Mint Quotes

We've searched our database for all the quotes and captions related to Mint. Here they are! All 100 of them:

Number of empty Ben & Jerry's containers: 3 -- two mint chocolate cookie, one plain vanilla. (Who buys plain vanilla ice cream from Ben & Jerry's, anyway? Is there a greater waste?)
Ally Carter
Blue,” he warned, but his voice was chaotic. This close, his throat was scented with mint and wool sweater and vinyl car seat, and Gansey, just Gansey. She said, “I just want to pretend. I want to pretend that I could.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Caymen?” “Yes?” “You look terrified. Does this scare you?” “More than anything.” “Why?” “Because I didn’t bring my mints.” “And now the real answer . . .” “Because I’m afraid that once you catch me, the game’s over.
Kasie West (The Distance Between Us (Old Town Shops, #1))
Michael was mint chocolate chip for her. She could try other flavors, but he’d always be her favorite.
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
Josh isn’t in love with me and I’m not in love with him.” “Sell it to someone who’s buying, Sunshine. Have you seen the way he looks at you?” I’ve seen the way he looks at me but I don’t know what it means. “Like you’re a seventeenth-century, hand-carved table in mint condition.
Katja Millay (The Sea of Tranquility)
Rogerson," I asked him sweetly as we sat watching a video in the pool house, "where would I find the pelagic zone?" "In the open sea," he said. "Now shut up and eat your Junior Mints.
Sarah Dessen (Dreamland)
It took me a sleeve of Girl Scout Thin Mints and forty minutes to get over that boy.
John Green (The Fault in Our Stars)
Which meant his only assets were one whiny imprisoned goddess, one sort-of-girlfriend with a dagger, and Leo, who apparently thought he could defeat the armies of darkness with breath mints.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
She wanted to hold foreign syllables like mints on her tongue until they dissolved into fluency.
Anthony Marra (A Constellation of Vital Phenomena)
Seth threw me a mischievous grin. “I can’t have Marcus just walking in on us. What if I want to snuggle on these cold New York nights?” My frown increased. “We don’t snuggle.” He dropped his arm over my shoulder, and the scent of mint and something wild tickled my nose. “How about we cuddle?” “We don’t do that either.” “But you’re my cuddle bunny. My little Apollyon cuddle—” I punched him in the side.
Jennifer L. Armentrout (Pure (Covenant, #2))
Like I need to play on the Wii when you're there willing to f*** me. Video games are what men invented to fill the sex void. Any man who chooses video games over sex deserves to live in his mother's basement with his mint-condition, in box Star Wars figurines and his real doll.
Lauren Dane (Coming Undone (Brown Family, #2))
Sandwich outdoors isn’t a sandwich anymore. Tastes different than indoors, notice? Got more spice. Tastes like mint and pinesap. Does wonders for the appetite.
Ray Bradbury (Dandelion Wine)
All of life in its complexity and beauty is forever minted in the gold of words.
Yevgeny Zamyatin (We)
Use your head, Sep. Loads of wolverines. Hanging around waiting for super. Gtting excited. eating mint blasts. so what do you think they do?' it must be here. they can't have eaten that... i dunno, Nik, what do they do?' POO.
Angie Sage (Flyte (Septimus Heap, #2))
There's a cough behind me, and I find Cheeseburger staring anxiously at my box. I glare at Amanda, the Arm-Toucher, and pull out an entire sleeve of Thin Mints. "Here you go, Cheeseburger." He looks at me in surprise, but then again, that's how he always looks. "Wow. Thanks Anna." Cheeseburger takes the cookies and lumbers toward the stairwell. Josh is horrified. "Whyareyougivingawaythecookies?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Cum ar fi putut sa imi treaca prin minte ca el va fi inceputul tragediei mele de mai tarziu?
Mihail Drumeş (Scrisoare de dragoste)
Revenge is sweet, but ice cream is sweeter.” She goes to the freezer and removes a tub of mint chocolate chip. She brings that and two spoons back to the sofa. “For now, accept this delight, unworthy though it is for the Queen of Faerie in exile.
Holly Black (The Wicked King (The Folk of the Air, #2))
Great. We can pick out our colors." "What?" "For the wedding. I'm thinking melon and mint. Supposed to be really hot next spring." Cal laughed out loud, the first time I'd ever heard him do that. "It's a plan. See ya, Sophie.
Rachel Hawkins (Demonglass (Hex Hall, #2))
When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers. Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks. The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint. It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay. Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived. Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Are you coming with us?" He looked down at me, his eyes a cool mint green. He seemed to have calmed down since Cadan left. "If you wish." "I would feel better if you were close," I whispered. "Cadan freaked me out." "Then of course," he said. "I'll follow you anywhere.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
The yard was full of tomato plants about to ripen, and mint, mint, everything smelling of mint, and one fine old tree that I loved to sit under on those cool perfect starry California October nights unmatched anywhere in the world.
Jack Kerouac (The Dharma Bums)
In the morning I brush my teeth with hope, and at night before bed I brush them with defeat. Both are mint flavored, so I try not to get them mixed up.

Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
There were three boys in the doorway, backlit by the evening sun as Neeve had been so many weeks ago. Three sets of shoulders: one square, one built, one wiry. “Sorry that I’m late,” said the boy in front, with the square shoulders. The scent of mint rolled in with him, just as it had in the churchyard. “Will it be a problem?” Blue knew that voice. She reached for the railing of the stairs to keep her balance as President Cell Phone stepped into the hallway. Oh no. Not him. All this time she’d been wondering how Gansey might die and it turned out she was going to strangle him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Always keep mint on your windowsill in August, to ensure that buzzing flies will stay outside, where they belong. Don't think the summer is over, even when roses droop and turn brown and the stars shift position in the sky. Never presume August is a safe or reliable time of the year.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience.
