Midwest Girl Quotes

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It made hot girls forget you were a dork, which is the point of all music.
J. Ryan Stradal (Kitchens of the Great Midwest)
The midwest is full of these types of people. The nice enoughs but with a soul made of plastic. Easy to mold, easy to wipe down. The woman's entire music collection is formed from Pottery Barn compilations. Her books shelves are stocked with coffee table crap The Irish in America, Mizzou Football - A History in Pictures, We Remember 911, something dumb with kittens. I knew I needed a pliant friend for my plan, someone I could load up with awful stories about Nick. Someone who would become overly attached to me. Someone who would be easy to manipulate. Who wouldn't think to hard about anything I said because she felt privileged to hear it.
Gillian Flynn (Gone Girl)
Where did you source your ingredients from?” one of them asked. “Are they local?” “Yeah,” Pat said, “they’re from the store about a mile from my house.” One of the girls behind the table laughed. “Sorry,” she said.
J. Ryan Stradal (Kitchens of the Great Midwest)
In Tulsa, a girl would no sooner have run around with unstraightened hair than she would have run around naked. It would have been worse than running around naked, letting everyone see your naps (40).
Martha Southgate (Third Girl from the Left)
The Midwest is full of these types of people: the nice-enoughs. Nice enough but with a soul made of plastic--easy to mold, easy to wipe down.
Gillian Flynn (Gone Girl)
I had gotten hungry for bratwurst and had been walking toward the entrance of one of the four McDonald's franchises in Undisclosed (if you think it's weird getting a bratwurst from a McDonald's, then you're not from the Midwest). I glanced at the cartoon clown logo in the window and let out a scream. Just a little scream, and a manly one. But I still frightened one little girl on the sidewalk so badly that she screamed, too.
David Wong (John Dies at the End (John Dies at the End, #1))
The Midwest is full of these types of people: the nice-enoughs. Nice enough but with a soul made of plastic—easy to mold, easy to wipe down.
Gillian Flynn (Gone Girl)
Two chubby, expressionless boys stand to my right. They were once cute children, but now I imagine that they spend hours in dark rooms looking at violent porn. Or perhaps they have tender reveries about being sweet to the girls that they adore from a distance. I'd like to think about them in a generous light -- that they are actually gentle young men -- but it's hard not to stereotype them as potential serial killers. It's their eerie, still blankness that makes me think they're capable of murder -- and the fact that I'm in the Midwest. The Midwest seems to cultivate serial killing. Must be the boxed in geography. (Jonathan Ames, Middle-American Gothic)
Dave Eggers (The Best American Nonrequired Reading 2007)
Well I'll be damned Here comes your ghost again But that's not unusual It's just that the moon is full And you happened to call And here I sit Hand on the telephone Hearing a voice I'd known A couple of light years ago Heading straight for a fall As I remember your eyes Were bluer than robin's eggs My poetry was lousy you said Where are you calling from? A booth in the midwest Ten years ago I bought you some cufflinks You brought me something We both know what memories can bring They bring diamonds and rust Well you burst on the scene Already a legend The unwashed phenomenon The original vagabond You strayed into my arms And there you stayed Temporarily lost at sea The Madonna was yours for free Yes the girl on the half-shell Could keep you unharmed Now I see you standing With brown leaves falling all around And snow in your hair Now you're smiling out the window Of that crummy hotel Over Washington Square Our breath comes out white clouds Mingles and hangs in the air Speaking strictly for me We both could have died then and there Now you're telling me You're not nostalgic Then give me another word for it You who are so good with words And at keeping things vague 'Cause I need some of that vagueness now It's all come back too clearly Yes I loved you dearly And if you're offering me diamonds and rust I've already paid
Joan Baez
His quarry parties were the stuff of legend—trash cans brimming with wapatuli, music that was cool on the coasts but wouldn’t reach Midwest airwaves for another six months, daring leaps from the highest granite cliffs into the inky pools below, some more than a hundred feet straight down. No gradual decline, just a fathomless, aching cavity scooped out of the earth, a wound that cold water seeped in to fill like blood.
