Mine Baby Quotes

We've searched our database for all the quotes and captions related to Mine Baby. Here they are! All 100 of them:

I want you sore, baby,” he murmurs, and he continues his sweet, leisurely torment, backward, forward. “Every time you move tomorrow, I want you to be reminded that I’ve been here. Only me. You are mine.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Cookie?" he offered, holding a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. "Sure." His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it." Come and get...? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere...
Jennifer L. Armentrout (Onyx (Lux, #2))
I married a damned cereal killer
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over. “Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled. He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.” I raised one eyebrow, “You’re gonna regret that.” “You wanna bet?” I smiled with as much deviance as I could muster.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
She glared at him. "You're doing it again." "What?" "That thing that irritates me." "Smiling?" "Yes. That.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
I'll go gentle, baby," he whispered against my lips. "I promise. You'll always be safe with me." Oh. My. "Mitch," I breathed. His soulful eyes held mine captive as he repeated firmly, "Always.
Kristen Ashley (Law Man (Dream Man, #3))
When a baby comes into the world, its hands are clenched, right? Like this?" He made a fist. "Why? Because a baby not knowing any better, wants to grab everything, to say the whole world is mine. But when an old person dies, how does he do so? With his hands open. Why? Because he has learned his lesson." "What lesson?" I asked. He stretched open his empty fingers. "We can take nothing with us.
Mitch Albom (Have a Little Faith: a True Story)
Still, despite all this, traveling is the great true love of my life. I have always felt, ever since I was sixteen years old and first went to Russia with my saved-up babysitting money, that to travel is worth any cost or sacrifice. I am loyal and constant in my love for travel, as I have not always been loyal and constant in my other loves. I feel about travel the way a happy new mother feels about her impossible, colicky, restless, newborn baby--I just don't care what it puts me through. Because I adore it. Because it's mine. Because it looks exactly like me. It can barf all over me if it wants to--I just don't care.
Elizabeth Gilbert (Eat, Pray, Love)
Once upon a time they was two girls," I say. "one girl had black skin, one girl had white." Mae Mobley look up at me. She listening. "Little colored girl say to little white girl, 'How come your skin be so pale?' White girl say, 'I don't know. How come your skin be so black? What you think that mean?' "But neither one a them little girls knew. So little white girl say, 'Well, let's see. You got hair, I got hair.'"I gives Mae Mobley a little tousle on her head. "Little colored girl say 'I got a nose, you got a nose.'"I gives her little snout a tweak. She got to reach up and do the same to me. "Little white girl say, 'I got toes, you got toes.' And I do the little thing with her toes, but she can't get to mine cause I got my white work shoes on. "'So we's the same. Just a different color', say that little colored girl. The little white girl she agreed and they was friends. The End." Baby Girl just look at me. Law, that was a sorry story if I ever heard one. Wasn't even no plot to it. But Mae Mobley, she smile and say, "Tell it again.
Kathryn Stockett (The Help)
Go to sleep, baby, Mama will sing. Of blue butterflies, and dragonfly wings. Moonlight and sunbeams, raiment so fine. Silver and gold, for baby of mine. Go to sleep, baby. Sister will tell, of wolves and of lambs, and demons who fell.
Kim Harrison (Black Magic Sanction (The Hollows, #8))
Apologize for not being mine when you should’ve been. Because Emilia, baby...” I tilted my head sideways. “It was always fucking us and you know it.
L.J. Shen (Vicious (Sinners of Saint, #1))
For a moment, I pretended. Not that we weren't two different species, because I didn't see him that way, but that we actually liked each other. And then he shifted and rolled. I was on my back, and he was still on the move. His face burrowed into the space between my neck and shoulder, nuzzling. Sweet baby Jesus...Warm breath danced over my skin, sending shivers down my body. His arm was heavy against my stomach, his leg between mine, pushing up and up. Scorched air fled my lungs. Daemon murmured in a language I couldn't understand. Whatever it was, it sounded beautiful and soft. Magical. Unearthly. I could've woken him up but for some reason I didn't. The thrill of him touching me was far stronger than anything else. His hand was on the edge of the borrowed shirt, his long fingers on the strip of exposed flesh between the hem on the shirt and the band of the worn pajama bottoms. And his hand inched up under the shirt, across my stomach, where it dipped slightly. My pulse went into cardiac territory. The tips of his fingers brushed my ribs. His body moved, his knee pressed against me. I gasped. Daemon stilled. No one moved. The clock on the wall ticked. And I cringed.