Ray Bradbury (Something Wicked This Way Comes)
The past has been a mint Of blood and sorrow. That must not be True of tomorrow.
Langston Hughes (The Collected Poems)
Multiple times he has tried writing his thoughts about Marianne down on paper in an effort to make sense of them. He's moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann's Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-coloured spine. Her long fingers turning the pages. She's not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works... He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to recreate a precise copy of Marianne in print, as if he can preserve her completely for future review.
Sally Rooney (Normal People)
My head is pounding. I wish the mints were aspirin.
Holly Black (White Cat (Curse Workers, #1))
One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted.
E.M. Forster (A Passage to India)
They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.
Lisa Ann Sandell (A Map of the Known World)
After I got shot, you want to know the very first thing that entered my mind? The U.S. Mint. I am coin in the U.S. Army. Now, I have two small holes in me. I'm no longer perfectly culled. Do you want to know the very last thing that entered my mind, You.
Nicholas Sparks
Banii se pot cheltui, chiar pierde. Averea minţii rămâne însă neatinsă: nu s-a născut până acum hoţul care s-o fure.
Mihail Drumeş (Invitaţia la vals)
Take from my palms, to soothe your heart, a little honey, a little sun, in obedience to Persephone's bees. You can't untie a boat that was never moored, nor hear a shadow in its furs, nor move through thick life without fear. For us, all that's left is kisses tattered as the little bees that die when they leave the hive. Deep in the transparent night they're still humming, at home in the dark wood on the mountain, in the mint and lungwort and the past. But lay to your heart my rough gift, this unlovely dry necklace of dead bees that once made a sun out of honey. ― Osip Mandelstam, The Selected Poems (NYRB Classics; 1st edition, August 31, 2004) Originally published 1972
Osip Mandelstam (The Selected Poems)
Another female household-hinter gave me a recipe for a big hearty main dish of elbow macaroni, mint jelly, lima beans, mayonnaise and cheese baked until 'hot and yummy.' Unless my taste buds are paralyzed, this dish could be baked until hell freezes over and it might get hot but never 'yummy.
Betty MacDonald (Onions in the Stew (Betty MacDonald Memoirs, #4))
We should be careful of the insults we fling at others, lest they return and land at our feet, newly minted to apply to those who had first coined them.
Alexander McCall Smith (The Miracle at Speedy Motors (No. 1 Ladies' Detective Agency, #9))
Ugh, my friend, you really need a breath mint,” I told him, sending a pulse of glamour into the brambly monster above me. “Let’s see what we can do about that doggie breath.
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
Juno MacGuff: You can never have too many of your favorite one calorie breath mints.
Diablo Cody (Juno: The Shooting Script)
Diary, You don't know what it's like. To wake up and see her there. But I do. Draco
Onyx_and_Elm (Breath Mints / Battle Scars)
Give that mint Milano back, you bitch. If you can't at least be polite, you don't get a treat.
Augusten Burroughs (Magical Thinking: True Stories)
When Hale's hand disappeared inside his tuxedo jacket, Macey wasn't exactly sure what he'd find inside the pocket. It could have been another phone or a breath mint. Really, nothing would have surprised her. Well nothing except... "Is that an earbud?" she whispered. He smiled. "Are you on comms?" "Shhh," he told her softly.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
Let beauty be your end. Why should you mint beauty into gold? Anyway, you can’t;
Jack London (Martin Eden)
Mármost ha az a helyzet, hogy mindenki tök, csak mi állunk a vártán ragyogón, okosan, mint a nap, akkor azért érdemes gyanút fogni.
Péter Esterházy (Az elefántcsonttoronyból)
We can pretend. Just once.” It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I am too rich already, for my eyes mint gold. - Coloured Money
Mervyn Peake (Collected Poems)
Oh fuck, he was right there. I was wet as hell and he could probably smell me now. I should have eaten strawberries or melon or a dozen roses or an entire mint plant. Did that work for women? I read an article that it worked for men. Their spunk tasted like what they ate. Did my vagina taste like spaghetti right now? God dammit! I shouldn't have eaten dinner!
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
"that moment... that moment out there?" Blake pointed at the bed of army jacket, grass, and mint. "I've pictured it in my head for months. Months! I knew it would never really happen, but it kept me going. The beautiful, smiling girl would look at me like a man-a man worthy of her body, worthy of her kisses. Do you realize what a fool I am for hoping?"
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
She raised her hand to cut me off. "I am aware of your epistolary flirtation. Which is all well and good--as long as it's well and good. Before I ask you some questions, perhaps you would like some tea?" "That would depend on what kind of tea you were offering." "So diffident! Suppose it was Earl Grey." I shook my head. "Tastes like pencil shavings." "Lady Grey." "I don't drink beverages named after beheaded monarchs. It seems so tacky." "Chamomile?" "Might as well sip butterfly wings." "Green tea?" "You can't be serious." The old woman nodded her approval. "I wasn't." "Because you know when a cow chews grass? And he or she chews and chews and chews? Well, green tea tastes like French-kissing that cow after it's done chewing all that grass." "Would you like some mint tea?" "Only under duress." "English breakfast." I clapped my hands. "Now you're talking!
