Milk And Honey Love Quotes

We've searched our database for all the quotes and captions related to Milk And Honey Love. Here they are! All 100 of them:

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i am a museum full of art but you had your eyes shut
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Rupi Kaur (milk and honey)
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how you love yourself is how you teach others to love you
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Rupi Kaur (milk and honey)
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he placed his hands on my mind before reaching for my waist my hips or my lips he didn't call me beautiful first he called me exquisite - how he touches me
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Rupi Kaur (milk and honey)
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fall in love with your solitude
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Rupi Kaur (milk and honey)
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most importantly love like it's the only thing you know how at the end of the day all this means nothing this page where you're sitting your degree your job the money nothing even matters except love and human connection who you loved and how deeply you loved them how you touched the people around you and how much you gave them
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Rupi Kaur (milk and honey)
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i don’t know what living a balanced life feels like when i am sad i don’t cry i pour when i am happy i don’t smile i glow when i am angry i don’t yell i burn the good thing about feeling in extremes is when i love i give them wings but perhaps that isn't such a good thing cause they always tend to leave and you should see me when my heart is broken i don't grieve i shatter
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Rupi Kaur (milk and honey)
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the very thought of you has my legs spread apart like an easel with a canvas begging for art
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Rupi Kaur (milk and honey)
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i am not a hotel room. i am home i am not the whiskey you want i am the water you need don't come here with expectations and try to make a vacation out of me
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Rupi Kaur (milk and honey)
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love will come and when love comes love will hold you love will call your name and you will melt sometimes though love will hurt you but love will never mean to love will play no games cause love knows life has been hard enough already
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Rupi Kaur (milk and honey)
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what am i to you he asks i put my hands in his lap and whisper you are every hope i've ever had in human form
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Rupi Kaur (milk and honey)
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no it won't be love at first sight when we meet it'll be love at first remembrance cause i've seen you in my mother's eyes when she tells me to marry the type of man i'd want to raise my son to be like
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Rupi Kaur (milk and honey)
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there is a difference between someone telling you they love you and them actually loving you
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Rupi Kaur (Milk and Honey)
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I’d be lying if I said you make me speechless the truth is you make my tongue so weak it forgets what language to speak in.
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Rupi Kaur (milk and honey)
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i was music but you had your ears cut off
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Rupi Kaur (milk and honey)
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Icarus should have waited for nightfall, the moon would have never let him go.
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Nina Mouawad (Blue Sun: A poetry collection)
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what i miss most is how you loved me. but what i didn't know was how you loved me had so much to do with the person i was. it was a reflection of everything i gave you. coming back to me. how did i not see that. how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these things after you left.
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Rupi Kaur (milk and honey)
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i am sending my love to your eyes. may they always see goodness in people. and may you always practice kindness. may we see each other as one. may we be nothing short of in love with everything the universe has to offer. and may we always stay grounded. rooted. our feet planted firmly onto the earth.
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Rupi Kaur (Milk and Honey)
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i don't blame you for not knowing how to remain soft with me. sometimes i stay up thinking of all the places you are hurting which you'll never care to mention. i come from the same aching blood. from the same bone so desperate for attention i collapse in on myself. i am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
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Rupi Kaur (milk and honey)
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the idea that we are so capable of love but still choose to be toxic
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Rupi Kaur (milk and honey)
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sex takes the consent of two if one person is lying there not doing anything cause they are not ready or not in the mood or simply don't want to yet the other is having sex with their body it's not love it is rape
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Rupi Kaur (milk and honey)
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This is what love does and continues to do. It tastes like honey to adults and milk to children.
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Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Book of Love: Poems of Ecstasy and Longing)
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the rape will tear you in half but it will not end you
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Rupi Kaur (milk and honey)
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I know I should crumble for better reasons but have you seen that boy he brings the sun to its knees every night.