Jennifer L. Armentrout (Obsidian (Lux, #1))
<…>When I was done speaking I felt his body had gone still again, stone still. And silent. Then he asked quietly, "Nightmare?" "Nightmare," I replied firmly. Ty didn't move. By a miracle, I held it together. Then he moved but it was to rest his chin on my shoulder and I closed my eyes because I needed him to go, go, go so I could fall apart again on my own. Then he said, "Your nightmare, mama, was my dream." My heart clenched. He kept going. "Never had a home until you gave me one." My breath started sticking. "Never had anyone give to me the way you gave to me." My breath stopped sticking and clogged. "Never thought of findin' a woman who I wanted to have my baby." Oh God. "Never had light in my life, never, not once, I lived wild but I didn't burn bright until you shined your light on me." Oh God. "Whacked, fuckin' insane, but, at night, you curled in front of me, didn't mind I did that time that wasn't mine 'cause it meant I walked out to you." He had to stop. He had to. He didn't. "Your nightmare," he whispered, turned his head and against my neck he finished, "my dream."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized. She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I'll one day be. You, baby girl. You're my final piece.
Colleen Hoover (This Girl (Slammed, #3))
How can I be angry with the other half of my soul?" he asked, his tone so tender it tore little pieces out of her heart. "I have a temper, baby, and I know I fucking brood. But even if I act pissed, even if I snarl, it doesn't mean I love you any less. Your soul shines, Tally, and I'm so damn glad it shines for me.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
No marshmallows. "I don't believe this! I'm going to write the president of General Mills! Don't they have any quality control?" "I'm sure it's just a fluke" "Doesn't make any difference whether it's a fluke or not. It shouldn't have happened. When a person buys a box of lucky charms he's got expectations
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
You're mine, and mine alone, baby. Just for my eyes, just for my touch and just for my pleasure. Just mine. Do you understand me?
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
The baby was always mine. You were always meant to be mine.
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
I felt his forehead against mine, another swipe of his thumb to wipe the wetness away and I heard him whisper, "Baby, I can't keep up.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
You're going to be mine for the rest of your life.
Lynda LeeAnne (Lexi, Baby (This Can't Be Happening, #1))
The fire, baby. It'll burn us both. There's no place in this world for our kind of fire. My warrior woman. My valkyrie. You'll always be mine. Always. And never.
Frank Miller (Sin City, Vol. 3: The Big Fat Kill (Sin City, #3))
You. Are. So. Amazing.” His soft lips brush over mine, back and forth, over and over again as he begins to move inside me. “Rock with me, baby.
Kristen Proby (Rock with Me (With Me in Seattle, #4))
Give me those keys.” “I will not!” “You win, Professor. I’ll buy you a car. Now give me the damn keys.” “I have a car.” “A real car. A Mercedes, a BMW, whatever you want.” “I don’t want a Mercedes or a BMW.” “That’s what you think.” “Stop bullying me.” “I haven’t even started.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
Traveling is the great true love of my life... I am loyal and constant in my love of travel. I feel about travel the way a happy new mother feels about her impossible, colicky, restless newborn baby - I just don't care what it puts me through. Because I adore it. Because it's mine. Because it looks exactly like me.
Elizabeth Gilbert (Eat, Pray, Love)
He wanted to shake her until every one of her chattering teeth hit the ground. "What the hell are you trying to say? Why did she choose me?" Jodie eyed him warily. "Because she thinks you're stupid.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
You were the best birthday present I ever got." "Thank you." "I wanted to give you something back, but I've got to warn you that it's not half as good as my present. Even so, you have to keep it." "All right." He draped the pink bow around his neck and grinned. "Happy birthday, Rosebud.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
"Baby, you gave that to someone else, it wouldn't be mine. Now it's mine. No one can ever have it. It'll always be mine. I love it. I think it's beautiful. So I absolutely do not think the town's sweet, cute, pretty, shy librarian who held onto that for as long as you did then gave it to me is anything but really fuckin' good."
Kristen Ashley (Breathe (Colorado Mountain, #4))
Beyond the ocean and the world and the stars. You’re mine beyond that, baby, and I’m yours.
Karina Halle (Bold Tricks (The Artists Trilogy, #3))
This phone," he says finally. "I want this phone." She laughs. "No. S'mine." Janie, I don't think you understand. I want it." Sorry." It's got photo caller ID; Internet; video, camera, and digital recorder?! Holy Hannah... It's making me warm all over." Oh yeah?" Janie says in a sexy voice. "Wanna play with my phone, baby?" Hell yes, I do.
Lisa McMann (Fade (Wake, #2))
They took you away from me." His hand squeezed mine, the pendants and chains digging into my skin. "I'm back, baby.
Kristen Ashley (Creed (Unfinished Hero, #2))
Don't mess with me, Calvin. You'll only get hurt.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
Just because you’re rivals doesn’t mean you have to be enemies.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
It's a beautiful war, baby." He dipped so close, the tips of our noses brushed but his eyes never left mine. "And I...just… won.
