Mining Full Quotes

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I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?" Patch: "Single her out. Talk to her." Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?" Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Cookie?" he offered, holding a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. "Sure." His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it." Come and get...? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere...
Jennifer L. Armentrout (Onyx (Lux, #2))
There you are," Cardan says as I take my place beside him. "How has the night been going for you? Mine has been full of dull conversation about how my head is going to find itself on a spike.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky." "She's drunk," Joe Bell informed me. "Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over. “Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled. He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.” I raised one eyebrow, “You’re gonna regret that.” “You wanna bet?” I smiled with as much deviance as I could muster.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
His head turns fractionally toward me, his eyes darkest slate. I bite my lip. “Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them. In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.
Michael Crichton
How cruel, your veins are full of ice-water and mine are boiling.
Emily Brontë (Wuthering Heights)
Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometime voices, That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me; that, when I waked, I cried to dream again.
William Shakespeare (The Tempest)
she was explaining to me that I had won nothing, that in the world there is nothing to win, that her life was full of varied and foolish adventures as much as mine, and that time simply slipped away without any meaning, and it was good just to see each other every so often to hear the mad sound of the brain of one echo in the mad sound of the brain of the other.
Elena Ferrante (The Story of a New Name)
But when the heart grows too full, it overflows. And mine, inevitably, overflows on to a page.
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
What's your name?" he asked above the roar of the music. She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song." He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself. "I have no name," she purred. "I am whoever the keepers of my fate tell me to be." He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
I know I am but summer to your heart, And not the full four seasons of the year; And you must welcome from another part Such noble moods as are not mine, my dear. No gracious weight of golden fruits to sell Have I, nor any wise and wintry thing; And I have loved you all too long and well To carry still the high sweet breast of Spring. Wherefore I say: O love, as summer goes, I must be gone, steal forth with silent drums, That you may hail anew the bird and rose When I come back to you, as summer comes. Else will you seek, at some not distant time, Even your summer in another clime.
Edna St. Vincent Millay (Collected Poems)
The wind sings of our nostalgia and the starry sky ignores our dreams. Each snow flake is a tear that fails to trickle Silence is full of the unspoken, of deeds not performed, of confessions to secret love, and of wonders not expressed. Our truth is hidden in our silence, Yours and mine.
Margot Bickel
Your cold blood cannot be worked into a fever; your veins are full of ice water; but mine are boiling, and the sight of such chillness makes them dance.
Emily Brontë (Wuthering Heights)
I wanted to say, My life is full. I chose this life because it's a constant assault of color and taste and light and it's raw and ugly and fast and it's mine. And you'll never understand. Until you live it, you don't know.
Stephanie Danler (Sweetbitter)
Before, as soon as I came home from all sorts of places I would sit down and write in my journal. Now I want to write you, talk with you... I love when you say all that happens is good, it is good. I say all that happens is wonderful. For me it is all symphonic, and I am so aroused by living - god, Henry, in you alone I have found the same swelling of enthusiasm, the same quick rising of the blood, the fullness... Before, I almost used to think there was something wrong. Everybody else seemed to have the brakes on... I never feel the brakes. I overflow. And when I feel your excitement about life flaring, next to mine, then it makes me dizzy.
Anaïs Nin (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)
I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same. I’m sorry, please forgive me. You once asked me who I loved most in this world. It’s you. — Hardin ( Movie- "After" - Hardin's letter to Tessa )
Anna Todd
Blah, blah, blah. Demon boy, I can't speak that language. Furthermore, I don't want to pollute my brain by learning it. So it's time for you to learn mine. First lesson-I'm Say-been. I'm oft described as byoo-tee-full and mah-jest'ick.
