Learning The Ropes Quotes

When life backs you into a corner and offers you no escape, when your friends, your lover, and your family abandon you, when you're at the end of your rope, panicked, alone, and losing your mind, you know you'd give anything to make your problems go away. Then, desperate and eager, you will come to Unicorn Lane, seeking salvation in its magics and secrets. You'll do anything, pay any price. Unicorn Lane will take you in, shroud you in its power, fix your problems, and exact its price. And then you will learn what 'anything' really means.

We learn the rope of life by untying its knots.

Another thing I learned: it’s one thing to climb a rope in gym class. It’s a completely different thing to climb a rope attached to a moving pig’s wing while you’re flying at a hundred miles an hour.

If a person who is content with his life meets someone who makes everything just a little bit more challenging, who both fits and doesn't fit into his life and his routine, to quote Guy Fieri, it is On Like Donkey Kong: swing the rope, jump the barrel, and save the princess.

Here you sit on your high-backed chair Wonder how the view is from there I wouldn't know 'cause I like to sit Upon the floor, yeah upon the floor If you like we could play a game Let's pretend that we are the same But you will have to look much closer Than you do, closer than you do And I'm far too tired to stay here anymore And I don't care what you think anyway 'Cause I think you were wrong about me Yeah what if you were, what if you were And what if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep I know you've got it figured out Tell me what I am all about And I just might learn a thing or two Hundred about you, maybe about you I'm the end of your telescope I don't change just to suit your vision 'Cause I am bound by a fraying rope Around my hands, tied around my hands And you close your eyes when I say I'm breaking free And put your hands over both your ears Because you cannot stand to believe I'm not The perfect girl you thought Well what have I got to lose And what if I'm a weeping willow Laughing tears upon my pillow What if I'm a socialite who wants to be alone What if I'm a toothless leopard What if I'm a sheepless shepherd What if I'm an angel without wings to take me home You don't know me Never will, never will I'm outside your picture frame And the glass is breaking now You can't see me Never will, never will If you're never gonna see What if I'm a crowded desert Too much pain with little pleasure What if I'm the nicest place you never want to go What if I don't know who I am Will that keep us both from trying To find out and when you have Be sure to let me know What if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep Sleep... Sleep...

I needed to wander… whenever and wherever I wanted! I’d found myself at the end of my rope as far as school was concerned; there seemed no particular reason for me to stay. The teachers didn’t want to teach, and I didn’t want to learn—from them. I wanted my education to come from living life, getting out there in the world, seeing and doing and moving amongst the other vagabonds who had had the same sneaking suspicion that I did, that there would be no great need for high-end mathematics, nope… I was not going to be doing other people’s taxes and going home at 5:37 p.m. to pat my dog’s head and sit down to my one meat and two vegetable table waiting for Jeopardy to pop on the glass tit, the Pat Sajak of my own private game show, in the bellybutton of the universe, Miramar, Florida.

There's somethin I learned when I was homeless: Our limitation is God's opportunity. When you get all the way to the end of your rope and there ain't nothin you can do, that's when God takes over. I remember one time I was hunkered down in the hobo jungle with some folks. We was talkin 'bout life, and this fella was talkin, said, 'People think they're in control, but they ain't. The truth is, that which must befall thee must befall thee. And that which must pass the by must pass thee by.

You gotta learn the ropes. And if you know the ropes, it's your job to teach them.

Marcos, each question I ask is designed to give you just enough rope. What you do with that rope is up to you. You decide with your answers if that rope will hang you or save you. How you choose is up to you. I pray that over time you will learn that being honest, even if you did wrong, is a better option.

Then meditate on your perceptions. The Buddha observed, “The person who suffers most in this world is the person who has many wrong perceptions, and most of our perceptions are erroneous.” You see a snake in the dark and you panic, but when your friend shines a light on it, you see that it is only a rope. You have to know which wrong perceptions cause you to suffer. Please write beautifully the sentence, “Are you sure?” on a piece of paper and tape it to your wall. Love meditation helps you learn to look with clarity and serenity in order to improve the way you perceive.

Most girls, however much they resent their mothers, do become very much like them. Rebellion can rarely survive the aversion therapy that passes for being brought up female. Male violence acts directly on the girl through her father or brother or uncle or any number of male professionals or strangers, as it did and does on her mother, and she too is forced to learn to conform in order to survive. A girl may, as she enters adulthood, repudiate the particular set of males with whom her mother is allied, run with a different pack as it were, but she will replicate her mother’s patterns in acquiescing to male authority within her own chosen set. Using both force and threat, men in all camps demand that women accept abuse in silence and shame, tie themselves to hearth and home with rope made of self-blame, unspoken rage, grief, and resentment.

There's something I learned when I was homeless: Our limitation is God's opportunity. When you get all the way to the end of your rope and there ain't nothin you can do, that's when God takes over.

Eddie had never noticed how much of his own speech derived from the sea, from “keeled over” to “learning the ropes” to “catching the drift” to “freeloader” to “gripe” to “brace up” to “taken aback” to “leeway” to “low profile” to “the bitter end,” or the very last link on a chain.

Before I was married, I thought the sound of bangles jangling on my forearms would be delightful. I looked forward to being able to wear bells around my ankles and silver necklaces around my neck, but not any more, not since I had learned what they represented for the man who gave them. A necklace was no prettier than a piece of of rope that ties a goat to a tree, depriving it of freedom.

It's a tough business if you don't know what you're doing. But it can be extremely lucrative and very rewarding when you learn the ropes.

But drunkenly, or secretly, we swore, Disciples of that astigmatic saint, That we would never leave the island Until we had put down, in paint, in words, As palmists learn the network of a hand, All of its sunken, leaf-choked ravines, Every neglected, self-pitying inlet Muttering in brackish dialect, the ropes of mangroves From which old soldier crabs slipped Surrendering to slush, Each ochre track seeking some hilltop and Losing itself in an unfinished phrase, Under sand shipyards where the burnt-out palms Inverted the design of unrigged schooners, Entering forests, boiling with life, Goyave, corrosol, bois-canot, sapotille. Days! The sun drumming, drumming, Past the defeated pennons of the palms, Roads limp from sunstroke, Past green flutes of the grass The ocean cannonading, come! Wonder that opened like the fan Of the dividing fronds On some noon-struck sahara, Where my heart from its rib cage yelped like a pup After clouds of sanderlings rustily wheeling The world on its ancient, Invisible axis, The breakers slow-dolphining over more breakers, To swivel our easels down, as firm As conquerors who had discovered home.

I also learned, from a young age, that I did not walk on the ground—but on a narrow network of invisible ropes, suspended above the earth. I had to navigate them carefully, trying not to slip or fall. Certain aspects of my personality were offensive, it seemed. I had terrible secrets to hide—even I didn’t know what they were. My

Even before i had children, I knew that being a parent was going to be challenging as well as rewarding. But I didn't really know. I didn't know how exhausted it was possible to become, or how clueless it was possible to feel, or how, each time I reached the end of my rope, I would somehow have to find more rope. I didn't understand that sometimes when your kids scream so loudly that the neighbors are ready to call the Department of Child Services, it's because you've served the wrong shape of pasta for dinner. I didn't realize that those deep-breathing exercises mothers are taught in natural-childbirth class dont really start to pay off until long after the child is out. I couldn't have predicted how relieved I'd be to learn that other peoples children struggle with the same issues, and act in some of the same ways, mine do. (Even more liberating is the recognition that other parents, too, have dark moments when they catch themselves not liking their own child, or wondering whether it's all worth it, or entertaining various other unspeakable thoughts). The bottom line is that raising kids is not for whimps.

