Metaphor For Friendship Quotes

We've searched our database for all the quotes and captions related to Metaphor For Friendship. Here they are! All 29 of them:

Such is life. We grow up. Planets like Tiny get new moons. Moons like me get new planets.
John Green (Will Grayson, Will Grayson)
I punched her in the face and she got a nosebleed and cried. An accurate metaphor for most of my past friendships.
Alice Oseman (Radio Silence)
Two words from him, and I had seen my pouting apathy change into I’ll play anything for you till you ask me to stop, till it’s time for lunch, till the skin on my fingers wears off layer after layer, because I like doing things for you, will do anything for you, just say the word, I liked you from day one, and even when you'll return ice for my renewed offers of friendship, I'll never forget that this conversation occurred between us and that there are easy ways to bring back summer in a snowstorm. What I forgot to earmark in that promise was that ice and apathy have ways of instantly repealing all truces and resolutions signed in sunnier moments.
André Aciman (Call Me by Your Name)
Maybe we're on the wrong side of some metaphorical bridge where the grass is crusty and not grass at all, but sharp little spines of glass. I dunno, Moritz. But the one little speck of green that I get is your letters, so please never stop writing me. You got that? Never stop. Because you'll never meet me and it's the closest we can get.
Leah Thomas (Because You'll Never Meet Me (Because You'll Never Meet Me, #1))
Lola and I both highly believed in the value of metaphorical gifts, so while everyone else saw a demonic-looking cat skeleton dripping wax on the packaging, Lola saw the message: Our friendship is like this feline shaped candle - burn away all the shit, and you and me are still solid underneath. Always.
Krystal Sutherland (Our Chemical Hearts)
Well, you won't abandon me, will you." "Don't be silly, Ludens, you are buckled to my heart.
Iris Murdoch (The Message to the Planet)
The moon looks wonderful in this warm evening light, just as a candle flame looks beautiful in the light of morning. Light withing light. It seems like a metaphor for something. So much does. Ralph Waldo Emerson is excellent on this point. It seems to me to be a metaphor for the human soul, the singular light within the great general light of existence. Or it seems like poetry within language. Perhaps wisdom within experience. Or marriage within friendship and love. I'll try to remember to use this. I believe I see a place for it in my thoughts on Hagar and Ishmael. Their time in the wilderness seems like a specific moment of divine Providence within the whole providential regime of Creation.
Marilynne Robinson (Gilead (Gilead, #1))
Like metaphors and works of art, the people who matter to us are all, so far as we are concerned, inexhaustible. They always remain a step beyond the furthest point our knowledge of them has reached—though only if, and as long as, they still matter to us.
Alexander Nehamas (On Friendship)
You can come to your friends with a problem and they will most usually blurt out a set of orders based entirely upon their own lives, which they believe you should follow. There is no thought process that goes into it, no internalization, no ingestion of your own pain into their own stomachs. I believe this is why, about a million people come to me with their problems rather than turning to their closest friends and family members; because I'm like that ancient tree with protruding roots, you can sit under my branches and as you cry I will soak your tears into me. We don't actually need humans with their many thoughtless advices. We need to be sitting under trees, asking roots to share in our pains.
C. JoyBell C.
My friendship with my best friends was like the best high-quality chocolate— sweet and smooth.
Debbi Michiko Florence (Keep It Together, Keiko Carter)
That bar also delineated the realm of sweat and hourly wage, the working world that college was educating me to leave. Rewards in that realm were few. No one congratulated you for clocking out. Your salary was spare. The Legion served as recompense. So the physical comforts you bouth there—hot boudain sausage and cold beer—had value. You attended the place, by which I mean you not only went there but gave it attention your job didn’t deserve. Pool got shot not as metaphor for some corporate battle, but as itself alone. And the spiritual comforts-friendship, for instance—couldn’t be confused with payback for something you’d accomplished, for in the Legion everybody punched the same clock, drew the same wage, won the same prize.
Mary Karr (The Liars' Club)
Sometimes it's not all about the chocolate & the flowers & the jewelry & compliments. When you're dealing with real people & real feelings, sometimes it's about awkwardly presented offers of friendship. My advice is to recognize these for what they are, and make of them what you can, even if someone is giving you a metaphorical severed deer leg to get you to notice them. As I've recently learned, you never can tell where your best friends will come from in this life.