Jess Lourey (The Quarry Girls)
All I know is that the fear I have been battling all night is breaking down the door of my ignorance. As my feet slam down I feel not the hard, wet asphalt but the soft Persian rug that led to the staircase in my father’s home. In the glow of lightning the dancing trees are illuminated but I see my mother in the glow of candlelight, spinning, twirling, her hair fanned out behind her. It is falling over me, saturating my thoughts, and I cannot. I cannot let it in.
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.
James Kaplan (Frank: The Voice)
Being raised evangelical in the Midwest gave me a personal experience of the phenomenon called “religious fundamentalism.” A story illustrates. When I was a boy in high school, I was interested in a girl from our church. It was an evangelical church, although some might have called it a bit fundamentalist—taking a hard line on cultural issues. But I took a chance and invited her to a movie, which was certainly frowned upon back then in our church culture (though my own parents snuck us out to Walt Disney movies at the drive-in, where we were unlikely to be spotted). I chose The Sound of Music, thinking it was “safe.” Who could object to Julie Andrews, I confidently thought? I was wrong. As we left the house, my girlfriend’s father stood in the doorway, blocking our exit, and said to his daughter, “If you go to this film, you’ll be trampling on everything that we’ve taught you to believe.” She fled downstairs to her bedroom in tears. We missed the movie, and the evening was a disaster. A year later, the fundamentalist father watched The Sound of Music on his television—and liked it. Fundamentalism is essentially a revolt against modernity. It is a reaction usually based on profound fear and defensiveness against “losing the faith.” My girlfriend’s father instinctively knew that his religion should make him different than the world. That is a fair religious point, and to be honest, there is much about modernity that deserves some revolting against. But I wish he had chosen to break with America at the point of its materialism, racism, poverty, or violence. Instead, he chose Julie Andrews.
Jim Wallis (God's Politics: Why the Right Gets It Wrong and the Left Doesn't Get It)
Hey, Emma, do you think Thor is a hunk?” Emma looked up from the orders to gaze at Georgie quizzically. “Are you talking about the mythological Norse god or the guy who played him in the movie?” “Either, both-- whatever.” Georgie returned to gazing out the shop window at the quiet main street of Scottsbluff. “The movie Thor is playing at the Midwest Theater this weekend. Looks like they’re having an Avenger movies marathon; must be getting ready for another sequel to come out soon. Anyway, it got me to thinking about how hunky Thor is. Actually it got me to thinking about hunky men, period.” “Oh yeah, it would. It doesn’t take much to send your mind in that direction. As for Thor, I think we can reasonably presume he’s a hunk. After all, he’d have to be to swing that giant hammer of his. That would take a lot of muscle and all of it in the right places. The actor in the movie definitely qualifies as a hunk and I choose to believe his portrayal is based on fact.” She grinned. “We should go see the movie so we can check out his hammer.” “That’s a deal.” Georgie also grinned, turning back to the window and giving a soft wolf whistle. “Hold on. Who’s this gorgeous specimen of manhood I see?” Emma joined Georgie at the window. “Whoa, I don’t know who he is, but he looks like he probably has a pretty big hammer of his own, even if he isn’t a Norse god.” “Down, girl. I saw him first so I’m calling dibs.” Georgie gave Emma a playful punch on the shoulder, eliciting a good natured chuckle. “Besides, how do you know he isn’t a Norse god?” “Would a Norse god wear a faded tee shirt tucked into tight jeans? And, what do you mean you’re calling dibs? I thought you’d given up on bad boys. He definitely looks like a bad boy.” “Yeah,” Georgie said sadly, “no more bad boys for me. Seriously though, Emma, aren’t all mythological gods known for their vanity? If they’d had tight jeans back in the days of the gods, that’s what they’d have worn for the sake of their godly vanity. I’m sure of it.
Jayne Hyatt (Looking for the Good Life)
If girls don’t want to be grossed out they should stay away from boys.
