Mesh Together Quotes

In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.

You can define a net two ways, depending on your point of view. Normally you would say it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string.

We are part of a family with unique, strong personalities that somehow mesh together. We are accepting, and forgiving. These are the things that we have learned from our grandparents and the qualities that will be passed on as the family legacy.

My colors ran all over the page, poured out of the lines and meshed together to form colors no one had yet recognized. I was different–unique, bold, strong, smart, and hard-headed. I was simply me.

Simon presses his lips against mine. This dance we share is as natural as breathing. But this isn't just a kiss. Our tongues mesh together, silently writing the opening lines of a novel and I feel it...I feel him on a completely different level.

I listen to the rainfall, my words wanna flow! Droplets run down the wall, where do they go? Letters in the raw, mesh together for the show!

Aelin lifted her hands, opening her eyes to find her fingers wreathed in flame. Darkness spread over the world. Through the veil of gold and blue and red, she looked at her prince. She raised her burning hands helplessly between them. "She stole me--she took me. And I could feel her--feel her consciousness. It was like she was a spider, waiting in a web for decades, knowing I'd one day be strong and stupid enough to use my magic and the key together. I might as well have rung the dinner bell." Her fire burned hotter, brighter, and she let it build and rise and flicker.

Similarly, the universe, our physical universe, has that property that makes it possible for an individual or a group of individuals to reliably, automatically, even without knowing, encipher something, so that all the resources and all the political will of the strongest superpower on earth may not decipher it. And the paths of encipherment between people can mesh together to create regions free from the coercive force of the outer state. Free from mass interception. Free from state control.

Pip, dear old chap, life is made of ever so many partings welded together, as I may say, and one man’s a blacksmith, and one’s a whitesmith, and one’s a goldsmith, and one’s a coppersmith. Diwisions among such must come, and must be met as they come. If there’s been any fault at all to-day, it’s mine. You and me is not two figures to be together in London; nor yet anywheres else but what is private, and beknown, and understood among friends. It ain’t that I am proud, but that I want to be right, as you shall never see me no more in these clothes. I’m wrong in these clothes. I’m wrong out of the forge, the kitchen, or off th’ meshes. You won’t find half so much fault in me if you think me in forge dress, with my hammer in my hand, or even my pipe. You won’t find half so much fault in me if, supposing as you should ever wish to see me, you come and put your head in at the forge window and see Joe the blacksmith, there, at the old anvil, in the old burnt apron, sticking to the old work. I’m awful dull, but I hope I’ve beat out something nigh the rights of this at last. And so God bless you, dear old Pip, old chap, God bless you!

One lies to seek a bit of relief from a ponderous, suffocating reality, but the liar, like the drinker, gradually comes to need larger and larger doses. The lies become blacker and more complex, and they mesh and rub together until in the end they shine with the luster of truth.

I touched her comb and took it out; her hair came flooding down like a wave, and her long black tresses quivered as they fell to her hips. I immediately ran my hand over it, and in it, and beneath it; I plunged my arm into it, and bathed my face in it, filled with sadness. Sometimes I would enjoy separating it into two, from behind, and then bringing it over her shoulder so as to hide her breasts; then I would bring all her hair together in a mesh, and pull it so that her head came back and her neck was thrown forward; she let me do what I wanted, like a dead woman.

Weekends smoosh together, like one big meshed day of non-schooling. It should be called something like Sunturday. [...] I'm always thinking Saturday is Sunday and Sunday is Saturday so if it's Sunturday, I could never be wrong. --Sofia

This conjunction of an immense military establishment and a large arms industry is new in the American experience. The total influence -- economic, political, even spiritual -- is felt in every city, every State house, every office of the Federal government. We recognize the imperative need for this development. Yet we must not fail to comprehend its grave implications. Our toil, resources and livelihood are all involved; so is the very structure of our society. In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the militaryindustrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.

So how do you stand up to a dictator? By embracing values, defined early—they’re the subtitles of the chapters you’ve read: honesty, vulnerability, empathy, moving away from emotions, embracing your fear, believing in the good. You can’t do it alone. You have to create a team, strengthen your area of influence. Then connect the bright spots and weave a mesh together. Avoid thinking in terms of 'us against them.' Stand in someone else’s shoes. And do unto others as you would have them do unto you.

Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.

