Metallic Blue Quotes

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants. And then there was Camille.

Magnus? Magnus Bane?” “That would be me.” The man blocking the doorway was as tall and thin as a rail, his hair a crown of dense back spikes. Clary guessed from the curse of his sleepy eyes and the gold tone of his evenly tanned skin that he was part Asian. He wore jeans and a black shirt covered with dozens of metal buckles. His eyes were crusted with a raccoon mask of charcoal glitter, his lips painted a dark shade of blue. He raked a ring-laden hand through his spiked hair and regarded them thoughtfully. “Children of the Nephilim,” he said. “Well, well. I don’t recall inviting you. I must have been drunk.

Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.

When the plane went down in San Francisco, I thought of my friend M. He’s obsessed with plane crashes. He memorizes the wrecked metal details, the clear cool skies cut by black scars of smoke. Once, while driving, he told me about all the crashes: The one in blue Kentucky, in yellow Iowa. How people go on, and how people don’t. It was almost a year before I learned that his brother was a pilot. I can’t help it, I love the way men love.

On the scale of worlds—to say nothing of stars or galaxies—humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal.

The Apollo pictures of the whole Earth conveyed to multitudes something well known to astronomers: On the scale of the worlds - to say nothing of stars or galaxies - humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal

Hard rock, heavy metal, stoner rock, doom metal-it all dragged itself up out of the swamp called the blues.

Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...

A figure appears between me and the oncoming Inquisitor, moving with deadly grace. It’s a boy, I think. Who is this? This boy is not an illusion—I can sense his reality, the solidity of his figure that the black sky and the locusts don’t have. He is clad in a whirlwind of hooded blue robes, and a metallic silver mask covers his entire face. He crouches in front of me, every line of his body tense, his focus entirely on the Inquisitor. A long dagger gleams in each of his gloved hands.

Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.

The metal horn unicorns in the Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns are all based on the metal horn unicorn characters in my Blue Unicorn – Journey To Osm books.  If it weren’t for their magical powers, based on the properties of the metals of their horns and hooves, this book would have never come into being.

24 carat gold is a pure naturally occurring yellow metal. There are 4 basic shades of gold alloys: yellow gold, white gold, rose gold and green gold. A huge range of other colored golds are also possible including red (gold and copper), grey (gold, iron and copper), purple (gold and aluminum), blue (gold and iron) and black (gold and cobalt), depending on the amounts of different metals alloyed together.

There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.

Josef followed the small group of kids through the raised doorway onto the bridge of the St. Louis. The bridge was a narrow, curving room that stretched from one side of the ship to the other. Bright sunlight streamed in through two dozen windows, offering a panoramic view of the vast blue-green Atlantic and wispy white clouds. Throughout the wood-decked room were metal benches with maps and rulers on them, and the walls were dotted with mysterious gauges and meters made of shining brass.

Aren’t all the best songs about a girl? It doesn’t matter if it’s metal, if it’s country, if it’s blues or rock and roll; all the songs that make us remember and make us want to sing along are about the best kind of girl, the kind you can’t live without but can’t ever get ahold of.

Don't lose your head," screamed the pheasant. And at the same time his voice broke in a whistling gasp and, spreading his wings, he flew up with a loud whir. Bambi watched how he flew straight up, directly between the trees, beating his wings. The dark metallic blue and greenish-brown marking son his body gleamed like gold. His long tail feathers swept proudly behind him. A short crash like thunder sounded sharply. The pheasant suddenly crumpled up in mid-flight.

The final stretch of drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure, with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat at the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blooming geraniums. But their eyes were drawn inevitably to the wildflowers. Thousands of them, a meadow of fireworks stretching nearly to the steps of the cottage, a sea of red and orange and purple and blue and yellow nearly waist deep, rippling in the gentle breeze. Hundreds of butterflies flitted about the meadow, tides of moving color undulating in the sun.

In the loudest voice I could muster, I shouted, "As of this moment, you are no longer the armies of China, Macedonia, Myanmar, Tibet or India. You are now warriors of Durga! We have already fought and overcome many fierce creatures. Now we give you the symbol of their power." I borrowed the Scarf and touched it to my Pearl Necklace. The silken material sped down each and every soldier to cloak them in the most brilliant red, blue, green, gold and white. Even the flag bearers were not left out and now held banners depicting Durga riding her tiger into battle. "Red for the heart of a Phoenix that sees through falsehood!" I cheered and raided the trident. "Blue for the Monsters of the Deep that rip apart those who dare to cross their domain! Gold for Metal Birds that cut their enemies with razor beaks! Green for the Horde of Hanuman that comes alive to protect that which is most precious! And white for the Dragons of the Five Oceans, whose cunning and power has no equal!

No human metal had gone into the forging of that blade. It was alive with moonlight, translucent, a shard of crystal so thin that it seemed to almost vanish when seen edge on. There was a faint blue shimmer to the thing and a ghost light that played around its edges, and somehow Will knew that it was sharper than any razor.

I had let it all grow. I had supposed It was all OK. Your life Was a liner I voyaged in. Costly education had fitted you out. Financiers and committees and consultants Effaced themselves in the gleam of your finish. You trembled with the new life of those engines. That first morning, Before your first class at College, you sat there Sipping coffee. Now I know, as I did not, What eyes waited at the back of the class To check your first professional performance Against their expectations. What assessors Waited to see you justify the cost And redeem their gamble. What a furnace Of eyes waited to prove your metal. I watched The strange dummy stiffness, the misery, Of your blue flannel suit, its straitjacket, ugly Half-approximation to your idea Of the properties you hoped to ease into, And your horror in it. And the tanned Almost green undertinge of your face Shrunk to its wick, your scar lumpish, your plaited Head pathetically tiny. You waited, Knowing yourself helpless in the tweezers Of the life that judges you, and I saw The flayed nerve, the unhealable face-wound Which was all you had for courage. I saw that what you gripped, as you sipped, Were terrors that killed you once already. Now I see, I saw, sitting, the lonely Girl who was going to die. That blue suit. A mad, execution uniform, Survived your sentence. But then I sat, stilled, Unable to fathom what stilled you As I looked at you, as I am stilled Permanently now, permanently Bending so briefly at your open coffin.

It was against the rules, but Gansey crouched down beside her, one of his knees against her back, one against her knees, and hugged her. She curled against him, hands balled up against his chest. He felt a hot tear slip into the dip of his collarbone. He closed his eyes against the sun through the window, burning hot in his sweater, foot falling asleep, elbow grinding into the metal bed frame, Blue Sargent pressed up against him, and he didn’t move.

The Citizen's attic was, objectively, breathtaking. The place was littered with trunks and old clothes and wardrobes and pieces of furniture and strange metal toys no one had played with in sixty years and half-painted canvases and on and on. There were several round windows to let in the sunlight, and I loved how it raked its way across the floor as I watched, dust dancing like sugerplum fairies in the bold yellow glow. If attics could make wishes, this one would have nothing to wish for.

She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her. It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.

The Desert —roseate metallic blue & insect green blank mirrors & pools of silver a universe in one body

Be happy, Max. Grab it with both hands and run like hell. That’s what we’re here for. A smile touched my lips as I turned to look at Silas again. When you jumped off a cliff, the flight was awesome, but a fall could leave you smashed into a thousand pieces. Was it worth it? He opened his blue eyes, a lock of metal blond hair falling over his brow. Silas Marsh is worth it.

The waves rolled in like blue metal tubes carrying an egg white of foam on their peaks, then broke in a thousand glittering splinters and came up to the street with an oh of wonder and fear from those watching.

In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.

I think the measure of advancement depends on where you are stood and from what distance you look. A thousand years ago, we farmed the fields, built towns and defended our land with swords and spears. It is little different now, save for the number of people we have to protect. We still kill with a sharp edge or point of metal, blood runs red still, sons ride off to war and parents grieve. If you look at the Empire in its whole, then it is peaceful. If you look closely, you will see the small wars, the bandits and rebellions. Look more closely still and you’ll see the petty crimes, the struggle to survive, the rich bleeding the poor. Even the soil can turn against its farmers, yielding few crops. Or the weather, a late frost killing the early crops. There is strife and conflict everywhere in the Empire. Everywhere you find men, you find conflict.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.

The dead man's companions at the counter started to their feet, but halted as Voynod with great aplomb turned to face them. "Take care, you dunghill cocks! Notice the fate of your fellow! He died by the power of my magic blade, which is of inexorable metal and cuts rock and steel like butter. Behold!" And Voynod struck out at a pillar. The blade, striking an iron bracket, broke into a dozen pieces. Voynod stood non-plussed, but the bravo's companions surged forward. "What then of your magic blade? Our blades are ordinary steel but bite deep!" And in a moment Voynod was cut to bits. The bravos now turned upon Cugel. "What of you? Do you wish to share the fate of your comrade?" "By no means!" stated Cugel. "This man was but my servant, carrying my pouch. I am a magician; observe this tube! I will project blue concentrate at the first man to threaten me!" The bravos shrugged and turned away. Cugel secured Voynod's pouch, then gestured to the landlord. "Be so good as to remove these corpses; then bring a further mug of spiced wine.

I stood for a time, overlooking the calm sea. Under the bright morning sun, it looked like hammered blue metal. A very light breeze came off it and stirred my hair. I felt as if someone had spoken words aloud to me and I echoed them. “Time for a change.” p. 103

All to the north the rain had dragged black tendrils down from the thunderclouds like tracings of lampblack fallen in a beaker and in the night they could hear the drum of rain miles away on the prairie. They ascended through a rocky pass and lightning shaped out the distant shivering mountains and lightning rang the stones about and tufts of blue fire clung to the horses like incandescent elementals that would not be driven off. Soft smelterlights advanced upon the metal of the harness, lights ran blue and liquid on the barrels of the guns. Mad jack-hares started and checked in the blue glare and high among those clanging crags jokin roehawks crouched in their feathers or cracked a yellow eye at the thunder underfoot.

I'm supposed to trust you?" "No," he said. He picked up the phone. "Put her sister on." A second later he handed the small silver device to her. Summer felt a second of panic—after all, this tiny piece of metal and circuitry unlocked doors, turned off death traps and blew up houses. God knows what would happen if she pushed the wrong button.

ARTHUR: Yellow car. DOUGLAS: What? ARTHUR: Nothing. Just – yellow car. MARTIN: Why did you say ‘yellow car’? ARTHUR: There was a yellow car. MARTIN: But why did you say ‘yellow car’? ARTHUR: You’ve got to say ‘yellow car’ when there’s a yellow car. MARTIN: Why? ARTHUR: That’s how you play Yellow Car. MARTIN: We’re not playing Yellow Car. ARTHUR: You’re always playing Yellow Car. DOUGLAS: And how, though I fear I can guess, does one play Yellow Car? ARTHUR: Right well, imagine you’re driving along – MARTIN: We are driving along. ARTHUR: Oh yeah, okay, so now you look at the cars as they come along in the other direction, and they’re all different colours. So, uh, for instance, now, uh, that one’s white; that one’s blue; that one’s a sort of metally grey – DOUGLAS: And when you see a yellow car, you say ‘yellow car’. ARTHUR: How did you know? DOUGLAS: A wild stab in the dark! MARTIN: And then what? ARTHUR: You start again! DOUGLAS: So how does it end, this game? ARTHUR: It never ends. DOUGLAS: That’s very much what I feared.

Into the cargo room. Down the ramp of the hatch door, into the brightness of day. They’d barely stepped off of it when squeals pierced the air and the slab of metal began to close. Alec lifted the Berg off the ground, blue thrusters roaring. Mark was barely holding onto his mind, but he felt a sudden, unbearable sadness. He’d never see the old bear again.

The sun was coming out, and steam rose up off every jutting muddy piece of the land, which sparkled in a great show of democracy. A discarded truck bumper shone just like the sandstone, just like a scrap of metallic insulation and the white of yarrow flowers and the flash of blue jays’ wings, a coil of chicken wire, an old license plate half entombed in mud.

An idea sparked in the 1960s, a thought experiment, an amusing haiku, is now a thing of metal and glass.

On the scale of worlds—to say nothing of stars or galaxies—humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal. It

At depth on Jupiter and Saturn, the pressures are so great that atoms sweat electrons, and the air becomes a metal.

Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.

Alchemist’s…clay? What is that?” “It’s a special kind of clay,” I said. “And it won’t set off the metal detectors?” I stared at him through the slot. “No,” I said. “Because it’s clay.

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from.

And yet there is no sign of humans in this picture, not our reworking of the Earth’s surface, not our machines, not ourselves: We are too small and our statecraft is too feeble to be seen by a spacecraft between the Earth and the Moon. From this vantage point, our obsession with nationalism is nowhere in evidence. The Apollo pictures of the whole Earth conveyed to multitudes something well known to astronomers: On the scale of worlds—to say nothing of stars or galaxies—humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal.

