β
i am a museum full of art
but you had your eyes shut
β
β
Rupi Kaur (milk and honey)
β
how you love yourself is
how you teach others
to love you
β
β
Rupi Kaur (milk and honey)
β
he placed his hands
on my mind
before reaching
for my waist
my hips
or my lips
he didn't call me
beautiful first
he called me
exquisite
- how he touches me
β
β
Rupi Kaur (milk and honey)
β
fall
in love
with your solitude
β
β
Rupi Kaur (milk and honey)
β
most importantly love
like it's the only thing you know how
at the end of the day all this
means nothing
this page
where you're sitting
your degree
your job
the money
nothing even matters
except love and human connection
who you loved
and how deeply you loved them
how you touched the people around you
and how much you gave them
β
β
Rupi Kaur (milk and honey)
β
i donβt know what living a balanced life feels like
when i am sad
i donβt cry i pour
when i am happy
i donβt smile i glow
when i am angry
i donβt yell i burn
the good thing about
feeling in extremes
is when i love
i give them wings
but perhaps
that isn't
such a good thing
cause they always
tend to leave and
you should see me
when my heart is broken
i don't grieve
i shatter
β
β
Rupi Kaur (milk and honey)
β
the very thought of you
has my legs spread apart
like an easel with a canvas
begging for art
β
β
Rupi Kaur (milk and honey)
β
i am not a hotel room. i am home
i am not the whiskey you want
i am the water you need
don't come here with expectations
and try to make a vacation out of me
β
β
Rupi Kaur (milk and honey)
β
love will come
and when love comes
love will hold you
love will call your name
and you will melt
sometimes though
love will hurt you but
love will never mean to
love will play no games
cause love knows life
has been hard enough already
β
β
Rupi Kaur (milk and honey)
β
what am i to you he asks
i put my hands in his lap
and whisper you
are every hope
i've ever had
in human form
β
β
Rupi Kaur (milk and honey)
β
there is a difference between someone telling you they love you and them actually loving you
β
β
Rupi Kaur (Milk and Honey)
β
no
it won't
be love at
first sight when
we meet it'll be love
at first remembrance cause
i've seen you in my mother's eyes
when she tells me to marry the type
of man i'd want to raise my son to be like
β
β
Rupi Kaur (milk and honey)
β
Iβd be lying if I said
you make me speechless
the truth is you make my
tongue so weak it forgets
what language to speak in.
β
β
Rupi Kaur (milk and honey)
β
i was music
but you had your ears cut off
β
β
Rupi Kaur (milk and honey)
β
Icarus should have waited for nightfall,
the moon would have never let him go.
β
β
Nina Mouawad (Blue Sun: A poetry collection)
β
what i miss most is how you loved me. but what i didn't know was how you loved me had so much to do with the person i was. it was a reflection of everything i gave you. coming back to me. how did i not see that. how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these things after you left.
β
β
Rupi Kaur (milk and honey)
β
i am sending my love to your eyes. may they always see goodness in people. and may you always practice kindness. may we see each other as one. may we be nothing short of in love with everything the universe has to offer. and may we always stay grounded. rooted. our feet planted firmly onto the earth.
β
β
Rupi Kaur (Milk and Honey)
β
i don't blame you for not knowing how to remain soft with me. sometimes i stay up thinking of all the places you are hurting which you'll never care to mention. i come from the same aching blood. from the same bone so desperate for attention i collapse in on myself. i am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
β
β
Rupi Kaur (milk and honey)
β
the idea that we are
so capable of love
but still choose
to be toxic
β
β
Rupi Kaur (milk and honey)
β
sex takes the consent of two
if one person is lying there not doing anything
cause they are not ready
or not in the mood
or simply don't want to
yet the other is having sex
with their body it's not love
it is rape
β
β
Rupi Kaur (milk and honey)
β
This is what love does and continues to do. It tastes like honey to adults and milk to children.
β
β
Rumi (The Book of Love: Poems of Ecstasy and Longing)
β
the rape will
tear you
in half
but it
will not
end you
β
β
Rupi Kaur (milk and honey)
β
I know I
should crumble
for better reasons
but have you seen
that boy he brings
the sun to its knees
every
night.
β
β
Rupi Kaur (milk and honey)
β
accept that you deserve more
than painful love
life is moving
the healthiest thing
for your heart is
to move with it
β
β
Rupi Kaur (milk and honey)
β
he only whispers i love you as he slips his hands down the waistband of your pants. this is where you must understand the difference between want and needβyou may want that boy but you certainly don't need him
β
β
Rupi Kaur (milk and honey)
β
i can't tell if my mother is
terrified or in love with
my father it all
looks the same
i flinch when you touch me
i fear it is him
β
β
Rupi Kaur (milk and honey)
β
your mother
is in the habit of
offering more love
than you can carry
your father is absent
you are a war
the border between two countries
the collateral damage
the paradox that joins the two
but also splits them apart
β
β
Rupi Kaur (milk and honey)
β
he says
i am sorry i am not an easy person to want
i look at him surprised
who said i wanted easy
i donβt crave easy
i crave goddamn difficult
β
β
Rupi Kaur (milk and honey)
β
love is not cruel/ we are cruel/ love is not a game/ we have made a game/ out of love
β
β
Rupi Kaur (milk and honey)
β
i will tell you about selfish people. even when they know they will hurt you they walk into your life to taste you because you are the type of being they donβt want to miss out on. you are too much shine to not be felt. so when they have gotten a good look at everything you have to offer. when they have taken your skin your hair and your secrets with them. when they realize how real this is. how much of a storm you are and it hits them.
that is when the cowardice sets in. that is when the person you thought they were is replaced by the sad reality of what they are. that is when they lose every fighting bone in their body and leave after saying you will find better than me.
you will stand there naked with half of them still hidden somewhere inside you and sob. asking them why they did it. why they forced you to love them when they had no intention of loving you back and theyβll say something along the lines of i just had to try. i had to give it a chance. it was you after all.
but that isnβt romantic. it isnβt sweet. the idea that they were so engulfed by your existence they had to risk breaking it for the sake of knowing they werenβt the one missing out. your existence meant that little next to their curiosity of you.
β
β
Rupi Kaur (milk and honey)
β
love is not cruel
we are cruel
love is not a game
we have made a game
out of love
β
β
Rupi Kaur (milk and honey)
β
how can she love a man who is busy loving someone he can never get his hands on again.
β
β
Rupi Kaur (Milk and Honey)
β
he was supposed to be
the first male love of your life
you still search for him
everywhere
- father
β
β
Rupi Kaur (milk and honey)
β
accept that you deserve more
than painful love
β
β
Rupi Kaur (milk and honey)
β
i donβt know what living a balanced life feels like
when i am sad
i donβt cry i pour
when i am happy
i donβt smile i glow
when i am angry
i donβt yell i burn
the good thing about feeling in extremes is
when i love i give them wings
but perhaps that isnβt
such a good thing cause
they always tend to leave
and you should see me
when my heart is broken
i donβt grieve
i shatter
β
β
Rupi Kaur (Milk and Honey)
β
it means nothing to me if he loves you if he canβt do a single wretched thing about it
β
β
Rupi Kaur (Milk and Honey)
β
he isn't coming back
whispered my head
he has to
sobbed my heart
β
β
Rupi Kaur (milk and honey)
β
Iβve had sex, she said
But I donβt know
What making love
Feels like
β
β
Rupi Kaur (milk and honey)
β
What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didnβt want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones. I wanted the impossible, which made it that much easier to push out of my mind.