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
Open the whisky, Tom,' she ordered, 'and I'll make you a mint julep. Then you won't seem so stupid to yourself... Look at the mint!
F. Scott Fitzgerald (The Great Gatsby)
The Metropolitan Police Service is still, despite what people think, a working-class organisation and as such rejects totally the notion of an officer class. That is why every newly minted constable, regardless of their educational background, has to spend a two-year probationary period as an ordinary plod on the streets. This is because nothing builds character like being abused, spat at and vomited by members of the public.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
He held the book up to his nose. It smelled like Old Spice talcum powder. Books that smelled that way were usually fun to read. He threw the book onto his bed and went to his suitcase. After rummaging about for awhile, he came up with a long, narrow box of chocolate-covered mints. He loved to eat candy while he read, and lots of his favorite books at home had brown smudges on the corners of the pages.
John Bellairs (The House with a Clock in Its Walls (Lewis Barnavelt, #1))
He was not wearing the woollen cap. His newly minted hair was uncovered, and he looked as fresh as he had emerging from the baths the night before, as he had waking beneath Damen's hands. But he had resumed the cool restraint, his jacket laced, his expression disagreeable from the haughty profile to the intolerant blue eyes. 'You're alive,' Damen said, and the words came out on a rush of relief that made him feel weak. 'I'm alive,' said Laurent. They were gazing at one another. 'I wasn't sure you'd come back.' 'I came back,' said Damen.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Her lips taste like mint from toothpaste or gum, or sometimes like cherries or grapes from her lip gloss. She's soft when I hold her, with curves where my hands rest, and when I touch her I think stupid caveman things like, mine and totally mine—oh yeah, and all mine.
Susan Vaught (Going Underground)
God, I’m tired.” “So sleep.” Gansey gave him a look. It was a look that asked how Ronan, of all people, could be so stupid to think that sleep was just a thing that could be so easily acquired. Ronan said, “So let’s drive to the Barns.” Gansey gave him another look. It was a look that asked how Ronan, of all people, could be so stupid as to think that Gansey would agree to something so illegal on so little sleep. Ronan said, “So let’s go get some orange juice.” Gansey considered. He looked to where his keys sat on the desk beside his mint plant. The clock beside it, a repellently ugly vintage number Gansey had found lying by a bin at the dump, said 3:32. Gansey said, “Okay.” They went and got some orange juice.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair black as a crow's wing and cut sharply and diagonally across her cheek.
Ernest Hemingway (A Moveable Feast)
His scent is intensified in here perfectly, baked by summer, preserved by snow, sealed and pressurized inside glass and metal. I inhale like a professional perfumer. Top notes of mint, bitter coffee, and cotton. Mid notes of black pepper and pine. Base notes of leather and cedar. Luxurious as cashmere. If this is what his car smells like, imagine his bed. Good idea. Imagine his bed. He
Sally Thorne (The Hating Game)
She felt bigger than her body. High as the stars. He leaned toward her — her heart spun again — and pressed his cheek against hers. His lips didn’t touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again. Oh, help, she thought. Help, help, help. He pulled away. He said, “And now we never speak of it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
She put a spoonful of mint chocolate chip in her mouth. [...] "Let me try it." She held her bowl toward him, but he didn't put his spoon in it. He trailed his fingers over her jaw as he tipped her head back and sealed his lips over hers. His tongue speared into her mouth, and the salt of him mixed with the flavor of the ice cream. She didn't know if she was mortified, shocked, aroused or all three.
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
I believed I could identify the scent of the sky as I stood there, a blue menthol fragrance similar to the scent of seawater that sprayed into my face when I first dove into the ocean. That initial scent was much more subtle than the ocean's heavy, fishy aroma; it was a whiff of salt and mint, just as I approached the water on a dive, that warned me that a more powerful scent would soon enter my nose. It was the scent I dreamed in. And it was the scent of that spring sky as I stood in my yard.
Anne Spollen (The Shape of Water)
This scent had a freshness, but not the freshness of limes or pomegranates, not the freshness of myrrh or cinnamon bark or curly mint or birch or camphor or pine needles, not that of a May rain or a frosty wind or of well water... and at the same time it had warmth, but not as bergamot, cypress, or musk has, or jasmine or daffodils, not as rosewood has or iris... This scent was a blend of both, of evanescence and substance, not a blend, but a unity, although slight and frail as well, and yet solid and sustaining, like a piece of thin, shimmering silk... and yet again not like silk, but like pastry soaked in honey-sweet milk - and try as he would he couldn't fit those two together: milk and silk! This scent was inconceivable, indescribable, could not be categorized in any way - it really ought not to exist at all. And yet there it was as plain and splendid as day.
Patrick Süskind (Perfume The Story of a Murderer)
Behind me, Ingrid made a sort of muffled snorting sound. I can only assume she was choking on a breath mint. I shot her a look, hoping she hadn't heard anything, and saw she was wearing a poker face, which could only mean she'd heard everything.
Daniel O'Malley (The Rook (The Checquy Files, #1))
Besides being blind to lots of good things, the GDP also benefits from all manner of human suffering. Gridlock, drug abuse, adultery? Goldmines for gas stations, rehab centers, and divorce attorneys. If you were the GDP, your ideal citizen would be a compulsive gambler with cancer who’s going through a drawn-out divorce that he copes with by popping fistfuls of Prozac and going berserk on Black Friday. Environmental pollution even does double duty: One company makes a mint by cutting corners while another is paid to clean up the mess. By contrast, a centuries-old tree doesn’t count until you chop it down and sell it as lumber.