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
She wanted to say something smart and kind, put together some combination of words to reach him where he'd reached her with his. But the thing was, there was more courage in these revelations of his than she had ever shown anyone, and in a world that was full of taking and cruelty, he was fucking breaking her heart with what he was giving her.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Ben locked his eyes on mine for a long moment. Then, “How?” “How do you think?” I smiled, then slapped him full across the face
Kathy Reichs (Seizure (Virals, #2))
We still have a lot to talk about,” I said. “Talk?” He shook his head, his eyes full of desire. Kiss, he whispered to my thoughts. It wasn’t a question, but a warning. He grinned when I didn’t protest, and lowered his mouth toward mine. The first touch was just that—a touch. A teasing, tempting softness. I licked my lips and Patch’s grin deepened. “More?” he asked. I curled my hands into his hair, pulling him closer. “More.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian. Kissing him was as mind-blowing as ever, full of that same passion and need I had never believed I’d feel. But today, there was even more to it. I no longer had any doubt about whether this was wrong or right. It was a culmination of a long journey . . . or maybe the beginning of one. I wrapped my arms around his neck and pulled him closer. I didn’t care that we were out in public. I didn’t care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us. I don’t know how long we stood there kissing. Like I said, the world around me was gone. Time had stopped. I was awash in the feel of Adrian’s body against mine, in his scent, and in the taste of his lips. That was all that mattered right now.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
For ages you have come and gone courting this delusion. For ages you have run from the pain and forfeited the ecstasy. So come, return to the root of the root of your own soul. Although you appear in earthly form Your essence is pure Consciousness. You are the fearless guardian of Divine Light. So come, return to the root of the root of your own soul. When you lose all sense of self the bonds of a thousand chains will vanish. Lose yourself completely, Return to the root of the root of your own soul. You descended from Adam, by the pure Word of God, but you turned your sight to the empty show of this world. Alas, how can you be satisfied with so little? So come, return to the root of the root of your own soul. Why are you so enchanted by this world when a mine of gold lies within you? Open your eyes and come --- Return to the root of the root of your own soul. You were born from the rays of God's Majesty when the stars were in their perfect place. How long will you suffer from the blows of a nonexistent hand? So come, return to the root of the root of your own soul. You are a ruby encased in granite. How long will you decieve Us with this outer show? O friend, We can see the truth in your eyes! So come, return to the root of the root of your own soul. After one moment with that glorious Friend you became loving, radiant, and ecstatic. Your eyes were sweet and full of fire. Come, return to the root of the root of your own soul. Shams-e Tabriz, the King of the Tavern has handed you an eternal cup, And God in all His glory is pouring the wine. So come! Drink! Return to the root of the root of your own soul. Soul of all souls, life of all life - you are That. Seen and unseen, moving and unmoving - you are That. The road that leads to the City is endless; Go without head and feet and you'll already be there. What else could you be? - you are That.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us. This—this moment, when it was him and me and nothing between our bodies … His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning. His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger. I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Do I feel ancient to you now?" he murmered. "Too different from the person you loved before you knew this?" Her eyes were already glowing green, and her full lips parted. "No, you don't feel too ancient." Her voice was husky. "Or too different. You feel like mine. Whoever you were, whoever you are...you're mine." Mencheres smiled, his fangs stretching to their full length. "So you have spoken, so it shall be decreed. For all eternity.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
Well done, Darren!” Master Byron was full of praise for the prince. “What did you use to cast it?” Darren’s eyes found mine. “Something I don’t regret.
Rachel E. Carter (Apprentice (The Black Mage, #2))
Now I don’t fucking care who you are, so long as you’re mine.” Her eyes shot to his, again full of surprise. “Because I’m yours, Day. I’m fucking yours.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
All I’ve ever done is dream. That, and only that, has been the meaning of my existence. The only thing I’ve ever really cared about is my inner life. My greatest griefs faded to nothing the moment I opened the window onto my inner self and lost myself in watching. I never tried to be anything other than a dreamer. I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to be full of poetry. The only thing I ever loved was pure nothingness.
Fernando Pessoa
I never tried to be anything other than a dreamer. I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to be full of poetry. The only thing I ever loved was pure nothingness.
Fernando Pessoa
I think all Christians would agree with me if I said that though Christianity seems at first to be all about morality, all about duties and rules and guilt and virtue, yet it leads you on, out of all that, into something beyond. One has a glimpse of a country where they do not talk of those things, except perhaps as a joke. Everyone there is filled full with what we should call goodness as a mirror is filled with light. But they do not call it goodness. They do not call it anything. They are not thinking of it. They are too busy looking at the source from which it comes. But this is near the stage where the road passes over the rim of our world. No one's eyes can see very far beyond that: lots of people's eyes can see further than mine.
C.S. Lewis (Mere Christianity)
Blay: Better than the full bifta. Especially because Qhuinn was beautiful to watch when he had sex. Just….beautitful. Back when Blay had tried to do the hetero thing, the two had tag-teamed a number of human females – not that he could have recalled any of the women’s faces, bodies, or names. It had always been about Qhuinn for him. Always.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
I miss the outline of your body pressed to mine and the feel of your breath on my neck when you sleep. I miss the sound of your voice. I need you. I have to go soon, but I will be back for you. I promise you. Then, I will show you that there is still beauty in the world -- not a future full of despair. I promise you, I will.
