Miniature Car Quotes

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I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.
Michael Chabon (The Mysteries of Pittsburgh)
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
Jonathan Safran Foer
If I ever get a car I’m going to hang a miniature garbage can from the rear view mirror and tell people it’s my “dream catcher.
Brian Alan Ellis (Failure Pie in a Sadness Face)
But most of the time, we keep memories packed away. I sometimes liken that moment of sudden unpacking to circus clowns pouring out of a miniature car trunk—how did so much fit into such a small space?
Mary Karr (The Art of Memoir)
And each time he finished a sentence, there was a tiny but meaningful lump of silence left behind. This lump floated there, enclosed in the car's restricted space like an imaginary miniature cloud, giving Aomame a strangely unsettled feeling.
Haruki Murakami (1Q84 (1Q84, #1-3))
After changing shape several times, the ball eventually turned into a huge face. It floated alongside the air-car. This time, time instead of sending him a mental message, the face spoke out aloud and the whole air-car vibrated with its intensity. “If you are foolish enough to renege on your contract, you will be severely punished. For your sake, I hope you wouldn’t do such a thing.” When Tarmy made no attempt to respond, the face turned and pressed itself against the millipede-free window. A moment later, Tarmy felt the fat slug entering his mind, the sign that the face was attempting to use its powers to obtain his response by other means. But as the slug dug deeper, Samantha’s cover stories began springing out of the corners of his mind. Instead of obtaining Tarmy’s agreement, all that the face saw was a burning army transporter surrounded by bodies. Undeterred, the face continued its assault. Samantha had anticipated that Tarmy might come up against an adept, so the mental images of death and destruction flowed unchecked. After failing to break Tarmy’s defences, the face removed the slug and tried reason. “You can’t win, Mr Tarleton, so why don’t you do yourself a favour and cooperate? It will be better for you in the long run. Now, where is the miniature pulse drive engine?” Tarmy realised why the millipedes hadn’t been allowed to attack. It was obvious that the Great Ones were hoping to retrieve the engine. When Tarmy didn’t respond, the face said, “I am prepared to overlook your desertion if you agree to tell us where the engine is and also honour your contract by showing us how to convert the engine into a bomb.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
I don't know if you have ever tried to read Moby-Dick on a DS in a Tesco car park - I doubt you have - but I cannot recommend it. The two miniature screens, so in harmony with the escapades of Super Mario and Lego Batman, do not lend themselves to the study of this arcane, eldritch text; and nor does the constant clamor of a small boy in the back seat asking when he can have his DS back.
Andy Miller
When Americans load up their cars and drive enormous distances to a setting of rare natural splendor what most of them want then they get there is to play a little miniature golf and eat dribbly food (p. 102).
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
The new home fashion will be spare. This will be the return of an old WASP style: the good, frayed carpet; dogs that look like dogs and not a hairdo in a teacup, as miniature dogs back from the canine boutique do now. A friend, noting what has and will continue to happen with car sales, said America will look like Havana—old cars and faded grandeur. It won't. It will look like 1970, only without the bell-bottoms and excessive hirsuteness. More families will have to live together. More people will drink more regularly. Secret smoking will make a comeback as part of a return to simple pleasures. People will slow down. Mainstream religion will come back. Walker Percy again: Bland affluence breeds fundamentalism. Bland affluence is over.
Peggy Noonan
Joe had never flown in an airplane, never seen a city from any higher vantage point than that afforded by his own six-foot-three frame. Now, standing on the observation deck, he looked out at the many spires of New York rising through a pall of smoke and steam and heat haze and did not know whether he found it beautiful or frightening. He leaned over the low stone parapet and peered down at miniature cars and buses and swarms of tiny people scurrying along the streets. The city below him, Joe realized, murmured. The cacophony of honking horns and wailing sirens and rumbling streetcars that had as**saulted his ears at street level were reduced up here to something gentler and more soothing, like the sonorous breathing of an enormous living thing. It was a much bigger, more connected, world than he had ever thought possible.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
The information technology revolution was not brought about only by the miniaturization of technologies. This was a transition from a supplier-centric, centralized information model to a user-centric, participatory information model.
