β
And, by the way, I adore you.... in frightening, dangerous ways.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
So, Bella, I was following your scent through the woods after I'd left your room where I was watching you sleep...Yes that would be quite the ice breaker.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Could a dead, frozen heart beat again? It felt like mine was about to.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
Love doesn't always come in convenient packages.
β
β
Stephenie Meyer
β
It's healthy to ditch class now and then." To be precise, it was healthier for humans if vampires ditched on days when human blood would be spilt.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Her existence alone was excuse enough to justify the creation of the entire world.
β
β
Stephenie Meyer
β
I would always love this fragile human girl, for the rest of my limitless existence.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Idiot! Lunatic! Moron! Jackass! Selfish irresponsible fool!
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Funeral Blues
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead,
Put crΓͺpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.
β
β
W.H. Auden (Another Time)
β
My first feeling was that there was no way to continue. Writing isn't like math;in math, two plus two always equals four no matter what your mood is like. With writing, the way you feel changes everything.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
driving at the speed limit--hideous thought.
β
β
Stephenie Meyer
β
That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.
β
β
Ray Bradbury
β
My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
It was strange and amusing...and, honestly, a bit embarrassing...to realize how much being near Bella had softened me. It seemed like no one was afraid of me any more. If Emmett found out about this, he would be laughing for the next century.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Her scent blazed in my throat and I was glad. It was a pain that meant she was alive. As long as I burned, she was safe.
β
β
Stephenie Meyer
β
I struggled to find the words to name the feelings that flooded through me, but I had no words strong enough to hold them. For a long moment, I drowned in them. When I surfaced, I was not the same man I had been. My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight?
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Trust Emmett to find the joke in the destruction of my life.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Yet there are moments when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now.
β
β
Virginia Woolf (The Waves)
β
A hundred yards away, Mike Newton was lowering Bella's limp body to the sidewalk. She slumped unresponsively against the wet concrete, her skin chalky as a corpse. I almost took the door off the car.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Believe me, I wanted to say. I've tried.
Oh, and also, I'm wretchedly in love with you.
Keep it light.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Just like a kitten that thinks its a tiger.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
For just a second, I saw Persephone, pomegranate in hand. Dooming herself to the underworld. Is that who I was? Hades himself, coveting springtime, stealing it, condemning it to endless night.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
Run, Bella, run. I love you too much, for your good or mine.
β
β
Stephenie Meyer
β
He smiles then, and even though it is well past midnight, its as if the sun has just come out.
β
β
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β
Perhaps romance always seemed a slightly foolish thing to everyone until one actually fell into it.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
I watched her, waiting.
She smiled. Her lips curved up and the edges, and her chocolate eyes warmed.
Iβd just admitted to stalking her, and she was smiling.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Like a stalker. An obsessed stalker. An obsessed, vampire stalker
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Bears," I muttered, adding a new fear to the pile. "That would be just her luck, wouldn't it? Stray bear in town. OF course it would head straight for Bella.
β
β
Stephenie Meyer
β
I knew her well enough to see that the sight of so many books in one room was something of a dream to her.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
I stared into her eyes, wide under the thick fringe of lashes, and yearned for sleep. Not for oblivion, as I had before, not to escape boredom, but because I wanted to *dream*. Maybe, if I could be unconscious, if I could dream, I could live for a few hours in a world where she and I could be together. She dreamed of me. I wanted to dream of her.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
The sun is simple. A sword is simple. A storm is simple. Behind everything simple is a huge tail of complicated.
β
β
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
β
Who are you and what have you done with my brother?
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
Stephenie Meyer (Midnight Sun [2008 Draft])
β
If he'd done something to harm her, I would annihilate him.
β
β
Stephenie Meyer
β
βPleasure is wild and sweet. She likes purple flowers. She loves the sun and the wind and the night sky. She carries a silver bowl full of liquid moonlight. She has a cat named Midnight with stars on his paws. Many people mistrust Pleasure, and even more misunderstand her. For a long time I could barely stand to be in ...the same room with her...
β
β
J. Ruth Gendler (The Book of Qualities)
β
Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruitβand the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.
β
β
Jeff VanderMeer (Annihilation (Southern Reach, #1))
β
But they never last, the golden days. And it can be sad, the sun in the afternoon, can't it? Yes, it can be sad, the afternoon sun, sad and frightening.