Amy A. Bartol (Indebted (The Premonition, #3))
God...this was who he loved, he thought. And always would. It was the thrust of that stubborn jaw, and the dark, slashing eyebrows, and those piercings up his ear and in his full lower lip. It was that thick, glossy black hair and the golden skin and that heavily muscled body. It was the way he laughed and the fact that he never, ever cried. It was the scars on his inside no one knew about and the conviction that he would always be the first to run into a burning building or a bloody fight or a car wreck. It was all the things Qhuinn had been and was ever going to be.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Adrian looked over at me again. “Who knows more about male weakness: you or me?” “Go on.” I refused to directly answer the question. “Get a new dress. One that shows a lot of skin. Short. Strapless. Maybe a push-up bra too.” He actually had the audacity to do a quick assessment of my chest. “Eh, maybe not. But definitely some high heels.” “Adrian,” I exclaimed. “You’ve seen how Alchemists dress. Do you think I can really wear something like that?” He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.” “You don’t have a lot of faith in your own gender.” “Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.” I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?” “That’ll help.” Amazingly, I could tell he was dead serious. “And you’ve gotta act confident the whole time, like it’s already a done deal. Then make sure when you’re actually asking for what you want that you tell him you’d be ‘so, so grateful.’ But don’t elaborate. His imagination will do half the work for you. ” I shook my head, glad we’d almost reached our destination. I didn’t know how much more I could listen to. “This is the most ridiculous advice I’ve ever heard. It’s also kind of sexist too, but I can’t decide who it offends more, men or women.” “Look, Sage. I don’t know much about chemistry or computer hacking or photosynthery, but this is something I’ve got a lot of experience with.” I think he meant photosynthesis, but I didn’t correct him. “Use my knowledge. Don’t let it go to waste.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You're my lifeline," he whispers and kisses my knuckles before pressing my palm against his. With his eyes wide and full of fear, he gently tugs my hand and places it on his chest over his heart- in the forbidden zone. His breathing quickens, his heart is beating a frantic pounding tattoo beneath my fingers. He doesn't take his eyes off mine; his jaw tense, his teeth clenched. I gasp. Oh my Fifty! He's letting me touch him. And it's like all the air in my lungs has vaporized- gone.
E.L. James
Why, man alive, Laura! Just look about you a little. What do you see? A world full of common people! All of 'em born and all of em' going to die! Which of them has one-tenth of your good points! Or mine! Or anyone else's, as far as that goes - gosh! Everybody excels in some one thing. Some in many!
Tennessee Williams (The Glass Menagerie)
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
What is life without this? which was why, in the end, it was I, and not he, who blurted out, not once, but many, many times, You'll kill me if you stop, because it was also my way of bringing full circle the dream and the fantasy, me and him, the longed-for words from his mouth to my mouth back into his mouth, swapping words from mouth to mouth, which was when I must have begun using obscenities that he repeated after me, softly at first, till he said, "Call me by your name and I'll call you by mine" ...
André Aciman (Call Me by Your Name)
Day in, day out, you peel the layers back for me. Smart mouth, funny, sweet, wild in bed. Chattin' with bikers like they were insurance brokers. Holdin' my girl's hand, givin' her strength when her Mom's bein' a bitch. Keepin' your chin up when your people show in the middle of a full blown drama. But so fuckin' vulnerable, you're scared shitless of livin' life." "You don't know me, Tack." His head came up and his eyes pierced mine. "I know you, Tyra." "You don't." "Life's a roller coaster. Best damn ride in the park. You don't close your eyes, hold on and wait for it to be over, babe. You keep your eyes open, lift your hands straight up in the air and enjoy the ride for as long as it lasts.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
Just as he reached for my neck, I tased him. I was there to bag and tag, not to kill. Besides, if I had to carry separate weapons for every paranormal I took out, I'd be dragging around a full luggage set. Tasers are a one-size-fits-all paranormal butt-kicking option. Mine's pink with rhinestones. Tasey and I have had a lot of good times together.
Kiersten White (Paranormalcy (Paranormalcy, #1))
Isabella." He pronounced my full name carefully, then playfully ruffled my hair with his free hand. A shock ran through my body at his casual touch. "Bella, I couldn't live with myself if I ever hurt you. You don't know how it's tortured me." He looked down, ashamed again. "The thought of you, still, white, cold . . . to never see you blush scarlet again, to never see that flash of intuition in your eyes when you see through my pretenses . . . it would be unendurable." he lifted his glorious, agonized eyes to mine. "You are the most important thing to me now. The most important thing to me ever.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
What?" he whispered. "What are you smiling about?" My fingers brushed against his hair, trying to smooth it down. I realized what I was doing a full minute after Liam had closed his eyes and leaned into my touch. Embarrassment flared up my chest, but he grabbed my hand before I could pull back and tucked it under his chin. "Nope," he whispered, when I tried to tug it away. "Mine now." Dangerous. This is dangerous. The warning was fleeting, banished to the back corners of my mind, where it wouldn't interrupt how good it felt to touch him - how right. "I'm going to need it back eventually," I said, letting him run it along the stubble on his chin. "Too bad." "...crackers..." a voice breathed out behind us, "yessss..." Both of us turned, watching as Chubs twisted around in his seat and settled back down, still fast asleep. I pressed a hand over my mouth to keep from laughing. Liam rolled his eyes, smiling. "He dreams about food," he said. "A lot." "At least they're good dreams." "Yeah," Liam agreed. "I guess he's lucky.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
How did you know I was different?” “You mean besides the obvious obsidian, the alien entourage, and the branch?” He laughed. “You’re full of electricity. See?” He reached between the seats and placed his hand over mine. Static crackled, jolting us both. Daemon grabbed Blake’s hand and threw it back at him. “I do not like you.