Amanda M. Lee (Witchdependence Day (Wicked Witches of the Midwest Shorts, #8))
While this experience may not have been a success by traditional standards, it strengthened my work ethic and made me realize that even a girl from the Midwest, who was not born into any particularly special circumstances, is talented, original, and has something important to say.
Alaina Reed (Stories of a Goldfish)
If you’re going to cry wolf, you’d better hope there’s really a wolf there. Oh, and if there’s a wolf, kick it really hard in its special place before you run. Wolves are faster than little girls. – Aunt Tillie’s Wonderful World of Stories to Make Little Girls Shut Up
Amanda M. Lee (Witchy Tales (Wicked Witches of the Midwest Fantasy #1))
Their thing was that they played sad cowboy music, and played cover songs in the style of sad cowboy music. Their cover of “No Diggity” was off the chain! It made hot girls forget you were a dork, which is the point of all music.
J. Ryan Stradal (Kitchens of the Great Midwest)
Girls were lucky, they didn’t have to have a thing. They just had to look nice and come to your shows and not call you all the time about stupid stuff.
J. Ryan Stradal (Kitchens of the Great Midwest)
My heart soared. Crap, I’m such a girl.
Amanda M. Lee (Something to Witch About (Wicked Witches of the Midwest, #5))
It made hot girls forget you were a dork, which is the point of all music. Girls were lucky, they didn’t have to have a thing. They just had to look nice and come to your shows and not call you all the time about stupid stuff.
J. Ryan Stradal (Kitchens of the Great Midwest)
There were three girls from the Midwest—two from Michigan and one from Chicago—and they got the whole team hooked on some card game called euchre.
Meryl Wilsner (Cleat Cute)
Hey, are you okay girl-from-the-Midwest…” Victoria cringed. She really thought this day could not get worse, but the most insensitive random stranger was now witnessing her breakdown. This was rock bottom.
Katie Kiesler Nelson (Seeking Real Life Irish RomCom)
the sexual practices of the uninhibited Mohaves surely gave a young Mormon from the Midwest ample reason for embarrassment. The Mohaves considered sex natural, fun, and emotionally inconsequential. Children witnessed it at a young age because they lived in one-room houses with their parents and other adults. Many lost their virginity by the time they reached puberty, and most girls had sex soon after they began menstruating. Adult Mohaves encouraged the young to indulge themselves sexually while they could, so that by their mid-teens, they were jaded, at which point, wrote the psychoanalyst George Devereux, “frills” were added to keep things lively: “The Mohave will actually devote some time to thinking up sexual ‘stunts,’ to make the act more exciting.” If their hosts’ sexual frankness didn’t kick the girls’ culture shock to new heights, their flexible definition of gender did: children’s gender was not considered fixed until after puberty and transvestism was not only accepted but merited its own confirmation ceremony, after which some homosexual Mohaves crossed over to become same-sex wives or (less often) husbands. 19
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
I held her hand, knowing that I’d never get to do this again. “I’m sorry for everything, Grandma. I know I was difficult. I’ll try to be better.” “You were always very spirited; I hope all your dreams come true” were the last words she said to me before I left the hospital, a mess, about to take the next step in making those dreams come true, whatever they were now. I landed in Chicago the following day. It was January 2011 and the Midwest winter cut through my bones. Life goes on. When I woke up the next morning, my mom told me my grandmother had passed away peacefully that night. Her last words were “I’m going to miss Becky.” I’d miss her too.
Rebecca Quin (Becky Lynch: The Man: Not Your Average Average Girl)
Would you believe that last month, William brought this ragamuffin girl from the Midwest to brunch? When I asked her what her parents did, she said her father worked at a factory and her mother baked cakes.
Sadeqa Johnson (The House of Eve)
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Stephenie Meyer (Car Wash Photo Book: Funny Gag Gift For Boys And Men With 40 Sexy Girls Washing Cars Photos Inside | Gifts For Relaxation And Decoration)