β
β
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
β
I understand this world broke you. It has been so hard on your feet. I don't blame you for not knowing how to remain soft with me. Sometimes I stay up thinking of all the places you are hurting which you'll never care to mention. I come from the same aching blood. From the same bone so desperate for attention I collapse in on myself. I am your daughter. I know the small talk is the only way you know how to tell me you love me. Cause it's the only way I know how to tell you.
β
β
Rupi Kaur (milk and honey)
β
thatβs the
thing about love
it marinates your lips
till the only word your
mouth remembers
is his name
β
β
Rupi Kaur (Milk and Honey)
β
i need someone
who knows struggle
as well as i do
someone
willing to hold my feet in their lap
on days it is too difficult to stand
the type of person who gives
exactly what i need
before i even know i need it
the type of lover who hears me
even when i do not speak
is the type of understanding
i demand
- the type of lover i need
β
β
Rupi Kaur (milk and honey)
β
I love that about us
how capable we are of feeling
how unafraid we are of breaking
and tend to our wounds with grace
just being a woman
calling myself
a woman
makes me utterly whole
and complete
β
β
Rupi Kaur (milk and honey)
β
i am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
β
β
Rupi Kaur (Milk and Honey)
β
i'd be lying if i said
you make me speechless
the truth is you make my
tongue so weak it forgets
what language to speak in
β
β
Rupi Kaur (milk and honey)
β
May this marriage be blessed.
May this marriage be as sweet as milk and
honey.
May this marriage be as intoxicating as
old wine.
May this marriage be fruitful like a date tree.
May this marriage be full of laughter and
everyday a paradise.
May this marriage be a seal of compassion
for here and hereafter.
May this marriage be as welcome as the
full moon in the night sky.
Listen lovers, now you go on, as I become
silent and kiss this blessed night.
β
β
Rumi
β
love made the danger
in you look like safety
β
β
Rupi Kaur (milk and honey)
β
neither of us is happy but neither of us wants to leave so we keep breaking one another and calling it love
β
β
Rupi Kaur (Milk and Honey)
β
i didn't leave because
i stopped loving you
i left because the longer
i stayed the less
i loved myself
β
β
Rupi Kaur (milk and honey)
β
i love that about us
how capable we are of feeling
how unafraid we are of breaking
β
β
Rupi Kaur (milk and honey)
β
you might not have been my first love but you were the love that made all the other loves irrelevant
β
β
Rupi Kaur (Milk and Honey)
β
the one who arrives after you will remind me love is supposed to be soft he will taste like the poetry i wish i could write
β
β
Rupi Kaur (Milk and Honey)
β
Wait till the honeying of the lune, love! Die eve, little eve, die! We see that wonder in your eye. We'll meet again, we'll part once more. The spot I'll seek if the hour you'll find. My chart shines high where the blue milk's upset.
β
β
James Joyce (Finnegans Wake)
β
there is a difference between
someone telling you
they love you and
them actually
loving you
β
β
Rupi Kaur (Milk and Honey)
β
Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
β
β
Walter Moers (The Alchemaster's Apprentice: A Culinary Tale from Zamonia by Optimus Yarnspinner (Zamonia, #5))
β
every time you
tell your daughter
you yell at her
out of love
you teach her to confuse
anger with kindness
which seems like a good idea
till she grows up to
trust men who hurt her
cause they look so much
like you.
β
β
Rupi Kaur (milk and honey)
β
it takes grace to remain kind in cruel situations fall in love with your solitude
β
β
Rupi Kaur (Milk and Honey)
β
father. you always call to say nothing in particular. you ask what i'm doing or where i am and when the silence stretches like a lifetime between us i scramble to find questions to keep the conversation going. what i long to say most is. i understand this world broke you. it has been so hard on your feet. i don't blame you for not knowing how to remain soft with me. sometimes i stay up thinking of all the places you are hurting which you'll never care to mention. i come from the same aching blood. from the same bone so desperate for attention i collapse in on myself. i am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way I know how to tell you.
β
β
Rupi Kaur (milk and honey)
β
nothing even matters/ except love and human connection/ who you loved/ and how deeply you loved them/ how you touched the people around you/ and how much you gave them
β
β
Rupi Kaur (milk and honey)
β
How you love yourself is how you teach others to love you.
β
β
Rupi Kaur (milk and honey)
β
when love comes
love will hold you
love will call your name
and you will melt
sometimes though
love will hurt you but
love will never mean to
love will play no games
cause love knows life
has been hard enough already
β
β
Rupi Kaur (Milk and Honey)
β
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey."
Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself.
I couldn't do this-couldn't lift that dagger again.
"Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain."
A sob broke from my lips. "I'm sorry," I moaned.
"Let me enter eternity," She breathed.
I wept as I understood. >i/i< she was saying. >ii/< Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
there is a difference between
someone telling you
they love you and
them actually
loving you
β
β
Rupi Kaur (milk and honey)
β
i didnβt leave because
i stopped loving you
i left because the longer
i stayed the less
i loved myself
β
β
Rupi Kaur (Milk and Honey)
β
am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
β
β
Rupi Kaur (Milk and Honey)
β
means nothing to me if he loves you if he canβt do a single wretched thing about it
β
β
Rupi Kaur (Milk and Honey)
β
i know i
should crumble
for better reasons
but have you seen
that boy he brings
the sun to its
knees every
night
β
β
Rupi Kaur (milk and honey)
β
the idea that we are so capable of love but still choose to be toxic
β
β
Rupi Kaur (Milk and Honey)
β
It's intelligence mixed with less than innocence, it's cruelty mixed with a sense of elegance. It's a trap set for seduction to those that are persuaded by speech.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
i do not want to have you
to fill the empty parts of me
i want to be full on my own
β
β
Rupi Kaur (milk and honey)
β
most importantly love
like it's the only thing you know
β
β
Rupi Kaur (milk and honey)
β
how you love yourself is
how you teach others
to love you
β
β
Rupi Kaur (Milk and Honey)
β
accept that you deserve more
than painful love
life is moving
the healthiest thing
for your heart is
to move with it
β
β
Rupi Kaur (milk and honey)
β
You might not have been my first love
but you were the love that made all the other loves
irrelevant.
β
β
Rupi Kaur (milk and honey)
β
You whisper i love you, what you really mean is i don't want you to leave.
β
β
Milk and Honey
β
how can our love die
if it's written
in these pages
β
β
Rupi Kaur (milk and honey)
β
The land of milk and honey, Ghosh thought. Milk and honey, and love for money. Now
β
β
Abraham Verghese (Cutting for Stone)
β
It's your thoughts, words, and deeds; a farmer sowing his seeds, it's a mind thing described in those creeds. As within, so without. As above, so below. Think, say and act love and it's love that will flow. Let hate harbor in your mind and hate is what you'll regretfully find.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey."
Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself.
I couldn't do this-couldn't lift that dagger again.
"Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain."
A sob broke from my lips. "I'm sorry," I moaned.
"Let me enter eternity," She breathed.