He knew it would take as many years as he could think of now to forget the tracks, no matter how deeply buried. Some morning in autumn, spring, or winter he knew he’d wake and, if he didn’t go near the window, if he just lay deep and snug and warm, in his bed, he would hear it, faint and far away. And around the bend of the morning street, up the avenue, between the even rows of sycamore, elm and maple, it the quietness before the start of living, past his house he would hear the familiar sounds. Like the ticking of a clock, the rumble of a dozen metal barrels rolling, the hum of single immense dragonfly at dawn. Like a merry-go-round like a small electrical storm, the color of blue lightning, coming, here, and gone. The trolley’s chime! The hiss like a soda-fountain spigot as it let down and took up its step, and the starting of the dream again, as on it sailed along its way, traveling a hidden and buried track to some hidden and buried destination.

She finished and we moved on to dresses. Deep reds, icy blues, minty greens, neutrals of all kinds, and even a few metallic shades. An overwhelming set of options that Heather quickly halved by shoving one of the racks at random into the hallway. In the end, we chose a soft pink two-piece. The top was lace with sweetheart bodice, the skirt had a high waist with more lace, and it flowed down to my ankles.

Lillian comes out of the kitchen carrying an artefact, the blue metal tin marked Danish Butter Cookies that if I didn't know better I would swear had been in the family for generations - when the Jews left Egypt, they took with them the tins of Danish Butter Cookies. And tins, which as best as I could tell never included Danish Butter Cookies, traveled from house to house, but always, always found their way back to Lillian.

Know Deeply, Know Thyself More Deeply" Go deeper than love, for the soul has greater depths, love is like the grass, but the heart is deep wild rock molten, yet dense and permanent. Go down to your deep old heart, woman, and lose sight of yourself. And lose sight of me, the me whom you turbulently loved. Let us lose sight of ourselves, and break the mirrors. For the fierce curve of our lives is moving again to the depths out of sight, in the deep dark living heart. But say, in the dark wild metal of your heart is there a gem, which came into being between us? is there a sapphire of mutual trust, a blue spark? Is there a ruby of fused being, mine and yours, an inward glint? If there is not, O then leave me, go away. For I cannot be bullied back into the appearances of love, any more than August can be bullied to look like March. Love out of season, especially at the end of the season is merely ridiculous. If you insist on it, I insist on departure. Have you no deep old heart of wild womanhood self-forgetful, and gemmed with experience, and swinging in a strange union of power with the heart of the man you are supposed to have loved? If you have not, go away. If you can only sit with a mirror in your hand, an ageing woman posing on and on as a lover, in love with a self that now is shallow and withered, your own self–that has passed like a last summer’s flower– then go away– I do not want a woman whom age cannot wither. She is a made-up lie, a dyed immortelle of infinite staleness.

I had woken into a metal world. The smooth unflawed slopes of snow on the mountain across the valley were iron. The deeper moonshadows had a tinge of steel blue to them. Otherwise, there was no true colour. Everything was greys, black, sharp silver-white. Inclined sheets of ice gleamed like tin. The hailstones lay about like shot, millions of them, grouped up against each rock and clustered in snow hollows. The air smelt of minerals and frost.

A clatter of metal against the concrete made me look back. Liam had moved on from the car to a nearby pile of bikes that were tangled together like brambles. He picked through the frames and spokes and wheels, working carefully, trying to get down to whatever he'd seen under them.... "Do you actually know how to ride?" "Do I know how to ride?" Liam scoffed, leaning over the bike's seat so his face was inches from mine. His pale blue eyes were electric with his excitement; they sent a charge through me, sizzling the rest of the world into peaceful, quiet static. That last bit of distance must have been as unbearable to him as it was to me, because his fingers came down over where my hands rested on the busted leather seat. I felt his touch spread over my skin like late afternoon sunshine. His lips skimmed my cheek, his breath warm against my ear as he said in low, honeyed tones, "Not only can I ride, darlin', but I can give you a few pointers– "Hey, Hell's Angels!" Cole barked. "I didn't bring you in here to shop around for yourselves! Get your assess over here!" Liam expression clouded over as he pulled back, the fluttering excitement vanishing like a candle blown out. with a single breath. I must have looked as disappointed as I felt, letting out a small sound of irritation, because just like that he was smiling again as he tucked a loose strand of hair back over my ear. A softer, smaller smile than before, but one meant for me. It warmed me down to my bones.

She is mine" "Oh, metelhead: -the blue-white glow of the lightsword illuminated them, the verge of death painting them the color of a moonrise, and he looked up into the metallic face of the XO, to Di, and wished he wasn't afraid-"you were hers, too.

The dental assistant was a robot outfitted as a ballerina. Unlike the little doll’s, her face was painted to look feminine and pretty, with long eyelashes, pink lips, and pink circles on her cheeks. Her blue metal “hair” was sculpted into a ballet bun.

When I meet an open metallic-blue gaze, I stop breathing. He doesn’t say a word, just stares unblinking, and when his mouth hooks higher, I snap out of it, my wide smile breaking free. He laughs, allowing his hand to fall to his side. “Hi, Juliet.” “Noah.

I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun --slow dived from noon, --goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; i, the wearer, see not its far flashings; but darkly feel that i wear that, that dazzlingly confounds. 'Tis iron --that I know--not gold. 'Tis split, too --that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight!

There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through. And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June. Feo had felt blind cold only once.

The trolley rattles toward us, its metallic jig fortunately out-clamoring my words as I tell Mr. Johnson where to go, what to do, and what to kiss. He is still standing there cradling his redolent bundle as I settle back and watch him recede until he is a raggedy blue dot.

It’s as if the massive building has been stripped of its outer layers, revealing the very pieces that keep it erect just underneath. Brightly colored tubes in green, blue, yellow, and red are interspersed with metal beams, and look as much like a piece of art as the items housed inside.

Which story are you going to tell us tonight, Mother?" Tootless asked. "One that is very close to my heart," Red said. "It's called 'Beautiful and Brilliant Little Blue Riding Hood'." Just hearing the title made the Lost Boys excitedly clap. "Is it a good story, Mum? Slightly asked. "It's the best story you'll ever hear," Red said. "Does Little Blue die in the end like Cinderella, Snow White, Sleeping Beauty, and Rapunzel?" Curly asked. "I just want to know before I get attached." "Those were such sad stories," Nibs said, and shook his head. "I can't believe poor Cinderella slipped while running down the stairs at midnight, or that Snow White choked on the poisoned apple, or when Sleeping Beauty awoke, she discovered the spindle had given her a staph infection." "Poor, poor princesses," the Lost twins sniffled. "Well, these stories are supposed to teach us valuable lessons," Red said. "Never run down stairs, always chew your food, and see a doctor if your skin is punctured by rusty metal." "Is there a lesson in the story of 'Beautiful and Brilliant Little Blue Riding Hood'?" Slightly asked. "You'll have to wait to find out," she teased.

The Troubadours Etc." Just for this evening, let's not mock them. Not their curtsies or cross-garters or ever-recurring pepper trees in their gardens promising, promising. At least they had ideas about love. All day we've driven past cornfields, past cows poking their heads through metal contraptions to eat. We've followed West 84, and what else? Irrigation sprinklers fly past us, huge wooden spools in the fields, lounging sheep, telephone wires, yellowing flowering shrubs. Before us, above us, the clouds swell, layers of them, the violet underneath of clouds. Every idea I have is nostalgia. Look up: there is the sky that passenger pigeons darkened and filled— darkened for days, eclipsing sun, eclipsing all other sound with the thunder of their wings. After a while, it must have seemed that they followed not instinct or pattern but only one another. When they stopped, Audubon observed, they broke the limbs of stout trees by the weight of the numbers. And when we stop we'll follow—what? Our hearts? The Puritans thought that we are granted the ability to love only through miracle, but the troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them. Think of days of those scarlet-breasted, blue-winged birds above you. Think of me in the garden, humming quietly to myself in my blue dress, a blue darker than the sky above us, a blue dark enough for storms, though cloudless. At what point is something gone completely? The last of the sunlight is disappearing even as it swells— Just for this evening, won't you put me before you until I'm far enough away you can believe in me? Then try, try to come closer— my wonderful and less than.

That night they rode through a region electric and wild where strange shapes of soft blue fire ran over the metal of the horses’ trappings and the wagonwheels rolled in hoops of fire and little shapes of pale blue light came to perch in the ears of the horses and in the beams of the men. All night sheetlightning quaked sourceless to the west beyond the midnight thunderheads, making a bluish day of the distant desert, the mountains on the sudden skyline stark and black and livid like a land of some other order out there whose true geology was not stone but fear. The thunder moved up from the southwest and lightning lit the desert all about them, blue and barren, great clanging reaches ordered out of the absolute night like some demon kingdom summoned up or changeling land that come the day would leave them neither trace nor smoke nor ruin more than any troubling dream.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

Ro grinned and held out Ella—the bright blue elephant that everyone knew Sophie couldn’t sleep without. “Figured you were going to need something to snuggle—unless you want a real hug.” She stretched out her other arm, looking anything but cuddly in her metal corset and spike-rimmed metal diaper.

They all watched as Genya checked his pulse, his breathing. She shook her head. “Zoya,” said Sturmhond. His voice had the ring of command. Zoya sighed and pushed up her sleeves. “Unbutton his shirt.” “What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder. “I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.” They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina. “I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist. Inej inhaled deeply. “It smells like a storm.” Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly. Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.” “Is that safe?” asked Inej. “Not remotely,” said Sturmhond. “Has she at least done it before?” said Kaz. “For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before. “Ready?” Zoya asked. Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue. “I really hope she gets this right,” murmured Nina. “Not as much as Kuwei does,” said Kaz. “It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.” “She didn’t strike me as the type,” Kaz said. “You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him. She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer. A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.

There was a pause while Pendergast considered this. “I prefer hypocrisy to poverty.” “Come to think of it, there is a rationale. Leng didn’t make his money from killing. He made it from speculating in railroads, oil, and precious metals.” Pendergast raised his eyebrows. “I did not know that.” “There is much you still don’t know about him.

She looked down at the amulet that hung around her neck. She seldom took it off, but she unclasped it now and studied the face of the moon etched in the metal. Sparkling in the sunlight, it wasn't pure silver but reflected pinks and blues and greens. Maybe who she was had something to do with this moon charm that was given to her at birth.

First draft blues: "He tested the stick and glanced at the set handbrake. With his feet he felt the accelerator, the brake, the clutch. Backwards, but otherwise just the same, and comforting in a solid, mechanical way. It even smelled right, oil, petrol, lubricated warm metal, and the polished windshield seemed transparent in the night’s silver flood.

De toda esa miríada negra, cabalgándose y atropellándose, hacía una forma informe e inquietante, y me di cuenta, de súbito, que mi cuerpo estaba cubierto de piel de gallina. En la oscura pantalla, mis ojos turbios se reblandecieron como metal a punto de derretirse, y en voz baja le dije a aquel yo al borde de la licuefacción: '¿quién eres tú? ¿de qué estás hecho?

Now separated from the other courts, I could see definite Winter Court trademarks: Any skin outside the natural spectrum was tinged blue, purple, white--- an aurora borealis of fae. Metallic glints appeared here and there, reminding me of Heather. Antlers like mine poked out of one or two foreheads. Bright eyes came in every color, some of which I couldn't describe.

All I could see were Will’s intense blue eyes, and the joy that flashed across them as they flickered down to the low neckline of my gown. All I could hear was the deep, reverent rumble of his voice as he repeated his vow to honor, and cherish, and love me for the rest of our lives. And all I could feel was the juxtaposition of cool metal and warm skin as he slid the ring on my finger. It was all I could process . . . until he kissed me, that is. Because that kiss erased everything that came before it. You may now kiss your bride. The world fell away. It really did. It was just us in that tiny spot of land, standing in silence and staring at each other, on the verge of sealing this commitment we’d made. I couldn’t stop smiling.

Thoughts rapping quietly, metallically, distinctly: a mysterious aero carries me to the blue heights of my favorite abstractions. And here in this cleanest sharp air, I see my rationale about my “rights” burst with a light pop, like a pneumatic tire. And I can see clearly that these ideas about “rights” were merely a throwback from a ridiculous superstition of the Ancients.

The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.

(From Danielle Raver's short story THE ENCHANTRESS) Thick chains attached to the wall hold a metal collar and belt, restraining most of the tiger's movements. Open, bloody slashes cover his face and back, but he shows no loss of strength as he pulls on the chains and tries to rip the flesh of the surrounding humans with his deadly claws. Out of his reach, I kneel down before him, and his lightning-blue eyes cross my space for a moment. “Get her out of there!” I hear from behind me. “Numnerai,” I speak urgently to the tiger. “They will kill you!” He growls and gnashes his teeth, but I sense he is responding to me. “Great white tiger, your duty is to protect the prince. But how can you do that if they sink the end of a spear into your heart?” He looks at me for a longer moment. The fighters respond to this by growing still. In their desperation, they are overlooking my foolishness for a chance to save their fellows' lives. I crouch on my feet and begin to nudge closer to him. The tiger growls a warning, but does not slash out at me. “Think of the prince, protector of the palace. Right now he prays for you to live.

Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?

I stopped by the super for the new key, climbed to my apartment, and studied my new lock. Big, metal, and shiny. Not a scratch on it. Even the key itself had a bizarre groove carved into it, which made the whole setup supposedly completely burglar proof. Pick that, Your Majesty. I unlocked the door, stepped inside, and shut it behind me. I kicked my shoes off, wincing at the hint of ache in my stomach. It would take a long time before it healed completely. At least I no longer bled. Tension fled from me. Tomorrow I would worry about Hugh d’Ambray and Andrea and Roland, but now I was simply happy. Aaahh. Home. My place, my smells, my familiar rug under my feet, my kitchen, my Curran in the kitchen chair . . . Wait a damn minute. “You!” I looked at the lock; I looked at him. So much for the burglar-proof door. He calmly finished writing something on a piece of paper, got up, and came toward me. My heart shot into overdrive. Little golden sparks laughed in his gray eyes. He handed me the piece of paper and smiled. “Can’t wait.” I just stared like an idiot. He inhaled my scent, opened the door, and left. I looked at the paper. I’ll be busy for the next eight weeks, so let’s set this for November 15th. Menu. I want lamb or venison steak. Baked potatoes with honey butter. Corn on the cob. Rolls. And apple pie, like the one you made before. I really liked it. I want it with ice cream. You owe me one naked dinner, but I’m not a complete beast, so you can wear a bra and panties if you so wish. The blue ones with the bow will do. Curran. Beast Lord of Atlanta.

Intense sunlight rained down on a half-submerged city. Waves crashed between buildings that stood like waterlogged tombstones. Skyscrapers of smashed glass and twisted rusting metal jutted from the churning swell as islands of broken dreams. A familiar tower with a familiar clock face…Big Ben. London stared back at Blue. What was left of it. A sea-drowned cemetery for a time and a place long dead.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say. And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?' The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.' 'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.' 'I am all aflame,' said the Beauty softly. And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs. ("The Poison Garden")

But she knew it wasn’t. In her hand lay a coin-size gold amulet on a delicate chain. She fought against the urge to scream. Made of intricate bands of metal, within the round border of the amulet lay two overlapping circles, one on top of the other. In the space that they shared was a small blue gem that gave the center of the amulet the appearance of an eye. A line ran straight through the entire thing. It was beautiful, and strange, and—

As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metal work as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.

She stepped onto the Devil’s Bridge arching over the deadly crater lake—a round pool of water beaming with bioluminescent light; the light of the dead. Like many other namesakes, the semi-circular metal structure connected the diameter of the small lake, reflecting in the water beneath it. Together, the bridge and its mirror became an immense sphere of sky and water. Blue and green combining into turquoise—always turquoise, the bane of her life.

I began to think about all the generals’ proclamation concerning this war: that we’d be home before Christmas, that the Chinese would not intervene, that we’d hold here or hold there. All of it was bullshit, and I started to wonder how they could possibly make so many dumb statements when each, invariably, fell apart when put to the test. Then I thought, Well, maybe they just don’t know—we never saw a general on the front. We seldom saw a colonel, a lieutenant colonel, or a major either. And at squad level, we only on the rarest occasion saw a captain. So how could the brass know how defeated its army was if they weren’t there to see an exhausted guy lie down on the road and just give up? How could they know how cold and ill equipped we were if they weren’t there to see blue, gloveless hands stick to the frozen metal of weapons? How could they know how steep and rugged the terrain was if they never climbed a hill?

Magnus? Magnus Bane?” “That would be me.” The young man blocking the doorway was as tall and thin as a rail, his hair a crown of dense black spikes. He was Asian, with an elegantly high-cheekboned, handsome face, broad-shouldered despite his slim frame. He was certainly dressed for a party, in tight jeans and a black shirt covered with dozens of metal buckles. His eyes were crusted with a raccoon mask of charcoal glitter, his lips painted a dark shade of blue.

dawned, even for her, that the end was here. Spots swam before Mark’s eyes, flashing lights. His heart wouldn’t stop racing, and it felt as if the organ pumped acid through his veins. Trina, silent, kept up with him. Into the cargo room. Down the ramp of the hatch door, into the brightness of day. They’d barely stepped off of it when squeals pierced the air and the slab of metal began to close. Alec lifted the Berg off the ground, blue thrusters roaring. Mark was barely holding onto his mind, but he

Opening a small metal box, she added a pinch of blue salts to the syrup mixture and blew on the cauldron. A burst of smoke puffed up, sending a dusting of glitter particles spinning in the lights. He turned his head to follow the twinkling trail, and she slanted a sideways smile. "Magic." "Predictable chemical reaction," he returned, examining the box of salts. "And once again in your company, I have glitter in my hair." "And your stubble. Bit of technicolor glam to liven up the grays. You're welcome.

Ode to a Dressmaker’s Dummy" Papier-mache body; blue-and-black cotton jersey cover. Metal stand. Instructions included. --Sears, Roebuck Catalogue O my coy darling, still You wear for me the scent Of those long afternoons we spent, The two of us together, Safe in the attic from the jealous eyes Of household spies And the remote buffooneries of the weather; So high, Our sole remaining neighbor was the sky, Which, often enough, at dusk, Leaning its cloudy shoulders on the sill, Used to regard us with a bored and cynical eye. How like the terrified, Shy figure of a bride You stood there then, without your clothes, Drawn up into So classic and so strict a pose Almost, it seemed, our little attic grew Dark with the first charmed night of the honeymoon. Or was it only some obscure Shape of my mother’s youth I saw in you, There where the rude shadows of the afternoon Crept up your ankles and you stood Hiding your sex as best you could?-- Prim ghost the evening light shone through.

It was good to emerge from this silent semi-darkness into a bright glade. Suddenly everything was different: the earth was warm; the air was in movement; you could smell the junipers in the sun; there were large, wilting bluebells which looked as though they had been cast from mauve-coloured metal, and wild carnations on sticky, resinous stems. You felt suddenly carefree; the glade was like one happy day in a life of poverty. The lemon-coloured butterflies, the polished, blue-black beetles, the ants, the grass-snake rustling through the grass, seemed to be joining together in a common task. Birch-twigs, sprinkled with fine leaves, brushed against his face; a grasshopper jumped up and landed on him as though he were a tree-trunk; it clung to his belt, calmly tensing its green haunches as it sat there with its round, leathery eyes and sheep-like face. The last flowers of the wild strawberries. The heat of the sun on his metal buttons and belt-clasp . . . No U-88 or night-flying Heinkel could ever have flown over this glade.

It was spring, and while my new house was cramped and humble, it was on the sand and the ocean still came to the front door. At dawn I'd roll out of bed, not even bothering to change clothes, and walk. Squalls came and went. Storm surges carried huge swells into the cove, and as rain inebriated the coast, the thick stub of a rainbow pushed out of the sea like a green thumb on the horizon. After, the dark blue sheet of water turned metallic, and I wondered: What in nature is not a mirror, does not give back a true image of mind?

Through the Mud (from the book Blue Bridge) A line of robots, We approach a wall of mud, Some of us carrying flowers. The others laugh Bit when we enter that wall It is the flowers That will make us an ark To carry us on through the darkness, Sailing through With our symbols the only light Until we fly Out over the fields On the other side of midnight And all our wires And bits of metal fall off.- And our souls are bright again, So new and light They shoot up – Up to plant our brilliant flowers Like stars In the face of heaven.

It was not woman’s fault, nor even love’s fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanised greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the blue-bells would spring no more. All vulnerable things must perish under the rolling and running of iron.

Inside the bombers tail, O'Hara confided to Monteverde that he thought his feet were frozen solid Spina heard the navigator say, "I don't even know if I have any feet or not." when Monteverde helped to remove O'Hara's shoes, the men saw an awful sight: the skin on his feet had deep, ugly cracks, and they'd turned sickening shades of blue, yellow, and green. Monteverde was stunned to find that O'Hara's feet felt nothing like flesh and bone. An awful comparison rushed to his mind, they felt like the cold, hard metal on the butt ends of the plane's machine guns.

You don’t get much view on a ship, Elene had said once, trying to explain to him. Not what you’d think. It’s the being there; the working of it; the feel of moving through what could surprise you at any moment. It’s being a dust speck in that scale and pushing your way through all that Empty on your own terms, that no world can do and nothing spinning around one. It’s doing that, and knowing all the time old goblin Deep is just the other side of the metal you’re leaning on. You stationers like your illusions. And world folk, blue-skyers, don’t even know what real is.

From the lip of the Ravine I could see the Deeps on the other side, hard gray and brown brick on wood on the nearest structures, shading further in to rose, bronze, black pearl, and verdigris in spires of stone, metals, and brilliant glass. The empress of it all, rising from the center, was Ego, the tallest building in the City, whose reflective flanks had no color of their own, but worse the sky instead--relentless, cloudless blue today. The towers of the Deeps, rising in angles or curves, were made more poignant by the occasional shattered forms of their ruined kin.

Dr. Edward Teller, the “father of the hydrogen bomb,” and a founder of the “Star Wars” missile defense system, proposed seeding the upper atmosphere with millions of tons of sulfur or other heavy metals to create a cloud cover to deflect sun rays and prevent further heating of the earth. Some scientists warned such a program would turn blue skies milky white and perhaps cause droughts and further ozone depletion. Teller admitted the difficulty in persuading the public to allow a program that would pollute the air with metal particles, many known to be harmful to humans.

Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.

I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon,—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I, the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain- battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night, good night!

Stretched to infinity, the sea appeared as a blue metallic skin, drawn tight and taut over the face of the world and tinged orange at its far edges by a low-hanging sun, glowing like a tangerine cut wide open. As the sea broached the shore, small waves squeezed out from the depths and spilled, surged and scoured the beach. Memories of our love, holding you in my arms on that the shifting shore, made everything feel so right, so whole, as if we were always made to be together. Our love holds fast even now, despite the long shifting shoreline of our lives. (together)

Night Night came, sirens. Dark and breathless, it came with the limp shape of my mother in its arms./ In its white coat, it came with her from the bath/ laid her on the floor in the hall./ It struck her blue mouth forced the metal of its own mouth over the water of hers./ It blew into her again and again. It said, Stay. It asked her name. Morning came. Tender it came as tender as the one before. It brought walls and the doors of the house stood swinging open and closing upon our secrets/ for everyone to see. For days, I slept with the words I'd heard her singing in the tub Hello, darkness.

She chucked something onto the bed. A little gold amulet of pearl and cloudy blue stone. 'This got me out of the Prison. Wear it in, and they can never keep you.' I didn't touch the amulet. 'Allow me to make one thing clear,' Amren said, bracing both hands on the carved wooden footboard. 'I do not give that amulet lightly. But you may borrow it, while you do what needs to be done, and return it to me when you are finished. If you keep it, I will find you, and the results won't be pretty. But it is yours to use in the Prison.' By the time my fingers brushed the cool metal and stone, she'd walked out the door.

She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?

This intensity encouraged a binary view of the world. Colleagues referred to the hero/shithead dichotomy. You were either one or the other, sometimes on the same day. The same was true of products, ideas, even good: Something was either "the bes thing ever," or it was shitty, brain-dead, inedible. As a result, any perceived flaw could set off a rant. The finish on a piece of metal, the curve of the head of a screw, the shade of blue on a box, the intuitiveness of a navigation screen - he would declare them to "completely suck" until that moment when he suddenly pronounced them "absolutely perfect.". He thought of himself as an artist, which he was, and he indulged in the temperament of one.

How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?

The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon

Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved. Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep. Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women. Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched. Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.

We sit close, but without touching; a thousand flickering images pass through the screen. A hand stretches toward another, stopping just short. A woman makes fists in front of a pile of rubble, and though we can’t understand her words, we know. Anyone who ever knew someone who’s lost knows. Anyone not turned to piles of stone. Tonight, who has a right to risk bringing life into this? The images shift— flashing blue lights, twisted metal, the angry eyes and stiff lips of fearful men, a Glock here, a Bushmaster there, refugee fingers wrapped around chain link, and flags, an abundance of flags. Mothers show premature wrinkles without shame. Sirens lure the fearful men into the rocks. Tonight, with effort, the hands find each other. It’s the job before us, the not turning to stone.

