Mice Traps Quotes

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Vishous: "...we both would slaughter anything that so much as startled you." Jane: "I'm scared of mice and spiders. But you don't need to use that gun on your hip to blow a hole in a wall if I ran into one, okay? Havaheart traps and rolled newspapers work just as well. Plus, you don't need a Sheetrock patch and plaster job afterward. I'm just saying.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
One of the servants had reported that Daisy had been sneaking around the house at night, deliberately tripping all the traps to keep the mice from being killed. “Is this true, daughter?” Thomas Bowman had rumbled, his gaze filled with ire as he stared at Daisy. “It could be,” she had allowed. “But there is another explanation.” “And what is that?” Bowman had asked sourly. Her tone turned congratulatory. “I think we are hosting the most intelligent mice in New York!
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more." She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?" Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself. She closed on him. "You know what I could do?" Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am." "Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny." Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless. For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.
John Steinbeck (Of Mice and Men)
I was a mouse trapped in a corner, looking for a crack to flee through but despairing of finding one.
Danielle Teller (All the Ever Afters: The Untold Story of Cinderella's Stepmother)
There's no escape for us. We are like mice trapped in a dungeon of wildcats.We are Koreans; we are cursed race and there is no hope for us as long as the Japanese are around.
Sook Nyul Choi (Year of Impossible Goodbyes)
For behind the wooden wainscots of all the old houses in Gloucester, there are little mouse staircases and secret trap-doors; and the mice run from house to house through those long narrow passages; they can run all over the town without going into the streets.
Beatrix Potter (The Tailor of Gloucester (Peter Rabbit, #3))
When the little mouse, which was loved as none other was in the mouse-world, got into a trap one night and with a shrill scream forfeited its life for the sight of the bacon, all the mice in the district, in their holes were overcome by trembling and shaking; with eyes blinking uncontrollably they gazed at each other one by one, while their tails scraped the ground busily and senselessly. Then they came out, hesitantly, pushing one another, all drawn towards the scene of death. There it lay, the dear little mouse, its neck caught in the deadly iron, the little pink legs drawn up, and now stiff the feeble body that would so well have deserved a scrap of bacon. The parents stood beside it and eyed their child's remains.
Franz Kafka (Blue Octavo Notebooks)
Again Mosca felt she was up in the rafters, watching the mice. Little mouse, witless with fear. Running the wrong way. And here she was, just watching. Becoming a part of it by doing nothing.
Frances Hardinge (Fly Trap)
Hardly had the light been extinguished, when a peculiar trembling began to affect the netting under which the three children lay. It consisted of a multitude of dull scratches which produced a metallic sound, as if claws and teeth were gnawing at the copper wire. This was accompanied by all sorts of little piercing cries. The little five-year-old boy, on hearing this hubbub overhead, and chilled with terror, jogged his brother's elbow; but the elder brother had already shut his peepers, as Gavroche had ordered. Then the little one, who could no longer control his terror, questioned Gavroche, but in a very low tone, and with bated breath:-- "Sir?" "Hey?" said Gavroche, who had just closed his eyes. "What is that?" "It's the rats," replied Gavroche. And he laid his head down on the mat again. The rats, in fact, who swarmed by thousands in the carcass of the elephant, and who were the living black spots which we have already mentioned, had been held in awe by the flame of the candle, so long as it had been lighted; but as soon as the cavern, which was the same as their city, had returned to darkness, scenting what the good story-teller Perrault calls "fresh meat," they had hurled themselves in throngs on Gavroche's tent, had climbed to the top of it, and had begun to bite the meshes as though seeking to pierce this new-fangled trap. Still the little one could not sleep. "Sir?" he began again. "Hey?" said Gavroche. "What are rats?" "They are mice." This explanation reassured the child a little. He had seen white mice in the course of his life, and he was not afraid of them. Nevertheless, he lifted up his voice once more. "Sir?" "Hey?" said Gavroche again. "Why don't you have a cat?" "I did have one," replied Gavroche, "I brought one here, but they ate her." This second explanation undid the work of the first, and the little fellow began to tremble again. The dialogue between him and Gavroche began again for the fourth time:-- "Monsieur?" "Hey?" "Who was it that was eaten?" "The cat." "And who ate the cat?" "The rats." "The mice?" "Yes, the rats." The child, in consternation, dismayed at the thought of mice which ate cats, pursued:-- "Sir, would those mice eat us?" "Wouldn't they just!" ejaculated Gavroche. The child's terror had reached its climax. But Gavroche added:-- "Don't be afraid. They can't get in. And besides, I'm here! Here, catch hold of my hand. Hold your tongue and shut your peepers!
