β
Life seems to go on without effort when I am filled with music.
β
β
George Eliot (The Mill on the Floss)
β
We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call βGodβs birdsβ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?
β
β
George Eliot (The Mill on the Floss)
β
I am not imposed upon by fine words; I can see what actions mean.
β
β
George Eliot (The Mill on the Floss)
β
Don't judge a book by its cover
β
β
George Eliot (The Mill on the Floss)
β
I desire no future that will break the ties of the past.
β
β
George Eliot (The Mill on the Floss)
β
Poetry and art and knowledge are sacred and pure.
β
β
George Eliot (The Mill on the Floss)
β
No anguish I have had to bear on your account has been too heavy a price to pay for the new life into which I have entered in loving you.
β
β
George Eliot (The Mill on the Floss)
β
Those bitter sorrows of childhood!-- when sorrow is all new and strange, when hope has not yet got wings to fly beyond the days and weeks, and the space from summer to summer seems measureless.
β
β
George Eliot (The Mill on the Floss)
β
Jealousy is never satisfied with anything short of an omniscience that would detect the subtlest fold of the heart.
β
β
George Eliot (The Mill on the Floss)
β
Saints and martyrs had never interested Maggie so much as sages and poets.
β
β
George Eliot (The Mill on the Floss)
β
If you deliver an opinion at all, it is mere stupidity not to do it with an air of conviction and well-founded knowledge. You make it your own in uttering it, and naturally get fond of it.
β
β
George Eliot (The Mill on the Floss)
β
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the heroβs heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
β
β
Simone de Beauvoir (The Second Sex)
β
I flutter all ways, and fly in none.
β
β
George Eliot
β
She thought it was part of the hardship of her life that there was laid upon her the burthen of larger wants than others seemed to feel β that she had to endure this wide hopeless yearning for that something, whatever it was, that was greatest and best on this earth.
β
β
George Eliot (The Mill on the Floss)
β
It was one of those dangerous moments when speech is at once sincere and deceptive - when feeling, rising high above its average depth, leaves flood-marks which are never reached again.
β
β
George Eliot (The Mill on the Floss)
β
Her future, she thought, was likely to be worse than her past, for after her years of contented renunciation, she had slipped back into desire and longing; she found joyless days of distasteful occupation harder and harder; she found the image of the intense and varied life she yearned for, and despaired of, becoming more and more importunate.
β
β
George Eliot (The Mill on the Floss)
β
What a different result one gets by changing the metaphor!
β
β
George Eliot (The Mill on the Floss)
β
What novelty is worth that sweet monotony where everything is known and loved because it is known?
β
β
George Eliot (The Mill on the Floss)
β
The man who said the pen was mightier than the sword ought to have tried reading "The Mill on the Floss" to Motor Mechanics.
β
β
Tom Sharpe (Wilt)
β
If I got places, sir, it was because I made myself fit for 'em. If you want to slip into a round hole, you must first make a ball of yourself; that's where it is.
β
β
George Eliot (The Mill on the Floss)
β
Childhood has no forebodings; but then, it is soothed by no memories of outlived sorrow.
β
β
George Eliot (The Mill on the Floss)
β
Nature repairs her ravages, but not all. The uptorn trees are not rooted again; the parted hills are left scarred; if there is a new growth, the trees are not the same as the old, and the hills underneath their green vesture bear the marks of the past rending. To the eyes that have dwelt on the past, there is no thorough repair.
β
β
George Eliot (The Mill on the Floss)
β
I would rather not be engaged. When people are engaged, they begin to think of being married soon, and I should like everything to go on for a long while just as it is.
β
β
George Eliot (The Mill on the Floss)
β
It seems to me we can never give up longing and wishing while we are thoroughly alive. There are certain things we feel to be beautiful and good, and we must hunger after them.
β
β
George Eliot (The Mill on the Floss (Modern Library Classics))
β
I've never any pity for conceited people, because I think they carry their comfort about with them.
β
β
George Eliot (The Mill on the Floss)
β
Her heart went out to him with a stronger movement than ever, at the thought that people would blame him. Maggie hated blame; she had been blamed her whole life, and nothing had come of it but evil tempers.