For my thirtieth birthday, I was given a watch by a dear one who assumed with cheerful lovingness that, since I had never worn a watch, I would now like to start. I smiled and appreciated, but deep down I felt uneasy. Wear a watch? Early on in my adult life I tried to wear a watch, but I didn't lke the feel of time ticking itself away on my wrist, as if in a mortal race with my own pulse. I tried to tell time by the length of light, but I was always late. I resorted to keeping the watch in my pocket, where it was easy to forget. Even now, I only wear a watch to travel and to keep appointment with friends...Fortunately, not long after I received the time piece I developed an allergy to metal and broke out in red bumps where the watch touched my wrist. Perhaps it is true I'm allergic to time itself

The pieces of Cholly's life could become coherent only in the head of a musician. Only those who talk their talk through the gold of curved metal, or in the touch of black-and-white rectangles and taut skins and strings echoing from wooden corridors, could give true form to his life. Only they would know how to connect the heart of a red watermelon to the asafetida bag to the muscadine to the flashlight on his behind to the fists of money to the lemonade in a Mason jar to a man called Blue and come up with what all of that meant in joy, in pain, in anger, in love, and give it its final and pervading ache of freedom. Only a musician would sense, know, without even knowing that he knew that Cholly was free. Dangerously free. Free to feel whatever he felt--fear, guilt, shame, love, grief, pity. Free to be tender or violent, to whistle or weep.

yeah’! Page stopped in front of a smaller room, enclosed by heavy quartz. Inside that room was the great bank of mercury-vapor rectifiers. From them lashed a blue-green glare that splashed against his face and shoulders, painting him in angry, garish color. The glass guarded him from the terrific blast of ultra-violet light that flared from the pool of shimmering molten metal, a terrible emanation that would have flayed a man’s skin from his body within the space of seconds. * * * * The scientist squinted his eyes against the glare. There was something in it that caught him with a deadly fascination. The personification of power—the incredibly intense spot of incandescent vapor, the tiny sphere of blue-green fire, the spinning surge of that shining pool, the intense glare of ionization. Power…the breath of modern mankind, the pulse of progress.

The first involves streamlining operations and introducing cost innovations from manufacturing to distribution. Can the product’s or service’s raw materials be replaced by unconventional, less expensive ones—such as switching from metal to plastic or shifting a call center from the UK to Bangalore? Can high-cost, low-value-added activities in your value chain be significantly eliminated, reduced, or outsourced? Can the physical location of your product or service be shifted from prime real estate locations to lower-cost locations, as The Home Depot, IKEA, and Walmart have done in retail or Southwest Airlines has done by shifting from major to secondary airports? Can you truncate the number of parts or steps used in production by shifting the way things are made, as Ford did by introducing the assembly line? Can you digitize activities to reduce costs? By

was Innes who damaged the tiles, although none of the current residents of the house know this. On a wet day in the late 1920s, a seven-year-old Innes stole a metal tray from the kitchen and carried it all the way up to the top of the stairs and proceeded to toboggan down, skidding over the carpet, from landing to landing, riding the swells and troughs of the stairs, until he arrived with a resounding crash in the hallway. The impact of the edge of the tray with the Victorian tiles caused a long, snaking crack; Innes hurtled forward to collide with the sharp corner of a coat rack. His screams brought Consuela running from the kitchen, brought his mother down from the drawing room above. There was a lot of blood on the tiles that day, red among the blue and white. He had to have two stitches in his forehead and there would be a small, vertical scar there for the

When I first started dual enrollment at Lake City Community College you could print in the library for free. I printed whole books. Like James Legge's 1891 "Tao Te Ching" translation. He was to parentheses what Emily Dickinson was to the Em Dash. "To know and yet (think) we do not know is the highest (at­tain­ment); not to know (and yet think) we do know is a dis­ease." I'd sit around listening to records as their dot matrix printer whirred. Slowly printing a book from the 6th century BCE. They had those hard blue plastic headphones. Your ears would ache. But Rimsky-Korsakov was pretty metal. Herbert Benson's "The Relaxation Response" had me picking "ZOOM" as my meditation mantra. Reading Vonnegut with his nonlinear narrative. Books will often have Acknowledgments. A page or two. Things that helped you. What matters. Everything I write is an Acknowledgment. What matters. And I've printed whole books.

The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER

Lately I wake in the night, and a few panicked seconds pass in which I can't locate myself. I could tell you my name, certainly, but not which version of me I'm dealing with. Once, I was sure I was back in my teenage bed. I could almost hear the creak of its metal frame as I ticked over my timetable in my head (...). Unstable reality that it was, the illusion dissipated, and for a few floundering moments I was no one at all, just someone who remembered being that girl. Then I was me again, the me that exists now, in our blue upholstered bed with sea air surging through the window. That was unusual. Mostly I am nobody when I wake up, just a consciousness in the darkness trying to piece it all together. It is a strange, free-floating moment, an unanchoring of the self. It is an interlude, like held breath. Eventually it releases, the lungs fill, the world floods in. A reassuring upload of facts. A reboot. I am back.

5150" The love line is never straight and narrow Unless your love is tried and true We take our chance with new beginnings Still we try, win or lose Take the highs with the blues Always one more, you're never satisfied Instead of 'one for all' with you, it's only 'one for me' Oh, when I draw the line and meet you half the way And you don't know what that means I feel like a running politician Just trying to please you all the time I'm giving you my share with no condition Going wide, running long Feeling lost but not for long Always one more, you're never satisfied Instead of 'one for all' with you, it's only 'one for me' So I draw the line and meet you half the way When you don't know what that means Always one more, you're never satisfied Instead of 'one for all' with you, it's only 'one for me' So I draw the line and meet you half the way When you don't know what that means I'll meet you half the way! I'll meet you half the way Van Halen, 5150 (1986)

An opportunity presented itself in 1894, when he was commissioned for a special task—to optimize lightbulbs, maximizing the light produced while minimizing the energy used. In order to do this, he had to tackle the problem of what is called black-body radiation. We can grasp what this is by going out to the campfire. If you stick a metal shish kebab skewer into the fire, its tip will eventually become red-hot. If it gets even hotter, the color will go from red to yellow to white, then blue. As the interior of the skewer heats up, the surface starts emitting electromagnetic radiation in the form of light, called thermal radiation. The hotter the interior (the higher the energy), the shorter the wavelength (and the higher the frequency) of the light that is emitted—thus the color change. Physicists soon posited an idealized object, a “perfect” emitter and absorber that would look black when it is cold, because all light that falls on it would be completely absorbed.

Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin

I press my face into his cold skin, immersing myself in the smell of the man who has so fundamentally changed me. He twists his head left again, watching me. “If these chains were to disappear, I would tan that beautiful backside for you for that comment.” His tone is low, sending a shiver through me. I feel my breath quicken at his words, imagining me sprawled over his strong lap, my skirts tossed over my torso as he administers my spanking. I clench the moistening muscles between my legs, acknowledging how good the idea sounds. His eyes sparkle as they assess my responses. “You would like that too, wouldn’t you, my captive?” he probes. I swallow hard, knowing that even in this gloom, Anders will notice my colour rising from my neck to my cheeks. “Yes,” I murmur, transfixed by him even in this new role reversal. “Have you missed me?” he asks, moving his arms in the metal chains above us. “Have you missed my discipline?” “You know I have,” I reply, not daring to take my eyes from his blue orbs.

DIET FOR LONGEVITY Avoid all junk food and salty, fried, and fatty foods. Stay away from meat, alcohol, coffee, caffeine, and sugar. Check for food sensitivities, particularly wheat and dairy. Therapeutic foods include cilantro, onion, seaweeds, and ginger, which help bind and excrete heavy metals. SUPPLEMENTS FOR LONGEVITY ReMag: (Picometer-ionic)150 mg 2–3 times a day and/or Magnesium citrate: 300 mg two times per day Magnesium oil applied to the skin (don’t rub in), 10–20 sprays per day (each spray carries about 20 mg of magnesium). Calcium: dietary and/or bone broth, 700mg (see this page for food lists and this page for bone broth recipe) ReLyte: Mineral-Electrolyte Solution. ½ tsp three times a day Vitamin E as mixed tocopherols: 400 IU daily Vitamin C: 1,000 mg twice per day Vitamin B complex: 2 per day. Food-based, Grown by Nature Vitamin B12: 1,000 mcg intramuscularly weekly Vitamin D, A, and K2 from Blue Ice Royal (fermented cod liver oil and butter oil: 2 capsules per day) Vitamin D: 20 minutes of sun exposure daily if possible Lecithin granules: 2 tbsp per day Flaxseed oil: 1–2 tbsp per day Ginkgo biloba and gotu kola are two herbs that can improve cerebral circulation.

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew

Here he comes,” Blake said. When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes. “Don’t ever do that again,” he ground out. It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering. “I know it was dangerous,” I admitted, “but there were five of them—” “I can bloody well handle myself, Anna!” His hands flung away from my face. “Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!” Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again. “What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!” Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.” His eyebrows went together. “What?” “Just give it to me.” I stepped closer, feeling edgy. “No, Anna, I don’t know what you’re trying to do, but this is ridic—” My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him. “Give me your knife,” I said again. “Holy . . .” Blake let out a long whistle from where he watched at the rail. Kaidan lay there with a whimsical sort of look and said, “God, that was hot.” I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head. “Dude!” Blake yelled. Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock. “You showed your colors!” I said. “Did not.” He pushed himself up and we both stood. “You totally let ’em out, brah,” Blake told him with a grin. “Shut up.” When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.” “I can see that,” he murmured.

Hurry up, he'll be coming back pretty soon!" Lynda spelled with a "y" Corgill, who was two years behind Dara, Mackenzie, and Jennifer, and had just completed her sophomore year, squeezed the hot glue gun into the door lock of the headmaster's office. Shelby Andrews, her accomplice and the newest resident to be accepted at Wood Rose, stood watch. "I see the lights of the truck. Hurry! He's coming back! Are you finished?" Lynda gave the metal apparatus one last squeeze, filling the lock with the quick-drying cement glue guaranteed to harden on contact. "Finished." In the soft illumination of the crescent moon high overhead, the two girls, barefooted and wearing dark blue pajamas, ran across the lawn crisscrossed by dark, elongated shadows and dampened by night-cooled air to the maintenance shed where they placed the glue gun on the top shelf where it was normally kept. With their task completed, they quickly returned to the dormitory, to the far end from where Ms. Larkins slept, and crawled through the open window. Within minutes they were back in their rooms, in their individual beds, and sound asleep. The sleep of innocent angels. It would soon be light; and Wood Rose Orphanage and Academy for Young Women would start another day.

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.

All of the combat was stirring up the magic. It filled the air like steam. But that wasn’t all. There was magic in the trampled grass of the courtyard, in trees surrounding the fort like sentinels, and in the moon and starlight streaming down from the sky. It was all swirling down into the courtyard and down into the earth. There was more magic available than Raziel could have possibly taken in. But that didn’t mean he couldn’t try. Raziel drew in everything he could, pulling magic from every direction. It was like trying to continuously inhale without exhaling. He burst into sweat as his whole body began to burn with the effort of containing the magic. The air around him was swirling, turbulent and constantly shifting directions. Soon it felt like his veins were filled with liquid fire and thunder pounded in his head. When he couldn’t take anymore, he began to force the energy up his shoulder and down his arm into his right hand. Everywhere the magic left felt like it was freezing, but his arm felt like it was being dipped in molten metal. Raziel opened his eyes to find his hand engulfed in a blazing ball of blue light. Hoeru was transfixed by it. There were a few gremlin bodies on the ground nearby, but they weren’t attacking anymore. They were running from the light Raziel held.

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

In the water-thickets, the path wound tortuously between umber iron-bogs, albescent quicksands of aluminum and magnesium oxides, and sumps of cuprous blue or permanganate mauve fed by slow, gelid streams and fringed by silver reeds and tall black grasses. The twisted, smooth-barked boles of the trees were yellow-ochre and burnt orange; through their tightly woven foliage filtered a gloomy, tinted light. At their roots grew great clumps of multifaceted translucent crystal like alien fungi. Charcoal grey frogs with viridescent eyes croaked as the column floundered between the pools. Beneath the greasy surface of the water unidentifiable reptiles moved slowly and sinuously. Dragonflies whose webby wings spanned a foot or more hummed and hovered between the sedges: their long, wicked bodies glittered bold green and ultramarine; they took their prey on the wing, pouncing with an audible snap of jaws on whining, ephemeral mosquitoes and fluttering moths of april blue and chevrolet cerise. Over everything hung the heavy, oppressive stench of rotting metal. After an hour, Cromis’ mouth was coated with a bitter deposit, and he tasted acids. He found it difficult to speak. While his horse stumbled and slithered beneath him, he gazed about in wonder, and poetry moved in his skull, swift as the jewelled mosquito-hawks over a dark slow current of ancient decay.