Rutger Bregman (Utopia for Realists: And How We Can Get There)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
Sometimes you have to know what you're willing to sacrifice to be the person you are meant to be.
Erik Tomblin
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
it has been one of the greatest and most difficult years of my life. i learned everything is temporary. moments. feelings. people. flowers. i learned love is about giving. everything. and letting it hurt. i learned vulnerability is always the right choice because it is easy to be cold in a world that makes it so very difficult to remain soft. i learned all things come in twos. life and death. pain and joy. salt and sugar. me and you. it is the balance of the universe. it has been the year of hurting so bad but living so good. making friends out of strangers. making strangers out of friends. learning mint chocolate chip ice cream will fix just about everything. and for the pains it can’t there will always be my mother’s arms. we must learn to focus on warm energy. always. soak our limbs in it and become better lovers to the world. for if we can’t learn to be kind to each other how will we ever learn to be kind to the most desperate parts of ourselves.
Rupi Kaur (the sun and her flowers)
I believe we each hold within us what I call a “coin of God,” a piece of the eternal energy of the universe, the essence of Buddha nature. A coin is a minted piece of value from the greater system to which it belongs, and each living being is a priceless treasure piece, molded from our greater universe. May we each cherish ourselves and extend this kindness to all living beings with whom we share this blessed planet.
Tina Turner (Happiness Becomes You: A Guide to Changing Your Life for Good)
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
There were moments - when Jeopardy came on, in the car during radio trivia challenges, or for practically any question I couldn't answer in any subject - that Rogerson simply amazed me. I started to seek out facts, just to stump him, but it never worked. He was that sharp. "In physics," I sprung on him as we sat in the Taco Bell drive-through, "what does the capital letter W stand for?" "Energy," he said, handing me my burrito. Sitting in front of my parents' house as he kissed me goodnight: "Which two planets are almost identical in size?" "Duh," he said, smoothing my hair back, "Venus and Earth." "Rogerson," I asked him sweetly as we sat watching a video in the pool house, "where would I find the pelagic zone?" "In the open sea," he said. "Now shut up and eat your Junior Mints.
Sarah Dessen (Dreamland)
Anyone have some mints or some gum?" Bonnie asked. No one did, and she turned to Joe Hill Conley. She scrutinized him a moment, then, using her fingers, combed his part over to the left side. "That looks better," she said. Nearly two decades later, the little hair he has left remains parted by Bonnie's invisible hand.
Jeffrey Eugenides (The Virgin Suicides)
Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury (Something Wicked This Way Comes)
You think, out of a room of hundreds, I'd choose you?" "I'd choose you." "Because, let me tell you, I fucking wou-" Draco's words stop as though he's been magically silenced. "You what?" He asks quietly. Barely a murmur.
Onyx_and_Elm (Breath Mints / Battle Scars)
That is for the person who told me she'd pick me out of a room of hundreds. If she ever decides to mean it.
Onyx_and_Elm (Breath Mints / Battle Scars)
Peter curled his hands into fists at his sides. 'Kiss me,' he said. She leaned towards him slowly, until her face was too close to be in focus. Her hair fell over Peter's shoulder like a curtain and her eyes closed. She smelled like autumn-like apple cider and slanting sun and the snap of the coming cold. He felt his heart scrambling, caught inside the confines of his own body. Josie's lips landed just on the edge of his, almost his cheek and not quite his mouth. 'I'm glad I wasn't stuck in here alone,' she said shyly, and he tasted the words, sweet as mint on her breath.
Jodi Picoult (Nineteen Minutes)
The rest of the year, I wondered if the point of Christmas was just spending money and getting fat and opening gifts. Indulging. But when Christmas finally comes, and that warm, tingly, mints-and-sweaters-and-fireplace-fires feeling gathers in the bottom of your stomach, and you're lying on the floor with all the lights off but the ones on the Christmas tree, and listening to the silence of the snow falling outside, you see the point. For that one instance in time, everything is good in the world. It doesn't matter if everything isn't actually good. It's the one time of the year when pretending is enough.
Francesca Zappia (Made You Up)
The demon kept pulling him unconscious, and in those short bursts of blackness, the dreamer snatched at light, and when he swam back to consciousness, he thrust the dream into reality. He shaped them into flapping creatures and earthbound stars and flaming crowns and golden notes that sang by themselves and mint leaves scattered across the blood-streaked pavement and scraps of paper with jagged handwriting on them: Unguibus et rostro. But he was dying.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
In Summer there were white and damask roses, and the smell of thyme and musk. In Spring there were green gooseberries and throstles [thrush], and the flowers they call ceninen [daffodils]. And leeks and cabbages also grew in that garden; and between long straight alleys, and apple-trained espaliers, there were beds of strawberries, and mint, and sage.
Beatrix Potter
So how's Cupid Day treating you?" He pops a mint in his mouth and leans closer. It grosses me out, like he thinks he can seduce me with fresh breath. "Any big romantic plans tonight? Got someone special to cozy up next to?" He raises his eyebrows at me. [...] "We'll see," I say, smiling. "What about you? Are you going to be all by your lonesome? Table for one?" He leans forward even more, and I stay perfectly still, willing myself not to pull away. "Now why would you assume that?" He winks at me, obviously thinking that this is my version of flirting--like I'm going to offer to keep this company or something. I smile even wider. "Because if you had a real girlfriend," I say, quietly but clearly, so he can hear every word perfectly, "you wouldn't be hitting on high school girls.