β
β
George Eliot (The Mill on the Floss)
β
But if Maggie had been that young lady, you would probably have known nothing about her: her life would have had so few vicissitudes that it could hardly have been written; for the happiest women, like the happiest nations, have no history.
β
β
George Eliot (The Mill on the Floss)
β
Surely there was something taught her by this experience of great need; and she must be learning a secret of human tenderness and long-suffering, that the less erring could hardly know?
β
β
George Eliot (The Mill on the Floss)
β
[She was] a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it.
β
β
George Eliot (The Mill on the Floss)
β
They had entered the thorny wilderness, and the golden gates of their childhood had for ever closed behind them.
β
β
George Eliot (The Mill on the Floss)
β
So deeply inherent is it in this life of ours that men have to suffer for each other's sins, so inevitably diffusive is human suffering, that even justice makes its victims, and we can conceive no retribution that does not spread beyond its mark in pulsations of unmerited pain.
β
β
George Eliot (The Mill on the Floss)
β
Your mind is a sort of world to me: you can tell me all I want to know. I think I should never be tired of being with you.
β
β
George Eliot (The Mill on the Floss)
β
There is something sustaining in the very agitation that accompanies the first shocks of trouble, just as an acute pain is often a stimulus, and produces an excitement which is transient strength. It is in the slow, changed life that follows--in the time when sorrow has become stale, and has no longer an emotive intensity that counteracts its pain--in the time when day follows day in dull unexpectant sameness, and trial is a dreary routine--it is then that despair threatens; it is then that the peremptory hunger of the soul is felt, and eye and ear are strained after some unlearned secret of our existence, which shall give to endurance the nature of satisfaction.
β
β
George Eliot (The Mill on the Floss)
β
One gets a bad habit of being unhappy.
β
β
George Eliot (The Mill on the Floss)
β
We don't ask what a woman does; we ask whom she belongs to.
β
β
George Eliot (The Mill on the Floss)
β
We could never have loved the earth so well if we had had no childhood in it.
β
β
George Eliot (The Mill on the Floss)
β
It's puzzling work, talking is.
β
β
George Eliot (The Mill on the Floss)
β
Iβm determined to read no more books where the blond-haired women carry away all the happiness.
β
β
George Eliot (The Mill on the Floss (Modern Library Classics))
β
More helpful than all wisdom is one draught of simple human pity that will not forsake us.
β
β
George Eliot (The Mill on the Floss)
β
It was one of those dangerous moments when speech is at once sincere and deceptive, when feeling, rising high above its average depth, leaves flood-marks which are never reached again.
β
β
George Eliot (The Mill on the Floss)
β
In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her motherβs narrow griefsβperhaps of her fatherβs heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind suffererβs present.
β
β
George Eliot (The Mill on the Floss)
β
It is the moment when our resolution seems about to become irrevocable - when the fatal iron gates are about to close upon us - that tests our strength. Then, after hours of clear reasoning and firm conviction, we snatch at any sophistry that will nullify our long struggles, and bring us the defeat that we love better than victory.
β
β
George Eliot (The Mill on the Floss)
β
Mrs. Tulliver, as we have seen, was not without influence over her husband. No woman is; she can always incline him to do either what she wishes, or the reverse...
β
β
George Eliot (The Mill on the Floss)
β
If we only look far enough off for the consequence of our actions, we can always find some point in the combination of results by which those actions can be justified: by adopting the point of view of a Providence who arranges results, or of a philosopher who traces them, we shall find it possible to obtain perfect complacency in choosing to do what is most agreeable to us in the present moment.
β
β
George Eliot (The Mill on the Floss)
β
Mrs. Deane was a thin-lipped woman, who made small well-considered speeches on peculiar occasions, repeating them afterwards to her husband, and asking him if she had not spoken very properly.
β
β
George Eliot (The Mill on the Floss)
β
Let a prejudice be bequeathed, carried in the air, adopted by hearsay, caught in through the eye,βhowever it may come, these minds will give it a habitation; it is something to assert strongly and bravely, something to fill up the void of spontaneous ideas, something to impose on others with the authority of conscious right; it is at once a staff and a baton.
