“
My dear,
In the midst of hate, I found there was, within me, an invincible love.
In the midst of tears, I found there was, within me, an invincible smile.
In the midst of chaos, I found there was, within me, an invincible calm.
I realized, through it all, that…
In the midst of winter, I found there was, within me, an invincible summer.
And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.
Truly yours,
Albert Camus”
I like this because only one part is usually quoted but the full quote has such symmetry.
”
”
Albert Camus
“
Joy is a mystery because it can happen anywhere, anytime, even under the most unpromising circumstances, even in the midst of suffering, with tears in its eyes....
”
”
Frederick Buechner
“
I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
”
”
Francis G. Thompson (The Hound of Heaven)
“
How rare were the tears of a dragon. We once lived in paradise and because of the corruption of an angel disgused as a dragon, all the world was cast into darkness. Now, as humans, we shed many tears-for what was lost, for what might of been, and for the end of friendships. Goodbye my true friends.
”
”
Bryan Davis (Circles of Seven (Dragons in Our Midst, #3))
“
And all the host laughed and wept, and in the midst of their merriment and tears the clear voice of the minstrel rose like silver and gold, and all men were hushed. And he sang to them, now in the Elven-tongue, now in the speech of the West, until their hearts, wounded with sweet words, overflowed, and their joy was like swords, and they passed in thought out to regions where pain and delight flow together and tears are the very wine of blessedness.
”
”
J.R.R. Tolkien
“
Humanity’s debut novel you could say. Love, sex, blood, and tears. A journey to find eternal life. To escape death. It was written over four thousand years ago on clay tablets by people who tilled the mud and rarely lived past forty. It’s survived countless wars, disasters, and plagues, and continues to fascinate to this day, because here I am, in the midst of modern ruin, reading it.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
I will be capable of loving, regardless of whether I am loved in return,
Of giving, when I have nothing,
Of working happily, even in the midst of difficulties,
Of holding out my hand, even when utterly alone and abandoned,
Of drying my tears, even while I weep,
Of believing, even when no one believes in me.
”
”
Paulo Coelho
“
Thus a day that had seen so many tears ended in the midst of a rainbow.
”
”
Jacqueline Winspear (Maisie Dobbs (Maisie Dobbs, #1))
“
The happiness which brings enduring worth to life is not the superficial happiness that is dependent on circumstances. It is the happiness and contentment that fills the soul even in the midst of the most distressing circumstances and the most bitter environment. It is the kind of happiness that grins when things go wrong and smiles through the tears. The happiness for which our souls ache is one undisturbed by success or failure, one which will deeply root inside us and give us inward relaxation, peace, and contentment, no matter what the surface problems may be. That kind of happiness stands in need of no outward stimulas.
”
”
Billy Graham
“
And yet, standing behind her son, waiting for the traffic light change, she remembered how in the midst of it all there had been a time when she'd felt a loneliness so deep that once, not so many years ago, having a cavity filled, the dentist's gentle turning of her chin with his soft fingers had felt to her like a tender kindness of almost excruciating depth, and she had swallowed with a groan of longing, tears springing to her eyes.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
Oh, don't go on like that!" cried the poor Queen, wringing her hands in despair. "Consider what a great girl you are. Consider what a long way you've come today. Consider what o'clock it is. Consider anything, only don't cry!"
Alice could not help laughing at this, even in the midst of her tears. "Can you keep from crying by considering things?" she asked.
"That's that way it's done," the Queen said with great decision: "nobody can do two things at once, you know.
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the midst of the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would we truly understand and appreciate the advantage of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
”
”
Emil M. Cioran (On the Heights of Despair)
“
I know after all the awful places you've had to go, it's hard to imagine how good heaven can be, but I've seen it, and no words can describe it...It's worth it all. We've both lost a parent, we've been beaten and bruised, and we've done through hell together. I even died. And I can tell you...giving up everything to serve God is worth it all.
”
”
Bryan Davis (Tears of a Dragon (Dragons in Our Midst, #4))
“
The other that will guide you and itself through this dissolution is a rhythm, text, music, and within language, a text. But what is the connection that holds you both together? Counter-desire, the negative of desire, inside-out desire, capable of questioning (or provoking) its own infinite quest. Romantic, filial, adolescent, exclusive, blind and Oedipal: it is all that, but for others. It returns to where you are, both of you, disappointed, irritated, ambitious, in love with history, critical, on the edge and even in the midst of its own identity crisis; a crisis of enunciation and of the interdependence of its movements, an instinctual drive that descends in waves, tearing apart the symbolic thesis.
”
”
Julia Kristeva (Desire in Language: A Semiotic Approach to Literature and Art)
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
In the midst of her tears came the thought, "When people are in danger, they ask God to save them;" and, slipping down upon her knees, she said her prayer as she had never said it before, for when human help seems gone we turn to Him as naturally as lost children cry to their father, and feel sure that he will hear and answer them.
”
”
Louisa May Alcott (Jack and Jill)
“
The Pomegranate
The only legend I have ever loved is
the story of a daughter lost in hell.
And found and rescued there.
Love and blackmail are the gist of it.
Ceres and Persephone the names.
And the best thing about the legend is
I can enter it anywhere. And have.
As a child in exile in
a city of fogs and strange consonants,
I read it first and at first I was
an exiled child in the crackling dusk of
the underworld, the stars blighted. Later
I walked out in a summer twilight
searching for my daughter at bed-time.
When she came running I was ready
to make any bargain to keep her.
I carried her back past whitebeams
and wasps and honey-scented buddleias.
But I was Ceres then and I knew
winter was in store for every leaf
on every tree on that road.
Was inescapable for each one we passed.
And for me.
It is winter
and the stars are hidden.
I climb the stairs and stand where I can see
my child asleep beside her teen magazines,
her can of Coke, her plate of uncut fruit.
The pomegranate! How did I forget it?
She could have come home and been safe
and ended the story and all
our heart-broken searching but she reached
out a hand and plucked a pomegranate.
She put out her hand and pulled down
the French sound for apple and
the noise of stone and the proof
that even in the place of death,
at the heart of legend, in the midst
of rocks full of unshed tears
ready to be diamonds by the time
the story was told, a child can be
hungry. I could warn her. There is still a chance.
The rain is cold. The road is flint-coloured.
The suburb has cars and cable television.
The veiled stars are above ground.
It is another world. But what else
can a mother give her daughter but such
beautiful rifts in time?
If I defer the grief I will diminish the gift.
The legend will be hers as well as mine.
She will enter it. As I have.
She will wake up. She will hold
the papery flushed skin in her hand.
And to her lips. I will say nothing.
”
”
Eavan Boland
“
That though the hard might come and our hearts be broken, that brokenness isn’t bad. The tears are evidence of our love for one another. They did not stop that day, and they will not stop in the days to come. But tears are a gift, not something to withhold or bottle up—they are the essence of the best of life.
”
”
Kara Tippetts (The Hardest Peace: Expecting Grace in the Midst of Life's Hard)
“
I fled Him, down the nights and down the days;
I fled Him, down the arches of the years.
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
”
”
Francis Thompson (The Hound of Heaven)
“
Every adventure undertaken, every prophecy spoken or sung, every dangerous road pointed to this simple truth - a battle between good and evil rages every day.
”
”
Bryan Davis (Tears of a Dragon (Dragons in Our Midst, #4))
“
Even in the midst of crying, she manages to glow, as though each tear were a drop of sunlight.
”
”
Lauren Roberts (Powerful (The Powerless Trilogy, #1.5))
“
Oh could I feel as I have felt,-or be what I have been,
Or weep as I could once have wept, o'er many a vanish'd scene;
As springs in deserts found seem sweet, all brackish though they be,
So midst the wither'd waste of life, those tears would flow to me.
”
”
Lord Byron (Byron's Poetry and Prose)
“
Once you have given up the ghost, everything follows with dead certainty, even in the midst of chaos. From the beginning it was never anything but chaos: it was a fluid which enveloped me, which I breathed in through the gills. In the substrata, where the moon shone steady and opaque, it was smooth and fecundating; above it was a jangle and a discord. In everything I quickly saw the opposite, the contradiction, and between the real and the unreal the irony, the paradox. I was my own worst enemy. There was nothing I wished to do which I could just as well not do. Even as a child, when I lacked for nothing, I wanted to die: I wanted to surrender because I saw no sense in struggling. I felt that nothing would be proved, substantiated, added or subtracted by continuing an existence which I had not asked for. Everybody around me was a failure, or if not a failure, ridiculous. Especially the successful ones. The successful ones bored me to tears. I was sympathetic to a fault, but it was not sympathy that made me so. It was purely negative quality, a weakness which blossomed at the mere sight of human misery. I never helped anyone expecting that it would do me any good; I helped because I was helpless to do otherwise. To want to change the condition of affairs seemed futile to me; nothing would be altered, I was convinced, except by a change of heart, and who could change the hearts of men? Now and then a friend was converted: it was something to make me puke. I had no more need of God than He had of me, and if there were one, I often said to myself, I would meet Him calmly and spit in His face.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: "You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you.
”
”
Henri Charrière
“
In the midst of hate, I found there was, within me, an invincible love. In the midst of tears, I found there was, within me, an invincible smile. In the midst of chaos, I found there was, within me, an invincible calm. I realized, through it all, that . . . In the midst of winter, I found there was, within me, an invincible summer. —Albert Camus
”
”
Mariah Stewart (An Invincible Summer (Wyndham Beach #1))
“
Pack animals always tear apart the weaklings in their midst. Every child knows that much instinctively.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
He lets His children step out in faith, even though they don't always know exactly what they're doing, and He makes their choices work.