What have I learned from all of it? There is absolutely no way whatsoever to get through life without scars. No way!! It's a friggin' emotional boxing ring, and either you go one round, four rounds, or forty rounds, depending on your opponent. And by God, if you opponent is you...you will go forty. If it's God, you'll barely go one because Big Daddy has a rope-dope down! He's a shape shifter. You think you're fighting him, screaming, punching, begging him for help. And he leaves you with...YOU.

No man can put a rope on the past and hope to snub it down. The best thing is to learn to it ride the new trails - Kilkenny

He purses his lips. “You’ll go with her. Be her muscle, have her back, and continue learning the ropes at the same time. Got it?

Today, i learned something. "Good luck and bad luck are strands of the same rope." This expression has deep meaning -turtle Basically, it means that good things and bad things are often interwined, like strands of a rope. You can have one without the other. So even if something bad happens, it's nothing to get worried about. Because life will provide the balance. -Ootake

As I learned the ropes I learned that for many good and sound reasons the bosses and the captains sent a guy to whack you who was your friend. The obvious factor was that the shooter could get close to you in a lonely spot.

You made me see that friendship is a farce and trusting anyone other than myself is the biggest mistake I could make. It was a lesson I had been learning my whole life up until that point. But you tattooed it on my soul in a way I could never forget.

I sat in the grass trying to breathe evenly, thinking about all the years I had spent burrowing my feelings in the darkness of my body. I wondered if I could learn to braid them into a rope of a sentence, so I can reach down my throat and pull it out.

Unable to swim, he had maneuvered to fall off an old-timers’ party yacht in the Hudson River. His departure was not remarked by the revelers. They motored on toward the Atlantic and he bobbed around in the wash. He couldn’t swim. But he did. He learned how. Before he knew it, he was making time and nearing the dock where a small Italian liner sat dead still, white, three stories high. Nobody was around when he pulled up on a stray rope on the wharf and walked erect to the street, where cars were flashing. Day after tomorrow was his seventieth birthday. What a past, he said. I’ve survived. Further, I’m horny and vindictive. Does the fire never stop?

Tell me, ye learned, shall we for ever be adding so much to the bulk—so little to the stock? Shall we for ever make new books, as apothecaries make new mixtures, by pouring only out of one vessel into another? Are we for ever to be twisting, and untwisting the same rope? for ever in the same track—for ever at the same pace? Shall we be destined to the days of eternity, on holy-days, as well as working-days, to be shewing the relicks of learning, as monks do the relicks of their saints—without working one—one single miracle with them?

Slight resistance means you still have work to do, while stronger resistance means you should have done a much better job earlier on. While you are still learning the ropes, it will be common to encounter a lot of resistance when you attempt to seduce women, but as you improve you will face less and less of it.

It may surprise you to learn that at this moment, Sunny resembled the famous Greek conqueror Alexander the Great. Alexander the Great lived more than two thousand years ago, and his last name was not actually "The Great." "The Great" was something that he forced people to call him, by bringing a bunch of soldiers into their land and proclaiming himself king. Besides invading other people's countries and forcing them to do whatever he said, Alexander the Great was famous for something called the Gordian Knot. The Gordian Knot was a fancy knot tied in a piece of rope by a king named Gordius. Gordius said that if Alexander could untie it, he could rule the whole kingdom. But Alexander who was too busy conquering places to learn how to untie knots, simply drew his sword and cut the Gordian Knot in two. This was cheating, of course, but Alexander had too many soldiers for Gordius to argue, and soon everybody in Gordium had to bow down to You-Know-Who the Great. Ever since then, a difficult problem can be called a Gordian Knot, and if you solve the problem in a simple way - even if the way is rude - you are cutting the Gordian Knot.

Eithan took another sip of poison. In his experience, practically anything became an adventure if framed properly. Her spirit was still flawless, her foundation solid. The Sage of the Endless Sword had done a wonderful job with her, as was expected. There was the problematic matter of her past—as some of the Sandvipers had learned when they tried to unravel the 'rope' around her waist—but even that could be turned to her advantage. Like adventure, advantage was so often just a matter of perspective.

As a free solo climber, when trying extremely difficult or dangerous movements on rock for the first time, I try it first with the safety of a rope.

But he learned early that the tight-rope he walked would tolerate only restraint and had no forgiveness for ego. Honestly, not many paths do.

Learning languages was not a test of intelligence, but a trial of determination.

She breaks. She's sick. Throw a rope, a net. She falls like a shot-up plane. Help her find the landing strip, Her feet are wet— She'll learn, she'll train. She walks a rope on fire, “Look Ma, no hands.

A spider web is a natural structure that works by ultimate tension, and an eggshell is a structure that works by ultimate compression. Both use the minimum and the appropriate material with maximum efficiency. Just as we learn to build suspension bridges with ropes and cables in imitation of spider webs, we can learn to build domes in imitation of eggshells, building in maximum tension or compression.

Finally, many experts tell me that the best—some say only—way to teach one’s husband to learn the ropes and appreciate the volume of work you do is often the technique that is least used: leave the damn house.

Passion needs to be at the heart of the project. Passion is infectious, so the more people who are enthusiastic about the project the better. Where and when a solution or answer does not easily present itself, there needs to be enough belief and energy for the project that still drives the production forward. Without the passion to go through whatever it is that will be thrown your way, you will not make it to opening night.

Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.

Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on street corners in Phoenix, Arizona. Working jobs that pay cash. ... The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed-this is just over the California state line from Nevada-and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he’s finally learned his lesson, and a week later lies drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. ... Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away.

It would be years before she understood the technique he'd used to draw her in. The quicksand of cons, transitioning from having something small on someone to having them over a barrel. You start with blackmail. A little thing, maybe, so long as a person would put in some effort to make it go away. Maybe they would be willing to swipe something for you, fudge some numbers, change a grade, take a little cash out of the till, whatever. But that's when they were sunk. Because if they gave in, they were no longer just hiding whatever their initial indiscretion was, but what they'd done to cover it up. And the more they tried to dig themselves out, the deeper they sank. There is nothing as instructive for learning how to get someone on the ropes as being put there yourself.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot.

What are you boys up to?” “Zane was showing off for me,” Ty said with a smile. “I was trying to teach him how to rope.” “I can’t imagine he’ll learn much, way he was staring at you.” Ty looked away, but even the hot summer sun couldn’t mask the blush creeping over the man. Harrison

My Heart fell. Since I could remember my heart has balanced A long such a thin line of right and wrong, love and hate. The line already stretched to the extremes, taught with fear and uncertainty Tension reached its maximum When that day came around Ever since that day when learned the truth The day my eyes were forcefully peeled open by dull razors That day the line faded and the tight rope snapped. With no line to follow my heart fell. Now concussed, delirious and confused. My heart wanders between worlds. Never certain of who it is where it was, or how it should be.

Vulnerability is usually attacked, not with fists but with shaming. Many children learn quickly to cover up any signs of weakness, sensitivity, and fragility, as well as alarm, fear, eagerness, neediness, or even curiosity. Above all, they must never disclose that the teasing has hit its mark. Carl Jung explained that we tend to attack in others what we are most uncomfortable with in ourselves. When vulnerability is the enemy, it is attacked wherever it is perceived, even in a best friend. Signs of alarm may provoke verbal taunts such as “fraidy cat” or “chicken.” Tears evoke ridicule. Expressions of curiosity can precipitate the rolling of eyes and accusations of being weird or nerdy. Manifestations of tenderness can result in incessant teasing. Revealing that something caused hurt or really caring about something is risky around someone uncomfortable with his vulnerability. In the company of the desensitized, any show of emotional openness is likely to be targeted. The vulnerability engendered by peer orientation can be overwhelming even when children are not hurting one another. This vulnerability is built into the highly insecure nature of peer-oriented relationships. Vulnerability does not have to do only with what is happening but with what could happen — with the inherent insecurity of attachment. What we have, we can lose, and the greater the value of what we have, the greater the potential loss. We may be able to achieve closeness in a relationship, but we cannot secure it in the sense of holding on to it — not like securing a rope or a boat or a fixed interest-bearing government bond. One has very little control over what happens in a relationship, whether we will still be wanted and loved tomorrow. Although the possibility of loss is present in any relationship, we parents strive to give our children what they are constitutionally unable to give to one another: a connection that is not based on their pleasing us, making us feel good, or reciprocating in any way. In other words, we offer our children precisely what is missing in peer attachments: unconditional acceptance.