Tony Seba (Clean Disruption of Energy and Transportation: How Silicon Valley Will Make Oil, Nuclear, Natural Gas, Coal, Electric Utilities and Conventional Cars Obsolete by 2030)
would have been the same had they whisked her to the hospital the moment the finger began to swell. “Drugs that don’t work,” the internist announced forlornly, delivering the respectfully folded bandana like a miniature American flag at a military funeral, “don’t work early any better than they work late.” Meantime, Nollie did jumping jacks beside the car, earning no end of rubbernecking hilarity from passing locals. Willing would never have called it to her attention, but her form had decayed. Her hands no longer met overhead, but rose only as high as her ears, then descended to the level of her waist. The result was a weak, dying-butterfly motion.
Lionel Shriver (The Mandibles: A Family, 2029–2047: The unputdownable Sunday Times bestselling satirical political fiction novel)
At night she runs her fingertips over her father’s model: the bell tower, the display windows. She imagines Jules Verne’s characters walking along the streets, chatting in shops; a half-inch-tall baker slides speck-sized loaves in and out of his ovens; three minuscule burglars hatch plans as they drive slowly past the jeweler’s; little grumbling cars throng the rue de Mirbel, wipers sliding back and forth. Behind a fourth-floor window on the rue des Patriarches, a miniature version of her father sits at a miniature workbench in their miniature apartment, just as he does in real life, sanding away at some infinitesimal piece of wood; across the room is a miniature girl, skinny, quick-witted, an open book in her lap; inside her chest pulses something huge, something full of longing, something unafraid.
Anthony Doerr (All the Light We Cannot See)
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
I leaned against my car and sighed, rubbing a hand over my eyes. “It’s been a long day, James. A long, somewhat odd day. Let’s not cap it off with me sitting in the yard talking to a cat, okay?”   James gave a derisive snort—strangely suiting his feline persona—and shifted into his dragon form, which is about the size of a schnauzer. He flapped his wings once and settled in, puffing a ring of smoke at me while he did.   I tried not to sigh in exasperation. “Yes, that’s much better . Talking to a cat was weird, but speaking to a miniature dragon completely fulfills my desire for normalcy.” He blew a thin jet of fire at my shoes. I jumped up with a yelp, and he snickered.   “Cute...” James had three forms: cat, small schnauzer-sized dragon, and human. The third had been a surprise until I moved in and asked him how he’d managed to do all of Douglas’s errands with no opposable thumbs. He’d morphed, poked me on the head with one of said opposable thumbs, and finished by stealing my yogurt. I still hadn’t quite figured James out.
Lish McBride (Necromancing the Stone (Necromancer, #2))
 “You like me, though. You want to go on a date with me.” It wasn’t a question. “Cocky much?” “Confident. Don’t be mistaken.” “Why do you want to take me out so badly?” “Fishing for more compliments, are we?” He’d caught me, but went on anyway. “Obviously you’re beautiful. You have nice, you know, legs and . . . stuff.” “You’re laughing. I don’t think I’m really your type. I think you’re messing with me. I’m not at all like Charlize Theron.” We pulled up to my car but he let Charlize idle before getting out. “You are so my type. Charlize—at least the actress—is not. I mean, she’s gorgeous, in a blond, Amazonian, I-might-kill-and-eat-my-own-young kind of way, but I like your look better.” “Oh yeah? What’s my look?” “There’s something dark about you . . . and interesting. Your creamy skin, your black hair. The way you move. Your mouth.” He reached out to touch my cheek but I jerked away, breaking the seriousness of the moment. “What do you mean I’m dark?” He smiled and shrugged. “I don’t know. Like I want to get naked with you and a Ouija board.” I burst out laughing. “And your laugh . . . it’s like the sound of someone squeezing the life out of a miniature trumpet. It’s really cute.” “That is not a compliment. I have a nice laugh. And by the way, your voice is nasally when you’re not trying to impress people.” He held his hand to his chest like he was offended, except he was still smiling. “I’m crushed. Penny, whatever your last name is—” “Piper.” “Ha! Penny Piper? You’ve got to be kidding! That’s either a children’s book character or a porn star’s name. Penny