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.β As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie.
It would be more honorable to refuse-to die, rather than murder innocents. But... but...
"Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain."
I gripped her delicate, bony shoulder and drove the dagger into her heart.
She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move.
I went somewhere far, far away from myself.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
no
it wonβt
be love at
first sight when
we meet itβll be love
at first remembrance cause
iβve seen you in my motherβs eyes
when she tells me to marry the type
of man iβd want to raise my son to be like
β
β
Rupi Kaur (Milk and Honey)
β
i am confident i am over you. so much that some mornings i wake up with a smile on my face and my hands pressed together thanking the universe for pulling you out of me. thank god i cry. thank god you left. i would not be the empire i am today if you had stayed.
but then.
there are some nights i imagine what i might do if you showed up. how if you walked into the room this very second every awful thing youβve ever done would be tossed out the closet window and all the love would rise up again. it would pour through my eyes as if it never really left in the first place. as if itβs been practicing how to stay silent so long only so it could be this loud on your arrival. can someone explain that. how even when the love leaves. it doesnβt leave. how even when i am so past you. i am so helplessly brought back to you.
β
β
Rupi Kaur (milk and honey)
β
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:β'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God.
When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God.
While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend.
It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:βsuch is the God of the Pentateuch.
β
β
Robert G. Ingersoll (Some Mistakes of Moses)
β
how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these once you left.
β
β
Rupi Kaur (Milk and Honey)
β
accept that you deserve more
than painful love
life is moving
the healthiest thing
for your heart is
to move with it
β
β
Rupi Kaur (Milk and Honey)
β
Be with those who mix with God
as honey blends with milk, and say, βAnything that comes and goes,
rises and sets,
is not what I love.
β
β
Rumi (The Essential Rumi)
β
you whisper i love you what you mean is i donβt want you to leave
β
β
Rupi Kaur (Milk and Honey)
β
i smile shyly
confessing
i canβt help it you might not have been my first love
but you were the love that made
all the other loves
irrelevant
β
β
Rupi Kaur (Milk and Honey)
β
you might not have been my first love
but you were the love that made
all the other loves
irrelevant
β
β
Rupi Kaur (Milk and Honey)
β
neither of us is happy
but neither of us wants to leave
so we keep breaking one another
and calling it love
β
β
Rupi Kaur (milk and honey)
β
can someone explain that. how even when the love leaves. it doesnβt leave. how even when i am so past you. i am so helplessly brought back to you.
β
β
Rupi Kaur (Milk and Honey)
β
love is not cruel
we are cruel
love is not a game
we have made a game
out of love
β
β
Rupi Kaur (Milk and Honey)
β
i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
β
β
Rupi Kaur (milk and honey)
β
the idea that we are
so capable of love
but still choose to be toxic
β
β
Rupi Kaur (milk and honey)
β
I'm made through the image and likeness of the Supreme God so in his image and likeness, I AM Supreme.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
i am sending my love to your eyes. may they always see goodness in people. and may you always practice kindness.
β
β
Rupi Kaur (Milk and Honey)
β
They say God chooses the weak & foolish things to confound the wise. Don't let these weak, foolish men sell you a dream, they're good at telling lies.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Through heart-ache and head-aches comes much value.
Without the trials of life, we cannot grow within ourselves to understand the concept of life.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
love will play no games cause love knows life has been hard enough already
β
β
Rupi Kaur (Milk and Honey)
β
Fall in love with your solitude.
β
β
Rupi Kaur (milk and honey)
β
There is a difference between someone telling you
they love you and
them actually loving you.
β
β
Rupi Kaur (milk and honey)
β
Love is not cruel
we are cruel
love is not a game
we have made a game
out of love.
β
β
Rupi Kaur (milk and honey)
β
Love made the danger in you look like safety.
β
β
Rupi Kaur (milk and honey)
β
We're like fingers on thorns, honey. We know exactly where it hurts.
β
β
Rupi Kaur (milk and honey)
β
i didnβt leave because i stopped loving you i left because the longer i stayed the less i loved myself
β
β
Rupi Kaur (Milk and Honey)
β
nothing even matters
except love and human connection
who you loved
and how deeply you loved them
how you touched the people around you
and how much you gave them
β
β
Rupi Kaur (Milk and Honey)
β
neither of us is happy
but neither of us wants to leave
so we keep breaking one another
and calling it love
β
β
Rupi Kaur (milk and honey)
β
you whisper
i love you
what you mean is
i don't want you to leave
β
β
Rupi Kaur (milk and honey)
β
losing you
was the becoming
of myself
β
β
Rupi Kaur (milk and honey)
β
iβve had sex she said
but i donβt know
what making love
feels like
β
β
Rupi Kaur (Milk and Honey)
β
Although I had never envisioned marriage, I had thought of love. Not the furtive love I heard muffled in the corners or rooms of some of the harem wives. What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didnβt want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones.
β
β
Roshani Chokshi (Star-Touched Stories)
β
i don't know what living a balanced life feels like
when i am sad
i don't cry i pour
when i am happy
i don't smile i glow
when i am angry
i don't yell i burn
the good thing about feeling in extremes is
when i love i give them wings
but perhaps that isn't
such a good thing cause
they always tend to leave
and you should see me
when my heart is broken
i don't grieve
i shatter
β
β
Rupi Kaur (milk and honey)
β
She desired not only the dolls and dollhouses but also the accessories that gave the appearance of daily life. For a breakfast scene, she cabled Au Nain Bleu asking for tiny French breads: croissants, brioches, madeleines, mille-feuilles, and turnovers. But she wasn't done. In a May 7,1956, cable to store, she wrote:
For the lovely pastry shop please send
the following: waffles, babas,
tartelettes, crepes, tartines, palm-
iers, galettes, cups of milk, tea and
coffee with milk, small butter jars,
fake jam and honey, small boxes of
chocolate, candies and candied fruits,
and small forks. Thank you.
β
β
Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)
β
For you, a thousand times over."
"Children aren't coloring books. You don't get to fill them with your favorite colors."
"...attention shifted to him like sunflowers turning to the sun."
"But even when he wasn't around, he was."
"When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing."
"...she had a voice that made me think of warm milk and honey."
"My heart stuttered at the thought of her."
"...and I would walk by, pretending not to know her, but dying to."
"It turned out that, like satan, cancer had many names."
"Every woman needed a husband, even if he did silence the song in her."
"The first time I saw the Pacific, I almost cried."
"Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look."
"Make morning into a key and throw it into the well,
Go slowly, my lovely moon, go slowly.
Let the morning sun forget to rise in the East,
Go slowly, lovely moon, go slowly."
"Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you."
"All my life, I'd been around men. That night, I discovered the tenderness of a woman."
"And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child."
"America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America."
"...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan."
"...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty."
"...sometimes the dead are luckier."
"He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him."
"...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered."
"...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
β
β
Khalid Hosseini (The Kite Runner)
β
Children have two basic needs, writes Erich Fromm in the Art of Loving: they need both milk and honey from their parents. Milk symbolizes the care given to physical needs...Honey symbolizes the sweetness of life, that special quality that makes life sing with enjoyment for all it holds. Gromm says, "Most parents are capable of giving milk, but only a minority of giving honey, too." To give honey, one must love honey and have it to give.
