Dusty Hill Quotes

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And thus ever by day and night, under the sun and under the stars, climbing the dusty hills and toiling along the weary plains, journeying by land and journeying by sea, coming and going so strangely, to meet and to act and react on one another, move all we restless travellers through the pilgrimage of life.
Charles Dickens (Little Dorrit)
A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world. Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas. The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time. This is a moment:
Thomas Wolfe (Look Homeward, Angel)
A crimson fire that vanquishes the stars;A pungent odor from the dusty sage;A sudden stirring of the huddled herds;A breaking of the distant table-landsThrough purple mists ascending, and the flareOf water ditches silver in the light;A swift, bright lance hurled low across the world;A sudden sickness for the hills of home.
Willa Cather (April Twilights: and Other Poems (The Collected Works of Willa Cather))
It was very quiet here on the mountainside, but, quiet in the of hills and forests. A quiet that wasn't silent at all, but composed of constant tiny sounds. It was small buzzing in the gorse bush nearby, of bees working the yellow flowers -dusty with pollen, far below was the rushing of the burn, a low note echoing the wind above stirring leaves and rattling twigs sighing past the jutting boulders.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
o. It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
And don’t forget, the Son of God himself spent his entire life on earth far from the mountaintop. . . . He was persecuted and punished by a “mountain king” named Pilate and executed next to a thief. When he rose, he appeared not to Caesar but to a small band of ordinary men and women who would become martyrs, not rulers. Christ prevailed . . . not by fighting from the commanding power of the heights, but by fighting from “utterly different terrain.” When scripture calls Christians to “take up your cross and follow me,” it’s declaring . . . that “our mountain is Golgotha”—the dusty Israeli hill where Christ was crucified.
Jon Ward (Testimony: Inside the Evangelical Movement That Failed a Generation)
A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world.
Thomas Wolfe (Look Homeward, Angel)
The road goes up hill and down, and it is rutted and dusty and stony but every turn of the wheels changes our view of the woods and the hills. The sky seems lower here, and it is the softest blue. The distances and the valleys are blue whenever you can see them. It is a drowsy country that makes you feel wide awake and alive but somehow contented.
Laura Ingalls Wilder (On the Way Home)
Other people's houses are right on top of this one," he said. "I think they could take one step and be in our living room." "You haven't seen the courtyard yet, Gregori. The house opens up to a courtyard in the back, and it's immense and in quite good shape." Savannah began heading up the stairs, ignoring his grousing. "I hate to think what you would call bad shape," he muttered as he followed her upstairs. "I wonder why everything is so dusty," Savannah said. "I had the real estate people come in and clean and get things ready for our arrival." "Do not touch anything," Gregori hissed softly, and very gently caught her shoulders to put her behind him. "What is it?" Instinctively she lowered her voice and looked around, trying to see if there was some danger she had been unable to sense. "If people came and made up the bed and prepared the house for your arrival, then they would have removed the dust too." "Maybe they're incredibly incompetent," she suggested hopefully. Gregori glanced at her and found the hard edge of his mouth softening. She was making him want to smile all the time, even in the most serious of situations. "I am certain any company would work overtime trying to make you happy, ma petite. I know I do." She blushed at the memory of how he did so. "So why all the dust?" she asked, deliberately distracting him. "I think Julian left us a message. You have remained with humans so long, you see only with your eyes." Savannah rolled her eyes at the reprimand. "And you've lived in the hills so long,you've forgotten how to have fun." The pale eyes slid over her, wrapping her in heat. "I have my own ideas of fun, cherie. I would be willing to show you if you like," he offered wickedly. Her chin lifted, blue eyes challenging. "If you think you're scaring me with your big-bad-wolf routine,you're not," she said. He could hear her heart beat. Smell her scent calling to him. "Perhaps I will think of something to change that," he cautioned her.
Christine Feehan (Dark Magic (Dark, #4))
The next time you think that no one understands or cares, reread the fourteenth chapter of Mark and pay a visit to Gethsemane. And the next time you wonder if God really perceives the pain that prevails on this dusty planet, listen to him pleading among the twisted trees. The next time you are called to suffer, pay attention. It may be the closest you’ll ever get to God. Watch closely. It could very well be that the hand that extends itself to lead you out of the fog is a pierced one. No Wonder They Call Him the Savior
Max Lucado (On Calvary's Hill: 40 Readings for the Easter Season)
Sadness softened her nasal twang, that ubiquitous accent that had drifted out of the Appalachian hills and hollows, across the southern plains, across the southwestern deserts, insinuating itself all the way to the golden hills of California. But somewhere along the way, Rosie had picked up a gentler accent too, a fragrant voice more suited to whisper throaty, romantic words like Wisteria, or humid phrases like honeysuckle vine, her voice for gentleman callers. “Just fine,” she repeated. Even little displaced Okie girls grow up longing to be gone with some far better wind than that hot, cutting, dusty bite that’s blowing their daddy’s crops to hell and gone. I went to get her a beer, wishing it could be something finer.