Piper picked a peck of pickled pep—” “Stop! I know, trust me. I have to live with this name. My poor sister’s name is Kiki Piper. Like we’re fucking hobbits or something.” “Penny Piper is worse than Kiki Piper, hands down.” I cocked my head to the side. “Thanks.” “Just sayin’. What’s your middle name?” “Isabelle.” “I’m gonna call you PIP Squeak.” “Thank you. I can’t wait.” “And by the way, I happen to have a deviated septum. That’s why my voice sounds like this sometimes, you asshole. Now get out and help me with your car.” As we stepped out, he pointed to my Honda and said, “Try and start it when I tell you.” I stopped and turned to him. “What’s your middle and last name?” “Gavin Augusta Berninger.” “Regal,” I said with a wink. “I know, right?” He shrugged one arm like he was royalty or something. “Is that French?” “Yeah, my dad’s family is French . . . sort of. Like, his great-great-grandfather came from France. No one in our family even speaks French.” “Hmm, not so regal anymore,” I said. “Whatever, Penny Piper.
Renee Carlino (Blind Kiss)
I opened the car door; then, just to be thorough, I got out and knelt in front of the bumper. And found it, magnetically affixed to the back of the license plate. I pulled it off: a miniature GPS tracking device. A box about three inches by one containing a GPS receiver and a cellular modem. That little toy could transmit a vehicle’s location over a cell-phone network.
Joseph Finder (Vanished (Nick Heller, #1))
She wondered if her father's guilt, accumulating all those years in airports and conference rooms and company cars, didn't draw that miniature Cessna to his heart like shavings to a magnet." -Mark Doyon, "Sooner or Later
Mark Doyon (Bonneville Stories)
Shervin Pishevar’s other star investment, Uber, was embroiled in its own case about whether it was as humble and powerless as it claimed. A group of drivers had sued Uber, as well as its rival Lyft, in federal court, seeking to be treated as employees under California’s labor laws. Their case was weakened by the fact that they had signed agreements to be contractors not subject to those laws. They had accepted the terms and conditions that cast each driver as an entrepreneur—a free agent choosing her hours, needing none of the regulatory infrastructure that others depended on. They had bought into one of the reigning fantasies of MarketWorld: that people were their own miniature corporations. Then some of the drivers realized that in fact they were simply working people who wanted the same protections that so many others did from power, exploitation, and the vicissitudes of circumstance. Because the drivers had signed that agreement, they had blocked the easy path to being employees. But under the law, if they could prove that a company had pervasive, ongoing power over them as they did their work, they could still qualify as employees. To be a contractor is to give up certain protections and benefits in exchange for independence, and thus that independence must be genuine. The case inspired the judges in the two cases, Edward Chen and Vince Chhabria, to grapple thoughtfully with the question of where power lurks in a new networked age. It was no surprise that Uber and Lyft took the rebel position. Like Airbnb, Uber and Lyft claimed not to be powerful. Uber argued that it was just a technology firm facilitating links between passengers and drivers, not a car service. The drivers who had signed contracts were robust agents of their own destiny. Judge Chen derided this argument. “Uber is no more a ‘technology company,’ ” he wrote, “than Yellow Cab is a ‘technology company’ because it uses CB radios to dispatch taxi cabs, John Deere is a ‘technology company’ because it uses computers and robots to manufacture lawn mowers, or Domino Sugar is a ‘technology company’ because it uses modern irrigation techniques to grow its sugar cane.” Judge Chhabria similarly cited and tore down Lyft’s claim to be “an uninterested bystander of sorts, merely furnishing a platform that allows drivers and riders to connect.” He wrote: Lyft concerns itself with far more than simply connecting random users of its platform. It markets itself to customers as an on-demand ride service, and it actively seeks out those customers. It gives drivers detailed instructions about how to conduct themselves. Notably, Lyft’s own drivers’ guide and FAQs state that drivers are “driving for Lyft.” Therefore, the argument that Lyft is merely a platform, and that drivers perform no service for Lyft, is not a serious one.
Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
From my spot on her chest, I have a close-up view of her nipple through her bra and shirt. It’s right there, almost staring back at me, so I do the logical thing and start circling it with a fingertip. Then I go over it with my knuckle like it’s a tiny speedbump and my finger is a miniature car. In my head I make the accompanying sound effects.
Helena Hunting (Pucked Up (Pucked, #2))
About two weeks after she’d been placed in her second foster home, Maggie had seen a little boy playing with miniature cars on the rug in her new room. She had mentioned it to her foster mother, asking her who the little boy was. The woman had locked herself in her room for the rest of the day, and though she’d been kind to Maggie initially, after that she barely looked at her. Apparently there was no little boy. At least there hadn’t been for two years.
Amy Harmon (Slow Dance in Purgatory (Purgatory, #1))
Alors voilà. On faisait des mômes, ils chopaient la rougeole, et tombaient de vélo, avaient les genoux au mercurochrome et récitaient des fables et puis ce corps de sumo miniature qu'on avait baigné dans un lavabo venait à disparaître, l'innocence était si tôt passée, et on n'en avait même pas profité tant que ça. Il restait heureusement des photos, cet air surpris de l'autre côté du temps, et un Babyphone au fond d'un tiroir qu'on ne pouvait se résoudre à jeter. Des jours sans lui, des jours avec, l'amour en courant discontinu. Mais le pire était encore à venir. Car il arrivait cela, qu'une petite brute à laquelle vous supposiez des excuses socioéconomiques et des parents à la main leste s'en prenait à votre gamin. La violence venait d'entrer dans sa vie et on se demandait comment s'y prendre. Car après tout, c'était le jeu. Lui aussi devait apprendre à se défendre. C'était en somme le début d'une longue guerre. On cherchait des solutions, lui enseigner l'art de foutre des coups de pied et prendre rendez-vous avec la maîtresse, pour finalement en arriver là : avoir tout simplement envie de casser la gueule à un enfant dont on ne savait rien sinon qu'il était en CE1 et portait des baskets rouges. [...] Certains dimanches soirs, quand Christophe le laissait devant chez sa mère, et le regardait traverser la rue avec son gros sac sur le dos, il pouvait presque sentir l'accélération jusque dans ses os. En un rien de temps, il aurait dix, douze, seize ans, deviendrait un petit con, un ado, il n'écouterait plus les conseils et ne penserait plus qu'à ses potes, il serait amoureux, il en baverait parce que l'école, les notes, le stress déjà, il le tannerait pour avoir un sac Eastpak, une doudoune qui coûte un bras, un putain de scooter pour se tuer, il fumerait des pet, roulerait des pelles, apprendrait le goût des clopes, de la bière et du whisky, se ferait emmerder par des plus costauds, trouverait d'autres gens pour l'écouter et lui prendre la main, il voudrait découcher, passer des vacances sans ses parents, leur demanderait toujours plus de thune et les verrait de moins en moins. Il faudrait aller le chercher au commissariat ou payer ses amendes, lire dans un carnet de correspondance le portrait d'un total étranger, créature capable de peloter des filles ou d'injurier un CPE, à moins qu'il ne soit effacé, souffre-douleur, totalement transparent, on ne savait quelle calamité craindre le plus. Un jour, avec un peu de chance, à l'occasion d'un trajet en bagnole ou dans une cuisine tard le soir, cet enfant lui raconterait un peu de sa vie. Christophe découvrirait alors qu'il ne le connaissait plus. Qu'il avait fait son chemin et qu'il était désormais plus fort que lui, qu'il comprenait mieux les objets et les usages, et il se moquerait gentiment de l'inadéquation de son père avec l'époque. Christophe découvrirait que le petit le débordait maintenant de toute part et ce serait bien la meilleure nouvelle du monde. Simplement, il n'aurait rien vu passer. Gabriel aurait grandi à demi sans lui. Ce temps serait définitivement perdu.