β
β
Jean Rhys (Good Morning, Midnight)
β
Yes Rosalie, we all know how proficient of an assassin you are.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
They wouldn't let me play; only Alice would play games with me anymore.
β
β
Stephenie Meyer
β
No mistakes, I'd promised myself that i would make no mistakes, no matter how minimal they seemed. if i held her hand, i would only want more - another insignificant touch, another move closer to her. i could feel that. a new kind of desire was growing in me, working to override my self-control. no mistakes.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
I buried my face in the hollow of her neck and breathed in her searing essence, wishing again, as I had in the beginning, that I could dream with her.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
When I look at my life and its secret colors, I feel like bursting into tears. Like that sky. It's rain and sun both, noon and midnight. ... I think of the lips I've kissed, and of the wretched child I was, and of the madness of life and the ambition that sometimes carries me away. I'm all those things at once. I'm sure there are times when you wouldn't even recognize me. Extreme in misery, excessive in happinessβI can't say it.
β
β
Albert Camus (A Happy Death)
β
...This is the solstice, the still point
of the sun, its cusp and midnight,
the yearβs threshold
and unlocking, where the past
lets go of and becomes the future;
the place of caught breath, the door
of a vanished house left ajar...
β
β
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)
β
Whoa, whoa! Hold up, there, kid. She lives in Forks, remember? So she gets rained on.
β
β
Stephenie Meyer
β
Too young,too young,she chanted to herself.
Wrong,of course.
I was older than her grandfather but according to my driver's license,she was right.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Do I dazzle you?" I voiced my curiosity impulsively, and then the words were out, and it was too late to recall them.
But before I had time to too deeply regret speaking the words aloud, she answered "Frequently." And her cheeks took on a faint pink glow.
I dazzled her.
My silent heart swelled with a hope more intense than I could ever remember having felt before.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Stop it, Mom, you're making me blush.
β
β
Stephenie Meyer
β
When you wander in the dark too long, you start to see things that arenβt really there.
β
β
Keigo Higashino (Journey Under the Midnight Sun)
β
There was a bit of Jane Eyre in her, a portion of Scout Finch and Jo March, a measure of Elinor Dashwood, and Lucy Pevensie.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
Edward,' she mumbled softly.
She was dreaming of me.
Could a dead, frozen heart beat again? It felt like mine was about to.
'Stay,' she sighed. 'Don't go. Please... don't go
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
How old are you?β she asked.
My answer was automatic and ingrained. βSeventeen.β
βAnd how long have you been seventeen?β
I tried not to smile at the patronizing tone. βA while,β I admitted.
βOkay,β she said, abruptly enthusiastic. She smiled up at me.
β
β
Stephenie Meyer
β
She had changed me more than Iβd known it was possible for me to change and still remain myself.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
I was a vampire, and she had the sweetest blood Iβd smelled in eighty years.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Sing me no songs of daylight,
For the sun is the enemy of lovers
Sing instead of shadows and darkness,
And memories of midnight
β
β
Sidney Sheldon
β
I didn't want the life that made sense. Not if the chaos meant i could have Bella.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Though I hated her, I was absolutely aware that my hatred was unjust. I knew that what I really hated was myself. And I would hate us both so much more when she was dead.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
Maybe if I could be unconscious, if I could dream, I could live for a few hours in a world where she and I could be together. She dreamed of me. I wanted to dream of her.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
She looked around herself, disoriented, like sheβd forgotten we were at lunch. Like sheβd forgotten we were even at school-surprised that we were not alone in some private place. I understood that feeling exactly. It was hard to remember the rest of the world when I was with her.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
There was no reason for Bella Swan to cross paths with me. She would be avoided like the plague she was.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Did she hear how my voice wrapped around her name like a caress?
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
For the first time in a hundred years, I was grateful to be what I was. Every aspect of being a vampire - all but the danger to her - was suddenly acceptable to me, because it was what had let me live long enough to find Bella.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
If you do not intend to help us," she said, "then leave this house. Dawn is coming."
"I am not a vampire." Magnus said. "I shall not disappear with the light"
"You will if I kill you before the sun comes up.