”
”
Bryan Davis (Tears of a Dragon (Dragons in Our Midst, #4))
“
In the midst of all his sadness, Pierre felt deep compassion penetrate his heart. He was upset by the thought that mankind should be so wretched, reduced to such a state of woe, so bare, so weak, so utterly forsaken, that it renounced its own reason to place the one sole possibility of happiness in the hallucinatory intoxication of dreams. Tears once more filled his eyes; he wept for himself and for others, for all the poor tortured beings who feel a need of stupefying and numbing their pains in order to escape from the realities of the world.
”
”
Émile Zola (Lourdes (Three Cities Trilogy, #1))
“
For The Fallen"
With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.
Solemn the drums thrill;
Death august and royal
Sings sorrow up into immortal spheres,
There is music in the midst of desolation
And a glory that shines upon our tears.
They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted;
They fell with their faces to the foe.
They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time; They sleep beyond England's foam.
But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;
As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain;
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.
”
”
Laurence Binyon
“
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be.
It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her.
But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade.
It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
”
”
Haruki Murakami (Norwegian Wood)
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
Let us learn to be happy even in the midst of unhappiness, to laugh even in the midst of tears, to believe even in the midst of unbelief. The man who does this is the man whose foundation is certain; he is the man whose thought is firmly centered in the invisible Essence of Reality and finally comes to enjoy Its abundance of all good things.
”
”
Ernest Shurtleff Holmes (Freedom from Stress, The Art and Science of Creative Thinking)
“
We cannot predict how God will work, only that he will succeed.
”
”
Bryan Davis (Tears of a Dragon (Dragons in Our Midst, #4))
“
Though you lead, not all will follow, for many are called but few are chosen.
”
”
Bryan Davis (Tears of a Dragon (Dragons in Our Midst, #4))
“
It's a strange ache, that begins with a sudden flash of memory, while you are happily immersed in your favourite song or cooking your favourite dish - in the midst of just anything.
An ache that suddenly drifts your energy, from enjoyment to controlling those tears scrolling down.
All that swing in a wink, without the one next to you ever realising any sign of the sudden storm within you." Well, that's just the price you pay for choosing to feel.
”
”
Wordions
“
Buried how long?”
The answer was always the same: “Almost eighteen years.”
You had abandoned all hope of being dug out?”
Long ago.”
You know that you are recalled to life?”
They tell me so.”
I hope that you care to live?”
I can’t say.”
Shall I show her to you? Will you come and see her?”
The answers to this question were various and contradictory. Sometimes the broken reply was, “Wait! It would kill me if I saw her too soon.” Sometimes it was given in a tender rain of tears, and then it was, “Take me to her.” Sometimes it was staring and bewildered, and then it was, “I don’t know her. I don’t understand.”
After such imaginary discourse, the passenger in his fancy would dig, and dig, dig – to dig this wretched creature out. Got out at last, with earth hanging about his face and hair, he would suddenly fall away to dust. The passenger would then start to himself, and lower the window, to get the reality of mist and rain on his cheek.
Yet even when his eyes were opened on the mist and rain, on the moving patch of light from the lamps, and the hedge of the roadside retreating by jerks, the night shadows outside the coach would fall into the train of night shadows within. Out of the midst in them, a ghostly face would rise, and he would accost it again.
Buried how long?”
Almost eighteen years.”
I hope you care to live?”
I can’t say.”
Dig – dig – dig – until an impatient movement from one of the two passengers would admonish him to pull up the window, draw his arm securely through the leather strap, and speculate on the two slumbering life forms, until his mind lost hold of them, and they again slid away into the bank and the grave.
Buried how long?”
Almost eighteen years.”
You had abandoned all hope of being dug out?”
Long ago.”
The words were still in his hearing just as spoken – distinctly in his hearing as ever spoken words had been in his life – when the weary passenger started to the consciousness of daylight, and found that the shadows of night were gone.
”
”
Charles Dickens (A Tale of Two Cities)
“
And whenever they came back to his lips, these exquisite, funereal laments conjured up, in his mind, a place on the outskirts of a city, a mean and voiceless place where silently, in the distance, lines of men and women, wearied and bowed down by life, were disappearing into the twilight, while he himself, surfeited with bitterness and replete with disgust, felt himself alone, utterly alone, in the midst of a tearful Nature, overwhelmed by an inexpressible melancholy, by a relentless anguish, the mysterious intensity of which precluded all consolation, all pity, all repose.
”
”
Joris-Karl Huysmans (Against Nature)
“
You have the lovers,
they are nameless, their histories only for each other,
and you have the room, the bed, and the windows.
Pretend it is a ritual.
Unfurl the bed, bury the lovers, blacken the windows,
let them live in that house for a generation or two.
No one dares disturb them.
Visitors in the corridor tip-toe past the long closed door,
they listen for sounds, for a moan, for a song:
nothing is heard, not even breathing.
You know they are not dead,
you can feel the presence of their intense love.
Your children grow up, they leave you,
they have become soldiers and riders.
Your mate dies after a life of service.
Who knows you? Who remembers you?
But in your house a ritual is in progress:
It is not finished: it needs more people.
One day the door is opened to the lover's chamber.
The room has become a dense garden,
full of colours, smells, sounds you have never known.
The bed is smooth as a wafer of sunlight,
in the midst of the garden it stands alone.
In the bed the lovers, slowly and deliberately and silently,
perform the act of love.
Their eyes are closed,
as tightly as if heavy coins of flesh lay on them.
Their lips are bruised with new and old bruises.
Her hair and his beard are hopelessly tangled.
When he puts his mouth against her shoulder
she is uncertain whether her shoulder
has given or received the kiss.
All her flesh is like a mouth.
He carries his fingers along her waist
and feels his own waist caressed.
She holds him closer and his own arms tighten around her.
She kisses the hand besider her mouth.
It is his hand or her hand, it hardly matters,
there are so many more kisses.
You stand beside the bed, weeping with happiness,
you carefully peel away the sheets
from the slow-moving bodies.
Your eyes filled with tears, you barely make out the lovers,
As you undress you sing out, and your voice is magnificent
because now you believe it is the first human voice
heard in that room.
The garments you let fall grow into vines.
You climb into bed and recover the flesh.
You close your eyes and allow them to be sewn shut.
You create an embrace and fall into it.
There is only one moment of pain or doubt
as you wonder how many multitudes are lying beside your body,
but a mouth kisses and a hand soothes the moment away.
”
”
Leonard Cohen
“
A chorus of Golden Pages and Jade Maidens came onto the stage, fairy streamers fluttering and flags aloft, to reveal in their midst a gorgeously attired lady, her head draped in black, her costume shimmering with
”
”
Cao Xueqin (The Story of the Stone: The Debt of Tears)
“
They turn the water off, so I live without water,
they build walls higher, so I live without treetops,
they paint the windows black, so I live without sunshine,
they lock my cage, so I live without going anywhere,
they take each last tear I have, I live without tears,
...they take my heart and rip it open, I live without heart,
they take my life and crush it, so I live without a future,
they say I am beastly and fiendish, so I have no friends,
they stop up each hope, so I have no passage out of hell,
they give me pain, so I live with pain,
they give me hate, so I live with my hate,
they have changed me, and I am not the same man,
they give me no shower, so I live with my smell,
they separate me from my brothers, so I live without brothers,
who understands me when I say this is beautiful?
who understands me when I say I have found other freedoms?
I cannot fly or make something appear in my hand,
I cannot make the heavens open or the earth tremble,
I can live with myself, and I am amazed at myself, my love, my beauty,
I am taken by my failures, astounded by my fears,
I am stubborn and childish,
in the midst of this wreckage of life they incurred,
I practice being myself,
and I have found parts of myself never dreamed of by me,
they were goaded out from under rocks in my heart
when the walls were built higher,
when the water was turned off and the windows painted black.
I followed these signs
like an old tracker and followed the tracks deep into myself
followed the blood-spotted path,
deeper into dangerous regions, and found so many parts of myself,
who taught me water is not everything,
and gave me new eyes to see through walls,
and when they spoke, sunlight came out of their mouths,
and I was laughing at me with them,
we laughed like children and made pacts to always be loyal,
who understands me when I say this is beautiful?
”
”
Jimmy Santiago Baca
“
Before, as I walked about, either on my hunting, or for viewing the country, the anguish of my soul at my condition would break out upon me on a sudden, and my very heart would die within me, to think of the woods, the mountains, the desarts I was in; and how I was a prisoner, locked up with the eternal bars and bolts of the ocean, in an uninhabited wilderness, without redemption. In the midst of the greatest composures of my mind, this would break out upon me like a storm, and make me wring my hands and weep like a child. Sometimes it would take me in the middle of my work, and I would immediately sit down and sigh, and look upon the ground for an hour or two together; and this was still worse to me; for if I could burst out into tears, or vent my self by words, it would go off, and the grief having exhausted it self would abate.
”
”
Daniel Defoe (Robinson Crusoe)
“
He said, "In the midst of hate, I
found there was, within me, an invincible
love. In the midst of tears, I found there
was, within me, an invincible smile. In the
midst of chaos, I found there was, within me,
an invincible calm. I realized, through it all,
that in the midst of winter, 1 found there
was, within me, an invincible summer. And
that makes me happy. For it says that no
matter how hard the world pushes against
me, within me, there's something stronger-
something better, pushing right back.
”
”
Albert Camus
“
In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her.