Johnny Virgil (The Snitch, Houdini and Me: Humorous Tales of Death-defying Childhood Misadventure)
Because metaphors are vivid and memorable, and because they are not readily subjected to critical analysis, they can have considerable impact on human judgment even when they are inappropriate, useless, or misleading,” said Amos. “They replace genuine uncertainty about the world with semantic ambiguity. A metaphor is a cover-up.
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
You didn't need to do that," Morriumur said to me. "I came into this knowing I would be isolated." "Yeah, well, I rarely let go of someone once I have my teeth in them," I said. "It's the warrior's way." "What a . . . profoundly disturbing metaphor," Morriumur said, settling back down. - Spensa & Morriumur; Starsight; Brandon Sanderson Skyward Series
Brandon Sanderson (Starsight (Skyward, #2))
. . . I realized with a growing and startling sense of clarity that the seminary was educating and training me for a world that no longer existed. Moreover, the posture of this particular brand of Christianity toward the surrounding culture was one of enormous suspicion and at times hostility. It seemed that part of this evolving designation involved a posture of entrenchment and argument toward culture. But I loved culture. I loved the freedom to engage with people for the purpose of friendship and dialogue, not simply evangelism.
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
How foolish was the fox. How blind. To not see, not value the friendship, the affection, the trust the brown bird offered him.
Julie Klassen (The Girl in the Gatehouse)
There was something sweet in the way they moved from foes to friends, from athletic rivals to simple teenage boys, the minute that the metaphorical whistle blew the game over.
Lynn Painter (Better Than the Movies (Better Than the Movies, #1))
She nodded and smiled, but I could feel that she was slightly disappointed in me. Like Ms Parker when I answer every question in English with ‘It’s a metaphor for desire.
Chloe Seager (Friendship Fails of Emma Nash)
Don't be sunlight in someone's bright hours, try to be moonlight in someone's dark hours.
Amit Kalantri (Wealth of Words)
If there’s a metaphor for our friendship, it might be this. The blind faith. The absolute dependability. The love like a compass, its north always true.
Catherine Newman (We All Want Impossible Things)
Friendship is often the special catalyst required for us to reach our aims. Whether you’re trying to finish college or run a marathon, having a friend beside you, pursuing the same objective, eases and quickens the journey. One study provides a particularly touching metaphor for the concept while proving its strength: Researchers had subjects wear backpacks while standing at the bottom of a hill. They then estimated the hill’s steepness. Some were next to friends, and others stood alone. Being with friends made subjects perceive the hill as less steep; being with long-term friends decreased their estimate of the hill’s steepness even more.
Carlin Flora (Friendfluence: The Surprising Ways Friends Make Us Who We Are)
In this unequal contest betwixt common sense and philosophy, the latter will always come off both with dishonour and loss; nor can she ever thrive till this rivalship is dropped, these encroachments given up, and a cordial friendship restored: for in reality common sense holds nothing of philosophy, nor needs her aid. But, on the other hand, philosophy (if I may be permitted to change the metaphor) has no other root but the principles of common sense; it grows out of them, and draws its nourishment from them: severed from this root, its honours wither, its sap is dried up, it dies and rots.
Thomas Reid (Thomas Reid's Inquiry and Essays)
Like many of the kids I write about, I once was a runaway myself—and a few (but not all) of the other writers in the series also come from troubled backgrounds. That early experience influences my fiction, no doubt, but I don't think it's necessary to come from such a background in order to write a good Bordertown tale. To me, "running away to Bordertown" is as much a metaphorical act as an actual one. These tales aren't just for kids who have literally run away from home, but also for every kid, every person, who "runs away" from a difficult or constrictive past to build a different kind of life in some new place. Some of us "run away" to college . . . or we "run away" to a distant city or state . . . or we "run away" from a safe, secure career path to follow our passions or artistic muse. We "run away" from places we don't belong, or from families we have never fit into. We "run away" to find ourselves, or to find others like ourselves, or to find a place where we finally truly belong. And that kind of "running away from home"—the everyday, metaphorical kind—can be just as hard, lonely, and disorienting as crossing the Nevernever to Bordertown . . . particularly when you're in your teens, or early twenties, and your resources (both inner and outer) are still limited. I want to tell stories for young people who are making that journey, or contemplating making that journey. Stories in which friendship, community, and art is the "magic" that lights the way. (speaking about the Borderland series she "founded")
Terri Windling
We are also taught to guard our body, speech, and mind against the influence of unwholesome companions. We do not judge people who are unruly or negative, but we are advised to protect the mind from swinging, which naturally happens when we continuously associate with such companions. On the flip side, the tradition offers us a beautiful metaphor about associating with virtuous people. It is said that if you place a normal piece of wood in a sandalwood forest, in time that normal piece of wood will begin to take on the sweet smell of sandalwood. In the same way, even if we are a normal person, if we associate with noble companions, we will naturally begin to give rise to the qualities of virtue and wisdom.
