Meter Quotes

Some things you know all your life. They are so simple and true they must be said without elegance, meter and rhyme...they must be naked and alone, they must stand for themselves.

Of course Evil's afoot. If it had switched to the metric system it'd be up to a meter by now.

My bullshit meter is reading that as 'false'.

I have to tell you man, that my stalker meter is kind of registering in the red zone right now.

A hospital bed is a parked taxi with the meter running.

I have always hated crowds. I like deserts, prisons, and monasteries. I have discovered, too, that there are fewer idiots at 3000 meters above sea level than down below.

He stood a few meters from the step and spoke with great conviction, great joy. "Alles ist Scheisse," he announced. All is shit.

The hot-o-meter started ringing like crazy as hot guys descended on me, my car and Tack from two directions. Boy was I glad I curled my hair.

But in the end, if everything goes to plan, I’ll have 92 square meters of crop-able soil. Hell yeah I’m a botanist! Fear my botany powers!

There was a sound like a human yawn, and then the skull turned slightly toward me and asked, "What's up, boss?" "Evil's afoot." "Well, sure," Bob said, "because it refuses to learn the metric system. Otherwise it'd be up to a meter by now.

Life isn’t a hundred-meter race against your friends, but a lifelong marathon against yourself.

Make your own dream. That's the Beatles' story, isn't it? That's Yoko's story, that's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.

Love you,” Xavier said just before he drifted back to sleep. “Love you more,” I said playfully. “Not a chance,” Xavier said, fully awake now. “I’m bigger, I can contain more love.” “I’m smaller, therefore my love particles are more compressed, which means I can fit more in.” Xavier laughed. “That argument makes no sense. Overruled.” “I’m just basing it on how much I miss you when you’re not around,” I countered. “How can you possibly know how much I miss you?” he said. “Have you got some sort of built-in miss-o-meter that can give us a reading?” “I’m a girl; of course I have a built-in miss-o-meter.

No one knew more than he how fast life could change. He pulled a trigger and four seconds later the life of a man a thousand meters away was over.

Isn't that someone we know?" asked Horace. He pointed to where a cloaked figure sat by the side of the road a few hundred meters away, arms wrapped around his knees. Close by him, a small shaggy horse cropped the grass growing at the edge of the drainage ditch that ran beside the road. "So it is," Halt replied. "And he seems to have brought Will with him.

There is a shipwreck between your ribs and it took eighteen years for me to understand how to understand your kind of drowning. There are people who cannot be held quietly. There are screams that are never externalized. If I looked at the photo albums of your past twenty years, all I would find are decibel meter graphs of phone calls and the intensity of your silence as you sat smoking cigarettes in the garage. There is a shipwreck between your ribs. You are a box with fragile written on it, and so many people have not handled you with care. And for the first time, I understand that I will never know how to apologize for being one of them.

I'm a girl; of course I have a built-in miss-o-meter.

What is it about meter and cadence and rhythm that makes their makers mad?

It happens sometimes in families: one child who doesn’t fit, whose rhythm is off, whose meter is set to the wrong tune.

We were too tired to help. Above 8,000 meters is not a place where people can afford morality

Always in life an idea starts small, it is only a sapling idea, but the vines will come and they will try to choke your idea so it cannot grow, and it will die and you will never know you had a big idea, an idea so big it could have grown thirty meters through the dark canopy of leaves and touched the face of the sky. The vines are people who are afraid of originality, of new thinking. Most people you encounter will be vines; when you are a young plant they are very dangerous. Always listen to yourself, Peekay. It is better to be wrong than simply to follow convention. If you are wrong, no matter, you have learned something and you grow stronger. If you are right, you have taken another step toward a fulfilling life.

Chase looked like a drowning man without a life preserver, and by the look in his eyes, he was going under for the third time. “I knew you would be like the waters of the South Pacific Ocean.” “I beg your pardon?” “I liken people to different bodies of water,” he quickly explained. “You what?” “Each ocean has a different personality,” he said to clarify. “The Pacific Ocean is warmer and inviting, but the color is muddied in places. The Arctic Ocean is cold and very uninviting, one might even say that it is not very appealing, but it’s full of life. Then there is the South Pacific Ocean, warm, inviting, and crystal clear. It has this purity to it. Why, the coloring of the water is some of the brightest blue I’ve ever seen in my entire life. There are even places that you can see thirty meters down.