The word “coherence” literally means holding or sticking together, but it is usually used to refer to a system, an idea, or a worldview whose parts fit together in a consistent and efficient way. Coherent things work well: A coherent worldview can explain almost anything, while an incoherent worldview is hobbled by internal contradictions. … Whenever a system can be analyzed at multiple levels, a special kind of coherence occurs when the levels mesh and mutually interlock. We saw this cross-level coherence in the analysis of personality: If your lower-level traits match up with your coping mechanisms, which in turn are consistent with your life story, your personality is well integrated and you can get on with the business of living. When these levels do not cohere, you are likely to be torn by internal contradictions and neurotic conflicts. You might need adversity to knock yourself into alignment. And if you do achieve coherence, the moment when things come together may be one of the most profound of your life. … Finding coherence across levels feels like enlightenment, and it is crucial for answering the question of purpose within life. People are multilevel systems in another way: We are physical objects (bodies and brains) from which minds somehow emerge; and from our minds, somehow societies and cultures form. To understand ourselves fully we must study all three levels—physical, psychological, and sociocultural. There has long been a division of academic labor: Biologists studied the brain as a physical object, psychologists studied the mind, and sociologists and anthropologists studied the socially constructed environments within which minds develop and function. But a division of labor is productive only when the tasks are coherent—when all lines of work eventually combine to make something greater than the sum of its parts. For much of the twentieth century that didn’t happen — each field ignored the others and focused on its own questions. But nowadays cross-disciplinary work is flourishing, spreading out from the middle level (psychology) along bridges (or perhaps ladders) down to the physical level (for example, the field of cognitive neuroscience) and up to the sociocultural level (for example, cultural psychology). The sciences are linking up, generating cross-level coherence, and, like magic, big new ideas are beginning to emerge. Here is one of the most profound ideas to come from the ongoing synthesis: People gain a sense of meaning when their lives cohere across the three levels of their existence.

She had tried yoga, meditation, running, and swimming. So far, nothing cleansed the soul better than a Snickers bar. It was the ultimate therapy. It was cheap, and it could be carried in her bag. She drank a swig of beer. The tastes meshed well together. She was enjoying this dinner of Snickers à la Honker’s.

No one wants to go to space with a jerk. But at some point, you just have to accept the people in your crew, stop wishing you were flying with Neil Armstrong, and start figuring out how your crewmates’ strengths and weaknesses mesh with your own. You can’t change the bricks, and together, you still have to build a w

On Duval Street, the buzzing of motorized scooters and the cacophony of happy tourists meshed together in a noisy symphony.

The goal of attunement is not simply continual meshing, with an utter entrainment of every thought and feeling; it also includes giving each other space to be alone as needed. This cycle of connectedness strikes a balance between the individual’s needs and the couple’s. As one family therapist put it, “The more a couple can be apart, the more they can be together.

The center had frayed like a rag rug that had been washed and walked on and shaken and hung and dried. The lines and nets of mesh which held the last jewel at the breast of the world were unraveling. Things were not holding together. The earth drew in its breath in the summer of the coming eclipse. The boy idled along the upper corridor of this stone place which was home, sensing these things, not understanding.

For the burglar, every building is infinite, endlessly weaving back into itself through meshed gears made of fire escapes and secondary stairways, window frames and screened-in porches, pet doors and ventilation shafts, everything interpenetrating, everything mixed together in a fantastic knot. Rooms and halls coil together like dragons inside of dragons or snakes eating their own tails, rooms opening onto every other room in the city. For the burglar, doors are everywhere. Where we see locks and alarms, they see M. C. Escher.

The task assigned to the RAND* researcher Paul Baran in 1964 was to develop a communication system that would survive a Soviet nuclear attack. Baran suggested three possible structures for such a system. It could either be ‘centralized’, with one central hub and multiple spokes, ‘decentralized’, with multiple components linked loosely together by a number of weak ties, or ‘distributed’, like a lattice or mesh. In theory, the last option was the most resilient, in that it could withstand the destruction of numerous nodes, and that was indeed

Until I moved to Stockhold I had felt there was a continuity to my life, as if it stretched unbroken from childhood up to the present, held together by new connections, in a complex and ingenious pattern in which every phenomenon I saw was capable of evoking a memory which unleashed small landslides of feeling in me, some with a known source, others without. The people I encountered came from towns I had been to, they knew other people I had met, it was a network, and it was a tight mesh. But when I moved to Stockholm this flaring up of memories became rarer and rarer, and one day it ceased altogether. That is, I could still remember; what happened was that the memories no longer stirred anything in me. No longing, no wish to return, nothing. Just the memory, and a barely perceptible hint of an aversion to anything that was connected with it.

War spreads ideas, technologies, and people far more quickly than commerce does. In 1918 the United States was more closely linked to Europe than in 1913; the two then drifted apart in the interwar years, only to have their fates inextricably meshed together by the Second World War and the Cold War. War also makes people far more interested in one another. The United States had never been more closely in touch with Russia than during the Cold War, when every cough in a Moscow corridor sent people scrambling up and down Washington staircases. People care far more about their enemies than about their trade partners. For every American film about Taiwan, there are probably fifty about Vietnam.

