Mighty Aphrodite Quotes

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I went to look for Love among the roses, the roses, The pretty winged boy with the arrow and the bow; In the fair and fragrant places, 'Mid the Muses and the Graces, At the feet of Aphrodite, with the roses all aglow. Then I sought among the shrines where the rosy flames were leaping- the rose and golden flames, never ceasing, never still- For the boy so fair and slender, The imperious, the tender, With the whole world moving slowly to make the music of his will. Sought, and found not for my seeking, till the sweet quest led me further, And before me rose the temple, marble-based and gold above, Where the long procession marches 'Neath the incense-clouded arches In the world-compelling worship of the mighty God of Love. Yea, I passed with bated breath to the holiest of holies, And I lifted the great curtain from the Inmost, - the Most Fair, - Eager for the joy of finding, For the glory, beating, blinding, Meeting but an empty darkness; darkness, silence- nothing there. Where is Love? I cried in anguish, while the temple reeled and faded; Where is Love? - for I must find him, I must know and understand! Died the music and the laughter, Flames and roses dying after, And the curtain I was holding fell to ashes in my hand.
Charlotte Perkins Gilman (NEW-The Yellow Wall-Paper and Selected Writings (Penguin Vitae))
Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
The Peacock & The Eagle: Cleopatra's Entry Into Tarsus by Stewart Stafford Cleopatra arrives, regal and mighty, From ocean spray as Aphrodite, Wealthy and waif, yearning for her, Dared all to defy her possessive aura. Mark Antony, struck by her sultry gaze, Lepidus, prisoner in a bureaucrat's maze, Sees power slipping from a friend’s hand, Ensnared by a siren from a scorched land. Lepidus was Caesar's trusted right hand; A granule falling through hourglass sand, Antony, headstrong military provocateur; Funeral orator from bloody crown auteur. Bargain's scorpion pincers; no longer twain: Cleopatra was Ceres, promising Rome grain, Antony was Mars' armed emissary, Business and pleasure's flood tributary. Antony: "Barge of emerald, Elysium's onyx! Beyond counsel words of sage sardonic, Gliding the Cydnus's silken seam, This Nile Helen shall be my queen." Lepidus: "Pleasure vessel of a floating whore, Yours for a sesterce on the Tiber's shore, Honour your oath, noble Roman creed, Lest passion’s shipwreck sets out to sea.” "This Venus virago on her mirage barge; Serpent prow, silver oars, rhythmic charge! What hubris to think she can equal, The bloody talons of our Roman eagle!" Antony: "Feast your eyes past peacock's bower, She speaks Rome's tongue of naked power. Mark it, that obsidian Sphinx stings - Human head, lion's body, eagle wings! "That is the form she takes to the public: I smell a perfumed alliance for the Republic! With Plebeians as her tickled cats, they hum, I crave her beauty and company. Come!" © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
The "Chasm" mentioned by Hesiod is a synonym for the ancient Greek word for Chaos, and "Earth" is the mighty mother-goddess Gaia, in whom was located the hellish Tartara (or Tartarus), where the Titans would ultimately meet their fate. Interestingly, Hesiod also places Eros, the embodiment of erotic love, at the conception of the cosmos too, thus providing the ancient Greek readers with a foundation for procreation and the lasciviousness of all deities. As a result, the act of creation begins with Chaos, Gaia (Mother Earth), and Eros (Erotic love), but these are no quaint grandparental figures or benign personifications. Chaos was capable of "giving birth" to the most macabre, inherently bleak, and "chaotic" elements of the world, without the need for a reproductive partner.
Charles River Editors (Aphrodite: The Origins and History of the Greek Goddess of Love)