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Rupi Kaur (milk and honey)
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accept that you deserve more than painful love life is moving the healthiest thing for your heart is to move with it
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Rupi Kaur (milk and honey)
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he only whispers i love you as he slips his hands down the waistband of your pants. this is where you must understand the difference between want and needβ€”you may want that boy but you certainly don't need him
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Rupi Kaur (milk and honey)
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i can't tell if my mother is terrified or in love with my father it all looks the same i flinch when you touch me i fear it is him
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Rupi Kaur (milk and honey)
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your mother is in the habit of offering more love than you can carry your father is absent you are a war the border between two countries the collateral damage the paradox that joins the two but also splits them apart
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Rupi Kaur (milk and honey)
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he says i am sorry i am not an easy person to want i look at him surprised who said i wanted easy i don’t crave easy i crave goddamn difficult
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Rupi Kaur (milk and honey)
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love is not cruel/ we are cruel/ love is not a game/ we have made a game/ out of love
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Rupi Kaur (milk and honey)
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i will tell you about selfish people. even when they know they will hurt you they walk into your life to taste you because you are the type of being they don’t want to miss out on. you are too much shine to not be felt. so when they have gotten a good look at everything you have to offer. when they have taken your skin your hair and your secrets with them. when they realize how real this is. how much of a storm you are and it hits them. that is when the cowardice sets in. that is when the person you thought they were is replaced by the sad reality of what they are. that is when they lose every fighting bone in their body and leave after saying you will find better than me. you will stand there naked with half of them still hidden somewhere inside you and sob. asking them why they did it. why they forced you to love them when they had no intention of loving you back and they’ll say something along the lines of i just had to try. i had to give it a chance. it was you after all. but that isn’t romantic. it isn’t sweet. the idea that they were so engulfed by your existence they had to risk breaking it for the sake of knowing they weren’t the one missing out. your existence meant that little next to their curiosity of you.
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Rupi Kaur (milk and honey)
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love is not cruel we are cruel love is not a game we have made a game out of love
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Rupi Kaur (milk and honey)
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how can she love a man who is busy loving someone he can never get his hands on again.
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Rupi Kaur (Milk and Honey)
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he was supposed to be the first male love of your life you still search for him everywhere - father
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Rupi Kaur (milk and honey)
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I’ve had sex, she said But I don’t know What making love Feels like
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Rupi Kaur (milk and honey)
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accept that you deserve more than painful love
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Rupi Kaur (milk and honey)
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it means nothing to me if he loves you if he can’t do a single wretched thing about it
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Rupi Kaur (Milk and Honey)
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he isn't coming back whispered my head he has to sobbed my heart
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Rupi Kaur (milk and honey)
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i don’t know what living a balanced life feels like when i am sad i don’t cry i pour when i am happy i don’t smile i glow when i am angry i don’t yell i burn the good thing about feeling in extremes is when i love i give them wings but perhaps that isn’t such a good thing cause they always tend to leave and you should see me when my heart is broken i don’t grieve i shatter
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Rupi Kaur (Milk and Honey)
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I understand this world broke you. It has been so hard on your feet. I don't blame you for not knowing how to remain soft with me. Sometimes I stay up thinking of all the places you are hurting which you'll never care to mention. I come from the same aching blood. From the same bone so desperate for attention I collapse in on myself. I am your daughter. I know the small talk is the only way you know how to tell me you love me. Cause it's the only way I know how to tell you.
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Rupi Kaur (milk and honey)
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What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didn’t want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones. I wanted the impossible, which made it that much easier to push out of my mind.
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Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
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i am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
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Rupi Kaur (Milk and Honey)
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that’s the thing about love it marinates your lips till the only word your mouth remembers is his name
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Rupi Kaur (Milk and Honey)
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i need someone who knows struggle as well as i do someone willing to hold my feet in their lap on days it is too difficult to stand the type of person who gives exactly what i need before i even know i need it the type of lover who hears me even when i do not speak is the type of understanding i demand - the type of lover i need
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Rupi Kaur (milk and honey)
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I love that about us how capable we are of feeling how unafraid we are of breaking and tend to our wounds with grace just being a woman calling myself a woman makes me utterly whole and complete
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Rupi Kaur (milk and honey)
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i'd be lying if i said you make me speechless the truth is you make my tongue so weak it forgets what language to speak in
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Rupi Kaur (milk and honey)
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you might not have been my first love but you were the love that made all the other loves irrelevant
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Rupi Kaur (Milk and Honey)
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May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.