β
β
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
β
She could stay forever and it would not be long enough.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
And so the lion fell in love with the lambβ¦,β I whispered.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
Yet I wouldn't trade it. I didn't want the life that made sense. Not if the chaos meant I could be with Bella.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Every word we spoke hereβeach one of them was another pomegranate seed.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
Oh, Lucia the captain said softly, you are so little and so lovely. how I would have liked to have taken you to Norway and shown you the fiords in the midnight sun, and to China- what you've missed, Lucia, by being born too late to travel the Seven Seas with me! And what I've missed, too.
β
β
R.A. Dick (The Ghost and Mrs. Muir)
β
As the sun starts to rise, I watch as Raffaele bends over Enzoβs body, the two of us mourning the prince we both loved.
β
β
Marie Lu (The Midnight Star (The Young Elites, #3))
β
You know how the sun rises and sets at a certain time each day? In the same way, all of our lives have a day and night. But it's not set like it is with the sun. Some people walk forever in the sunlight, and some people have to walk through the darkest night their whole lives. When people talk about being afraid, what they're afraid of is that their sun will set. That the light they love will fade.
β
β
Keigo Higashino (Journey Under the Midnight Sun)
β
There was always a choice.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
Her heart fluttered; my dead heart felt warmer.
β
β
Stephenie Meyer (Midnight Sun (Twilight, #5))
β
The phrase "in the dark," as I'm sure you know, can refer not only to one's shadowy surroundings, but also to the shadowy secrets of which one might be unaware. Every day, the sun goes down over all these secrets, and so everyone is in the dark in one way or another. If you are sunbathing in a park, for instance, but you do not know that a locked cabinet is buried fifty feet beneath your blanket, then you are in the dark even though you are not actually in the dark, whereas if you are on a midnight hike, knowing full well that several ballerinas are following close behind you, then you are not in the dark even if you are in fact in the dark. Of course, it is quite possible to be in the dark in the dark, as well as to be not in the dark not in the dark, but there are so many secrets in the world that it is likely that you are always in the dark about one thing or another, whether you are in the dark in the dark or in the dark not in the dark, although the sun can go down so quickly that you may be in the dark about being in the dark in the dark, only to look around and find yourself no longer in the dark about being in the dark in the dark, but in the dark in the dark nonetheless, not only because of the dark, but because of the ballerinas in the dark, who are not in the dark about the dark, but also not in the dark about the locked cabinet, and you may be in the dark about the ballerinas digging up the locked cabinet in the dark, even though you are no longer in the dark about being in the dark, and so you are in fact in the dark about being in the dark, even though you are not in the dark about being in the dark, and so you may fall into the hole that the ballerinas have dug, which is dark, in the dark, and in the park.
β
β
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
β
I grinned at him, feeling more enthusiastic about my plan now that he was on board. Rosalie was a pain, but I would always owe her one for choosing Emmett; no one had a better brother than mine.
β
β
Stephenie Meyer
β
Maybe, if I could be unconscious, if I could dream, I could live for a few hours in a world where she and I could be together. She dreamed of me. I wanted to dream of her.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Sheβs just a little faint,β I reassured Mrs. Hammond. βTheyβre blood typing in biology.β
She nodded, understanding now. βThereβs always one.β
I stifled a laugh. Trust Bella to be that one.
β
β
Stephenie Meyer
β
The wast majority of my thoughts revolved around her as though she was the center of my mind's gravity.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
I would propose that every woman has a little darkness under the surface,
β
β
Keigo Higashino (Journey Under the Midnight Sun)
β
I had no doubts. I now knew the meaning of the phrase. The greatest joy
of my life was this fragile, brave, warm, insightful girl sleeping so
peacefully nearby. Bella. The very greatest joy that life had to offer me, and
the greatest pain when she was lost.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
I could see how easy it would be to fall into loving Bella. It would be exactly like falling: effortless. Not letting myself love her was the opposite of fallingβit was pulling myself up a cliff-face, hand over hand, the task as grueling as if I had no more than mortal strength.
β
β
Stephenie Meyer (Midnight Sun [2008 Draft])
β
Said the man to the sun, βHow I wish you could shine your light on every day of my life!β Said the sun to the man, βBut only with the rain and the night could you recognize my light.β
βDomaccan poem, translated by Chevalle
β
β
Marie Lu (The Midnight Star (The Young Elites, #3))
β
The boy's eyes went to him, and a shock passed through Magnus. They were not Will's eyes, the eyes Magnus remembered being as blue as a night sky in Hell, eyes Magnus has seen both despairing and tender.
