β
Hell was a place ruled by the logic of children.
β
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Andrew Michael Hurley (The Loney)
β
I often thought there was too much time there. That the place was sick with it. Haunted by it. Time didn't leak away as it should. There was nowhere for it to go and no modernity to hurry it along. It collected as the black water did on the marshes and remained and stagnated in the same way.
β
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Andrew Michael Hurley (The Loney)
β
What you go searching for and what you find aren't always the same.
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β
Andrew Michael Hurley (Starve Acre)
β
Pity is the only thing a drunk has in abundance.
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Andrew Michael Hurley (The Loney)
β
Life here arose of its own accord and for no particular reason. It went unexamined, and died unremembered.
β
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Andrew Michael Hurley (The Loney)
β
not noticing, or wilfully ignoring, the look of horror that Mummer tried to slide discreetly his way, as though on a folded piece of paper. Without
β
β
Andrew Michael Hurley (The Loney)
β
Only by the form, the pattern, / Can words or music reach / The stillnessβ.
β
β
Michael D. Hurley (Poetic Form: An Introduction (Cambridge Introductions to Literature (Hardcover)))
β
It was a safari park of degradation. What a world without God looked like.
β
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Andrew Michael Hurley (The Loney)
β
The will of Richard's father had been to ensure that his son was in no doubt that a church was merely a meeting place for the mentally ill, and that all who gathered there--priest and parishioners--were like fearful, asinine schizophrenics. There was no God, no devil, no heaven or hell, no posthumous judgment for wickedness or reward for piety; there was no resurrection, no transfiguration, no illimitable bliss, no life everlasting. The sum of human existence was collagen and calcium phosphate. And then nothing.
β
β
Andrew Michael Hurley (Starve Acre)
β
As a token bit of mysticism, the mason had fixed an Eye of God way up on the steeple, above the clock - an oval shape carved into a block of stone that I'd noticed on the old country churches Farther dragged us round at weekends. Yet at Saint Jude's, it seemed more like a sharp-eyed overseer of the factory floor, looking out for the workshy and the seditious.
β
β
Andrew Michael Hurley (The Loney)
β
Here was the wild God who made nature heave and bellow. The violent shadow that followed Jesus through his tender ministry and could test men in an instant with water and wind. But if the weather should turn, there was nothing to be afraid of. There would be a goodness in His purging. A better world made from the wreck of the old.
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Andrew Michael Hurley (The Loney)
β
Itβs often hard to explain how we feel when someone close to us dies. Even to those we love. People can put on a bit of a brave front. Wilfred did pass away very unexpectedly. Maybe Mr Belderboss hasnβt quite come to terms with it yet. Grief is a peculiar business anyway and when itβs compounded with shock, it can take a wee while longer to get over it.
β
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Andrew Michael Hurley (The Loney)
β
Things lived at the Loney as they ought to live. The wind, the rain, the sea were all in their raw states, always freshly born and feral. Nature got on with itself. Its processes of death and replenishment happened without anyone noticing apart from Hanny and me.
β
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Andrew Michael Hurley (The Loney)
β
... the truth isn't always set in stone. In fact it never is. There are just versions of it. And sometimes it's prudent to be selective about the version you choose to give to people.
β
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Andrew Michael Hurley (The Loney)
β
You know,' he said, 'my daddy used to say that death has the timing of the world's worst comedian and I think he was right.
β
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Andrew Michael Hurley (The Loney)
β
And then it came to him. He had been wrong about everything. God was missing. He had never been here. And if He had never been here, in this their special place, then He was nowhere at all. He tried to dismiss the thought as quickly as it had come, but it returned immediately and with more insistence as he stood there watching the gulls flocking for the crustaceans left behind, and the clouds slowly knotting into new shapes, and the parasites swarming in the carcass of some thing. It was all just machinery.
β
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Andrew Michael Hurley (The Loney)
β
It was the same fearful excitement we felt when we happened to drive through what Mummer considered a bad part of London and found ourselves lost in a maze of terraces that sat shoulder to shoulder with industrial plants and scrapyards. We would turn in our seats and gawp out of the windows at the scruffy, staring children who had no toys but the bits of wood and metal torn off the broken furniture in their front yards where aproned women stood and screeched obscenities at the men stumbling out of corner pubs. It was a safari park of degradation.