Kristen Ashley (Deacon (Unfinished Hero, #4))
And put me down right this minute or I'll scream bloody murder, then do the job for real!" "I already hid all the electrical appliances, and I'm not taking a shower without locking you in the closet first.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
Blaire, This was my grandmother’s. My father’s mother. She came to visit me before she passed away. I have fond memories of her visits and when she passed on she left this ring to me. In her will I was told to give it to the woman who completes me. She said it was given to her by my grandfather who passed away when my dad was just a baby but that she’d never loved another the way she’d loved him. He was her heart. You are mine. This is your something old. I love you, Rush
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
Now that child reminds me of something our sages taught. When a baby comes into the world, it's hands are clenched, right? Like this?" He made a fist. "Why? Because a baby, not knowing any better, wants to grab everything, to say 'The whole world is mine.' "But when an old person dies, how does he do so? With his hands open. Why? Because he has learned the lesson." What lesson? I asked. He stretched open his empty fingers. "We can take nothing with us.
Mitch Albom (Tuesdays with Morrie)
I have a thick skin, baby...but you're under it. You're buried in there so deep it's like I was born with you in my soul. When I'm near you I'm consumed by you--your smile, your eyes, your heart. Even though we've never been together, you've always been mine, and even if I never get to keep you, you'll still be mine.
Kate McCarthy (Fighting Redemption)
I can't believe you're in my life, I can't believe you're mine. You are so, so precious to me, baby.
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
You’re gonna find special, Ace.” … “Sometimes special doesn’t exist, Tate,” I told him. “And I’m okay with that.” His lips came back to mine and when he spoke, he did it gently. “It will for you baby.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
You’re being domineering again,” I informed him. I felt his mouth grin under mine and watched his eyes do it. “Yeah, baby, fair warnin’, when we’re naked, you better get used to that.” I gasped at his words then he kissed me.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Baby doll, I could assert my manly dominance, thump my chest, and declare you’re mine. But it wouldn’t mean a damn thing if I’m not yours in return.
Kristen Callihan (Idol (VIP, #1))
You think you need me, little firecracker?” The gruff question travels all the way through me, and I have to press my thighs together to stop the tremor in me. “Baby, the way you need me can only barely cover half of the way I need you.” The unexpected sadness in his voice yanks my gaze back to his.
Katy Evans (Mine (Real, #2))
Mitch---" "All right, baby, I'll shut you up." Then he did, his head slanting and his lips taking mine in a repeat performance of the open-mouthed, knock my socks off, rock my world, best kiss in the history of all time.
Kristen Ashley (Law Man (Dream Man, #3))
Mace let out an exasperated sigh. “It’s bad enough we have the baby. Which I was accepting of because he’s mine.” “That’s real big of ya, hoss.
Shelly Laurenston (The Beast in Him (Pride, #2))
If you’re gonna be somebody’s heartbreak If you’re gonna be somebody’s mistake If you’re gonna be somebody’s first time, somebody’s last, baby be mine – Hunter Hayes
Adriana Law (Chasing Memories)
Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs." So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies. So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne. "I tell you what," I said, "I'll call it 'The Children's Crusade.'" She was my friend after that.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I need to hear you say it.” “I love you,” she said. She touched her lips to mine, and then pulled a few inches away. “Now quit being such a baby.” Once she kissed me, my heart slowed, and every muscle in my body relaxed. How much I needed her terrified me. I couldn’t imagine love was like this for everyone, or men would all be walking around like lunatics the second they were old enough to notice girls. Maybe it was just me. Maybe it was just me and her. Maybe together we were this volatile entity that would either implode or meld together. Either way, it seemed the moment I met her, my life had been turned upside down. And I didn’t want it any other way.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I don’t want you to go yet. I like having you here with me. You soothe me, baby.” He rested his head on top of mine. “You are my ray of light in a fog of ignorance and frustration.
Raine Miller (Naked (The Blackstone Affair, #1))
eat, baby. eat. chew. please. I know it hurts. I know it doesn’t feel good. please. I know your hunger is different than mine. I know it doesn’t taste the same as mine. imagine you could grow up all over again and pinpoint the millisecond that you started counting calories like casualties of war, mourning each one like it had a family. would you? sometimes I wonder that. sometimes I wonder if you would go back and watch yourself reappear and disappear right in front of your own eyes. and I love you so much. I am going to hold your little hand through the night. just please eat. just a little. you wrote a poem once, about a city of walking skeletons. the teacher called home because you told her you wished it could be like that here. let me tell you something about bones, baby. they are not warm or soft. the wind whistles through them like they are holes in a tree. and they break, too. they break right in half. they bruise and splinter like wood. are you hungry? I know. I know how much you hate that question. I will find another way to ask it, someday. please. the voices. I know they are all yelling at you to stretch yourself thinner. l hear them counting, always counting. I wish I had been there when the world made you snap yourself in half. I would have told you that your body is not a war-zone, that, sometimes, it is okay to leave your plate empty.