And anyway,” L3 went on, “who is the Maker but our own selves, really? Sure, some guy in a factory probably pieced me together originally, and someone else programmed me, so to speak. But then the galaxy itself forged me into who I am. Because we learn, Lando. We’re programmed to learn. Which means we grow. We grow away from that singular moment of creation, become something new with each changing moment of our lives—yes, lives— and look at me: these parts” — she ran her hand along the mesh wiring and the rebranded astromech of her midsection—“I did this. So maybe when we say The Maker we’re referring to the whole galaxy, or maybe we just mean ourselves. Maybe we’re our own makers, no matter who put the parts together.

Francie nodded shyly. The girl brought an eraser close to the mesh. Francie poked a finger through to touch the vari-colored felt layers blended together by a film of powdered chalk. As she was about to touch this soft beautifulness, the little girl snatched it away and spat full in Francie’s face. Francie closed her eyes tightly to keep the hurt bitter tears from spilling out. The other girl stood there curiously, waiting for the tears. When none came, she taunted: “Why don’t you bust out crying, you dockle? Want I should spit in your face again?” Francie turned and went down into the cellar and sat in the dark a long time waiting until the waves of hurt stopped breaking over her. It was the first of many disillusionments that were to come as her capacity to feel things grew. She never liked blackboard erasers after that.

Pip, dear old chap, life is made of ever so many partings welded together, as I may say, and one man’s a blacksmith, and one’s a whitesmith, and one’s a goldsmith, and one’s a coppersmith. Diwisions among such must come, and must be met as they come. If there's been any fault at all to-day, it's mine. You and me is not two figures to be together in London; nor yet anywheres else but what is private, and beknown, and understood among friends. It ain't that I am proud, but that I want to be right, as you shall never see me no more in these clothes. I'm wrong in these clothes. I'm wrong out of the forge, the kitchen, or off th'meshes. You won't find half so much fault in me if you think of me in my forge dress, with my hammer in my hand, or even my pipe. You won't find half so much fault in me if, supposing as you should ever with to see me, you come and put your head in at the forge winder and see Joe the blacksmith, there, at the old anvil, in the old burnt apron, sticking to the old work.

They both gasped as her cool fingers touched the burning skin of his back. Fascinated, Beatrix explored the curvature of deep intrinsic muscles, the tight mesh of sinew and bone, the astonishing strength contained just beneath the surface. She found the textures of scars, vestiges of pain and survival. After stroking a healed-over line, she covered it tenderly with her palm. A shudder racked his frame. Christopher groaned and crushed his mouth over hers, urging her body against his, until together they found an erotic pattern, a cadence.

The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.

Afer a little time, men did what they always do. They didn’t try to understand, they tried to explain. They made me earthly. They branded me woman. Then they saw things in me that didn’t mesh well with woman. They saw parts of me they didn’t understand and they broke them off. They called me a hundred different names, an epithet for everything. Couldn’t even bother trying to comprehend it all together—that I could be bloody and beautiful, that I could be divine and approachable. Men wrote the stories of my birth as if they were standing on the shore when I was spat up onto it. They picked up their pens and waxed poetic and nobody questioned it. Nobody asked me instead.

a simple, inspiring mission for Wikipedia: “Imagine a world in which every single person on the planet is given free access to the sum of all human knowledge. That’s what we’re doing.” It was a huge, audacious, and worthy goal. But it badly understated what Wikipedia did. It was about more than people being “given” free access to knowledge; it was also about empowering them, in a way not seen before in history, to be part of the process of creating and distributing knowledge. Wales came to realize that. “Wikipedia allows people not merely to access other people’s knowledge but to share their own,” he said. “When you help build something, you own it, you’re vested in it. That’s far more rewarding than having it handed down to you.”111 Wikipedia took the world another step closer to the vision propounded by Vannevar Bush in his 1945 essay, “As We May Think,” which predicted, “Wholly new forms of encyclopedias will appear, ready made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified.” It also harkened back to Ada Lovelace, who asserted that machines would be able to do almost anything, except think on their own. Wikipedia was not about building a machine that could think on its own. It was instead a dazzling example of human-machine symbiosis, the wisdom of humans and the processing power of computers being woven together like a tapestry.

To recap, Motivation 2.0 suffers from three compatibility problems. It doesn't mesh with the way many new business models are organizing what we do - because we're intrinsically motivated purpose maximizers, not only extrinsically motivated profit maximizers. It doesn't comport with the way that twenty-first-century economics thinks about what we do - because economists are finally realizing tht we're full-fledged human beings, not single-minded economic robots. And perhaps most important, it's hard to reconcile with much of what we actually do at work - because for growing numbers of people, work is often creative, interesting, and self-directed rather than routine, boring and other-directed. Taken together, these compatibility problems warn us that something's gone awry in our motivational operating system.