He holds out the piece of paper, and we read: ‘I am scared of the blue giraffe.’ Jesus. ‘Okay,’ he says to the boy, ‘you possess this fear. It is overwhelming and relentless. And you,’ he says to the girl, ‘need to talk him out of it. In whatever way you can.’ He turns to me. ‘And you’—I have a bad feeling about this—’are the fear itself. Start now.’ They both look at me. The blue giraffe. I stand up straighter and pull my shoulders down and start gnashing my jaw and ripping leaves off trees with sideways jerks of my head. I keep doing this as I get closer to the boy. ‘Talk to him,’ the playwright tells the girl. ‘You know this isn’t real,’ she says to the boy. ‘This is just something you made up a long time ago when you were a little boy and scared that night your parents were fighting, but she doesn’t exist and she’s not going to hurt you.’ She is good. But the more she tells him I don’t exist the more real I feel. The boy moves away from me, and I follow him to the blackboard, around the desk, and back closer to our seats. I stand up on my chair and bend over him and start making a loud and terrible sound, a combination of my father’s snoring and Clark’s awful heavy metal singing. The girl keeps talking, and I start howling as loud as I can to stop him from hearing her, tilting my long neck back to get the loudest sound and thrashing my head and people are laughing and also a little scared of me and I am scared of nothing.

They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.

You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?

Mrs Davidson was saying she didn’t know how they’d have got through the journey if it hadn’t been for us,’ said Mrs Macphail as she neatly brushed out her transformation. ‘She said we were really the only people on the ship they cared to know.’ ‘I shouldn’t have thought a missionary was such a big bug that he could afford to put on frills.’ ‘It’s not frills. I quite understand what she means. It wouldn’t have been very nice for the Davidsons to have to mix with all that rough lot in the smoking– room.’ ‘The founder of their religion wasn’t so exclusive,’ said Dr Macphail with a chuckle. ‘I’ve asked you over and over again not to joke about religion,’ answered his wife. ‘I shouldn’t like to have a nature like yours, Alec. You never look for the best in people.’ He gave her a sidelong glance with his pale, blue eyes, but did not reply. After many years of married life he had learned that it was more conducive to peace to leave his wife with the last word. He was undressed before she was, and climbing into the upper bunk he settled down to read himself to sleep. When he came on deck next morning they were close to land. He looked at it with greedy eyes. There was a thin strip of silver beach rising quickly to hills covered to the top with luxuriant vegetation. The coconut trees, thick and green, came nearly to the water’s edge, and among them you saw the grass houses of the Samoans; and here and there, gleaming white, a little church. Mrs Davidson came and stood beside him. She was dressed in black and wore round her neck a gold chain, from which dangled a small cross. She was a little woman, with brown, dull hair very elaborately arranged, and she had prominent blue eyes behind invisible pince–nez. Her face was long, like a sheep’s, but she gave no impression of foolishness, rather of extreme alertness; she had the quick movements of a bird. The most remarkable thing about her was her voice, high, metallic, and without inflexion; it

We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.

Mirrors I have been horrified before all mirrors not just before the impenetrable glass, the end and the beginning of that space, inhabited by nothing but reflections, but faced with specular water, mirroring the other blue within its bottomless sky, incised at times by the illusory flight of inverted birds, or troubled by a ripple, or face to face with the unspeaking surface of ghostly ebony whose very hardness reflects, as if within a dream, the whiteness of spectral marble or a spectral rose. Now, after so many troubling years of wandering beneath the wavering moon, I ask myself what accident of fortune handed to me this terror of all mirrors– mirrors of metal and the shrouded mirror of sheer mahogany which in the twilight of its uncertain red softens the face that watches and in turn is watched by it. I look on them as infinite, elemental fulfillers of a very ancient pact to multiply the world, as in the act of generation, sleepless and dangerous. They extenuate this vain and dubious world within the web of their own vertigo. Sometimes at evening they are clouded over by someone's breath, someone who is not dead. The glass is watching us. And if a mirror hangs somewhere on the four walls of my room, I am not alone. There's an other, a reflection which in the dawn enacts its own dumb show. Everything happens, nothing is remembered in those dimensioned cabinets of glass in which, like rabbits in fantastic stories, we read the lines of text from right to left. Claudius, king for an evening, king in a dream, did not know he was a dream until the day on which an actor mimed his felony with silent artifice, in a tableau. Strange, that there are dreams, that there are mirrors. Strange that the ordinary, worn-out ways of every day encompass the imagined and endless universe woven by reflections. God (I've begun to think) implants a promise in all that insubstantial architecture that makes light out of the impervious surface of glass, and makes the shadow out of dreams. God has created nights well-populated with dreams, crowded with mirror images, so that man may feel that he is nothing more than vain reflection. That's what frightens us.

They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!

I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled. 'We broke up three years after that.' I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party. 'I can't believe I just told you that' 'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!' A third time. I am not imagining it. 'There you are.' This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life. 'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts. I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit. 'Did you know that an octopus has three hearts?' As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing. 'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it. 'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.' 'What made you think of that?' I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!' ... 'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug. If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me. Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.' The gentle untying of a shoe lace. It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again. ...

Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.

couldn’t stop smiling—my writing was going to appear in the New York Times! Great Manhattan was a hedge-maze of desire that afternoon, I saw grace in every blade of grass and passing taxi. Gleeful, I was witness to a million passages and alleys: stepping-stones traversing parks to brick walkways beneath glassy high-rise headquarters, industrial lofts transformed into homes and powdered sugar I would never taste in bakeries I’d never enter, and fortune tellers I would not speak to—too many paths to ever walk them all. And for the first time in my life, the road I walked appeared exactly as the road I’d choose. Every pipe dream I’d imagined felt five times more possible. Wandering cobblestone streets, I glimpsed a metal staircase off West Fourteenth Street, rising from the center of the sidewalk, a shaded vision. Of course I climbed it, upward—to the top. I found myself on a walkway in the sky, clouds surreal

What are these coins & papers? What are these metals glittering and shining? What are these gems, sparkling, red, blue, green? I am richest - I have LOVE in my Heart

AFTER THE NIGHT rain, a blue mist rose above the rolling green llanos from dawn until noon. A hundred miles in the distance, the high mountains were still hidden in clouds, and it had been easy for David to imagine he was Adam in the Garden. For as far as he could see to the south and the west, there were no jet vapor trails, no engine sounds, no glitter of metal or glass, no dogs barking, no human voice; only the insects whirring and the calls of birds.

The first half of your detention will be spent digging an eight foot deep hole in the meadow.” Darius stalked off with the other guys and I moved forward to collect my shovel. Orion scooped it up, holding it out for me. Before I took it he caught my hand, brushing his thumb across my palm and sending a shiver through me. He repeated the process on the other hand then pressed his index finger to his lips. “That'll stop your skin chaffing,” he whispered. I stared at him in complete surprise as he passed me the shovel and moved aside. “Thank you,” I said, confused as I stepped past him, making my way through the high grass and colourful array of meadow flowers as I walked toward the Heirs. The four of them had formed a circle and were already getting to work digging the hole. ... “Vega!” Orion beckoned me and I was grateful to put the shovel down. I was a little dizzy as I walked up to his high metal chair where he was sitting a few feet above my head. He now had a large umbrella set up over it and a flask of coffee in his hand which he'd apparently brought with him. His Atlas was propped on his knee and he looked like he was thoroughly enjoying his morning as he gazed down at my mud stained skin with a bright smile. Thanks to his magic, at least I didn't have any blisters on my hands. “Water.” Orion waved his hand and water gathered in the air before me, circling into a glistening sphere. Orion tossed me a cup and I caught it at the last second. The water dropped straight into it with a splash and I guzzled it down greedily, “That's favouritism, sir!” Caleb called. “You're right, how rude of me!” Orion shouted back, lifting a hand and a torrential waterfall poured down on all of the heirs. Max crowed like a cockerel, pounding his chest, seemingly spurred on by the downpour. The others didn't seem quite as happy as the water continued to fall down on them. A laugh rushed from my throat and Orion threw me a wink. “So I'm having a little trouble, Miss Vega.” “With what, sir?” “Telling you apart from your sister,” he said in a low voice that I imagined only I could hear through the torrential storm he was still casting over the Heirs. “And you never did answer my question. Blue or green?” A smile twisted up my lips and I shrugged, deciding to leave him in continued suspense over that question, walking back to join the group. “I want an answer by sundown,” he called after me and my grin grew even wider. ... “Shut the fuck up!” Orion shouted. “I'm trying to concentrate here.” “Watching porn again, sir?” Seth shot at him with a smirk. “Yeah, your mom's really improved since the last edition,” he answered without missing a beat and Seth's face dropped into a scowl as a laugh tore from my throat. “Do you know who is always watching porn?” Max chipped in. “You?” the three other guys answered in unison. They all burst out laughing and I fought the urge to join in. “Hilarious,” Max said dryly. “I meant Washer. He snuck off in class the other day to rub one out.” “Useless. Well up you go then,” he said and I moved toward the ladder, taking hold of the first rung. Orion stepped up close behind me and his fingers brushed my waist, barely perceptible but I felt it everywhere. It scored a line of goosebumps across my back and a heavenly shiver fluttered up my spine. Heated air pushed under my clothes, drying them out almost instantly. “Thank you,” I whispered for the second time today. What’s gotten into him? He took hold of the ladder either side of my hands. “Up,” he breathed against my cheek and hot wax seemed to pour down each of my legs, making it almost impossible to move. But somehow, I managed it.

I like rowan trees," he said softly. "They're slim and small, but they're tough and they'll grow anywhere. They take root in stony soil. They're a mystic tree. Diviners use rowan to find precious metal. And they are beautiful." He looked at her, his blue eyes serious for once, telling her without words that he found her beautiful also. "They make good firewood, too," Ro said, trying to lighten the moment.

Damn. Betrayed by her best two-wheeled buddy. She deserved it, really. Regardless of whatever caused this, she was in command of the bike, so she only had herself to blame. “Sorry, mate.” She groaned sadly at the once beautiful custom blue metal. “Rest in Pieces, Doogie.

When it all came into focus, he stared at Natalie, splattered in blood and shrieking at the clear, blue sky. On her side, most of her brains sprayed all over the metal platform, laid Ramses.

The cleaning lady is green despite her blue eyes we love her beauty to death. we sniff unwashed since the beginning of the world lusting to know. and from too much knowledge we forgot that the intersection between giving and receiving the spring mist an empty sack gurgling not even French perfume makes it go away. we’re more organic exophthalmic eyes. muddy balloons. if we don’t want she chooses from what we have. what’s better more syrupy we keep searching our memories perhaps there’s a leftover slice of bread a good deed by mistake, a sprig of onion wide as a rope. we search through everything we have at least a sprinkle of kind words. an offering she wants us to stop for a moment to change our meaning. to make us at least leaves the kitchens of growing upward. what she puts us through what she doesn’t put us through. all that’s left is a baby the size of a baguette. who hopes and hopes. we’ve started thinning out and one who passed through the no. 9 mental hospital he says he’s a national security agent we that he’s a security guard. he isn’t sick he’s always right. a metal cup or maybe a jar that expands threateningly we don’t even curse him behind his back. not because of fear we think more positively when he’s around. it took us too long to understand that No, the nervous tic, with a question mark at the end of a sentence, is actually Yes. emotions jumped out of him like strings. he told us he wouldn’t have left that manelist diva. should’ve seen how he compared her to the woman he never had. he about smashed his phone. it wasn’t our fault he was the only man without a woman. (in english by Diana Manole)

Apparently, it was all Ithan needed to see by as he launched himself over the rail and aimed for the male’s iced-over tub. He landed gracefully, balancing his feet on either side. A pound of his fist had the ice cracking. The male was convulsing, no doubt drowning without a functioning respirator. Ithan hauled him up, ripping the mask from his face. A long feeding tube followed. The male gagged and spasmed, but Ithan propped him over the rim, lest he slide back under. Leaping with that athletic grace, Ithan reached the tub in the middle, freeing the mystic within. Then on to the female in the third. The Astronomer was shrieking, but it seemed Ithan barely heard the words. The three mystics shook, soft cries trembling from their blue mouths. Bryce shook with them, and Tharion put a hand on her back. Something groaned below, and the lights sputtered back on. Metal whined. The floor began to rise, pulling toward the tubs again. The sun fixture descended from the ceiling as the Astronomer hobbled down the walkway, cursing. “You had no right to pull them out, no right—” “They would have drowned!” Bryce launched into motion, storming after the male. Tharion stalked a step behind her. The female stirred as the slate floor locked into place around the tubs. On reed-thin arms, she raised up her chest, blinking blearily at Ithan, then the room. “Back,” the mystic wheezed, her voice broken and raspy. Unused for years. Her dark eyes filled with pleading. “Send me back.” “The Prince of the Ravine was about to rip apart your friend’s soul,” Ithan said, kneeling before her. “Send me back!” she screamed, the words barely more than a hoarse screech. “Back!” Not to Hel, Bryce knew—not to the Prince of the Ravine. But into the watery, weightless existence. Ithan got to his feet, inching away.