β
β
George Eliot (The Mill on the Floss)
β
The promise was void, like so many other sweet, illusory promises of our childhood; void as promises made in Eden before the seasons were divided, and when the starry blossoms grew side by side with the ripening peach,βimpossible to be fulfilled when the golden gates had been passed.
β
β
George Eliot (The Mill on the Floss)
β
I think there are stores laid up in our human nature that our understandings can make no complete inventory of.
β
β
George Eliot (The Mill on the Floss)
β
Miss Lucy's called the bell o' St. Ogg's, they say: that's a cur'ous word,' observed Mr. Pullet, on whom the mysteries of etymology sometimes fell with an oppressive weight.
β
β
George Eliot (The Mill on the Floss)
β
For getting a fine flourishing growth of stupidity there is nothing like pouring out on a mind a good amount of subjects in which it feels no interest.
β
β
George Eliot (The Mill on the Floss)
β
Joy and peace are not resignation: resignation is the willing endurance of a pain that is not allayed β that you donβt expect to be allayed. Stupefaction is not resignation: and it is stupefaction to remain in ignorance β to shut up all the avenues by which the life of your fellow-men might become known to you. I am not resigned: I am not sure that life is long enough to learn that lesson. You are not resigned: you are only trying to stupefy yourself.
β
β
George Eliot (The Mill on the Floss)
β
What quarrel, what harshness, what unbelief in each other can subsist in the presence of a great calamity, when all the artificial vesture of our life is gone, and we are all one with each other in primitive mortal needs?
β
β
George Eliot (The Mill on the Floss)
β
And there is no better reason for preferring this elderberry bush than that it stirs an early memory, that it is no novelty in my life, speaking to me merely through my present sensibilities to form and colour, but the long companion of my existence that wove itself into my joys when joys were vivid.
β
β
George Eliot (The Mill on the Floss)
β
You have been reproaching other people all your life - you have been always sure you yourself are right: it is because you have not a mind large enough to see that there is anything better than your own conduct and your own petty aims.
β
β
George Eliot (The Mill on the Floss)
β
Perhaps I feel about you as the artist does about the scene over which his soul has brooded with love: he would tremble to see it confided to other hands; he would never believe that it could bear for another all the meaning and the beauty it bears for him.
β
β
George Eliot (The Mill on the Floss)
β
When uncultured minds, confined to a narrow range of personal experience, are under the pressure of continued misfortune, their inward life is apt to become a perpetually repeated round of sad and bitter thoughts: the same words, the same scenes are revolved over and over again, the same mood accompanies themβthe end of the year finds them as much what they were at the beginning as if they were machines set to a recurrent series of movements.
β
β
George Eliot (The Mill on the Floss (Modern Library Classics))
β
A perfectly sane intellect is hardly at home in this insane world.
β
β
George Eliot (The Mill on the Floss)
β
Don't judge a book by its cover.
β
β
George Eliot (The Mill on the Floss)
β
All people of broad, strong sense have an instinctive repugnance to the men of maxims; because such people early discern that the mysterious complexity of our life is not to be embraced by maxims, and that to lace ourselves up in formulas of that sort is to repress all the divine promptings and inspirations that spring from growing insight and sympathy. And the man of maxims is the popular representative of the minds that are guided in their moral judgment solely by general rules, thinking that these will lead them to justice by a ready-made patent method, without the trouble of exerting patience, discrimination, impartiality, without any care to assure themselves whether they have the insight that comes from a hardly-earned estimate of temptation, or from a life vivid and intense enough to have created a wide fellow-feeling with all that is human.
β
β
George Eliot (The Mill on the Floss)
β
Love gives insight, Maggie, and insight often gives foreboding. Listen to me, let me supply you with books; do let me see you sometimes, be your brother and teacher, as you said at Lorton. It is less wrong that you should see me than that you should be committing this long suicide.
β
β
George Eliot (The Mill on the Floss)
β
It is a wonderful subduer, this need of love--this hunger of the heart--as peremptory as that other hunger by which Nature forces us to submit to the yoke, and change the face of the world.
β
β
George Eliot (The Mill on the Floss)
β
That plain, middle-aged face, with a grave penetrating kindness in it, seeming to tell of a human being who had reached a firm, safe strand, but was looking with helpful pity towards the strugglers still tossed by the waves, had an effect on Maggie at this moment which was afterwards remembered by her as if it had been a promise.