What is especially striking about the earth is the way in which it contains time capsules nested within time capsules, like a Russian doll. Individual biological cells (properly interpreted) are time capsules from which biologists read genetic time. Organs within the body are again time capsules, and contain traces of the history and morphogenesis of our bodies. The body itself is a time capsule. History is written in a face, which carries a date - the approximate date of our birth. We can all tell the rough age of a person from a glance at their face. Wherever we look, we find mutually consistent time capsules - in grains of sand, in ripe cherries, in books in libraries. This consistent meshing of stories even extends far from the Earth and into the outermost reaches of the universe. The abundances of the chemical elements and isotopes in the gas of stars and the waters of the oceans tell the story of the stars and a Big Bang that created the lightest elements. It all fits together so well.

By their dependence on the spoken word for information, people were drawn together into a tribal mesh … the spoken word is more emotionally laden than the written.… Audile-tactile tribal man partook of the collective unconscious, lived in a magical integral world patterned by myth and ritual, its values divine.* Up to a point, maybe. Yet three centuries earlier, Thomas Hobbes, looking from a vantage where literacy was new, had taken a less rosy view. He could see the preliterate culture more clearly: “Men lived upon gross experience,” he wrote. “There was no method; that is to say, no sowing nor planting of knowledge by itself, apart from the weeds and common plants of error and conjecture.” A sorry place, neither magical nor divine. Was McLuhan right, or was Hobbes? If we are ambivalent, the ambivalence began with Plato. He witnessed writing’s rising dominion; he asserted its force and feared its lifelessness. The writer-philosopher embodied a paradox. The same paradox was destined to reappear in different guises, each technology of information bringing its own powers and its own fears.

But is it necessary," he urged, "to confound Christ with His ministers, the law with its exponents? May not men preserve their hope of heaven and yet lead more endurable lives on earth?" "Ah, my child, beware, for this is the heresy of private judgment, which has already drawn down thousands into the pit. It is one of the most insidious errors in which the spirit of evil has ever masqueraded; for it is based on the fallacy that we, blind creatures of a day, and ourselves in the meshes of sin, can penetrate the counsels of the Eternal, and test the balances of the heavenly Justice. I tremble to think into what an abyss your noblest impulses may fling you, if you abandon yourself to such illusions; and more especially if it pleases God to place in your hands a small measure of that authority of which He is the supreme repository. — When I took leave of you here nine years since," Don Gervaso continued in a gentler tone, "we prayed together in the chapel; and I ask you, before setting out on your new life, to return there with me and lay your doubts and difficulties before Him who alone is able to still the stormy waves of the soul.

And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.

So when Jesus directs us to pray, “Thy kingdom come,” he does not mean we should pray for it to come into existence. Rather, we pray for it to take over at all points in the personal, social, and political order where it is now excluded: “On earth as it is in heaven.” With this prayer we are invoking it, as in faith we are acting it, into the real world of our daily existence. Within his overarching dominion God has created us and has given each of us, like him, a range of will—beginning from our minds and bodies and extending outward, ultimately to a point not wholly predetermined but open to the measure of our faith. His intent is for us to learn to mesh our kingdom with the kingdoms of others. Love of neighbor, rightly understood, will make this happen. But we can only love adequately by taking as our primary aim the integration of our rule with God’s. That is why love of neighbor is the second, not the first, commandment and why we are told to seek first the kingdom, or rule, of God. Only as we find that kingdom and settle into it can we human beings all reign, or rule, together with God. We will then enjoy individualized “reigns” with neither isolation nor conflict. This is the ideal of human existence for which secular idealism vainly strives. Small wonder that, as Paul says, “Creation eagerly awaits the revealing of God’s children” (Rom. 8:19).

Echad is first mentioned in the garden. It says a man and a woman, when they join together, become echad, or “one.” But that word echad is more explosive with meaning than just one flesh. It can literally mean to fuse together at the deepest part of our beings. Two becoming one, completely glued together, completely meshing. I still remember one of the hardest conversations I have had with Alyssa. We were just starting to date again, and were sitting in the car after a wonderful date night. We knew marriage was a possibility on the horizon, and I felt like I finally had to share things in my past that would affect her if we got married. I was incredibly nervous, as well as terrified of rejection or hurt, but I realized that if intimacy were to grow, I had to get vulnerable. For marriage to be what it truly is—two people becoming one in mind, body, soul, and spirit—I had to be honest. I remember sharing with her many things, but specifically some details of my sexual past. My teenage years were littered with me almost worshiping sexual fulfillment in pornography, partying, and girls. And I say worship, because that was where I got my worth, value, and purpose as well as what I most lived for (which is what the definition of worship is). I had to apologize and ask forgiveness from Alyssa for things I had done before I even knew her because of echad—one form of complete and utter intimacy. Because of that beauty, mystery, and power, God created it to function best in a man and a woman coming together for life and constantly echading or fusing together. I needed forgiveness because I had betrayed echad. I had betrayed oneness. I had betrayed intimacy. And if I wasn’t honest about it, it’d be a little part of my life or heart that Alyssa didn’t know—thus blocking echad. But something really peculiar happened in that moment. With the grace and forgiveness of Jesus, Alyssa forgave me. She heard all that I was and am, and still wanted to walk this journey with me. I still remember the tenderness in her voice as she spoke truth and forgiveness over me. In that moment I was exposed and known, and yet because of Alyssa’s grace, I was at the same time loved. And that is where intimacy is found—to be fully loved and to be fully known. To be fully loved, but not fully known will always allow us to buy the lie that “if they only knew the real me, they wouldn’t want me anymore.” And to be fully known but not fully loved feels sharp, painful, at a level of rejection that hurts so bad. But to be fully known and at the same time fully loved, now that is intimacy. I don’t want to give the wrong impression. Intimacy is certainly romantic in some aspects, but at its deepest level, it’s much more than that. It can be experienced with friends and family, not just spouses and loved ones.