”
”
Haruki Murakami (Norwegian Wood)
“
to Sam’s final and complete satisfaction and pure joy, a minstrel of Gondor stood forth, and knelt, and begged leave to sing. And behold! he said:
‘Lo! lords and knights and men of valour unashamed, kings and princes, and fair people of Gondor, and Riders of Rohan, and ye sons of Elrond, and Dúnedain of the North, and Elf and Dwarf, and greathearts of the Shire, and all free folk of the West, now listen to my lay. For I will sing to you of Frodo of the Nine Fingers and the Ring of Doom.’
And when Sam heard that he laughed aloud for sheer delight, and he stood up and cried: ‘O great glory and splendour! And all my wishes have come true!’ And then he wept.
And all the host laughed and wept, and in the midst of their merriment and tears the clear voice of the minstrel rose like silver and gold, and all men were hushed. And he sang to them, now in the elven-tongue, now in the speech of the West, until their hearts, wounded with sweet words, overflowed, and their joy was like swords, and they passed in thought out to regions where pain and delight flow together and tears are the very wine of blessedness.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
In the midst of an enchanted, crystal forest
lies my soul,
beneath a weeping willow
tree.
On the shadowed side of this
mystical haven,
heart beats as thunder warns of a
raging storm!
Yesterday went well in deeds, but
silence
fell upon me...
words could not express these
lonesome thoughts.
I closed my eyes to shut the doors of reality.
Must you always need to understand me;
shan't I keep a bit of mystery for my sake?
These eyes plead,
as I look up to you
for such moments of
peace and tranquility.
Tears have fallen to the earth--
drops that glisten on blades of grass,
even in the dark of night;
stars shine brighter in my sight!
Today, I remember sharing my life
with you;
Vows of love and friendship, forever
spoken;
and now,
I lie alone beneath a
weeping willow tree.
Tommorrow, I shall walk alongside a
never-ending creek.
”
”
monika arnett
“
We were quite naturally unhappy; feeling a definite need, unbearably keen at moments, which was never to be satisfied. But that was recognizable pain, and the sharp pang grew to be almost welcome in the midst of the sultry and opaque life which was not felt, had nothing real in it, and yet swam about us, and choked us and blinded us. All these tears and groans, reproaches and protestations of affection, high talk of duty and work and living for others, were doubtless what we should feel if we felt properly, and yet we had but a dull sense of gloom which could not honestly be referred to the dead; unfortunately it did not quicken our feeling for the living; but hideous as it was, obscured both living and dead; and for long did unpardonable mischief by substituting for the shape of a true and most vivid mother, nothing better than an unlovable phantom.
”
”
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
“
There, on a low bed, the sheet flung back, dressed in a pair of pink one-piece zippyjamas, lay Lenina, fast asleep and so beautiful in the midst of her curls, so touchingly childish with her pink toes and her grave sleeping face, so trustful in the helplessness of her limp hands and melted limbs, that the tears came to his eyes.
”
”
Aldous Huxley (Brave New World)
“
Before, as I walk'd about, either on my Hunting, or for viewing the Country; the Anguish of my soul at my Condition, would break out upon me on a sudden, and my very Heart would die within me, to think of the Woods, the Mountains, the Desarts I was in; and how I was a Prisoner, lock'd up with the Eternal Bars and Bolts of the Ocean, in an uninhabited Wilderness, without Redemption: In the midst of the greatest Composures of my Mind, this would break out upon me like a Storm , and make me wring my Hands, and weep like a Child: Sometimes it would take me in the middle of my Work, and I would immediately sit down and sigh, and look upon the Ground for an Hour or two together; and this was still worse to me; for if I could burst out into Tears, or vent myself by Words, it would go off, and the Grief having exhausted itself would abate.
”
”
Daniel Defoe (Robinson Crusoe)
“
17 For the Lamb Who is in the midst of the throne will feed them, and will lead them to living fountains of waters. And Yahweh will wipe away all tears from their eyes.
”
”
Yisrayl Hawkins (The Book of Yahweh: The Holy Scriptures)
“
St. Thomas Aquinas deeply loved this beautiful chant thus understood. It is told of him that he could not keep back his tears when, during Compline of Lent, he chanted the antiphon: “In the midst of life we are in death: whom do we seek as our helper, but Thou, O Lord, who because of our sins art rightly incensed? Holy God, strong God, holy and merciful Savior, deliver us not up to a bitter death; abandon us not in the time of our old age, when our strength will abandon us.” This beautiful antiphon begs for the grace of final perseverance, the grace of graces, that of the predestined. How it should speak to the heart of the contemplative theologian, who has made a deep study of the tracts on Providence, predestination, and grace!
”
”
Réginald Garrigou-Lagrange (The Three Ages of the Interior Life: Prelude of Eternal Life)
“
The more hurt I felt, the more I blamed the Lord for my pain. As my anger reached an irrational level, I hit one of the lowest points in my life. All of the waiting, disappointment, frustration, faith, hope, prayer, begging, pleading, doctors' visits, and medication seemed futile. God seemed so very far away.
Finally I had it out with God in a yelling, stomping, fist-shaking, tearful fit unlike any I had ever dared before. As a "good Christian" I had never fully admitted to Him, or to myself, just how angry I really was. But He had known the true nature of my heart all along.
I couldn't shock or surprise Him with my temper tantrum. He was big enough to handle all my rage. By confronting Him, I admitted to both of us
exactly how I perceived our relationship. But this didn't drive Him further away; He drew me close. Honesty
”
”
Jennifer Saake (Hannah's Hope: Seeking God's Heart in the Midst of Infertility, Miscarriage, and Adoption Loss)
“
I want you to know that you will not be alone in your loneliness,” he said.
Her tear-filled eyes welled over. “You will be surrounded by your court…and all the beautiful ladies there.”
Rodrigo shook his head. “I’ve never cared about any of them. I shall be lonely for you. Lonely in the midst of a crowd…surrounded by a hundred faces, none of them yours.” He held Rapunzel’s tearful gaze, and tried to swallow the lump in his throat. But he couldn’t. “And as everything and everyone is spinning around me, I shall be thinking of you and longing to be here…” he brushed the backs of his fingers against her wet cheek, “…here in the tower, with my Rapunzel.
”
”
Lisa Valdez (Rapunzel (Erotic Bedtime Stories, #1))
“
Let dry my tears, let me gaze into the truly everlasting gleam in your eyes, knowing that what we hold dear in our hearts will forever illuminate our parting journey from now forward. Each drop that falls bears witness to the bittersweet ache of farewell, as we bid adieu to the warmth of shared moments and the comfort of familiar embraces. Yet, amidst the sorrow, there lies a glimmer of solace in the knowledge that the love we've nurtured will transcend the boundaries of time and distance. As we embark on separate paths, may the radiance of cherished memories serve as guiding stars, lighting our way through the darkness of separation. Though tears may blur our vision momentarily, let them not obscure the beauty of the connection we've forged, nor dampen the flicker of hope that dances in our souls. For even in the midst of goodbyes, our love remains an unwavering beacon, casting its luminous glow upon the road ahead.
”
”
Rolf van der Wind
“
When a soul in sin, under the impetus of grace, turns to God, there is penance; but when a soul in sin refuses to change, God sends chastisement. This chastisement need not be external, and certainly it is never arbitrary; it comes as an inevitable result of breaking God’s moral law. But the entrenched forces of the modern world are irrational, men nowadays do not always interpret disasters as the moral events they are. When calamity strikes the flint of human hearts, sparks of sacred fire are kindled and men will normally begin to make an estimate of their true worth. In previous ages this was usual: a disordered individual could find his way back to peace because he lived in an objective world inspired by Christian order. But the frustrated man of today, having lost his faith in God, living as he does, in a disordered chaotic world, has no beacon to guide him. In times of trouble he sometimes turns in upon himself, like a serpent devouring its own tail. Given such a man, who worships the false trinity of (1) his own pride, which acknowledges no law; (2) his own sensuality, which makes earthly comfort it goal; (3) his license, which interprets liberty as the absences of all restraint and law—then a cancer is created which is impossible to cure except through an operation or calamity unmistakable as God’s action in history. It is always through sweat and blood and tears that the soul is purged of its animal egotism and laid open to the Spirit … Catastrophe can be to a world that has forgotten God what a sickness can be to a sinner; in the midst of it millions might be brought not to a voluntary, but to an enforced crisis. Such a calamity would put an end to Godlessness and make vast numbers of men, who might otherwise lose their souls, turn to God.
”
”
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
“
It was one of those scenes of life and animation, caught in its very brightest and freshest moments, which can scarcely fail to please; for if the eye be tired of show and glare, or the ear be weary with a ceaseless round of noise, the one may repose, turn almost where it will, on eager, happy, and expectant faces, and the other deaden all consciousness of more annoying sounds in those of mirth and exhilaration. Even the sunburnt faces of gypsy children, half naked though they be, suggest a drop of comfort. It is a pleasant thing to see that the sun has been there; to know that the air and light are on them every day; to feel that they are children, and lead children's lives; that if their pillows be damp, it is with the dews of Heaven, and not with tears; that the limbs of their girls are free, and that they are not crippled by distortions, imposing an unnatural and horrible penance upon their sex; that their lives are spent, from day to day, at least among the waving trees, and not in the midst of dreadful engines which make young children old before they know what childhood is, and give them the exhaustion and infirmity of age, without, like age, the privilege to die. God send that old nursery tales were true, and that gypsies stole such children by the score!
”
”
Charles Dickens (Nicholas Nickleby)
“
No follower of Christ knew the shape of the earth. For many centuries this great Peasant of Palestine has been worshiped as God. Millions and millions have given their lives to his service. The wealth of the world was lavished on his shrines.
His name carried consolation to the diseased and dying. His name dispelled the darkness of death, and filled the dungeon with light. His name gave courage to the martyr, and in the midst of fire, with shriveling lips the sufferer uttered it again and again. The outcasts, the deserted, the fallen, felt that Christ was their friend, felt that he knew their sorrows and pitied their sufferings.