About five meters ahead, Nico was swinging his black sword with one hand, holding the scepter of Diocletian aloft with the other. He kept shouting orders at the legionnaires, but they paid him no attention. Of course not, Frank thought. He's Greek. [...] Jason's face was already beaded with sweat. He kept shouting in Latin: "Form ranks!" But the dead legionnaires wouldn't listen to him, either. [...] "Make way!" Frank shouted. To his surprise, the dead legionnaires parted for him. The closest ones turned and stared at him with blank eyes, as if waiting for further orders. "Oh, great..." Frank mumbled.

I'm a poet who can whine in meter

How can you possibly know how much I miss you?" he said. "Have you got some sort of built-in miss-o-meter that can give us a reading?" "I'm a girl; of course I have a built-in miss-o-meter.

Potonglah kaki tangan seseorang lalu masukkan di tempat 2 x 3 meter dan berilah kebebasan padanya. Inilah kemerdekaan pers di Indonesia.

Sanity is a sonnet with a strict meter and rhyme scheme-and my mind is free verse.

First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. It's the kind of place that can have you fuming and then purring in the space of a hundred meters, or in the course of ten minutes. Italy is the only workshop in the world that can turn out both Botticellis and Berlusconis.

After perhaps thirty meters, just as a soldier turned around, the girl was felled. Hands were clamped upon her from behind and the boy next door brought her down. He forced her knees to the road and suffered the penalty. He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down.

Rincewind had always been happy to think of himself as a racist. The One Hundred Meters, the Mile, the Marathon -- he'd run them all.

Silence can be a form of protest. It can be a means of survival. But it can also be a school of poetry—one with its own meter, tropes, and conventions. One that needn’t be written with pencils or pens; but that can be written in the soul with a revolver to the chest.” With

I managed to beat Michael Phelps’ 400 meter IM time. And not only did I beat his time, but I did it in exactly 200 meters.

You're so good looking I can barely keep my eyes on the meter.

I have to tell you, man, that my stalker meter is kind of registering in the red zone right now.

...the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured- disgrace, humiliation, poverty, war, crime, ennui- in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off.

What Hamlet suffers from is a lack of zombies. Let us say Rosencrantz and Guildenstern show up—Ho-HO! Now you’ve got something that stirs the, um, something that stirs things that are stirrable. BOOM! A pack of ravenous flesh-eaters breaks open their heads and sucks out their eyeballs. No need for iambic pentameter because they are grunting, groaning annihilators of humanity with no time for meter. You’re not asleep in the back of English class anymore, are you? This is what I’m talking about. Zombies. Learn it, live it, love it.

The kitchen was bright, cheerful yellow, the walls decorated with framed chalk and pencil sketches Simon and Rebecca had done in grade school. Rebecca had some drawing talent, you could tell, but Simon's sketches of people all looked like parking meters with tufts of hair.

Produce your own dream. If you want to save Peru, go save Peru. It’s quite possible to do anything, but not if you put it on the leaders and the parking meters. Don’t expect Carter or Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself.

Kind of like winning the fifty-meter ass-stroke in the Loserlympics

I am sonnets full of stardust within the meter of my skin.

¡Carajo! -gritó. Amaranta, que empezaba a meter la ropa en el baúl, creyó que la había picado un alacrán. -¡Dónde está! -preguntó alarmada. -¿Qué? -¡El animal! -aclaró Amaranta. Úrsula se puso un dedo en el corazón. -Aquí -dijo.

Before I could do anything rash, a familiar voice behind me said, "Hello, Sadie." The other girls let out a collective gasp. My pulse quickened from "slow walk" to "fifty-meter-dash." I turned and found that-yes, indeed-the god Anubis had crashed our dance.

In your language you have a form of poetry called the sonnet…There are fourteen lines, I believe, all in iambic pentameter. That’s a very strict rhythm or meter…And each line has to end with a rigid pattern. And if the poet does not do it exactly this way, it is not a sonnet…But within this strict form the poet has complete freedom to say whatever he wants…You’re given the form, but you have to write the sonnet yourself. What you say is completely up to you.

On any other day, being fired would rank pretty high on Karlee’s stress-o-meter. But today wasn’t any other day. Inhaled into Shade’s memory, Karlee watch her friend dropped from a cliff. She still hadn’t processed it. Shade likely died from her injuries. That meant Shad had been murdered.

