Miss Havisham Quotes

Love her, love her, love her! If she favours you, love her. If she wounds you, love her. If she tears your heart to pieces – and as it gets older and stronger, it will tear deeper – love her, love her, love her!

She wasn't the only one to be physically morphed by reader expectation. Miss Havisham was now elderly whether she liked it or not, and Sherlock Holmes wore a deerstalker and smoked a ridiculously large pipe. The problem wasn't just confined to the classics. Harry Potter was seriously pissed off that he'd have to spend the rest of life looking like Daniel Radcliffe.

It would have been cruel in Miss Havisham, horribly cruel, to practise on the susceptibility of a poor boy, and to torture me through all these years with a vain hope and an idle pursuit, if she had reflected on the gravity of what she did. But I think she did not. I think that in the endurance of her own trial, she forgot mine, Estella.

It was as if Tutankhamen or Miss Havisham had wandered into the pub one night and started bitching about the head on the pints.

All got really plastered after that. Was completely fantastic evening. As Tom said, if Miss Havisham had had some jolly flatmates to take the piss out of her she would never have stayed so long in her wedding dress.

My name is on the first leaf. If you can ever write under my name, "I forgive her," though ever so long after my broken heart is dust pray do it!" "O Miss Havisham," said I, "I can do it now. There have been sore mistakes; and my life has been a blind and thankless one; and I want forgiveness and direction far too much, to be bitter with you.

I was very glad afterwards to have had the interview; for, in her face and in her voice, and in her touch, she gave me the assurance, that suffering had been stronger than Miss Havisham's teaching, and had given her a heart to understand what my heart used to be.

You have always been dazzling - the life of every party, the glamour girl who dances until dawn." "Well, I am. But I'm dancing on broken glass. I'm Miss Havisham's wedding cake, Kit. A frothy, expensive, mice-eaten confection. I'm the Sphinx's nose, the fallen Colossus. I'm a beautiful ruin, and it's time that has done the deed.

Gavin had thought tragedy suited her: a young Miss Havisham, wearing the moth-eaten tatters of her frayed hopes like a ravaged bride. She had thought at first that it was the chase he craved, or the thrill of conquest, but while both of those might have been true, it was her humiliation that got him off. Physical, psychological, sexual—his favorite games were the ones he played with her head.

In my own single bed, I know. I know its width and length in hand spans and kicks and there is no spot so far from my body that it cannot feel the heat of my blood. A double bed is a dare, a question. A single bed is complete with just me in it. A double bed is a vacant promise. A threatening Miss Havisham. The thought of having one in my house makes my lower back ache. I wouldn't know how to lie in it.

I snorted. “They still make you read Dickens in school? Great Expectations?” “Yeah.” “You can stay at home and hide if you want—and wind up like Miss Havisham,” I said. “Watching life through a window and obsessed with how things might have been.” “Dear God,” she said. “You’ve just made Dickens relevant to my life.” “Weird, right?” I asked her, nodding.

Look at me,' said Miss Havisham. 'You are not afraid of a woman who has never seen the sun since you were born?

When I said that I only came to see how Miss Havisham was, Sarah evidently deliberated whether or no she should send me about my business.

She sighs, and then gives me this look. It's new and I don't like it. Sort of, Two roads diverged in a wood, mine is normal, but I hope you can be happy for me even though you are Miss Havisham.

I resolved to tell my guardian that I doubted Orlick being the right sort of man to fill a post of trust at Miss Havisham’s. ‘Why of course he is not the right sort of man, Pip,’ said my guardian, comfortably satisfied beforehand on the general head, ‘because the man who fills the post of trust never is the right sort of man.

Who am I, for God's sake, that I should be kind!

The first and best hoarding novelist was Dickens, who crammed his big books with all the details they could hold, and created an unparalleled hoarder portrait in Miss Havisham of Great Expectations, who keeps every object as it was at the hour she was jilted.

Within a quarter of an hour we came to Miss Havisham's house, which was of old brick, and dismal, and had a great many iron bars to it. Some of the windows had been walled up; of those that remained, all the lower were rustily barred. There was a courtyard in front, and that was barred;

midcentury Miss Havisham.

Ama-a, ama-a, ama-a. Se ela favorecer-te, ama-a. Se ela ferir-te, ama-a. Se ela te despedaçar o coração, que à medida que envelhecer e ficar mais forte, sangrará mais, ama-a, ama-a, ama-a!