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Rumi (Jalal ad-Din Muhammad ar-Rumi)
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the one who arrives after you will remind me love is supposed to be soft he will taste like the poetry i wish i could write
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Rupi Kaur (Milk and Honey)
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love made the danger in you look like safety
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Rupi Kaur (milk and honey)
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neither of us is happy but neither of us wants to leave so we keep breaking one another and calling it love
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Rupi Kaur (Milk and Honey)
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i love that about us how capable we are of feeling how unafraid we are of breaking
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Rupi Kaur (milk and honey)
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i didn't leave because i stopped loving you i left because the longer i stayed the less i loved myself
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Rupi Kaur (milk and honey)
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Wait till the honeying of the lune, love! Die eve, little eve, die! We see that wonder in your eye. We'll meet again, we'll part once more. The spot I'll seek if the hour you'll find. My chart shines high where the blue milk's upset.
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James Joyce (Finnegans Wake)
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Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
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Walter Moers (The Alchemaster's Apprentice: A Culinary Tale from Zamonia by Optimus Yarnspinner (Zamonia, #5))
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there is a difference between someone telling you they love you and them actually loving you
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Rupi Kaur (Milk and Honey)
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it takes grace to remain kind in cruel situations fall in love with your solitude
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Rupi Kaur (Milk and Honey)
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every time you tell your daughter you yell at her out of love you teach her to confuse anger with kindness which seems like a good idea till she grows up to trust men who hurt her cause they look so much like you.
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Rupi Kaur (milk and honey)
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It's intelligence mixed with less than innocence, it's cruelty mixed with a sense of elegance. It's a trap set for seduction to those that are persuaded by speech.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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father. you always call to say nothing in particular. you ask what i'm doing or where i am and when the silence stretches like a lifetime between us i scramble to find questions to keep the conversation going. what i long to say most is. i understand this world broke you. it has been so hard on your feet. i don't blame you for not knowing how to remain soft with me. sometimes i stay up thinking of all the places you are hurting which you'll never care to mention. i come from the same aching blood. from the same bone so desperate for attention i collapse in on myself. i am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way I know how to tell you.
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Rupi Kaur (milk and honey)
β€œ
when love comes love will hold you love will call your name and you will melt sometimes though love will hurt you but love will never mean to love will play no games cause love knows life has been hard enough already
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Rupi Kaur (Milk and Honey)
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nothing even matters/ except love and human connection/ who you loved/ and how deeply you loved them/ how you touched the people around you/ and how much you gave them
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Rupi Kaur (milk and honey)
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How you love yourself is how you teach others to love you.
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Rupi Kaur (milk and honey)
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i didn’t leave because i stopped loving you i left because the longer i stayed the less i loved myself
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Rupi Kaur (Milk and Honey)
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there is a difference between someone telling you they love you and them actually loving you
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Rupi Kaur (milk and honey)
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Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. >i/i< she was saying. >ii/< Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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The land of milk and honey, Ghosh thought. Milk and honey, and love for money. Now
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Abraham Verghese (Cutting for Stone)
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how can our love die if it's written in these pages
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Rupi Kaur (milk and honey)
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am your daughter. i know the small talk is the only way you know how to tell me you love me. cause it is the only way i know how to tell you.
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Rupi Kaur (Milk and Honey)
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most importantly love like it's the only thing you know
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Rupi Kaur (milk and honey)
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i know i should crumble for better reasons but have you seen that boy he brings the sun to its knees every night
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Rupi Kaur (milk and honey)
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means nothing to me if he loves you if he can’t do a single wretched thing about it
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Rupi Kaur (Milk and Honey)
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the idea that we are so capable of love but still choose to be toxic
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Rupi Kaur (Milk and Honey)
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i do not want to have you to fill the empty parts of me i want to be full on my own
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Rupi Kaur (milk and honey)
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You might not have been my first love but you were the love that made all the other loves irrelevant.
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Rupi Kaur (milk and honey)
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how you love yourself is how you teach others to love you
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Rupi Kaur (Milk and Honey)
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Fall in love with your solitude.
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Rupi Kaur (milk and honey)
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There is a difference between someone telling you they love you and them actually loving you.
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Rupi Kaur (milk and honey)
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It's your thoughts, words, and deeds; a farmer sowing his seeds, it's a mind thing described in those creeds. As within, so without. As above, so below. Think, say and act love and it's love that will flow. Let hate harbor in your mind and hate is what you'll regretfully find.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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Close to the stem, he said, closest to the earth, their perfume is complex, not sugar: closer to flesh, the flesh of a loved one, not sanitized, not anodyne, but full of many waters. Strawberries and spring, strawberries and musk, strawberries and sex flooded back as I crushed my tongue to sugar.
