Mile High Quotes

We've searched our database for all the quotes and captions related to Mile High. Here they are! All 100 of them:

Books to the ceiling, Books to the sky, My pile of books is a mile high. How I love them! How I need them! I'll have a long beard by the time I read them.
Arnold Lobel
You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert, repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting – over and over announcing your place in the family of things.
Mary Oliver
Rule Forty-two. All persons more than a mile high to leave the court.
Lewis Carroll (Alice in Wonderland)
The struggles we endure today will be the ‘good old days’ we laugh about tomorrow.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Make no mistake, the woman had a heart. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.
Markus Zusak (The Book Thief)
You don’t have to love your body every single day. That’s unrealistic to expect, but I’ll be here loving it for the days you can’t.
Liz Tomforde (Mile High (Windy City, #1))
It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Aim high. You may still miss the target, but at least you won't shoot your foot off.
Lois McMaster Bujold (Miles in Love (Vorkosigan Omnibus, #6))
There you go, belittling us again. You must know by now that I've never done any of this for anyone else. I was a slut once with my body, but I've never been a slut with my heart.
R.K. Lilley (Mile High (Up in the Air, #2))
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-" -"What little bird?" said Aziraphale suspiciously. -"This little bird I'm talking about. And every thousand years-" -"The same bird every thousand years?" -Crowley hesitated. "Yeah," he said. -"Bloody ancient bird, then." -"Okay. And every thousand years this bird flies-" -"-limps-" -"-flies all the way to this mountain and sharpens its beak-" -"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy." -"But it gets there anyway," Crowley persevered. -"How?" -"It doesn't matter!" -"It could use a space ship," said the angel. Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-" -"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have they got to do?" -"Sharpen its beak on the mountain," said Crowley. "And then it flies back-" -"-in the space ship-" -"And after a thousand years it goes and does it all again," said Crowley quickly. There was a moment of drunken silence. -"Seems a lot of effort just to sharpen a beak," mused Aziraphale. -"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-" Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly. -"-then you still won't have finished watching The Sound of Music." Aziraphale froze. -"And you'll enjoy it," Crowley said relentlessly. "You really will." -"My dear boy-" -"You won't have a choice." -"Listen-" -"Heaven has no taste." -"Now-" -"And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I don't feel alone with you. I feel like I have a family and a home again. You're my home. All of the dark shadows seem to disappear when we're together.
R.K. Lilley (Mile High (Up in the Air, #2))
People with a high tolerance for boredom can get a lot of thinking done.
Stephen King (Bag of Bones/the Green Mile/the Girl Who Loved Tom Gordon (set of 3))
Careful, Love. You can't offer a starving man a feast and expect him not to take you up on it.
R.K. Lilley (Mile High (Up in the Air, #2))
Meet my future. Her name is Bianca. Come to terms with it. My advice would be to get on her good side.
R.K. Lilley (Mile High (Up in the Air, #2))
Those who achieve the extraordinary are usually the most ordinary because they have nothing to prove to anybody. Be Humble.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
On a scale of one to ten, what was he?" "How would, 'I want him to fuck me to death, and he just might', rate on that scale?
R.K. Lilley (Mile High (Up in the Air, #2))
But the truth is, I do want to be loved, and that’s scary to admit. It’s a lot easier to say you don’t want to be loved when no one loves you.
Liz Tomforde (Mile High (Windy City, #1))
Stevie,” Zanders says. “You following me?
Liz Tomforde (Mile High (Windy City, #1))
It hurts a whole lot less to be hated when you’re not being yourself than it does not to be loved for who you are,
Liz Tomforde (Mile High (Windy City, #1))
I want to deserve you, my love.
R.K. Lilley (Mile High (Up in the Air, #2))
When you see him, I want you to do something for me. Ask him if he feels like he might die if he doesn’t get to touch you again... Because there’s another man who does.
T.L. Swan (The Stopover (Miles High Club, #1))
His soul was a mirror of my own.
R.K. Lilley (Mile High (Up in the Air, #2))
This was a nightmare scenario for any bodyguard: stuck in the middle of a transparent tube, several miles underwater, with a murdering band of fugitives at one end and an enthralled but still highly skilled police officer at the other.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
If shit-talking is a love language, then it’s ours, and I thoroughly plan on bantering with my wild girl for the rest of my life.
