Mexican Quotes

We've searched our database for all the quotes and captions related to Mexican. Here they are! All 100 of them:

Tofu tacos are not Mexican. I think putting tofu on anything and calling it Mexican is an insult to my people.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
It's a little place on the Pacific Ocean. You know what the Mexicans say about the Pacific? They say it has no memory. That's where I want to live the rest of my life. A warm place with no memory.
Stephen King (Different Seasons)
I'd rather be fried alive and eaten by Mexicans.
Roald Dahl (James and the Giant Peach)
Marry me, Kiara,” he blurts out in front of everyone. “Why?” she asks, challenging him. “Because I love you,” he says, walking up to her and bending down on one knee while he takes her hand in his, “and I want to go to sleep with you every night and wake up seein’ your face every mornin’, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you I’d be six feet under … and because I love your family like they’re my own … and because you’re my best friend and I want to grow old with you.” He starts tearing up, and it’s shocking because I’ve never seen him cry. “Marry me, Kiara Westford, because when I got shot the only thing I was thinkin’ about was comin’ back here and makin’ you my wife. Say yes, chica.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
Yo no soy mexicano. Yo no soy gringo. Yo no soy chicano. No soy gringo en USA y mexicano en Mexico. Soy chicano en todas partes. No tengo que asimilarme a nada. Tengo mi propia historia.
Carlos Fuentes
I thought of telling him that if it wasn't for Oklahoman cowboys and Mexican whores having a bit of fun, there would've been no Texans, but that would be counterproductive.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Books, moonlight, melodrama.
Silvia Moreno-Garcia (Mexican Gothic)
It isn't that it's too soon, you're on the back of my bike, it ain't too soon. You can buy sheets. You cannot install blinds." "um..." I mumbled. "Can you explain the difference?" "Sheets are chick territory," he said without delay. "You gotta use tools, that's dick territory." "Oh," I whispered. "Don't tread on dick territory," he advised. "So, um... is a paintbrush a tool?" I asked cautiously. "If you're paintin' the side of the house, yeah. If you're painting mud colored paint in a room, no." "It's terracotta," I said softly. "Whatever," he muttered, his mouth twitching. "Or, the paint chip called it Mexican horizon. The blue is dawn sky." "Definitely chick territory," Tate replied, losing the fight with his grin. "What about...pictures for the walls?" I asked. "Chick," he answered instantly. "Um...could I ask that, instead of you getting angry and being a jerk, maybe you give me a head's up when I'm doing something stupid?
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
If there's a child on the south side of Chicago who can't read, that matters to me, even if it's not my child. If there's a senior citizen somewhere who can't pay for their prescription, who has to choose between medicine and the rent, that makes my life poorer - even if it's not my grandparent. If there's an Arab-American or Mexican-American family being rounded up by John Ashcroft without benefit of an attorney or due process, I know that that threatens my civil liberties. And I don't have to be a woman to be concerned that the Supreme Court is trying to take away a woman's right, because I know that my rights are next. It is that fundamental belief - I am my brother’s keeper, I am my sister’s keeper - that makes this country work.
Barack Obama
A woman who is not liked is a bitch, and a bitch can hardly do anything: all avenues are closed to her.
Silvia Moreno-Garcia (Mexican Gothic)
The world might indeed be a cursed circle; the snake swallowed its tail and there could be no end, only an eternal ruination and endless devouring.
Silvia Moreno-Garcia (Mexican Gothic)
It was easy to kiss someone when it didn’t matter; it was more difficult when it might be meaningful.
Silvia Moreno-Garcia (Mexican Gothic)
I want to live life on my own terms. But I'm Mexican, so mi familia is always there to guide me in everything I do, whether I want them to or not. Well, "guide" is too weak a word. "Dictate" is more like it.
Simone Elkeles
Noemí’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.
Silvia Moreno-Garcia (Mexican Gothic)
Let me tell you, Alex. He's a crook. He's based here in Miami. He's a nasty piece of work." "He's mexican" Troy added.
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
Why would you come to Italy to see Spanish steps? That's like going to China for Mexican food, isn't it?
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
...she was trapped between competing desires, a desire for a more meaningful connection and the desire to never change. She wished for eternal youth and endless merriment.