All this is true, and if it were all, how beautiful, how touching, how glorious it would be.
But it is not all. There is another side.
In his name millions and millions of men and women have been imprisoned, tortured and killed. In his name millions and millions have been enslaved. In his name the thinkers, the investigators, have been branded as criminals, and his followers have shed the blood of the wisest and best.
In his name the progress of many nations was stayed for a thousand years. In his gospel was found the dogma of eternal pain, and his words added an infinite horror to death. His gospel filled the world with hatred and revenge; made intellectual honesty a crime; made happiness here the road to hell, denounced love as base and bestial, canonized credulity, crowned bigotry and destroyed the liberty of man.
It would have been far better had the New Testament never been written – far better had the theological Christ never lived. Had the writers of the Testament been regarded as uninspired, had Christ been thought of only as a man, had the good been accepted and the absurd, the impossible, and the revengeful thrown away, mankind would have escaped the wars, the tortures, the scaffolds, the dungeons, the agony and tears, the crimes and sorrows of a thousand years.
”
”
Robert G. Ingersoll
“
Villain Foulon taken, my sister! Old Foulon taken, my mother! Miscreant Foulon taken, my daughter! Then, a score of others ran into the midst of these, beating their breasts, tearing their hair, and screaming, Foulon alive! Foulon who told the starving people they might eat grass! Foulon who told my old father that he might eat grass, when I had no bread to give him! Foulon who told my baby it might suck grass, when these breasts were dry with want! O mother of God, this Foulon! O Heaven our suffering! Hear me, my dead baby and my withered father: I swear on my knees, on these stones, to avenge you on Foulon! Husbands, and brothers, and young men, Give us the blood of Foulon, Give us the head of Foulon, Give us the heart of Foulon, Give us the body and soul of Foulon, Rend Foulon to pieces, and dig him into the ground, that grass may grow from him!
”
”
Charles Dickens (A Tale of Two Cities)
“
The devil may, indeed, mar the outside; he may tear and rend the Church, as she has been torn and rent for 1800 years, into all manner of parties and sects; but the Lord's table in our midst, in different sects and denominations it may be, bears testimony to the great truth which you have in the Romans, that "we, being many, are one body.
”
”
Stevenson A. Blackwood
“
What was the human animal in the midst of the siege? An herbivore that crawled on all fours, browsing on dirty grasses. A predator that hunted alone or in packs. A social animal that spoke of noble art and wound violin strings from the guts of dead sheep and pigs. A creature with canine teeth for tearing, but with a tongue for speaking. A mouth that could devour or sing.
”
”
M.T. Anderson (Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad)
“
Ever since black people came to this country we have needed a Moses. There has always been so much water that needs parting. It seems like all black children, from the time we are born, come into the world in the midst of a rushing current that threatens to swallow us whole if we don't heed the many, many warnings we are told to heed. We come into the world as alchemists of the water, bending it, willing it to bear us safe passage and cleanse us along the way, to teach us to move with joy and purpose and to never, ever stop flowing forward into something grand waiting at the other end of the delta. We're a people forever in exodus.
Before Moses there was Abraham, and ever since black people came to this country we have needed an Abraham. We have always been sending each other away -- for our own good, don't you know it -- and calling each other back, finding kinship where a well springs from tears. We are masters of the art of sacrifice; no one is more skilled at laying their greatest beloveds on the altar and feeling certainty even as we feel sorrow. And when we see the ram, we know how to act fast, and prosper, even as the stone knife warms in our hands.
”
”
Eve L. Ewing (Electric Arches)
“
{The resolution of the surviving members of the Eleventh Illinois Cavalry, whom Robert Ingersoll was the commander of, at his funeral quoted here}
Robert G. Ingersoll is dead. The brave soldier, the unswerving patriot, the true friend, and the distinguished colonel of the old regiment of which we have the honor to be a remanent, sleeps his last sleep.
No word of ours, though written in flame, no chaplet that our hands can weave, no testimony that our personal knowledge can bring, will add anything to his fame.
The world honors him as the prince of orators in his generation, as its emancipator from manacles and dogmas; philosophy, for his aid in beating back the ghosts of superstition; and we, in addition to these, for our personal knowledge of him, as a man, a soldier, and a friend.
We know him as the general public did not. We knew him in the military camp, where he reigned an uncrowned king, ruling with that bright scepter of human benevolence which death alone could wrest from his hand.
We had the honor to obey, as we could, his calm but resolute commands at Shiloh, at Corinth, and at Lexington, knowing as we did, that he would never command a man to go where he would not dare to lead the way.
We recognize only a small circle who could know more of his manliness and worth than we do. And to such we say: Look up, if you can, through natural tears; try to be as brave as he was, and try to remember -- in the midst of grief which his greatest wish for life would have been to help you to bear -- that he had no fear of death nor of anything beyond.
”
”
Herman E. Kittredge (Ingersoll: A Biographical Appreciation (1911))
“
From insomnia and as a result of the intense struggle against mounting weakness, something strange is happening to me. In the midst of a lecture, tears suddenly choke me, my eyes begin to itch, and I feel a passionate, hysterical desire to stretch my arms out and complain loudly. I want to cry in a loud voice that fate has sentenced me, a famous man, to capital punishment, and that in six months or so another man will be master of this auditorium. I want to cry out that I've been poisoned; new thoughts such as I have never known before have poisoned the last days of my life and go on stinging my brain like mosquitoes. And at such times my situation seems so terrible that I want all my listeners to be horrified, to jump up from their seats and, in panic fear, rush for the exit with a desperate cry. It is not easy to live through such moments.
”
”
Anton Chekhov (Selected Stories of Anton Chekhov)
“
After his wife died, in great pain C. S. Lewis realized, “If I had really cared, as I thought I did, about the sorrows of the world, I should not have been so overwhelmed when my own sorrow came.”3 Our own suffering is often our wake-up call. But even if you aren’t now facing it, look around and you’ll see many who are.
...
Suffering and evil exert a force that either pushes us away from God or pulls us toward him.
...
Unfortunately, most evangelical churches—whether traditional, liturgical, or emergent—have failed to teach people to think biblically about the realities of evil and suffering. A pastor’s daughter told me, “I was never taught the Christian life was going to be difficult. I’ve discovered it is, and I wasn’t ready.”
...
On the other side of death, the Bible promises that all who know him will fall into the open arms of a holy, loving, and gracious God—the greatest miracle, the answer to the problem of evil and suffering. He promises us an eternal kingdom on the New Earth, where he says of those who come to trust him in this present world of evil and suffering, “They will be his people, and God himself will be with them and be their God. He will wipe every tear from their eyes. There will be no more death or mourning or crying or pain” (Revelation 21:3–4)
”
”
Randy Alcorn (If God Is Good: Faith in the Midst of Suffering and Evil)
“
The Father said no, despite the unfathomable love He had for His Son, because He knew He could not spare His Son and save a world. Likewise, the Lord cannot always spare you and your family and complete His redemptive work in those around you. Are you willing for God to deny your pleadings? Will you intercede with the Father so deeply and intimately that even in the midst of your tears you are able to say, “Nevertheless, not my will but thine be done”?
”
”
Henry T. Blackaby (Experiencing God Day By Day)
“
I wish I could manage to be glad!” the Queen said. “Only I never can remember the rule. You must be very happy, living in this wood, and being glad whenever you like!” “Only it is so very lonely here!” Alice said in a melancholy voice; and at the thought of her loneliness two large tears came rolling down her cheeks. “Oh, don’t go on like that!” cried the poor Queen, wringing her hands in despair. “Consider what a great girl you are. Consider what a long way you’ve come to-day. Consider what o’clock it is. Consider anything, only don’t cry!” Alice could not help laughing at this, even in the midst of her tears. “Can you keep from crying by considering things?” she asked. “That’s the way it’s done,” the Queen said with great decision: “nobody can do two things at once, you know. Let’s consider your age to begin with—how old are you?” “I’m seven and a half exactly.” “You needn’t say ‘exactually,’” the Queen remarked: “I can believe it without that. Now I’ll give you something to believe. I’m just one hundred and one, five months and a day.” “I can’t believe that!” said Alice. “Can’t you?” the Queen said in a pitying tone. “Try again: draw a long breath, and shut your eyes.” Alice laughed. “There’s no use trying,” she said: “one can’t believe impossible things.” “I daresay you haven’t had much practice,” said the Queen. “When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast.
”
”
Lewis Carroll (Through the Looking-Glass)
“
Before He called me forth from the grave, Jesus wept. His was not the loud, frantic keening of the women who mourned outside my tomb. His was a sigh and a groan and a single salty tear. It was, at first, almost imperceptible, even to those standing closest to Him.
But His sigh shook the universe, and the place where I was quaked. I stood in the midst of those who watched and waited for all things to be set right.
Jesus groaned, and the heads of angels and saints turned to look down upon the earth in wonder.
His tear trickled down his cheek, and a spring burst forth at my feet. Pure, clear water spilled from its banks and flowed down a mountainside, leaving a myriad of new stars, like flowers, blooming and rising in its wake.
I remember thinking, On a clear night, constellations above the earth reflect on the still surface of the sea. But here? Only one of Jesus’ tears contains a galaxy.
My eternal companions and I listened. We heard His voice echo from Bethany across the universe! He commanded, “Roll away the stone!”
We all waited in anticipation for the next word from His lips.
Then Jesus spoke my name: “Lazarus!”
Surely He could not mean me, I thought. But all the same, I whispered, “Here I am, Lord.”