Liz Tomforde (Mile High (Windy City, #1))
I wondered how my heart could be both light with happiness and heavy with love at the same time.
R.K. Lilley (Mile High (Up in the Air, #2))
Million-mile-high club,” Martinez said. “Nice!
Andy Weir (The Martian)
Knowing and feeling were two very different things.
R.K. Lilley (Mile High (Up in the Air, #2))
I pepper kisses on the side of her head as I watch a smile pull at her lips through the mirror. And though I love every single curve on her body, that one right there is my favorite.
Liz Tomforde (Mile High (Windy City, #1))
To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.
Anthony Doerr (All the Light We Cannot See)
You're more precious than my own life to me, Bianca.
R.K. Lilley (Mile High (Up in the Air, #2))
I never thought I'd have the urge to fuck someone to death.
R.K. Lilley (Mile High (Up in the Air, #2))
High in the North in a land called Svithjod there is a mountain. It is a hundred miles long and a hundred miles high and once every thousand years a little bird comes to this mountain to sharpen its beak. When the mountain has thus been worn away a single day of eternity will have passed.
Hendrik Willem van Loon (The Story of Mankind)
Bitch be cray cray. --Murphy
R.K. Lilley (Mile High (Up in the Air, #2))
You’re my first choice, Vee. My only choice.
Liz Tomforde (Mile High (Windy City, #1))
TF-16 returned to Pearl Harbor on May 26 in good order, with one huge exception: Admiral Halsey, the sixty-year-old commander, arrived back completely exhausted and ill. After six months of intense underway operations, culminating in the fruitless 7000-mile mission across the Pacific to the Coral Sea and back, Halsey had lost twenty pounds and had contracted a serious case of dermatitis. Nimitz took one look at him and sent him straight to the Pearl Harbor hospital. The Navy’s most experienced and highly regarded carrier force commander would sit out the Battle of Midway. The ultimate sea warrior, Halsey would watch from his hospital window as the two task forces departed Pearl Harbor for Midway.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
There's no room in perfection for insecurity.
R.K. Lilley (Mile High (Up in the Air, #2))
I can’t change my past, Bianca. All I can do is be honest with you, and I’ve done my best.
R.K. Lilley (Mile High (Up in the Air, #2))
You ready to leave now? I don’t find the idea of fucking you against that wall behind you even slightly unpleasant. Exhibitionism has never been a problem for me. Is that something you’d like to try?
R.K. Lilley (Mile High (Up in the Air, #2))
Share and Enjoy' is the company motto of the hugely successful Sirius Cybernetics Corporation Complaints Division, which now covers the major land masses of three medium-sized planets and is the only part of the Corporation to have shown a consistent profit in recent years. The motto stands-- or rather stood-- in three mile high illuminated letters near the Complaints Department spaceport on Eadrax. Unfortunately its weight was such that shortly after it was erected, the ground beneath the letters caved in and they dropped for nearly half their length through the offices of many talented young Complaints executives-- now deceased. The protruding upper halves of the letters now appear, in the local language, to read "Go stick your head in a pig," and are no longer illuminated, except at times of special celebration.
Douglas Adams (The Ultimate Hitchhiker's Guide: Five Complete Novels and One Story (Hitchhiker's Guide to the Galaxy, #1-5))
Before the first streaks of light at dawn on December 7, 275 miles north of Oahu, the six (Japanese) carriers of the Striking Force turned into the southeast wind. Pounding into heavy swells at high speed, the carriers pitched severely with thunderous impact. The wind, surging seas, and roar of warming aircraft engines made communications possible only by hand signals and handheld signal lamps. Salt spray reached the high flight decks, and Commander Fuchida, the group leader, was very concerned about the conditions for launching planes. If this had been a training exercise the launch might have been delayed until conditions improved. However, this was not an exercise, and there would be no delay.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
This is it. I can stop searching. I’ve found her.
T.L. Swan (The Stopover (Miles High Club, #1))
Stevie girl, I’ll follow you anywhere.
Liz Tomforde (Mile High (Windy City, #1))
He had an angel's face, but his eyes were so hypnotically tarnished, a mirror of my own pain in their depths.