With rope-ladders learned I to reach many a window, with nimble legs did I climb high masts: to sit on high masts of perception seemed to me no small bliss; To flicker like small flames on high masts: a small light, certainly, but a great comfort to cast-away sailors and shipwrecked ones! By diverse ways and wendings did I arrive at my truth; not by one ladder did I mount to the height where mine eye roveth into my remoteness. And unwillingly only did I ask my way - that was always counter to my taste! Rather did I question and test the ways themselves. A testing and a questioning hath been all my travelling: and verily, one must also learn to answer such questioning! That, however - is my taste: Neither a good nor a bad taste, but my taste, of which I have no longer either shame or secrecy. "This is now my way - where is yours?" Thus did I answer those who asked me "the way." For "the way" - it doth not exist!

I also learned, from a young age, that I did not walk on the ground—but on a narrow network of invisible ropes, suspended above the earth. I had to navigate them carefully, trying not to slip or fall. Certain aspects of my personality were offensive, it seemed. I had terrible secrets to hide—even I didn't know what they were.

Gossip, unless aimed or honed sharp like a weapon, was natural to human beings. It showed interestin oe's fellows, interest in the well being of the tribe. "Gossip was a way to learn taboos, pass on warnings, share the burden fo being human among many so the onus of bearing it alone would fall on no one person. " Molly said. From an Anna Pigeon Novel

Set your ambitions, even if you are uncertain about what they should be. The better ambitions have to do with the development of character and ability, rather than status and power. Status you can lose. You carry character with you wherever you go, and it allows you to prevail against adversity. Knowing this, tie a rope to a boulder. Pick up the great stone, heave it in front of you, and pull yourself towards it. Watch and observe while you move forward. Articulate your experience as clearly and carefully to yourself and others as you possibly can. In this manner, you will learn to proceed more effectively and efficiently towards your goal. And, while you are doing this, do not lie. Especially to yourself.

I learned about the yucca plant, and how the Indians made rope and sandals and mats and baskets, even soap from it, and how they boiled its buds and flowers and fruits to eat. I learned about manzanita and piñon nuts and mesquite beans, and how to crush dried acorns in a mortar, then bake them in unleavened cakes. I had even tasted the stuff and wished I hadn’t.

Every time the drill instructor screamed at me and I stood proudly; every time I thought I’d fall behind during a run and kept up; every time I learned to do something I thought impossible, like climb the rope, I came a little closer to believing in myself. Psychologists call it “learned helplessness” when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life. From Middletown’s world of small expectations to the constant chaos of our home, life had taught me that I had no control. Mamaw and Papaw had saved me from succumbing entirely to that notion, and the Marine Corps broke new ground. If I had learned helplessness at home, the Marines were teaching learned willfulness. The

If life was perfect,how in the hell would v evr learn to depend on someone other dn ourselves?If anything,dt’s wat life’s taught me.D need to b perfect is stemmed in d very belief dt it’s actually something v cn achieve.Self-actualization —doesn’t exist.” “Does dt mean v don’t try then?” “No.” “It just means wen u reach end of ur rope,u shdn’t regret a damn thing,bt applaud urself for trying impossible

80% of people’s complaints are about situations that can be changed in one day. The other 20% are about real complaints that can’t be changed, and then what does complaining about it do? So you’re unhappy about the situation you’re in? Change it. Now. Cut the ropes. Don’t text her back. Change your job. Learn a new skill. Sell your house and move to a new city. Start over. Get healthy, start running. Or play tennis. Or anything that gets you moving. Cut out processed food. Cut out sugar. Read books. Listen to audiobooks. Or watch YouTube videos. You live in a time where there are zero excuses. You can do anything you want! You want a new life? Well, you can have it? But no one will hand it to you on a silver plate, you will have to stand up from that couch and go get it yourself. Because no one else cares. No one cares about how you live your life but you.

It’s a different situation,” he said finally. “The attack on Celtica was more of a raid than an invasion. He wouldn’t have needed more than five hundred men for that and they could travel light. To attack Araluen, he’ll need an army—and he wouldn’t get an army down those cliffs and across with a few ladders and rope bridges.” Will regarded him with interest. This was a side of Horace that was new to him. Apparently, Horace’s learning curve in the past seven or eight months had gone beyond his mere skill with the sword. “But surely, if he had enough time…?” he began, but Horace shook his head again, more decisively this time. “Men, yes, or Wargals in this case. Given enough time, you could get them down and across. It would take months, but you could manage it. Although the longer it took, the more chance word would get out about what you were doing. “But an army needs equipment—heavy weapons, supply wagons, provisions, tents, spare weapons and blacksmith’s equipment to repair them. Horses and oxen to pull the wagons. You’d never get all that down cliffs like those. And even if you did, how would you get it across? It’s just not feasible. Sir Karel used to say that…” He realized the others were regarding him curiously and he flushed. “Didn’t mean to go on and on,” he mumbled, and urged his horse forward again.

Where are you? Have you arrived yet?” she asked eagerly. “I have. I’m here and it’s great. I love it.” “I knew you would!” cried Hannah. “So are you coming down? Help me pull a pint or two?” “Yeah, sure. Give me half an hour or so, and I’ll be there.” “Brilliant. See you soon.” “Bye,” replied Layla, hanging up. No time for eating then, she’d better unpack the car, sort out the bedraggled mess that she was, and get down to the pub. Start learning the ropes. Hauling one of the bags upstairs, she went into her bedroom and plonked it on the bed. Before doing anything else, however, she couldn’t resist peering out of the window again, having to imagine Gull Rock this time as the deepening night had hidden it completely. A year, she thought. That’s all I’ve got, a year. Enough time to get over anyone, surely? Taking in a deep breath then letting it slowly out, she bloody hoped so.

My job is never boring," Staples said. "There's nuts-and-bolts stuff like getting the tarpaulin over the shaft when it rains, and so in. Cataloging and reshelving. The shelves are in a shocking state. And when you've got everything ever written or lost to keep track of, it's quite a job. And there's fetching books. "I used to really look forward to requests for books way down in the abyss. We'd all rope up, follow our lines down for miles. The order falls apart a way down but you learn to sniff out class-marks. Sometimes we'd be gone for weeks, fetching volumes.' She spoke with a faraway voice. "There are risks. Hunters, animals, and accidents. Ropes that snap. Sometimes someone gets separated. Twenty years ago, I was in a group looking for a book someone had requested. I remember, it was called 'Oh, All Right Then': Bartleby Returns. We were led by Ptolemy Yes. He was the man taught me. Best librarian there's ever been, some say. "Anyway, after weeks of searching, we ran out of food and had to turn back. No one likes it when we fail, so none of us were feeling great. "We felt that much worse when we realized that we'd lost Ptolemy. "Some people say he went off deliberately. That he couldn't bear not to find the book. That he's out there still in the Wordhoard Abyss, living off shelf-monkeys, looking. And that he'll be back one day, book in his hand.

When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot.

What have I learned from all of it? There is absolutely no way whatsoever to get through this life without scars. No way!! It’s a friggin’ emotional boxing ring, and either you go one round, four rounds, or forty rounds, depending on your opponent. And by God, if your opponent is you . . . you will go forty. If it’s God, you’ll barely go one because Big Daddy has rope-a-dope down! He’s a shape-shifter. You think you’re fighting him, screaming, punching, begging him for help. And he leaves you with . . . YOU.