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C Pam Zhang (Land of Milk and Honey)
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no it won’t be love at first sight when we meet it’ll be love at first remembrance cause i’ve seen you in my mother’s eyes when she tells me to marry the type of man i’d want to raise my son to be like
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Rupi Kaur (Milk and Honey)
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i am confident i am over you. so much that some mornings i wake up with a smile on my face and my hands pressed together thanking the universe for pulling you out of me. thank god i cry. thank god you left. i would not be the empire i am today if you had stayed. but then. there are some nights i imagine what i might do if you showed up. how if you walked into the room this very second every awful thing you’ve ever done would be tossed out the closet window and all the love would rise up again. it would pour through my eyes as if it never really left in the first place. as if it’s been practicing how to stay silent so long only so it could be this loud on your arrival. can someone explain that. how even when the love leaves. it doesn’t leave. how even when i am so past you. i am so helplessly brought back to you.
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Rupi Kaur (milk and honey)
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When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:β€”'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God. When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God. While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend. It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:β€”such is the God of the Pentateuch.
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Robert G. Ingersoll (Some Mistakes of Moses)
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how. did i sit here soaking in the idea that no one else would love me that way. when it was i that taught you. when it was i that showed you how to fill. the way i needed to be filled. how cruel i was to myself. giving you credit for my warmth simply because you had felt it. thinking it was you who gave me strength. wit. beauty. simply because you recognized it. as if i was already not these things before i met you. as if i did not remain all these once you left.
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Rupi Kaur (Milk and Honey)
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Although I had never envisioned marriage, I had thought of love. Not the furtive love I heard muffled in the corners or rooms of some of the harem wives. What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didn’t want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones.
”
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Roshani Chokshi (Star-Touched Stories)
β€œ
i don't know what living a balanced life feels like when i am sad i don't cry i pour when i am happy i don't smile i glow when i am angry i don't yell i burn the good thing about feeling in extremes is when i love i give them wings but perhaps that isn't such a good thing cause they always tend to leave and you should see me when my heart is broken i don't grieve i shatter
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Rupi Kaur (milk and honey)
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She desired not only the dolls and dollhouses but also the accessories that gave the appearance of daily life. For a breakfast scene, she cabled Au Nain Bleu asking for tiny French breads: croissants, brioches, madeleines, mille-feuilles, and turnovers. But she wasn't done. In a May 7,1956, cable to store, she wrote: For the lovely pastry shop please send the following: waffles, babas, tartelettes, crepes, tartines, palm- iers, galettes, cups of milk, tea and coffee with milk, small butter jars, fake jam and honey, small boxes of chocolate, candies and candied fruits, and small forks. Thank you.
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Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)
β€œ
For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
”
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Khalid Hosseini (The Kite Runner)
β€œ
Children have two basic needs, writes Erich Fromm in the Art of Loving: they need both milk and honey from their parents. Milk symbolizes the care given to physical needs...Honey symbolizes the sweetness of life, that special quality that makes life sing with enjoyment for all it holds. Gromm says, "Most parents are capable of giving milk, but only a minority of giving honey, too." To give honey, one must love honey and have it to give.
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Gladys M. Hunt (Honey for a Child's Heart)
β€œ
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well β€” we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
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Elinor Wylie
β€œ
O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm? The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--
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Jack Kerouac (Maggie Cassidy)
β€œ
Children have two basic needs, writes Erich Fromm in The Art of Loving: they need both milk and honey from their parents. Milk symbolizes the care given to physical needs: brush your teeth, drink your orange juice, eat your vegetables, get enough sleep. Honey symbolizes the sweetness of life, that special quality that makes life sing with enjoyment for all it holds. Fromm says, β€œMost parents are capable of giving milk, but only a minority of giving honey, too.” To give honey, one must love honey and have it to give. Good books are rich in honey, and hence the title of this book.
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Gladys M. Hunt (Honey for a Child's Heart: The Imaginative Use of Books in Family Life)
β€œ
Although I had never envisioned marriage, I had thought of love. Not the furtive love I heard muffled in the corners or rooms of some of the harem wives. What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didn’t want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones. I wanted the impossible, which made it that much easier to push out of my mind.