Jennifer L. Armentrout (Onyx (Lux, #2))
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Good. Because I’m not a better man,” he said in a low growl, his eyes full of shadows. “I’m the devil and I want you. I want you like I’ve never wanted anything or anyone. And I will fight to make you mine, no matter what it takes. No force in Solaria will rip us apart.
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to me to be full of poetry. The only thing I ever loved was pure nothingness.
Fernando Pessoa (The Book of Disquiet)
At last Patch spoke. His voice was so steady, so full of quiet admiration, it made me wonder if he could have known my secret all along. “Did you know, the first time I saw you, I thought: I’ve never seen anything more captivating and beautiful?” “Why are you telling me this?” I said miserably. “I saw you, and I wanted to be close to you. I wanted you to let me in. I wanted to know you in a way no one else did. I wanted you, all of you. That wanting nearly drove me mad.” Patch paused, inhaling softly, as though breathing me in. “And now that I have you, the only thing that terrifies me is having to go back to that place. Having to want you all over again, with no hope of my desire ever being fulfilled. You’re mine, Angel. Every last piece of you. I won’t let anything change that.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Baby Girl,” I say. “I need you to remember everything I told you. Do you remember what I told you?” She still crying steady, but the hiccups is gone. “To wipe my bottom good when I’m done?” “No, baby, the other. About what you are.” I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. A flash from the future. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full grown woman. And then she say it, just like I need her to. “You is kind,” she say, “you is smart. You is important.
Kathryn Stockett (The Help)
He clenches his jaw, twisting and turning as he looks for some way out of this. But there isn't one. I don't expect him to forgive me, and I don't deserve it either. But his hand closes ovdf mine, holding on to the last person on his side. Slowly he starts to hum. I recognize the tune as the sad song, the one we kissed to in a room full of moonlight.
Victoria Aveyard (Red Queen (Red Queen, #1))
You okay with all of this?" I whispered to Daemon. He shrugged. "Not like I can stop her." I knew he could if he wanted, which meant he didn't have a problem with it. "Cookie?" he offered, holding a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. "Sure." His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it." Come and get...? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere... My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing. That cookie—those lips—were right there. Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me. Dee gagged. "I think I'm going to hurl." Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me. Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten." I stared at him. Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
Jennifer L. Armentrout (Onyx (Lux, #2))
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
I will read long books and the journals of dead writers. I will feel closer to them than I ever felt to people I used to know before I withdrew from the world. It will be sweet and cool this friendship of mine with dead poets, for I won’t have to touch them or answer their questions. They will talk to me and not expect me to answer. And I’ll get sleepy listening to their voices explaining the mysteries to me. I’ll fall asleep with the book still in my fingers, and it will rain.
Tennessee Williams (27 Wagons Full of Cotton and Other Plays)
THE INVITATION by Oriah Mountain Dreamer It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of future pain. I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours or mine, and still stand on the edge of the lake and shout to the silver of the full moon, "yes!" It doesn't interest me who you know, or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with your and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
One day I'm going to catch you in a full-blown grin, Mr.Tucker," she said, wagging a finger at him, "and when I do, watch out because I'm going to crow in victory." "We all need goals in life, Miss Richards." J.T. swung two boards up onto his shoulder and peered down at her. "Mine's to get this stuff delivered before the first snow falls. You think I got a chance at making that happen?
Karen Witemeyer (A Tailor-Made Bride)
She's Magnificent," Darius said, smiling proudly as he vaulted the steps and followed Aphrodite. "I can think of a lot of m words that she could be. Magnificent isn't one of them," Stark grumbled. "Mental and mean pop into my head," I said. "Manure pops into mine," Stark said. "Manure?" "I think she's full of shit, but it's to many words and doesn't start with an m, so that's as close as I could get," he said.
P.C. Cast
Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didn’t know, that wasn’t taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonement—you know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and she’d probably know), it was still a fantasy of mine. Like, what’s more romantic than a quiet place full of books? But I shouldn’t have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library.
Kody Keplinger (Shut Out (Hamilton High, #2))
I understood that I had arrived there full of pride and realized that—in good faith, certainly, with affection—I had made that whole journey mainly to show her what she had lost and what I had won. But she had known from the moment I appeared, and now, risking tensions with her workmates, and fines, she was explaining to me that I had won nothing, that in the world there is nothing to win, that her life was full of varied and foolish adventures as much as mine, and that time simply slipped away without any meaning, and it was good just to see each other every so often to hear the mad sound of the brain of one echo in the mad sound of the brain of the other.