β
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Andrew Michael Hurley (The Loney)
β
We drove out of London, heading north through the East Midlands and across Yorkshire to Lancashire. I sat in the back with Monro wedged under my seat and slept on and off as a dozen counties went by. Every so often I woke up with the feeling that I was repeating parts of the journey. But then England is much the same all over, I suppose.
β
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Andrew Michael Hurley (The Loney)
β
I often thought there was too much time there. That the place was sick with it. Haunted by it. Time didn't leak away as it should. There was nowhere for it to go and no modernity to hurry it along.
β
β
Andrew Michael Hurley (The Loney)
β
Hell was a place ruled by the logic of children. Schadenfreude that lasted for eternity.
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Andrew Michael Hurley (The Loney)
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The Other world had equality now, they said, but what they meant was that everyone had the means to exhibit their own particular unpleasantness.
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Andrew Michael Hurley (The Loney)
β
Kat looked at them as they spoke, wanting to say something. She'd told me often enough that the nursery wasn't without its problems. It wasn't all singing and painting rainbows. But she believed that children were innocent parrots of their mothers' and fathers' prejudices. Wickedness wasn't innate.
Well, she hadn't seen what Lennie Sturzaker used to do to me.
No, some children are like pigs in a wood. Weaknesses to them are as pungent as truffles.
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Andrew Michael Hurley (Devil's Day)
β
Decisions made without sentiment about what was junk and what was useful. Packing away a life is a slow, fragmented affair. Everyone is outlived by objects, everyone bequeaths an uncurated museum to the living.
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Andrew Michael Hurley (Devil's Day)
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I needed to see how quickly life went out. One moment everything, the next nothing. And there was nothing, afterwards. But I knew that already. I'd look at the porcelain dolls and the glass swans on the mantlepiece that Mam left behind and wait for them to tell me something. But they never did. Not even if I held them in my hand and closed my eyes. The dead were dead. That was why, the Devil said, I shouldn't waste the time I had while I was alive.
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Andrew Michael Hurley (Devil's Day)
β
The Devil has been here since before anyone came, passing endlessly from one thing to another. He's in the rain and the gales and the wild river. He's in the trees of the Wood. He's the unexpected fire and the biter of dogs. He's the disease that can ruin a whole farm and the blizzard that buries a whole village. But at least here we can see him at work.
β
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Andrew Michael Hurley (Devil's Day)
β
Packing away a life is a slow, fragmented affair. Everyone is outlived by objects, everyone bequeaths an uncurated museum to the living.
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Andrew Michael Hurley (Devil's Day)
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nothing can permanently please, which does not contain in itself the reason why it is so, and not otherwiseβ.
β
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Michael D. Hurley (Poetic Form: An Introduction (Cambridge Introductions to Literature (Hardcover)))
β
But donβt let the trendiness fool you. A multitude of studies suggest that the ancient practice of mindfulness meditation actually holds promise as a way to improve cognitive abilities, to increase attention, expand working memory, and raise fluid intelligence. Some of the best are by one of the most respected psychologists in the United States, Michael Posner, professor emeritus at the University of Oregon and former chair of its psychology department.
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Dan Hurley (Smarter: The New Science of Building Brain Power)
β
While children are routinely forced by their teachers and life in general to do things theyβre not good at, by middle age many of us have figured out what our strengths and weaknesses are and have learned to stick with what we do best. Weβve found careers weβre good at; we hang out with people we like and who enjoy our company; our hobbies are things weβve been doing for years. We are no longer, as Michael Merzenich put it, engaging our mind at the cutting edge of its abilities; we have become users of mastered skills.
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Dan Hurley (Smarter: The New Science of Building Brain Power)
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In truth the prison, into which we doom Ourselves, no prison is β¦ Wordsworth (βNuns Fret Not at Their Conventβs Narrow Roomβ)
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Michael D. Hurley (Poetic Form: An Introduction (Cambridge Introductions to Literature (Hardcover)))
β
We walked down onto the beach, following a ragged trail of debris. Seagulls had been strangled by the sea into sodden, twisted things of bones and feathers. Huge grey tree stumps, smoothed to a metallic finish, had been washed up like abandoned war-time ordnance. All along the beach, in fact, the sea had left its offerings like a cat trying to curry favour with its owner.