James Crumley (The Last Good Kiss (C.W. Sughrue, #1))
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!
Ursula K. Le Guin
…every now and then when I felt the necessity of a strong inspiration of soul-thought. My heart was dusty, parched for want of the rain of deep feeling; my mind arid and dry, for there is a dust which settles on the heart as well as that which falls on a ledge. It is injurious to the mind as well as the body to be always in one place and always surrounded by the same circumstances. A species of thick clothing slowly grows about my mind … little habits become a part of existence, and by degrees the mind is inclosed in a husk. When this began to form I felt eager to escape from it … to drink deeply once more at the fresh fountains of life. An inspiration -- a long deep breath of pure air of thought -- could alone give health to the heart. There was a hill to which I used to resort at such periods. The labour of walking three miles to it, all the while gradually ascending, seemed to clear my blood of the heaviness accumulated at home … the slow continued rise required continual effort, which carried away the sense of oppression … Moving up the sweet short turf, at every step my heart seemed to obtain a wider horizon of feeling; with every inhalation of rich pure air, a deeper desire … By the time I had reached the summit I had entirely forgotten the petty circumstances and the annoyances of existence. I felt myself, myself'.
Richard Jefferies (The Story of my Heart)
I have cancer,” Agnes announced. She hadn’t been able to contain her rage after all. She didn’t expect it to come out that way—it just had. Her hands rose to the sides of her rib cage, a gesture left over from when there had been drains there. “You got the flowers we sent?” He’d been coming straight toward her but stopped, as if she’d announced a contagion. “Probably. Did I write a note?” He laughed. “Probably! How did this happen, though?” He shifted gears, stepped closer to her, looked her in the eye, and asked—intimately, wittily—“Have you been smoking, Cousin Nessie?” “Wouldn’t that be nice!” “Yes. I’d love to myself. I always say I’ll pick it up again at eighty. But you are eighty!” “And now I’m saying I’ll start at ninety.” “Oh, is that how it goes? I don’t know if I’ll last that long.” “That makes two of us.” His face crumpled. A little boy again. “Oh come on, Archie, if you can’t laugh at death, what can you laugh at?” She gave him a light punch on the arm. “I’ll be lucky to live to the age you are now,” he said awkwardly. “Yes. It is fortunate. Everything becomes very clear.” “But you still feel young, don’t you?” “Are you kidding? I feel old as the hills and twice as dusty, as my mother would say.” “You better come see the view immediately, in that case.” He hovered his hand under her elbow and moved her forward.
Alice Elliott Dark (Fellowship Point)
His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.
Tim Stevens (Ratcatcher (John Purkiss, #1))
That dusty hill we can scarcely look upon and then only with pain, The Adversary, also with pain, does and must ever witness The Crucifixion.
Geoffrey Wood
We drove for at least an hour on dusty, unpaved back roads. Dimitri made sure to hit every pot hole and ant hill. I’d never realized what a smooth ride Grandma delivered. I closed my eyes as we hit another bone-rattling dip in the pavement.
Deanna Chase (Six Times a Charm)
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (The Henry Rios Mysteries Book 1))
While George fell asleep in the back of the bus, I examined his outfit, noting that my strange American friend had now got his ‘world traveller’ apparel down to a fine art. His compact munchkin figure wore a short-cropped jeans jacket from Nepal over a ratty pink T-shirt he’d picked up in Bangkok which was decorated with the simple message, ‘Fuck You.’ Beneath a pair of worn out, fashionably torn Levis from Dharamsala poked a brace of dusty hiking boots obtained second-hand from a hill porter in Manali. All this was topped by an expandable Afghani hat, into which he tucked his long, matted dreadlocks. As for his bespectacled features, these were rendered quite dwarfish by a wispy little beard, cut short at the cheeks and running wild below the chin. A glittering array of chunky ethnic rings adorned each finger. He actually had an extra one—fortunately out of sight—which had been inserted into his penis during his last foray into Paharganj. Around his neck hung a final touch: a valuable Zzi-bead necklace purchased from a Tibetan family in Ladakh for the considerable sum of 1600 dollars. Nobody looking at him would have guessed that this was the foremost wholesaler of hippy goods into America.