β
β
Gladys M. Hunt (Honey for a Child's Heart)
β
Wild Peaches"
When the world turns completely upside down
You say weβll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
Weβll live among wild peach trees, miles from town,
Youβll wear a coonskin cap, and I a gown
Homespun, dyed butternutβs dark gold color.
Lost, like your lotus-eating ancestor,
Weβll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winterβs over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbirdβs beak,
We shall live well β we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
Weβll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
Thereβs something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
Thereβs something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossomβs breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
β
β
Elinor Wylie
β
love will come and when love comes love will hold you love will call your name and you will melt sometimes though love will hurt you but love will never mean to love will play no games cause love knows life has been hard enough already
β
β
Rupi Kaur (Milk and Honey)
β
I don't know what
living a balanced life feels like
when I am sad
I don't cry I pour
when I am angry
I don't yell I burn
The good thing about
feeling in extremes is
when I love
I give them wings
but perhaps that isn't such a good thing.
β
β
Rupi Kaur (milk and honey)
β
O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm?
The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--
β
β
Jack Kerouac (Maggie Cassidy)
β
Follow the ideal doing,
grind the beans just before brewing.
Use spring water,
for softened water,
makes a horror.
A parley perfect,
between the coffee,
and the milk,
with some,
brown sugar thick.β
(Poem: An apology of a coffee lunatic, Book: Ginger and Honey)
β
β
Jasleen Kaur Gumber (Ginger and Honey)
β
Children have two basic needs, writes Erich Fromm in The Art of Loving: they need both milk and honey from their parents. Milk symbolizes the care given to physical needs: brush your teeth, drink your orange juice, eat your vegetables, get enough sleep. Honey symbolizes the sweetness of life, that special quality that makes life sing with enjoyment for all it holds. Fromm says, βMost parents are capable of giving milk, but only a minority of giving honey, too.β To give honey, one must love honey and have it to give. Good books are rich in honey, and hence the title of this book.
β
β
Gladys M. Hunt (Honey for a Child's Heart: The Imaginative Use of Books in Family Life)
β
Although I had never envisioned marriage, I had thought of love. Not the furtive love I heard muffled in the corners or rooms of some of the harem wives. What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didnβt want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones. I wanted the impossible, which made it that much easier to push out of my mind.
β
β
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
β
In every tomorrow I had imagined, this was never one of them. There were never any prospects beyond the life of a scholarly old maid, but that was a fate I had looked forward toβto live among parchments and sink into the compressed universes stitched into lines and lines of writing. To answer to no one. There was another sorrow, tucked beneath my surprise. Although I had never envisioned marriage, I had thought of love. Not the furtive love I heard muffled in the corners or rooms of some of the harem wives. What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didnβt want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones. I wanted the impossible, which made it that much easier to push out of my mind.
β
β
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
β
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crΓͺpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
β
β
Louis MacNeice
β
donβt know what living a balanced life feels like
when i am sad
i donβt cry i pour
when i am happy
i donβt smile i glow
when i am angry
i donβt yell i burn
the good thing about feeling in extremes is
when i love i give them wings
but perhaps that isnβt
such a good thing cause
they always tend to leave
and you should see me
when my heart is broken
i donβt grieve
i shatter
β
β
Rupi Kaur (Milk and Honey)
β
It's reassurance, yes it's sure to be, lick in between your legs, a mouth full of your femininity. I guess you know how my words are so persuasive, persuade you in a position foreign to your native.
Hawaiian punch rose petals spread all over this marble floor, glasses of sparkling wine as you walk through the door. Deep with purpose, impress this on your subconscious, fatal, it's like having sex with your mental.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Lord, I come to you in meditation and prayer. I ask that you never turn from me. Never let me lack communion with you. Let my life be filled with all the beauty that abides in you and let these things guide me. If I have wronged you or your laws in anyway, even in 'thought', please forgive me. You know deep in my heart I want and I try to do good but I fall short. At times, I despise my flesh; I know what I have to do. I want to do it but I choose not to & I'm sorry.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Hair"
There is great mystery, Simone,
In the forest of your hair.
It smells of hay, and of the stone
Cattle have been lying on;
Of timber, and of new-baked bread
Brought to be oneβs breakfast fare;
And of the flowers that have grown
Along a wall abandonèd;
Of leather and of winnowed grain;
Of briers and ivy washed by rain;
You smell of rushes and of ferns
Reaped when day to evening turns;
You smell of withering grasses red
Whose seed is under hedges shed;
You smell of nettles and of broom;
Of milk, and fields in clover-bloom;
You smell of nuts, and fruits that one
Gathers in the ripe season;
And of the willow and the lime
Covered in their flowering time;
You smell of honey, of desire,
You smell of air the noon makes shiver:
You smell of earth and of the river;
You smell of love, you smell of fire.
There is great mystery, Simone,
In the forest of your hair.
Contemporary French Poetry, edited by Jethro Bithell (Wentworth Press March 4th 2019)
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β
β
Remy de Gourmont
β
thou hast ravished my heart with one of thine eyes, with one chain of thy neck, thy lips drop as the honeycomb, honey and milk are under thy tongue, the smell of thy breath is of apples, thy two breasts are clusters of grapes, thy palate a heady wine that goes straight to my love and flows over my lips and teethβ¦. A fountain sealed, spikenard and saffron, calamus and cinnamon, myrrh and aloes, I have eaten my honeycomb with my honey, I have drunk my wine with my milk. Who was she, who was she who rose like the dawn, fair as the moon, clear as the sun, terrible as an army with banners?
β
β
Umberto Eco (The Name Of The Rose)
β
You need to get home, both of you. Louis, Iβd like to keep the letters here, if you donβt mind. I want to go over them again.β
I came to my feet. βAnd ask the stars about them?β
Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadnβt been there yesterday.
βAsk the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning Iβll wake up and none of this will have happened.β
βNo, lordling,β I said to him. βYouβre never going to wake like that again, and youβre never going to be able to forget.β
βBugger you, waif.β
βAnd you.β
He walked past both of us without another glance or another word, opened the door, and disappeared into the night.
I went to Jesse and wrapped my arms around him. After only a secondβs hesitation, his arms lifted to embrace me, too.
βI donβt want to go,β I whispered.
I felt his chest expand beneath my cheek. βThis is going to be much more difficult than I anticipated.β
βWhich part?β
βAll of it.β He brought a hand to my hair, his fingers weaving through. βThings are about to change rapidly now, Lora. Heβll come back to us stronger and stronger. Heβs going to crave you more and more, and not having you will eat him raw.β
I frowned up at him. βWhat do you mean?β
Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. βIt will be in his nature. Heβll feel compelled to claim you, and he wonβt stop trying to do that. Ever. When that happens-β
βThat is not bloody going to happen.β
βWhen that happens,β he said again resolutely, βI want you to remember two things. One: Iβve loved you since before he even knew you lived. Two: Spare a little pity for him. This isnβt entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?β
βMy pity may reach as deep and wide as the ocean,β I answered. βBut my heart is already claimed.β
To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his.
Sweeter than raspberry jam, warmer than candle flame, softer than bread.
People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, Iβd die a heathen beast, content.
β
β
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
β
Now let me tell you something.
I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swansβ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously.
I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a loverβs breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten.