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Andrew Michael Hurley (The Loney)
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An astonishing, curdled smell that had subtle layers of foulness for the nose to explore.
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Andrew Michael Hurley (The Loney)
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Like most drunks, Billy bypassed the small talk and slapped his bleeding, broken heart into my palm like a lump of raw beef.
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Andrew Michael Hurley (The Loney)
β
I often thought there was too much time there. That the place was sick with it. Haunted by it. Time didnβt leak away as it should. There was nowhere for it to go and no modernity to hurry it along. It collected as the black water did on the marshes and remained and stagnated in the same way.
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Andrew Michael Hurley (The Loney)
β
The poor sod. Apparently he lost it when his wife died. Ended up sectioned in some hospital near Preston, where I always imagined him painting those seascapes over and over again. The boats getting a little smaller and the clouds a little bigger each time, until there was nothing but tempest.
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Andrew Michael Hurley (The Loney)
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Outside, as well as in, Moorings felt like a place that had been repeatedly abandoned. A place that had failed.
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Andrew Michael Hurley (The Loney)
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It's gone now, demolished to make way for flats, and much lamented by those who remember it, but I always thought Saint Jude's was a monstrocity.
It was a large brown brick place, built towards the end of the nineteenth century when Catholicism became fashionable again with a people that didn't do things by halves.
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Andrew Michael Hurley (The Loney)
β
When I looked at Farther I saw that work and school were really no different. One merely became qualified to pass from one system to the next, that was all. Routine was a fact of life. It was life, in fact.
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Andrew Michael Hurley (The Loney)
β
The Gaffer once told me how it was when he was a child and someone died in the Endlands. The relatives of the deceased would blacken one of their mules from tail to lips with wet peat and sent it wandering down the valley to let the other families know that death had paid a visit. When the mule was found, it was washed in the river and taken back to where it belonged. And with them they'd bring bread and meat and soul's cake. In those days, the Gaffer said, the body was not considered unclean or frightening and before it went to the undertaker's the loved one was laid out in the front room for touch and kisses. Yuck, says Adam. But think of it like this, I say: Death would have plenty of time with them. The least we could do was let them stay in the house with their family for a little while longer.
Special candles, thick as leeks, were placed at the head and the feet, and the floor was strewn with salt and rosemary. And then the soul's cake would be laid on the chest over the heart and the living would each take their share. Not a speck could be left, no hidden under shirt buttons or between the fingers of folded hands. It was a privilege of the dead to pass on with all their sins eaten away. The burden now rested with the living.
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Andrew Michael Hurley (Devil's Day)
β
The monks didn't like to go up on to the moors. There was something unwholesome about the place, they said. There were strange shapes far off on the ridges and sometimes noises under the peat. When they came to collect kindling and fuel for the abbey's fireplaces, they wouldn't go too deep into the Wood either. There was something worse than the wolves in there, something that always seemed determined to follow them out into the open.
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Andrew Michael Hurley (Devil's Day)
β
Father Wilfred had told us time and time again that it was our duty as Christians to see what our faith had taught us to see. And consequently Mummer used to come home from the shop with all kinds of stories about how God had seen fit to reward the good and justly punish the wicked. The lady who worked at the bookmakers had developed warts on her fingers from handling dirty money all day long. The Wilkinson girl, who had visited the clinic on the Finchley Road that the women at Saint Judeβs talked about in hushed tones, had been knocked down by a car not a week later and had her pelvis snapped beyond repair. Conversely, an elderly lady who came into the shop every week for prayer cards and had spent much of the previous decade raising money for Cafod, won a trip to Fatima.