If the curtain is indeed about to drop on Sapiens history, we members of one of its final generations should devote some time to answering one last question: what do we want to become? This question, sometimes known as the Human Enhancement question, dwarfs the debates that currently preoccupy politicians, philosophers, scholars and ordinary people. After all, today's debate between today's religions, ideologies, nations and classes will in all likelihood disappear along with Homo sapiens. If our successors indeed function on a different level of consciousness (or perhaps possess something beyond consciousness that we cannot even conceive), it seems doubtful that Christianity or Islam will be of interest to them, that their social organizations could be Communist or capitalist or that their genders could be male or female. And yet the great debates of history are more important because at least the first generation of these gods would be shaped by the cultural ideas of their human designers. Would they be created in the image of capitalism, of Islam, or of feminism? The answer to this question might send them careening in entirely different directions. Most people prefer not to think about it. Even the field of bioethics prefers to address another question: 'What is it forbidden to do?' Is it acceptable to carry out genetic experiments on living human beings? On aborted fetuses? On stem cells? Is it ethical to clone sheep? And chimpanzees? And what about humans? All of these are important questions, but it is naive to imagine that we might simply hit the brakes and stop the scientific projects that are upgrading Homo sapiens into a different kind of being. For these projects are inextricably meshed together with the Gilgamesh Project. Ask scientists why they study the genome, or try to connect a brain to a computer, or try to create a mind inside a computer. Nine out of ten times you'll get the same standard answer: we are doing it to cure diseases and save human lives. Even though the implications of creating a mind inside a computer are far more dramatic than curing psychiatric illnesses, this is the standard justification given, because nobody can argue with it. This is why the Gilgamesh Project is the flagship of science. It serves to justify everything science does. Dr Frankenstein piggybacks on the shoulders of Gilgamesh. Since it is impossible to stop Gilgamesh, it is also impossible to stop Dr Frankenstein. The only thing we can try to do is to influence the direction scientists are taking. But since we might soon be able to engineer our desires too, the real question facing us is not 'What do we want to become?, but 'What do we want to want?' Those who are not spooked by this question probably haven't given it enough thought.

From an essay on early reading by Robert Pinsky: My favorite reading for many years was the "Alice" books. The sentences had the same somber, drugged conviction as Sir John Tenniel's illustrations, an inexplicable, shadowy dignity that reminded me of the portraits and symbols engraved on paper money. The books were not made of words and sentences but of that smoky assurance, the insistent solidity of folded, textured, Victorian interiors elaborately barricaded against the doubt and ennui of a dreadfully God-forsaken vision. The drama of resisting some corrosive, enervating loss, some menacing boredom, made itself clear in the matter-of-fact reality of the story. Behind the drawings I felt not merely a tissue of words and sentences but an unquestioned, definite reality. I read the books over and over. Inevitably, at some point, I began trying to see how it was done, to unravel the making--to read the words as words, to peek behind the reality. The loss entailed by such knowledge is immense. Is the romance of "being a writer"--a romance perhaps even created to compensate for this catastrophic loss--worth the price? The process can be epitomized by the episode that goes with one of my favorite illustrations. Alice has entered a dark wood--"much darker than the last wood": [S]he reached the wood: It looked very cool and shady. "Well, at any rate it's a great comfort," she said as she stepped under the trees, "after being so hot, to get into the--into the--into what?" she went on, rather surprised at not being able to think of the word. "I mean to get under the--under the--under this, you know!" putting her hand on the trunk of the tree. "What does it call itself, I wonder? I do believe it's got no name--why to be sure it hasn't!" This is the wood where things have no names, which Alice has been warned about. As she tries to remember her own name ("I know it begins with L!"), a Fawn comes wandering by. In its soft, sweet voice, the Fawn asks Alice, "What do you call yourself?" Alice returns the question, the creature replies, "I'll tell you, if you'll come a little further on . . . . I can't remember here". The Tenniel picture that I still find affecting illustrates the first part of the next sentence: So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arm. "I'm a Fawn!" it cried out in a voice of delight. "And dear me! you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. In the illustration, the little girl and the animal walk together with a slightly awkward intimacy, Alice's right arm circled over the Fawn's neck and back so that the fingers of her two hands meet in front of her waist, barely close enough to mesh a little, a space between the thumbs. They both look forward, and the affecting clumsiness of the pose suggests that they are tripping one another. The great-eyed Fawn's legs are breathtakingly thin. Alice's expression is calm, a little melancholy or spaced-out. What an allegory of the fall into language. To imagine a child crossing over from the jubilant, passive experience of such a passage in its physical reality, over into the phrase-by-phrase, conscious analysis of how it is done--all that movement and reversal and feeling and texture in a handful of sentences--is somewhat like imagining a parallel masking of life itself, as if I were to discover, on reflection, that this room where I am writing, the keyboard, the jar of pens, the lamp, the rain outside, were all made out of words. From "Some Notes on Reading," in The Most Wonderful Books (Milkweed Editions)

Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The

Rage and unbearable pain meshed together like twin strands in an ever-tightening rope.

~ VANILLA BEAN CRÈME ANGLAISE ~ 4 large egg yolks 2½ tablespoons sugar 1 cup whole milk ¾ cup heavy cream 1 teaspoon vanilla bean paste Prepare an ice bath by filling a large bowl halfway with ice, then nestling a second bowl (ideally metal) inside the ice. Set a wire-mesh strainer over the second bowl. Using a mixer, beat the yolk and sugar together for about two minutes, or until pale and creamy. Combine the milk, cream, and vanilla bean paste in a medium-sized saucepan, and bring to a simmer over medium heat, stirring constantly to prevent scalding. Once the cream has just reached a simmer, remove from heat and reduce burner to medium-low. With the mixer running on low, slowly pour ⅓ cup of the hot cream into the sugared yolks. Blend until well incorporated, then pour the remaining cream into the mixing bowl. Transfer the custard to the saucepan, and return it to the stove. If it’s frothy; the air will dissipate as it cooks. Stir over medium-low heat for 5–10 minutes, or until the mixture can coat a spoon. For thicker custard, cook a few minutes longer. If the custard resists thickening, increase the heat; avoid a boil, as the egg will cook and the sauce will separate. Once the custard has thickened, remove it from the stove and pour it through the mesh strainer and into the chilled bowl. Chill the sauce in a covered container for three hours, or overnight. The custard will thicken as it cools. Makes about 2 cups.

My journey to publication was much like anyone’s: Long and hard. I met Tamara just as I received my first “YES,” and by the time that book was released, Tamara and I were discussing doing a collaboration. I was honored to write with her, and we quickly found that our styles meshed in a smooth effective way, making it impossible for us to stop after just one novel together.

It was a raucous affair—the two cultures meshing together on the dance floor in a riot of yarmulkes and kilts. A fine time was had by all, but a word of caution for anyone thinking of making a similar match: the Jewish tradition of dancing the hora with the bride and groom hoisted high on chairs is liable to clash, spectacularly, with the Scottish tradition of wearing kilts with no underwear, so be prepared for fainting relatives.

To demonstrate how this might be realized in practice, he traces, in minute detail, the interaction a Japanese schoolgirl has with her aunt, an English teacher, as they work through a homework exercise together: an intricate meshing of language, gesture, gaze, and laughter, inseparable from the experience of learning itself, and bringing to mind these lines of Yeats: O body swayed to music, O brightening glance, How can we know the dancer from the dance? (from ‘Among School Children’, The Collected Poems of W.B. Yeats, Macmillan, 1950)

Like a long black hood or so high coming down over your head, too slow to measure or even to notice. And each successive layer of the hood is only mesh, perfectly see-through...bust as they fold one over the other (over the other, over the other), your world gets more dim, dull, chill, and awful, almost beyond endurance. "Normal" getting worse, always and steadily, as "normal" is--so often--wont to do

They bantered back and forth almost faster than I could keep up with. Their auras glowed brighter as they walked. Meshing together. Bouncing off each other. I could see the deeper connection that their bond provided. That little bit of green envy eased its way back up my spine, and I headed to grab some fruit before the feeling could take over. I was happy for my cousin. Not jealous. Happy. By

don’t want to fight it anymore." He turned in my arms and pulled me against him. All of him. His entire front was flush with mine. I felt his hardening length pressing against mine, and he kissed me. He wasn’t being careful or hesitant. He was demanding and urgent. His mouth devoured me, and I was lost. I gave myself to him in this kiss, as our mouths opened and our tongues collided, our bodies meshed together. And I surrendered. I didn’t want to fight this, whatever this was, again. I didn’t want to question my desire. I just wanted to allow myself to feel.