Who am I," cried Miss Havisham, striking her stick upon the floor and flashing into wrath so suddenly that Estella glanced up at her in surprise, "who am I, for God's sake, that I should be kind?

I sit in my room like Miss Havisham, about whom I have been reading this week. Better the Dickens you know than the Dickens you don't know - on the whole I enjoyed it. But I should like to say something about this 'irrepressible vitality', this 'throwing a fresh handful of characters on the fire when it burns low', in fact the whole Dickens method - it strikes me as being less ebullient, creative, vital, than hectic, nervy, panic-stricken. If he were a person I should say 'You don't have to entertain me, you know. I'm quite happy just sitting here.' This jerking of your attention, with queer names, queer characters, aggressive rhythms, piling on adjectives - seems to me to betray basic insecurity in his relation with the reader. How serenely Trollope, for instance, compares. I say in all seriousness that, say what you like about Dickens as an entertainer, he cannot be considered as a real writer at all; not a real novelist. His is the garish gaslit melodramatic barn (writing that phrase makes me wonder if I'm right!) where the yokels gape: outside is the calm measureless world, where the characters of Eliot, Trollope, Austen, Hardy (most of them) and Lawrence (some of them) have their being.

those questions at sufficient length. If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine,—which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity,—it is the key to many reservations. I felt convinced that if I described Miss Havisham’s as my eyes had seen it, I should not be understood.

Eu vou dizer-te o que é o amor verdadeiro. É o devotamento cego, humilhação de si mesmo sem questionamento, submissão absoluta, é fé e confiança contra si mesmo e contra o mundo inteiro, é entregar-se de corpo e alma ao carrasco... Foi assim que amei!

When I had been in Mr. Pocket’s family a month or two, Mr. and Mrs. Camilla turned up. Camilla was Mr. Pocket’s sister. Georgiana, whom I had seen at Miss Havisham’s on the same occasion, also turned up. she was a cousin—an indigestive single woman, who called her rigidity religion, and her liver love.

My name is on the first leaf. If you can ever write under my name, ‘I forgive her,’ though ever so long after my broken heart is dust—pray do it!” “O Miss Havisham,” said I, “I can do it now. There have been sore mistakes; and my life has been a blind and thankless one; and I want forgiveness and direction far too much, to be bitter with you.

Would it be weakness to return my love?

It was then that I began to understand that everything in the room had stopped, like the watch and the clock, a long time ago. I noticed that Miss Havisham put down the jewel exactly on the spot from which she had taken it up. As Estella dealt the cards, I glanced at the dressing-table again, and saw that the shoe upon it, once white, now yellow, had never been worn. I glanced down at the foot from which the shoe was absent, and saw that the silk stocking on it, once white, now yellow, had been trodden ragged. Without this arrest if everything, this standing still of all the pale decayed objects, not even the withered bridal dress on the collapsed form could not have looked so like grave-clothes, or the long veil so like a shroud.

Put me aside for ever - you have done so, I will know, but bestow yourself on some worthier person than Drummle. Miss Havisham gives you to him, as the greatest slight and injury that could be done to the many far better men who admire you, and to the few who truly love you. Among those few, there may be one who loves you even as dearly, though he has not loved you as long, as I. Take him, and I can bear it better, for your sake!

Not to make Joe uneasy by talking too much, even if I had been able to talk much, I deferred asking him about Miss Havisham until next day. He shook his head when I then asked him if she had recovered? 'Is she dead, Joe?' 'Why, you see, old chap,' said Joe, in a tone of remonstrance, and by way of getting at it by degrees, 'I wouldn't go so far as to say that, for that's a deal to say; but she ain't -' 'Living, Joe?' 'That's nigher where it is,' said Joe; 'she ain't living.

At first, as I lay quiet on the sofa, I found it painfully difficult, I might say impossible, to get rid of the impression of the glare of the flames, their hurry and noise, and the fierce burning smell. If I dozed for a minute, I was awakened by Miss Havisham's cries, and by her running at me with all that height of fire above her head. This pain of the mind was much harder to strive against than any bodily pain I suffered; and Herbert, seeing that, did his utmost to hold my attention engaged.