Victor Hugo (Les Misérables)
    “But I have never before watched soldiers entice children like mice into a trap and murder them for sport.” —Chris Hedges
Susan Abulhawa (The Blue Between Sky and Water)
that the doll's house belonged to said: "I will get a doll dressed like a policeman!" BUT the nurse said: "I will set a mouse-trap!" SO that is the story of the two Bad Mice. But they were not so very, very naughty
Beatrix Potter (A Collection of Beatrix Potter Stories)
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
dressed like a policeman!" BUT the nurse said: "I will set a mouse-trap!" SO that is the story of the two Bad Mice. But they were not so very, very naughty after all, because Tom Thumb paid for everything he broke. He found a crooked sixpence
Beatrix Potter (A Collection of Beatrix Potter Stories)
Darling the mice have been eating your letters (not indeed that that is my excuse for not writing for so long, my excuse for that is everything or nothing, whichever way you like to look at it). I am very angry about this, chiefly because your letters are rather precious documents, but also because I am not on very good terms with the mice, and the fact that I have been careless enough to leave valuables around where they could get at them can be chalked up as a point to them. One day I shall declare serious war on the mice in a combined trap-poison operation. At present I am just sentimental with a fringe of annoyance. I meet them every now and then, on the stairs, or underneath the gas stove, and they have such nice long tails.
Iris Murdoch (Living on Paper: Letters from Iris Murdoch 1934-1995)
There is no difference of moral principle here: the difference is simply about matter of fact. It may be a great advance in knowledge not to believe in witches: there is no moral advance in not executing them when you do not think they are there. You would not call a man humane for ceasing to set mouse-traps if he did so because he believed there were no mice in the house.
C.S. Lewis (Mere Christianity)
As I started to set out the traps, one would pop before the next one was set. I caught over two hundred mice the first night! As I went to bed that night, I could hardly sleep from the anticipation of the next day’s hunt. I’d persuaded my dad to put me in a tree blind by myself while he entertained the out-of-town hunters in another tree blind about five hundred yards away. I also couldn’t sleep because I heard mice scurrying all over the trailer. As I finally started to close my eyes, I heard quite a commotion from my dad, who was sleeping in a bunk below me. Then I heard a loud thud against the wall. “Danged rat was trying to build a nest in my beard,” he said. “He needs to find somewhere else to build a nest.” My dad and I started laughing. “We’re going to need some more mousetraps, Jase,” he said.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Another way, I think, is to be somehow trapped by your pain. Being stopped in your tracks. Never, in a sense, being able to escape your pain. Never being able to move on out of it into whatever lies beyond. I think a classic example of that would be the character Miss Havisham in Charles Dickens’s Great Expectations. Miss Havisham was at an early age all set to be married. She had on her bridal finery, and the great wedding cake was there in the parlor. Then her boyfriend jilted her, and that was the end of her life. From that day on, she lived in that room, wearing her tattered, moldering wedding clothes, with the cake still there, a sort of ruined pile on the table with cobwebs and mice. And I think I’ve known people like that, who have been somehow trapped in their pain. It becomes their confinement. It becomes like the room to the cricket—it can’t get out of it. You keep living it over and over and over again, almost relishing the bitterness of it. So you deal with your pain by allowing it to overwhelm you, by allowing it to stop you in your tracks. And I suppose it’s also a way of surviving your pain, because as in the case of Miss Havisham, you take a kind of grim, awful pleasure in your ruin.
Frederick Buechner (A Crazy, Holy Grace: The Healing Power of Pain and Memory)
The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches.
William Perry (The End of an Era: Life in Old Eaglehawk and Bendigo)
Thomas Bowman had a contentious relationship with both his daughters, alternately ignoring them and subjecting them to harsh criticisms. The older daughter Lillian responded to Bowman with surly impudence. But Daisy, the fifteen year-old, regarded her father in a speculative, rather cheerful way that seemed to annoy him beyond his ability to bear. She had made Matthew want to smile. With her luminous skin, her exotic cinnamon-colored eyes and quicksilver expressions, Daisy Bowman seemed to have come from an enchanted forest populated with mythical creatures. It had immediately become apparent to Matthew that any conversation Daisy took part in was apt to veer into unexpected and charming directions. He had been secretly amused when Thomas Bowman had chastised Daisy in front of everyone for her latest mischief. It seemed that the Bowman household had lately become overrun with mice because all the traps they set had failed. One of the servants had reported that Daisy had been sneaking around the house at night, deliberately tripping all the traps to keep the mice from being killed. “Is this true, daughter?” Thomas Bowman had rumbled, his gaze filled with ire as he stared at Daisy. “It could be,” she had allowed. “But there is another explanation.” “And what is that?” Bowman had asked sourly. Her tone turned congratulatory. “I think we are hosting the most intelligent mice in New York!” From that moment on Matthew had never refused an invitation to the Bowman mansion, not just because it pleased the old man but because it gave him the chance to see Daisy. He had collected as many stolen glances as possible, knowing it was all he would ever have of her. And the moments he had spent in her company, regardless of her cool politeness, had been the only times in his life he had come close to happiness.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
He who traps mice should not boast to he who hunts lions.