I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winterβs moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes.
I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devilβs hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things.
Butβ
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
β
β
Gerald Durrell
β
you have made it to the end. with my heart in your hands. thank you. for arriving here safely. for being tender with the most delicate part of me. sit down. breathe. you must be tired. let me kiss your hands. your eyes. they must be wanting of something sweet. i am sending you all my sugar. i would be nowhere and nothing if it were not for you. youβve helped me become the woman i wanted to be. but was too afraid to be. do you have any idea how much of a miracle you are. how lovely itβs been. and how lovely it will always be. i am kneeling before you. saying thank you. i am sending my love to your eyes. may they always see goodness in people. and may you always practice kindness. may we see each other as one. may we be nothing short of in love with everything the universe has to offer. and may we always stay grounded. rooted. our feet planted firmly onto the earth.
β
β
Rupi Kaur (Milk and Honey)
β
I love everything that flows,β said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution. The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.
β
β
Henry Miller (Tropic of Cancer (Tropic, #1))
β
A misty vision of Francesca gazed down at me from a corner of the window. She gave me her wicked-sweet smile and the stars sparked in her pale hair. I wanted to call to her, but I had no voice. I smelled the mixed scents of her, and I imagined the lush, tropical feast I'd prepare for her on our wedding night.
I'd slip raw oysters between her lips. We'd share ripe figs and plump, dewy cherries. I'd offer her sweetmeats and honeyed milk, blood oranges peeled and ready, salty artichokes stripped down to the heart. I'd pry open a lobster shell and feed her tender morsels of meat, slowly, slowly. The flavors would mingle and mount and burst inside us like soft explosions. I wanted to believe it would all be possible.
I imagined her staring into my eyes while she dragged a buttered artichoke leaf between her teeth and sucked on the flesh. It was good. I rode through the long, lovely night on wave upon wave of pleasure, smelling her, tasting her, touching her...
I heard myself moan, and in that fierce embrace, I believed.
β
β
Elle Newmark (The Book of Unholy Mischief)
β
The Lordβs Prayer Expanded Our Father, Holy Father, Abba Father, in the heavens, Hallowed, holy, sacred be your name. From the rising of the sun, to the going down of the same, The name of the Lord is to be praised. Great is the Lord and greatly to be praised. Holy, holy, holy is the Lord God of hosts, The whole earth is full of your glory. Holy, holy, holy is the Lord God almighty, Who was and is and is to come. Thy kingdom come, thy will be done, On earth as it is in heaven. Thy government come, thy politics be done, On earth as it is in heaven. Thy reign and rule come, thy plans and purposes be done, On earth as it is in heaven. May we be an anticipation of the age to come. May we embody the reign of Christ here and now. Give us day by day our daily bread. Provide for the poor among us. As we seek first your kingdom and your justice, May all we need be provided for us. Forgive us our trespasses as we forgive those who trespass against us. Forgive us our sins as we forgive those who sin against us. Forgive us our debts as we forgive our debtors. Transform us by the Holy Spirit into a forgiving community of forgiven sinners. Lead us not into trouble, trial, tribulation or temptation. Be mindful of our frame, we are but dust, We can only take so much. Lead us out of the wilderness into the promised land that flows with milk and honey, Lead us out of the badlands into resurrection country. Deliver us from evil and the evil one. Save us from Satan, the accuser and adversary. So that no weapon formed against us shall prosper. So that every tongue that rises against us in accusation you will condemn. So that every fiery dart of the wicked one is extinguished by the shield of faith. So that as we submit to you and resist the devil, the devil flees. So that as we draw near to Jesus Christ lifted up, His cross becomes for us the axis of love expressed in forgiveness, That refounds the world; And the devil, who became the false ruler of the fallen world, Is driven out from among us. For thine is the kingdom and the power and the glory, forever. Amen
β
β
Brian Zahnd (Water To Wine: Some of My Story)
β
She leaned over the basket again, taking in the mouthwatering aromas wafting out of it. "Fried chicken? Oh, I'm thinking buttermilk fried chicken?"
Dylan was once again amused. "How do you do that?"
"I like food."
"You don't say."
"And I love Southern fried chicken." She tried to open the basket, and he tapped her hand jokingly.
"Sit," he said.
And she did, crossing her legs and plopping down on the blanket.
Opening the basket and playing waiter, Dylan began removing flatware and plates and red-checkered napkins, and then wrapped food. "For lunch today in Chez Orchard de Pomme, we have some lovely cheese, made from the milk of my buddy Mike's goat Shelia." He removed the plastic wrap, which covered a small log of fresh white cheese on a small plate, and handed it to her.
Grace put her nose to the cheese. It was heavenly. "Oh, Shelia is my new best friend."
"It's good stuff. And we have some fresh chili corn bread. The corn, I think, is from Peter Lindsey's new crop, just cut out from the maze, which is right down this hill." He motioned with his head toward the field, and then he handed her a big loaf of the fresh corn bread wrapped loosely in wax paper.
"It's still warm!" Delighted, she held it to her cheek.
Then he pulled out a large oval Tupperware container. "And, yes, we have Dolly's buttermilk fried chicken."
Grace peeled open the top and smelled. "Fabulous."
"It is!"
He also pulled out a mason jar of sourwood honey, a sack of pecans, and a couple of very cold bottles of a local mountain-brewed beer.
β
β
Jeffrey Stepakoff (The Orchard)
β
sex takes the consent of two
if one person is lying there not doing anything
cause they are not ready
or not in the mood
or simply donβt want to
yet the other is having sex
with their body itβs not love
it is rape
β
β
Rupi Kaur (Milk and Honey)
β
I love you.' What you mean is, 'I don't want you to leave.
β
β
Rupi Kaur (milk and honey)
β
i didn't leave because
i stopped loving you
i left because the longer
i stayed the less
i loved myself
β
β
Rupi Kaur (milk and honey)
β
I Remember You Best as the Man
asleep on my chest, warm breath somehow
the exact opposite of sex. How I came
to know you take your tea with honey
if I got any. Sugar? Then nothing. It's true
we teach each other how we want
to be held. You brimming hot - another mug
I had to shuffle-step up a narrow stair. Once
right after waking and always again, but decaf
before turning in. Because loving you
was another impossibility, who was I
to notice when it happened? When it did
it bloomed in me, milk in the sleeping dark.
β
β
Robert Wood Lynn (Mothman Apologia)
β
Getting It Right"
Your ankles make me want to party,
want to sit and beg and roll over
under a pair of riding boots with your ankles
hidden inside, sweating beneath the black tooled leather;
they make me wish it was my birthday
so I could blow out their candles, have them hung
over my shoulders like two bags
full of money. Your ankles are two monster-truck engines
but smaller and lighter and sexier
than a saucer with warm milk licking the outside edge;
they make me want to sing, make me
want to take them home and feed them pasta,
I want to punish them for being bad
and then hold them all night long and say Iβm sorry, sugar, darling,
it will never happen again, not
in a million years. Your thighs make me quiet. Make me want to be
hurled into the air like a cannonball
and pulled down again like someone being pulled into a van.
Your thighs are two boats burned out
of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans,
could starve me to death, could make me cry and cry.
Your ass is a shopping mall at Christmas,
a holy place, a hill I fell in love with once
when I was falling in love with hills.