Physiologists, in fact, have calculated that rowing a two-thousand-meter race—the Olympic standard—takes the same physiological toll as playing two basketball games back-to-back. And it exacts that toll in about six minutes.

Sookie, what have we done? And to whom?" "I killed a chicken. And I cooked it." "Sookie, Sookie. My bullshit meter is reading that as a false." -Eric Northman, Sookie Stackhouse

using parking meters as walking sticks.

Whenever I began to question whether God exists, I looked up to the sky and surely there, right there, between the sun and moon, stands my grandmother, singing a long meter hymn, a song somewhere between a moan and a lullaby and I know faith is the evidence of things unseen. And all I have to do is continue trying to be a Christian.

In thanks for their survival, the Rhodians erected a huge bronze statue of Helios—the Sun god, their patron deity—at the entrance to their harbor. With a height of thirty meters (a hundred feet), the Colossus of Rhodes, as it is known, was considered one of the wonders of the world—this was an age that admired gigantism—but it snapped at the knees and fell during an earthquake in 227.

People laugh because they're nervous, or to cover up tension, or to flirt, or because there's some instant applause meter in their head telling them that it's the socially acceptable thing to do. Genuine laughter, I don't even think that happens daily.

We must wait," she said. "They are involved in important buisness." Her tone was serious, almost reverntial. The two of them stopped, some five meters from the group of me. They were all leaning forward, staring intently at an upright rock placed in the middle of the circle. Will thought they must be praying, although no words were being said. Then, as one, they all slumped back with a roar of disappointment. "It flew away!" said one figure, and Will recognized the voice. It was the man who had rescued him. "Almost to the top and it flew away!" e lookd questioningly to Cieliema and she rolled her eyes at him. "Grown men gambling on two flies crawling up a stone." "Gambling?" he said. "I thought they were praying. She raised an eyebrow. "To them, it's much the same thing.

Have you ever wondered if death is the same for all living beings, be they animals, human beings included, or plants, from the grass you walk on to the hundred-meter-tall sequoiadendron giganteum, will the death that kills a man who knows he's going to die be the same as that of a horse who never will.

Thanks to the fine taxpayers of America, I have over 100 square meters of the most expensive solar paneling ever made. It has an astounding 10.2 percent efficiency,

The street is no longer measured by meters but by corpses ... Stalingrad is no longer a town. By day it is an enormous cloud of burning, blinding smoke; it is a vast furnace lit by the reflection of the flames. And when night arrives, one of those scorching howling bleeding nights, the dogs plunge into the Volga and swim desperately to gain the other bank. The nights of Stalingrad are a terror for them. Animals flee this hell; the hardest stones cannot bear it for long; only men endure.

Annapurna, to which we had gone emptyhanded, was a treasure on which we should live the rest of our days. With this realization we turn the page: a new life begins. There are other Annapurnas in the lives of men.

I look forward to being older, when what you look like becomes less and less an issue and what you are is the point." (As quoted in Put Your Big Girl Panties on and Deal with it, Roz Van Meter, 2007)

Hey,” Watney said over the radio, “I've got an idea.” “Of course you do,” Lewis said. “What do you got?” “I could find something sharp in here and poke a hole in the glove of my EVA suit. I could use the escaping air as a thruster and fly my way to you. The source of thrust would be on my arm, so I'd be able to direct it pretty easily.” “How does he come up with this shit?” Martinez interjected. “Hmm,” Lewis said. “Could you get 42 meters per second that way?” “No idea,” Watney said. “I can't see you having any control if you did that,” Lewis said. “You'd be eyeballing the intercept and using a thrust vector you can barely control.” “I admit it's fatally dangerous,” Watney said. “But consider this: I'd get to fly around like Iron Man.” “We'll keep working on ideas,” Lewis said. “Iron Man, Commander. Iron Man.

humans rarely choose things in absolute terms. We don't have an internal value meter that tells us how much things are worth. Rather, we focus on the relative advantage of one thing over another, and estimate value accordingly.

It was here in Mayfair, that adjectives such as gracious elegant sophisticated and sublime trip off the tongue like coins into a parking meter.

I may be slow, but I know a racist when I’m called one - and I am proud to support the supremacy of the 100-meter leisurely stroll.

Like all sentient beings, Fat Charlie had a weirdness quotient. For some days the needle had been over in the red, occasionally banging jerkily against the pin. Now the meter broke.

