Migrant Bird Quotes

Not only after two or three centuries, but in a million years, life will still be as it was; life does not change, it remains for ever, following its own laws which do not concern us, or which, at any rate, you will never find out. Migrant birds, cranes for example, fly and fly, and whatever thoughts, high or low, enter their heads, they will still fly and not know why or where. They fly and will continue to fly, whatever philosophers come to life among them; they may philosophize as much as they like, only they will fly....

these words: migrant birds, arriving from distant places with story and metaphor caught in their feathers;

When the body dies, where will they go, those migrant birds and prayer calls, as heat from sheets when taken from a dryer? With voices of the ones I loved, great loves and small loves, train wheels, crickets, clock-ticks, thunder – where will they, when in fragrant, tumbled heat they also leave?

Paths of the mirror" I And above all else, to look with innocence. As if nothing was happening, which is true. II But you, I want to look at you until your face escapes from my fear like a bird from the sharp edge of the night. III Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain. IV Like when a flower blooms and reveals the heart that isn’t there. V Every gesture of my body and my voice to make myself into the offering, the bouquet that is abandoned by the wind on the porch. VI Cover the memory of your face with the mask of who you will be and scare the girl you once were. VII The night of us both scattered with the fog. It’s the season of cold foods. VIII And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole, I drank, I remember. IX To fall like a wounded animal in a place that was meant to be for revelations. X As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot. Inside, the wind. Everything closed and the wind inside. XI Under the black sun of the silence the words burned slowly. XII But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone. There’s somebody here shivering. XIII Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence. That’s why I speak. XIV The night is shaped like a wolf’s scream. XV Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am. Migrant of myself, I’ve gone towards the one who sleeps in a country of wind. XVI My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself. XVII Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn. XVIII Yellow flowers constellate a circle of blue earth. The water trembles full of wind. XIX The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body, I have to return to my mourning bones, I have to understand what my voice is saying.

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.

To ensure the survival of Payoh, we must first understand the reason for its existence in the first place. If you think Payoh exists because of us, the resident birds, you’re wrong. This may surprise you, but this sanctuary is really meant for the migrants from the north who make it their winter feeding ground. And, if you believe that the greedy local authorities give a hoot about our friends from the north, you couldn’t be more mistaken. The truth is that they are pressured by powerful international environmentalists.

this earth, as a parent, as a lover, as a migrant, as a bird. And if we are to suspend our secular beliefs, even for half a paragraph, we can imagine the migrated souls of all the human ancestors presently at table, looking over their bloodline progeny gathered together over the familiarity of cabbage and fried rice and the unfamiliarity of a meat disk between two circular pieces of bread, happy as parents in a playground when all of the children assembled play together quietly and at peace, and no one’s young feelings are hurt, and everyone will go home still innocent. Of course, by the logic of fiction, we are at a high point now. This respite, this happy family, these four new lovers, this child slowly losing her shyness, all of this must be slated for destruction, no? Because if we were to simply leave them feasting and ecstatic, even as the less fortunate of the world fell deeper into despair, even as hundreds of thousands perished for lack of luck, lack of sympathy, lack of rupees, would we be just in our distribution of happiness? And so we sigh, cross ourselves, mumble the Kaddish, perform our pujas and wudu, all in preparation for the inevitable, which, in this case, comes with the crunch of gravel down the driveway.

I knew that migrant birds, crossing warring nations and increasingly unstable climate zones, had become our modern miners' canaries: they weave the world together too.

Hainanese Chicken Rice An entire chicken is steeped in broth at sub-boiling temperatures and is then served with rice steamed in the same broth. Originally a Chinese dish, it was spread across Southeast Asia by migrants from the Hainan Province. A well-loved staple, it is also known as Khao Man Tai or Singapore Chicken Rice. *Many restaurants that serve it will also serve chicken soup on the side. "That makes perfect sense! This dish is an excellent choice for emphasizing the unique deliciousness of the Jidori! I already know it can't help but be good!" "That one's yours." "Uh, thanks. I'll dig right in." Delicious! It's too delicious! The tender meat so perfectly steeped! Each bite is sheer decadence! The delicate yet bold umami flavors! But that's not all... Next comes the very best part! As if that one bite wasn't enough, after it's swallowed... ... There's the subtle and sophisticated aftertaste! "Mmm! That decadent flavor lingers in the mouth for so long! Exquisite! Simply exquisite! This dish is the pinnacle of Jidori cooking!" "Don't stop yet. I've made three dipping sauces to go along with it. Chili sauce, ginger sauce and some See Ew Dum." *See Ew Dum is a dark, thick and sweet soy sauce commonly used in Thai cooking. Its viscosity is similar to tamari. "I made the chili sauce by grinding red peppers and adding them to the broth from the steeped chicken. The ginger sauce is fresh ginger mixed with chicken fat I rendered out of the bird.

I was just thinking about Byron,’ said Jude. ‘He went to Greece, you know, Athens, during his gap years. A young man doing the grand tour; loved ancient Greece and all it stood for; put it all down in a poetic travelogue, Childe Harold’s Pilgrimage … yeah. There’s a bit about Albania in it too.’ Jude covered his mouth and coughed lightly. ‘“Morn dawns and with it stern Albania’s hills … birds, beasts of prey, and wilder men appear … and gathering storms around, convulse the closing year.

Bird speech at the circle of willis results in migrant noises or 'puddles' that amass near the head of the pedestrian, rallying it toward a form of disruption within the flowing crowd.

Transmitted orally,” I translated for Eric and Katie. “That narrows the construct. It also explains how it was likely spread to farm animals through droppings from birds who’d eaten the infected fruit. Those crows that pecked at the migrant child could have gotten it directly into his blood. Get a PCR going, Hutch.” I glanced at our new friends. “That’s polymerase chain reaction. It creates more samples of the virus so we can study it in various growth media. And Hutch, do it in the level four lab. But don’t let Lauren get in there with you.

Here in England, our night-jar is but a summer migrant, a visitor to the moors while insects abound; and we listen for him eagerly in warm May weather. He comes to us from South Africa, where he winters among the Zulus, or, rather, escapes the chill of winter altogether in the opposite hemisphere. For he must have insects, flying insects on the wing, and plenty of them. We welcome his first churring among the pines and bracken as a sign of summer; for he is a prudent bird, and seldom makes a mistake, knowing the marks of the weather well,

That night in our tent, Justin told me how, ten thousand years ago, human beings were migrant—we were like the birds. The average human would see only about a hundred people in her lifetime and would know each one profoundly, deeply bonded. Today, humans in cities will see a hundred beings in just minutes, naming them strangers, a dehumanizing designation. The next morning, I woke to wet rocks glittering in the slanted light, the day’s warmth shining in bars through the sparse canopy of maples. Happy here, I began to fear our next destination, hectic Manhattan—a surreal flip to witnessing ten thousand people a day. In these deep thickets, we walked a path that was streamlined, simple and clear.