When I contacted her about my research, Dr. Dalmau's colleague Dr. Rita Balice-Gorodn brought up the old Indian proverb, often used by neuroscientists studying the brain, about six blind men trying to identify an elephant, offering it as a way of understanding how much more we have to learn about the disease. Each man grabs hold of a different part of the animal and tries to identify the unnamed object. One man touches the tail and says, "rope"; one touches a leg and says, "pillar"; one feels a trunk and says, "tree"; one feels an ear and says, "fan"; one feels the belly and says, "wall"; the last one feels the tusk and is certain it's a "pipe." (The tale has been told so many times that the outcomes differ widely. In a Buddhist iteration, the mean are told they are all correct and rejoice; in another, the men break out in violence when they can't agree.) Dr. Balice-Gordon has a hopeful interpretation of the analogy: "We're sort of approaching the elephant from the front end and from the back end in the hopes of touching in the middle. We're hoping to paint a detailed enough landscape of the elephant.

Huxley suggested rock climbing as an ideal basic training for citizenship. This sport teaches young people that survival depends on developing skills and on preparing oneself to face risks and unexpected contingencies. They discover that every move they make has real consequences involving life and death. In addition, a rock climber learns to take responsibility for another person’s life, and learns to trust his life in the hands of the companion who holds the other end of the rope to which he is attached. What could be a more concrete way of shaping a complex self? The

Against Fate Hey, Fate! When you fail a man, you spend all your time digging a well to trap him. Then you untie the well's wheel rope so that it can roll. And you keep the poor mortal struggling up, only to fall back. You show him a bushel of means and say "This is it. Worry about it, and dream." Meanwhile you spin the wheel of fortune and fill the house of the wicked with jewels, while you force the just and scrupulous to sweep up the pieces. And the man who should not even tend pigs rides a horse as a cavalier. And without a shovel, you scoop ruin onto the house of the honorable and the just. Fate, if I speak evil of you, you'll claim the man is jealous and confused But why do you look crossly at the learned and make the ignorant the landlord? Hey, why toss the bread of the wise so far down the valley? And why should I believe in your justice When you don't serve it to anyone important? Not that you keep either oath or bargain, treacherous one. Whomever you love today and who is raised to a golden throne, tomorrow may be sitting in ashes. How can such a fraudulent judge make a just decision? Fate, friend of the deceitful and devious, you are harsh to the honest. What more can I say except that someday I expect you to mix up sky and earth and sea.

screamed at me and I stood proudly; every time I thought I’d fall behind during a run and kept up; every time I learned to do something I thought impossible, like climb the rope, I came a little closer to believing in myself. Psychologists call it “learned helplessness” when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life. From Middletown’s world of small expectations to the constant chaos of our home, life had taught me that I had no control. Mamaw and Papaw had saved me from succumbing entirely to that notion, and the Marine Corps broke new ground. If I had learned helplessness at home, the Marines were teaching learned willfulness. The

When I came to men for the first time, then did I commit the hermit's folly, the great folly: I appeared in the market-place. And when I spoke to all, I spoke to none. In the evening, however, rope-dancers were my companions, and corpses; and I myself almost a corpse. With the new morning, however, there came to me a new truth: Then did I learn to say 'Of what account to me are market-place and crowd and crowd-noise and long crowd-ears!' You higher men, learn this from me: In the market-place no one believes in higher men. But if you will speak there, very well! The crowd, however, sputters 'We are all equal.' 'You higher men,' — so sputters the crowd — 'there are no higher men, we are all equal; man is man, before God — we are all equal!' Before God! — Now, however, this God has died. Before the crowd, however, we will not be equal. You higher men, go away from the market-place! Before God! — Now however this God has died! You higher men, this God was your greatest danger. Only since he lay in the grave have you again arisen. Only now comes the great noontide, only now does the higher man become — master! Have you understood this word, O my brothers? You are frightened: Do your hearts turn giddy? Does the abyss here yawn for you? Does the hell-hound here yelp at you? Well! Take heart, you higher men! Only now does the mountain of the human future begin to work. God has died: Now we desire that the Superman live!

There is one last way to break with your past and begin a new stage of your career journey, which is to take some advice that appears at the end of the 1964 film Zorba the Greek. Zorba, the great lover of life, is sitting on the beach with the repressed and bookish Basil, an Englishman who has come to a tiny Greek island with the hope of setting up a small business. The elaborate cable system that Zorba has designed and built for Basil to bring logs down the mountainside has just collapsed on its very first trial. Their whole entrepreneurial venture is in complete ruins, a failure before it has even begun. And that is the moment when Zorba unveils his philosophy of life to Basil: ZORBA: Damn it boss, I like you too much not to say it. You’ve got everything except one thing: madness! A man needs a little madness, or else… BASIL: Or else? ZORBA:…he never dares cut the rope and be free. Basil then stands up and, completely out of character, asks Zorba to teach him how to dance. The Englishman has finally learned that life is there to be lived with passion, that risks are there to be taken, the day is there to be seized. To do otherwise is a disservice to life itself. Zorba’s words are one of the great messages for the human quest in search of the good life. Most of us live bound by our fears and inhibitions. Yet if we are to move beyond them, if we are to cut the rope and be free, we need to treat life as an experiment and discover the little bit of madness that lies within us all.

To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.

Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.

I had started climbing trees about three years earlier, or rather, re-started; for I had been at a school that had a wood for its playground. We had climbed and christened the different trees (Scorpio, The Major Oak, Pegagsus), and fought for their control in territorial conflicts with elaborate rules and fealties. My father built my brother and me a tree house in our garden, which we had defended successfully against years of pirate attack. In my late twenties, I had begun to climb trees again. Just for the fun of it: no ropes, and no danger either. In the course of my climbing, I learned to discriminate between tree species. I liked the lithe springiness of silver birch, the alder and the young cherry. I avoided pines -- brittle branches, callous bark -- and planes. And I found that the horse chestnut, with its limbless lower trunk and prickly fruit, but also its tremendous canopy, offered the tree-climber both a difficulty and an incentive.

To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.

there’s another way to use the word ‘communism’: not as a property regime but in the original sense of ‘from each according to their abilities, to each according to their needs’. There’s also a certain minimal, ‘baseline’ communism which applies in all societies; a feeling that if another person’s needs are great enough (say, they are drowning), and the cost of meeting them is modest enough (say, they are asking for you to throw them a rope), then of course any decent person would comply. Baseline communism of this sort could even be considered the very grounds of human sociability, since it is only one’s bitter enemies who would not be treated this way. What varies is just how far it is felt such baseline communism should properly extend. In many societies – and American societies of that time appear to have been among them – it would have been quite inconceivable to refuse a request for food. For seventeenth-century Frenchmen in North America, this was clearly not the case: their range of baseline communism appears to have been quite restricted, and did not extend to food and shelter – something which scandalized Americans. But just as we earlier witnessed a confrontation between two very different concepts of equality, here we are ultimately witnessing a clash between very different concepts of individualism. Europeans were constantly squabbling for advantage; societies of the Northeast Woodlands, by contrast, guaranteed one another the means to an autonomous life – or at least ensured no man or woman was subordinated to any other. Insofar as we can speak of communism, it existed not in opposition to but in support of individual freedom. The same could be said of indigenous political systems that Europeans encountered across much of the Great Lakes region. Everything operated to ensure that no one’s will would be subjugated to that of anyone else. It was only over time, as Americans learned more about Europe, and Europeans began to consider what it would mean to translate American ideals of individual liberty into their own societies, that the term ‘equality’ began to gain ground as a feature of the discourse between them.