β
β
George Eliot (The Mill on the Floss)
β
It is a mere cowardice to seek safety in negations. No character becomes strong in that way. You will be thrown into the world some day and then every rational satisfaction your nature that you deny now will assault like a savage appetite.
β
β
George Eliot (The Mill on the Floss)
β
Love is natural; but surely pity and faithfulness and memory are natural too. And they would live in me still, and punish me if I did not obey them. I should be haunted by the suffering I had caused. Our love would be poisoned.
β
β
George Eliot (The Mill on the Floss)
β
You want to find out a mode of renunciation that will be an escape from pain. I tell you again, there is no such escape possible except by perverting or mutilating one's nature. What would become of me, if I tried to escape pain? Scorn and cynicism would be my only opium; unless I could fall into some kind of conceited madness, and fancy myself a favourite of Heaven because I am not a favourite with men.
β
β
George Eliot (The Mill on the Floss)
β
The place where you are is the one where my mind must live, wherever I might travel.
β
β
George Eliot (The Mill on the Floss)
β
What's broke can never be whole again.
β
β
George Eliot (The Mill on the Floss)
β
Poor Maggie sat down again, with the music all chased out of her soul, and the seven small demons all in again.
β
β
George Eliot (The Mill on the Floss)
β
It seems right to me sometimes that we should follow our strongest feeling; but then, such feelings continually come across the ties that our former life has made for us -- the ties that have made others dependent on us -- and would cut them in two. If life were quite easy and simple, as it might have been in paradise, and we could always see that one being first towards whom -- I mean, if life did not make duties for us before love comes, love would be a sign that two people ought to belong to each other. But I see -- I feel it is not so now; there are things we must renounce in life; some of us must resign love. Many thing are difficult and dark to me, but I see one thing quite clearly: that I must not, cannot, seek my own happiness by sacrificing others. Love is natural, but surely pity and faithfulness and memory are natural too. And they would live in me still and punish me if I did not obey them. I should be haunted by the suffering I had caused. Our love would be poisoned.
β
β
George Eliot (The Mill on the Floss)
β
For the tragedy of our lives is not created entirely from within. "Character," says Novalis, in one of his questionable aphorisms,β"character is destiny." But not the whole of our destiny.
β
β
George Eliot (The Mill on the Floss)
β
These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerowsβsuch things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day, might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
β
β
George Eliot (The Mill on the Floss)
β
Maggie in her crude form, with her hair down her back, and altogether in a state of dubious promise, was a most undesirable niece; but now she was capable of being at once ornamental and useful.
β
β
George Eliot (The Mill on the Floss (Modern Library Classics))
β
Certain strains of music affect me so strangely - I can never hear them without their changing my whole attitude of mind for a time, and if the effect would last, I might be capable of heroisms.
β
β
George Eliot
β
A man with an affectionate disposition, who finds a wife to concur with his fundamental idea of life, easily comes to persuade himself that no other woman would have suited him so well, and does a little daily snapping and quarreling without any sense of alienation.
β
β
George Eliot (The Mill on the Floss)
β
Mrs. Tulliver had lived thirteen years with her husband, yet she retained in all the freshness of her early married life a facility of saying things which drove him in the opposite direction to the one she desired. Some minds are wonderful for keeping their bloom in this way, as a patriarchal gold-fish apparently retains to the last its youthful illusion that it can swim in a straight line beyond the encircling glass.
β
β
George Eliot
β
Secrets are rarely betrayed or discovered according to any programme our fear has sketched out. Fear is almost always haunted by terrible dramatic scenes, which recur in spite of the best-argued probabilities against them.
β
β
George Eliot (The Mill on the Floss)
β
The days of chivalry are not gone, notwithstanding Burke's grand dirge over them; they live still in that far-off worship paid by many a youth and man to the woman of whom he never dreams that he shall touch so much as her little finger or the hem of her robe.
β
β
George Eliot (The Mill on the Floss)
β
To see an enemy humiliated gives a certain contentment, but this is jejune compared with the highly blent satisfaction of seeing him humiliated by your benevolent action of concession on his behalf. That is a sort of revenge which falls into the scale of virtue [...]
