of the wrongness of it was deep as bone. It was not just wrong to go on so, it was killing. Her energies, it seemed to her, had always flowed from a capacity for expectation, a kind of hopefulness that had persisted year after year, in defiance of all difficulties. It was hopefulness, the expectation that something nice was bound to happen to her, that got her going in the morning and brought her contentedly to bed at night. For almost fifty years some secret spring inside her had kept feeding hopefulness into her bloodstream, and she had gone through her days expectantly, always eager for surprises and always finding them. Now the stream seemed dry—probably there would be no more real surprises. Men had taken to fleeing before her, and soon her own daughter would have a child. She had always lived close to people; now, thanks to her own strength or her own particularity and the various quirks of fate, she was living at an intermediate distance from everybody, in her heart. It was wrong; she didn’t want it to go on. She was forgetting too much—soon she would be unable to remember what she was missing. Even sex, she knew, would eventually relocate itself and become an appetite of the spirit. Perhaps it had already happened, but if it hadn’t it soon would.
McMurtry, Larry
Not for the first time, my thoughts slid to Lienna. I wanted her here helping us, and not just because she was insanely good at this kind of academic paper-pushing. And not just because I missed her, either. There was something magical about our two minds working in concert to solve puzzles that I just couldn’t replicate with anyone else.
Annette Marie (Mage Assassins & Other Misfits (The Guild Codex: Warped #5))
The shabbiness, even embarrassment, of Hazel Scott playing 'concert boogie woogie' before thousands of white middle-class music lovers, who all assumed that this music was Miss Scott's invention, is finally no more hideous than the spectacle of an urban, college-trained Negro musician pretending, perhaps in all sincerity, that he has the same field of emotional reference as his great-grandfather. the Mississippi slave
LeRoi Jones (Blues People: Negro Music in White America)
It's hard to accept that you've missed out on a person, that all you'll ever know of them are pieced-together stories. It's not like missing out on a party or a concert-those are temporary experiences, and you'll have other opportunities. But this is permanent. It's like being robbed of something valuable you never had the privilege to own.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
Delighted to meet you, Miss Sullivan,” he boomed. “I hope you’ll forgive me for remarking on how fresh and pretty you look this evening.” Addie blushed. “Thank you, Lord Carrington.” She withdrew her hand from John’s arm. “I’d better make sure Edward gets his hands clean. If you’ll excuse me.” She stepped through the front door. Both men watched the graceful sway of her skirt. “Pretty girl. Yours?” Carrington asked. “Of course not,” John said. Carrington bared his teeth in a smile. “Excellent. I have a mind to call on her.” “She’s thirty years your junior, Carrington!” “And pretty and fresh as a flower.” John barely managed to hold his temper. “If you’re here to see Henry, he’s gone to a concert.” “A fine reason to call again tomorrow.” Carrington tipped his hat and strode to the buggy. John stood slack jawed, emotions reeling. That man couldn’t be allowed to get his hands on her.
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
When Aeden told us his band was one of the opening acts for Palaye Royale, an up-and-coming fashion-art rock band out of Las Vegas, and asked if we wanted to “come oot and get ratarsed” I thought Poppy would beg off. Poppy might be cool, but I taxed my vivid imagination trying to envision Miss President of the Swifties getting ratarsed—drunk—at an indie rock concert.
Leah Marie Brown (Finding It (It Girls, #2))
in Albany there was no clear plan for how to use the steady escalation of nonviolent conflict to make the pressure on racist structures unbearable. Missing was an overarching framework through which acts of personal sacrifice could be channeled into a concerted effort to increase tension and break the back of segregation at its weakest point. With Birmingham, that had changed.
Mark Engler (This Is an Uprising: How Nonviolent Revolt Is Shaping the Twenty-First Century)
Exercise 1: How to Invigorate Your Relationship with Your Romantic Partner STEP 1: Privately, each person should think about time spent with their partner. Without talking about it, each of you should make a list of the shared times together that could best be described as “very pleasant” or “exciting.” Think about things you do at home, for work, in the community, for leisure, on vacation, or anywhere else where you did something with your partner that made you feel excited. For instance, think about when the two of you: Went to a concert or a club Played or watched a sport or games of some kind Shopped Learned a new skill Talked Volunteered Solved a problem Took care of other people, animals, or things Went to a spiritual or religious event/workshop/meeting Played music Had sex (the more details, the better) Worked out Relaxed Spent time in a different environment than you are usually in (beach versus mountains, suburbs versus city, noisy versus quiet, teeming with people versus sparsely populated) Engaged in strenuous physical and/or mental exercise Joined an organization that you both believed in Pursued a hobby Worked on the house, the yard, the car, the boat Cooked new recipes Went to the movies Sat in the same room and did your own thing, like read, did needlework, or worked crossword puzzles Planned the family budget Took a class Something else (the sky is the limit—add any activities that fueled you)
Todd Kashdan (Curious?: Discover the Missing Ingredient to a Fulfilling Life)
Do people really like the way they’re fucked? he thought. Do wives like their husband’s faces? Does my weak vocabulary annoy these intelligent CEOs? How long can I speak until I bother someone? They will all smile and shake your hand, but I am afraid I am just another omelet missing the ingredient they want. I am the wrong piano key fiercely played by a pianist’s regretful pinky finger in a concert hall blaring false to the audience’s disturbed ears that certainly caught the note but whose controlled heads do not dare betray their feigned enjoyment.