Lauren Oliver (Before I Fall)
She stared up at him, and her eyes were so large they looked like blue mint candies. 'I get to stay?' 'You're damn right you're staying, and I don't want to hear another word of disrespect.' His voice broke. 'I'm your father, and you damn well better love me the same way I love you, or you'll be sorry.' The next thing he knew, he was grabbing her, and she was grabbing him, and all the bozos coming down the jerway trying to get past them were jabbing them with bags and briefcases, but he didn't care. He was holding tight to this daughter he loved so desperately, and he wasn't ever going to let her go.
Susan Elizabeth Phillips (Kiss an Angel)
Personally, I like to mix and match--I prefer to get a couple of milk shakes, a banana split ... a sundae or two. Then I top it off with a mocha chip in a cone. I don't know why. I guess that's like the dinner mint at the end of a meal to me. Know what I mean?" Mary had to turn around again. Bitty was looking forward, her brows super-high, her little face the picture of surprise. "He's not kidding," Mary murmured. "Even if you're not into the ice cream, watching him eat all that is something to see.
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
And you, my best friend on earth, my soul sister who shares Chunky Monkey scoops and beefcake e-mails at the drop of a hat, the woman who made me wear a frothy, ruffled lime-colored bridesmaid dress that added fifteen pounds to my hips, are going to spill your guts to me, aren’t you? (Sunshine) No fair and the dress wasn’t lime, it was mint. (Selena) It was lime-icky green and I looked like a sick pistachio. (Sunshine)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lambsquarter, cutgrass, saw brier, nutgrass, jimson-weed, wild mint, dandelion, foxtail, spinecabbage, goldenrod, creeping Charlie, butterprint, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads nodding in a soft morning breeze like a mother’s hand on your check. An arrow of starlings fired from the windbreak’s thatch. The glitter of dew that stays where it is and steams all day. A Sunflower, four more one bowed, and horses in the distance standing rigid as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.
David Foster Wallace
You'll be sorry some day. Why don't you ever understand what I'm trying to tell you: it's with your six sense that you're fooled into believing not only that you have six senses, but that you contact an actual outside world with them. If it wasn't for your eyes, you wouldn't see me. If it wasn't for your ears, you wouldn't hear that airplane. If it wasn't for your nose, you wouldn't smell that midnight mint. If it wasn't for your tongue taster, you wouldn't taste the difference between A and B. If it wasn't for your body, you wouldn't feel Princess. There is no me, no airplane, no mind, no Princess, no nothing, you for krissakes do you want to go on being fooled every damn minute of your life?
Jack Kerouac (The Dharma Bums)
After walking for a long time, he finally pulled me near a copse of bamboo that was growing near a large teak tree. He stuck his nose up in the air, smelling for who-knows-what and then wandered over to a grassy area and lay down. “Well, I guess that means this is where we sleep for the night.” I shrugged out of my backpack while grousing. “Great. No, really. It’s a lovely choice. I’d give it four stars if it included a mint.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Jelly beans! Millions and billions of purples and yellows and greens and licorice and grape and raspberry and mint and round and smooth and crunchy outside and soft-mealy inside and sugary and bouncing jouncing tumbling clittering clattering skittering fell on the heads and shoulders and hardhats and carapaces of the Timkin works, tinkling on the slidewalk and bouncing away and rolling about underfoot and filling the sky on their way down with all the colors of joy and childhood and holidays, coming down in a steady rain, a solid wash, a torrent of color and sweetness out of the sky from above, and entering a universe of sanity and metronomic order with quite-mad coocoo newness. Jelly beans!
Harlan Ellison ("Repent, Harlequin!" Said the Ticktockman)
Oh, misanthropy and sourness. Gary wanted to enjoy being a man of wealth and leisure, but the country was making it none too easy. All around him, millions of newly minted American millionaires were engaged in the identical pursuit of feeling extraordinary - of buying the perfect Victorian, of skiing the virgin slope, of knowing the chef personally, of locating the beach that had no footprints. There were further tens of millions of young Americans who didn't have money but were nonetheless chasing the Perfect Cool. And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary? Who would perform the thankless work of being comparatively uncool?
Jonathan Franzen (The Corrections)
There are thousands of talented writers at work in America, and only a few of them (I think the number might be as low as five per cent) can support their families and themselves with their work. There’s always some grant money available, but it’s never enough to go around. As for government subsidies for creative writers, perish the thought. Tobacco subsidies, sure. Research grants to study the motility of unpreserved bull sperm, of course. Creative-writing subsidies, never. …America has never much revered her creative people; as a whole, we’re more interested in commemorative plates from the Franklin Mint and Internet greeting-cards. And if you don’t like it, it’s a case of tough titty, said the kitty, ‘cause that’s just the way things are. Americans are a lot more interested in TV quiz shows than in the short fiction of Raymond Carver.
Stephen King
Beyond the table, there is an altar, with candles lit for Billie Holiday and Willa Carter and Hypatia and Patsy Cline. Next to it, an old podium that once held a Bible, on which we have repurposed an old chemistry handbook as the Book of Lilith. In its pages is our own liturgical calendar: Saint Clementine and All Wayfarers; Saints Lorena Hickok and Eleanor Roosevelt, observed in the summer with blueberries to symbolize the sapphire ring; the Vigil of Saint Juliette, complete with mints and dark chocolate; Feast of the Poets, during which Mary Oliver is recited over beds of lettuce, Kay Ryan over a dish of vinegar and oil, Audre Lorde over cucumbers, Elizabeth Bishop over some carrots; The Exaltation of Patricia Highsmith, celebrated with escargots boiling in butter and garlic and cliffhangers recited by an autumn fire; the Ascension of Frida Khalo with self-portraits and costumes; the Presentation of Shirley Jackson, a winter holiday started at dawn and ended at dusk with a gambling game played with lost milk teeth and stones. Some of them with their own books; the major and minor arcana of our little religion.