...[I]n shutting out the light of day, [Miss Havisham] had shut out infinitely more; that, in seclusion, she had secluded herself from a thousand natural and healing influences; that, her mind, brooding solitary, had grown diseased, as all minds do and must and will that reverse the appointed order of their Maker, I knew equally well. And could I look upon her without compassion, seeing her punishment in the ruin she was, in her profound unfitness for this earth on which she was placed, in the vanity of sorrow which had become a master mania, like the vanity of penitence, the vanity of remorse, the vanity of unworthiness, and other monstrous vanities that have been curses in this world?

I’d read Persuasion, about Anne Elliot, who, unmarried at twenty-seven, veers perilously close to an economically and socially unmoored fate before being saved from the indignity of spinsterhood by Captain Wentworth. I’d read about Hester Prynne and Miss Havisham and Edith Wharton’s maddening, doomed Lily Bart. These were not inspiring portraits. Collectively, they suggested that women who remained unmarried, whether by choice or by accident, were destined to wear red letters or spend their lives dancing in unused wedding dresses or overdose on chloral hydrate. These characters might not have wed, but their lack of husbands constrained and defined them, just as surely as marriage would have.

As I had grown accustomed to my expectations, I had insensibly begun to notice their effect upon myself and those around me. Their influence on my own character I disguised from my recognition as much as possible, but I knew very well that it was not all good. I lived in a state of chronic uneasiness respecting my behaviour of Joe. My conscience was not by any means comfortable about Biddy. When I woke up in the night - like Camilla - I used to think, with a weariness on my spirits that I should have been happier and better if I had never seen Miss Havisham's face, and had risen to manhood content to be partners with Joe in the honest old forge. Many a time of an evening, when I sat alone looking at the fire, I thought, after all, there was no fire like the forge fire and the kitchen fire at home.

If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine - which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity - it is the key to many reservations. I felt convinced that if I described Miss Havisham's as my eyes had seen it, I should not be understood. Not only that, but I felt convinced that Miss Havisham too would not be understood; and although she was perfectly incomprehensible to me, I entertained an impression that there would be something coarse and treacherous in my dragging her as she really was (to say nothing of Miss Estella) before the contemplation of Mrs. Joe. Consequently, I said as little as I could, and had my face shoved against the kitchen wall.

From original ending: It was two year more, before I saw herself. ... I was in England again-in London, and walking along Piccadilly with little Pip- when a servant came running after me to ask would I step back to a lady in a carriage who wished to speak to me. It was a little pony carriage, which the lady was driving; and the lady and I looked sadly enough on one another. 'I am greatly changed, I know; but I thought you would like to shake hands with Estella too, Pip. Lift up that pretty child and let me kiss it!' (She supposed the child, I think, to be my child). I was very glad afterwards to have had the interview; for, in her face and in her voice, and in her touch, she gave me the assurance, that suffering had been stronger than Miss Havisham's teaching, and had given her a heart to understand what my heart used to be.

Ask no questions and you'll be told no lies.'' ''Heaven knows we need never be ashamed of our tears for they are rain upon the blinding dust of earth, overlying our hard hearts.'' ''Miss Havisham: ''I'll tell you'', said she, in the same hurried passionate whisper, ''what real love is. It is blind devotion, unquestioning self-humiliation, utter submission, trust and belief against yourself and against the whole world, giving up your whole heart and soul to the smiter-as I did! '' '' ''Do you reproach me for being cold? You? You should know , I am what you have made me. Take all the praise, take all the blame, take all the success, take all the failure; in short, take me!'' ''Take nothing on its looks; take everything on evidence. There's no better rule!'' ''The death close before me was terrible, but far more terrible than death was the dread of being misremembered after death!

Another way, I think, is to be somehow trapped by your pain. Being stopped in your tracks. Never, in a sense, being able to escape your pain. Never being able to move on out of it into whatever lies beyond. I think a classic example of that would be the character Miss Havisham in Charles Dickens’s Great Expectations. Miss Havisham was at an early age all set to be married. She had on her bridal finery, and the great wedding cake was there in the parlor. Then her boyfriend jilted her, and that was the end of her life. From that day on, she lived in that room, wearing her tattered, moldering wedding clothes, with the cake still there, a sort of ruined pile on the table with cobwebs and mice. And I think I’ve known people like that, who have been somehow trapped in their pain. It becomes their confinement. It becomes like the room to the cricket—it can’t get out of it. You keep living it over and over and over again, almost relishing the bitterness of it. So you deal with your pain by allowing it to overwhelm you, by allowing it to stop you in your tracks. And I suppose it’s also a way of surviving your pain, because as in the case of Miss Havisham, you take a kind of grim, awful pleasure in your ruin.