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
I need you more and more, and the great world grows wider, and dear ones fewer and fewer, every day that you stay away. My heart goes wandering around and calls for Susie...My heart is full of you; none other than you are in my thoughts, yet when I seek to say to you something not for the world, words fail me. If you were here, we need not talk at all for our eyes would whisper for us and, your hand fast in mine, we would not ask for language.
Emily Dickinson (Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson (Paris Press))
It’s nothing compared to happiness.” I snorted through gritted teeth. “What happiness?” “Exactly.” “Reality interrupts—” Jaw clenching, my nostrils flared as I felt a gush of blood flow. A whisper. “Life.” His blink was slow. “The mother of all bitches.” “And the beauty?” “Its absence is duly noted.” “Only to be found by those later.” Another swipe of my cheeks. “Once they’ve suffered to the point they scream for death.” “Full circle.” His hand found mine in a gentle hold. “Pain needs to be felt.
Scarlett Dawn (King Cave (Forever Evermore, #2))
Do you ever think of me in a way that is more than a friendship?” When she looked into my eyes, she had to see the answer. I felt her soul staring deep into mine. Her eyes were full of wondering interest and her beauty was softened by an air of mystery. I blinked once. “Every second. Every minute. Every hour. Every day.” She nodded, closing her eyes. “Me too. Every second. Every minute. Every hour. Every day.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
I don’t know: perhaps it’s a dream, all a dream. (That would surprise me.) I’ll wake, in the silence, and never sleep again. (It will be I?) Or dream (dream again), dream of a silence, a dream silence, full of murmurs (I don’t know, that’s all words), never wake (all words, there’s nothing else). You must go on, that’s all I know. They’re going to stop, I know that well: I can feel it. They’re going to abandon me. It will be the silence, for a moment (a good few moments). Or it will be mine? The lasting one, that didn’t last, that still lasts? It will be I? You must go on. I can’t go on. You must go on. I’ll go on. You must say words, as long as there are any - until they find me, until they say me. (Strange pain, strange sin!) You must go on. Perhaps it’s done already. Perhaps they have said me already. Perhaps they have carried me to the threshold of my story, before the door that opens on my story. (That would surprise me, if it opens.) It will be I? It will be the silence, where I am? I don’t know, I’ll never know: in the silence you don’t know. You must go on. I can’t go on. I’ll go on.
Samuel Beckett (The Unnamable)
What's strange about the whole thing is that although it's riddled with nonsense, altogether it's true - Julie's told our story, mine and hers, our friendship, so truthfully. It is us. We even had the same dream at the same time. How could we have had the same dream at the same time? How can something so wonderful and mysterious be true? But it is. And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb - alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.
Robyn Schneider (Extraordinary Means)
Do you know how old the earth is, Quinn?” “No, but I bet I'm about to find out.” “Four and a half billion years old,” he says. His voice is full of wonder, like this is his absolute favorite thing to talk about. “Do you know how long ago our specific species appeared?” “No idea.” “Only two hundred thousand years ago,” he says. “Only two hundred thousand years out of four and a half billion years. It's unbelievable.” He grabs my hand and lays it palm down on his thigh. He begins tracing over the back of my hand with a lazy finger. “If the back of your hand represented the age of this earth and every species that has ever lived, the entire human race wouldn't even be visible to the naked eye. We are that insignificant.” He drags his finger to the center of the back of my hand and points to a small freckle. “From the beginning of time until now, we could combine every single human that has ever walked this earth, and all their problems and concerns as a whole wouldn't even amount to the size of this freckle right here.” He taps my hand. “Every single one of your life experiences could fit right here in this tiny freckle. So would mine. So would Beyonce's.
Colleen Hoover (All Your Perfects)
Kazi of Brightmist...you are the love I didn't know I needed. You are the hand pulling me through the wilderness, The sun warming my face. You make me stronger, smarter, wiser. You are the compass that makes me a better man. With you by my side, no challenge will be too great. I vow to honor you, Kazi, and do all I can to be worthy of your love. I will never stumble in my devotion to you, and I vow to keep you safe always. My family is now your family, and your family, mine. You have not stolen my heart, but I give it freely, And in the presence of these witnesses, I take you to be my wife." He squeezed my hand. His brown eyes danced, just as they had the first time he spoke those vows to me. It was my turn now. I took a deep breath. Were any words enough? But I said the ones closest to my heart, the ones I had said in the wilderness and repeated almost daily when I lay in a dark cell, uncertain where he was but needing to believe I would see him again. "I love you, Jase Ballenger, and I will for all my days. You have brought me fullness where there was only hunger, You have given me a universe of stars and stories, Where there was emptiness. You've unlocked a part of me I was afraid to believe in, And made the magic of wish stalks come true. I vow to care for you, to protect you and everything that is yours. Your home is now my home, your family, my family. I will stand by you as a partner in all things. With you by my side, I will never lack for joy. I know life is full of twists and turns, and sometimes loss, but whatever paths we go down, I want every step to be with you. I want to grow old with you, Jase. Every one of my tomorrows is yours, And in the presence of these witnesses, I take you to be my husband.