Nicolas Mathieu (Connemara)
I started with the ships and then moved on to planes and cars. More recently, I’ve found myself getting lost in miniature houses and buildings. Putting all the pieces together and getting everything just so helps me relax and clear my mind after a long day.
A.J. Sherwood (Embers (Scales 'N' Spells, #4))
Climbing into her car, he found it configured, familiarly, as a windowless miniature submarine, austerely carpeted, with buff enamel walls. Four compact but comfortable green leather armchairs were sunken in a conversation pit, around a small oval table of brass-bound mahogany, their coziness offset by a sense of concentrated bureaucratic power. Churchill’s waistcoat pocket, Ash called it.
William Gibson (Agency (Jackpot #2))
Butterfly in a world of your own What will you do? Where are you off to today? Floating in between cars, hitchhiking through dreams. With miniature shades to block the sun from your eyes. Be careful to avoid the passing cars That you may not see coming & the children that chase you. Coming this much closer to catching you, in search Of how bright you’ve made their day. Butterfly in a world of its own. Do you know the beauty you possess? Shopping for orange & yellow dresses That compliment your wings, Barefoot in the wind. Often forgetting where you put your purse. Effortless & utterly flawless. Butterfly in a world of your own I too hope that your day is as golden As you are
Kewayne Wadley (Mumbo Jumbo... I Love You)
As though to prove her point, she pushes to her feet, standing in the deserted walkway. But just as she's reaching for the grab rail, the car jolts again. Her hand flails through the air, missing the bar, and she topples forward, body hurtling toward me. I reach out, but before I can catch her, she slams into me. Her shoulder bangs against my sternum as she tumbles onto my lap. I let out a grunt, wincing as her hand lands right on my crotch. "Oh, my God." Ada snatches her hand away, scrambling backward off me as I bend forward, breathing through the pain that radiates through my gut. “Oh, my God. Oh, my God. Oh, my God. Ewww!" she squeals. "Ew?" I turn to her, incredulous, balls aching like they've got a goddamn migraine. "You just smashed my junk, and all you can say is ew? You know, a normal person would apologize after almost dismembering someone." Ada doesn't bother looking at me, let alone apologizing as she unzips her camera bag and starts frantically digging through it. "What are you doing?" I ask. "Looking for hand sanitizer obviously." She pulls out a miniature bottle of Purell and squeezes an absurd amount into the palm of her hand. "You're ridiculous. You do realize that, right?" I can't count the number of times girls have attempted to cop a feel since Cipher aired. And here she is, acting like she contracted the bubonic plague by accidentally touching me.
Krysti Meyer (Not If I Date You First)
Mac didn’t know me the way Jason did. But he was my boyfriend. Wasn’t he? But if he was, why had I spotted him giving Tiffany miniature golf pointers at Dad’s party? His arms wrapped around her, his hands on hers as they gripped the golf club. It was way too similar to our encounter at Dave and Bubba’s. But what really bothered me was that I wasn’t upset. Shouldn’t I have been upset? Put Tiffany in the front seat of the car with Jason, and I’d be trying not to go ballistic because she was that close to him.
Rachel Hawthorne (The Boyfriend League)
I lost it in the bathroom. Sitting on the toilet, I started to panic when I noticed the graveyard of empty toilet paper rolls. The brown cylinders had ostensibly been placed vertically to form a half oval on top of the flat shiny surface of the stainless steel toilet paper holder. It was like some sort of miniature-recycled Stonehenge in the women’s bathroom, a monument to the bowel movements of days past. Actually, it was sometime around 2:30 p.m. when my day exited the realm of country song bad and entered the neighboring territory of Aunt Ethel’s annual Christmas letter bad. Last year Aunt Ethel wrote with steady, stalwart sincerity of Uncle Joe’s gout and her one—no, make that two—car accidents, the new sinkhole in their backyard, their impending eviction from the trailer park, and Cousin Serena’s divorce. To be fair, Cousin Serena got divorced every year, so that didn’t really count toward the calamitous computation of yearly catastrophes.