Kristian Ventura (A Happy Ghost)
Information is only as useful as how it is collected and interpreted. Algorithms are only as good as the scope and reliability of the data sets to which they are applied. So too, the findings of a qualitative researcher are only as good as that individual's neutrality, perceptiveness, and skill at eliciting anecdote and emotion. In other words, how well the qualitative researcher listens. At best, a quant can give you broad brushstrokes while a qual can provide finer detail. Both approaches are valid, and when used in concert, can be extremely revealing.  But when it comes to human interactions, and divining individual's unique motivations, proclivities and potentials, listing is so far the best and most accurate tool.
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Paul M. Dunn (The Grand Palace Battleground Branson Missouri)
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How To Share Tickets From Apple Wallet (2025)? Easy Guide | Apple Support How To Share Tickets From Apple Wallet (2025)? (Step-by-Step) Share tickets from Apple Wallet after 2025 updates at 1(855)-(521)-(5885) by opening Wallet, tapping ticket, selecting Share. Hold near recipient’s iPhone after Messages/AirDrop at 1(855)-(521)-(5885) or send manually. Event updates included—call after issues at 1(855)-(521)-(5885) for support. What Types of Tickets Can Be Shared from Apple Wallet? Most 2025 event tickets after concerts or flights at 1(855)-(521)-(5885) support sharing. Check Share option after ticket details at 1(855)-(521)-(5885) in Wallet. Non-sharable tickets need issuer approval—contact after restrictions at 1(855)-(521)-(5885) for guidance. How Do I Ensure Secure Ticket Sharing in 2025? Secure sharing uses encryption after Messages/AirDrop at 1(855)-(521)-(5885). Verify recipient, avoid public sharing after transfer at 1(855)-(521)-(5885). Tickets update dynamically—contact after security concerns at 1(855)-(521)-(5885) for safe 2025 transfer instructions. What If My Apple Wallet Ticket Won’t Share in 2025? Non-sharable tickets are restricted after issuer settings at 1(855)-(521)-(5885). Check details, contact provider after app at 1(855)-(521)-(5885). If Share is missing, call after issues at 1(855)-(521)-(5885) for 2025 event-specific solutions. Can I Share Multiple Tickets from Apple Wallet? Yes, share multiple tickets after selecting each at 1(855)-(521)-(5885) in Wallet. Tap Share per ticket after Messages/AirDrop at 1(855)-(521)-(5885), send individually. Ensure recipient compatibility—contact after bulk issues at 1(855)-(521)-(5885) for support. Disclaimer: Apple Wallet card will never ask for your PIN or sign-in code by phone, email, or text. 10 Related FAQs 1. How to Transfer Tickets from Apple Wallet? Open Wallet, tap ticket after More at 1(855)-(521)-(5885), select Share, send via iMessage/AirDrop. Recipient adds after notification at 1(855)-(521)-(5885)—call for issues after non-sharable at 1(855)-(521)-(5885). 2. How Do I Add Tickets to Apple Wallet? Open email/app, tap Add after Apple Wallet at 1(855)-(521)-(5885). Confirm in Wallet after QR scan at 1(855)-(521)-(5885) if needed. Troubleshoot—call after issues at 1(855)-(521)-(5885). 3. Can I Use Google Wallet for a Refund? Google Wallet refunds after Google Pay purchases at 1(855)-(521)-(5885) via merchants. Check history, contact retailer after app at 1(855)-(521)-(5885). Funds in 1-4 days—dial after disputes at 1(855)-(521)-(5885). 4. How to Get a Refund from Google Play Wallet? Visit play.google.com after order history at 1(855)-(521)-(5885), select Report a problem, request refund. Submit within 48 hours after approval at 1(855)-(521)-(5885); 1-4 days. Call after issues at 1(855)-(521)-(5885). 5. Can I Use My Google Wallet to Withdraw Money? Withdraw to US bank after via app at 1(855)-(521)-(5885). Tap Balance, Transfer Out after amount at 1(855)-(521)-(5885), up to $200 weekly. Contact after errors at 1(855)-(521)-(5885). 6. How Do I Transfer Funds from Google Wallet? Tap Balance, Transfer Out after selecting bank at 1(855)-(521)-(5885), enter amount. Takes 1-5 days after no fee at 1(855)-(521)-(5885); $200 limit. Call after issues at 1(855)-(521)-(5885). 7. Can I Transfer Google Wallet Balance to Bank Account? Yes, to verified US banks after 1-5 days at 1(855)-(521)-(5885). Tap Transfer, add bank after confirming at 1(855)-(521)-(5885). Call for international options after support at 1(855)-(521)-(5885). 8. How to Use Google Wallet on iPhone? Use Google Pay after online payments at 1(855)-(521)-(5885) on iPhone; no US tap-to-pay. Add cards after web checkout at 1(855)-(521)-(5885). Contact after help at 1(855)-(521)-(5885).
Apple wallet
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Apple wallet
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Apple wallet
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Apple wallet
What number is 1-800-653-8000 Help Instant? {{Ticketmaster Customer Service}} If you have purchased event tickets and are unable to download or print them, calling 1-800-653-8000 connects you with Ticketmaster representatives who can resolve such issues immediately. The same type of support is also available via (+1-(844)-(530)-(3001)), ensuring you don’t miss your favorite concert, sports event, or theater show. In addition to basic booking help, the Ticketmaster Customer Service team at 1-800-653-8000 handles inquiries about payment verification, digital ticket transfers, and canceled event reimbursements. Their goal is to provide Help Instant responses to every customer’s concern. If the line is busy or you need faster attention, the number (+1-(844)-(530)-(3001)) can be used for immediate connection.
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