Centuries have come and gone since His holy sob ripped me loose from timeless conversation with the ageless ones. Ten thousand, thousand scholars and saints have asked, “Why? What made the King of Heaven bow His head and cover His eyes and spill holy tears onto the earth? Why? Why did Jesus weep?
”
”
Bodie Thoene (When Jesus Wept (The Jerusalem Chronicles #1))
“
THE ANTHEM OF HOPE
Tiny footprints in mud, metal scraps among thistles
Child who ambles barefooted through humanity’s war
An Elderflower in mud, landmines hidden in bristles
Blood clings to your feet, your wee hands stiff and sore
You who walk among trenches, midst our filth and our gore
Box of crayons in hand, your tears tumble like crystals
Gentle, scared little boy, at the heel of Hope Valley,
The grassy heel of Hope Valley.
And the bombs fall-fall-fall
Down the slopes of Hope Valley
Bayonets cut-cut-cut
Through the ranks of Hope Valley
Napalm clouds burn-burn-burn
All who fight in Hope Valley,
All who fall in Hope Valley.
Bullets fly past your shoulder, fireflies light the sky
Child who digs through the trenches for his long sleeping father
You plant a kiss on his forehead, and you whisper goodbye
Vain corpses, brave soldiers, offered as cannon fodder
Nothing is left but a wall; near its pallor you gather
Crayon ready, you draw: the memory of a lie
Kind, sad little boy, sketching your dream of Hope Valley
Your little dream of Hope Valley.
Missiles fly-fly-fly
Over the fields of Hope Valley
Carabines shoot-shoot-shoot
The brave souls of Hope Valley
And the tanks shell-shell-shell
Those who toiled for Hope Valley,
Those who died for Hope Valley.
In the light of gunfire, the little child draws the valley
Every trench is a creek; every bloodstain a flower
No battlefield, but a garden with large fields ripe with barley
Ideations of peace in his dark, final hour
And so the child drew his future, on the wall of that tower
Memories of times past; your tiny village lush alley
Great, brave little boy, the future hope of Hope Valley
The only hope of Hope Valley.
And the grass grows-grows-grows
On the knolls of Hope Valley
Daffodils bloom-bloom-bloom
Across the hills of Hope Valley
The midday sun shines-shines-shines
On the folk of Hope Valley
On the dead of Hope Valley
From his Aerodyne fleet
The soldier faces the carnage
Uttering words to the fallen
He commends their great courage
Across a wrecked, tower wall
A child’s hand limns the valley
And this drawing speaks volumes
Words of hope, not of bally
He wipes his tears and marvels
The miracle of Hope Valley
The only miracle of Hope Valley
And the grass grows-grows-grows
Midst all the dead of Hope Valley
Daffodils bloom-bloom-bloom
For all the dead of Hope Valley
The evening sun sets-sets-sets
On the miracle of Hope Valley
The only miracle of Hope Valley
(lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".
”
”
Louise Blackwick (5 Stars)
“
In the midst of her bereavement, Elizabeth found comfort in a heartfelt, compassionate letter from Mrs. Lincoln and from the gentle kindness of Virginia, Walker, and Emma, whose eyes brimmed with tears when she told Elizabeth she wished she would have known her fine, heroic soldier. For a brief moment, Elizabeth allowed herself to imagine George and Emma meeting, falling in love, marrying, raising children—but then she banished such thoughts forever. He had died a free man. That much, at least, she had done for her son.
”
”
Jennifer Chiaverini (Mrs. Lincoln's Dressmaker)
“
Beyng, as the most unique and most rare, in opposition to nothingness, will have withdrawn itself from the massiveness of beings, and all history—where it reaches down to its proper essence—will serve only this withdrawal of being into its full truth. Yet the successes and failures of everything public will swarm and follow closely one upon the other, whereby, typical of that which is public, nothing will be surmised of what is actually happening. It is only between this reigning of the massive and the genuinely sacrificed that the few and their allies will seek and find one another in order to surmise that something concealed—namely, that passing by—is happening to them in the midst of all the tearing away of every “happening” into what is of high speed yet at the same time completely graspable and thoroughly consumable. The perverting and confusing of the claims and of their domains will no longer be possible, because the truth of beyng itself, in the sharpest falling apart of the fissure of beyng, has brought the essential possibilities to decision. This historical moment is not an “ideal situation,” because the latter will always be incompatible with the essence of history. Instead, this moment is the eventuation of that turning in which the truth of beyng comes to the beyng of truth, since the god needs beyng and since the human being, as Da-sein, must have grounded the belonging to beyng. Beyng as the innermost “between” is then akin to nothingness for this moment; the god overpowers the human being, and the latter surpasses the god—immediately, so to speak. Yet both are only in the event, and the truth of beyng itself is as this event. Nevertheless, a long, often relapsing, and very concealed history will transpire up to this incalculable moment which of course could never be as superficial as a “goal.” The creative ones, in the restraint of care, must already prepare themselves hourly for stewardship in the time-space of that passing by. Thoughtful meditation on this that is unique (namely, the truth of beyng) can only be a path on which what is unable to be thought in advance is nevertheless thought, i.e., a path on which there begins the transformation of the relation of the human being to the truth of beyng.
”
”
Martin Heidegger (Contributions to Philosophy: (Of the Event) (Studies in Continental Thought))
“
The happiness which brings enduring worth to life is not the superficial happiness that is dependent on circumstances. It is the happiness and contentment that fills the soul even in the midst of the most distressing circumstances and the most bitter environment. It is the kind of happiness that grins when things go wrong and smiles through the tears. The happiness for which our souls ache is one undisturbed by success or failure, one which will root deeply inside us and give inward relaxation, peace, and contentment, no matter what the surface problems may be. That kind of happiness stands in need of no outward stimulus.—Billy Graham
”
”
Tommy Newberry (The 4:8 Principle: The Secret to a Joy-Filled Life)
“
So that no one may be deceived into supposing that there is any time, any place when anger will be of benefit, its unbridled and deranged madness must be revealed, and it must have restored to it the equipment that is its very own—the horse of torture, the cord, the gaol, the cross, the fires that encircle live bodies buried in the ground, the hook that drags along corpses as well, the different kinds of chains and of punishments, the tearing of limbs, branding of the forehead, the pits where monstrous beasts prowl: let anger be set in the midst of these implements, uttering a terrible and horrible shriek, more loathsome than all these instruments that let it vent its fury.
”
”
Seneca (Dialogues and Essays)
“
The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground.
For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels.
This then was Qawwali, the ecastatic ritual of the Persian Sufis.
”
”
Khwaja Ahmad Abbas (Inqilab)
“
Before he called me forth from the grave, Jesus wept. His was not the loud, frantic keening of the women who mourned outside my tomb. His was a sigh and a groan and a single salty tear. It was, at first, almost imperceptible, even to those standing closest to him. But his sigh shook the universe, and the place where I was quaked. I stood in the midst of those who watched and waited for all things to be set right. Jesus groaned, and the heads of angels and saints turned to look down upon the earth in wonder. His tear trickled down his cheek, and a spring burst forth at my feet. Pure, clear water spilled from its banks and flowed down a mountainside, leaving a myriad of new stars, like flowers, blooming and rising in its wake.
”
”
Brock Thoene (When Jesus Wept (The Jerusalem Chronicles, #1))
“
I need to tell about my people in their grief. I don’t think grief is something they get over or get away from. In a little community like this it is around us and in us all the time, and we know it. We know that every night, war or no war, there are people lying awake grieving, and every morning there are people waking up to absences that never will be filled. But we shut our mouths and go ahead. How we are is “Fine.” There are always a few who will recite their complaints, but the proper answer to “How are you?” is “Fine.” The thing you have most dreaded has happened at last. The worst thing you might have expected has happened, and you didn’t expect it. You have grown old and ill, and most of those you have loved are dead or gone away. Even so: “How’re you?” “Fine. How’re you?” “Fine.” There is always some shame and fear in this, I think, shame for the terrible selfishness and loneliness of grief, and fear of the difference between your grief and anybody else’s. But this is a kind of courtesy too and a kind of honesty, an unwillingness to act as if loss and grief and suffering are extraordinary. And there is something else: an honoring of the solitude in which the grief you have to bear will have to be borne. Should you fall on your neighbor’s shoulder and weep in the midst of work? Should you go to the store with tears on your face? No. You are fine. And yet the comfort somehow gets passed around: a few words that are never forgotten, a note in the mail, a look, a touch, a pat, a hug, a kind of waiting with, a kind of standing by, to the end. Once in a while we hear it sung out in a hymn, when every throat seems suddenly widened with love and a common longing: In the sweet by and by, We shall meet on that beautiful shore. We all know what that beautiful shore is. It is Port William with all its loved ones come home alive. My life
”
”
Wendell Berry (Hannah Coulter)
“
There were more dead in the courtyard, piled deeper around the steps to the
hall, bodies twisted together, hacked and mutilated. And on the steps in the midst
of it all sat a woman. She was gore-drenched, red with blood from her head to
her boots, a long-axe lying across her lap. An ugly creature was perched upon
her shoulder, with a nasty-looking sting on its tail, and another vaesen sat on the
steps before the woman. It was small, with sharp claws and a half-spear in its
tiny, slim-fingered hand. A tennúr. It had a mound of what looked like bloodcovered nuts piled at its feet and was crunching on one of them as it looked at
Varg. A shiver of revulsion passed through Varg as he realised they weren’t
nuts: they were human teeth. And he didn’t like the way the tennúr’s gaze fixed
for a long moment upon his own mouth. The two vaesen regarded Glornir and
the Bloodsworn with suspicious, violent eyes.