R.K. Lilley (Mile High (Up in the Air, #2))
I wouldn't say that my emotions are extreme. I'd say they are committed. My moods are the equivalent of Madonna's dancing: inappropriate but all-out. If I'm going to be sad, I might as well be the saddest a girl can get. And if I'm happy, I want to be the happiest. The trouble is, I feel highs so ecstatic that just being normal feels like a thousand-mile drop and being unhappy is excruciating.
Emma Forrest
Unfortunately, the Best Lord had condemned both vehicles as unsafe and instead I now leased a Pack Jeep I called Hector. Equipped with dual engines, Hector worked during magic or tech. He didn't go very fast, especially during magic, but so far he hadn't stalled on me either. As long as our high-speed chases stayed under forty-five miles an hour, we would be all set.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
You are special. You're the most special person in the world to me.
R.K. Lilley (Mile High (Up in the Air, #2))
I would’ve followed you anywhere, but you never asked.
Liz Tomforde (Mile High (Windy City, #1))
There’s only so much oxygen on an airplane. I don’t want his ego to suffocate the rest of us.  You know, safety and all that shit.
Liz Tomforde (Mile High (Windy City, #1))
So, ‘Vee’, huh?” “It’s a family nickname.”  “My family nickname is Zee. Vee and Zee. Aren’t we fucking adorable?
Liz Tomforde (Mile High (Windy City, #1))
The angel popped his already mile high collar. "She said she wanted the holiest thing in the house to do it." "She got holey, all right," somebody muttered. "Is that Butche's Bible?" V asked. The angel flashed the goods. "Yup, and his BoC, he called it? I also got a sermon I did myself." "Saints preserve us," came from the opposite side of the crowd. "Wait, Wait, Wait." V waved his hand rolled around. "I'm the son of a deity and she picked you?
J.R. Ward (The King (Black Dagger Brotherhood #12))
With him being so charming, and so perfect, so heart-achingly beautiful, but tarnished in all of the right places, and in all of the ways that I understood so well, how could I not love him?
R.K. Lilley (Mile High (Up in the Air, #2))
The things he made me feel had opened a floodgate, and the damned thing wouldn't close.
R.K. Lilley (Mile High (Up in the Air, #2))
Some of these guys will go on walking long after the laws of biochemistry and handicapping have gone by the boards. There was a guy last year that crawled for two miles at four miles an hour after both of his feet cramped up at the same time, you remember reading about that? Look at Olson, he's worn out but he keeps going. That goddam Barkovitch is running on high-octane hate and he just keeps going and he's as fresh as a daisy. I don't think I can do that. I'm not tired -not really tired- yet. But I will be." The scar stood out on the side of his haggard face as he looked ahead into the darkness "And I think... when I get tired enough... I think I'll just sit down
Stephen King (The Long Walk)
Because of their sacred gift of translating and embodying energy, empaths are able to spot their soul mates or twin flames a mile away.
Aletheia Luna (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
It takes your knowing to decide on your going. If you know where you are going, you will keep going because you have already seen yourself gone
Israelmore Ayivor
You don’t have feelings?” Maddison asks, unconvinced. “You cried while watching Coco with Ella. You have fucking feelings, man. You should start letting people know.
Liz Tomforde (Mile High (Windy City, #1))
You must have done something stupid in your life, Jameson Miles. Yeah. I have. What? I never asked for your number.
T.L. Swan (The Stopover (Miles High Club, #1))
When someone shows themselves to you . . . believe them.
T.L. Swan (The Stopover (Miles High Club, #1))
Jimmy: One day, when I'm no longer spending my days running a sweet-stall, I may write a book about us all. It's all here. (slapping his forehead) Written in flames a mile high. And it won't be recollected in tranquillity either, picking daffodils with Auntie Wordsworth. It'll be recollected in fire, and blood. My blood.
John Osborne (Look Back in Anger (Penguin Plays))
Wild Geese" You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting - over and over announcing your place in the family of things.
Mary Oliver (Dream Work)
There's a fine line between fiction and non-fiction and I think I snorted it somewhere in 1979
Kinky Friedman (The Mile High Club (Kinky Friedman, #13))
The most peaceful thing in the world is plowing a field. Chances are you’ll do your best thinking that way. And that’s why I’ve always thought and said, farmers are the smartest people in the world, they don’t go for high hats and they can spot a phony a mile off.
Harry Truman
She didn't see him at first. She was watching the dancers. Her color was high, and there were deep dimples at the corners of her mouth. She looked nine miles out of place, but he had never loved her more. This was Willa on the edge of a smile.