Silvia Moreno-Garcia (Mexican Gothic)
I took three steps back; he nudged the door closed with his foot. “You like Mexican?” he asked. “I—” I’d like to know what you’re doing inside my house! “Tacos?” “Tacos?” I echoed. This seemed to amuse him. “Tomatoes, lettuce, cheese.” “I know what a taco is!
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Part of the racialized sexism wants everyone to think that a 15-year old Mexican is not a girl, she’s a woman. We know she’s a girl. We can never emphasize this enough, because this is the fate of colored girls globally right now: the denial of their girlhood, the denial of their childhood, and the constant state of risk and danger they are living in.
bell hooks (Homegrown: Engaged Cultural Criticism)
So I'll be wed in the Church of the Holy Incestuous Mushroom?
Silvia Moreno-Garcia (Mexican Gothic)
One could construct a hundred different narratives, it didn’t make them true.
Silvia Moreno-Garcia (Mexican Gothic)
The American Negro has the great advantage of having never believed the collection of myths to which white Americans cling: that their ancestors were all freedom-loving heroes, that they were born in the greatest country the world has ever seen, or that Americans are invincible in battle and wise in peace, that Americans have always dealt honorably with Mexicans and Indians and all other neighbors or inferiors, that American men are the world's most direct and virile, that American women are pure. Negroes know far more about white Americans than that; it can almost be said, in fact, that they know about white Americans what parents—or, anyway, mothers—know about their children, and that they very often regard white Americans that way. And perhaps this attitude, held in spite of what they know and have endured, helps to explain why Negroes, on the whole, and until lately, have allowed themselves to feel so little hatred. The tendency has really been, insofar as this was possible, to dismiss white people as the slightly mad victims of their own brainwashing.
James Baldwin (The Fire Next Time)
When you meet a man in the doorway of a Mexican restaurant who later kisses you while explaining that this kiss doesn’t “mean anything” because, much as he likes you, he is not interested in having a relationship with you or anyone right now, just laugh and kiss him back. Your daughter will have his sense of humor. Your son will have his eyes.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Yes, Horus said. I remember this place. It’s El Paso, I told him. Unless you went out for Mexican Food, you’ve never been here.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
They tried to bury us. They didn’t know we were seeds.” —MEXICAN PROVERB
Jennifer Weiner (Mrs. Everything)
I would like to be remembered, well ... the Mexicans have a phrase, "Feo fuerte y formal". Which means he was ugly, strong and had dignity.
John Wayne
Brittany Ellis, I'm goin' to prove to you I'm the guy you believed in ten months ago, and I'm gonna be the successful man you dreamed I could be. My plan is to ask you to marry me four years from now, the day we graduate."'And I guarantee you a lifetime of fun, probably one with no lack of fightin', for you are one passionate mamacita . . . but I definitely look forward to some great make-up sessions. Maybe one day we can even go back to Fairfield and help make it the place my dad always hoped it would be. You, me, and Shelley. And any other Fuentes or Ellis family member who wants to be a part of our lives. We'll be one big, crazy Mexican-American family. What do you think? Mujer, you own my soul.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Me daba vergüenza estar así por un hombre, ser tan infeliz y volverme dichosa sin que dependiera para nada de mí
Ángeles Mastretta (Arráncame la vida)
I never thought I'd get to see Rome," Hazel said. "When I was alive, I mean for the first time, Mussolini was in charge. We were at war." "Mussolini?" Leo frowned. "Wasn't he like BFF's with Hitler?" Hazel stared at him like he was an alien. "BFF's?" "Never mind." "I'd love to see the Trevi Fountain," she said. "There's a fountain on every block," Leo grumbled. "Or the Spanish Steps," Hazel said. "Why would you come to Italy to see Spanosh steps?" Leo asked. "That's like going to China for Mexican food, isn't it?" "You're hopeless," Hazel complained. "So I've been told.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I have always been taught to be proud of being Latina, proud of being Mexican, and I was. I was probably more proud of being a "label" than of being a human being, that's the way most of us were taught.
Erin Gruwell (The Freedom Writers Diary)
Maybe she'd been drinking too much of the super-sweet Mexican Coca-Cola they had down here. Or maybe she was just tired, alone, and far from home. Because somewhere in the brittle, concrete center of Azrael's dark heart, something was melting.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
I’d rather live in the streets than be a submissive Mexican wife who spends all day cooking and cleaning.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding - escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience - maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who're afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar's Hell. Some folks hide, and some folk's seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren't afraid to look and won't turn tail should they find it - and if they never do, they'll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth's sweet gas.