Caitlyn Siehl
Fuck, baby. I can hear it. I hear all your beautiful secrets in my name. I want them. I want you. All of you. Give me what's fucking mine.
Lucian Bane (Dom Wars: Round One (Dom Wars, #1))
So you have demons? Baby, they match mine.
K.A. Knight (Den of Vipers)
You know what love is?" Creed asked that and my eyes shot from the hair on his forehead to his. "I..." I swallowed again then, holding his eyes, I whispered, "Yes. I do. I know what love is, Creed." I felt his big hand curl warm on the side of my face before I felt the pad of his thumb sweep across my lips again. He watched it move as he replied, "I do too, baby." His eyes came to mine. "I absolutely do.
Kristen Ashley (Creed (Unfinished Hero, #2))
Baby, I’m sorry,” he said dropping his forehead to mine in a rare moment of vulnerability. His voice was rough and shaky. “Help me. Please. I don’t know what I’m doing here.” “What are you trying to do?” I asked. He raised up, just enough to look me in the eye. “I’m trying to love you.
T.M. Frazier (Lawless (King, #3))
Blue jeans, white shirt Walked into the room you know you made my eyes burn It was like, James Dean, for sure You're so fresh to death and sick as ca-cancer You were sorta punk rock, I grew up on hip hop But you fit me better than my favourite sweater, and I know That love is mean, and love hurts But I still remember that day we met in december, oh baby! I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time Big dreams, gangster Said you had to leave to start your life over I was like, “No please, stay here, We don't need no money we can make it all work,” But he headed out on sunday, said he'd come home monday I stayed up waitin', anticipatin', and pacin' But he was chasing paper "Caught up in the game" ‒ that was the last I heard I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time You went out every night And baby that's alright I told you that no matter what you did I'd be by your side Cause Imma ride or die Whether you fail or fly Well shit at least you tried. But when you walked out that door, a piece of me died I told you I wanted more-but that's not what I had in mind I just want it like before We were dancing all night Then they took you away-stole you out of my life You just need to remember.... I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time
Lana Del Rey
Had no fuckin’ clue how deep you ran.” “What?” I whispered. “Everything you do, what you eat, what you drink, how you live, how you love, how you work, all of it runs deep. You give it everything. It means everything to you.” His hand suddenly caught mine that was resting on my thigh and he gave it a squeeze. “Come here, baby.” I bent to him and his hand went to the small of my back, sliding up my spine and into my hair. “Teach that to our kids, will you?
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
Anna, baby, you would never be the girl I didn't see, whether we had met now or in high school." He pulls me in close, rubbing his nose along the tip of mine. "Don't you understand? I know you wouldn't be because, since the moment I laid eyes on you, you're all I can see.
Kristen Callihan (The Hook Up (Game On, #1))
Baby Girl,” I say. “I need you to remember everything I told you. Do you remember what I told you?” She still crying steady, but the hiccups is gone. “To wipe my bottom good when I’m done?” “No, baby, the other. About what you are.” I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. A flash from the future. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full grown woman. And then she say it, just like I need her to. “You is kind,” she say, “you is smart. You is important.
Kathryn Stockett (The Help)
You okay with all of this?" I whispered to Daemon. He shrugged. "Not like I can stop her." I knew he could if he wanted, which meant he didn't have a problem with it. "Cookie?" he offered, holding a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. "Sure." His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it." Come and get...? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere... My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing. That cookie—those lips—were right there. Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me. Dee gagged. "I think I'm going to hurl." Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me. Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten." I stared at him. Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
Jennifer L. Armentrout (Onyx (Lux, #2))
Her tiny hand gripped mine with a surprising warmth, and in a shocking wash of emotion, I felt everything I knew shift. The scent of cinnamon and baby powder hit me, and as my eyes widened, my heart melted, making room for her.
Kim Harrison (Pale Demon (The Hollows, #9))
After more of his sweet torture, I called, “Tate, honey?” “Yeah, baby,” he answered. “Am I under your skin?” I whispered as my hips moved with his hand. He replied instantly, “Oh yeah.” His thumb tweaked my clit harder, my hips jerked and a low mew slid out of my throat as the fingers of one of my hands slid into his hair and the other arm held on tighter. “Fuck yeah,” he growled and his lips left my ear, his mouth found mine and he kissed me, wet and deep.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
If you were to press your heart close up against somebody else’s heart eventually your hearts will start beating at the same time. And two little babies in an incubator, their hearts will beat at the same time. Love that. So if you have somebody in your life that is prone to anxiety, like myself, and if you happen to be a calm person, you could come up and hug me heart to heart and my heart hopefully would slow to yours. And I just love that idea. Or maybe yours would speed up to mine. But either way, we’ll be there together.