You walk outside your studio apartment to a hot Oakland summer day, an Oakland you remember as gray, always gray. Oakland summer days from your childhood. Mornings so gray they filled the whole day with gloom and cool even when the blue broke through. This heat’s too much. You sweat easy. Sweat from walking. Sweat at the thought of sweating. Sweat through clothes to where it shows. You take off your hat and squint up at the sun. At this point you should probably accept the reality of global warming, of climate change. The ozone thinning again like they said in the nineties when your sisters used to bomb their hair with Aqua Net and you’d gag and spit in the sink extra loud to let them know you hated it and to remind them about the ozone, how hair spray was the reason the world might burn like it said in Revelation, the next end, the second end after the flood, a flood of fire from the sky this time, maybe from the lack of ozone protection, maybe because of their abuse of Aqua Net—and why did they need their hair three inches in the air, curled over like a breaking wave, because what? You never knew. Except that all the other girls did it too. And hadn’t you also heard or read that the world tilts on its axis ever so slightly every year so that the angle made the earth like a piece of metal when the sun hits it just right and it becomes just as bright as the sun itself? Hadn’t you heard that it was getting hotter because of this tilt, this ever increasing tilt of the earth, which was inevitable and not humanity’s fault, not our cars or emissions or Aqua Net but plain and simple entropy, or was it atrophy, or was it apathy? —

The list was astounding. There were ten heads in all: one full head in the refrigerator, four skulls in a small floor freezer, three painted skulls in metallic colors, and two that were bone-dry white. Those that were still relatively identifiable were matched with either police or family photos. The large blue hermetically sealed industrial drum from the bedroom contained severed human flesh and four completely dismembered bodies covered in a solution of muriatic acid. There were sets of hands, a human scalp, and two well-preserved penises found in plastic pails hidden in the closet. A four-drawer metal filing cabinet from the living room contained the entire skeletal structure of a victim. The bones inside had been treated with the various solvents and were immaculately clean. There was a variety of knives. One had a large contoured black plastic handle with a six-inch serrated blade and the word Bushwacker molded into it. There was a small drill with several bits, numerous handsaws, forks, plates, and a stovetop broiler adapter, all encrusted with human bone and flesh and trace blood evidence.

If you’re really thirsty for serious coffee culture and football, it takes nine hours to Melbourne and thirteen to Sydney. If you drive to my hometown from Sydney, you’ll find stretches of road that are so long and straight you could place a brick on the accelerator and take a twenty-minute nap without veering off the road or missing anything in the dry, lifeless landscape of red sand, with its scattered blue saltbush and thirsty mulga and Mallee trees as far as the eye can see. The only thing that might wake you from your snooze would be hitting a red kangaroo. After happily hopping across the land with no particular plan in mind, startled kangaroos usually stop and stand frozen in the middle of the road, curious about the strange machine rocketing towards them. What a way to go. Here’s a tip: attach a ‘roo bar’ – not a place where kangaroos will dance for money, but a very solid metal grill – to the front of your car; that way, the impact

it takes nine hours to Melbourne and thirteen to Sydney. If you drive to my hometown from Sydney, you’ll find stretches of road that are so long and straight you could place a brick on the accelerator and take a twenty-minute nap without veering off the road or missing anything in the dry, lifeless landscape of red sand, with its scattered blue saltbush and thirsty mulga and Mallee trees as far as the eye can see. The only thing that might wake you from your snooze would be hitting a red kangaroo. After happily hopping across the land with no particular plan in mind, startled kangaroos usually stop and stand frozen in the middle of the road, curious about the strange machine rocketing towards them. What a way to go. Here’s a tip: attach a ‘roo bar’ – not a place where kangaroos will dance for money, but a very solid metal grill – to the front of your car; that way, the impact will do more damage to the kangaroo than it does to your vehicle.

We are not on earth to choose blue iPhones rather than red iPhones. We are here to undergo the supreme alchemy ... changing from base metal into gold. We are a golden species, if we did but realize it.

The creature crept. It whimpered from fear and pain, a thing, slobbering sound horrible to hear. Shapeless, formless thing yet changing shape and form with every jerky movement. It crept along the corridor of the space freighter, fighting the terrible urge of its elements to take the shape of its surroundings. A gray blob of disintegrating stuff, it crept, it cascaded, it rolled, flowed, dissolved, every movement an agony of struggle against the abnormal need to become a stable shape. Any shape! The hard, chilled-blue metal wall of the Earth-bound freighter, the thick, rubbery floor. The floor was easy to fight. It wasn’t like the metal that pulled and pulled. It would be easy to become metal for all eternity. But something prevented it. An implanted purpose. A purpose that drummed from electron to electron, vibrated from atom to atom with an unvarying intensity that was like a special pain: Find the greatest mathematical mind in the Solar System, and bring it to the vault of the Martian ultimate metal. The Great One must be freed! The prime number time lock must be opened!

First up were these dainty heirloom vegetables, speared like lollipops on a "fence" of fine metal pricks. "I'm not a minimalist by nature," the chef explains of this simple yet exquisite dish, "but sometimes the stuff we get from the farm is so perfect, I feel like I shouldn't do much with it: just vegetables, naked, with salt and a little lemon vinaigrette." Andrew and I plucked the carrots, fennel, radishes, and greens one by one, relishing the powerful flavor contained within each, along with the snap, crunch, and wholesomeness. So simple and pure. But it wasn't all so austere. We moved on to luscious potato gnocchi, fresh tilefish from Montauk, and my favorite, duck. Blue Hill gets its ducks from a local farm called Garden of Spices, where they're raised on grass, something that is rarely done in this country. "We cold smoke the legs for several hours- tenderizing the muscles from all that activity- and roast the breasts on the bone.

There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia

Any Palestinian prisoner will tell you that the bosta journey is one of the most difficult parts of their experience of being incarcerated. To call it hell on wheels is an understatement. To help you picture it, imagine a bus divided into narrow cells. The interior is all metal, including the seats. Many of the cells, like the one I was in, are barely big enough to fit one person. My cell was essentially as wide as the seat I was in, making it impossible for me to move at all. Never mind the fact that I was also shackled at the wrists and ankles. The cell was so tight that my knees hit the metal door in front of me, and if the driver accelerated or swerved, my body would bang into the sides. Other than forcing prisoners to sit in an extremely uncomfortable physical position for hours, the bosta was poorly ventilated, and its odors were revolting. It often reeked of vomit from passengers who had thrown up on themselves or of urine from inmates who had peed themselves, unable to hold it in any longer. The stench of the police dogs who patrolled the bus was also always in the air. The temperature in the bosta was another major hardship. In the winter, which is when I was arrested, it was freezing. The cold metal chair made it feel like I was sitting on a giant block of ice—for hours. I later learned that layering two pairs of pants, three shirts, and a jacket would help me survive, and I began to dress accordingly. But despite all the layers, each time I returned to the prison, my hands would be swollen and blue and it would take hours for them to regain normal sensation.

The Tigrina’s pavilion was constructed of sparkling midnight-blue cloth and adorned with silver tassels that hung motionless in the still air. A single torch glowed blue-white at the entrance. Light reflected from spilled jewels, silken cloth, and metal.

The same could not be said for the other two guys. The driver had been smashed in the face by the airbag, and then in the back of the head by the other guy, who had been thrown forward from the rear compartment like a spear, right out through the shattering windshield, where he still was, folded at the waist over the crumpled hood, face down. His feet were the nearest part of him. He wasn’t moving. Neither was the driver. Reacher forced open his door against the screech of distorted metal, and he crawled out, and he forced the door shut again after him. There was no traffic behind them. Nothing up ahead either, except dim twinkling headlights, maybe a mile in the distance. Coming toward them. A minute away, at sixty miles an hour. The vehicle the Lincoln had hit was a minivan. A Ford. It was all stoved in on the side. Bent like a banana. It had a banner in the windshield that said No Accidents. The Lincoln itself was a total mess. It was crumpled up like a concertina, all the way back to the windshield. Like a safety ad in a newspaper. Except for the guy draped on top.

At evening Father became an aged man; in dark rooms Mother's countenance turned to stone and the curse of the degenerate race weighed upon the youth. At times he remembered his childhood filled with sickness, terrors and darkness, secretive games in the starlit garden, or that he fed the rats in the twilit yard. Out of a blue mirror stepped the slender form of his sister and he fled as if dead into the dark. At night his mouth broke open like a red fruit and the stars grew bright above his speechless sorrow. His dreams filled the ancient house of his forefathers. At evening he loved to walk across the derelict graveyard, or he perused the corpses in a dusky death-chamber, the green spots of decay upon their lovely hands. By the convent gate he begged for a piece of bread; the shadow of a black horse sprang out of the darkness and startled him. When he lay in his cool bed, he was overcome by indescribable tears. But there was nobody who might have laid a hand on his brow. When autumn came he walked, a visionary, in brown meadows. O, the hours of wild ecstasy, the evenings by the green stream, the hunts. O, the soul that softly sang the song of the withered reed; fiery piety. Silent and long he gazed into the starry eyes of the toad, felt with thrilling hands the coolness of ancient stone and invoked the time-honoured legend of the blue spring. O, the silver fishes and the fruit that fell from crippled trees. The chiming chords of his footsteps filled him with pride and contempt for mankind. Along his homeward path he came upon a deserted castle. Ruined gods stood in the garden sorrowfully at eventide. Yet to him it seemed: here I have lived forgotten years. An organ chorale filled him with the thrill of God. But he spent his days in a dark cave, lied and stole and hid himself, a flaming wolf, from his mother's white countenance. O, that hour when he sank low with stony mouth in the starlit garden, the shadow of the murderer fell upon him. With scarlet brow he entered the moor and the wrath of God chastised his metal shoulders; O, the birches in the storm, the dark creatures that shunned his deranged paths. Hatred scorched his heart, rapture, when he did violence to the silent child in the fresh green summer garden, recognized in the radiant his deranged countenance. Woe, that evening by the window, when a horrid skeleton, Death, emerged from scarlet flowers. O, you towers and bells; and the shadows of night fell as stone upon him.

a bright point of light. Not blue, just a point of light so bright it had no color at all. Just a bright point in the dark. Like a mathematical proposition. Total light against the total dark of the surrounding sheet metal. Light, the opposite of dark. Dark, the absence of light. Positive and negative. Both propositions were contrasted vividly

In a harmonious ballet of grace, another maiden retrieved a gold bracelet adorned with sea blue and white flowers and pearls from a jewelry display stand. The stand, crafted from metal, held an array of bracelets that dangled from its graceful arms. The bracelets, made from an array of materials, featured intricate designs, from beads to stones. This particular bracelet, with its gold chain links, bore a large sea-blue flower with white pearls on either side. It also featured smaller white flowers and golden leaves scattered throughout its design. Placing the bracelet into the princess's hands, the maiden added to the symphony of beauty.

Giles’ head is full of blood. In capillaries it chugs busily up and down the hills and valleys of his brain. In his imagination it streams down from the sky and moves in the water. He scratches a scab on his wrist and flakes off layer after layer of skin until the blood pours out. Pieces of metal whine out of the blue sky towards him and smash into his body, scooping out his intestines. His bowels trail along the deck. Yellow globules of shit, their journey through the colon interrupted, huddle together inside the slit open pipes. The eyes of his friends are continually attacked. They appear and disappear. Each part of the ship is a weapon. The clews of his hammock can strangle, the guard rails buckle and toss him overboard; the lifeboats fall and crush him. … Giles, looking up, feels the shafts of his eyes penetrate deep, deep, past the light and into the blackness of space. The sky is the palest, palest blue … Death stalks them. … The horrors of his imagination are real. This is war. This is the purpose of war. To give shape to the menacing blackness of space behind the blue sky, the silver death in the water, the streams of blood behind the smooth forehead. This pale forehead, grey brown hair crusted with salt, frizzing more than ever in the fresh, damp air, these straight eyebrows, delicate veil of lids, jumping eyeballs, hide many patterns and possibilities of death. Those he has been trained for. Those he has seen, heard or imagined. Those he fears. Death lurking in the pure blue sky is not new to him and now he can put a name to it. … Sometimes they happen to other people and you are still alive. Sometimes you make them happen to your enemy and you are still alive. Sometimes they happen to you and you are dead. Or you are still alive, having lost a lump of flesh, a yard of skin, a pint of blood. Picking over what is left a doctor can make something of it. A catalogue at least. If you can know or name what is left, nothing so dreadful has been lost.

When the plane went down in San Francisco, I thought of my friend M. He’s obsessed with plane crashes. He memorizes the wrecked metal details, the clear cool skies cut by black scars of smoke. Once, while driving, he told me about all the crashes: The one in blue Kentucky. In yellow Iowa. How people go on, and how people don’t.

Today, the site of the company's headquarters in Leadenhall Street lies underneath Richard Rogers' glass and metal Lloyd's building. No blue plaque marks the site of what Macaulay called the greatest corporation in the world, and certainly the only power to equal the Mughals by seizing political power across wide swathes of South Asia. But anyone seeking a monument to the company's legacy in the City need only look around them.

