Midwest Summer Quotes

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So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.
Annie Dillard (An American Childhood)
The sunset was that long, achingly beautiful balance of stillness in which the sun seemed to hover like a red balloon above the western horizon, the entire sky catching fire from the death of day; a sunset unique to the American Midwest and ignored by most of its inhabitants. The twilight brought the promise of coolness and the certain threat of night.
Dan Simmons (Summer of Night (Seasons of Horror, #1))
To me, the summer wind in the Midwest is one of the most melancholy things in all life. It comes from so far away and blows so gently and yet so relentlessly; it rustles the leaves and the branches of the maple trees in a sort of symphony of sadness, and it doesn't pass on and leave them still. It just keeps coming, like the infinite flow of Old Man River. You could -- and you do -- wear out your lifetime on the dusty plains with that wind of futility blowing in your face. And when you are worn out and gone, the wind -- still saying nothing, still so gentle and sad and timeless -- is still blowing across the prairies, and will blow in the faces of the little men who follow you, forever.
Ernie Pyle
As we walked home, I knew from far away the trees would've looked nice, the grass would've looked green, and we would've looked like just a couple of boys walking home, armed with Midwest love and Bible Belt morals. But up close, the trees were scorched, the grass was dead, and the boys were on the verge of tears with the belts of those morals tightening around their necks, threatening to hang them if they dared step off the stool of masculinity.
Tiffany McDaniel (The Summer that Melted Everything)
As a child I read hoping to learn everything, so I could be like my father. I hoped to combine my father's grasp of information and reasoning with my mother's will and vitality. But the books were leading me away. They would propel me right out of Pittsburgh altogether, so I could fashion a life among books somewhere else. So the Midwest nourishes us . . . and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters, and the forested river valleys, with the blue Appalachian Mountains to the east of us and the broad great plains to the west. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities.
Annie Dillard (An American Childhood)
Where the weather is concerned, the Midwest has the worst of both worlds. In the winter the wind is razor sharp. It skims down from the Arctic and slices through you. It howls and swirls and buffets the house. It brings piles of snow and bonecracking cold. From November to March you walk leaning forward at a twenty-degree angle, even indoors, and spend your life waiting for your car to warm up, or digging it out of drifts or scraping futilely at ice that seems to have been applied to the windows with superglue. And then one day spring comes. The snow melts, you stride about in shirtsleeves, you incline your face to the sun. And then, just like that, spring is over and it’s summer. It is as if God has pulled a lever in the great celestial powerhouse. Now the weather rolls in from the opposite direction, from the tropics far to the south, and it hits you like a wall of heat. For six months, the heat pours over you. You sweat oil. Your pores gape. The grass goes brown. Dogs look as if they could die. When you walk downtown you can feel the heat of the pavement rising through the soles of your shoes. Just when you think you might very well go crazy, fall comes and for two or three weeks the air is mild and nature is friendly. And then it’s winter and the cycle starts again. And you think, “As soon as I’m big enough, I’m going to move far, far away from here.
Bill Bryson (The Lost Continent: Travels in Small Town America)
Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night," he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought.
Jonathan Franzen (The Corrections)
She had lived in eight different countries growing up and had visited dozens of others. To most people, this sounded cool, and in some ways, Ayers knows, it was cool, or parts of it were. But since humans are inclined to want what they don't have, she longed to live in America, preferably the solid, unchanging, undramatic Midwest, and attend a real high school, the kind shown in movies, complete with a football team, cheerleaders, pep rallies, chemistry labs, summer reading lists, hall passes, proms, detentions, assemblies, fund-raisers, lockers, Spanish clubs, marching bands, and the dismissal bell.
Elin Hilderbrand (Winter in Paradise (Paradise, #1))
You're right. I forgot that barns were heated." Hannah didn't bother to correct her sister. Strictly speaking, Andrea was right, barns were heated. They were kept warm by herding in all the cattle, keeping them together in a closed space and utilizing their body heat. When it came to barns in the winter BTUs stood for Bunched Together Until Summer.
Joanne Fluke (Cherry Cheesecake Murder (Hannah Swensen, #8))
The saying fits most every day of the year. In San Diego, near the ocean, it’s never bitterly cold and it’s never oppressively hot. I can appreciate the realities of the nonsublime weather in certain areas of the country. I spent a few years in Chicago for college, before heading back to San Diego. Then I returned to the Chicago area for two years of graduate school. I have figured that in the five years (sixty months) that I spent in the Midwest, forty months consisted of glacial winter. Another seventeen months were hot, airless summer. Perhaps three months over the entire five years were pleasant. Maybe even a day or two could have been described as idyllic. San Diego is different from that. Every five years we have about sixty months of heavenly weather.