Sitting around the woman’s legs were children, maybe twelve or fifteen of
them. They were the only things in the area not spattered in blood. They didn’t
seem to be scared of the woman, which Varg found strange, as his blood was
tingling, and he felt the ripples of fear and danger pulsing off her. If he had
hackles like Edel’s wolfhounds, they would have been standing stiff and straight.
Ahead of him Varg heard Glornir gasp a breath.
The woman looked up at them as they approached, her eyes fixing on
Glornir. Varg saw recognition dawn in them.
“He’s not here,” the woman said, shaking her head, “he’s not here.” The pain
in her voice was palpable. Tears had streaked clean lines through the blood and
gore and fragments of bone that were thick on her cheeks.
Glornir reined in his horse and slipped from his saddle, then walked a few
steps towards her and stopped.
“Orka Skullsplitter,” he whispered.
The woman stood.
“My brother?” Glornir asked.
“They killed him and took my son,” she said, fresh tears rolling down her
cheeks.
Glornir walked up to her and spread his arms wide, pulling her into an
embrace.
”
”
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
“
Trail of Tears, “these forced migrations” whose “fearful evils…are impossible to imagine…. I have witnessed evils,” Tocqueville admits a couple of paragraphs later, “I would find it impossible to relate.”* Regarding the plight of Indians in the United States, words practically fail Tocqueville. As for black people, they seem less fated for extinction than Native Americans, but their situation is nevertheless dire: black people, enslaved or free, “only constitute an unhappy remnant, a poor little wandering tribe, lost in the midst of an immense nation which owns all the land.” Such an assessment seems strange, if not ridiculous, to the twenty-first-century ear, since “this poor little wandering tribe” comprised more than two million people, more than 18 percent of the total population. Tocqueville very clearly realizes that slavery damages southern white people as well as the southern economy. Because of slavery, southern white people’s customs and character compare poorly with those of other Americans.
”
”
Nell Irvin Painter (The History of White People)
“
ONCE it smiled a silent dell Where the people did not dwell; They had gone unto the wars, Trusting to the mild-eyed stars, Nightly, from their azure towers, To keep watch above the flowers, In the midst of which all day The red sunlight lazily lay. Now each visitor shall confess The sad valley’s restlessness. Nothing there is motionless— Nothing save the airs that brood Over the magic solitude. Ah, by no wind are stirred those trees That palpitate like the chill seas Around the misty Hebrides! Ah, by no wind those clouds are driven That rustle through the unquiet Heaven Unceasingly, from morn till even, Over the violets there that lie In myriad types of the human eye— Over the lilies there that wave And weep above a nameless grave! They wave:—from out their fragrant tops Eternal dews come down in drops. They weep:—from off their delicate stems Perennial tears descend in gems.
”
”
Edgar Allan Poe (The Poems of Edgar Allan Poe)
“
He hunched over, the pain already almost too much to bear. In the midst of it, a question seemed to whisper through his soul, gently but firmly, asking him who was more important to him—Kyrin or Elôm? He choked down a sob that lodged in his throat with the rising flood of pain. How could he answer that question? He shook his head, but after the initial wave of grief, quietness followed, and he straightened up again, swiping away the tears with his gloves. More threatened, but he looked up at the sky. “I tried to save Kyrin myself and almost went against everything I believe. I doubted You, Lord, and forgot my faith. I never want to do that again.” A couple more tears made their escape. “Kyrin is Yours. I love her more than anything in this world, but You love her even more. If You want to take her… I know, even if I don’t understand, that it’s best. I couldn’t survive it on my own, but if that’s what You want of me, then I know You’ll give me the strength I don’t have.” The grief descended again, and Jace let it course through him, spilling out in his tears and heaving breaths as he surrendered entirely to Elôm’s will.
”
”
Jaye L. Knight (Bitter Winter (Ilyon Chronicles, #5))
“
Unfortunately, the Hospital Fund Raising Committee, to which Elizabeth was assigned, spent most of its time mired down in petty trivialities and rarely made a decision on anything. In a fit of bored frustration, Elizabeth finally asked Ian to step into their drawing room one day, while the committee was meeting there, and to give them the benefit of his expertise. “And,” she laughingly warned him in the privacy of his study when he agreed to join them, “no matter how they prose on about every tiny, meaningless expenditure-which they will-promise me you won’t point out to them that you could build six hospitals with less effort and time.”
“Could I do that?” he asked, grinning.
“Absolutely!” She sighed. “Between them, they must have half the money in Europe, yet they debate about every shilling to be spent as if it were coming out of their own reticules and likely to send them to debtors’ gaol.”
“If they offend your thrifty sensibilities, they must be a rare group,” Ian teased. Elizabeth gave him a distracted smile, but when they neared the drawing room, where the committee was drinking tea in Ian’s priceless Sevres china cups, she turned to him and added hastily, “Oh, and don’t comment on Lady Wiltshire’s blue hat.”
“Why not?”
“Because it’s her hair.”
“I wouldn’t do such a thing,” he protested, grinning at her.
“Yes, you would!” she whispered, trying to frown and chuckling instead. “The dowager duchess told me that, last night, you complimented the furry dog Lady Shirley had draped over her arm.”
“Madam, I was following your specific instructions to be nice to the eccentric old harridan. Why shouldn’t I have complimented her dog?”
“Because it was a new fur muff of a rare sort, of which she was extravagantly proud.”
“There is no fur on earth that mangy, Elizabeth,” he replied with an impenitent grin. “She’s hoaxing the lot of you,” he added seriously.
Elizabeth swallowed a startled laugh and said with an imploring look, “Promise me you’ll be very nice, and very patient with the committee.”
“I promise,” he said gravely, but when she reached for the door handle and opened the door-when it was too late to step back and yank it closed-he leaned close to her ear and whispered, “Did you know a camel is the only animal invented by a committee, which is why it turned out the way it has?”
If the committee was surprised to see the formerly curt and irascible Marquess of Kensington stroll into their midst wearing a beatific smile worth of a choir boy, they were doubtlessly shocked to see his wife’s hands clamped over her face and her eyes tearing with mirth.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
HOW DO THEY RECEIVE ME? They call me “little girl,” “dear daughter,” “dear child.” Probably if I was of their generation they would behave differently with me. Calmly and as equals. Without joy and amazement, which are the gifts of the meeting between youth and age. It is a very important point, that then they were young and now, as they remember, they are old. They remember across their life—across forty years. They open their world to me cautiously, to spare me: “I got married right after the war. I hid behind my husband. Behind the humdrum, behind baby diapers. I wanted to hide. My mother also begged: ‘Be quiet! Be quiet! Don’t tell.’ I fulfilled my duty to the Motherland, but it makes me sad that I was there. That I know about it…And you are very young. I feel sorry for you…” I often see how they sit and listen to themselves. To the sound of their own soul. They check it against the words. After long years a person understands that this was life, but now it’s time to resign yourself and get ready to go. You don’t want to, and it’s too bad to vanish just like that. Casually. In passing. And when you look back you feel a wish not only to tell about your life, but also to fathom the mystery of life itself. To answer your own question: Why did all this happen to me? You gaze at everything with a parting and slightly sorrowful look…Almost from the other side…No longer any need to deceive anyone or yourself. It’s already clear to you that without the thought of death it is impossible to make out anything in a human being. Its mystery hangs over everything. War is an all too intimate experience. And as boundless as human life… Once a woman (a pilot) refused to meet with me. She explained on the phone: “I can’t…I don’t want to remember. I spent three years at war…And for three years I didn’t feel myself a woman. My organism was dead. I had no periods, almost no woman’s desires. And I was beautiful…When my future husband proposed to me…that was already in Berlin, by the Reichstag…He said: ‘The war’s over. We’re still alive. We’re lucky. Let’s get married.’ I wanted to cry. To shout. To hit him! What do you mean, married? Now? In the midst of all this—married? In the midst of black soot and black bricks…Look at me…Look how I am! Begin by making me a woman: give me flowers, court me, say beautiful words. I want it so much! I wait for it! I almost hit him…I was about to…He had one cheek burned, purple, and I see: he understood everything, tears are running down that cheek. On the still-fresh scars…And I myself can’t believe I’m saying to him: ‘Yes, I’ll marry you.’ “Forgive me…I can’t…” I understood her.
”
”
Svetlana Alexievich (War's Unwomanly Face)
“
As soon as my father’s car turned into our driveway, I ran out and told him of the unpleasant future that awaited him, forever. He let out a hearty laugh. I started to cry. Once my father saw my tears, he sat down with me and said, “Firoozeh, when the Prophet Muhammad forbade ham, it was because people did not know how to cook it properly and many people became sick as a result of eating it. The Prophet, who was a kind and gentle man, wanted to protect people from harm, so he did what made sense at the time. But now, people know how to prepare ham safely, so if the Prophet were alive today, he would change that rule.” He continued, “It’s not what we eat or don’t eat that makes us good people; it’s how we treat one another. As you grow older, you’ll find that people of every religion think they’re the best, but that’s not true. There are good and bad people in every religion. Just because someone is Muslim, Jewish, or Christian doesn’t mean a thing. You have to look and see what’s in their hearts. That’s the only thing that matters, and that’s the only detail God cares about.” I was six years old and I knew that I had just been made privy to something very big and important, something far larger than the jewels in the Shah’s crown, something larger than my little life in Abadan. My father’s words felt scandalous, yet utterly and completely true. In the midst of my thoughtfulness, I heard my father continue, “And when you’re older, Firoozeh, I’ll have you try something really delicious: grilled lobster.
”
”
Firoozeh Dumas (Funny In Farsi: A Memoir Of Growing Up Iranian In America)
“
God took His time to carve out the perfect place, Sam remembered her grandma always saying.