It was blue fire: the knights seemed to be made of it. Tufts of flame poked through the slits in their visors and wherever there was a gap in the plate. The edges of the metal glowed orange where the fire licked it. The dry grass around their feet was burned black in a circle, and the air above their heads rippled. “Look at them,” Arthur breathed. “What a wonder. Pure British magic.” He was like a bird-watcher who’d spotted a rare warbler.

I was on a beach before our greed-colored failures Were all washed away by the ocean of time. I just want to sleep a bit longer. You were there, too, in the arms of the sun, Stripped bare of green paper and metallic tongues. No one could remember the anxiety of clinking coins. Imagine the world afloat on an unbottled sea, Where rat races do not wear us threadbare, Uncarved by need and the cost of being born. The earth beneath our feet, not a prize to be seized, But a friend to know. Unfettered, unburdened, We were young again. The lemons of capitalism lost their rinds, Peeled away into nothingness. A world free. In the absence of profit, houses stood As homes, not investments. We looked up As the sky stopped billing us for its blue, And the stars for guiding us home. Do you remember? We were children once, Tossing pebbles in streams, bartering them For amusement instead of survival.

Through the other he could see the hazy, white-topped hills of Fife in the distance, the austere, dark blue calm of the Forth, and the snow-specked slate rooftops of Leith. In between there was a corpse in blood-drenched pyjama trousers, with most of its nose bitten off, two severed fingers stuffed up what remained of its nostrils, the rest of its face a swollen mass of bruising, and a wide gash around half the circumference of its neck. It was lying on the missing door, which sat at thirty degrees to the horizontal, propped up by the twisted metal frame of what had recently been a cheesy smoked-glass coffee table. The blood had run off the door and collected on the polished wood below, and might have lapped its way gently down to meet the postman’s spew if much of it had not drained through a gap in the floorboards, from where it ran along an electrical flex into the main-door flat underneath, dripping off the end of the living room light-fitting. The police would find the unconscious Mrs Angus a few hours later amidst the damp fragments of a broken tea-set, and once revived she would swear never to let her clairvoyant sister-in-law bring the ouija board round again, before phoning a Catholic priest to come out and exorcise the place. And so what if she was C of S, when it came to this sort of thing, nothing less than a Tim would do.

Licorice tattoo turned a gun metal blue Scrawled across the shoulders of a dying town Took the one eyed-jacks across the railroad tracks And the scar on its belly pulled a stranger passing through He's a juvenile delinquent, never learned how to behave But the cops would never think to look in Burma-Shave And the road was like a ribbon and the moon was like a bone He didn't seem to be like any guy she'd ever known He kind of looked like Farley Granger with his hair slicked back She says, I'm a sucker for a fella in a cowboy hat How far are you going? Said depends on what you mean He says I'm only stopping here to get some gasoline I guess I'm going thataway just as long as it's paved And I guess you'd say I'm on my way to Burma Shave And with her knees up on the glove compartment She took out her barrettes and her hair spilled out like root beer And she popped her gum and arched her back Hell, Marysville ain't nothing but a wide spot in the road Some nights my heart pounds like thunder Don't know why it don't explode 'Cause everyone in this stinking town's got one foot in the grave And I'd rather take my chances out in Burma Shave Presley's what I go by, why don't you change the stations? Count the grain elevators in the rearview mirror She said mister, anywhere you point this thing It got to beat the hell out of the sting Of going to bed with every dream that dies here every mornin' And so drill me a hole with a barber pole And I'm jumping my parole just like a fugitive tonight Why don't you have another swig and pass that car if you're so brave I wanna get there before the sun comes up in Burma Shave And the spiderweb crack and the mustang screamed The smoke from the tires and the twisted machine Just a nickel's worth of dreams and every wishbone that they saved Lie swindled from them on the way to Burma Shave And the sun hit the derrick and cast a batwing shadow Up against the car door on the shotgun side And when they pulled her from the wreck You know she still had on her shades They say that dreams are growing wild Just this side Of Burma Shave

The Force—dark side as well as light—was generated by living beings, and it took living flesh to manipulate it. Darth Vader would never be able to cast blue Force lightning; that required living hands, not metal ones. And with so much of his body replaced by machinery, he would never come close to the potential he’d had.

He kissed with a practiced ease that threatened to completely unmake me, one broad palm finding the small of my back as he tugged me closer. I went willingly, unthinkingly, my arms wrapping around his neck when he tilted his head and traced the seam of my lips with the tip of his tongue. It wasn't supposed to be like this. My body was not supposed to react to his proximity, his touch, his kiss. This wasn't real. But for my body, this kiss was real as it got. My breath quickened as the seconds slipped past, as Reggie briefly dipped his tongue into my mouth before withdrawing again. His taste was peculiar, like metal and salt, like that time I'd accidentally bitten my tongue while eating too fast and blood pooled in my mouth. It did nothing to dispel the moment, or to distract me from the very real sensations coursing through me. I clutched at the ends of his shirt collar, thinking of only bringing him closer, not even realizing I was doing it until he returned the favor by bunching up the fabric at the front of my dress in his fist. "Amelia," he whispered against my lips. And then, it was over. Reggie pulled back by degrees, giving me a sheepish grin. I was warm and flushed all over. I had no doubt that my face was as red as the strawberries I'd eaten for dessert. When I looked into his eyes, the blacks of his pupils had nearly swallowed up the brilliant blue irises, but he seemed otherwise unaffected by what we'd just done.

THE BLUE FLANNEL SUIT" I had let it all grow. I had supposed It was all OK. Your life Was a liner I voyaged in. Costly education had fitted you out. Financiers and committees and consultants Effaced themselves in the gleam of your finish. You trembled with the new life of those engines. That first morning, Before your first class at College, you sat there Sipping coffee. Now I know, as I did not, What eyes waited at the back of the class To check your first professional performance Against their expectations. What assessors Waited to see you justify the cost And redeem their gamble. What a furnace Of eyes waited to prove your metal. I watched The strange dummy stiffness, the misery, Of your blue flannel suit, its straitjacket, ugly Half-approximation to your idea Of the properties you hoped to ease into, And your horror in it. And the tanned Almost green undertinge of your face Shrunk to its wick, your scar lumpish, your plaited Head pathetically tiny. You waited, Knowing yourself helpless in the tweezers Of the life that judges you, and I saw The flayed nerve, the unhealable face-wound Which was all you had for courage. I saw that what you gripped, as you sipped, Were terrors that killed you once already. Now I see, I saw, sitting, the lonely Girl who was going to die. That blue suit, A mad, execution uniform, Survived your sentence. But then I sat, stilled, Unable to fathom what stilled you As I looked at you, as I am stilled Permanently now, permanently Bending so briefly at your open coffin.

It laughs at fear, afraid of nothing; it does not shy away from the sword.” —Job 39:22 (NIV) Colby, my golden retriever, pounded through the woods, enjoying his first visit to Blue Ridge, Georgia. We turned down a gravel lane that looped by several houses perched high above the water when, suddenly, Colby froze. In front of my eyes, my sweet, loving golden tucked his tail and stood completely still; the high-pitched whine emanating from the back of his throat was his only giveaway. My eyes followed to where his gaze locked: our neighbor’s life-size, two-dimensional metal cutout of a bear. From where we stood, the bear looked to be crossing a stream a few yards away from us. Had Colby noticed the bear a few feet earlier or later, he would’ve seen what I knew to be true: This harmless, flat, rusted bear was only a lawn ornament. Instead, Colby cowered and whimpered until I carried him far enough along the path so that he could recognize the bear was only metal. I often wonder how many times God has had to pull me past certain trials that I don’t notice until I’m knee-deep in them and cowering. If I’d seen them coming or had the patience to wait until the fear subsided, I might’ve been better prepared to call out to God in prayer. Instead, I collapsed in a pile of woe and wailing, panicked at the situation I faced. Now, when I comfort Colby when he encounters something scary, I remember that God does the same with me. I may not be able to see the leash, but if I pay attention, I can feel the tug on my heart to follow Him. Lord, remind me that diving into my fear only allows it to bloom. Remind me to follow You out of the darkness and into the light. —Ashley Kappel Digging Deeper: Ps 23:4; Is 41:10; 1 Jn 4:18

When did they make this flick?” Johnny sat transfixed by the film playing out in life size beyond the front windshield of the Cadillac. The flickering lights reflected off the hard metal surfaces around the room, creating a constantly changing multi-colored glow that lit up Maggie’s smooth face with blue light. His own face seemed to repel it as if he were watching behind darkened glass. “I’m not sure exactly. It’s pretty old. Maybe sometime in the 1980’s,” Maggie mused, munching a handful of popcorn. “Gee – that is old,” Johnny quipped, his voice heavy with irony. “You made a joke, old man! Good job!” Maggie teased and offered the bag of popcorn to him. He shook his head. “I’ll have to show you sometime what happens to food when I attempt to eat it

The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for

There are large and stately studios, panelled and high, in strong stone houses filled with gleaming brass and polished oak. There are workaday studios – summer perching-places rather than settled homes – where a good north light and a litter of brushes and canvas form the whole of the artistic stock-in-trade. There are little homely studios, gay with blue and red and yellow curtains and odd scraps of pottery, tucked away down narrow closes and adorned with gardens, where old-fashioned flowers riot in the rich and friendly soil. There are studios that are simply and solely barns, made beautiful by ample proportions and high-pitched rafters, and habitable by the addition of a tortoise stove and a gas-ring. There are artists who have large families and keep domestics in cap and apron; artists who engage rooms, and are taken care of by landladies; artists who live in couples or alone, with a woman who comes in to clean; artists who live hermit-like and do their own charing. There are painters in oils, painters in water-colours, painters in pastel, etchers and illustrators, workers in metal; artists of every variety, having this one thing in common – that they take their work seriously and have no time for amateurs.

Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.

The fog, which Meg knew from her father wasn’t fog at all, but low-lying clouds, began to burn off as the morning sun continued its climb through a blue-gray sky. The Golden Gate Bridge came into focus right before her eyes through a cloud that caressed the crimson metal into view.

She was every bit of everything he remembered about her, all at once and all at the same time. That was Kerry McCrae in a nutshell, he thought. All at once, full on, 100 percent real. No bullshit. She froze on seeing him, and while the wariness in her beautiful green eyes wasn’t a surprise, the vulnerability sure was. “Starfish--” “Don’t call me that,” she said, then immediately, and less stridently, added, “Not here.” She ducked around him before he could react and was down the set of wooden steps leading off the narrow cement loading dock that ran along the back of the pub, heading across the gravel lot. He started after her. He might not have handled any of this even close to how he’d planned, but he wasn’t flying all the way back home without at least a conversation. A private conversation. You might have wanted to lead with that, you yobbo. “Kerry, wait.” “Not here,” she repeated, then opened the driver’s side door to a beat-up old navy blue truck that looked like it was more rust than actual metal. “Get in.” “I’ve got a rental. I’ll be happy to--” She swung her laser green gaze to his. “Get in.” She slammed the door without waiting for a reply, then slammed it a second time to get the handle to catch. He climbed in the passenger side, not all that surprised to find the inside of the cab surprisingly clean and as well maintained as possible, given the thing had one tire, if not two, in the grave. Kerry McCrae had never fussed about how she looked or what she wore, but when it came to property or equipment, whether it be her own or simply entrusted to her care, no matter how old or worn out, she had a dab hand at keeping it clean and neat, all systems go. Her concern was never about appearance, just functionality and getting the job done. It was sexy as hell then, and it was sexy as hell now.

Quentin’s scales, he couldn’t help but notice in passing, were the shiny metallic blue of a bitchin’ muscle car.