In the Middle of Life After the end of the world after my death I found myself in the middle of life creating myself building a life people animals landscapes this is a table I kept saying this is a table on the table are bread knife the knife is used for cutting bread people feed on bread man should be loved I learned by night by day what should one love I answered man this is a window I kept saying this is a window beyond the winidow is a garden in the garden I see an apple tree the apple tree blossoms the blossoms fall off fruit forms ripens my father picks an apple the man picking the apple is my father I was sitting on the front steps of the house that old woman pulling a goat on a rope is more needed is worth more than the seven wonders of the world anyone who thinks or feels she isn’t needed is guilty of genocide this is a man this is a tree this is bread people eat to live I kept repeating to myself human life is important human life has great importance the value of life exceeds the value of every object man has made man is a great treasure I kept repeating stubbornly this is water I kept saying stroking the waves with my hand talking to the river water I said kind water it is I the man talked to the water talked to the moon to the flowers to the rain he talked to the earth to the birds to the sky the sky was silent the earth was silent if he heard a voice flowing from the earth the water the sky it was the voice of another man

Of course L has not been reading the Odyssey the whole time. The pushchair is also loaded with White Fang, VIKING!, Tar-Kutu: Dog of the Frozen North, Marduk: Dog of the Mongolian Steppes, Pete: Black Dog of the Dakota, THE CARNIVORES, THE PREDATORS, THE BIG CATS and The House at Pooh Corner. For the past few days he has also been reading White Fang for the third time. Sometimes we get off the train and he runs up and down the platform. Sometimes he counts up to 100 or so in one or more languages while eyes glaze up and down the car. Still he has been reading the Odyssey enough for a straw poll of Circle Line opinion on the subject of small children & Greek. Amazing: 7 Far too young: 10 Only pretending to read it: 6 Excellent idea as etymology so helpful for spelling: 19 Excellent idea as inflected languages so helpful for computer programming: 8 Excellent idea as classics indispensable for understanding of English literature: 7 Excellent idea as Greek so helpful for reading New Testament, camel through eye of needle for example mistranslation of very similar word for rope: 3 Terrible idea as study of classical languages embedded in educational system productive of divisive society: 5 Terrible idea as overemphasis on study of dead languages directly responsible for neglect of sciences and industrial decline and uncompetitiveness of Britain: 10 Stupid idea as he should be playing football: 1 Stupid idea as he should be studying Hebrew & learning about his Jewish heritage: 1 Marvellous idea as spelling and grammar not taught in schools: 24 (Respondents: 35; Abstentions: 1,000?) Oh, & almost forgot: Marvellous idea as Homer so marvellous in Greek: 0 Marvellous idea as Greek such as marvellous language: 0 Oh & also: Marvellous idea but how did you teach it to a child that young: 8

Do you remember the time we tied a lasso to a tree limb and decided to swing across the creek like Tarzan?" Wyatt tipped up his frosty bottle and took a long pull. "Yeah." Zane was already laughing. "As usual,you two decided that I'd be the one to try it out first.That way,if it broke,I'd be the one tossed into the creek." "It stands to reason." Jesse chuckled. "You were the youngest. That's just the price you had to pay to hang out with us." "And," Wyatt added, "you were always willing to go along with whatever we decided." Zane shook his head. "Not when I used it to fly across the creek." "And not when I followed him," Wyatt said with a laugh. "But Jesse, assured that it was safe,grabbed hold and was flying through the air when the branch snapped." Amy looked over at her husband. "You landed in the creek?" "Yeah? On the day after one of our biggest storms,with the water spilling over its banks and rushing so fast it carried me downstream half a mile or more." She put a hand to her mouth to cover her shock and saw Cora do the same. Wyatt laughed. "He was lucky Zane and I had our horses tethered nearby.We chased along the banks of the creek until we could get far enough ahead to toss him a tree branch to catch. By the time we hauled him out,he looked like a drowned rat and was spitting mad." "I had a right to be.I swallowed half the creek." Zane laughed. "But think how lucky we were that it happened to you instead of me. At least you could swim." Marilee's eyes rounded. "They had you test the rope when they knew you couldn't swim?" Wyatt was laughing even harder. "We figured it was one way for him to learn." "How old were you?" They thought a minute before Wyatt answered. "I was eight,so that would make Jesse ten and Zane seven." "You could have all drowned." "Yeah.Looking back,we were lucky to have surrived so many foolish adventures. But," Wyatt added, "I wouldn't have missed a single one of them." of them

Better cut them down.” Roshar took his turn. “The wood’s undergrowth might be enough to screen us if we lie low.” Kestrel clicked her teeth; an eastern, irritated sort of sound. “You learned that from me,” the prince said, pleased. “Now tell the truth. Did you mark the cards?” Coolly, she said, “I never cheat.” “We can’t cut the trees down,” Arin said. “Concentrate,” Kestrel told the prince, sweeping up the card he’d tossed down. “To be clear, I’m letting you win. I let you win all the time.” “Obviously we can’t cut them down,” she said. “My father will notice a sudden swath of felled trees. We might as well paint a sign telling him we’re there.” “Or…” Arin said. She glanced at him. “What are you thinking?” “How much rope do we have?” “Two hundred and twelve lengths.” Roshar said, “You’ve been going over our supplies?” “Yes,” she said. “Could you rattle off the units by heart?” “Yes.” “How many sacks of grain for horses?” “Sixty-two. Play your card. You might as well. You’re going to lose regardless.” “Attempts to distract her usually don’t work,” Arin told him. “You play the winner, then,” Roshar said, “so that I may observe your technique.” Arin checked the rabbit again, pulled it off the fire. “No.” A surprised disappointment twitched, insect-like, inside Kestrel’s chest. Roshar said, “Why not?” Arin sliced meat off the bone onto a tin plate. Kestrel, who wasn’t entirely sure she wanted to hear Arin’s answer, said, “Why do you want rope?” “Let Arin surprise us,” Roshar said. “That’s how we do things. He comes up with something brilliant and I take the credit.” “Tell me,” Kestrel said. Arin set down the plate. “I won’t play you because even when I win, I lose. It’s never been just a game between us.” Roshar, who was stretched out on his side on the grass, elbow crooked, cheek pilowed on his palm, raised his brows at Kestrel. “I meant about the rope,” she muttered. Roshar’s gaze slid between her and Arin. “Yes, the rope. Why don’t we talk about that after all, shall we?

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.

The Golem If (as affirms the Greek in the Cratylus) the name is archetype of the thing, in the letters of “rose” is the rose, and all the Nile flows through the word. Made of consonants and vowels, there is a terrible Name, that in its essence encodes God’s all, power, guarded in letters, in hidden syllables. Adam and the stars knew it in the Garden. It was corroded by sin (the Cabalists say), time erased it, and generations have forgotten. The artifice and candor of man go on without end. We know that there was a time in which the people of God searched for the Name through the ghetto’s midnight hours. But not in that manner of those others whose vague shades insinuate into vague history, his memory is still green and lives, Judá the Lion the rabbi of Prague. In his thirst to know the knowledge of God Judá permutated the alphabet through complex variations and in the end pronounced the name that is the Key the Door, the Echo, the Guest, and the Palace, over a mannequin shaped with awkward hands, teaching it the arcane knowledge of symbols, of Time and Space. The simulacrum raised its sleepy eyelids, saw forms and colors that it did not understand, and confused by our babble made fearful movements. Gradually it was seen to be (as we are) imprisoned in a reverberating net of Before, Later, Yesterday, While, Now, Right, Left, I, You, Those, Others. The Cabalists who celebrated this mysterium, this vast creature, named it Golem. (Written about by Scholem, in a learned passage of his volume.) The rabbi explained the universe to him, “This is my foot, this yours, and this the rope,” but all that happened, after years, was that the creature swept the synagogue badly. Perhaps there was an error in the word or in the articulation of the Sacred Name; in spite of the highest esoteric arts this apprentice of man did not learn to speak. Its eyes uncanny, less like man than dog and much less than dog but thing following the rabbi through the doubtful shadows of the stones of its confinement. There was something abnormal and coarse in the Golem, at its step the rabbi’s cat fled in fear. (That cat not from Scholem but of the blind seer) It would ape the rabbi’s devotions, raising its hands to the sky, or bend over, stupidly smiling, into hollow Eastern salaams. The rabbi watched it tenderly but with some horror. How (he said) could I engender this laborious son? Better to have done nothing, this is insanity. Why did I give to the infinite series a symbol more? To the coiled skein on which the eternal thing is wound, I gave another cause, another effect, another grief. In this hour of anguish and vague light, on the Golem our eyes have stopped. Who will say the things to us that God felt, at the sight of his rabbi in Prague?