Your ass is a string quartet,
the northern lights tucked tightly into bed
between a high-count-of-cotton sheets.
Your back is the back of a river full of fish;
I have my tackle and tackle box. You only have to say the word.
Your back, a letter I have been writing for fifteen years, a smooth stone,
a moan someone makes when his hair is pulled, your back
like a warm tongue at rest, a tongue with a tab of acid on top; your spine
is an alphabet, a ladder of celestial proportions.
I am navigating the North and South of it.
Your armpits are beehives, they make me want
to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark.
I am bright yellow for them.
I am always thinking about them,
resting at your side or high in the air when Iβm pulling off your shirt. Your arms of blue and ice with the blood running
to make them believe in God. Your shoulders
make me want to raise an arm and burn down the Capitol. They sing
to each other underneath your turquoise slope-neck blouse.
Each is a separate bowl of rice
steaming and covered in soy sauce. Your neck
is a skyscraper of erotic adult videos, a swan and a ballet
and a throaty elevator
made of light. Your neck
is a scrim of wet silk that guides the dead into the hours of Heaven.
It makes me want to die, your mouth, which is the mouth of everything worth saying. Itβs abalone and coral reef. Your mouth,
which opens like the legs of astronauts
who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way.
Darling, youβre my President; I want to get this right!
Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
β
β
Matthew Dickman
β
the woman who comes after me will be a bootleg version of who i am. she will try and write poems for you to erase the ones iβve left memorized on your lips but her lines could never punch you in the stomach the way mine did. she will then try to make love to your body. but she will never lick, caress, or suck like me. she will be a sad replacement of the woman you let slip. nothing she does will excite you and this will break her. when she is tired of falling apart for a man that doesnβt give back what he takes she will recognize me in your eyelids staring at her with pity and itβll hit her. how can she love a man who is busy loving someone he can never get his hands on again.
β
β
Rupi Kaur (Milk and Honey)
β
when my mother says i deserve better
i snap to your defense out of habit
he still loves me i shout
she looks at me with defeated eyes
the way a parent looks at their child
when they know this is the type of pain
even they canβt fix
and says
it means nothing to me if he loves you
if he canβt do a single wretched thing about it
β
β
Rupi Kaur (Milk and Honey)
β
the idea that we are
so capable of love
but still choose
to be toxic
β
β
Rupi Kaur (Milk and Honey)
β
Sex takes the consent of two
If one person is lying there not doing anything cause they are not ready or not in the mood or simply do not want to
Yet the other is having sex with their body, it is not love, it is rape.
β
β
Rupi Kaur (milk and honey)
β
Love will come and when love comes love will hold you
love will call your name and you will melt sometimes though
love will hurt you but love will never mean to
love will play no games cause love knows life has been hard enough already
β
β
Rupi Kaur (milk and honey)
β
you must
want to spend
the rest of your life
with yourself
first
β
β
Rupi Kaur (milk and honey)
β
your mother
is in the habit of
offering more love
than you can carry
your father is absent
you are a war
the border between two countries
the collateral damage
the paradox that joins the two
but also splits them apart
β
β
Rupi Kaur (Milk and Honey)
β
love will come
and when love comes
love will hold you
love will call your name
and you will melt
sometimes though
love will hurt you but
love will never mean to
love will play no games
cause love knows life
has been hard enough already
β
β
Rupi Kaur (Milk and Honey)
β
In the morning, Affif used the leftover couscous to make us a kind of sweet porridge, drizzling hot milk and honey over the grains and dotting the casserole with small nuggets of butter.
β
β
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
β
love made the danger
in you look like safety
β
β
Rupi Kaur (Milk and Honey)
β
how can our love die
if itβs written
in these pages
β
β
Rupi Kaur (Milk and Honey)
β
It's not that I couldn't love you more
I loved you in a way I thought you deserved
You thought you deserved more
I just didn't see It
β
β
Amby C. Ezem
β
I like when i am sad i donβt cry i pour when i am happy i donβt smile i glow when i am angry i donβt yell i burn the good thing about feeling in extremes is when i love i give them wings but perhaps that isnβt such a good thing cause they always tend to leave.
β
β
Rupi Kaur (milk and honey)
β
father. you always call to say nothing in particular. you ask what iβm doing or where i am and
when the silence stretches like a lifetime between us i scramble to find questions to keep the
conversation going. what i long to say most is. i understand this world broke you. it has been so
hard on your feet. i donβt blame you for not knowing how to remain soft with me. sometimes i
stay up thinking of all the places you are hurting which youβll never care to mention. i come from
the same aching blood. from the same bone so desperate for attention i collapse in on myself. i
am your daughter. i know the small talk is the only way you know how to tell me you love me.
cause it is the only way i know how to tell you.
β
β
Rupi Kaur (milk and honey)
β
what i miss most is how you loved me. but what i didnβt know was how you loved me had so much to do with the person i was. it was a reflection of everything i gave to you. coming back to me. how did i not see that. how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these once you left.
β
β
Rupi Kaur (Milk and Honey)
β
The first time I saw you were mine,
It was a late evening such as this.
β¦and your smile was equally divine,
and you've held our future in your fist.
And your grip was, so overly tight,
For a moment, rather crushed then held,
Like a rose. When your words took flight,
Fragrance fell - right beside my bed.
It bled out. Like all things forsaken,
With a knife, like everything so dear -
At once ripped. Like the vows we've taken,
Forgotten, began to disappear.
Disillusioned. Isn't it so funny?
Illusions take most space in our hearts.
Your smile - it's like milk and honey,
And poetry... Poetry is art.
β
β
Aleksandra NinkoviΔ
β
fall
in love
with your solitude
β
β
Rupi Kaur (Milk and Honey)
β
the woman who comes after me will be a bootleg version of who i am. she will try and write poems for you to erase the ones i've left memorized on your lips but her lines could never punch you in the stomach the way mine did. she will then try to make love to your body. but she will never lick, caress, or suck like me. she will be a sad replacement of the woman you let slip. nothing she does will excite you and this will break her. when she is tired of falling apart for a man that doesn't give back what he takes she will recognize me in your eyelids staring at her with pity and it'll hit her. how can she love a man who is busy loving someone he can never get his hands on again.
β
β
Rupi Kaur (milk and honey)
β
i donβt know what to do with a man
who wants to hold on to me
for the rest of our lives
β
β
Rupi Kaur (milk and honey)
β
Love is a gathering of minutiae. Stones, dirt particles, the waxing/waning light, goatβs milk, chamomile,
and honey. I am learning the excruciating art of attention, my small gift of sight to the world. The wider the world, the smaller I seem. This smallness is relieving. Concerns, like the self, are pebbles to be tossed into the sea.
β
β
Sondra Charbadze (The Sea Once Swallowed Me: A Memoir of Love, Solitude, and the Limits of Language)
β
love will come
and when love comes
β
β
Rupi Kaur (Milk and Honey)
β
love will hurt you but
love will never mean to
β
β
Rupi Kaur (Milk and Honey)
β
I will admit that, for the most part, my poems are more Dr. Seuss than βMilk & Honeyβ.
β
β
Shayne Neal (From Misery to Happiness: A Poetic Journey Through Love, Loss, and Second Chances.)
β
Sweetness, Always"
Why such harsh machinery?