Carmen Maria Machado (Her Body and Other Parties: Stories)
Kitchen solace—the feeling that a delicious meal is simmering on the kitchen stove, misting up the windows, and that at any moment your lover will sit down to dinner with you and, between mouthfuls, gaze happily into your eyes. (Also known as living.)” RECIPES THE CUISINE of Provence is as diverse as its scenery: fish by the coast, vegetables in the countryside, and in the mountains lamb and a variety of staple dishes containing pulses. One region’s cooking is influenced by olive oil, another’s is based on wine, and pasta dishes are common along the Italian border. East kisses West in Marseilles with hints of mint, saffron and cumin, and the Vaucluse is a paradise for truffle and confectionery lovers. Yet
Nina George (The Little Paris Bookshop)
The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?
Lisi Harrison (Monster High (Monster High, #1))
The slate black sky. The middle step of the back porch. And long ago my mother's necklace, the beads rolling north and south. Broken the rose stem, water into drops, glass knob on the bedroom door. Last summer's pot of parsley and mint, white roots shooting like streamers through the cracks. Years ago the cat's tail, the bird bath, the car hood's rusted latch. Broken little finger on my right hand at birth-- I was pulled out too fast. What hasn''t been rent, divided, split? Broken the days into nights, the night sky into stars, the stars into patterns I make up as I trace them with a broken-off blade of grass. Possible, unthinkable, the cricket's tiny back as I lie on the lawn in the dark, my hart a blue cup fallen from someone's hands.
Dorianne Laux (Facts About the Moon)
Mă inspiră traiectoriile, mersul, deplasarea. Mă inspiră poveștile, din clipa în care nu sunt nimic altceva decât o idee vagă, până în momentul finalului, în care sunt complete, împlinite, și pleacă să se cuibărească într-o minte pregătită să le îmbrățișeze și poate chiar să trăiască pentru ele. Mă inspiră anotimpurile, și în special acele momente în care ele se îmbină, pentru că este vorba tot despre o schimbare, o transformare. Mă inspiră locurile pe care le-am vizitat în perioade diferite din viața mea. Mă inspiră muzica, dar nu ea în sine, ci tot ceea ce simțim noi când o ascultăm; unele dintre cele mai frumoase momente mi se par cele în care realizezi, ascultând același fragment muzical, cât de diferit ești față de ultima dată când l-ai ascultat. Mă inspiră nu cărțile în sine, ci tot acel haos de idei care ți se naște în timp ce înțelegi și simți o carte. Și, firește, mă inspiră oamenii și tot ce au ei neexplicit, neclar, difuz, vag, neînțeles, neacceptat, necunoscut, nemaiîntâlnit, complicat, divers, ciudat, ascuns, nebunesc, rușinos, intens.
Cristina Nemerovschi
Pentru că au sâni rotunzi, cu gurguie care se ridică prin bluză când le e frig, pentru că au fundul mare şi grăsuţ, pentru că au feţe cu trăsături dulci ca ale copiilor, pentru că au buze pline, dinţi decenţi şi limbi de care nu ţi-e silă. Pentru că nu miros a transpiraţie sau a tutun prost şi nu asudă pe buza superioară. Pentru că le zâmbesc tuturor copiilor mici care trec pe lângă ele. Pentru că merg pe stradă drepte, cu capul sus, cu umerii traşi înapoi şi nu răspund privirii tale când le fixezi ca un maniac. Pentru că trec cu un curaj neaşteptat peste toate servitutile anatomiei lor delicate. Pentru că în pat sunt îndrăzneţe şi inventive nu din perversitate, ci ca să-ţi arate că te iubesc. Pentru că fac toate treburile sâcâitoare şi mărunte din casă fără să se laude cu asta şi fără să ceară recunoştinţă. Pentru că nu citesc reviste porno şi nu navighează pe site-uri porno. Pentru că poartă tot soiul de zdrăngănele pe care şi le asortează la îmbrăcăminte după reguli complicate şi de neînţeles. Pentru că îşi desenează şi-şi pictează feţele cu atenţia concentrată a unui artist inspirat. Pentru că au obsesia pentru subţirime a lui Giacometti. Pentru că se trag din fetiţe. Pentru că-şi ojează unghiile de la picioare. Pentru că joacă şah, whist sau ping-pong fără sa le intereseze cine câştigă. Pentru că şofează prudent în maşini lustruite ca nişte bomboane, aşteptând să le admiri când sunt oprite la stop şi treci pe zebră prin faţa lor. Pentru că au un fel de-a rezolva probleme care te scoate din minţi. Pentru că au un fel de-a gândi care te scoate din minţi. Pentru că-ţi spun „te iubesc” exact atunci când te iubesc mai puţin, ca un fel de compensaţie. Pentru că nu se masturbează. Pentru că au din când în când mici suferinţe: o durere reumatică, o constipaţie, o bătătură, şi-atunci îţi dai seama deodată că femeile sunt oameni, oameni ca şi tine. Pentru că scriu fie extrem de delicat, colecţionând mici observaţii şi schiţând subtile nuanţe psihologice, fie brutal şi scatologic ca nu cumva să fie suspectate de literatură feminină. Pentru că sunt