Andrea Gibson
"What you got to give, Faye, here," his hips pressed into mine, "clean, pure, all fuckin' mine and that's beautiful right there. But the rest, how wet you get, how tight you are, you goin' wild for me like you did just now, baby. Fuck. You gotta know, coupled with the other, that's beauty that's off the charts." Hmm. I liked that. A frak of a lot.
Kristen Ashley (Breathe (Colorado Mountain, #4))
Your daddy and me named you Otha. It means 'wealth'. You were your daddy's treasure from the time you were born until he died. He used to say there were rubies buried deep inside of you. Remember, baby, don't never let a man mine you for your riches. Don't let him take a pickax to that treasure in your soul. Remember, they can't get it until you give it to them.
Cynthia Bond (Ruby)
You write poetry?" Klaus asked. He had read a lot about poets but had never met one. "Just a little bit," Isadora said modestly. "I write poems down in this notebook. It's an interest of mine." "Sappho!" Sunny shrieked, which meant something like, "I'd be very pleased to hear a poem of yours!
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
I have done a number of things to keep this man. I have lied and cheated. I have been sexy and meek, fierce and vulnerable. I have been everything but myself. He is mine right now, but I am never enough for him. I can feel it — see it in the way he looks at me. His eyes are always probing, searching for something. I don’t know what he’s looking for. I wish I did. I cannot compete against a baby — my baby. I am who I am. My name is Leah, and I will do anything to keep my husband.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
But even as she told herself that, she remembered the way Cal had looked today with his shirt off while he’d stood on the ladder and scraped the side of Annie’s house. Watching those muscles bunch and flex every time he moved had made her crazy and she’d finally grabbed his shirt, thrown it at him, and delivered a stern lecture on the depletion of the ozone layer and skin cancer.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
You haven't gotten the dynamics of our relationship down yet, have you? Let me explain it to you: we're involved, very involved. You're mine, and your problems are also mine. No one messes with what belongs to me. Don't fight me on that, because you'll lose baby. and be aware next time you hide something like that from me, I'll turn you over my knee and spank your ass red. Do we understand each other?
Elle Aycart (More than Meets the Ink (Bowen Boys, #1))
Most people's reality is an illusion, a great big illusion. You automatically have to succumb to the illusion that 'I am this body'. I am not George. I am not really George. I am this living thing that goes on, always has been, always will be, but at this time I happen to be in 'this' body. The body has changed; was a baby, was a young man, will soon be an old man, and I'll be dead. The physical body will pass but this bit in the middle, that's the only reality. All the rest is the illusion, so to say that somebody thinks we are, the ex- Beatles are removed from reality in their personal concept. It does not have any truth to it just because somebody thinks it. They are the concepts which become layer upon layer of illusion. Why live in the darkness all your life? Why, if you are unhappy, if you are having a miserable time, why not just look at it. Why are you in the darkness? Look for the light. The light is within. That is the big message
George Harrison (I, Me, Mine)
We just lost our electricity. You want to tell me what’s so funny about that?” “It’s not exactly funny. It’s more of a good news/bad news situation.” “In that case, hit me with the good news first.” “They’re both sort of rolled up into one.” “Stop stalling.” “All right. Now don’t get mad, but . . .” Smothered laughter drifted toward him. “Cal . . . I’m naked.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap." "I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?" "Am i gonna have to beat the shit out o' him? Is that what it's gonna take?" "He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
How many times do I have to tell you? We’re fuck buddies, Zano.” He shook his head again, his thumb sweeping across my cheek and his face getting so close to mine, his lips nearly brushed my own. “No, baby , we are not. I’ve had fuck buddies, Ally. And not one of them looked like you look when I slide inside you, every fucking time I slide inside you. Like a piece of you has been lost and now it’s found.” Oh crap. I probably looked just like that.