Why, to write down the happenings
and people of every day,
must poems be dressed up in gold,
in old and grim stone?
I prefer verses of felt or feather
which scarcely weigh, soft verses
with the intimacy of beds
where people have loved and dreamed.
I prefer poems stained
by hands and everydayness.
Verses of pastry that melt
into milk and sugar in the mouth,
air and water to drink,
the bites and kisses of love.
I long for eatable sonnets,
poems of flour and honey.
Vanity keeps nudging us
to lift ourselves skyward
or to make deep and useless
tunnels underground.
So we forget the joyous
love-needs of our bodies.
We forget about pastries.
We are not feeding the world.
In Madras a long time since,
I saw a sugary pyramid,
a tower of confectioneryβ
one level after another,
and in the construction, rubies,
and other blushing delights,
medieval and yellow.
Someone soiled his hands
to cook up so much sweetness.
Brother poets from here
and there, from earth and sky,
from MedellΓn, from Veracruz,
Abyssinia, Antofagasta,
do you know how to make a honeycomb?
Letβs forget about all that stone.
Let your poetry fill up
the equinoctial pastry shop
our mouths long to devourβ
the mouths of all the children
and the poor adults also.
Donβt go on without seeing,
relishing, understanding
so many hearts of sugar.
Donβt be afraid of sweetness.
With us or without us,
sweetness will go on living
and is infinitely alive,
and forever being revived,
for itβs in the mouth,
whether singing or eating,
that sweetness belongs.
Pablo Neruda, Paris Review, Issue 57 Spring 1974
β
β
Pablo Neruda
β
neither of us is happy
but neither of us wants to leave
so we keep breaking one another
and calling it love
β
β
Rupi Kaur (Milk and Honey)
β
every time you
tell your daughter
you yell at her
out of love
you teach her to confuse
anger with kindness
which seems like a good idea
till she grows up to
trust men who hurt her
cause they look so much
like you - to fathers with daughters
β
β
Rupi Kaur (Milk and Honey)
β
did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these once you left.
β
β
Rupi Kaur (Milk and Honey)
β
mistake
salt for sugar
if he wants to
be with you
he will
itβs that simple he only whispers i love you
β
β
Rupi Kaur (Milk and Honey)
β
i canβt help it you might not have been my first love
but you were the love that made
all the other loves
irrelevant
β
β
Rupi Kaur (Milk and Honey)
β
most importantly love
like itβs the only thing you know how
at the end of the day all this
means nothing
this page
where youβre sitting
your degree
your job
the money
nothing even matters
except love and human connection
who you loved
and how deeply you loved them
how you touched the people around you
and how much you gave them
β
β
Rupi Kaur (Milk and Honey)
β
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense.
"Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?"
Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification.
That'd be his headline.
"Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream."
That was exactly what I wanted.
But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything.
There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?"
"Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words.
"Say yes," he added, lips tipping up at one corner.
"Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too.
"Good girl," he said as he turned away.
And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane.
"Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow.
I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef.
"Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience.
She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for."
She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me.
"Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet.
"Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure.
Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
β
β
Jessica Gadziala (Peace, Love, & Macarons)
β
he only whispers i love you as he slips his hands down the waistband of your pants this is where you must understand the difference between want and need you may want that boy but you certainly donβt need him
β
β
Rupi Kaur (Milk and Honey)
β
And I read a book that figured the part about the virgins is a mistranslation. The word is ambiguous. It comes in a passage full of food imagery. Milk and honey. It probably means raisins. Plump, and possibly candied or sugared.β βThey kill themselves for raisins?β βIβd love to see their faces.
β
β
Lee Child (Gone Tomorrow (Jack Reacher, #13))
β
Lord, forgive me for choosing things I shouldn't do. Look upon me with favor and don't turn your face from me, forgive me. I know I have to have more self-control than what I choose to have at times but I am of flesh, a mere breath of air. I'm discontent with myself. I yearn to do your will, to be holy and righteous, to find favor with you Almighty but I chose to be ed by my flesh and how I hate the bitter taste it leaves in my mouth.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
I become blessed through you when I follow you and your Son, in the foot steps you both left for me to follow. You give me life, happiness, joy satisfaction, contentment, love and abundance when I'm at the heel of your feet but when I sin, I feel wretched, worn down, punished, sad, empty and alone. In my heart I know what to do but I choose not to and I'm sorry.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
These women are a blessing from the One above. Adam was lonely, it's true to be, God blessed him with a woman i the middle of a garden of beauty. I mean think of the beauty; angels from heaven came down to dominate our women.
Wars won, wars lost over their species. Shout out Cleopatra, shout out Marilyn Monroe, mastered the art of seduction, it's something I know. But back to us like we're in the middle of lust, pulling on your hair and the taste of your wet, scratching and biting til the sun set.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
All the negativity but never an utterance of motivation or good-will towards me but I love it. They don't realize their feeding my hunger, the more they try to put me down, the more the fire rages. Their misery is igniting the desire in me to prove them wrong. This is what they fail to realize: God is with me! God has led me to this, God has enlightened my mind. It's the Word of God through the Bible that shows me my right to my heritage.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Paper terrorists, contrast flow as a domesticated emperoist. Building my empire, elevation to the Heaven is a high that keeps me higher. A pillar of fire, lead us to the Promised Land even though our nature makes us a liar. Always set my feet on the right path you've paved but when setting out on a path of revenge, make sure you dig up two graves. It's either love or hate and who can relate? Enter the Kingdom of Heaven or Hell is your fate.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Everyday that goes by you help me build my character and little by little, I gain more self-control and mastery over myself. The vast greatness of our oneness together completes me from soul to flesh, from Heaven to Earth, from head to toe. Your cosmic power brings me to consciousness of the cosmos. I put all my hope and my faith in you.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
I build what I wish to have in the mind of brilliance. It's a determination of conscious thought. If it's riches I envision, riches shall be my lot. If I envision love then like Adam, I make my request to the One above. Eve is created through his image and likeness, love is truly lifes purpose for what more can catch a womans attention but a diamond? Diamond is pure carbon, deposited drops of sunlight. A diamond is the last and highest of Gods mineral formation, as a woman is the last and highest of Gods creation.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
O righteous One, never leave my side and never let me forget you, you are my only hope to succeed in this. Give me what I need to fulfill our will. My life without you is incomplete, you are my source of strength and abundance. I trust and acknowledge you. I am your chosen son.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
β
Red velvet, that's the color of her dress. Red velvet cake, that's the taste of her breasts. Stimulate her mind, I'm so mean with this mess. If I told you I'm the best of the best, feel that passion in your heart, that's the pain in your chest. Better than the rest, lay to rest the exes that didn't pass on that test.
That's real, that's real. Motivate her soul, that's something they couldn't do. Make her fall in love with the word play, now she callin me boo.
Wow, what a beautiful start with such a cold beginning. Let this fire last like everyday is a new ending. Set her mind up for the greatest of the great, lay to rest her crown on her head like it's intentional fate. Let her benefit from these benefits, drive her drive like ain't no breaks in this bitch. Even if I was poor or if I was rich, I stimulate her soul like it's a fire in this bitch. She ain't going no where, I'm the best with this trend. Influence her mind, body and spirit, ain't no seeing the end.