Tom Robbins (Still Life with Woodpecker)
No existe ningún recuerdo por intenso que sea que no se apague...
Juan Rulfo (Pedro Páramo)
I’m convinced that anyone who doesn’t like Mexican food is a psychopath.
Jim Gaffigan (Food: A Love Story)
In Bakersfield, California, a Mexican strawberry picker with an income of $14,000 and no English was lent every penny he needed to buy a house for $724,000.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
I don’t know why I’ve always been like this, why the smallest things make me ache inside. There’s a poem I read once, titled “The World Is Too Much with Us,” and I guess that is the best way to describe the feeling—the world is too much with me.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
Maybe love is thinking that every time your partner does or says something mundane that you want to start a Mexican wave from here to Uzbekistan in utter delight.
Cecelia Ahern (The Book of Tomorrow)
My name is Skippito Friskito. (clap-clap) I fear not a single bandito. (clap-clap) My manners are mellow, I'm sweet like the Jell-o, I get the job done, yes indeed-o. (clap-clap)
Judy Schachner (Skippyjon Jones)
Listen, I don't want to be an asshole to you,' I say. So much for the Alex Fuentes Show. 'I know. It's your image, what Alex Fuentes is all about. It's your brand, your logo... dangerous, deadly, hot and sexy Mexican. I wrote the book on creating an image. I wasn't aiming for the blonde bimbo look, though. More like the perfect, untouchable look.' Woah. Rewind. Brittany called me hot and sexy.... 'You do realize you called me hot.' 'As if you didn't know.' I didn't know Brittany Ellis considered me hot. 'For the record, I thought you were untouchable. But now that I know you think I'm a hot, sexy Mexican god...' 'I never said the word "god,"' I put my finger to my lips. 'Shh. Let me enjoy this fantasy for a minute.' I closed my eyes.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A Mexican guy named Sam pushes Gary Frankel next to Isabel. "This guy can break your arm with one snap, asshole. Get out of my sight before I sic him on you," Sam says. Gary, who's wearing a coral shirt and white pants, growls to look tough. It doesn't work.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
It’s easier to be pissed, though. If I stop being angry, I’m afraid I’ll fall apart until I’m just a warm mound of flesh on the floor.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
The waitress returns, cutting into possibly the most bizarre way a pregnancy can be announced. At a Mexican restaurant. With a tequila shot standoff. In French
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
This land was Mexican once, was Indian always and is. And will be again.
Gloria E. Anzaldúa (Borderlands/La Frontera: The New Mestiza)
Mexican nicknames are as cruel as they are hilarious.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
Any combination of a 250-pound Mexican and LSD-25 is a potentially terminal menace for anything it can reach
Hunter S. Thompson
jose jaliopinio on a stick" do you like bmw's (big mexican weman)
Jeff Dunham
As much as I get sick of eating Mexican food every single day of my life, if heaven existed, I know it would smell like fried tortillas.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
And they drank heavily, partied with great enthusiasm, and relished the drug culture; they moved in and out and slept around, and this was okay because they defined their own morality. They were fighting for the Mexicans and the redwoods, dammit! They had to be good people!
John Grisham (The Brethren)
She was the snake biting its tail. She was a dreamer, eternally bound to a nightmare, eyes closed even when her eyes had turned to dust.
Silvia Moreno-Garcia (Mexican Gothic)
Happiness is a dandelion wisp floating through the air that I can’t catch. No matter how hard I try, no matter how fast I run, I just can’t reach it. Even when I think I grasp it, I open my hand and it’s empty.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
In her spare time, she looked to books or the stars for company.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
being sick feels like you're wearing someone else's glasses
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
How do we tie our shoes, brush our hair, drink coffee, wash the dishes, and go to sleep, pretending everything is fine? How do we laugh and feel happiness despite the buried things growing inside? How can we do that day after day?
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
It ever make you laugh to think how much this pisses assholes off?” he says, gesturing to encompass the whole scene: two Mexican men putting their feet up on the railing where heads of state eat croissants. “Constantly.