Matshona Dhliwayo
But she’s a ghost. And a demon.” “Might be a closer struggle than otherwise,” Edmund agreed heavily. “But he does have us.” “Oh, good,” said Reggie. And a little voice in the back of her head asked her why they were even bothering to come out. If Janet’s trap had worked, if Colin, the part-dragon, the magician with more than a century of life behind him, was actually in danger, what exactly did Reggie think two mortals and a few lead projectiles would accomplish? She told the voice to remember fables about mice and lions and traps—or was that thorns?—that in setting her trap for large prey, Janet might have left smaller openings unguarded, that there had to be a reason mortals were running so much of the world. Then she told the voice to go to the devil. Then she wished she hadn’t thought of the devil.
Isabel Cooper (The Highland Dragon's Lady (Highland Dragon, #2))
A cold smile hovered on his face, as a snake would smile at a group of trapped mice.
Ben Galley (Pale Kings (Emaneska, #2))
Daw wasn't capable of taking care of himself, much less me. I'd been taking care of him for years. Tucking him in, sewing him up, hiding the bills. Cooking, cleaning, tossing out dead mice and resetting the traps. And I hardly ever got angry with him because Daw was cracked and it wasn't his fault. But I was cracked too now, and it was like my insides were leaking through. All the love and worry and fear and regret, all of everything I hoped Daw would do for me one day, was floating away
Lori Ann Stephens (Blue Running)
All snakes are deadly. And there're only two kinds. Cobras and rattlesnakes," she said stoically. "Oh, come on. There's a million kinds of snakes and more that are harmless than the bad kind." "Nope, this is where we disagree. If it's not a rattlesnake then it's a cobra and I want them all dead. I don't care if it upsets Mother Nature's plan for the earth. I don't care if there's an overflow of mice. I'll buy rat traps or let my cat, Patches, in the house to eat them. Snakes are horrible and I hate them
Carolyn Brown (To Commit (The Broken Roads #2))
Other cats. Other mice. Other death-traps.
Florin-Marian Hera (BEFORE INC.WE935.I57.N211)
If you haven’t had the pleasure of physically comparing different Wall Street trading floors, you needn’t bother. They are all basically alike. The floor itself is a checkerboard of stained carpet squares covering a maze of twisted wires and electronic equipment. These removable squares serve as the lid of a massive trash can, and hidden below are dozens of half-empty Chinese food containers and mice. (Mice love trading floors, and banking employees are constantly discussing creative ways to trap and kill them.) If you stop by virtually any trading floor on Wall Street, this is what you will inevitably encounter: Hundreds of telephones are ringing. Television monitors are blasting news and flashing scattered bond quotes. One of the checkerboard squares is upended, and several maintenance men are taking a break to yell at each other in front of a pile of circuits and cables. Dozens of traders and salespeople are standing at three-foot intervals face-to-face at several long rectangular desks, which are stacked with a rainbow of colorful computers, flashing monitors, blue Reuters and green Telerate screens, beige Bloomberg data systems, and customized black broker quote boxes.
Frank Partnoy (FIASCO: Blood in the Water on Wall Street)
The majority of women, like the mice trapped in the drug company experiment, are confined in a woman hating culture from which they cannot escape. They suffer continual shocks: Verbal, sexual, emotional and physical abuse in and outside the home, pervasive social contempt, a sense of powerlessness and despair, and a lack of control over their ability to work effectively or even take care of their own children. Women’s depression, as feminists have pointed out, is a logical and rational response to having one’s human rights continually abused. Depression, burnout, or learned helplessness can be compared to the ways in which the mice freeze when they hear the sound before their torture.
Abigail Bray (Misogyny Re-Loaded)
During the Blitz of 1940–1941, for example, as German bombs rained down on London, isolated populations of Culex mosquitoes were confined to the air-raid tunnel shelters of the Underground Tube along with the city’s resilient citizens. These trapped mosquitoes quickly adapted to feed on mice, rats, and humans instead of birds and are now a species of mosquito distinct from their aboveground parental counterparts.* What should have taken thousands of years of evolution was accomplished by these mining sapper mosquitoes in less than one hundred years. “In another 100 years time,” jokes Richard Jones, former president of the British Entomological and Natural History Society, “there may be separate Circle Line, Metropolitan Line and Jubilee Line mosquito species in the tunnels below London.