β
β
George Eliot (The Mill on the Floss)
β
Giants have an immemorial right to stupidity and insolent abuse.
β
β
George Eliot (The Mill on the Floss)
β
Tom's contemptuous conception of a girl included the attribute of being unfit to walk in dirty places.
β
β
George Eliot (The Mill on the Floss)
β
Mrs. Tulliver was what is called a good-tempered person,βnever cried, when she was a baby, on any slighter ground than hunger and pins; and from the cradle upward had been healthy, fair, plump, and dull-witted; in short, the flower of her family for beauty and amiability. But milk and mildness are not the best things for keeping, and when they turn only a little sour, they may disagree with young stomachs seriously. I have often wondered whether those early Madonnas of Raphael, with the blond faces and somewhat stupid expression, kept their placidity undisturbed when their strong-limbed, strong-willed boys got a little too old to do without clothing. I think they must have been given to feeble remonstrance, getting more and more peevish as it became more and more ineffectual.
β
β
George Eliot (The Mill on the Floss)
β
I sow all sorts of seeds, and get no great harvest from any one of them. I am cursed with susceptibility in every direction, and effective faculty in none. I care for painting and music; I care for classic literature, and mediæval literature, and modern literature; I flutter all ways, and fly in none.
β
β
George Eliot (The Mill on the Floss)
β
I don't mean your resentment toward them," said Philip... "I mean your extending the enmity to a helpless girl, who has too much sense and goodness to share their narrow prejudices. She has never entered into the family quarrels."
"What does that signify? We don't ask what a woman does; we ask whom she belongs to. It's altogether a degrading thing to you, to think of marrying old Tulliver's daughter.
β
β
George Eliot (The Mill on the Floss)
β
To have taken Maggie by the hand and said, βI will not believe unproved evil of you: my lips should not utter it; my ears shall be closed against it. I, too, am an erring mortal, liable to stumble, apt to come short of my most earnest efforts. Your lot has been harder than mine, your temptation greater. Let us help each other to stand and walk without more falling ββ to have done this would have demanded courage, deep pity, self-knowledge, generous trust β would have demanded a mind that tasted no piquancy in evil-speaking, that felt no self-exaltation in condemning, that cheated itself with no large words into the belief that life can have any moral end, any high religion, which excludes the striving after perfect truth, justice, and love towards the individual men and women who come across our own path.
β
β
George Eliot (The Mill on the Floss)
β
All people of broad, strong sense have an instinctive repugnance to the men of maxims; because such people early discern that the mysterious complexity of our life is not to be embraced by maxims, and that to lace ourselves up in formulas of that sort is to repress all the divine promptings and inspirations that spring from growing insight and sympathy.
β
β
George Eliot (The Mill on the Floss)
β
Mrs. Tulliver had lived thirteen years with her husband, yet she retained in all the freshness of her early married life a facility of saying things which drove him in the opposite direction to the one she desired. Some minds are wonderful for keeping their bloom in this way, as a patriarchal goldfish apparently retains to the last its youthful illusion that it can swim in a straight line beyond the encircling glass. Mrs. Tulliver was an amiable fish of this kind, and after running her head against the same resisting medium for thirteen years would go at it again to-day with undulled alacrity.
β
β
George Eliot (The Mill on the Floss)
β
Poor child! it was very early for her to know one of those supreme moments in life when all we have hoped or delighted in, all we can dread or endure, falls away from our regard as insignificant; is lost, like a trivial memory, in that simple, primitive love which knits us to the beings who have been nearest to us, in their times of helplessness or of anguish.
β
β
George Eliot (The Mill on the Floss)
β
...when Maggie became conscious that she was the person he sought, she felt, in spite of all the thought that had gone before, a glowing gladness at heart. Her eyes and cheeks were still brightened with her childlike enthusiasm in the dance; her whole frame was set to joy and tenderness; even the coming pain could not seem bitter -- she was ready to welcome it as a part of life, for life at this moment seemed a keen vibrating consciousness poised above please or pain. This one, this last night, she might expand unrestrainedly in the warmth of the present without those chill, eating thoughts of the past and the future.
