Milkman Dead Quotes

We've searched our database for all the quotes and captions related to Milkman Dead. Here they are! All 7 of them:

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Don't worry, goat boy. The milkman is dead.
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Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
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Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
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Mark Helprin (Winter's Tale)
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The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be. The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible. And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
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Mark Helprin (Winter's Tale)
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Goats butting again; milkman whirled, dropping stone in dead center, breaking up struggle; clucked and shooshed goats into shack: β€œtheir little house.” We followed him in;
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Sylvia Plath (The Unabridged Journals of Sylvia Plath)
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Her glee - not so much either, that sickening triumphant glee that some people get who certainly deserve to have faces slapped, but the glee of someone who finds herself alive for an instant in all the awfulness when her usual condition was to feel completely dead - well, that glee ceased, as I knew it would, for I had got her where I wanted her, where I had intended to get her, right at her centre. That's where I would have been got had she, or anybody, said those words to me. She slapped my face then, a recoil reaction, because I had got in where I'd no right to get in and even though in the moment I considered myself of every right, I did not, could not, slap her back. After the initial satisfaction of shocking her, of shaming her out of her victory, already I was regretting my words. So enough. I wanted her to go now, to take herself and her make-do husband, and his dirty slanders which had started everything, and to go now. Things were not gentle, not ever, then.
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Anna Burns (Milkman)
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Again that long-ago phrase - a recklessness, an abandonment, a rejection of me by me - had returned to me. I was going to die anyway, wouldn't live long anyway, any day now I'd be dead, all the time, violently murdered - and that, I now understand, gave a certain edge. It offered a different perspective, a freeing-up of the fear option.
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Anna Burns (Milkman)
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Terror Of Other People probably thought that with her dead, it, itself, could carry on living. It would party it up, let its hair down, continue to be fearful. Never do they realise, these psychological usurpers and possessors, that in dispensing with the host - with the one being above all whom they need for their own survival - inevitably they are also dispensing with themselves.
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Anna Burns (Milkman)