Casey McQuiston (Red, White & Royal Blue)
I was too excited and threw my book across the room. It was so good that it made me angry. People would think I’m nuts if I try to explain it to them, so I don’t.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
Our bodies hide so many mysteries and they tell so many stories without a single word
Silvia Moreno-Garcia (Mexican Gothic)
The future, she thought, could not be predicted, and the shpae of things could not be divined. To think otherwise was absurd. But they were young that morning, and they could cling to hope. Hope that the world could be remade, kinder and sweeter.
Silvia Moreno-Garcia (Mexican Gothic)
It’s no good telling tales without a drink.
Silvia Moreno-Garcia (Mexican Gothic)
Can I miss people I’ve never met? Because I think I do.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
One’s options in this world are as vast as the horizon, which is technically a circle and thus infinitely broad. Yet we must choose each step we take with utmost caution, for the footprints we leave behind are as important as the path we will follow. They’re part of the same journey — our story.
Lori R. Lopez (Dance of the Chupacabras)
You did not rescue me,” Casiopea replied. “I opened that chest. Besides, I wasn’t a princess in a tower. I knew I’d get away one way or another, and I was not waiting for a god to liberate me.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
You’re very silly or very brave, living in a haunted house.
Silvia Moreno-Garcia (Mexican Gothic)
This is the Propylon." He waved toward a stone path lined with crumbling columns. "One of the main gates into the Olympic valley." "Rubble!" said Leo "And over there - " Frank pointed to a square foundation that looked like the patio for a Mexican restaurant - "is the Temple of Hera, one of the oldest structures here." "More rubble!" Leo said. "And that round bandstand-looking thing - that's the Philipeon, dedicated to Philip of Macedonia." "Even more rubble! First rate rubble!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
He stopped to rest at a cart selling nuts and candy, bought himself some Jelly Belly's, flirted just enought with the Mexican cutie working there to convince her pull out the banana-flavored one. Although he liked his Jelly Belly's mixed up, he didn't like banana, but, since it took too much effort to pull them out himself, he generally tried to talk someone else into doing it. If that didn't work, he just ate 'em. - Kenny Traveler
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
I love the smell of old bookstores—paper, knowledge, and probably mildew.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
She wanted to be liked. Perhaps this explained the parties, the crystalline laughter, the well-coiffed hair, the rehearsed smile. She thought that men such as her father could be stern and men could be cold like Virgil, but women needed to be liked or they’d be in trouble. A woman who is not liked is a bitch, and a bitch can hardly do anything: all avenues are closed to her.
Silvia Moreno-Garcia (Mexican Gothic)
The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country — a border culture. Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants.
Gloria E. Anzaldúa (Borderlands/La Frontera: The New Mestiza)
At first I assumed he was a Mexican, but slowly began to realise that a real Mexican probably wouldn't be wearing a sombrero in a London nightclub. And he'd probably have a real moustache, not a stick-on one. A Mexican with a stick-on moustache would be like a Super-Mexican, because he'd have two moustaches, and that'd be cool, because a Super-Mexican could probably use his poncho as a cape, and then I realised I was saying all this to the man's face.
Danny Wallace (Yes Man)
I don’t understand why everyone just complains about who I am. What am I supposed to do? Say I’m sorry? I’m sorry I can’t be normal? I’m sorry I’m such a bad daughter? I’m sorry I hate the life that I have to live?
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
I don’t know why it surprises me that the world doesn’t stop just because I’m gone.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
But what is the way forward? I know what it isn't. It's not, as we once believed, plenty to eat and a home with all the modern conveniences. It's not a 2,000-mile-long wall to keep Mexicans out or more accurate weapons to kill them. It's not a better low-fat meal or a faster computer speed. It's not a deodorant, a car, a soft drink, a skin cream. The way forward is found on a path through the wilderness of the head and heart---reason and emotion. Thinking, knowing, understanding.
Laurence Gonzales (Everyday Survival: Why Smart People Do Stupid Things)
Querida, it's alright," he said. "No one has hurt me in years." "Hey, you're supposed to be my brother," I said, trying to joke. "Brother's don't hold their sisters' hands or call them querida." Seb smiled, his hazel eyes starting to dance. "Yes, they do," he said. "This happens all the time." "Well I guess things are different in Mexico then," I said. "Because in America, no way. And I'm an American." "But you're in Mexico now," he pointed out. "Right. And you're saying here, boys holds hands with their sisters and call them sweetheart." "Oh yes. We're very friendly, we Mexicans.