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Andrew Michael Hurley (The Loney)
β
Mummer would tell us these tales over the dinner table without a flicker of doubt that Godβs hand was at work in the world, as it had been in the time of the saints and martyrs, the violent deaths of whom were regularly inflicted upon us as exempla of not only the unconditional oath we had to make to the service of the Lord, but of the necessity of suffering. The worse the torment, the more God was able to make Himself known, Mummer said, invoking the same branch of esoteric mathematics Father Wilfred used in his sermons to explain why the world was full of war and murder β a formula by which cruelty could be shown to be inversely proportionate to mercy. The more inhumane the misery we could inflict upon one another, the more compassionate God seemed as a counterpoint to us. It was through pain that we would know how far we still had to go to be perfect in His eyes. And so, unless one suffered, Father Wilfred was wont to remind us, one could not be a true Christian.
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Andrew Michael Hurley (The Loney)
β
You know,β he said, βmy daddy used to say that death has the timing of the worldβs worst comedian and I think he was right.
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Andrew Michael Hurley (The Loney)
β
I like stories that donβt tie up, that leave you with lots of questions. An effective ending is like throwing a stone into a pond and seeing the ripples.
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Andrew Michael Hurley
β
autumn. I quite envy them really, the simple vessels they have to fill.
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Andrew Michael Hurley (Devil's Day)
β
One merely became qualified to pass from one system to the next, that was all. Routine was a fact of life. It was life, in fact.
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Andrew Michael Hurley (The Loney)
β
death has the timing of the worldβs worst comedian and I think he was right. When people die, itβs natural to regret how we treated them when they were alive. Heaven knows, there are dozens of things I wished Iβd asked my mammy and daddy when they were around; times Iβd like to wipe clean away. Things I wish I had or hadnβt said. Itβs the worst kind of guilt, because itβs completely irreparable.
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Andrew Michael Hurley (The Loney)
β
Look first,β he had told him. βAnd then see. Be patient and you will notice the workings of nature that most people miss.
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Andrew Michael Hurley (The Loney)
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Indeed, all his parishioners deserved to feel like Miss Bunce. Different, loved, guided and judged. It was their reward for being held to ransom by a world that demanded the right to engage in moral brinkmanship whenever it pleased.
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Andrew Michael Hurley (The Loney)
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Death was a poor draughtsman and had rendered his likeness just a little off-centre, giving him the look of someone who was almost familiar but lacking the something that made him so.
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Andrew Michael Hurley (The Loney)
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I donβt remember either of us trying to run or fight or do anything, for that matter. I only remember the smell of the wet ferns, the sound of water churning out of a gutter, the feeling of numbness, knowing that no one was coming to help us and that we were surrounded by those people Father Wilfred had always warned us about but who we never thought weβd face, not really. Those people who existed in the realm of newspaper reports; dispatches from a completely different world where people had no capacity for guilt and trampled on the weak without a second thought.
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Andrew Michael Hurley (The Loney)
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Tonto, the truth isnβt always set in stone. In fact it never is. There are just versions of it. And sometimes itβs prudent to be selective about the version you choose to give to people.β βBut thatβs lying, Father. You said so yourself.β βThen I was being as naive as you.
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Andrew Michael Hurley (The Loney)
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And thatβs the trick, Tonto. Making them believe that you know what the right answer is. God knows if Iβd been honest about what I knew, the whole place would have gone up in flames. They shouldnβt call us priests. Not when weβre really firemen.
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Andrew Michael Hurley (The Loney)
β
Once the tables had been wiped clean, Mummer draped the dishcloth over the tap in the kitchen, Farther switched off the lights and we went out into the slush. It seemed an absurd ending to a life.
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Andrew Michael Hurley (The Loney)
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Living on the farms was one endless round of maintenance. Nothing was ever finished. Nothing was ever settled. Nothing. Everyone here died in the midst of repairing something. Chores and damage were inherited.
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Andrew Michael Hurley (Devil's Day)
β
Hell was a place ruled by the logic of children. Schadenfreude that lasted for eternity.
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Andrew Michael Hurley (The Loney)
β
Outside, the first true warmth of the year was starting to melt the snow in the front garden. The ash trees dripped and the roofs of the cars on the driveway gave off wisps of evaporating moisture. In the sunlight, wood and stone were polished. It was almost blinding to look along the lane. But it was the birds, thought Richard. The astonishment of them. Down in the wood, they were loud with delight but also shock, as if after the long winter they had found their songs too big for their mouths and could not prevent them from spilling out across the field.
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Andrew Michael Hurley (Starve Acre)