Indeed, the hilltop was akin to a real cherry on top of a stunningly picturesque sundae. Bayview Point was home to two of northern Michigan's most popular orchards and tourist stops: Very Cherry Orchards and her family's Orchard and Pie Pantry. The first half of the hill was dense with rows of tart cherry trees, and the limbs of the small, bushy trees were bursting with cherries, red arms waving at Sam as if to greet her home.
In the spring, these trees were filled with white blossoms that slowly turned as pink as a perfect rosé, their beauty so tender that it used to make Sam's heart ache when she would run through the orchards as part of her high school cross-country training.
Often, when Sam ran, the spring winds would tear at the tender flowers and make it look as though it were snowing in the midst of a beautiful warm day.
Like every good native, Sam knew cherries had a long history in northern Michigan. French settlers had cherry trees in their gardens, and a missionary planted the very first cherry trees on Old Mission Peninsula.
Very Cherry Orchards grew nearly 100 acres of Montmorency tart cherries in addition to Balaton cherries, black sweet cherries, plums, and nectarines. They sold their fruit to U-Pickers as well as large companies that made pies, but they had also become famous for their tart cherry juice concentrate, now sold at grocery and health food stores across the United States. People loved it for its natural health benefits, rich in antioxidants.
”
”
Viola Shipman (The Recipe Box)
“
Epilogue "It's a girl!" "A what?" Michael stared in shock at the midwife, who had just left his wife's chambers. "A girl, Your Grace," the woman replied nervously, perhaps worried that he would order Isabella's head cut off for not producing a male heir. A girl, Michael thought in wonder. Not for a moment had he thought his child would be a girl. For the past one hundred years, only males had been born into the Blackmore line, and he hadn't expected his offspring to be any different. "I must see them at once." Michael stood abruptly, causing the small, rotund midwife to jump with nerves. "Yes, Your Grace." She bowed fearfully—and unnecessarily, for he was only a Duke—and gestured for him to follow her into his wife's rooms. In a few long strides, he was inside Isabella's inner sanctum and rushing to the bed, where his wife lay as serene and calm as though she had merely taken a walk . "Isabella?" he croaked, tears in his eyes. "Oh, don't be so dramatic, darling!" Isabella replied with a gentle smile. "I'm perfectly all right, and so is the baby. One of the nurses shall bring her back in a minute; they're just bathing her." As though her words had been a command, the door to the antechamber opened and a second—more cheerful—midwife emerged with an armful of blankets. "Here she is, Your Grace," she said, shoving the bundle of blankets into his arms. "What, where?" the Duke asked in confusion, before looking down at the white blankets, light as a feather, that he held. There, in the midst of all the material and swaddled tight, was the face of the tiniest baby he had ever seen. "She's very small," he said in confusion to Isabella, who merely smiled. "Should she be this small?" "Actually, she's quite big," the midwife interjected, her face a picture of amusement at Michael's helpless expression. "What do you think?" Isabella asked softly, leaning over his shoulder to stare down at the baby. "I-I-I" Michael stuttered, completely overwhelmed. "You love her that much already?" Isabella teased . Unable to respond, Michael merely nodded, knowing that he probably appeared cold to the watching midwife. But his wife knew the truth, and she understood that sometimes a man didn't need words to express how much love was in his heart. And one day, his daughter would understand too.
”
”
Claudia Stone (Proposing to a Duke (Regency Black Hearts #1))
“
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
”
”
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
“
Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss.
Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her.
She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality— you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible.
“Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him.
Let her, Gregori persuaded softly. Look at him.
Jacques’ gaze was fastened on the woman’s face, the red flames receding from his eyes as she approached.
“I’m Raven, Jacques. Don’t you remember me? Mikhail, your brother, is my lifemate.” Raven dropped to her knees beside the couple. “Thank God you’re alive. I can’t believe how lucky we are. Who did this to you? Who took you from us?”
Shea felt the ripple of awareness in her mind. Jacques’ shock. His curiosity. He recognized those tear-filled blue eyes. Shea caught a glimpse, a fragment of memory, the woman bending over him, her hands clamped to his throat, pressing soil and saliva into a pumping wound. Shea held her breath, waiting. Jacques’ silent cry of despair echoed in her head. She forced herself to move, found his hand with hers, silently supporting him as she regarded the woman kneeling beside her.
You didn’t tell me she was so beautiful, Shea reprimanded deliberately.
In the midst of Jacques’ pain and agony, his possessive fury and maniacal madness, something seemed to melt the ice-cold core of murderous resolve. The urge to smile at that feminine, edgy tone came out of nowhere. Something snarling to be set free retreated, and the tension in him eased visibly. Is she? Jacques asked innocently.
Shea’s green eyes touched his face, and warmth spread further inside him. And the beast was temporarily leashed.
“Is this your lifemate, Jacques?” Raven asked softly.
Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.”
Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely.
“Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
I gave humble and hearty thanks that God had been pleased to discover to me even that it was possible I might be more happy in this solitary condition, than I should have been in a liberty of society, and in all the pleasures of the world; that He could fully make up to me the deficiencies of my solitary state, and the want of human society, by His presence, and the communications of His grace to my soul, supporting, comforting, and encouraging me to depend upon His providence here, and hope for His eternal presence hereafter.
It was now that I began sensibly to feel how much more happy this life I now led was, with all its miserable circumstances, than the wicked, cursed, abominable life I led all the past part of my days. And now I changed both my sorrows and my joys; my very desires altered, my affections changed their gusts, and my delights were perfectly new from what they were at my first coming, or indeed for the two years past.
Before, as I walked about, either on my hunting, or for viewing the country, the anguish of my soul at my condition would break out upon me on a sudden, and my very heart would die within me, to think of the woods, the mountains, the deserts I was in, and how I was a prisoner, locked up with the eternal bars and bolts of the ocean, in an uninhabited wilderness, without redemption. In the midst of the greatest composures of my mind, this would break out upon me like a storm, and make me wring my hands, and weep like a child. Sometimes it would take me in the middle of my work, and I would immediately sit down and sigh, and look upon the ground for an hour or two together; and this was still worse to me, for if I could burst out into tears, or vent myself by words, it would go off, and the grief, having exhausted itself, would abate.
But now I began to exercise myself with new thoughts. I daily read the Word of God, and applied all the comforts of it to my present state. One morning, being very sad, I opened the Bible upon these words, "I will never, never leave thee, nor forsake thee." Immediately it occurred that these words were to me; why else should they be directed in such a manner, just as the moment when I was mourning over my condition, as one forsaken of God and man? "Well, then," said I, "if God does not forsake me, of what ill consequence can it be, or what matters it, though the world should all forsake me, seeing on the other hand if I had all the world, and should lose the favor and blessing of God, there would be no comparison in the loss?"
From that moment I began to conclude in my mind that it was possible for me to be more happy in this forsaken solitary condition, than it was probable I should ever have been in any other particular state in the world, and with this thought I was going to give thanks to God for bringing me to this place.
”
”
Daniel Defoe (Robinson Crusoe)
“
Once a woman (a pilot) refused to meet with me. She explained on the phone: “I can’t… I don’t want to remember. I spent three years at war… And for three years I didn’t feel myself a woman. My organism was dead. I had no periods, almost no woman’s desires. And I was beautiful… When my future husband proposed to me… that was already in Berlin, by the Reichstag… He said: ‘The war’s over. We’re still alive. We’re lucky. Let’s get married.’ I wanted to cry. To shout. To hit him! What do you mean, married? Now? In the midst of all this—married? In the midst of black soot and black bricks… Look at me… Look how I am! Begin by making me a woman: give me flowers, court me, say beautiful words. I want it so much! I wait for it! I almost hit him… I was about to… He had one cheek burned, purple, and I see: he understood everything, tears are running down that cheek. On the still-fresh scars… And I myself can’t believe I’m saying to him: ‘Yes, I’ll marry you.
”
”
Svetlana Alexievich (The Unwomanly Face of War: An Oral History of Women in World War II)
“
The anguish of losing a child pollutes every close relationship. It seeks to destroy our ties to our spouses, to our remaining children, to our parents, to cherished friends, to everyone close to us. Each tie is torn to shreds and brutally examined under a high-powered microscope before it can be pieced back together. In some cases, the pieces will never again mesh and the bond will break. Those relationships that survive will be forever changed because we are changed. We are never the same people we were before the death. The person we become has to learn anew to love and live with those we loved and lived with before, or perhaps to go a separate way. The death becomes a giant black hole in our midst. Barbara
”
”
Ellen Mitchell (Beyond Tears: Living After Losing a Child)
“
What I mean is, that the real gladness of life is not in these great occasions of pleasure, but in the little side delights that come in the midst of one’s work, don’t they, papa? Why is it worth while to go and search for a day’s pleasuring?” “Ethel, my child! I don’t like to hear you talk so,” said Dr. May, looking anxiously at her. “It may be too true, but it is not youthful nor hopeful. It is not as your mother or I felt in our young days, when a treat was a treat to us, and gladdened our hearts long before and after. I am afraid you have been too much saddened with loss and care—” “Oh, no, papa!” said Ethel, rousing herself, though speaking huskily. “You know I am your merry Ethel. You know I can be happy enough—only at home—” And Ethel, though she had tried to be cheerful, leaned against his arm, and shed a few tears. “The fact is, she is tired out,” said Dr. May soothingly, yet half laughing. “She is not a beauty or a grace, and she is thoughtful and quiet, and so she moralises, instead of enjoying, as the world goes by. I dare say a night’s rest will make all the difference in the world.