Stephen King (Just After Sunset)
High School: Oh, man. This is where boys and girls go from tweens to teens and become complicated and cruel. Girls play sick mind games; boys try to pull each other's penises off and throw them in the bushes. If you can, buy the most expensive jeans in a two-hundred-mile radius of your town and wear them on your first day. If anyone asks how you could afford them say that your father is the president of Ashton Kutcher. When they are like, 'Ashton Kutcher has a president?' answer, 'Yes.' Everyone will be in awe of you and you won't have to go through a lot of pain and cat fights.
Eugene Mirman (The Will to Whatevs: A Guide to Modern Life)
Don’t hurt me.” He searches my face, trying to read me as hope overtakes him. “I couldn’t.
Liz Tomforde (Mile High (Windy City, #1))
Hey, Stevie?” “Hmm.” Her head leans on her arms, facing me. “I like talking to you.
Liz Tomforde (Mile High (Windy City, #1))
your mom is the absolute worst, Zee.”  “So is yours.” I rest my head on his shoulder. “Look at us,” I tease. “Trauma-bonding.
Liz Tomforde (Mile High (Windy City, #1))
You're my angel, Bianca. You've exorcised my demons. I don't have nightmares when I'm with you. I don't have to work seventy hour work weeks to keep my mind distracted. My life has become more than work and emotionless affairs. You make me a better man.
R.K. Lilley (Mile High (Up in the Air, #2))
I don't care if you're so poor you live in a cardboard box, if you fail to graduate high school, or if thousands of miles try to separate us. I'll always love you just as much as i do now.
Samantha Gudger (A Game Worth Watching (Worth Series, #1))
Come live with me and be my love And we will all the pleasures prove Of a marriage conducted with economy In the Twentieth Century Anno Donomy. We’ll live in a dear little walk-up flat With practically room to swing a cat And a potted cactus to give it hauteur And a bathtub equipped with dark brown water. We’ll eat, without undue discouragement, Foods low in cost but high in nouragement And quaff with pleasure, while chatting wittily, The peculiar wine of Little Italy. We’ll remind each other it’s smart to be thrifty And buy our clothes for something-fifty. We’ll bus for miles on holidays For seas at depressing matinees, And every Sunday we’ll have a lark And take a walk in Central Park. And one of these days not too remote You’ll probably up and cut my throat.
Ogden Nash (Hard Lines)
When you see him, I want you to do something for me. " "What's that?" "Ask him if he feels like he might die if he doesn't get to touch you again." I frown. "Why would I ask him that?" I whisper. "Because there's another man who does." The phone clicks as he hangs up.
T.L. Swan (The Stopover (Miles High Club, #1))
Seventeen moons, seventeen years, Eyes where Dark ot Light appears, Gold for yes and Green for no, Seventeen the last to know... Seventeen moons, seventeen turns, Eyes so dark and bright it burns, Time is high but one is higher, Draws the moon into the fire... Seventeen moon, seventeen fears, Pain of death and shame of tears, Find the marker, walk the mile, Seventeen knows just exile... Seventeen moons, seventeen spheres, The moon before her time appears, Hearts will go and stars will follow, One is broken, One is hollow... Seventeen moons, seventeen years Know the loss, stay the fears Wait for him and he appears Seventeen moons, seventeen tears...
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
Not far from this village, perhaps about two miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquillity.
Washington Irving (The Legend of Sleepy Hollow)
when you want something so desperately, you shake with the need for it. you tell yourself that you don't need more than one sip, because it's just the taste you crave, and once it's on your tongue you will be able to make it last alifetime. you dream of it at night. you see a thousand mile-high obstacles between where you stand and what you want, and you convince yourself you have the power to hurdle them. you tell yourself this even when, leaping the first block, you wind up bruised and bloodied and flattened.
Jodi Picoult (Vanishing Acts)
I want to share my life with you, to be monogamous with you, and my past is in the past. I wish there was some way I could prove it to you, once and for all. I do have a sordid past, but I’ve never lied to any of the women I’ve been with, and I’ve never promised to anyone the things I promise to you.
R.K. Lilley (Mile High (Up in the Air, #2))
Do you love me?" 
"You know I do." "How much?" 
"Miles and Miles."