You claim that the evidentiary miracle is present and available, namely, the Koran. You say: 'Whoever denies it, let him produce a similar one.' Indeed, we shall produce a thousand similar, from the works of rhetoricians, eloquent speakers and valiant poets, which are more appropriately phrased and state the issues more succinctly. They convey the meaning better and their rhymed prose is in better meter. … By God what you say astonishes us! You are talking about a work which recounts ancient myths, and which at the same time is full of contradictions and does not contain any useful information or explanation. Then you say: 'Produce something like it'‽

It wasn't this soldier's uniform that affected her, and it wasn't his looks. It was the way he had stared at her from across the street, separated from her by ten meters of concrete, a bus, and the electric wires of the tram line.

There are so many things we can’t do anything about if we think about generalities. Things won’t go well because there is a huge gap between the generalities and the particulars. If we see generalities from the top of a mountain or from a plane, we feel it’s hopeless, but if we go down, there is a nice road running about fifty meters, we feel this is a nice road, and if the weather is fine and shining, we feel we can go on… Since the people in the community are cleaning up the river in my neighborhood, I join them when I have the time. A human can often be satisfied with the particulars. That’s what I like best these days.

America has faced hardships in the past but we have always mounted a comeback! We defeated the Nazis, we defeated the Native Americans, we defeated the environment, we even defeated the Metric System! Kilos? Sorry, that's drug talk. This is America! Where we eat fruit by the foot, not muesli by the meter.

My friend Kira always said that life is like an extremely difficult, horribly unbalanced videogame. When you’re born, you’re given a randomly generated character, with a randomly determined name, race, face, and social class. Your body is your avatar, and you spawn in a random geographic location, at a random moment in human history, surrounded by a random group of people, and then you have to try to survive for as long as you can. Sometimes the game might seem easy. Even fun. Other times it might be so difficult you want to give up and quit. But unfortunately, in this game you only get one life. When your body grows too hungry or thirsty or ill or injured or old, your health meter runs out and then it’s Game Over. Some people play the game for a hundred years without ever figuring out that it’s a game, or that there is a way to win it. To win the videogame of life you just have to try to make the experience of being forced to play it as pleasant as possible, for yourself, and for all of the other players you encounter in your travels. Kira says that if everyone played the game to win, it’d be a lot more fun for everyone. —Anorak’s Almanac, chapter 77, verses 11–20

To my embarrassment, I was crying again. Real girl tears for the second time, these ones born out of frustration. That didn't happen to me very often, but I hated it when it did. It was faulty wiring in the female body, tear ducts attached directly to the frustration meter. Trying to explain to men that no, I wasn't being manipulative, I just couldn't stop my eyes from leaking salt water, only added to the aggravation.

Every poet has his dream reader: mine keeps a look out for curious prosodic fauna like bacchics and choriambs.

Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad. But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important. And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.” Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool. We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.

The thing about her is, she’s good-natured. He knew it the second he saw her standing by the parking meters. He could just tell from the soft way her belly looked. With women, you keep bumping against them, because they want different things, they’re a different race. Either they give, like a plant, or scrape, like a stone. In all the green world nothing feels as good as a woman’s good nature.

How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.

Those smooth, spit-cleaned cheeks gave no indication of the dreams crowding her skull. Should she make it to adulthood, the girl would arrive with two hundred and six bones. Two and a half million sweat glands. Ninety-six thousand kilometers of blood vessels. Forty-six chromosomes. Seven meters of small intestines. Six hundred and six discrete muscles. One hundred billion cerebral neurons. Two kidneys. A liver. A heart. A hundred trillion cells that died and were replaced, again and again. But no matter how many ways she dismembered and quantified the body lying beside her, she couldn't say how many years the girl would wait before she married, if at all, or how many children she would have, if any; and between the creation of this body and its end lay the mystery the girl would spend her life solving.

I had thought that when you feel your worst your tears flood, but the very worst pain is the arid pain of total violation that comes after the tears are all used up, the pain that stops up every space through which you once metered the world, or the world, you. This is the presence of major depression.

As we drove uptown, I spotted a Kmart on a corner,with its familiar red sign.I cleared my throat."Wait. Can we stop for a minute?" "What for?" "Just - I need a few things." He looked irritated, but pulled into a metered space. "We don't really have time to go shopping." I glared at him."yeah, excuse me for being so frivolous. You have your suitcase all packed already; I dont even have clean underwear.I'll be right back.