”
”
Charlotte Mary Yonge (The Daisy chain, or Aspirations)
“
Behold the cause of the destruction of the many souls who daily perish ! St. Bernard said with tears that there was hardly one ship out of ten lost on the sea, but on the ocean of life there is hardly one soul saved out of ten. Who, then, will not tremble in the midst of so many perils?
”
”
Louis of Granada (The Sinner's Guide)
“
In the midst of that suffering, pro-lifers have spent decades working to help women of all races and all social classes, in all types of difficult situations, encouraging them and supporting them so they can avoid abortion and choose life for their unborn children. They do this important work often without praise, yet at every turn they face harsh opposition from abortion businesses and abortion-rights activists, whose hatred of pregnancy-resource centers can be explained only by the reality that they are pro-abortion, not pro-choice.
”
”
Ryan T. Anderson (Tearing Us Apart: How Abortion Harms Everything and Solves Nothing)
“
He said, "In the midst of hate, I found there was, within me, an invincible love. In the midst of tears, I found there was, within me, an invincible smile. In the midst of chaos, I found there was, within me, an invincible calm. I realized, through it all, that in the midst of winter, I found there was, within me, an invincible summer. And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there's something stronger something better, pushing right back.
”
”
Albert Camus
“
from around the precious plants. The fresh air was exhilarating and John’s aunt chatted merrily about times gone by and what Italy had been like when she and John’s mother were children. ‘But that was before the war,’ she sighed. ‘It is far behind us.’ As Mary Anne pulled Mathilda’s blanket a little higher around the cherry-pink face, a thought occurred to her. ‘I think I have something that used to belong to your sister – perhaps to you too.’ ‘Oh?’ Maria eyed her quizzically. ‘Yes,’ said Mary Anne, and went on to tell her about the time John had come to borrow money against a silver crucifix that she’d guessed had belonged to his mother. ‘He’d wanted the money for Daw’s engagement and wedding ring. I gave him the money but never sold the cross on. I couldn’t do it somehow. I kept thinking that one day he might want it back.’ ‘You have this?’ said Maria, her eyes shining. ‘You remember it?’ Maria clapped her hands together. ‘Of course I do!’ ‘Michael found it in the ruins of the pawn shop. I still have it.’ She turned and looked with gratitude into Maria’s dark eyes. ‘You’ve been so kind to me. You must have it back.’ Maria’s eyes brimmed with tears. ‘It is a pleasure. I cannot thank you enough.’ They sat on a park bench. Mathilda was sitting up, observing everything with unusual interest. ‘She’s a lovely child,’ said Maria. Mary Anne murmured a reply. Her eyes were elsewhere, her attention caught by a man in a trench coat walking along the path at the side of the bowling green. She fancied he had been staring at them. 19 Lizzie and the wing commander had been travelling between airfields, ‘co-ordinating events’ as Hunter liked to call it, when he’d spotted a dog fight in the distance. Streaks of white vapour trail criss-crossed the sky as the Messerschmitt and the Spitfire locked horns above the English countryside. In their midst was a low-flying bomber, the bone of contention between the two. Hunter got out a pair of binoculars. Lizzie shaded her eyes with her hand. ‘They’re chasing the bomber.’ ‘Correction,’ Hunter said slowly. ‘The Spitfire is chasing the
”
”
Lizzie Lane (A Wartime Family (Mary Anne Randall #2))
“
In the midst of silence Lyra stood by Lanre’s body and spoke his name. Her voice was a commandment. Her voice was steel and stone. Her voice told him to live again. But Lanre lay motionless and dead. In the midst of fear Lyra knelt by Lanre’s body and breathed his name. Her voice was a beckoning. Her voice was love and longing. Her voice called him to live again. But Lanre lay cold and dead. In the midst of despair Lyra fell across Lanre’s body and wept his name. Her voice was a whisper. Her voice was echo and emptiness. Her voice begged him to live again. But Lanre lay breathless and dead. Lanre was dead. Lyra wept brokenly and touched his face with trembling hands. All around men turned their heads, because the bloody field was less horrible to look upon than Lyra’s grief. But Lanre heard her calling. Lanre turned at the sound of her voice and came to her. From beyond the doors of death Lanre returned. He spoke her name and took Lyra in his arms to comfort her. He opened his eyes and did his best to wipe away her tears with shaking hands. And then he drew a deep and living breath.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
In the midst of the looming threat that covered and shook our
being, Safiya’s plea continued with a wrath pulled at my shoulders,
her eyes brimming with tears. But I, unmoved, recognized this choice
before me. It could have been bullets that awaited me, and yes, it could
mean the end of my story. Yet, to trade my life for the silence and give
up this music? It was a trade I refused to make.
”
”
Miramoon
“
process. There was so much more happening in the world, so many forces of greed pushing love to the side, and so many hidden agendas. Currently, people were both hurt and hurting others. Scars were still being made. Tears were still spilling over. Disappointments were still drowning hearts. Pain was still active. Within it all, however, God had a plan that ended in victory. Even though God had a plan to wipe away every tear, remove every scar and replace the ashes of a burnt-out life with a beautiful eternity, he also understood his future plans and promises meant precious little to those who were in the midst of suffering.
”
”
Mick Mooney (God's Grammar)
“
Healing Scriptures My son, attend to my words; incline thine ear unto my sayings. Let them not depart from thine eyes; keep them in the midst of thine heart. For they are life unto those that find them, and health to all their flesh. Proverbs 4:20-22 Behold, I will bring health and cure, and I will heal them, and will reveal unto them the abundance of peace and truth. Jeremiah 33:6 …Thus saith the Lord, the God of David thy father, I have heard thy prayer, I have seen thy tears: behold, I will heal thee. 2 Kings 20:5 Be not wise in thine own eyes: fear the Lord, and depart from evil. It will be health (medicine) to thy navel, and marrow (refreshment) to thy bones. Proverbs 3:7,8 And ye shall serve the Lord your god, and he shall bless thy bread, and thy water; and I will take sickness from the midst of thee. Exodus 23:25 Now when the sun was setting, all they that had any sick with divers diseases brought them unto him; and he laid hands on every one of them, and healed them. Luke 4:40 And Jesus went forth, and saw a great multitude, and was moved with compassion toward them, and he healed their sick.
”
”
Norvel Hayes (What to Do for Healing)
“
Both were lost children. Judas, no longer able to hold on to the truth that he remained God’s child, hung himself. In terms of the prodigal son, he sold the sword of his sonship. Peter, in the midst of his despair, claimed it and returned with many tears. Judas chose death. Peter chose life. I realize that this choice is always before me.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
Release isn’t stealing from us. It’s a gift—a gift to a woman weighed down, grasping her leaves in the midst of a snowstorm, desperate, so desperate for help. She can feel the twinges and hear the creaking sounds of a splitting break about to happen. She knows she can’t take much more. Tears well up in her upturned, pleading eyes. “God help me. It’s all too much. I’m tired and frustrated and so very worn-out.” The wind whips past her, trailing a whispered, “R-e-l-e-a-s-e.” She must listen or she will break. Her tree needs to be stripped and prepared for winter. But she can’t embrace winter until she lets go of fall. Like a tree, a woman can’t carry the weight of two seasons simultaneously. In the violent struggle of trying, she’ll miss every bit of joy each season promises to bring. No, release isn’t stealing a thing from her. From me. Or from you. Release brings with it the gift of peace. The beautiful, bare winter branch can now receive its snow.
”
”
Lysa TerKeurst (The Best Yes: Making Wise Decisions in the Midst of Endless Demands)
“
I could hear talking, singing, shouting, crying, and other sounds, and I noticed everybody wore different clothes on that day. Men and women with fine clothes were going down there, and soon two or three men wearing long black coats passed me and followed the crowd. Everybody respected those fellows, and I decided they were the medicine men. I resolved to see what was going on down there, so I slipped through the bushes and watched them. I saw one of the men whom I thought was a medicine man get up and read something out of a book; occasionally he would look at his congregation and then up, and I wondered why he did not smoke; then I concluded it was a council of war, but there were too many squaws there for that. The audience rose and sang, then they all got down on their knees and covered up their faces; some groaned while others wept, and one man mumbled a lot of words; then they all got up and sang a song. The medicine man came to the front and went through a long talk and gesticulations and everybody watched him. The sober-looking man with the long coat mumbled something at first, but gradually grew louder and began singing off his speech, while the tear drops trickled down his cheeks and his face wore a sad expression. His audience seemed to lean forward and drink in every word he said. He kept talking and all the people arose and commingled their voices in a mighty chorus, while the melodious strains floated on the zephyr breeze and reached my ears and seemed as a balm to the aching pains of my breaking heart. Then shouts of laughter, shrill screams, merry faces, sad-eyed spectators, some shouted, others rushed to the center and began dancing, shaking hands and general confusion reigned supreme. It was a sure-enough old fashion Methodist shouting meeting, but of course I did not know this. I thought it must be a new kind of a war dance, rain dance or some kind of a religious ceremony, so I rushed in, gave the Comanche yell, cleared several benches and landed in the midst of the revival. My manner of worship did not suit those white people and they stampeded, leaving me “monarch of all I surveyed.” I gave a few more whoops and a little dance anyway, and looked around to see what had become of all the council, and I saw the big medicine man tearing along with his coat tails flapping as he headed for my mother’s home. My people never permitted me to go to another Methodist revival until I could understand English and knew how to behave myself. True, I broke up the meeting that day, but I was just as earnest, just as fervent, just as candid and sincere as the most sanctified among them, only my mode did not conform to their theories. I have seen just as much earnestness and less hypocrisy among the Indians in their worship as I ever have seen since I came among the whites.
”
”
Herman Lehmann (Nine Years Among the Indians)