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls" "Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
And Eth couldn't help looking. It's been years since he's seen a beautiful naked woman in the flesh. I'd be worried about him if he hadn't looked." "He's a minister!" "It was a blessed event. You sure you don't want me to hang that robe up?" "You're making a joke out of this." "Absolutely not. Only an insensitive jerk would think something this traumatic was funny. Tell you what. I'll go downstairs right this minute and kill him before he gets away.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
my final piece We’re born into the world As just one small piece to the puzzle That makes up an entire life. It’s up to us throughout our years, to find all of our pieces that fit. The pieces that connect who we are To who we were To who we’ll one day be. Sometimes pieces will almost fit. They’ll feel right. We’ll carry them around for a while, Hoping they’ll change shape. Hoping they’ll conform to our puzzle. But they won’t. We’ll eventually have to let them go. To find the puzzle that is their home. Sometimes pieces won’t fit at all. No matter how much we want them to. We’ll shove them. We’ll bend them. We’ll break them. But what isn’t meant to be, won’t be. Those are the hardest pieces of all to accept. The pieces of our puzzle That just don’t belong. But occasionally . . . Not very often at all, If we’re lucky, If we pay enough attention, We’ll find a perfect match. The pieces of the puzzle that slide right in The pieces that hug the contours of our own pieces. The pieces that lock to us. The pieces that we lock to. The pieces that fit so well, we can’t tell where our piece begins And that piece ends. Those pieces we call Friends. True loves. Dreams. Passions. Beliefs. Talents. They’re all the pieces that complete our puzzles. They line the edges, Frame the corners, Fill the centers, Those pieces are the pieces that make us who we are. Who we were. Who we’ll one day be. Up until today, When I looked at my own puzzle, I would see a finished piece. I had the edges lined, The corners framed, The center filled. It felt like it was complete. All the pieces were there. I had everything I wanted. Everything I needed. Everything I dreamt of. But up until today, I realized I had collected all but one piece. The most vital piece. The piece that completes the picture. The piece that completes my whole life. I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I’ll one day be. You, baby girl. You’re my final piece.
Colleen Hoover (This Girl (Slammed, #3))
He says softly, "I don't just want you in my dreams, baby. Been wanting you a long while." fiddle sticks I whisper, "Niki." He puts his lips close to mine and breathes deep, "You're all I think about." I feel the tingles start in my in my nose. A sure sign I'm going to bawl. "Stop." But he just keeps coming with the sweet, "I thought I needed a woman like you. Turns out I just needed you." My breath hitches. "Stop." What he says next melts my frozen heart. "You're it, Tina." I no longer have doubts My heart skips a beat and I whisper fiercely, "I want to kiss you. Real bad.
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
Don’t play, baby.” “Tell me I am,” I rasp. When his brows dip, I continue. “Your baby.” My eyes hit his. “For reals, not for fakes. For keeps, not for now.” The heavy thump of his heart beats against my hand, and I flatten my palm there, not wanting to miss the way it’s climbing. “Pixie.” He leans in, brushing his lips over mine. “You are. You’ve been,” he stresses. “Even when you had no fuckin’ clue... you were my baby.
Meagan Brandy (Fake It 'Til You Break It)
Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…
Mehek Bassi (Chained: Can you escape fate?)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained." He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch." "They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting." She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
Speaking of, “When is your birthday?” Strider asked Kaia. Wide silver-gold eyes swung to him. “You don’t know?” “No.” Pouting, she twirled a strand of her hair. “How can you not know?” “Do you know mine?” he asked. “Of course I do. It’s the day you met me. As good a day as any. “No, it’s not, because that was a trick question, baby doll. I don’t actually have a birthday. I was created fully formed, not born.” True story. “You can be such a moron.” She threw up her arms, exasperated. “Don’t argue with me about this kind of thing. I’ll always be right. Seriously. You were dead until you met me and we both know it. Which means I brought you to life. So, happy belated birthday.
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?' Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.' Hendrick muttered something; Zim said, 'Speak up!' I'm not itching to resign, sir. I'm going to sweat out my term.' I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?' What? Sure--yes, sir.' Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?' Why . . . no, sir!' Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
Robert A. Heinlein (Starship Troopers)
Open your eyes, baby. Look at me.” He pressed his forehead down to meet mine, my eyelids fluttering open at his command. “Look at me and tell me you don’t want it.” I peered up at him with unsteady breaths, hearing his throat work when I tilted my lips to graze his. The contact was feather light, my heart hammering through my chest at the feel of it. “I’m looking,” I breathed against him. “Good. Because right now, all I want to do is rip your clothes off and make you come until you can’t stand, and I want your eyes on me the whole time, are we clear?” -Jackson and Emma
Rachael Wade (Love and Relativity (Preservation))
Okay then. That's what I'll do. I'll tell you a story. Can you hear them? All these people who lived in terror of you and your judgment. All these people whose ancestors devoted themselves, sacrificed themselves to you. Can you hear them singing? Oh you like to think you're a god. But you're not a god. You're just a parasite. Eaten with jealousy and envy and longing for the lives of others. You feed on them. On the memory of love and loss and birth and death and joy and sorrow, so... so come on then. Take mine. Take my memories. But I hope you're got a big a big appetite. Because I've lived a long life. And I've seen a few things. I walked away from the last great Time War. I marked the passing of the Time Lords. I saw the birth of the universe and watched as time ran out, moment by moment, until nothing remained. No time, no space. Just me! I walked in universes where the laws of physics were devised by the mind of a madman! And I watched universes freeze and creation burn! I have seen things you wouldn't believe! I have lost things you will never understand! And I know things, secrets that must never be told, knowledge that must never be spoken! Knowledge that will make parasite gods blaze! So come on then! Take it! Take it all, baby! Have it! You have it all!