Penny Reid
And then it was over. The morning Fred woke up and renounced his seven a.m. viewing of Planes and How They Fly! I was immediately transported back to my ten-year-old self, the one who had refused to step onto Daddy’s plane, knowing she’d pay the price—his silence—for days. Airplanes faded from Fred’s mind as quickly as they had rooted themselves there nine months earlier. He no longer called me Piper, and I became Mommy once again. Fred’s miniature metal airplanes lay grounded in their basket in his room for a week before I had the courage to return my father’s calls and politely decline his invitation to join him at the airport. “What do you mean he doesn’t want to go to the airport? It’s been over a week.” “I asked him, Dad; he doesn’t want to go. He’s drawing race cars right now.
Rebecca L. Brown (Flying at Night)
A city is different things to us at different times - of the day, of the year, of our life. Many years have passed since I was in the backseat of the car, taken with the razzle-dazzle. Today, I'm more drawn to the neighborhood coffee shops, or modest old parks like Abingdon Square in Greenwich Village, where farmers come to sell cheese and eggs under the London Plane trees. I have a soft spot for the little urban island like McCarthy Square, with its birdhouses - some with simple peak roofs; others with multiple stories and decks, made of miniature wood logs, like ski chalets - that poke out from shrubs and evergreens. I like the quiet of the West Village in the morning, where sidewalk chalkboards outside restaurants and coffee shops promise caffeine and better days, and streets paved with setts - Jane, West 12th, Bethune, Bank - feed into Washington Street like streams emptying into a river.
Stephanie Rosenbloom
It was early spring of 1997, about five years into my career as a journalist, a day of dark skies and cold rain. Peter Diamandis and I had gotten together for the very first time at a rundown diner on the outskirts of Chinatown, San Francisco. The diner was long and narrow, and we were seated toward the rear of the room. I was sitting with my back to the building’s far corner, Peter with his back to the rest of the restaurant. And the rest of the restaurant was staring at him. For twenty minutes, Peter had been getting more and more excited while telling me about his newly launched endeavor: the XPRIZE, a ten-million-dollar competition for the first team to build a private spaceship capable of taking three people into space twice in two weeks. Already, the Sharpie had come out. There were charts on napkins, graphs on placemats, a healthy rearrangement of condiments — the ketchup marking the end of the troposphere, the mustard the beginning of the mesosphere. About the time he got loud about how some maverick innovator working out of a garage somewhere was going to “take down NASA,” people began to stare. Peter couldn’t see them; I could. Twenty folks in the restaurant, all looking at him like he was stark raving mad. And I remember this: I remember thinking they were wrong. It’s hard to put my finger on why. Part of it was a strange hunch. Journalists tend to be cynical by nature and disbelieving by necessity. The job requires a fairly healthy bullshit detector, and that was the thing — mine wasn’t going off. More of it was that I had just come from a month in the Black Rock Desert, outside of Gerlach, Nevada, watching Craig Breedlove try to drive a car through the sound barrier. Breedlove’s effort was terrestrial-bound rocket science, for sure. The Spirit of America, his vehicle, was pretty much a miniature Saturn V — 40 feet long, 8 feet wide, 6 feet high, and powered by a turbojet engine that burned, well, rocket fuel. During those long days in the desert, I spent a lot of time talking to aerospace engineers. They all made one thing clear: Driving a car through the sound barrier was a lot harder than sending a rocket ship into low-earth orbit. In fact, when I asked Breedlove’s crew chief, former Air Force pilot turned aerospace engineer Dezso Molnar — who we’ll meet again later as the inventor of the world’s first flying motorcycle — what he was going to work on when all this was over, he said, “I want to do something easy, something relaxing. I think I’m going to build a spaceship.
Steven Kotler (Tomorrowland: Our Journey from Science Fiction to Science Fact)