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Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
β€œ
In every tomorrow I had imagined, this was never one of them. There were never any prospects beyond the life of a scholarly old maid, but that was a fate I had looked forward toβ€”to live among parchments and sink into the compressed universes stitched into lines and lines of writing. To answer to no one. There was another sorrow, tucked beneath my surprise. Although I had never envisioned marriage, I had thought of love. Not the furtive love I heard muffled in the corners or rooms of some of the harem wives. What I wanted was a connection, a shared heartbeat that kept rhythm across oceans and worlds. Not some alliance cobbled out of war. I didn’t want the prince from the folktales or some milk-skinned, honey-eyed youth who said his greetings and proclaimed his love in the same breath. I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones. I wanted the impossible, which made it that much easier to push out of my mind.
”
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Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
β€œ
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crΓͺpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
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Louis MacNeice
β€œ
I love everything that flows,” said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution. The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.
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Henry Miller (Tropic of Cancer (Tropic, #1))
β€œ
Hair" There is great mystery, Simone, In the forest of your hair. It smells of hay, and of the stone Cattle have been lying on; Of timber, and of new-baked bread Brought to be one’s breakfast fare; And of the flowers that have grown Along a wall abandonΓ¨d; Of leather and of winnowed grain; Of briers and ivy washed by rain; You smell of rushes and of ferns Reaped when day to evening turns; You smell of withering grasses red Whose seed is under hedges shed; You smell of nettles and of broom; Of milk, and fields in clover-bloom; You smell of nuts, and fruits that one Gathers in the ripe season; And of the willow and the lime Covered in their flowering time; You smell of honey, of desire, You smell of air the noon makes shiver: You smell of earth and of the river; You smell of love, you smell of fire. There is great mystery, Simone, In the forest of your hair. Contemporary French Poetry, edited by Jethro Bithell (Wentworth Press March 4th 2019) reply | edit | delete | flag *
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Remy de Gourmont
β€œ
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. β€œAnd ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. β€œAsk the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” β€œNo, lordling,” I said to him. β€œYou’re never going to wake like that again, and you’re never going to be able to forget.” β€œBugger you, waif.” β€œAnd you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. β€œI don’t want to go,” I whispered. I felt his chest expand beneath my cheek. β€œThis is going to be much more difficult than I anticipated.” β€œWhich part?” β€œAll of it.” He brought a hand to my hair, his fingers weaving through. β€œThings are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. β€œWhat do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. β€œIt will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-β€œ β€œThat is not bloody going to happen.” β€œWhen that happens,” he said again resolutely, β€œI want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” β€œMy pity may reach as deep and wide as the ocean,” I answered. β€œBut my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
”
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Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
β€œ
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. Butβ€” All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
”
”
Gerald Durrell
β€œ
The Lord’s Prayer Expanded Our Father, Holy Father, Abba Father, in the heavens, Hallowed, holy, sacred be your name. From the rising of the sun, to the going down of the same, The name of the Lord is to be praised. Great is the Lord and greatly to be praised. Holy, holy, holy is the Lord God of hosts, The whole earth is full of your glory. Holy, holy, holy is the Lord God almighty, Who was and is and is to come. Thy kingdom come, thy will be done, On earth as it is in heaven. Thy government come, thy politics be done, On earth as it is in heaven. Thy reign and rule come, thy plans and purposes be done, On earth as it is in heaven. May we be an anticipation of the age to come. May we embody the reign of Christ here and now. Give us day by day our daily bread. Provide for the poor among us. As we seek first your kingdom and your justice, May all we need be provided for us. Forgive us our trespasses as we forgive those who trespass against us. Forgive us our sins as we forgive those who sin against us. Forgive us our debts as we forgive our debtors. Transform us by the Holy Spirit into a forgiving community of forgiven sinners. Lead us not into trouble, trial, tribulation or temptation. Be mindful of our frame, we are but dust, We can only take so much. Lead us out of the wilderness into the promised land that flows with milk and honey, Lead us out of the badlands into resurrection country. Deliver us from evil and the evil one. Save us from Satan, the accuser and adversary. So that no weapon formed against us shall prosper. So that every tongue that rises against us in accusation you will condemn. So that every fiery dart of the wicked one is extinguished by the shield of faith. So that as we submit to you and resist the devil, the devil flees. So that as we draw near to Jesus Christ lifted up, His cross becomes for us the axis of love expressed in forgiveness, That refounds the world; And the devil, who became the false ruler of the fallen world, Is driven out from among us. For thine is the kingdom and the power and the glory, forever. Amen
”
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Brian Zahnd (Water To Wine: Some of My Story)