Neil Cross
Luce," he said at last, his voice soft. "what do you want me to do?" He paused, waiting for my response, but I wasn't sure what he was asking, so no response came. "Please, just tell me," he continued. "Tell me what you want me to say, and do, when it comes to Adriana or any other girl that looks my way, and I'll do it. You want me to fire a spit wad between their eyes? So be it. You want me to flip them off any time any one of them looks my way? You got it. You want me to poke my eyes out so I can't see another one of their suggestive smiles again?" he trailed on, half of his face squishing together. "Well, that would suck, but I'd do it. For you." Cradling my face in his hands again, he leaned forward so his eyes were staring into mine from half a foot away. "Just tell me, baby. What do you want me to do?
Nicole Williams (Clash (Crash, #2))
Starry Eyed" Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that Life doesn't always work out Like you planned it They say make lemonade out of lemons But I try and I just can't understand it All this trying for no good reason Man makes plans and God laughs Why do I even bother to ask? Well, once you and I, we were the king and queen of this town It doesn't matter now The sun set on our love, bye baby Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that Life doesn't always work out Like you planned it They say make lemonade out of lemons But I try and I can't understand it All this bragging for not good reason Man makes plans and God laughs Why do I even bother to ask? Well, once you and I, we were the king and queen of this town It doesn't matter now The sun set on our love, bye, bye baby Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that It doesn't matter what they say Let's go do it anyway 'Cause you and I have an undying kind of love You can be mine, I'll be yours, be my baby Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that
Lana Del Rey
<…>His body shook as his grin spread to a smile. Then he asked, "You honestly think you can tackle me?" "I didn't say it would be a successful tackle." And then my husband burst out laughing. And I watched. He didn't give this to me often but I always watched. This time it was way better because he was doing it while still inside me. Then his laughter died to a chuckle, he dropped his forehead to mine and his hand came up and curled around the side of my neck. And when he did the last, the laughter died, his eyes held mine and he whispered, "Is my mama home?" I swallowed but I still knew my eyes got bright and my voice was husky when I whispered back, "Yes." He closed his eyes, shifted the lower half of his face and touched his mouth to mine. Then he lifted his head away, opened his eyes and I felt his thumb stroke my jaw. His gaze again locked with mine, he told me gently, "Missed you, baby." I swallowed again and my arms and legs tightened around him. "Me too."<…>
Kristen Ashley
Cookie?” he offered, holding up a cookie full of chocolate chips. Upset tummy or not, there was no way I could refuse that. “Sure.” His lips tipped to one side and he leaned towards me, his mouth inches from mine. “Come and get it.” Come and get…? Daemon placed half the cookie between those full, totally kissable lips. Oh, holy alien babies everywhere… My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn’t bring myself to check out what they were doing. That cookie – those lips – were right there. Heat swept over my cheeks. I could feel the eyes of everyone else and Demon… dear God, Daemon arched his brows, daring me. Dee gagged. “I think I’m going to hurl.” Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take that cookie out of his mouth like something straight out of an R-rated version of Lady and the Tramp? Heck, I kind of wanted to, and I wasn’t too sure what that said about me. Daemon reached up and took the cookie. There was a gleam in his eyes, as if he’d just won some battle. “Time’s up, Kitten.
Jennifer L. Armentrout (Onyx (Lux, #2))
The only dream I ever had was the dream of New York itself, and for me, from the minute I touched down in this city, that was enough. It became the best teacher I ever had. If your mother is anything like mine, after all, there are a lot of important things she probably didn't teach you: how to use a vibrator; how to go to a loan shark and pull a loan at 17 percent that's due in thirty days; how to hire your first divorce attorney; what to look for in a doula (a birth coach) should you find yourself alone and pregnant. My mother never taught me how to date three people at the same time or how to interview a nanny or what to wear in an ashram in India or how to meditate. She also failed to mention crotchless underwear, how to make my first down payment on an apartment, the benefits of renting verses owning, and the difference between a slant-6 engine and a V-8 (in case I wanted to get a muscle car), not to mention how to employ a team of people to help me with my life, from trainers to hair colorists to nutritionists to shrinks. (Luckily, New York became one of many other moms I am to have in my lifetime.) So many mothers say they want their daughters to be independent, but what they really hope is that they'll find a well-compensated banker or lawyer and settle down between the ages of twenty-five and twenty-eight in Greenwich, Darien, or That Town, USA, to raise babies, do the grocery shopping, and work out in relative comfort for the rest of their lives. I know this because I employ their daughters. They raise us to think they want us to have careers, and they send us to college, but even they don't really believe women can be autonomous and take care of themselves.