Phakchok Rinpoche (In the Footsteps of Bodhisattvas: Buddhist Teachings on the Essence of Meditation)
When I was growing up, you couldn't be tender; that was not a safe option. This is both a function of masculinity as it's performed in our society, as well as the kind of neighborhood and circumstances I grew up in." One of the limitations of it is the exhaustion of having to have your guard up. "It's like having to put on armor. I guess that's the best metaphor that I could use. And I really do mean that metaphor very intentionally. Because it isn't just the protective shield, but it also makes it harder for you to move around in the world. And it's heavy, it's a burden. I've worked really hard in my adulthood to (a) kind of drop some of that shit; but (b) make sure that I'm in circumstances where I don't have to wear it in the first place. But it's fucking exhausting. And it's painful.
Mia Birdsong (How We Show Up: Reclaiming Family, Friendship, and Community)
Working in God’s field, by the way, is not meant to be a metaphor for how hard it is to follow God. Jesus is actually saying the opposite: that following God is about his generosity and grace, not about what we do or don’t do. It is a joy to follow God. It is rewarding to obey him. His goodness toward us is far beyond anything we could earn or deserve. We relate to God according to his rich measures of grace and generosity. We don’t have to worry about whether we measure up or whether we are working hard enough to please him. We don’t have to stress out about the future. We don’t have to waste our energy envying other people. We can simply enjoy God and trust God and love God. By the way, this will completely change the way we relate to others. It will make for great friendships. When we trust God to give us what is right, we can celebrate the good things God does for other people. That’s where we really begin to enjoy life. Instead of complaining that you got a cat and Bill got an Escalade, take your cat over for a ride in Bill’s Escalade.
Judah Smith (Life Is _____.: God's Illogical Love Will Change Your Existence)
Machiavelli’s second metaphor alludes to the fact that Fortune was always seen as a feminine force. Like any woman, she responds best, he believes, to rough handling. He argues that in dealings with Fortune it is advisable to act impetuously “because Fortune is a woman and if she is to be submissive it is necessary to beat and coerce her.” However disagreeable the image, it is worth remembering that gendered interpretations of philosophical conceptions have a lengthy history, and that Machiavelli elsewhere speaks of winning over Fortune by means of friendship and harmonious action. The idea of battering Fortune into submission did not, in fact, originate with Machiavelli. Seventy years earlier, in Somnium de Fortuna (The Dream of Fortune), Aeneas Silvius Piccolomini had Fortune claim she despised those who “run away from me” and favored “those who put me to flight.” The upshot, at any rate, is that one can manage the caprice of Fortune—a comforting philosophy for the former Second Chancellor to contemplate from his lonely exile in the Albergaccio.
Ross King (Machiavelli: Philosopher of Power (Eminent Lives))
Truth also consists of relationships between events. Truth occurs when things communicate with each other on the basis of a similarity or some other form of closeness between them, when they turn towards each other and enter into relationships with each other, even befriend each other: truth [la vérité] will be attained by him [the author] only when he takes two different objects, states the connection between them … and encloses them in the necessary links of a wellwrought style; truth – and life too – can be attained by us only when, by comparing a quality common to two sensations, we succeed in extracting their common essence and in reuniting them to each other, liberated from the contingencies of time, within a metaphor[, thus linking them to each other through the ineffable efficacy of the combination of words].22 Only relationships based on similarity, friendship or affinity make things true. Truth is opposed to the accident of pure contiguity. Truth means commitment, relationship and closeness. Only through intense relationships do things become real in the first place:
Byung-Chul Han (The Scent of Time: A Philosophical Essay on the Art of Lingering)
Learning gives me a sensation of adding light to the darkness. It’s only a metaphor—there are no actual flashes—but I do sometimes have a sense of a burst of light.
Sanford D. Greenberg (Hello Darkness, My Old Friend: How Daring Dreams and Unyielding Friendship Turned One Man’s Blindness Into an Extraordinary Vision for Life)