 "Deeper than the oceans?"
 "Yup. More than the wind." 
"Higher than Everest?" 
"I don't know, that's pretty high... Ow!" (laughter) 
"Admit it. You love me more than anyone." 
 "Maybe." "What about you - how much do you love me?"
 "Enough." 
 "Hey!" 
"You didn't ask, 'Enough for what?'" 
"Fine, then. Enough for what?" 
 "For Anything." 
 "That's Better.
Abigail Haas (Dangerous Girls)
What must it be, then, to bear the manifold tortures of hell forever? Forever! For all eternity! Not for a year or an age but forever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness, and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of air. And imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all. Yet at the end of that immense stretch time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been carried all away again grain by grain, and if it so rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals – at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not even one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time, the mere thought of which makes our very brain reel dizzily, eternity would have scarcely begun.
James Joyce (A Portrait of the Artist as a Young Man)
Why did you stop looking for it?” “Secrets of mesmerism?” Magic Mama scoffs. “Look around, Kusha. The place you’re in gives you some problems. You either solve the problem or stay with it as it is. But whichever path you choose, it shapes your purpose. Maybe my purpose is more earthly: dealing with a gutter, getting water from a fall miles away. I’m aging. I don’t have time to earn more time, Kusha. I don’t have time for philosophies.
Misba (The High Auction (Wisdom Revolution, #1))
The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.
Shannon L. Alder
The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don't trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals....It lures us to leap off high cliffs, fling ourselves on towering waves, leaves behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
Don’t you fucking dare.” My voice is as quiet as I can make it. “If you say anything, I will end you. Then I’ll marry your wife just to spite you, and your son will grow up calling me Daddy.”  “Oh, fuck you!” Maddison isn’t trying to be quiet at all. “Stevie, Zee wants you to be his date to a charity gala in Chicago, but he’s too chicken shit to ask and doesn’t think you’d want to go with him.”  “I fucking hate you. We are no longer friends.
Liz Tomforde (Mile High (Windy City, #1))
My daughter squealed again and both Bubba and I winced. It’s not an attractive sound, that. It’s high-pitched and it enters your ear canals like hot glass. No matter how much I love my daughter, I will never love her squealing. Or maybe I will. Maybe I do. Driving down 93, I realized once and for all, that I love the things that chafe. The things that fill me with stress so total I can’t remember when a block of it didn’t rest on top of my heart. I love what, if broken, can’t be repaired. What, if lost can’t be replaced. I love my burdens.
Dennis Lehane (Moonlight Mile (Kenzie & Gennaro, #6))
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
As they walked, the subtle lamplight of a dirigible washed over them. Finley glanced up, watching the light grow closer, slowly descending from the sky in a whirl of propellers as the ship made its way into the London air dock just a few miles away. How amazing it must be to float so high, to travel so quickly. Dandy followed her gaze, but they didn’t stop walking. “I was up in one of them flyers once,” he told her. “I climbed over the rail and hung on to one of the ropes. Freeing it was. I almost let go.” She whipped her head around to gape at him. “The fall would kill you.” He smiled ever so slightly. “Not afore I flew. Worse ways to go.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
These bugs are from Jurassic Park.” He swings his arms around to get them off him. “No bugs are this big.” I go back to my instructions. Okay, so it says here that this pole goes into this . . . “Ahh,” he cries as he slaps his arm. “I’m getting fucking malaria over here, Emily.” I roll my eyes. “Stop being a baby.” I put the pole into the correct place. “Can you grab the corner and stretch it out, please?
T.L. Swan (The Stopover (Miles High Club, #1))
I myself have dreamed up a structure intermediate between Dyson spheres and planets. Build a ring 93 million miles in radius - one Earth orbit - around the sun. If we have the mass of Jupiter to work with, and if we make it a thousand miles wide, we get a thickness of about a thousand feet for the base. And it has advantages. The Ringworld will be much sturdier than a Dyson sphere. We can spin it on its axis for gravity. A rotation speed of 770 m/s will give us a gravity of one Earth normal. We wouldn't even need to roof it over. Place walls one thousand miles high at each edge, facing the sun. Very little air will leak over the edges. Lord knows the thing is roomy enough. With three million times the surface area of the Earth, it will be some time before anyone complains of the crowding.