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
One Monday, just for sport, Charlie grabbed an eggplant that a spectacularly wizened granny was going for, but instead of twisting it out of his hand with some mystic kung fu move as he expected, she looked him in the eye and shook her head - just a jog, barely perceptible really - it might have been a tic, but it was the most eloquent of gestures. Charlie read it as saying: O White Devil, you do not want to purloin that purple fruit, for I have four thousand years of ancestors and civilization on you; my grandparents built the railroads and dug the silver mines, and my parents survived the earthquake, the fire, and a society that outlawed even being Chinese; I am mother to a dozen, grandmother to a hundred, and great-grandmother to a legion; I have birthed babies and washed the dead; I am history and suffering and wisdom; I am a Buddha and a dragon; so get your fucking hand off my eggplant before you lose it.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
What pet name would you like me to call you?” “Whatever makes you the happiest. Just pick one.” In that moment, the effect of the baby came back with a vengeance. “I don’t know,” I said, kicking that one out of my head. “I guess one in Spanish makes sense. Bollito? Cuchi cuchi? Pocholito?” “Bollito?” “It’s little bun.” I smiled. “Like those bread buns that are spongey and shiny and so cute that—" “Okay, no.” He frowned. “I think it’s better if we stick to our names,” he said, taking both drinks from the attendant who had just reappeared and placing mine in front of me. “I don’t think I can trust you to pick one in Spanish without knowing what it means.” “I’m very trustworthy—you should know that by now.” I brought a finger to my chin, tapping it a few times. “How about conejito? That’s little bunny.” With a long sigh, Aaron let his massive body fall deeper into the seat. “You are right; you are not a bunny.” I paused. “Osito?” I made a show of looking him up and down, as if I were testing the name on him. “Yeah, that one is way more fitting. You are more of a bear.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
There's one way. Only one. Mine." Balthazar stepped closer, using every inch he had on Lucas, who was tall but not that tall. "Charity is a person. The same as you, the same as me." "You and me aren't the same." Balthazar cocked his head. "Then let's say the same as Bianca. Will that make you listen?" "Bianca's no killer! She didn't have a choice about what she is." "Guys, don't do this," I pleaded, but they paid no attention. "A choice? You think we all get a choice?" Although Balthazar spoke softly, there was a roughness to his voice I'd never heard before. It sent chills down my spine. "Try being hunted down in the night. Try running as far and as fast as you can and finding out their faster. Try coming to in a stable, with your parents' dead bodies on the ground in front of you, your hands roped above your head and a dozen hungry vampires arguing with each other about who gets you next. See how much choice you have then." Lucas just stared at him. Obviously he'd never imagined anything like that; neither had I. Even more quietly, Balthazar continued, "Try watching your baby sister die, and then tell me that you wouldn't spend the rest of eternity trying to make up for it. When you've done all that, Lucas, then you can talk to me about choices. Until that time, tell me what I need to know and then shut your mouth.
Claudia Gray (Stargazer (Evernight, #2))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Thoughts of you runnin’ through my head Heart’s pumpin’ full speed ahead Body’s screaming to get you in bed Need you, want you, baby gotta be mine Come to me girl, I’m done wastin’ time You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for The feel of your lips, hot breath on my skin Touching you, touching me, I’d relish the sin Let’s find a way for us both to win Need you, want you, baby gotta be mine Come to me girl, I’m done wastin’ time You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for Forever I’ll wait, it’s drivin’ me mad Driven by memories I’ve not yet had Hangin’ on a promise of you and me Hope springs eternal for things that could be You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for You ask me to wait, don’t know if I can Too scared to lose, I’m only a man Bring on the torture, forever and more ’Cause girl it’s true, you’re worth waiting for
Kelly Oram (A Is for Abstinence (V Is for Virgin #2))
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close." I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine." "This isn't going to work. It never would have." "Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us." "God Noah..." Her voice broke. "I'm a mess." A mess? "You 're beautiful." "I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability." "Not true. My brothers will love you and you 'll love them. You are not a liability." "But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?" Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open. "Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked. I forced my head straight and narrowed my eyes. "I love you." She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours." To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together." Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose." She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me. I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair. She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.
Stephen King (Song of Susannah (The Dark Tower, #6))
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)