extraordinare cititoare, pentru care se scriu trei sferturi din poezia şi proza lumii. Pentru că le înnebuneşte „Angie” al Rolling-ilor. Pentru că le termină Cohen. Pentru că poartă un război total şi inexplicabil contra gândacilor de bucătărie. Pentru că până şi cea mai dură bussiness woman poartă chiloţi cu înduioşătoare floricele şi danteluţe. Pentru că e aşa de ciudat să-ntinzi la uscat, pe balcon, chiloţii femeii tale, nişte lucruşoare umede, negre, roşii şi albe, parte satinate, parte aspre, mirându-te ce mici suprafeţe au de acoperit. Pentru că în filme nu fac duş niciodată înainte de-a face dragoste, dar numai în filme. Pentru că niciodată n-ajungi cu ele la un acord în privinţa frumuseţii altei femei sau a altui bărbat. Pentru că iau viaţa în serios, pentru că par să creadă cu adevărat în realitate. Pentru că le interesează cu adevărat cine cu cine s-a mai cuplat dintre vedetele de televiziune. Pentru că ţin minte numele actriţelor şi actorilor din filme, chiar ale celor mai obscuri. Pentru că dacă nu e supus nici unei hormonizări embrionul se dezvoltă întotdeauna într-o femeie. Pentru că nu se gândesc cum să i-o tragă tipului drăguţ pe care-l văd în troleibuz. Pentru că beau porcării ca Martini Orange, Gin Tonic sau Vanilia Coke. Pentru că nu-ţi pun mâna pe fund decât în reclame. Pentru că nu le excită ideea de viol decât în mintea bărbaţilor. Pentru că sunt blonde, brune, roşcate, dulci, futeşe, calde, drăgălaşe, pentru că au de fiecare dată orgasm. Pentru că dacă n-au orgasm nu îl mimează. Pentru că momentul cel mai frumos al zilei e cafeaua de dimineaţă, când timp de o oră ronţăiţi biscuiţi şi puneţi ziua la cale. Pentru că sunt femei, pentru că nu sunt bărbaţi, nici altceva. Pentru că din ele-am ieşit şi-n ele ne-ntoarcem, şi mintea noastră se roteşte ca o planetă greoaie, mereu şi mereu, numai în jurul lor.
Mircea Cărtărescu (De ce iubim femeile)
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
David Foster Wallace (The Pale King)
Absolutely pathetic.” I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?” “Lucinda flirting with couriers. Pathetic.” Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing. “I’m nice to him.” “You? Nice?” I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.” “Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.” He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window. “She’s got a few lovely things about her, I suppose.” I raise a finger and enunciate the words crisply: “Human resources.” He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you. We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
Sally Thorne (The Hating Game)
Of Woman and Chocolate   "Chocolate shares both the bitter and the sweet. Chocolate melts away all cares, coating the heart while smothering every last ache.   Chocolate brings a smile to the lips on contact, leaving a dark kiss behind.   Chocolate is amiable, complimenting any pairing; berries, peanut butter, pretzels, mint, pastries, drinks...everything goes with chocolate.   The very thought of chocolate awakens taste buds, sparking memories of candy-coated happiness.   Chocolate will go nuts with you, no questions asked.   Chocolate craves your lips, melts at your touch, and savors the moment.   Chocolate is that dark and beautiful knight who charges in on his gallant steed ready to slay dragons when needed.   Chocolate never disappoints; it leaves its lover wanting more.   Chocolate is the ultimate satisfaction, synonymous with perfection.   Chocolate is rich, smooth pleasure.   Chocolate has finesse - the charm to seduce and indulge at any time, day or night.   Chocolate is a true friend, a trusted confidant, and faithful lover. Chocolate warms and comforts and sympathizes.   Chocolate holds power over depression, victory over disappointment.   Chocolate savvies the needs of a woman and owns her.   Simply put, chocolate is paradise.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
to do list (after the breakup) 1. take refuge in your bed 2. cry. till the tears stop (this will take a few days). 3. don’t listen to slow songs. 4. delete their number from your phone even though it is memorized on your fingertips. 5. don’t look at old photos. 6. find the closest ice cream shop and treat yourself to two scoops of mint chocolate chip. the mint will calm your heart. you deserve the chocolate. 7. buy new bed sheets. 8. collect all the gifts, t-shirts, and everything with their smell on it and drop it off at a donation center. 9. plan a trip. 10. perfect the art of smiling and nodding when someone brings their name up in conversation. 11. start a new project. 12. whatever you do. do not call. 13. do not beg for what does not want to stay. 14. stop crying at some point. 15. allow yourself to feel foolish for believing you could’ve built the rest of your life in someone else’s stomach. 16. breathe.