β
β
George Eliot (The Mill on the Floss)
β
But old Christmas smiled as he laid this cruel-seeming spell on the out-door world, for he meant to light up the home with new brightness, to deepen all the richness of in-door colour, and give a keener edge of delight to the warm fragrance of food: he meant to prepare a sweet imprisonment that would strengthen the primitive fellowship of kindred,and make the sunshine of familiar human faces as welcome as the hidden day-star. His kindness fell but hardly on the homeless--fell but hardly on the homes where the hearth was not very warm, and where the food had little fragrance, where the human faces had no sunshine in them,but rather the leaden, blank-eyed gaze of unexpectant want. But the fine old season meant well; and if he has not learnt the secret how to bless men impartially, it is because his father Time, with unrelenting purpose, still hides that secret in his own mighty, slow-beating heart.
β
β
George Eliot (The Mill on the Floss)
β
They were very bitter tears: everybody in the world seemed so hard and unkind to Maggie: there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother's narrow griefs - perhaps of her father's heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind suffererβs present.
Maggie in her brown frock with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay, to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad: thirsty for all knowledge: with an ear straining after dreamy music that died away and would not come near to her: with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life and give her soul a sense of home in it.
β
β
George Eliot (The Mill on the Floss)
β
Observing these people narrowly, even when the iron hand of misfortune has shaken them from their unquestioning hold on the world, one sees little trace of religion, still less of a distinctively Christian creed. Their belief in the unseen, so far as it manifests itself at all, seems to be rather of a pagan kind; their moral notions, though held with strong tenacity, seem to have no standard beyond hereditary custom.
β
β
George Eliot (The Mill on the Floss)
β
She could make dream-worlds of her own β but no dream-world would satisfy her now. She wanted some explanation of this hard, real life: the unhappy-looking father seated at the dull breakfast-table; the childish bewildered mother; the little sordid tasks that filled the hours, or the more oppressive emptiness of weary, joyless leisure; the need of some tender, demonstrative love; the cruel sense that Tom didnβt mind what she thought or felt, and that they were no longer playfellows together; the privation of all pleasant things that had come to her more than to others: she wanted some key that would enable her to understand and, in understanding, endure, the heavy weight that had fallen on her young heart. If she had been taught βreal learning and wisdom, such as great men knew,β she thought she should have held the secrets of life; if she had only books that she might learn for herself what wise men knew!
β
β
George Eliot (The Mill on the Floss)
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Plotting covetousness and deliberate contrivance, in order to compass a selfish end, are nowhere abundant but in the world of the dramatist: they demand too intense a mental action for many of our fellow-parishioners to be guilty of them. It is easy enough to spoil the lives of our neighbors without taking so much trouble; we can do it by lazy acquiescence and lazy omission, by trivial falsities for which we hardly know a reason, by small frauds neutralized by small extravagances, by maladroit flatteries, and clumsily improvised insinuations. We live from hand to mouth, most of us, with a small family of immediate desires; we do little else than snatch a morsel to satisfy the hungry brood, rarely thinking of seed-corn or the next year's crop. Mr.
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George Eliot (The Mill on the Floss)
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The pride and obstinacy of millers and other insignificant people, whom you pass unnoticingly on the road every day, have their tragedy too; but it is of that unwept, hidden sort that goes on from generation to generation, and leaves no record β such tragedy, perhaps, as lies in the conflicts of young souls, hungry for joy, under a lot made suddenly hard to them, under the dreariness of a home where the morning brings no promise with it, and where the unexpectant discontent of worn and disappointed parents weighs on the children like a damp, thick air, in which all the functions of life are depressed; or such tragedy as lies in the slow or sudden death that follows on a bruised passion, though it may be a death that finds only a parish funeral. There are certain animals to which tenacity of position is a law of life β they can never flourish again, after a single wrench: and there are certain human beings to whom predominance is a law of life β they can only sustain humiliation so long as they can refuse to believe in it, and, in their own conception, predominate still.