As the months rolled on, John and Sarah began to understand themselves less as teachers and more as parents, living into the names Baba and Kama Kiwawa. It was clear the boys needed something Keu couldn’t provide, consistent support and affection. Sarah started giving out hugs and bandages, and John role-modeled manhood by providing food, shelter, and an education. But unlike many parents, John and Sarah didn’t dole out punishments. They left that to the council. On his first visit, Keu had appointed six boys with hair sprouting on their chins as the elders of Kiwawa. He spent a week with them on a hill near Kiwawa where he instructed them in the ways of a traditional elder council, showing them how to resolve problems that might arise according to the Pokot traditions. And each night after the guard heard John’s snores rumbling out of the camper, the council built a fire and legislated the day’s problems according to the nomadic values they had learned, sometimes choosing to defer ruling on more complicated matters until Keu returned. Stolen writing stick? The elders huddled together in the shadow of the illuminated acacia tree. The oldest returned and pointed at the offender: “Water-fetching duty for a week.” “Oee,” the boys would shout, the Pokot version of Amen. “Refusing to share meat?” “Three rope whippings.” “Oee.” “Crying because you miss your mother?” “Spend more time with Kama,” the oldest boy would say with compassion. “Oee.” “We were modeling the Pokot elders by becoming the keepers of justice and fairness. You see, Pokot elders can never settle a matter based on anger or some personal retribution. That is so unacceptable,” Michael explained. “A punishment is meant to reform the person as quickly as possible so the criminal can be brought back into the group. This is because every single person has a job to do, whether it is to fetch water, herd cows, or stand guard against Karamoja. And if you are gone, then someone else has to work harder in your absence. Nomads do not have prisons like the modern world, which changes our whole entire judicial system. In America you can lock somebody up in prison for two years for just a small crime like stealing a cow. And while in prison they are taken out of the community and are expected to think about what they have done. And then after those two years of isolation, a group of psychologists and lawyers and I don’t know who else will examine that person and see if they have changed their stealing ways. If not, then they lock them back up,” he said, turning an invisible key. “In America there is the potential to give up on somebody, to leave them outside of the community. But there are no prisons in the desert, and without prisons the elders are left with two choices: reform you or kill you. And as I said, if they kill you, they are not only losing a good worker, but also a brother and a son. And the desert has already taken so many of our sons.

1. Do not chase those who go, and do not stop those who come. -Blind- 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 저희는 7가지 철칙을 바탕으로 거래를 합니다. 고객들과 지키지못할약속은 하지않습니다 1.정품보장 2.총알배송 3.투명한 가격 4.편한 상담 5.끝내주는 서비스 6.고객님 정보 보호 7.깔끔한 거래 제품을 구입하실때는 저희가 구매자분들께 약속지켜드리는것만큼 구매자분들도 저희와 약속 꼭 지켜주시기 바랍니다 구체적인 내용은 문의하셔셔 상담받아보세요 클릭해주셔셔 감사합니다 24시간 언제든지 문의주세요 2. Watch out for those surrounded by dark clouds. – Balthazar Graciasian 3. Rather than let me live in Paradise alone There will be no greater penalty. Goethe 4. When you associate with others, the first thing you should not forget Because the other person has their own way of life In order not to confuse them, they should not interfere with others' lives. Henry James 5. You have a bad relationship with others I hate that person being with you, If you are right and you don't agree, The person will not be reproved It is you who should be reproved. Because you have not done your heart and devotion to that person. Tolstoy 6. If you want to be liked by others, Just show that you are having a great time together. If you do that, instead of just having fun Better to hang out with the other person. And people with this temperament Even if you don't have great culture or wisdom, you have common sense. That behaviour, Who have great talent and lack this disposition I greatly move others' minds. Joseph Addis   7. Anyone who accepts others generously Always get people's hearts, Who rules with dignity and force Always buy people's anger. -King Sejong- 8. I want to interest others. Don't close your ears and eyes yourself Show interest in others. If you don't understand this, However talented and capable It is impossible to get along with others. Lawrence Gould- 9. Take care of others' interests. Undistributed profits never last long. -Voltaire- 10. It is only sin that I do not know others. What's the sin of not letting others know? Jang Young-sil 11. What comes out of you returns to you. -Blind- 12. It is never a good thing to be someone's half. We are a perfect person. Andrew Matthews 13. Treating others Cherish his body as mine. My body is not only precious. Do not forget that others' bodies are also precious. And do what you desire for others first. -Confucius-   14. Most people Neither my side nor my enemy. Also what you do or yourself There are people who do not like it. It's too much to want everyone to like you. Liz Carpenter 15. In general, introverted humans Outgoing humans get along well with outgoing humans. It is because the mind is at first comfortable and easy to understand. But the state of being at ease It is not a good condition for your own growth. Theodore Rubin   16. Stick when you're hungry, and leave when you're hungry, When it's warm, it flocks, when it's cold This is the widespread dismissal of recognition. Chae Geun-hwa 17. With people You can't share the ball together, Together with the ball envy one another. Tribulation with people, but comfort cannot come together. Comfort will be an enemy of one another. Chae Geun-hwa 18. People must change their positions and positions. -Confucius- 19. A person is originally clean, All call for sin and blessing according to ties. The paper smells close to incense, That rope is like a fishy fish. Man dyes little by little and learns it, but he does not know how to do it himself. -Law law- 20. A person's value can only be measured in relation to others. Nietzsche 21. Be strict to yourself and generous to others -Confucius- 22. Beware of your impression of the other person Worrying is why you're the main character. Usually, a person's crush is about first showing others You should know what appears as a reaction. You don't wait Give you first. Lawrence

A rise often falls into the blind spot of vision, and so we tell the stories that I have in this book because we are hardwired not to be able to glimpse them. Like a type II error in statistics, a “false negative,” when we have the evidence but can’t see that an alternative hypothesis is correct, these rises are a perceptual miss. We tell the story of Muhammad Ali’s eighth-round win against George Foreman that night in Kinshasa, Zaire, even though we know how it ends, for while it happened, no one could see it. Ali upset most of the 60,000-person crowd who favored him as he spent the first seven rounds, 180 seconds long each, learning against the ropes while enduring brutal frontal attacks from Foreman, known to have bored a hole in his practice punching bag. No amount of screaming from his trainers could get Ali off the ropes, never mind the shouting of those sitting near the ring, from George Plimpton to Norman Mailer—counting how many right-hand leads Ali took, and remembering how Ali, being pummeled, still managed to whisper to Foreman in the seventh round, “Is that all you got, George?” 16 Yet no one but the fighters in the ring could sense it—there is a difference between being beaten and being strengthened, for as it happens, it is hard to perceive.