Timothy C. Winegard (The Mosquito: A Human History of Our Deadliest Predator)
Ego autem sum quasi vas inane,’ he began awkwardly, stuttering along the lines of meaningless prose like a small child. ‘Ego donavit corpus meum ad dominum meum in exercitu magno Cardinalis Balthazar De La Senza,’ he continued, quickly becoming surprisingly fluent despite his vaguely cockney tone. ‘Tempore domini Inquisitoris magni voluntatis esse, aequo animo et scissa animam meam a fundamentis et suspensi in abyssum quasi stercora, nihil prorsus in aeternum damnatus egisse,’ he went on, oblivious to something stirring in the small box behind him. Wisps of purple drifted from it like steam from a cooling kettle. ‘Ego Christophorus Baxtere accipe usitata res est, uti et magnis La Senza caput meum corium et nervorum et magnifici primum genus dentium,’ Baxter continued, strangely enjoying himself. Far away in another place, the bound and trapped Cardinal La Senza had begun to whisper the words in unison beneath the folds of his hooded cloak. Oblivious, Baxter was flying now, quite unaware of the sinister coaching he was receiving. ‘O magnum La Senza, cum venerit, et ad hoc bonum esse propter tempus, quia ego miser!’ Baxter read on. A coiling snake-like tendril of purple had fingered its way through the lock of the cabinet and was creeping menacingly towards its target. It advanced up Baxter’s legs, body and neck until finally, it crept imperceptibly into his ears. ‘Ego Christophorus Baxtere immolare volens alumnam cerebrum meum et animam, ut vos mos postulo ut enable uariat possessione tua ...’ Pleased beyond measure by what he had fondled and explored, La Senza went still. Content for now, he drew back his sensing vines and they fell away from Baxter, unnoticed. His jailors had seen nothing. La Senza now had the chance he’d been craving for centuries, so many lifetimes of plotting and scheming. He knew nothing of the young man he had inspected so intimately – frankly, he didn’t care. It was the body, oh his body, so young and fit; teeth clean like white mice, no trace of Popery, no hint of Lutheran, Baptist, Jew, Muslim or Buddhist within his empty soul, nothing to restrain or inhibit the Inquisitor’s foul purposes. La Senza knew that his escape was mere days away. Immobile, he marshalled dark reserves for the events to come. ‘Nunc me vacua est anima mea praeparata et redditur supersunt, La Senza venit, et possident me! Sincere vestrum, Christopher Baxter,’ finished Chris, with a flourish. ‘Bravo Mr Baxter,’ said Ascot McCauley, standing as he clapped enthusiastically. ‘Bravo!
T.J. Brown (The Unhappy Medium (The Unhappy Medium, #1))
Thunderbolts," Beatrix exclaimed, entering the library where Leo had been waiting, "I can't go with you to the ruins after all. I've just checked on Lucky, and she's about to have her babies. I can't leave her at such a time." Leo smiled quizzically, replacing a book on a shelf. "Who's Lucky?" "Oh, I forgot you hadn't met her. She's a three-legged cat who used to belong to the cheesemaker in the village. The poor thing got her paw caught in a rat trap, and it had to be amputated. And now that she's no longer a good mouser, the cheesemaker gave her to me. He never even named her, can you imagine?" "Given what happened to her, the name 'Lucky' is something of a misnomer, isn't it?" "I thought it might improve her fortunes." "I'm sure it will," Leo said, amused. Beatrix's passion for helping vulnerable creatures had always worried and touched the Hathaways in equal measure. They all recognized that Beatrix was the most unconventional person in the family. Beatrix was always sought after at London social events. She was a pretty girl, if not classically beautiful, with her blue eyes, dark hair, and tall, slender figure. Gentlemen were attracted by her freshness and charm, unaware that she showed the same patient interest to hedgehogs, field mice, and misbehaving spaniels. And when it came time for active courtship, men reluctantly left Beatrix's engaging company and turned to more conventional misses. With each successive season, her chances at marriage diminished. Beatrix didn't seem to care. At the age of nineteen- nearly twenty- she had yet to fall in love. It was universally agreed among the Hathaways that few men would be able to understand or handle her. She was a force of nature, unhampered by conventional rules.
Lisa Kleypas (Married by Morning (The Hathaways, #4))