This boy has shining golden eyes, like crystal glass filled brimful with crisp white wine and held up to catch the light of a blazing sun. If his skin was luminous, his eyes were radiant. Magnus could not imagine these eyes as tender. The boy was very, very lovely, but his was a beauty like that of Helen of Troy might have had once, disaster written in every line. The light of his beauty made Magnus think of cities burning.
β
β
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
β
Suddenly, as she ate, a strange comparison entered my head. For just a second I saw Persephone, pomegranate in hand. Dooming herself to the underworld.
Is that who I was? Hades himself, coveting springtime, stealing it, condeming it to endless night. I tried unsuccessfully to shake the impression.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
Lost"
they say that hell is crowded, yet,
when youβre in hell,
you always seem to be alone.
& you canβt tell anyone when youβre in hell
or theyβll think youβre crazy
& being crazy is being in hell
& being sane is hellish too.
those who escape hell, however,
never talk about it
& nothing much bothers them after that.
I mean, things like missing a meal,
going to jail, wrecking your car,
or even the idea of death itself.
when you ask them,
βhow are things?β
theyβll always answer, βfine, just fineβ¦β
once youβve been to hell and back,
thatβs enough
itβs the greatest satisfaction known to man.
once youβve been to hell and back,
you donβt look behind you when the floor creaks
and the sun is always up at midnight
and things like the eyes of mice
or an abandoned tire in a vacant lot
can make you smile
once youβve been to hell and back.
β
β
Charles Bukowski (Burning in Water, Drowning in Flame)
β
Edward,β she mumbled softly.
She was dreaming of me.
Could a dead, frozen heart beat again? It felt as though mine was about to.
βStay,β she sighed. βDonβt go. Pleaseβ¦ donβt go.β She was dreaming of me, and it wasnβt even a nightmare. She wanted me to stay with her, there in her dream.
I struggled to find words to name the feelings that flooded through me, but I had no words strong enough to hold them. For a long moment, I drowned in them.
When I surfaced, I was not the same man I had been.
My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
I want to be intoxicated by the darkened ether of midnight, running through my fingers as sparkling stardust. I crave the taste of the ocean's salty tears, as her temperamental tides crash and break against the rocks. I yearn for the sweet scent of sun on my skin and the earthy musk of dirt giving way under my bare feet. I want to lay naked in golden fields, as i gaze up at an endless sky, dreaming my dreams, as Mother Nature's love washes over me like spiritual sunshine.
β
β
Jaeda DeWalt
β
As I met her penetrating gaze, read the surprise and the sympathy there, I abruptly yearned for sleep. Not for oblivion, as I had before, not to escape boredom, but because I wanted to dream. Maybe if I could be unconscious, if I could dream, I could live for a few hours in a world where she and I could be together. She dreamed of me. I wanted to dream of her.
β
β
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
β
There came to that room wild streams of violet midnight glittering with dust of gold, vortices of dust and fire, swirling out of the ultimate spaces and heavy perfumes from beyond the worlds. Opiate oceans poured there, litten by suns that the eye may never behold and having in their whirlpools strange dolphins and sea-nymphs of unrememberable depths. Noiseless infinity eddied around the dreamer and wafted him away without touching the body that leaned stiffly from the lonely window; and for days not counted in men's calandars the tides of far spheres that bore him gently to join the course of other cycles that tenderly left him sleeping on a green sunrise shore, a green shore fragrant with lotus blossums and starred by red camalates...
β
β
H.P. Lovecraft
β
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch.
The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.
Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water.
Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
β
β
William Golding (Lord of the Flies)
β
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed.
Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume."
The faerie looked puzzled.
Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes."
"We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks."
"I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets."
"I have done nothing to break the Cold Peace," said the fey.
"TechnicallyΒ true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine."
The fey looked puzzled. "Where does the sun not shine? Is this a riddle?"
Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood."