Learned and lovely,” he said. “I see now why you’ve been spending time with her, Falco. Just because she cannot be your bride doesn’t mean she cannot be your muse.” Cass’s good mood faded instantly. Even in the dingy taverna, the reality was obvious to everyone. She and Falco could never be together. “Let’s get out of here, my lovely muse,” Falco said, as if sensing that Paolo’s words had upset her. He pulled her chair back for her, and she stood and adjusted her skirts. Cass bid the other artists good night and let Falco lead her to the door. “Falco.” Paolo’s sharp voice cut through the hazy darkness. Falco turned around. “Yes?” “I trust she knows little of your line of work?” Cass felt Falco’s body tense up momentarily, and then relax. “We’ve spoken briefly about the work I do for Tommaso, if that’s what you mean.” Paolo stared at Falco without speaking. Nicolas and Etienne looked up as well. Cass could have sworn they were having an entire conversation without words. “Let’s go.” Falco broke the spell by turning away. He pulled Cass through the door and out into the night. “What was that about?” she asked, shivering in the damp air. Falco put an arm around her and pulled her close. “Who knows,” he said. “Paolo feels the need to make himself a pain to everybody. I just let him pretend he’s in charge.” Falco led Cass behind the bakery where a small batèla was tied. “Are you ready for our next adventure?” he asked, untying the ropes of the wooden rowboat as though he stole boats every night of his life. “Skulking about the outskirts of a few wealthy palazzos should be child’s play compared with some of the work we’ve done.

He had learned to kill and then he had killed. Many times. Fourteen was far too young for his artistic mind to accept the violence and he'd been fortunate that he'd met his teacher, a rope master of more than forty years. The art had saved his sanity and his life. He needed it like others needed air.

Mistakes are simply lessons learned. Don't let one mistake steal your talent. We all mess up. It's what you do with the mess that matters. Learn from it. Take the rope.

the presence of an old salt aboard the Elizabeth Seaman was profoundly reassuring. “Iron men in wooden boats,” they were called, as opposed to the wooden men in iron boats of today, like Kittredge, Farmingdale, and Eddie himself. Old salts partook of an origin myth, being close to the root of all things, including language. Eddie had never noticed how much of his own speech derived from the sea, from “keeled over” to “learning the ropes” to “catching the drift” to “freeloader” to “gripe” to “brace up” to “taken aback” to “leeway” to “low profile” to “the bitter end,” or the very last link on a chain. Using these expressions in a practical way made him feel close to something fundamental—a deeper truth whose contours he believed he’d sensed, allegorically, even while still on land. Being at sea had brought Eddie nearer that truth. And the old salts were nearer still.

Downstairs was where I learned how to braid hair, how to skip rope, and how to eat balut—a common Southeast Asian street food: a developing duck embryo boiled alive in its shell.

Sales business is funny, despite the target stress running in the back of our mind, we still chose & approach the clients to avoid rejection, we learn to live with the stress but we can’t learn to live with the rejection, which is the part & parcel of the sales process. To survive, we must act like a non-swimmer in the water, how the fear of drowning makes them hold on to anything in sight? In order to survive keep an open approach, don’t just wait for the rope of your perceptions to get pulled out.

Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her. “Habbe…” Her voice trailed off. She wanted desperately to distract him, but instead it was she who couldn’t seem to concentrate. “Your name, wha--what was it? Habbe what? What does it mean?” “Habbe Esa, Road to the Wolf, Hunter of the Wolf. My brother the wolf showed his face in my name dream.” “Y-your name dream?” She wriggled away and shoved the heel of her hand against his chin so she could sit up. “Wh-what’s a name dream?” His eyes gleamed down at her as he drew back his head. “A dream a man seeks when he becomes a warrior. In the dream, he learns his name. A woman has no need. She is named by others.” He dipped his head and captured her thumb between his teeth. Mesmerized, Loretta felt his tongue flick across her knuckles. Dear God, she was going to faint. And while she was unconscious, he would--he would…She felt herself tip sideways. His arm caught her from falling. He released her thumb. “Blue Eyes?” Loretta licked her bottom lip, trying desperately to right herself, to stay conscious. She couldn’t pass out--she just couldn’t. His face blurred. And his voice seemed distant. “Hah-ich-ka ein, where are you, Blue Eyes?” Loretta blinked, but it did no good. Was this how it felt to die? All floaty and distant from everything? Hah-ich-ka ein, where are you, Blue Eyes? She tried to answer. Couldn’t.

Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.

The girl is half my size. I think I can handle her without calling council.” “You disappoint me, Hunter. Where is the patience you show with the wild horses you train? Has it gone the way of the wind?” “A horse is worth the trouble. A yellow-hair is not.” “I know men who greatly treasure golden women. Perhaps she will grow on you.” “I prefer a horse. A black one.” “Women, horses, there is little difference, eh? Well trained, they both give men smooth rides and much pleasure. What happens when you first rope a mustang?” Hunter knew where this conversation was going and refused the bait. Warrior replied for him. “Every time he runs against the rope, he flips end over end.” “And what does he learn? Not to challenge your rope, eh? After that first lesson, he knows you are his master and allows you to gentle him with kindness. The white woman is the same. She is afraid and lunging against the rope. As soon as you break her of that, the battle is won, eh?” Hunter wished it could be that simple. When a horse accepted the touch of his hand, joy filled him. After swirling the dregs of his coffee, Hunter emptied his cup onto the fire. Rising to his feet, he said, “You are both very wise, and I am glad of your advice. I will handle the woman my way, though. She is my woman, eh?” “Take care,” Old Man warned. “The tosi tivo are unpredictable. Especially the females. Wisest-One had himself a yellow-hair once. After one night in his buffalo robes, she jumped into the Talking Water River and drowned herself. Not even Wisest-One could be that bad a lover.

Not satisfied to just learn the ropes, he analyzed the game,

The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot. “You’ll never amount to anything;” “You can’t sing;” “You’re not smart enough;” “Without money, you’re nothing;” “Who’d want you?;” “You’re just a loser;” “You should have more realistic goals;” “You’re the reason our marriage broke up;” “Without you kids I’d have had a chance;” “You’re worthless”—this opera is being sung in homes all over America right now, the stakes driven into the ground, the heavy chains attached, the children reaching the point they believe they cannot pull free. And at that point, they cannot. Unless and until something changes their view, unless they grasp the striking fact that they are tied with a thread, that the chain is an illusion, that they were fooled, and ultimately, that whoever so fooled them was wrong about them and that they were wrong about themselves—unless all this happens, these children are not likely to show society their positive attributes as adults. There’s more involved, of course, than just parenting. Some of the factors are so small they cannot be seen and yet so important they cannot be ignored: They are human genes. The one known as D4DR may influence the thrill-seeking behavior displayed by many violent criminals. Along with the influences of environment and upbringing, an elongated D4DR gene will likely be present in someone who grows up to be an assassin or a bank robber (or a daredevil). Behavioral geneticist Irving Gottesman: “Under a different scenario and in a different environment, that same person could become a hero in Bosnia.” In the future, genetics will play a much greater role in behavioral predictions. We’ll probably be able to genetically map personality traits as precisely as physical characteristics like height and weight. Though it will generate much controversy, parents may someday be able to use prenatal testing to identify children with unwanted personality genes, including those that make violence more likely. Until then, however, we’ll have to settle for a simpler, low-tech strategy for reducing violence: treating children lovingly and humanely.

There are reasons it’s not encouraged,” Will said, understanding. “What is not encouraged?” Murchaud was looking down now, leaning ever so slightly forward into the put and watching the light flicker on its damp mortared wall. “For elf-princes to love mortal men.” The lantern swung lower, revealing a blessedly empty pit. Will breathed a shuddering sigh and let the rope go slack, his hand falling to rest at his waist. A faint smile softened the elf-Prince’s face, half concealed by his fine black bard. “So our Kit is learning,” Murchaud said, turning to look at Will. “You are breaking his heart, Master Shakespeare.” Will began pulling the lantern up. “And I should leave such tasks to you, Your Highness?” “It’s a heart, I think, has been broken enough.