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George Eliot (The Mill on the Floss)
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Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory _of_ what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
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George Eliot (The Mill on the Floss)
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Donβt suppose that I think you are right, Tom, or that I bow to your will. I despise the feelings you have shown in speaking to Philip β I detest your insulting unmanly allusions to his deformity. You have been reproaching people all your life β you have always been sure you yourself are right: it is because you have not a mind large enough to see that there is anything better than your own conduct and your own petty aims. [β¦] I donβt want to defend myself ββ said Maggie, still with vehemence: βI know I have been wrong β often, continually. But yet, sometimes when I have done wrong, it has been because I have feeling that you would be the better for if you had them. If you were in fault ever β if you had done anything very wrong, I should be sorry for the pain it brought you β I should not want punishment to be heaped on you. But you have always enjoyed punishing me β you have always been hard and cruel to me β even when I was a little girl, and always loved you better that any one else in the world, you would let me go crying to bed without forgiving me. You have no pity β you have no sense of your own imperfections and your own sins. It is a sin to be hard β it is not fitting for a mortal β for a Christian. You are nothing but a Pharisee. You thank God for nothing but your own virtues β you think they are great enough to win you everything else. You have not even a vision of feelings by the side of which your shining virtues are mere darkness! [β¦] You boast of your virtues as if they purchased you a right to be cruel and unmanly as youβve been today. Donβt suppose I would give up Philip Wakem in obedience to you. The deformity you insult would make me cling to him and care for him the more.
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George Eliot (The Mill on the Floss)
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But to minds strongly marked by the positive and negative qualities that create severity - strength of will, conscious rectitude of purpose, narrowness of imagination and intellect, great power of self-control, and a disposition to exert control over others - prejudices come as the natural food of tendencies which can get no sustenance out of that complex, fragmentary, doubt-provoking knowledge which we call truth. Let a prejudice be bequeathed, carried in the air, adopted by hearsay, caught in through the eye,βhowever it may come, these minds will give it a habitation; it is something to assert strongly and bravely, something to fill up the void of spontaneous ideas, something to impose on others with the authority of conscious right; it is at once a staff and a baton.
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George Eliot (The Mill on the Floss)
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I don't want to defend myself," said Maggie, still with vehemence: "I know I've been wrong β often, continually. But yet, sometimes when I have done wrong, it has been because I have feelings that you would be the better for, if you had them. If you were in fault ever - if you had done anything very wrong, I should be sorry for the pain it brought you; I should not want punishment to be heaped on you. But you have always enjoyed punishing me - you have always been hard and cruel to me: even when I was a little girl, and always loved you better than any one else in the world, you would let me go crying to bed without forgiving me. You have no pity: you have no sense of your own imperfection and your own sins. It is a sin to be hard; it is not fitting for a mortal - for a Christian. You are nothing but a Pharisee. You thank God for nothing but your own virtues - you think they are great enough to win you everything else. You have not even a vision of feelings by the side of which your shining virtues are mere darkness!
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George Eliot (The Mill on the Floss)
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There is no sense of ease like the ease we felt in those scenes where we were born, where objects became dear to us before we had known the labour of choice, and where the outer world seemed only an extension of our own personality: we accepted and loved it as we accepted our own sense of existence and our own limbs. Very commonplace, even ugly, that furniture of our early home might look if it were put up to auction; an improved taste in upholstery scorns it; and is not the striving after something better and better in our surrounding, the grand characteristic that distinguishes man from the brute - or, to satisfy a scrupulous accuracy of definition, that distinguishes the British man from the foreign brute? But heaven knows where that striving might lead us, if our affections had not a trick of twining round those old inferior things - if the loves and sanctities of our life had no deep immovable roots in memory. One's delight in an elderberry bush overhanging the confused lea age of a hedgerow bank, as a more gladdening sight than the finest cistus or fuchsia spreading itself on the softest undulating turf, is an entirely unjustifiable preference to a nursery-gardener, or to any of those severely regulated minds who are free from the weakness of any attachment that does not rest on a demonstrable superiority of qualities. And there is no better reason for preferring this elderberry bush than that it stirs an early memory - that it is no novelty in my life, speaking to me merely through my present sensibilities to form and colour, but the long companion of my existence, that wove itself into my joys when joys were vivid.
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George Eliot (The Mill on the Floss)
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Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,βthat was out of the question,βshe only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little.
"Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!"
...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggieβperhaps it was even more bitterβthan what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
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George Eliot (The Mill on the Floss)