She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake. She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back. Sleepy air seemed to have followed her. The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder. They breathed. German and Jewish lungs.

Contemporary consciousness is no longer equipped to deal with our mortality. Never in any other time, or any other civilization, have people thought so much or so contantly about aging. Each individual has a simple view of the future: a time will come when the sum of pleasures that life has left to offer is outweighed by the sum of pain (one can actually feel the meter ticking, and it ticks always in the same direction). This weighing up of pleasure and pain, which everyone is forced to make sooner or later, leads logically, at a certain age, to suicide.

Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.

Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going. "As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?" "Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!" "No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival." "You can't be serious!" Colly said. "Do you really-" But he got no further. Halt leaned forward, putting a hand up to stop the outburst. "Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious." His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his. "Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.

I wanna be your vacuum cleaner Breathing in your dust I wanna be your Ford Cortina I will never rust If you like your coffee hot Let me be your coffee pot You call the shots babe I just wanna be yours Secrets I have held in my heart Are harder to hide than I thought Maybe I just wanna be yours I wanna be yours, I wanna be yours Wanna be yours, wanna be yours, wanna be yours Let me be your 'leccy meter and I'll never run out And let me be the portable heater that you'll get cold without I wanna be your setting lotion (I wanna be) Hold your hair in deep devotion (How deep?) At least as deep as the Pacific Ocean I wanna be yours Read more: Arctic Monkeys - I Wanna Be Yours Lyrics | MetroLyrics

Josef followed the small group of kids through the raised doorway onto the bridge of the St. Louis. The bridge was a narrow, curving room that stretched from one side of the ship to the other. Bright sunlight streamed in through two dozen windows, offering a panoramic view of the vast blue-green Atlantic and wispy white clouds. Throughout the wood-decked room were metal benches with maps and rulers on them, and the walls were dotted with mysterious gauges and meters made of shining brass.

Immediately after the race, even as he sat gasping for air in the Husky Clipper while it drifted down the Langer See beyond the finish line, an expansive sense of calm had enveloped him. In the last desperate few hundred meters of the race, in the searing pain and bewildering noise of that final furious sprint, there had come a singular moment when Joe realized with startling clarity that there was nothing more he could do to win the race, beyond what he was already doing. Except for one thing. He could finally abandon all doubt, trust absolutely without reservation that he and the boy in front of him and the boys behind him would all do precisely what they needed to do at precisely the instant they needed to do it. He had known in that instant that there could be no hesitation, no shred of indecision. He had had no choice but to throw himself into each stroke as if he were throwing himself off of a cliff into a void, with unquestioned faith that the others would be there to save him

Abrazada a las rocas, me muevo lentamente hacia la sangre, buscándolo. Encuentro más manchas, una con unos trozos de tela pegados, pero ni rastro de él. Me derrumbo y digo su nombre en voz baja: —¡Peeta, Peeta! Entonces, un sinsajo aterriza en un árbol raquítico y empieza a imitarme, así que lo dejo, me rindo y vuelvo al arroyo pensando: "Tiene que haberse ido más abajo". Acabo de meter el pie en el agua cuando oigo una voz. —¿Has venido a rematarme, preciosa?

The rules your parents teach you to live by are very different than the rules the world actually runs by. Most of the conventional wisdom is not only wrong, it's a lie told to us by people who want to control us. It doesn't help us, it helps them. Pretty much everything we're told as children (and adults, really) by the established power structures in our lives are made up fairytales us to reinforce that control: Santa Claus, the Easter Bunny, the tooth fairy, fat-free frozen dinners, religion, and metering lights on the highway--the list goes on

As human beings, we live by emotions and thoughts. We exchange them when we are in the same place at the same time, talking to each other, looking into each other's eyes, brushing against each other's skin. We are nourished by this network of encounters and exchanges. But, in reality, we do not need to be in the same place and time to have such exchanges. Thoughts and emotions that create bonds of attachment between us have no difficulty in crossing seas and decades, sometimes even centuries, tied to thin sheets of paper or dancing between the microchips of a computer. We are part of a network that goes far beyond the few days of our lives and the few square meters that we tread. This book is also a part of that weave...