When they reached the ranch, Dave parked the truck at the stable. The girls heard laughter coming from the corral and saw Tex Britten perched on the fence. Bess was mounted on a brown quarter horse and holding a coiled lariat. “Watch me!” she called. “I’m learning to rope a steer.” Nancy and George walked over and saw Bud Moore put his hands on his head like horns and prance in front of Bess’s horse. “Come on and rope me, pardner!” he said.

Gibson paused. Turned to her. Gave her another look, up and down. “When elephant trainers catch a baby elephant in the wild, they tie it to a tree. That baby elephant fights and thrashes to break free, but it’s not strong enough. Within a couple of days, it gives up. So even as the elephant gets bigger, it doesn’t believe it can break the rope. And then you get a full-grown elephant tied to a tree with a piece of rope it could snap with a simple swing of its leg. It’s called learned helplessness. Everything here is built on people who don’t think the rope will break. Which means the most dangerous thing in the world for my business model is someone who recognizes how fragile the rope really is.

I spent a lot of time on the banks of the Suwannee growing up. Cookouts and swimming at Purvis Landing. There was a rope swing on an old cypress tree. Swing out into the dark brown water. The bank was lined with cypress knees. You learned to let go. We went fishing up near Log Landing Road. A remote area. More snakes than people. One Saturday we were joined by a boat. A new doctor in town. He raced up and down a short stretch of river. Blaring ZZ Top "Legs." The boat's wake crashed against the shore. Scared all the fish away. Changed our dinner plans. It ended with a crash. His boat raced into a log floating slowly downstream. He screamed for help over AC/DC "Rock and Roll Ain't Noise Pollution." Not help for himself. Help for his boat. It sank into the Suwannee. And the fishing improved.

Democracy is on the ropes, with double- and triple-blows punching at it from crass consumerism, commonplace fascism and runaway capitalism. All of this leaves young people in the cross-hairs of politicians, executive directors, funders, and evaluators, each of whom is ready and eager to pull the trigger. By doing this, they lay waste to the present as well as the future, sacrificing children and youth to line their own pockets, perpetuate their missions, and dismantle society as we have known it.

The Night Bomber by Stewart Stafford Stefan and Elyse came home by rote, To find a stranger's chilling note, "I’m going to kill you" scrawled in red, Pranks locked out with nothing said. Then the hall window smashed, In a firework’s screaming flash, They threw it out before it burned, Danger had not passed, they learned. A ticking device left behind, Elyse kicked it away just in time, A garden explosion's massive bang, Their ears and windows loudly rang. They wondered what psycho did this deed, And how they'd crossed this evil breed, Then they heard them bomb their neighbours who thought Stefan and Elyse were perpetrators. Then another blast three doors down, Stefan ran to help with a worried frown, Concerned to see who else got hit, Seeing their attacker was still at it. A bomber in a ski mask did a backflip, To dodge their lunging, angry grip, He swung on ropes and vaulted high, An acrobat mocking with a stylish eye. The bomber fled in his getaway car, A neighbour leapt on before he got far, He held on tight but got dragged along, Rolled to the kerb, he couldn't hold on. The Night Bomber of Sheila’s Cabin On the loose, an explosive phantom, Stalking without any reason or pity, His laughter echoed across the city. © Stewart Stafford, 2023. All rights reserved.

I have long learned not to offer myself as a rope to men buried in a deep emotional well. I would be pulled inside and drowned.

That's the thing, isn't it, when you grow with Time, you learn to value your Time more than anything in this world. You safeguard your peace from literally anything that seems to pull it down, even if that means transient happiness. I learnt long back that Life is a series of lessons, some bitter and well some very very bitter, but all of them assimilate into something so serene, so beautiful actually when looked from a distance. Because each time you're broken, you're made once again, some from the pieces that lay scattered on the ground while some entirely new coming from all across the Sky where He Smiles at You, knowing that your fall was nothing but a blur in the Time that would clutch you later in Life into understanding the Truest Meaning of Life, the virtue of Patience and Perseverance, the lesson on Time, that Time alone has the biggest Smile and if you evolve with it you would walk the fire with the Zeal of your Soul that never ages, you will find wrinkles and scars but those are like battle ropes that get you motivated to walk this Earth one more time, to know that you're still alive, only your core never changes, You in your heart is always that child, the one who is always eager to embrace as much colour from this moment as your senses can. I am not hushing the child but patting it with the serenity of a grey hair, knowing that Life has been kind even at the battles that were thrown along the way, and eventually letting my heart know that the biggest war I'd ever face is within, the war that demands me to hold on too tightly all while letting go too spontaneously, the least I could find is a victory of Knowing I have done it all with an Honest Heart and a Soul that thrives on Faith. If colours were hued on my Soul, let Integrity be my Sun and as for the Moon, I'd always be Kindness' arm. Thank You, Life And to every momentary transient passerby of this beautiful journey, no matter where we left off, I wish your journey finds the course it's meant to walk.

Some men carry their sin in front of them like a shield, and others drag it behind them, like a rope. With some men, we see the consequences of the sin right away. With others, we don’t see it for a good seventy-five years, and even then there is debate among the learned.

And so Andy Malloy became the first of many managers I was to have throughout my career. Up to the time I teamed up with Jack Kearns, the managers I had were mostly my friends or well-meaning acquaintances who tried to help me get fights, arranging the small details so that I could dedicate myself to my training. I never signed a contract with any of them, not even Kearns. It just didn’t seem necessary in those days; a handshake was stronger and more meaningful than any inked signature. The only ingredients necessary were respect and trust. There is no doubt in my mind that a fighter needs a manager. Ideally, a manager gets up good likely bouts, arranges suitable dates and times and living accommodations, hires and sometimes fires sparring partners, “sells” his fighter’s ability and skill to others by taking scouting trips and being a good press agent, and honestly handles all accounts as well. This gives the fighter more time to keep himself in shape, running miles, punching bags, jumping rope, sleeping. Together the fighter and the manager are a team, pulling and pushing toward the same goal. If either takes advantage of the other, underestimates or oversteps the given role, then that’s it; a loss of respect sets in and the whole relationship is shot to hell. If such a split does take place, it is usually the fighter who winds up with the short end of the stick. I learned many things from my manager Andy Malloy. I learned to make my body a complete unit, the muscles of my feet, legs, waist, back and shoulders all contributing to the power of my arm. He taught me, in short, that my entire body was at stake in the ring, not just my fists. He was a good teacher.

It says Come don the veil of the type and token. Come learn to love what’s hidden inside. To hold and cherish. The almost unbelievably thick-ankled. The kyphotic and lordotic. The irremediably cellulitic. It says Progress Not Perfection. It says Never Perfection. The fatally pulchritudinous: Welcome. The Actaeonizing, side by side with the Medusoid. The papuled, the macular, the albinic. Medusas and odalisques both: Come find common ground. All meeting rooms windowless. That’s in ital: all meeting rooms windowless.’ Plus the music she’s cued for this inflectionless reading is weirdly compelling. You can never predict what it will be, but over time some kind of pattern emerges, a trend or rhythm. Tonight’s background fits, somehow, as she reads. There’s not any real forwardness to it. You don’t sense it’s straining to get anywhere. The thing it makes you see as she reads is something heavy swinging slowly at the end of a long rope. It’s minor-key enough to be eerie against the empty lilt of the voice and the clinks of tines and china as Mario’s relations eat turkey salad and steamed crosiers and drink lager and milk and vin blanc from Hull over behind the plants bathed in purple light.