L.A. Weatherly (Angel Fire (Angel, #2))
Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted.
Silvia Moreno-Garcia (Mexican Gothic)
Noemí, just because there are no ghosts it doesn’t mean you can’t be haunted. Nor that you shouldn’t fear the haunting.
Silvia Moreno-Garcia (Mexican Gothic)
When we engage in dehumanizing rhetoric or promote dehumanizing images, we diminish our own humanity in the process. When we reduce Muslim people to terrorists or Mexicans to “illegals” or police officers to pigs, it says nothing at all about the people we’re attacking. It does, however, say volumes about who we are and the degree to which we’re operating in our integrity.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
They tried to bury me, but didn't know that I'm a seed.
Mexican proverb
Martinez and Johanssen floated down the hall toward Docking Port A. “So,” he said, “who would you have eaten first?” She glared at him. “’Cause I think I’d be tastiest,” he continued, flexing his arm. “Look at that. Good solid muscle there.” “You’re not funny.” “I’m free-range, you know. Corn-fed.” She shook her head and accelerated down the hall. “Come on! I thought you liked Mexican!” “Not listening,” she called back.
Andy Weir (The Martian)
Beauty attracts beauty and begets beauty.
Silvia Moreno-Garcia (Mexican Gothic)
There is no heaven. There is only earth, sky, and the transfer of energy. The idea would almost be beautiful if it weren't such a nightmare.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
Your life depends on a random stranger who could kill you, will probably disrespect you, and will most likely pay you much less than you deserve. But even those prospects are better than the ones you used to have. This is the life of los jornaleros – the day laborers.
Gustavo Arellano (Ask a Mexican)
Be careful. Please. The border…The fucking border.” I feel a wildness spreading through me. “It’s nothing but a giant wound, a big gash between the two countries. Why does it have to be like that? I don’t understand. It’s just some random, stupid line. How can anyone tell people where they can and can’t go?
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
It’s his dream to live in the U.S., but I almost wish he won’t. Even if he makes it alive, this place is not the promised land for everyone.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
The house does not rest upon the ground, but upon a woman.
Mexican proverb
I have seen the world, and in seeing it I’ve noticed people seem bound to their vices.
Silvia Moreno-Garcia (Mexican Gothic)
He was an atheist and it had been years since he read a book, despite the fact that he had amassed a more than decent library of works in his specialty, as well as volumes of philosophy and Mexican history and a novel or two. Sometimes he thought it was precisely because he was an atheist that he didn't read anymore. Not reading, it might be said, was the highest expression of atheism or at least of atheism as he conceived of it. If you don't believe in God, how do you believe in a fucking book? he asked himself.
Roberto Bolaño (2666)
Let’s get one thing out of the way: Mexican immigration is an oxymoron. Mexicans are indigenous. So, in a strange way, I’m pleased that the racist folks of Arizona have officially declared, in banning me alongside Urrea, Baca, and Castillo, that their anti-immigration laws are also anti-Indian. I’m also strangely pleased that the folks of Arizona have officially announced their fear of an educated underclass. You give those brown kids some books about brown folks and what happens? Those brown kids change the world. In the effort to vanish our books, Arizona has actually given them enormous power. Arizona has made our books sacred documents now.
Sherman Alexie
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
The future could not be predicted, and the shape of things could not be divined. To think otherwise was absurd. But they were young that morning and they could cling to hope. Hope that the world could be remade kinder and sweeter.
Silvia Moreno-Garcia (Mexican Gothic)
Everyone gets killed in the shower. Don't you go to the movies? Psycho. Dead in shower. The MExican in No country for Old Men. Dead in shower. Michelle Pfeiffer in What Lies Beneath. Almost dead in shower, or in the bath, anyway. But she did that thing with her toe and got out OD. Still the shower, though...Glen Close in Fatal Attraction. Dead in shower. John Travolta in Pulp Fiction. Very dead in shower. But never closets. I can't think of anyone shot in a closet. This is why I hide in closets.