β
β
Jose R. Coronado (The Land Flowing With Milk And Honey)
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What is your self-worth? Take a second to ponder. Is it the 100's in my pockets or the virtues and morals? It makes you wonder. Is diamonds what make your heart sound off or the thought of wanting someone to be true? Cause in truth, there's diamonds that abide in you, what a beautiful truth. True to be, let the value of love compare with the love of loyalty. I've learned this passion I once had for the love of money doesn't compare to the love of me. It's like one of them Pretty Ricky songs "Love like honey", yeah that's all me, self-worth value over infinity.
I can go on with my ABC rhymes and keep stimulating your mind, make you see things with your eyes closed as if I'm leading the blind. This conscience cannot be bought with money or gold but my character and values last way past old. Put me deep in the dirt, the soils where I lay, sprout flowers of life, my soul lives on everyday.
I have a question to ask, you might be as curious to hear: When's the last time you saw a Wells Fargo truck following a hearse? Don't let them try to trick you, once you're gone, your money can't be reimbursed. So the question is what lasts forever? If diamonds, money, even our flesh which is considered of such high importance soon perishes, what lasts forever? Give ear if you hear my words.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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I'm asked, "What is one of your goals?". I answer, "To be wealthy". "Why be wealthy"? "To help those in need". "Why help those in need?" "Because their blind". "Blind to what?" "The Truth". "What's the Truth?" "The Truth isn't spoken upon but acted upon". It's the only way to course to be taken, though the taking be coarse. It really is true freedom
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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Open your eyes to the warheads I'm dropping. Complete accuracy accurately corrects what's to be seen in precise actuality. It's those powerful pursuits to keep away from the poor house of poverty shelters, elevation like aristrocracy.
Entrepreneur League Is Towards Everyone, so take heed. I'm wisdoms keeper, close to mind and heart like love is where I keep her.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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Praise my all-righteous God. Lord, you are beyond description of what I can put in words. The human language with all its most beautiful, intensified, descriptive words can't express an inch of your amazingness.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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i am confident i am over you. so much that some mornings i wake up with a smile on my face and my hands pressed together thanking the universe for pulling you out of me. thank god i cry. thank god you left. i would not be the empire i am today if you had stayed.
but then.
there are some nights i imagine what i might do if you showed up. how if you walked into the room this very second every awful thing youβve ever done would be tossed out the closest window and all the love would rise up again. it would pour through my eyes as if it never really left in the first place. as if itβs been practicing how to stay silent so long only so it could be this loud on your arrival. can someone explain that. how even when the love leaves. it doesnβt leave. how even when i am so past you. i am so helplessly brought back to you.
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Rupi Kaur (Milk and Honey)
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Thou hast ravished my heart, my sister, my spouse; thou hast ravished my heart with one of thine eyes, with one chain of thy neck. How fair is thy love, my sister, my spouse! how much better is thy love than wine! and the smell of thine ointments than all spices! Thy lips, O my spouse, drop as the honeycomb: honey and milk are under thy tongue; and the smell of thy garments is like the smell of Lebanon. A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed. Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikenard, Spikenard and saffron; calamus and cinnamon, with all trees of frankincense; myrrh and aloes, with all the chief spices: A fountain of gardens, a well of living waters, and streams from Lebanon. Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits. Song of Solomon 4:9-16
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Jeannette Ng (Under the Pendulum Sun)
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nem rendΕrsΓ©gi szirΓ©na vagyok
hanem tΕ±z ropogΓ‘sa a kandallΓ³ban
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Rupi Kaur (milk and honey)
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nem a whiskey vagyok amire vΓ‘gysz
a vΓz vagyok ami Γ©ltet
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Rupi Kaur (milk and honey)
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She rode toward the sunset
in her fathers worn down car.
A breeze picked up strands of her hair
through the open window
while a cigarette burned between her lips.
He told her stories of honey and milk
as he replaced the grass with mud.
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Rebecca Rijsdijk (Portraits of Girls I never Met)
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As honey drips from a honeycomb,
and milk flows from a woman full of love for her children,
so is my hope upon you, my God.
As a fountain gushes forth its water,
so does my heart gush forth the praise of the Lord
and my lips pour out praise to him,
my face exults in the jubilation he brings,
my spirit is jubilant at his love
and by him my soul is illumined.
He who holds the Lord in awe may have confidence,
for his salvation is assured;
he will gain immortal life,
and those who receive this are incorruptible. Hallelujah!
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Solomon
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every time you tell your daughter you yell at her out of love you teach her to confuse anger with kindness which seems like a good idea till she grows up to trust men who hurt her cause they look so much like you
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Rupi Kaur (Milk and Honey)
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Think about the opportunities, fondle your fantasies. Give myself totally to live for you, even if it's for the moment.
I'm forbidden, dangerous & slightly evil but let me appeal to the repressed side of you. Succumb to me through your yearning to be free of the constraints of virtue & decency.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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when my mother says i deserve better
i snap to your defense out of habit
he still loves me i shout
she looks at me with defeated eyes
the way a parent looks at their child
when they know this is the type of pain
even they can't fix
and says
it means nothing to me if he loves you
if he can't do a single wretched thing about it
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Rupi Kaur (milk and honey)
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Our region pays the dues of foreigners at the expense of the people that gives power to its region. It's pillage, plunder, insult, betrayal, and swindling but it's a due punishment for what is sown is reaped. How can one expect to sow seeds of hate and get love in return?
An association of a nation to reserve its scheme to other nations, payed in full from cradle to grave, it's a lesson learned for those willing to behave.
A settlement internationally known only to the Credit Masters; signing away our rights of our Mother Land and settling at the bottom of the barrel. It's dictatorship at its finest subliminally, they lock us away for committing fictitious felonies when they're the ones that are the true menaces of society.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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Mind over matter? Matter is physical. Mind creates matter in the mental. Without mental what would become of the world?
Far more extreme, what would become of the man living to live and not living to die? Would it be wrong to state that living to live is to love?
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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If thy deed be sour, thy fruit be sour.
If thy deed be sweet, thy fruit be like dripping honey, satisfying.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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An analogy of a psychological masterpiece, piecing together the puzzle becoming mind master of theology. What matters the creed? We all came from the One True Living Deity, a billions upon billions of seeds sown from his likeness & imagery. Instead of philanthropy, brothers of brothers and sisters hate each other; the envy, lust and greed. Oppressional slavery against our fellow posterity.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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Iβve seen religious passion in other people, thoughβlove for a compassionate God, fear of an angry God, fulsome praise and desperate pleading for a God that rewards and punishes. All that makes me wonder how a belief system like Earthseedβvery demanding but offering so little comfort from such an utterly indifferent Godβshould inspire any loyalty at all. In Earthseed, there is no promised afterlife. Earthseedβs heaven is literal, physicalβother worlds circling other stars. It promises its people immortality only through their children, their work, and their memories. For the human species, immortality is something to be won by sowing Earthseed on other worlds. Its promise is not of mansions to live in, milk and honey to drink, or eternal oblivion in some vast whole of nirvana. Its promise is of hard work and brand-new possibilities, problems, challenges, and changes. Apparently, that can be surprisingly seductive to some people.
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Octavia E. Butler (Earthseed: Parable of the Sower and Parable of the Talents)