You should really, like, dump her and date me instead,' May heard herself saying, all confidence. 'I'm not as irritating. I mean, I'm irritating, but I'm not as bad as she is. And you know me better. Wouldn't that be funny? I mean, we've already hooked up, so we're good.' We broke up,' Pete said quickly. His voice was so bright that May could hear the smile coming through. For a moment she was confused. Who, you and me?' No. Nell and i.' Oh . . .' The meter in her brain clicked once or twice, signaling May that she'd probably said enough. I have to go,' she said suddenly. 'Okay? I think that's great. Cool. Okay. Gotta go now. Hey, Pete, I love you!

But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk with a camera I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer.

Aku berjalan menyusuri rak-rak perpustakaan. Buku-buku tersebut memunggungiku. Tak seperti manusia yang ingin berjarak denganku, buku-buku itu malah menawarkan diri untuk memperkenalkan diri mereka. Bermeter-meter jajaran buku yang yang tak akan pernah mampu kubaca. Dan aku tahu; apa yang ada disini adalah kehidupan yang merupakan pelengkap kehidupanku, yang menanti untuk dimanfaatkan. Tetapi hari-hari berlalu, dan kesempatan itu tetap tak tergapai----terabaikan. Salah satu buku ini mungkin benar-benar bisa mengubah hidupku. Siapakah aku sekarang? Siapakah sebenarnya aku?

Finally, Wulf reacted to the constant staring and head-shaking. “What are you looking at?” he demanded of one young soldier—a youth barely out of his teens. The cavalry trooper pointed to Ulf, who was a few meters away. “That man,” the trooper said. “You look just like him.” Wulf scowled at his brother, then at the young Arridan. “No I don’t,” he retorted crisply. “He looks like me.” Then he added darkly, if not logically, “And he’d better stop doing it if he knows what’s good for him!” Thoroughly confused, the trooper continued

Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips.

I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver." Halt regarded him, eyebrow arched once more. "Anyone?" "Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now." Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner. Will didn't notice the momentary change of mood. He was loosening Tug saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now." Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy. "Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach. "All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment. "Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully. The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder. "He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded. "He's standing behind me, isn't he?" Will continued and Halt nodded once more. "Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer. "Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post." Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away. The younger man's eyes dropped. "Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that." Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face. "No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones." Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.

To the person who has anything to conceal—to the person who wants to lose his identity as one leaf among the leaves of a forest—to the person who asks no more than to pass by and be forgotten, there is one name above others which promises a haven of safety and oblivion. London. Where no one knows his neighbour. Where shops do not know their customers. Where physicians are suddenly called to unknown patients whom they never see again. Where you may lie dead in your house for months together unmissed and unnoticed till the gas-inspector comes to look at the meter. Where strangers are friendly and friends are casual. London, whose rather untidy and grubby bosom is the repository of so many odd secrets. Discreet, incurious and all-enfolding London.

It's all embedded, the hours and minutes, words and numbers everywhere, he said, train stations, bus routes, taxi meters, surveillance cameras. It's all about time, dimwit time, inferior time, people checking watches and other devices, other reminders. This is time draining out of our lives. Cities were built to measure time, to remove time from nature. There's an endless counting down, he said. When you strip away all the surfaces, when you see into it, what's left is terror. This is the thing that literature was meant to cure. The epic poem, the bedtime story.

It means this War was never political at all, the politics was all theatre, all just to keep the people distracted…secretly, it was being dictated instead by the needs of technology…by a conspiracy between human beings and techniques, by something that needed the energy-burst of war, crying, “Money be damned, the very life of [insert name of Nation] is at stake,” but meaning, most likely, dawn is nearly here, I need my night’s blood, my funding, funding, ahh more, more…The real crises were crises of allocation and priority, not among firms—it was only staged to look that way—but among the different Technologies, Plastics, Electronics, Aircraft, and their needs which are understood only by the ruling elite… Yes but Technology only responds (how often this argument has been iterated, dogged, humorless as a Gaussian reduction, among the younger Schwarzkommando especially), “All very well to talk about having a monster by the tail, but do you think we’d’ve had the Rocket if someone, some specific somebody with a name and a penis hadn’t wanted to chuck a ton of Amatol 300 miles and blow up a block full of civilians? Go ahead, capitalize the T on technology, deify it if it’ll make you feel less responsible—but it puts you in with the neutered, brother, in with the eunuchs keeping the harem of our stolen Earth for the numb and joyless hardons of human sultans, human elite with no right at all to be where they are—” We have to look for power sources here, and distribution networks we were never taught, routes of power our teachers never imagined, or were encouraged to avoid…we have to find meters whose scales are unknown in the world, draw our own schematics, getting feedback, making connections, reducing the error, trying to learn the real function…zeroing in on what incalculable plot? Up here, on the surface, coal-tars, hydrogenation, synthesis were always phony, dummy functions to hide the real, the planetary mission yes perhaps centuries in the unrolling…this ruinous plant, waiting for its Kabbalists and new alchemists to discover the Key, teach the mysteries to others…