Larry Niven
And so I would like to thank you. You taught me, again and again again and again and again, not to dream of you. And I listened. I am silent. These words are not words of love, but of the silence that will remain when I walk away when this letter is done. I have listened and I do not continue to imagine our love, for it was not love. You were too busy walking a flowered path, and it was my misstep that I thought we had something more than an hour’s fun for you. Thank you, for clarifying for me what love is not. Love is no thing, and nothing is a gift, space is a playground, and time and distance are merely peaks and valleys in the topography of real love. And I would remind you: I am not one of your fans. For I know what I deserve, and it is one who is not afraid of fear. Love does not require this map: it makes its way across the miles. Love does not heed the time; it is not rooted in the months of one or two moons. Love is not bothered by obstacles—they form the high sides to the left and right of this rocky path. This path does not depend upon external signs: love will find its own way.
Waylon H. Lewis (Things I Would Like To Do With You)
Listen, baby Ain't no mountain high Ain't no valley low Ain't no river wide enough, baby If you need me, call me No matter where you are No matter how far Just call my name I'll be there in a hurry You don't have to worry 'Cause baby, There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you Remember the day I set you free I told you You could always count on me From that day on I made a vow I'll be there when you want me Some way,some how 'Cause baby, There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you No wind, no rain My love is alive Way down in my heart Although we are miles apart If you ever need a helping hand I'll be there on the double As fast as I can Don't you know that There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you Don't you know that There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough
Marvin Gaye
I may seem smaller than I look, but what people don't know about me is that I once weight-lifted my own weight when I was in high school, ran more miles than anyone else in Physical Education in my class in high school, and was trained by a Shaolin Kung Fu monk while being the only girl in class. I am also trained in archery and firearms. So when it comes to being physically small or petite and even looking like a girly girl; it doesn't matter. I am strong. I am awared and disciplined. And I can leverage the playing field because I am trained. - Kailin Gow in Strong by Kailin Gow
Kailin Gow
There seems to be a vicious cycle at work here, making ours not just an economy but a culture of extreme inequality. Corporate decision makers, and even some two-bit entrepreneurs like my boss at The Maids, occupy an economic position miles above that of the underpaid people whose labor they depend on. For reasons that have more to do with class — and often racial — prejudice than with actual experience, they tend to fear and distrust the category of people from which they recruit their workers. Hence the perceived need for repressive management and intrusive measures like drug and personality testing. But these things cost money — $20,000 or more a year for a manager, $100 a pop for a drug test, and so on — and the high cost of repression results in ever more pressure to hold wages down. The larger society seems to be caught up in a similar cycle: cutting public services for the poor, which are sometimes referred to collectively as the 'social wage,' while investing ever more heavily in prisons and cops. And in the larger society, too, the cost of repression becomes another factor weighing against the expansion or restoration of needed services. It is a tragic cycle, condemning us to ever deeper inequality, and in the long run, almost no one benefits but the agents of repression themselves.
Barbara Ehrenreich (Nickel and Dimed)
His laws changed all of physics and astronomy. His laws made it possible to calculate the mass of the sun and planets. The way it's done is immensely beautiful. If you know the orbital period of any planet, say, Jupiter or the Earth and you know its distance to the Sun; you can calculate the mass of the Sun. Doesn't this sound like magic? We can carry this one step further - if you know the orbital period of one of Jupiter's bright moons, discovered by Galileo in 1609, and you know the distance between Jupiter and that moon, you can calculate the mass of Jupiter. Therefore, if you know the orbital period of the moon around the Earth (it's 27.32 days), and you know the mean distance between the Earth and the moon (it's about 200,039 miles), then you can calculate to a high degree of accuracy the mass of the Earth. … But Newton's laws reach far beyond our solar system. They dictate and explain the motion of stars, binary stars, star clusters, galaxies and even clusters of galaxies. And Newton's laws deserve credit for the 20th century discovery of what we call dark matter. His laws are beautiful. Breathtakingly simple and incredibly powerful at the same time. They explain so much and the range of phenomena they clarify is mind boggling. By bringing together the physics of motion, of interaction between objects and of planetary movements, Newton brought a new kind of order to astronomical measurements, showing how, what had been a jumble of confused observations made through the centuries were all interconnected.