Rupi Kaur (milk and honey)
Maksymilian feddhetetlen, árnyékként élő figura volt, és kényesen ügyelt rá, hogy az is maradjon. Ez elengedhetetlen volt a számára. Úgy mozgott Lengyelország határain belül, mintha láthatatlan lett volna. Ha Varsóban járt, kizárólag abban a privát klubban múlatta szívesen az időt, amely az érdekeltségébe tartozott. Kínosan kerülte a feltűnést, és kiküszöbölt minden lehetőséget, hogy a hatóságok látókörébe kerüljön. A felszín mindössze egy éles eszű, céltudatos, elegáns öltönybe bújt üzletembert láttatott, aki befektetésekkel foglalatoskodik. És ő mindent megtett azért, hogy ezt a kifogástalan felszínt senkinek se jusson eszébe megkapargatni. A valódi életét a színfalak mögött élte, lakásainak falai között, privát klubok elrejtett tárgyalótermeiben, luxusszállodák lakosztályaiban, magángépek fedélzetén, eldugott nyaralóhelyeken, magánjachtokon. A saját maga által felállított erkölcsi normák szerint élt, az ő világában az erős győz, és ő erős akart lenni, mert veszíteni képtelen volt. Intelligencia és helyzetfelismerő képesség birtokában soha nem is bukott bele semmibe. Mindenért, amije volt, keményen megküzdött, okos volt, ravasz, és merész, ha kitűzött egy célt, azt véghezvitte. Nagyratörő volt és elszánt. Imádta a minőségi holmikat, a tiszteletet, amely körülvette, imádta az autóit, a sebességet. De a józanságát és az éberségét csak ritkán hagyta elaludni, azt vallotta, hogy az embernek mindig készen kell állnia a legváratlanabb helyzetekre is. Olykor persze szerette halmozni az élvezeteket, melyekbe alkohol és drog csak ritkán vegyült, neki az élvezetet elsősorban a szex jelentette, amit senki mással nem szeretett még úgy megélni, mint Aleksandrával, akiben megtalálta a tökéletes szeretőt. Éppen csak betöltötte a negyvenet, de már mindene megvolt, amire csak vágyott.
Mercèdes Rheinberger (Ártatlan vagyok)
Cezary már jó ideje a háttérből irányított. Habár a rendszerváltás utáni zavaros időszak egyik legveszélyesebb és leggátlástalanabb figurája volt, akit Kelet-Európa-szerte ismertek és rettegtek alvilági körökben, a kellő pillanatban öltönyös üzletemberré vedlett át, és kikérte volna magának, ha valaki közönséges gengszternek titulálja. Igyekezett észrevétlen maradni, és ahelyett, hogy lépten-nyomon erőt demonstrált volna, inkább kapcsolatokat épített. Már jó ideje nem erőszakkal, hanem a megfelelő gazdasági és politikai alkuk megkötésével érvényesítette az akaratát. Csak nagyon keveseknek sikerült talpon maradni az idők folyamán a hozzá hasonló figurák közül. Cezary azonban kitűnően lavírozott a rendszerváltozás utáni évtizedek szinte követhetetlenül változó gazdasági, pénzügyi, és politikai világában. Egyik titka tulajdonképpen a kitűnő helyzetfelismerő képessége és alkalmazkodókészsége volt. Ha az ember képes alkalmazkodni, az ajtók nem záródnak be előtte, sőt, újabbak és újabbak nyílnak meg előtte. Azok a figurák, akik Kelet-Európa-szerte Cezaryhoz hasonló módon építették fel a maguk birodalmát, éppen azzal hibáztak a legnagyobbat, ha nem érzékelték a változást, vagy nem voltak hajlandóak alkalmazkodni, és ugyanazokkal a módszerekkel dolgoztak tovább, és ugyanazt az életvitelt folytatták, amelyet a kilencvenes években. Az efféle alakok közül sokaknak széthullott a birodalma, mert képtelenek voltak a háttérbe húzódva élni, látványosan szórták a pénzt, mindenáron fitogtatni akarták a hatalmukat, és nem vették észre, hogy már nem a vadkeleten élnek. Azt hitték, hogy néhány rendőrtiszt, politikus, bíró megkenésével, vagy néhány befolyásos ember megfélemlítésével a végtelenségig folytathatják kétes üzelmeiket. Csakhogy az idők változtak. Időközben a konfliktusok megoldásának módja már nem az ellenség autóinak felrobbantása volt, az alkuk a háttérben köttettek öltönybe bújt üzletemberek között. Cezary legfontosabb emberei már régen nem maffiózók, vagy véreskezű gengszterek benyomását keltették, éppen ellenkezőleg, kétes üzleteik, tisztességtelen módszereik, és a kezük között forgó mocskos pénz ellenére is, egy külső szemlélő számára aligha különböztek egy multinacionális cég vezetőjétől, vagy egy kiváló pedigréjű bankigazgatótól. A Cezaryhoz hasonló birodalmak urai már nem állig felfegyverzett, megtermett, morcos tekintetű fickókkal végeztették a munka javát, hanem a Maksymilian és Miłosz-féle, több nyelven beszélő, elegáns zakóba bújt alakokkal, akik egy pohár whisky és egy szivar mellett, zárt ajtók mögött kötötték meg az alkukat, ahelyett lyett, hogy lövöldöztek volna, vagy autókat robbantgattak volna. Persze a kellő erő megmaradt a háttérben, és ha szükség volt rá, be is vetették a megfelelő módon, helyen, és időben, de azzal tisztában voltak, hogy az erő látványos, ész nélküli fitogtatása manapság többet árt, mint használ. Cezarynak tulajdonképpen minden adottsága meg is volt ahhoz, hogy a körülmények megváltozásával kifinomultabban játsszon. Mestere volt a manipulációnak, mások kijátszásának és megvezetésének, és annak, hogyan hozzon függőségbe magától másokat. Sikerének egyik kulcsa éppen ez volt. A ravaszsága, a kíméletlensége, kiegészülve a szerencsével, hiszen ő aztán kétség kívül elmondhatta magáról, hogy jókor volt jó helyen. A kilencvenes évek Kelet-Európája, melyben ő is kinőtte magát, tökéletes táptalajt biztosított a hozzá hasonló alakoknak. Manapság már lehetetlen lett volna hasonló pályát befutni.
Mercèdes Rheinberger (Ártatlan vagyok)