Meyer Wolfsheim Quotes

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There is a moment in The Great Gatsby when Jay Gatsby introduces Nick Carraway to Meyer Wolfsheim, mentioning offhandedly that he is the man who fixed the 1919 World Series. The idea staggers Gatsby’s idealistic young friend. Of course, Carraway knew the series had been thrown. But “if I had thought of it at all,” he says, “I would have thought of it as a thing that merely happened, the end of some inevitable chain.” It was unbelievable to him then, as it is to us now, that a single person could have been responsible for changing the outcome of an event watched by some fifty million people. In real life, the 1919 World Series was fixed not by Wolfsheim, but with great skill and audacity by Arnold Rothstein, a Jewish gangster. A young lieutenant colonel in the U.S. Army named Dwight Eisenhower eagerly followed the game as the scores came in via telegram, and like everyone else, never suspected a thing. He would remark years later that the revelation of the conspiracy that had thrown the series produced a profound change in his perspective about the world; it taught him never to trust in first appearances.
Ryan Holiday (Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of Intrigue)
Christians commit crimes with their hands, the Jews use their reason.’ A typical Jewish big-time criminal was Jacob ‘Greasy Thumb’ Guzik (1887-1956), who was Al Capone’s bookkeeper and treasurer. Another was Arnold Rothstein (1882-1928), the pioneer of big business crime, who is portrayed as ‘The Brain’ in Damon Runyon’s stories, and by Scott Fitzgerald as Meyer Wolfsheim in The Great Gatsby. Then there was Meyer Lansky, who created and lost a gambling empire and had his application for Israeli citizenship turned down in 1971.
Paul Johnson (History of the Jews)
I had never understood what Eliot meant by the curious phrase ‘objective correlative’ until the scene in Gatsby where the almost comically sinister Meyer Wolfsheim, who has just been introduced, displays his cuff links and explain that they are ‘the finest specimens of human molars.’ Get it? Got it. That’s what Eliot meant (109).
Blake Bailey (A Tragic Honesty: The Life and Work of Richard Yates)