Until you spoke to her the other day, and until I saw in you a looking-glass that showed me what I once felt myself, I did not know what I had done. What have I done! What have I done!' And so again, twenty, fifty time over, what had she done! 'Miss Havisham,' I said, when her cry had died away, 'you may dismiss me from you mind and conscience. But Estella is a different case, and if you can ever undo any scrap of what you have done amiss in keeping a part of her right nature away from her, it will be better to do that, than to bemoan the past through a hundred years.' 'Yes, yes, I know it. But, Pip - my Dear!' There was an earnest womanly compassion for me in her new affection. 'My dear! Believe this: when she first came to me, I meant to save her from misery like my own. At first I mean no more.' 'Well, well!' said I. 'I hope so.' 'But as she grew, and promised to be very beautiful, I gradually did worse, and with my praises, and with my jewels, and with my teachings, and with this figure of myself always before her, a warning to back and point my lessons, I stole her heart away and put ice in its place.' 'Better,' I could not help saying, 'to have left her a natural heart, even to be bruised or broken.

What’s your name?” “Anne Shirley.” He quirked a brow and she amended, “Miss Havisham.” “Tell me in truth.” “Honestly?” She snatched her self-harming kit from his grasp before he could blink. The fingers of his empty hands curled closed. She tucked it beneath her arm with smug satisfaction. “Scarlett O’Hara.” Luca extended an arm, leaning against the stone wall and intending to trap her in the corner. She drew back from him, bravado faltering. In that moment he saw a woman cringing under a man’s wrath, afraid. He felt ashamed for intimidating her, and he relaxed his posture slightly. She stared back into his eyes, waiting. “Tell me your name,” he commanded. Her lips parted and she exhaled in a confiding whisper, “Amelia Bedelia.

The result lay before her like an urban Miss Havisham, jilted and frozen in a fragment of time.

I prayed for help to put the sadness and disappointment of my defeat behind me; to stay hopeful and openhearted rather than becoming cynical and bitter; and to find a new purpose and start a new chapter, so that the rest of my life wouldn’t be spent like Miss Havisham from Charles Dickens’s Great Expectations, rattling around my house obsessing over what might have been.

He couldn’t have burned the books; he couldn’t have so casually destroyed the pages on which he had first encountered Miss Havisham and Mr Verloc and Gabriel Conroy and Edward Ashburnham and Heathcliff; where first he’d glimpsed Netherfield Park and Barchester.

Bradshaw, Bradshaw,” sighed Miss Havisham, shaking her head sadly. “If he flogs one more inciting incident from Bradshaw Defies the Kaiser, it will have so many holes we could use it as a colander.

A poor woman’s Miss Havisham, I used to think, wrapped in a Walmart robe.

If Miss Havisham had gone with that sassy taffeta number instead, hey, who knows, maybe it would’ve been all peaches and cream.

Tonight she would sleep with spiders and spirits, the visions of Miss Havisham, and the terrors of echoing castle walls. All in the woods, in a place where a castle didn't belong.

The Lady of Shalott was of an indeterminate age and might once have been plain before the rigors of artistic interpretation got working on her. This was the annoying side of the Feedback Loop; irrespective of how she had once looked or even wanted to look, she was now a Pre-Raphaelite beauty with long flaxen tresses, flowing white gowns and a silver forehead band. She wasn’t the only one to be physically morphed by reader expectation. Miss Havisham was now elderly whether she liked it or not, and Sherlock Holmes wore a deerstalker and smoked a ridiculously large pipe. The problem wasn’t just confined to the classics. Harry Potter was seriously pissed off that he’d have to spend the rest of his life looking like Daniel Radcliffe.

Do you know why we use Sense and Sensibility? Why Miss Havisham insisted on it, in fact?” “Don’t believe this,” murmured Miss Havisham. “It’s all poppycock. Her majesty is a verb short of a sentence.” “I’ll tell you why,” went on the Red Queen angrily, “because in Sense and Sensibility there are no strong father or husband figures!” Miss Havisham was silent. “Face the facts, Havisham. Neither the Dashwoods, the Steeles, the Ferrar brothers, Eliza Brandon or Willoughby have a father to guide them! Aren’t you taking your hatred of men just a little too far?