The whole human earth was bleeding. Time, buildings, routes, rain, erase the constellation of the crime, the fact is, this small planet has been covered a thousand times by blood, war or vengeance, ambush or battle, people fell, they were devoured, and later oblivion wiped clean each square meter: sometimes a vague, dishonest monument, other times a clause in bronze, and still later, conversations, births, townships, and then oblivion. What arts we have for extermination and what science to obliterate memory! What was bloody is covered with flowers. Once more, young men, ready yourselves for another chance to kill, to die again, and to scatter flowers over the blood.

I know everything I need to know about you," she countered, taken aback. "You do?" he asked, and peered at her, eyes intent. "You do, You have that look in your eyes from the forest, when you called me a monster." He came within a meter or two of Rey, and she wondered what would happen if she refused to move and they intersected. Would she find herself in his mind again, and have to endure his presence in hers? Could they actually touch, across a galaxy? "You are a monster," Rey said, remembering the terror of her paralysis on Takodana. She stared back at him -- and found his. eyes full of hurt. Hurt -- and conflict. "Yes, I am," Kylo said, and there was no menace in his voice -- only misery.

The blue mountains are constantly walking." Dōgen is quoting the Chan master Furong. -- "If you doubt mountains walking you do not know your own walking." -- Dōgen is not concerned with "sacred mountains" - or pilgrimages, or spirit allies, or wilderness as some special quality. His mountains and streams are the processes of this earth, all of existence, process, essence, action, absence; they roll being and non-being together. They are what we are, we are what they are. For those who would see directly into essential nature, the idea of the sacred is a delusion and an obstruction: it diverts us from seeing what is before our eyes: plain thusness. Roots, stems, and branches are all equally scratchy. No hierarchy, no equality. No occult and exoteric, no gifted kids and slow achievers. No wild and tame, no bound or free, no natural and artificial. Each totally its own frail self. Even though connected all which ways; even because connected all which ways. This, thusness, is the nature of the nature of nature. The wild in wild. So the blue mountains walk to the kitchen and back to the shop, to the desk, to the stove. We sit on the park bench and let the wind and rain drench us. The blue mountains walk out to put another coin in the parking meter, and go down to the 7-Eleven. The blue mountains march out of the sea, shoulder the sky for a while, and slip back to into the waters.

Un cronopio va a abrir la puerta de la calle, y al meter la mano en el bolsillo para sacar la llave lo que saca es una caja de fósforos, entonces este cronopio se aflige mucho y empieza a pensar que si en vez de llave encuentra fósforos, sería horrible que el mundo se hubiera desplazado de golpe, y a lo mejor si los fósforos están donde la llave, puede suceder que encuentre la billetera llena de fósforos, y la azucarera llena de dinero, y el piano lleno de azúcar, y la guía del teléfono llena de música, y el ropero lleno de abonados, y la cama llena de trajes, y los floreros llenos de sábanas, y los tranvías llenos de rosas, y los campos llenos de tranvías. Así que este cronopio se aflige horriblemente y corre a mirarse al espejo, pero como el espejo está algo ladeado lo que ve es el paragüero del zaguán, y sus presunciones se confirman y estalla en sollozos, cae de rodillas y junta sus manecitas no sabe para qué. Los famas vecinos acuden a consolarlo, y también las esperanzas, pero pasan horas antes de que el cronopio salga de su desesperación y acepte una taza de té, que mira y examina mucho antes de beber, no vaya a ser que en vez de una taza de té sea un hormiguero o un libro de Samuel Smiles.

Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head. Liz made a gagging sound. "Lord, no! That's wrong!" "Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!" Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that. I wasn't sure what to say except: "Put some clothes on!" Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing! "Not until they leave," he said. "Or I'll be forced to scare them back to the Duat." "This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!" "These children are under my protection," Bes insisted "I don't know you," I said. "I never met you before today." "Nonsense. You expressly asked for my protection." "I didn't ask for the Speedo Patrol!" Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.

The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.

This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.