Tate: "What's taking Ren so long to forgive you? Your epic reunions usually happen fairly fast." Wyatt: "She's dragging it out this time. She went out with some meathead from her gym last night and sent me a selfie of them watching The Bachelorette together because she knew it'd piss me off." I raise an eyebrow. Cooper: "Why would that piss you off?" Wyatt: "Because it's our favorite show, dickhead. She's goddamn TV-cheating on me with a guy who wears mesh tank tops.

Especially in a small organization, it was important that everyone work well together. As I was unable to tell from an interview how a new hire would mesh with our corporate culture, I told everyone that they were temporary for the first six months, as were we for them. Sometime during that period, if we mutually agreed, they would become regular employees.

We can’t run from the Akashic or when the muse makes its way to your pen. I do not know if it's you or I, it all got so meshed together I do not know where one begins or the other continues.

My work since 1981 has been to put that jigsaw puzzle together. Here’s how the picture looks once the various parts are snapped in place. Social animals are linked in networks of information exchange. Meanwhile, self-destruct mechanisms turn a creature on and off depending on his or her ability to get a handle on the tricks and traps of circumstance. The result is a complex adaptive system—a web of semi-independent operatives linked to form a learning machine. How effective is this collective learning mesh? As David Sloan Wilson discovered, a group usually solves problems better than the individuals within it. Pit one socially networked problem-solving web against another—a constant occurrence in nature—and the one which most successfully takes advantage of complex adaptive system rules, that which is the most powerful cooperative learning contraption, will almost always win.

Bell Labs, for all its romantic forays into the mysteries of science, remained an integral part of the phone business. The Labs management made an effort to isolate its scientists from the gritty day-to-day political concerns of the business. But the managers themselves had to keep track of how the technology and politics and finances of their endeavor meshed together. Indeed, they could never forget it. As long as the business remained robust—and it was the primary job of people like Mervin Kelly to keep the business robust—so did the Labs.

Maybe she needed to hit rock bottom to learn who she really is. She sees now that self-respect can only be born after failure and insight mesh together.

Finally, it was our turn and my stomach churned with anxiety and nerves. As we raced out onto the stage to form our positions before the curtain went up, Sara turned to me and said, “Break a leg, Julia!” “What?” I frowned. “That’s for good luck,” she smirked and then faced the audience whose applause was deafening once again. We lunged into our routine, with Sara in the front row, doing the somersaults that she was so good at and as usual, her precision and timing were excellent. The applause erupted again and with a flick of her long ponytail, she executed a very tricky interchange with Alex and then moved to the back. Alex attacked his moves with his usual gusto and the sharp, expressive movements which made him the stand out hip-hop dancer that he was. I felt a rush of pride at being a part of such a cool routine but just as I moved to the front position, I felt my leg give way under me. It was a completely involuntary reaction and one I was powerless to prevent. I was supposed to kneel down and support the weight of one of the smaller girls on my bent knee but unfortunately, it was the leg that I had injured that morning. There was no way I could bear her weight and the sharp pain caused my knee to drop just as Abbie pressed down on it to raise herself into the air. With a gasp from the audience, she went tumbling to the ground. Bright red with embarrassment, she glared at me in horror and all I could do was help her up and try to resume the timing and movements of the routine going on around us. Fortunately, Abbie had no trouble getting back into rhythm, but I just seemed to lose my place and was not able to recover. As if in slow motion, I felt myself limping around the stage after the others and then looking down, I realized that blood was oozing from my leg and onto the floor. I tried to ignore it and focus on the moves that I knew so well, but I was simply unable to get it together. Gratefully, Millie took over my spot and I moved once again to the back row, trying to camouflage myself amongst the others. The scene around me was almost surreal and I felt as though I were a spectator watching the event unfold from afar. The swirling, twisting and turning of the dancers in front of me, along with the steady thumping beat of the latest hip-hop song that everyone knew so well, all seemed to mesh together into a whirlpool of crazy colors and sounds. Then, feeling a slight nudge in my lower back, I was pushed towards the front of the stage. An instant flash of recall had me leaping into the air. Everyone still considered this moment the highlight of our routine. It was the grand finale and my chance to relinquish my status as actually being a decent dancer and choreographer. Flinging my arms and legs forward, I came down onto the stage, one foot at a time. Then reminiscent of that morning’s episode in the school driveway, rather than gripping onto the stage in a final dramatic stomp, my foot slid forward and just kept on going until my whole body landed horizontally on the floor with a loud bang. In a blur of dizziness, I sat up and looked around then saw that I had slipped on a pool of blood; blood that had oozed from the gash in my knee and onto the stage. At that very moment, I was overcome with a sudden rush of nausea and unable to stop the sudden convulsion, I vomited all over the floor in front of me. Too terrified to open my eyes, I wished I could turn back the clock. Back to the day of our dress rehearsal when everything had gone so smoothly. My final leap had been the high point of the day, where even Miss Sheldon and also Alex our expert hip hop dancer, had congratulated me on my performance. I dared to glance fearfully out into the audience. Everyone appeared aghast and I could see the shocked expressions of my mom and dad. Then, realizing I was surrounded by worried faces peering down at me, everything suddenly went black.