Frank Kusy (Rupee Millionaires)
One day I walked about a mile out of town, thinking about mountain climbing. I looked in the direction of the wind, above the evergreens to the middle section of a mountain. I was sitting on the grass, which was the filthy, dusty grass after a snow thaw.
Terrence Hill (The Heart of A Poet)
After Jonathan, wearing only his pajamas, jumped out of his bedroom window in the middle of the night & met with Leopold, who awaited him in the garden, the two went to the stable and put a three-meter-long hemp rope in a bricklayer's bag splattered with quicklime. On a September night, under the light of the moon, they walked with the rope up the village street, passing the calvary, not noticing the devil's red wings, which were stretched to the point of tearing—Lucifer was sweating blood—and then up the hill of the parish house into the barn. In the empty barn full of dusty cobwebs—the parish house was unoccupied at the time—they climbed a wooden ladder to the crossbeam. The two boys tied the two ends of rope behind their ears and jumped into the emptiness, weeping and embracing, a few meters from the armless Christ who had once been rescued from a stream bed by the priest and painter of prayer cards and who now stood in the entranceway of the parish house, gasping and smelling the blood sweated out by the devil in the calvary. With their tongues out, their sexes stiff, their semen-flecked pants dripping urine, Jonathan in pajamas and Leopold in his quicklime-splattered bricklayer's clothes, they hung in the barn of the parish house until they were found by Jonathan's sixteen-year-old cousin, who shined the beam of his flashlight across their four dangling legs twenty-four hours later, and were cut down with a butcher's knife by Adam the Third.
Josef Winkler (When the Time Comes)
Someone’s gonna get hurt,” Mrs. Hill said, but she didn’t seem too terribly worried as she loaded the dishwasher.
Dusti Bowling (Momentous Events in the Life of a Cactus)
There was a knock on the door, and Mrs. Hill opened it. Connor walked in wearing a dog costume. “What are you?” I asked him. He barked. “Guess.” “Krypto,” said Mrs. Hill. “Nope,” said Connor. “Lockjaw,” said Mrs. Hill. “Nope.” “Wonder Dog.” “Nope.” “Cosmo the Space Dog.” “Nope.” “Dylan Dog.” “Nope.” “Geez,” I said. “How many dog comic book characters are there?” “A lot,” said Mrs. Hill, then she jumped up and down. “Oh, oh, oh! Lucky the Pizza Dog!” “Yes!” said Connor.
Dusti Bowling (Momentous Events in the Life of a Cactus)
It just struck me how glad I am that I followed you up that hill," Shang continued. "If I hadn't been attacked by Shan-Yu, none of this might have happened." Mulan's lips formed a coy smile. "You mean I never would have gone to Diyu, and you would never have been rescued by Ping's sister?" "That," agreed Shang, "and I might never have discovered how I felt about... about you." Her breath hitched. She couldn't take another step. Her feet had frozen, rooting themselves to the dusty road beneath her shoes. "I meant what I said in front of the gates," said Shang softly. "I'll never meet another girl like you.
Elizabeth Lim (Reflection)
For twelve days we walked through the barren desert lands to jungles, through marshes and mountains, sleeping on the hillsides and in the train stations of dusty pueblos; we slept under bridges and on the tracks too, all the better to be alerted of the coming train.
Milan Sime Martinic, Ironway: Watching Over Benjamin Hill -
We're in the Spanish countryside," Sangris said, "by a centuries-old pilgrim route. Fresh air. Those enormous flowers, so many of them that they cover the entire hill. Trees that look as if they've been painted. They make a sound like a flowing river, don't they? A stone well, in the shade. Dark green, gold, black." He paused. His hands were still over mine. "I can imagine someone sitting here, thinking of you, but a different you. Different from what your father wants, I mean, and more like you are now. Your father's Freneqer seems like she'd be thought up in a dull drawing room somewhere. But here . . . everything is ancient and lovely and bold and dusty and romantic. It's the sort of place where a poet would be born. Either a poet or a revolutionary.