Mary E. Pearson (Vow of Thieves (Dance of Thieves, #2))
Wearing a cloak is on Rose's list of the thousand things she hates most. The problem is that each of the thousand problems is ranked number one. 'But Dr. Rannigan says you must and anyway, it hardly weighs a thing, it's so full of holes.' I swung mine round my shoulders. Rose hates any bit of clothing that constricts, but I say Chin up and bear it. Life is just one great constriction. 'Ventilated,' I said, 'that's the word. Our cloaks are terrifically ventilated.
Franny Billingsley (Chime)
But the truly brilliant geocachers?" "Yeah?" he says. "What about us?" "They know it by its real name. Terra Firma." "Terra Firma," he repeats. At last, he slips his backpack off his shoulder. I know what he's looking for. I take a breath. "You don't need your GPS for this cache." His eyes don't move off mine; he's watching me so carefully. "You don't, huh?" "Nope," I say. Some things are meant to be kept - what you learn from experiences good or bad, smiles from an orphaned girl, a boy who is your compass pointing to your True North. So I look at Jacob full in the face with nothing obscuring him. Or me. And then I step closer to him. And closer. And closer yet. "Here I am," I tell him. "Here I am.
Justina Chen (North of Beautiful)
And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my designs! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me - against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born - I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh; blood of my blood; kin of my kin; my bountiful wine-press for awhile; and shall later on be my companion and my helper. You shall be avenged in turn; for not one of them but shall minister to your needs. You have aided in thwarting me; now you shall come to my call.
Bram Stoker (Dracula)
Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends--the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Sky, if you’re asking me to stop, I will. But I’m hoping you’re not, because I really don’t want to stop, so please.” He pulls back and looks down into my eyes, still barely moving his body against mine. His eyes are full of ache and worry and he’s breathless when he speaks. “We won’t go any further than this, I promise. But please don’t ask me to stop where we already are. I need to watch you and I need to hear you because the fact that I know you’re actually feeling this right now is so fucking amazing. You feel incredible and this feels incredible and please. Just… please.
Colleen Hoover (Hopeless (Hopeless, #1))
October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.
Pablo Neruda (The Essential Neruda: Selected Poems)
And Ross again knew himself to be happy-in a new and less ephemeral way than before. He was filled with a queer sense of enlightnment. It seemed to him that all his life had moved to this pinpoint of time down the scattered threads of twenty years; from his old childhood running thoughtless and barefoot in the sun on Hendrawna sands, from Demelza's birth in the squarlor of a mining cottage, from the plains of Virginia and the trampled fairgrounds of Redruth, from the complex impulses which had governed Elizabeth's choice of Francis and from the simple philosophies of Demelza's own faith, all had been animated to a common end-and that end a moment of enlightenment and understanding and completion. Someone--a Latin poet--had defined eternity as no more than this: to hold and possess the whole fullness of life in one moment, here and now, past and present and to come. He thought: if we could only stop here. Not when we get home, not leaving Trenwith, but here, here reaching the top of the hill out of Sawle, dusk wiping out the edges of the land and Demelza walking and humming at my side.
Winston Graham (Ross Poldark (Poldark, #1))
I remember you was conflicted Misusing your influence Sometimes I did the same Abusing my power, full of resentment Resentment that turned into a deep depression Found myself screaming in the hotel room I didn’t wanna self destruct The evils of Lucy was all around me So I went running for answers Until I came home But that didn’t stop survivor’s guilt Going back and forth trying to convince myself the stripes I earned Or maybe how A-1 my foundation was But while my loved ones was fighting the continuous war back in the city, I was entering a new one A war that was based on apartheid and discrimination Made me wanna go back to the city and tell the homies what I learned The word was respect Just because you wore a different gang color than mine's Doesn’t mean I can’t respect you as a black man Forgetting all the pain and hurt we caused each other in these streets If I respect you, we unify and stop the enemy from killing us But I don’t know, I’m no mortal man, maybe I’m just another nigga
Kendrick Lamar, To Pimp a Butterfly
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers. Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box. Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York.