Walter Lewin
Now consider the tortoise and the eagle. The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat. And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger. And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go. And almost always the tortoise plunges to its death. Everyone knows why the tortoise does this. Gravity is a habit that is hard to shake off. No one knows why the eagle does this. There’s good eating on a tortoise but, considering the effort involved, there’s much better eating on practically anything else. It’s simply the delight of eagles to torment tortoises. But of course, what the eagle does not realize is that it is participating in a very crude form of natural selection. One day a tortoise will learn how to fly.
Terry Pratchett (Small Gods (Discworld, #13))
Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair, no bushiness. They look like retouched fashion photos, or ads for a high priced workout program. Maybe this is the reason that these women arouse in Snowman not even the faintest stirrings of lust. It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he'd single out, putting his mouth on them. Was it consolation he'd had in mind, kissing the wound to make it better? There was always an element of melancholy involved in sex. After his indiscriminate adolescence he'd preferred sad women, delicate and breakable, women who'd been messed up and who needed him. He'd liked to comfort them, stroke them gently at first, reassure them. Make them happier, if only for a moment. Himself too, of course; that was the payoff. A grateful woman would go the extra mile. But these new women are neither lopsided nor sad: they're placid, like animated statues. They leave him chilled.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
His master plan to get them all out the door early met its first check of the day when he opened his closet door to discover that Zap the Cat, having penetrated the security of Vorkosigan House through Miles's quisling cook, had made a nest on the floor among his boots and fallen clothing to have kittens. Six of them. Zap ignored his threats about the dire consequences of attacking an Imperial Auditor, and purred and growled from the dimness in her usual schizophrenic fashion. Miles gathered his nerve and rescued his best boots and House uniform, at a cost of some high Vor blood, and sent them downstairs for a hasty cleaning by the overworked Armsman Pym. The Countess, delighted as ever to find her biological empire increasing, came in thoughtfully bearing a cat-gourmet tray prepared by Ma Kosti that Miles would have had no hesitation in eating for his own breakfast. In the general chaos of the morning, however, he had to go down to the kitchen and scrounge his meal. The Countess sat on the floor and cooed into his closet for a good half-hour, and not only escaped laceration, but managed to pick up, sex, and name the whole batch of little squirming furballs before tearing herself away to hurry and dress.
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
It goes something like this: I am one person among 6.5 billion people on Earth at the moment. That's one person among 6,500,000,000 people. That'a lot of Wembley Stadiums full of people, and even more double-decker buses (apparently the standard British measurements for size). And we live on an Earth that is spinning at 67,000 miles an hour through space around a sun that is the centre of our solar system (and our solar system is spinning around the centre of the Milky Way at 530,000 mph). Just our solar system (which is a tiny speck within the entire universe) is very big indeed. If Earth was a peppercorn and Jupiter was a chestnut (the standard American measurements), you'd have to place them 100 metres apart to get a sense of the real distance between us. And this universe is only one of many. In fact, the chances are that there are many, many more populated Earths - just like ours - in other universes. And that's just space. Have a look at time, too. If you're in for a good run, you may spend 85 years on this Earth. Man has been around for 100,000 years, so you're going to spend just 0.00085 percent of man's history living on this Earth. And Man's stay on Earth has been very short in the context of the life of the Earth (which is 4.5 billion years old): if the Earth had been around for the equivalent of a day (with the Big Bang kicking it all off at midnight), humans didn't turn up until 11.59.58 p.m. That means we've only been around for the last two seconds. A lifetime is gone in a flash. There are relatively few people on this Earth that were here 100 years ago. Just as you'll be gone (relatively) soon. So, with just the briefest look at the spatial and temporal context of our lives, we are utterly insignificant. As the Perspective Machine lifts up so far above the woods that we forget what the word means, we see just one moving light. It is beautiful. A small, gently glowing light. It is a firefly lost somewhere in the cosmos. And a firefly - on Earth - lives for just one night. It glows beautifully, then goes out. And up there so high in our Perspective Machine we realize that our lives are really just like that of the firefly. Except the air is full of 6.5 billion fireflies. They're glowing beautifully for one night. Then they are gone. So, Fuck It, you might as well REALLY glow.
John C. Parkin (F**k It: The Ultimate Spiritual Way)
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
James McBride (The Heaven & Earth Grocery Store)
Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.
James Joyce (A Portrait of the Artist as a Young Man)
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
Bill Bryson (A Short History of Nearly Everything)