Try these," she suggested. She held out a pair of simple long gauntlets that were almost as fine as gloves, chain underneath and plate on top. Aurora Rose carefully took off the ones she wore and slipped the others on. They fit perfectly. "This is a bit more your style," the blue one said, approaching her with a breastplate that was almost as big as she was. It was curved femininely to fit Aurora Rose's body, but not ridiculously so. A staid design of roses and thorns was inlaid along the sides. It was sturdy, and 'heavy.' The princess had to readjust the way she stood to support it while everyone helped buckle it on the back. "And for the top..." the red one said, looking around. "Let 'her' choose," the green one suggested gently. Aurora Rose walked down the aisle slowly, getting used to the weight of the armor. She passed each of the women and then Phillip- dashing in his shining cuirass and silver-white greaves, like a soldier from ancient Rome. Her eyes swept over everything, everywhere, pausing nowhere. Golden helms, intricate onyx headpieces, spiked and dangerous-looking crowns, plated metal turbans. Finally, she saw what she wanted. She strode forward and lifted a helmet- one she 'knew' would fit- off the top shelf. A point came down the middle of the forehead to protect her nose- and was also vaguely reminiscent of Maleficent's headpiece. But instead of horns, silver wings swept back over the ears. With slow, sure movements she put it on. It 'did' fit. Perfectly. She turned around to show the others. Phillip sucked in his breath. "You look 'magnificent,' Rose. Like- like an ancient goddess of war." "Like victory," the green one said softly.

city, ending again at the palace gate. “Bounds must always be walked to dawn first,” Belvarin had explained. “It is not the direction of the circle, but the direction of the first turn that matters—it must be the shortest way to the rising sun and the elvenhome kingdoms.” Now they were nearing the city’s margin, with forest beyond gardens and orchards. A cloud of birds rose singing from the trees—tiny birds, brilliantly colored, fluttering like butterflies. They swooped nearer, flew in a spiral over his head, and returned to the trees as the procession turned toward the river. Butterflies then took over, out of the gardens and orchards, arching over the lane, then settling on his shoulders and arms as lightly as air, as if he wore a cloak of jeweled wings. As they neared the river side of the city, the butterflies lifted away, and out of the water meadows rose flying creatures as brightly colored as the birds and butterflies … glittering gauzy wings, metallic greens, golds, blues, scarlet. Kieri put up his hand and one landed there long enough for him to see it clearly. Great green eyes, a body boldly striped in black, gold, and green, with a green tail. The head cocked toward him; he could see tiny jaws move. Was it talking? He could hear nothing, but the creature looked as if it were listening. It was a long walk, and his new boots—comfortable enough that morning—were far less so by the time they reached the palace gates again. He could smell the fragrance of roast meats and bread, but next he had the ritual visit to the royal ossuary, and spoke vows into that listening silence, to those who had given him bone and blood, vows no one else would hear. He came up again to find the feast spread in the King’s Ride, long tables stretching away into the distance. On either side, the trees rose up; he could feel them, feel their roots below the cushiony sod that welcomed his feet. His place lay at the farthest table, with

Would you care to share with the rest of the class what is so funny?” Madison gulped. Ms. Healy was staring hard at Madison’s PalmPilot, which was absolutely forbidden in class, along with cell phones, CD players, and any other distracting electrical equipment. Madison instantly started vamping. “Well, Ms. Healy, I was just musing on how ridiculous a scarlet would be today, and who would have to wear one--senators, actors, teachers, even a few of our presidents. In fact, there would probably be more people wearing the scarlet letter than not wearing it.” Ms. Healy’s cold blue eyes looked huge through her extra-magnified glasses. “This is funny?” Madison swallowed hard. “I guess it’s really more ironic, wouldn’t you say?” Ms. Healy, who knew Madison as a straight-A, straight-shooter kind of student, softened a little. “‘Ironic’ is indeed the perfect word for it,” she said with a brisk nod. “Now put the personal digital assistance away and pay attention, Ms. McKay.” As Ms. Healy walked back to the front of the room, Henry Cooney, Madison’s partner in chem lab, mouthed the words, “Nice save.” Madison wiped some imaginary sweat off her forehead with her hand and tried to focus once again on the lecture. She forced herself to keep her eyes glued to Ms. Healy and soon found herself wondering what had turned the teacher into such an old grump. She was clearly smart and sometimes very funny, in a droll sort of way. Take away those awful glasses, let her hair out of that tight metal barrette at her neck, and Ms. Healy could almost be considered attractive. Maybe she’d had some brush with failed love that had made her go sour. Or worse yet--what if she had never had any brush with love at all, and this dried-up old prune was what Ms. Healy had become?

He always had some experiment or another on the go, usually involving boiling liquids and unpleasant smells. Always something bubbling in the cauldron or cooking in the small stone oven. One wall was hidden behind rows of metal cages, set one upon the other; containing animals and birds and reptiles and a few other things not so easily identified. Because you never knew when you'd need a subject to try something out on. And of course there were shelves and shelves of glass jars, holding herbs and insect parts, mandrake root and other disturbing things. Some of the things in the jars were still moving. Because alchemy's like that.

Chase, from the Middle French chasse and Latin capsa Noun: a rectangular metal frame used for printing

Much of what I had was handed down to me from others. The fact that I was now the oldest child, since my sister had died, put me first in line for toys. Not that the toys and clothing I acquired were necessarily new, nor were they gender specific, but they were newer when I got them, than later, when they were passed farther down the line. It didn’t matter that my sister was a girl…. A coat was a coat, except for how it was buttoned. Looking at old photographs, I sometimes find it impossible to tell if I am looking at my sister or me. It’s only when I see my nautical blue coat, with miniature petty officer chevrons on it that I’m certain that I’m looking at myself. As a baby, I wore her gowns and sleepwear, and this continued until they were worn out, or I outgrew them. Of course I inherited most of her toys, including a plunger type metal top and her beautiful, porcelain dolls. I don’t believe that these dolls were ever for play. They were beautiful enough to have been collectors’ items, but in my hands, they were doomed.

His blue eyes hold my steady attention in a metal vice. 'People are always risked and sacrificed for land.' 'Pretty stupid. Land belongs to God.' 'Land means power,' Joe counters.

His electric blue eyes struck against his chaotic nutmeg-brown hair. Freckles splattered across his face like one of Wes’ paintings. He wasn’t well-built— scrawny was Father’s term. His hug was so warm in the metal house. I could picture the hot chocolate we had made years back— that was an accurate way to picture him.

lights across the street. As he tossed the boards into the huge metal box, he recognized the light blue coat, the matching hat and the brown

I mean something dirty, sweaty,” Luiz corrected idly, leaning closer. He stroked the back of his knuckles down Michael’s cheek. “What I like best. Rock, blues, with an edge of metal. Something dangerous. Real. The audience driven to ... well, in the old days it would have been bloodlust. But these are more temperate times. So lust will have to do.

We weren’t sure we located the Gabriella until this spring.” Barrett tapped a black metal box resting

three men came dressed in U.S Air Force uniforms, dark navy blue with shirt, metal buttons, the flight cap, air force seals and insignia. They looked commandingly handsome and they knew it. One of them, who seemed

Fernando crouches next to one of the beds and takes out a box. He digs inside it for a few seconds, then picks up a small, round disc. It is made of a pale metal that I saw often in Erudite headquarters but have never seen anywhere else. He carries it toward me on his palm. When I reach for it, he jerks it away from me. “Careful!” he says. “I brought this from headquarters. It’s not something we invented here. Were you there when they attacked Candor?” “Yes,” I say. “Right there.” “Remember when the glass shattered?” “Were you there?” I say, narrowing my eyes. “No. They recorded it and showed the footage at Erudite headquarters,” he says. “Well, it looked like the glass shattered because they shot at it, but that’s not really true. One of the Dauntless soldiers tossed one of these near the widows. It emits a signal that you can’t hear, but that will cause glass to shatter.” “Okay,” I say. “And how will that be useful to us?” “You may find that it’s rather distracting for people when all their windows shatter at once,” he says with a small smile. “Especially in Erudite headquarters, where there are a lot of windows.” “Right,” I say. “What else have you got?” says Christina. “The Amity will like this,” Cara says. “Where is it? Ah. Here.” She picks up a black box made of plastic, small enough for her to wrap her fingers around it. At the top of the box are two pieces of metal that look like teeth. She flips a switch at the bottom of the box, and a thread of blue light stretches across the gap between the teeth. “Fernando,” says Cara. “Want to demonstrate?” “Are you joking?” he says, his eyes wide. “I’m never doing that again. You’re dangerous with that thing.” Cara grins at him, and explains, “If I touched you with this stunner right now, it would be extremely painful, and then it would disable you. Fernando found that out the hard way yesterday. I made it so that the Amity would have a way of defending themselves without shooting anyone.” “That’s…” I frown. “Understanding of you.” “Well, technology is supposed to make life better,” she says. “No matter what you believe, there’s a technology out there for you.” What did my mother say, in that simulation? “I worry that your father’s blustering about Erudite has been to your detriment.” What if she was right, even if she was just a part of a simulation? My father taught me to see Erudite a particular way. He never taught me that they made no judgments about what people believed, but designed things for them within the confines of those beliefs. He never told me that they could be funny, or that they could critique their own faction from the inside. Cara lunges toward Fernando with the stunner, laughing when he jumps back. He never told me that an Erudite could offer to help me even after I killed her brother.

themselves with the small blue metal battering ram.

The four officers had been zealous in their work, using their batons to break Rodney King’s cheekbone and ankle and eleven bones at the base of his skull, damaging his facial nerves and knocking the fillings out of his teeth. Each blow, said Rodney King, felt like “when you get up in the middle of the night and jam your toe on a piece of metal.” But the four cops were nonetheless now walking free. Freed by a jury in Ventura County, about an hour’s drive north of Florence and Normandie. Freed in Ventura’s Simi Valley, a then semirural, overwhelmingly white community, with a black population of 2 percent. Known as Cop Heaven by the cops themselves, Simi Valley, along with its sister city Thousand Oaks, had a population of about 4,000 active police officers, many of whom were part of the LAPD’s 7,900-member force. The

He headed down to the stairwell and followed it up the extra flight to the roof. There was a metal fire door with a crash bar on it. Posted on the wall next to the door was a list of rules for using the sun deck which seemed to amount to don’t be a dick about it. A note was stuck to the metal door with a blue X, one of the magnetic letters kids used on the fridge.

Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.

Nope.” I hung up, bought an iced tea from a sausage grill, then stared at the bay. The water was clean and blue, and Catalina was in sharp relief twenty-six miles away. A young woman in short-shorts and a metallic blue bikini top Rollerbladed past on the bicycle path. I followed her motion but did not see her. The detective in thoughtful mode. I

The room was small, slightly bigger than his bedroom, but far, far more beautiful. It resembled some of the Asian temples he'd seen in his aunt's coffee-table books. The walls were painted in rich hues of red, green, blue, yellow, and gold. When Alex looked up, he saw a dome-shaped ceiling with a sun, moon and stars made out of pearls and gems. The ground was tiled and shaped into a model of forests, mountains, pastures and rivers-like a mosaic. And across the room was a set of jewel-encrusted thrones where two finely carved statues sat. The life-size carvings were different than those of the army outside the chamber. Theses still wore their original colours, preserved perhaps by the lack of fresh air in the room. Instead of armour, the male figure wore a long, regal robe made of small rectangular-shaped tiles. Alex immediately thought of the chain0mail that knights wore in the Middle Ages, except this was made of jade and not metal. The statue of the beautiful woman also wore clothes or richness and royalty, but hers did not include jade, only gold and precious stones. "They must be the Emperor and Empress," Ryan said.

Activision was promoting an adventure game called Pitfall Harry and had built a little jungle scene in which passersby could swing on a makeshift vine. In another room, a company called Zombie had a metal sphere that shot blue electric bolts through the air. But the id installation had a bit more in store: an eight-foot-tall vagina. Gwar, the scatological rock band that id had hired to produce the display, had pushed their renowned prurient theatrics to the edge. The vagina was lined with dozens of dildos to look like teeth. A bust of O. J. Simpson’s decapitated head hung from the top. As the visitors walked through the vaginal mouth, two members of Gwar cloaked in fur and raw steak came leaping out of the shadows and pretended to attack them with rubber penises. The Microsoft executives were frozen. Then, to everyone’s relief, they burst out laughing.

The marsh toads interviewed the eagle ‘How come you venture so high? Aren’t you scared you’ll hit the ceiling That blue metal dome they call the sky?’ The eagle knew these earth-bound creatures Were ignorant of boundless space And couldn’t conceive of infinities Not being born to the wind’s embrace.” From Bachchoo’s Fables

What the hell?” Two men stepped through the shattered glass door. They were wearing dark blue bulletproof vests emblazoned with the letters FBI. “Get your hands in the air!” “Do you know who I am?” Pollard snarled at the pistol aimed at his face. The agent smiled. “I know exactly who you are, you piece of shit. Jordan Pollard, you're under arrest for accessory to murder of Mexican and Venezuelan citizens, blackmail, and securities fraud. I could go on but I think you get the drift.” Strong hands hauled him from his desk and pressed him against the wall. Metal handcuffs restrained his hands behind his back. “You're making a big mistake, gentlemen! I have powerful friends.” “So do we, ours is a Supreme Court judge. Maybe we should get them together some time.

I hear rumbling somewhere ahead of us--the sound of a crowd. The next hallway is packed with Dauntless traitors, tall and short, young and old, armed and unarmed. They all wear the blue armband of betrayal. “Hey!” Peter shouts. “Clear a path!” The Dauntless traitors closest to us hear him, and press against the walls to make way for us. The other Dauntless traitors follow suit soon after, and everyone is quiet. Peter steps back to let me go ahead of him. I know the way from here. I don’t know where the pounding starts, but someone drums their fists against the wall, and someone else joins in, and I walk down the aisle between solemn-but-raucous Dauntless traitors, their hands in motion at their sides. The pounding is so fast my heart races to keep up with it. Some of the Dauntless traitors incline their heads to me--I’m not sure why. It doesn’t matter. I reach the end of the hallway and open the door to my execution chamber. I open it. Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room.