F. Scott Fitzgerald (My Lost City: Personal Essays 1920-40 (Works of F. Scott Fitzgerald))
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
E.L. James
Men of dreams, the lovers and the poets, are better in most things than the men of my sort; the men of intellect. You take your being from your mothers. You live to the full: it is given you to love with your whole strength, to know and taste the whole of life. We thinkers, though often we seem to rule you, cannot live with half your joy and full reality. Ours is a thin and arid life, but the fullness of being is yours; yours the sap of the fruit, the garden of lovers, the joyous pleasaunces of beauty. Your home is the earth, ours the idea of it. Your danger is to be drowned in the world of sense, ours to gasp for breath in airless space. You are a poet, I a thinker. You sleep on your mother's breast, I watch in the wilderness. On me there shines the sun; on you the moon with all the stars. Your dreams are all of girls, mine of boys—
Hermann Hesse (Narcissus and Goldmund)
I watched her fade, but I loved her always. Because it was her love that made me real, Merry. Not faerie, not wild magic, but the magic of love. I thought I was giving up what life I had to save Rose, but the consort had asked if I would give up everything I was, and I did. I became what she needed me to be. When I realized that I would not age with her I wept, because I could not imagine being without her." He came to his knees and put his hands on my arms, and stared down into my face. "I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face, I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
It is so beautiful to be loved as Laurie loves me; he isn’t sentimental, doesn’t say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don’t seem to be the same girl I was. I never knew how good and generous and tender he was till now, for he lets me read his heart, and I find it full of noble hopes and impulses and purposes, and am so proud to know it’s mine. He says he feels as if he ‘could make a prosperous voyage now with me aboard as mate, and lots of love for ballast.’ I pray he may, and try to be all he believes me, for I love my gallant captain with all my heart and soul and might, and never will desert him while God lets us be together. Oh, Mother, I never knew how much like heaven this world could be when two people love and live for one another!
Louisa May Alcott (Little Women)
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them. In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know. That is the Gell-Mann Amnesia effect. I'd point out it does not operate in other arenas of life. In ordinary life, if somebody consistently exaggerates or lies to you, you soon discount everything they say. In court, there is the legal doctrine of falsus in uno, falsus in omnibus, which means untruthful in one part, untruthful in all. But when it comes to the media, we believe against evidence that it is probably worth our time to read other parts of the paper. When, in fact, it almost certainly isn't. The only possible explanation for our behavior is amnesia.
Michael Crichton
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Naturally—and why should I not admit this—I have occasionally wondered to myself how things might have turned out in the long run.... I only speculate this now because in the light of subsequent events, it could well be argued that in making my decision...I was perhaps not entirely aware of the full implications of what I was doing. Indeed, it might even be said that this small decision of mine constituted something of a key turning point; that that decision set things on an inevitable course towards what eventually happened. But then, I suppose, when with the benefit of hindsight one begins to search one's past for such 'turning points', one is apt to start seeing them everywhere.... What would have transpired, one may ask, had one responded slightly differently...? And perhaps—occurring as it did around the same time as these events?
Kazuo Ishiguro (The Remains of the Day)
Cookie?” he offered, holding up a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. “Sure.” His lips tipped to one side and he leaned towards me, his mouth inches from mine. “Come and get it.” Come and get…? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere… My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn’t bring myself to check out what they were doing. That cookie – those lips – were right there. Heat swept over my cheeks. I could feel the eyes of everyone else and Demon… dear God, Daemon arched his brows, daring me. Dee gagged. “I think I’m going to hurl.” Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take that cookie out of his mouth like something straight out of an R-rated version of Lady and the Tramp? Heck, I kind of wanted to, and I wasn’t too sure what that said about me. Daemon reached up and took the cookie. There was a gleam in his eyes, as if he’d just won some battle. “Time’s up, Kitten.
Jennifer L. Armentrout (Onyx (Lux, #2))
Naruto… I now remember the words you once said to me. That when you're with me, you finally understand what it's like to have a brother… And when I think of it that way… That feeling… I finally get it now. I've been travelling around the world and I seem to recall these memories a lot. We were alone and starved of love. Kids that lived in a world full of hate. And from that point on, we went our separate ways… and fought. But time has passed and now I'm thinking… Could it be that… just like how the hope and and pain from my father, mother and my brother, Itachi flowed into me… I'd understand your pain and hopes too, Naruto? You never abandoned me, no matter what. And you never gave up on me, coming closer when I pulled away. It wouldn't have surprised me if you hated me, but you didn't… You kept insisting that we were friends. And even that, I nearly destroyed. You fought to stop me… to the point you lost an arm. All because you were my friend. You saved me. The us that quarrelled over the smallest things… are now able to share the pain in each other's hearts. On my journey around the world, I noticed… That all these feelings of mine aren't just about us, I'm sure it's the same for everything else. But… there aren't a lot of people like you. And things won't go as planned, look at us. It's especially true when it comes to bigger things. I think it's the same as praying. And until I can do it, I'll stay strong. The beings that have been entrusted with hope… that's us. That's what makes us shinobi.