Derek B. Miller (Norwegian by Night (Sigrid Ødegård #1))
But carbon 13 [the carbon from corn] doesn't lie, and researchers who have compared the isotopes in the flesh or hair of Americans to those in the same tissues of Mexicans report that it is now we in the North who are the true people of corn.... Compared to us, Mexicans today consume a far more varied carbon diet: the animals they eat still eat grass (until recently, Mexicans regarded feeding corn to livestock as a sacrilege); much of their protein comes from legumes; and they still sweeten their beverages with cane sugar. So that's us: processed corn, walking.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
If one really wishes to know how justice is administered in a country, one does not question the policemen, the lawyers, the judges, or the protected members of the middle class. One goes to the unprotected—those, precisely, who need the law’s protection the most!—and listens to their testimony. Ask any Mexican, any Puerto Rican, any black man, any poor person—ask the wretched how they fare in the halls of justice, and then you will know, not whether or not the country is just, but whether or not it has any love for justice, or any concept of it.
Eddie S. Glaude Jr. (Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own)
In some ways, I think that part of what of what I'm trying to accomplish, whether Amá really understands it or not, is to live for her Apá, and Olga. It's not that I'm living life for them, exactly, but I have so many choices they've never had. And I feel like I can do so much with what I've been given. What a waste their journey would be if I just settled for a dull mediocre life.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
Hey, Arnold," he said. I looked up 'in love with a white girl' on Google and found and article about that white girl named Cynthia who disappeared in Mexico last summer. You remember how her face was all over the papers and everybody said it was such a sad thing?" "I kinda remember," I said. "Well this article said that over two hundred Mexican girls have disappeared in the last three years in that same part of the country. And nobody says much about that. And that's racist. The guy who wrote the article says people care more about beautiful white girls than they do about everybody else on the planet. White girls are privileged. They're damsels in distress." So what does that mean?" I asked. "I think it means you're just a racist asshole like everybody else.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
When asked whether or not we are Marxists, our position is the same as that of a physicist, when asked if he is a “Newtonian” or of a biologist when asked if he is a “Pasteurian.” There are truths so evident, so much a part of the peoples’ knowledge, that it is now useless to debate them. One should be a “Marxist” with the same naturalness with which one is a “Newtonian” in physics or a “Pasteurian.” If new facts bring about new concepts, the latter will never take away that portion of truth possessed by those that have come before. Such is the case, for example, of “Einsteinian” relativity or of Planck’s quantum theory in relation to Newton’s discoveries. They take absolutely nothing away from the greatness of the learned Englishman. Thanks to Newton, physics was able to advance until it achieved new concepts of space. The learned Englishman was the necessary stepping-stone for that. Obviously, one can point to certain mistakes of Marx, as a thinker and as an investigator of the social doctrines and of the capitalist system in which he lived. We Latin Americans, for example, cannot agree with his interpretation of Bolivar, or with his and Engels’ analysis of the Mexicans, which accepted as fact certain theories of race or nationality that are unacceptable today. But the great men who discover brilliant truths live on despite their small faults and these faults serve only to show us they were human. That is to say, they were human beings who could make mistakes, even given the high level of consciousness achieved by these giants of human thought. This is why we recognize the essential truths of Marxism as part of humanity’s body of cultural and scientific knowledge. We accept it with the naturalness of something that requires no further argument.
Ernesto Che Guevara
The Stadium Have you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators. At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracanã is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mamés in Bilbao talk in Basque. In Milan, the ghosts of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.
Eduardo Galeano (Soccer in Sun and Shadow)
UP You wake up filled with dread. There seems no reason for it. Morning light sifts through the window, there is birdsong, you can't get out of bed. It's something about the crumpled sheets hanging over the edge like jungle foliage, the terry slippers gaping their dark pink mouths for your feet, the unseen breakfast--some of it in the refrigerator you do not dare to open--you will not dare to eat. What prevents you? The future. The future tense, immense as outer space. You could get lost there. No. Nothing so simple. The past, its density and drowned events pressing you down, like sea water, like gelatin filling your lungs instead of air. Forget all that and let's get up. Try moving your arm. Try moving your head. Pretend the house is on fire and you must run or burn. No, that one's useless. It's never worked before. Where is it coming form, this echo, this huge No that surrounds you, silent as the folds of the yellow curtains, mute as the cheerful Mexican bowl with its cargo of mummified flowers? (You chose the colours of the sun, not the dried neutrals of shadow. God knows you've tried.) Now here's a good one: you're lying on your deathbed. You have one hour to live. Who is it, exactly, you have needed all these years to forgive?
Margaret Atwood (Morning In The Burned House: Poems)
The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)