Anonymous
Here in Southern California we San Diegans have a saying. Hawaiians wouldn’t appreciate it, but we say it nonetheless. We go outside, look around, and then say, “Just another day in paradise.” The saying fits most every day of the year. In San Diego, near the ocean, it’s never bitterly cold and it’s never oppressively hot. I can appreciate the realities of the nonsublime weather in certain areas of the country. I spent a few years in Chicago for college, before heading back to San Diego. Then I returned to the Chicago area for two years of graduate school. I have figured that in the five years (sixty months) that I spent in the Midwest, forty months consisted of glacial winter. Another seventeen months were hot, airless summer. Perhaps three months over the entire five years were pleasant. Maybe even a day or two could have been described as idyllic. San Diego is different from that. Every five years we have about sixty months of heavenly weather.
Anonymous
D’aron the Daring, Derring, Derring-do, stealing base, christened D’aron Little May Davenport, DD to Nana, initials smothered in Southern-fried kisses, dat Wigga D who like Jay Z aw-ite, who’s down, Scots-Irish it is, D’aron because you’re brave says Dad, No, D’aron because you’re daddy’s daddy was David and then there was mines who was named Aaron, Doo-doo after cousin Quint blew thirty-six months in vo-tech on a straight-arm bid and they cruised out to Little Gorge glugging Green Grenades and read three years’ worth of birthday cards, Little Mays when he hit those three homers in the Pee Wee playoff, Dookie according to his aunt Boo (spiteful she was, misery indeed loves company), Mr. Hanky when they discovered he TIVOed ‘Battlestar Galactica,’ Faggot when he hugged John Meer in third grade, Faggot again when he drew hearts on everyone’s Valentine’s Day cards in fourth grade, Dim Dong-Dong when he undressed in the wrong dressing room because he daren’t venture into the dark end of the gym, Philadelphia Freedom when he was caught clicking heels to that song (Tony thought he was clever with that one), Mr. Davenport when he won the school’s debate contest in eighth grade, Faggot again when he won the school’s debate contest in eighth grade, Faggot again more times than he cared to remember, especially the summer he returned from Chicago sporting a new Midwest accent, harder on the vowels and consonants alike, but sociable, played well with others that accent did, Faggot again when he cried at the end of ‘WALL-E,’ Donut Hole when he started to swell in ninth grade, Donut Black Hole when he continued to put on weight in tenth grade (Tony thought he was really clever with that one), Buttercup when they caught him gardening, Hippie when he stopped hunting, Faggot again when he became a vegetarian and started wearing a MEAT IS MURDER pin (Oh yeah, why you craving mine then?), Faggot again when he broke down in class over being called Faggot, Sissy after that, whispered, smothered in sniggers almost hidden, Ron-Ron by the high school debate team coach because he danced like a cross between Morrissey and some fat old black guy (WTF?) in some old-ass show called ‘What’s Happening!!’, Brainiac when he aced the PSATs for his region, Turd Nerd when he hung with Jo-Jo and the Black Bruiser, D’ron Da’ron, D’aron, sweet simple Daron the first few minutes of the first class of the first day of college.
T. Geronimo Johnson (Welcome to Braggsville)
Two years before our arrival at Maplehurst, we had left the Midwest eager for new jobs, milder weather, and a house of our own with a real backyard. We were unprepared for the enormity of our losses. Good friends. Close-knit community. A meaningful connection with the work of our minds and our hands. There was one lost thing, in particular. It was such a natural part of our prewilderness lives that I only ever recognized it after it was gone. In our northern city, we had lived a seasonal rhythm of summer festivals and winter sledding, spring baseball games and autumn apple picking. Our moments and our months were distinguished by the color of the trees, deep red or spring green, and the color of the lake, sparkling and playful in summer, menacing and dull in winter. These things were the beautiful, sometimes harsh, but always rhythmic backdrop in our days. Time was like music. It had a melody. In the wilderness, the only thing that differentiated one season from the next was my terrible winter asthma. Without time's music, I became aimless and disconnected, like a child's lost balloon.
Christie Purifoy (Roots and Sky: A Journey Home in Four Seasons)
It was summer in the Midwest and thus idyllic. Long days rolled out like the land before us, expansive and dotted with wild flowers and fireflies. It’s a potent season that can enchant away all thoughts of our protracted northern winters, which seem not only far off but altogether improbable. I blamed it on the heady billow of chlorophyll and vitamin D. In this unfiltered sunshine even a non-agrarian like me could see that this swelling farmland was beautiful and precious, a ripe expanse of great potential. I just wasn’t convinced it was our potential. But we were about to find out. With a transition as subtle as an ax, today would come to have a story, a moniker, and forever more be The Day the Chickens Came.
Lucie Amundsen