Rinsai Rossetti (The Girl with Borrowed Wings)
Maybe the media will for once do their job right and inform the public about these abusive communities. They should just like the rest of us, be following the rules and regulations of the land. We all need to help by finding a legal means to change this abusive society, nestled among the dusty red sand hills of the Vermillion Cliffs in southwestern Utah and the Arizona Strip. -Colorado City, 2004 "The Ver'million' Cliffs Polygamists, A View From The Outside
Jenny Jessop Larson (From Brainwash to Hogwash: Escaping and Exposing Polygamy)
I grew up close to Bethlehem and the only branch where I could attend church was the BYU Jerusalem Center. Palestinians living in the West Bank are not allowed into Jerusalem, so for years, I had to sneak into Jerusalem, getting shot at sometimes and risking being arrested so I could attend church services. The trip would take three hours and would involve me climbing hills and walls and hiding from soldiers. I felt that each Sabbath I was given the strength and protection I needed to get to church. I remember one Sabbath in particular. I was asked to give a talk in sacrament meeting that week. However, the day before, we had curfew imposed on us by the Israeli soldiers. Curfew in Bethlehem is not something you want to break. It is an all-day long curfew and lasts for weeks sometimes. You are not allowed to leave your house for any reason. Anyone who leaves their house risks getting shot. For some reason, I felt that Heavenly Father wanted me to give that talk, but I wondered how He expected me to get to church! I mean, even if I were to manage to leave my house without getting shot, I did not have a car then. How would I find public transportation to get to Jerusalem? There was no one on the roads except soldiers. I decided to do all that I could. I knelt down and basically told Heavenly Father that all I can do is walk outside. That was the extent of what I could do. He had to do the rest. I did just that. I got dressed in my Sunday clothes, got out of our house and down the few steps out of our porch, and walked on to the road. Amazingly enough, there was a taxi right in front of my house! Now, we live on a small street. We never see taxis pass by our street, even during normal days. I approached the taxi driver and asked him where he was going. Guess where was he going? To Jerusalem, of course. Right where I wanted to go! He had others with him in the taxi, but he had room for one more person. The taxi driver knew exactly which roads had soldiers on them and avoided those roads. Then we eventually got to where there was only one road leading out of town, and that road had soldiers on it. The taxi driver decided to go off the road to avoid the soldiers. He went into a hay field. We drove in hay fields for about half an hour. It was very bumpy, dusty, and rocky. Finally, we found a dirt road. I was so thrilled to not be in a field! However, a few short minutes later, we saw a pile of rocks blocking that dirt road. I thought we would have to turn around and go back. Luckily, the taxi driver had more hope and courage than I did. He went off the dirt road and into an olive tree field. He maneuvered around the olive trees until he got us to the other side of the pile of rocks. I made it to church that day. As I entered the Jerusalem Center I reflected on my journey and thought, “That was impossible!” There was no way I could have made it to church by my efforts alone. The effort I made, just walking outside, was so small compared to the miracle the Lord provided. Brothers and sisters, we give up too easily, especially when something seems impossible or hard. In last week’s devotional, Brother Doug Thompson said that in order to complete our journey, we must avoid the urge to quit. We do this by seeking spiritual nutrients and seeking a celestial life. [5] If we continue trying, we will reach our goal. In your classes, make sure do your best! In your job, do your best! In your callings, in your home and in everything you do, do the best you can. The Lord will sanctify your efforts and make them enough if you approach Him in faith and ask for His power from on high.
Sahar Qumsiyeh
IVANOFF. I have noticed that whenever you start reforming me and saving my soul, and teaching me how to be good, your face grows naive, oh so naive, and your eyes grow as wide as if you were looking at a comet. Wait a moment; your shoulder is covered with dust. [He brushes her shoulder] A naive man is nothing better than a fool, but you women contrive to be naive in such a way that in you it seems sweet, and gentle, and proper, and not as silly as it really is. What a strange way you have, though, of ignoring a man as long as he is well and happy, and fastening yourselves to him as soon as he begins to whine and go down-hill! Do you actually think it is worse to be the wife of a strong man than to nurse some whimpering invalid? SASHA. Yes, it is worse. IVANOFF. Why do you think so? [Laughing loudly] It is a good thing Darwin can't hear what you are saying! He would be furious with you for degrading the human race. Soon, thanks to your kindness, only invalids and hypochondriacs will be born into the world. SASHA. There are a great many things a man cannot understand. Any girl would rather love an unfortunate man than a fortunate one, because every girl would like to do something by loving. A man has his work to do, and so for him love is kept in the background. To talk to his wife, to walk with her in the garden, to pass the time pleasantly with her, that is all that love means to a man. But for us, love means life. I love you; that means that I dream only of how I shall cure you of your sadness, how I shall go with you to the ends of the earth. If you are in heaven, I am in heaven; if you are in the pit, I am in the pit. For instance, it would be the greatest happiness for me to write all night for you, or to watch all night that no one should wake you. I remember that three years ago, at threshing time, you came to us all dusty and sunburnt and tired, and asked for a drink. When I brought you a glass of water you were already lying on the sofa and sleeping like a dead man. You slept there for half a day, and all that time I watched by the door that no one should disturb you. How happy I was! The more a girl can do, the greater her love will be; that is, I mean, the more she feels it.