The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
β
β
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
β
The Ache That Would Not Leave
Behind the hum and routine of daily living, there lay a persistent and wild longing for something she could not easily put into words. It felt like impulsive adventures and watching the sun rise over unfamiliar mountains, or coffee in a street cafΓ©, set to the background music of a foreign language. It was the smell of the ocean, with dizzying seagulls whirling in a cobalt sky; exotic foods and strange faces, in a city where no one knew her name. She wanted secrets whispered at midnight, and road trips without a map, but most of all, she ached for someone who desired to explore the mysteries that lay sleeping within her. The truly heartbreaking part was that she could feel the remaining days of her life falling away, like leaves from an autumn tree, but still this mysterious person who held the key to unlock her secrets did not arrive; they were missing, and she knew not where to find them.
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John Mark Green
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Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimmβd
The noontide sun, callβd forth the mutinous winds,
And βtwixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Joveβs stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluckβd up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let βem forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, Iβll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
Iβll drown my book.
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William Shakespeare (The Tempest)
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Rosalie was right about one thing, though. When Bella said the word forever, it didn't mean the same thing to her as it meant to me. For her, it meant merely a very long time. It meant she couldn't see the end yet. How could anyone who had lived only seventeen years comprehend what fifty years meant, let alone eternity? She was human, not a frozen immortal. Within just a few years, she would reinvent herself many times over. Her priorities would shift as her world grew wider. The things she wanted now wouldn't be the things she wanted then.
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Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
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The sidewalks were haunted by dust
ghosts all night as the furnace wind summoned them up,
swung them about, and gentled them down in a warm spice on
the lawns. Trees, shaken by the footsteps of late-night strol-
lers, sifted avalanches of dust. From midnight on, it seemed a
volcano beyond the town was showering red-hot ashes every-
where, crusting slumberless night watchmen and irritable
dogs. Each house was a yellow attic smoldering with spon-
taneous combustion at three in the morning.
Dawn, then, was a time where things changed element for
element. Air ran like hot spring waters nowhere, with no
sound. The lake was a quantity of steam very still and deep
over valleys of ο¬sh and sand held baking under its serene
vapors. Tar was poured licorice in the streets, red bricks were
brass and gold, roof tops were paved with bronze. The high-
tension wires were lightning held forever, blazing, a threat
above the unslept houses.
The cicadas sang louder and yet louder.
The sun did not rise, it overο¬owed.
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Ray Bradbury (Dandelion Wine)
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A hundred years or more, she's bent her crown
in storm, in sun, in moonsplashed midnight breeze.
surviving all the random vagaries
of this harsh world. A dense - twigged veil drifts down
from crown along her trunk - mourning slow wood
that rustles tattered, in a hint of wind
this January dusk, cloudy, purpling
the ground with sudden shadows.
How she broods -
you speculate - on dark surprise and loss,
alone these many years, despondent, bent,
her bolt-cracked mate transformed to splinters, moss.
Though not alone, you feel the sadness of a
twilight breeze. There's never enough love;
the widow nods to you. Her branches moan.
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Lauren Lipton
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I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
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Edgar Allan Poe (The Raven and Other Poems)
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To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
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Edgar Allan Poe
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Speak, thou vast and venerable head,β muttered Ahab, βwhich, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this worldβs foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailorβs side, where sleepless mothers would give their lives to lay them down. Thou sawβst the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou sawβst the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed β while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
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Herman Melville (Moby-Dick or, The Whale)
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Places I love come back to me like music,
Hush me and heal me when I am very tired;
I see the oak woods at Saxton's flaming
In a flare of crimson by the frost newly fired;
And I am thirsty for the spring in the valley
As for a kiss ungiven and long desired.
I know a bright world of snowy hills at Boonton,
A blue and white dazzling light on everything one sees,
The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winer sun drawing cold blue shadows from the trees.
Violet now, in veil on veil of evening,
The hills across from Cromwell grow dreamy and far;
A wood-thrush is singing soft as a viol
In the heart of the hollow where the dark pools are;
The primrose has opened her pale yellow flowers
And heaven is lighting star after star.
Places I love come back to me like musicβ
Mid-ocean, midnight, the eaves buzz drowsily;
In the ship's deep churning the eerie phosphorescence
Is like the souls of people who were drowned at sea,
And I can hear a man's voice, speaking, hushed , insistent,
At midnight, in mid-ocean, hour on hour to me.
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Sara Teasdale (The Collected Poems)
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There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
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F. Scott Fitzgerald (The Great Gatsby)