Masashi Kishimoto
You’re implying that I’m not presentable in public unless I have a full face of makeup on.” “No. I absolutely did not imply that.” “I suppose I should take three hours to curl my hair, too, right?” I make my voice tremble. I am the victim of horrendous misdeeds. “Because I’m not pretty enough the way I am? I suppose you’re embarrassed to bring me around your family unless I conform to society’s impossible beauty standards for females?” His eyes narrow. “You’re right. Your hair’s an embarrassment in its natural state and your face is so anti–female beauty that if you go out like that, I’d insist on you walking backward and ten feet away from me. I want you to go upstairs right now and paint yourself unrecognizable.” He arches his eyebrows. “Did I do that right? Are those the words you’d like to put in my mouth?” My chin drops. He lowers his gaze to a newspaper and flicks the page. He did it for dramatic effect. I know he didn’t get a chance to finish reading the article he was on. “Actually, I’d like to put an apple in your mouth and roast you on a spit,” I say. “Go ahead and wear pajamas to dinner, Naomi. You think that would bother me? You can go out dressed as Santa Claus and I wouldn’t care.” Now I genuinely am insulted. “Why wouldn’t you care?” He raises his eyes to mine. “Because I think you’re beautiful no matter what.” Ugh. That’s really low, even for him.
Sarah Hogle (You Deserve Each Other)
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big chunk of desert, no more maids, no field-hands, no laborers for the construction or the mining--wait, wait a minute there, yes it's Karl Marx, that sly old racist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Markets... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and the cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets....
Thomas Pynchon (Gravity’s Rainbow)
You know, I’ve never understood that. How being named for a woman’s nethers is somehow more grievous than any other insult. Seems to me calling someone after a man’s privates is worse. I mean, what do you picture when you hear a fellow called a cock?’ Tric shrugged, befuddled at the strange turn in conversation. ‘You imagine an oaf, don’t you?’ Mia continued. ‘Someone so full of wank there’s no room for wits. A slow-minded bastard who struts about full of spunk and piss, completely ignorant of how he looks to others.’ An exhalation of clove-sweet grey into the air between them. ‘Cock is just another word for “fool”. But you call someone a cunt, well …’ The girl smiled. ‘You’re implying a sense of malice there. An intent. Malevolent and self-aware. Don’t think I name Consul Scaeva a cunt to gift him insult. Cunts have brains, Don Tric. Cunts have teeth. Someone calls you a cunt, you take it as a compliment. As a sign that folk believe you’re not to be lightly fucked with.’ A shrug. ‘I think they call that irony.’ Mia sniffed, staring at the wastes laid out below them. ‘Truth is, there’s no difference between your nethers and mine. Aside from the obvious, of course. But one doesn’t carry any more weight than the other. Why should what’s between my legs be considered any smarter or stupider, any worse or better? It’s all just meat, Don Tric. In the end, it’s all just food for worms. Just like Duomo, Remus, and Scaeva will be.’ One last drag, long and deep, as if drawing the very life from her smoke. ‘But I’d still rather be called a cunt than a cock any turn.’ The girl sighed grey, crushed her cigarillo out with her boot heel. Spat into the wind. And just like that, young Tric was in love.
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
One reader of an early draft of this chapter complained at this point, saying that by treating the hypothesis of God as just one more scientific hypothesis, to be evaluated by the standards of science in particular and rational thought in general, Dawkins and I are ignoring the very widespread claim by believers in God that their faith is quite beyond reason, not a matter to which such mundane methods of testing applies. It is not just unsympathetic, he claimed, but strictly unwarranted for me simply to assume that the scientific method continues to apply with full force in this domain of truth. Very well, let's consider the objection. I doubt that the defender of religion will find it attractive, once we explore it carefully. The philosopher Ronaldo de Souza once memorably described philosophical theology as "intellectual tennis without a net," and I readily allow that I have indeed been assuming without comment or question up to now that the net of rational judgement was up. But we can lower it if you really want to. It's your serve. Whatever you serve, suppose I return service rudely as follows: "What you say implies that God is a ham sandwich wrapped in tin foil. That's not much of a God to worship!". If you then volley back, demanding to know how I can logically justify my claim that your serve has such a preposterous implication, I will reply: "oh, do you want the net up for my returns, but not for your serves? Either way the net stays up, or it stays down. If the net is down there are no rules and anybody can say anything, a mug's game if there ever was one. I have been giving you the benefit of the assumption that you would not waste your own time or mine by playing with the net down.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said. Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe. “What?”Sadeas asked. “The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.” Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.” “Do we have a deal?”Dalinar asked. “Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—” Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp. Kaladin stared, unable to move, unable to think. Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.” Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage. “They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!” Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.” He began to walk away. Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?” Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.” “But…” “What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.” “You really think it was a good trade, don’t you?” Kaladin said, amazed. Dalinar smiled in a way that seemed strikingly paternal.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))