Anton Chekhov (Ivanov (Plays for Performance Series))
Samuel Hamilton rode back home in a night so flooded with moonlight that the hills took on the quality of the white and dusty moon.
John Steinbeck (East Of Eden)
Mateo comes for Maggie one shining Hawaiian morning on his motorcycle. He brings her to a motorcycle club meet-up that begins with a potluck breakfast in the verdant hills. Maggie is the only girl of her age. The other women are biker chicks in dusty black leather with stringy hair. She feels out of place, but gloriously so.
Lisa Taddeo (Three Women)
Exactly when they pass from the bleak to the fecund isn’t clear. The B road narrows and some oak branches drape the road for a stretch, darkening the interior of the cab. The route then dips, veers west. A turn, a steep ascent later and the outlook changes. Even Gracey is distracted by the carousel of shadow and sunlight upon a wilder earth and upon the windscreen. Not so flat here either. Hills ruffle the skyline and contour the land with smooth undulations. Patches of trees extend into actual woods that you can’t see the far side of from the nearest edge. A buzzard hovers. Then another. Wood pigeons flap for cover beneath them. Tonal shifts emerge. Varieties of cereal crops occult the liverish earth, combed by giants. Odd hay meadows are pebble-dashed with pastel. Hedgerows thicken to spike outwards and suggest internal hoppings and buzzings of minute life. Ancient trees instil repose, austere sentinels drowsing in the corner of fields. Below their muscular branches mooch caramel cows patched with chocolate. Above the vista, the dusty sheets of ashen cloud break apart into cumulus, plump like white cotton. The distinction between back there and here startles Tom. As it did when he came here for the viewings
Adam Nevill (Cunning Folk)
But sometimes unexpected things happen that can rouse an old memory, something seminal, a past event so momentous and strong that, like a rare old book, it dare not be touched too often for fear of tearing its brittle pages. Shelved and dusty, only its resonance remains, until something special comes along to yank it down from its ledge, open it to the proper page, and wrest the reader back to that exact moment in time, to the experience that, like a bolt of lightning, singed the reader’s heart forever. For
Steve Duno (Last Dog on the Hill: The Extraordinary Life of Lou)
The loin of Cinta Senese had been sitting in the cold room, begging to be cooked. I'd shown it to Filippo- This is our supper, I'd said, and he'd replied that supper was too far away, and didn't the painters deserve the best, serving God as they did? So I'd grabbed it, along with some garlic, thyme, rosemary, peppercorns and nutmeg. Surely they'd have salt at the studio... Filippo had bought some onions, a flask of milk and a hunk of prosciutto on the way. I hunted around in the small, chaotic niche where the artists kept their food and discovered a dusty flask of olive oil. Sniffing it dubiously, I found it was quite fresh: the dark green oil from the hills behind Arezzo. In Florence we almost always cooked in lard, oil would do in a pinch. The kiln was lit but not being used for anything, and the fire was dying down. I threw some pieces of oak onto it, chopped the onions and the ham with a borrowed knife, cut the loin away from the ribs. The artists had a trivet and some old pans which they used to cook with every now and again, though mostly they lived on pies from the cook-shop up the street. There was an earthenware pot with a cracked lid, which seemed clean enough. I put it on the trivet, poured in a good stream of the green oil, browned the meat in its wrapping of fatty rind. Sandro gave up a cup of white wine, unwillingly, which I threw over the pork. When it had cooked off, I crushed two big cloves of garlic and added them along with the rosemary I had brought, and a handful of thyme. The milk had just foamed, and I poured it over the meat. The air filled with a rich, creamy, meaty waft.
Philip Kazan (Appetite)
Julie started the engine, and the air around the BSA danced to life, this time enclosing them in a roaring privacy - a momentary country, trembling at the curb. Outside, beyond their borders, the honey-slow twilight was thinning and quickening to a cold, dusty lavender. Skateboarders hurtled past like moths, urgently contorted, one-dimensional in the pale headlights rushing up the hill toward them.
Peter S. Beagle (The Folk of the Air)