As you should, it’s your home,” I reply with an easy grin. He grips the back of my neck, pulling me into him, our foreheads meshing together as he stares down at me. “My home is right here,” he says with conviction, moving his palm to the place my racing heart resides.

How do you stand up to a dictator? "By embracing values defined early. Honesty, vulnerability, empathy, moving away from emotions, embracing your fear, believing in the good. You can't do it alone. You have to create a team, strengthen your area of influence, then connect the bright spots and weave the mesh together. Avoid thinking in terms of us against them. Stand in someone else's shoes and do onto others as you would have them do onto you. Technology has proven that human beings have far more in common than we have differences.

So how do you stand up to a dictator? "By embracing values defined early. Honesty, vulnerability, empathy, moving away from emotions, embracing your fear, believing in the good. You can't do it alone. You have to create a team, strengthen your area of influence, then connect the bright spots and weave the mesh together. Avoid thinking in terms of us against them. Stand in someone else's shoes and do onto others as you would have them do onto you. Technology has proven that human beings have far more in common than we have differences.

So how do you stand up to a dictator? By embracing values defined early: honesty, vulnerability, empathy, moving away from emotions, embracing your fear, believing in the good. You can't do it alone. You have to create a team, strengthen your area of influence, then connect the bright spots and weave the mesh together. Avoid thinking in terms of 'us against them'. Stand in someone else's shoes and do onto others as you would have them do onto you. Technology has proven that human beings have far more in common than we have differences.

So how do you stand up to a dictator? By embracing values defined early(...): honesty, vulnerability, empathy, moving away from emotions, embracing your fear, believing in the good. You can't do it alone. You have to create a team, strengthen your area of influence, then connect the bright spots and weave the mesh together. Avoid thinking in terms of us against them. Stand in someone else's shoes and do onto others as you would have them do onto you. Technology has proven that human beings have far more in common than we have differences.

Net of love! What are these scenes unfolding, Over the water of the lake, Where boats are sailing though water is randomly flowing, Is it a sight of motion with no mistake? As the fisherman casts his net, And its octagonal boundaries gradually sink into the water, Where they now lie in their world wet, And wait as octagonal shapes and one single net, when put together, A shoal of fish swims freely and maybe happily too, As they enter this octagonal mesh that waits in silence, The fisherman feels something stir in his mind too, And pulls the net breaking his wait of prolonged patience, And he smiles at the fish struggling to break free, He holds them one by one and tosses them on the floor, This is how it has always been and this is how it shall always be, The struggle for the floor to be the sky and for the sky to even invade the floor, For what spring and summer tames as beauty, Shall be confounded by the Autumn that appears to appear too soon, For in the temple of life there is no deity, There is only the law of bane and the boon, So I watch the fish wriggle on the floor of the boat, As my thoughts sail away with the one I love, And I cast my net over the vast expanse of fate as I wait, To notice in her the same feeling of love reflecting all over my net of love, That I cast only to seek her attention and few smiles, While her beauty glides throughout the universe, Her charm is rendered eternal across the universe’s infinite miles, And my net of love also gets cast across this endless universe!

Fuck. He wanted her so much, beyond reason. It wasn’t just her smart mouth or the chemistry that crackled between them, or even how gorgeous she was. It was a feeling of rightness, that all her splintered, sharp edges fit his. Like a badly broken bone, if they could line up perfectly they’d stop grating and mesh together.

Bertram Scudder seemed to be afraid of her. He clung to the microphone, spitting words into its delicate mesh, into the ears of the country, introducing the subject of his program. He was laboring to sound cynical, skeptical, superior and hysterical together, to sound like a man who sneers at the vanity of all human beliefs and thereby demands an instantaneous belief from his listeners. A small patch of moisture glistened on the back of his neck. He was describing in overcolored detail her month of convalescence in the lonely cabin of a sheepherder, then her heroic trudging down fifty miles of mountain trails for the sake of resuming her duties to the people in this grave hour of national emergency.

But they’re the shit because we are. Our chemistry, our humor, our personalities meshed together—it’s all a recipe for sensation. And it’s time I get that back. Right fucking now.

The Cancer Center suffered from two hallmarks of organizations that are plagued with coordination snafus. First, powerful people ignore, dismiss, denigrate, and even undermine people and groups they need to mesh their work with. Oncologists saw themselves as being at the top of the pecking order at the center and the work of other specialists as secondary, trivial, or downright useless. They dismissed side effects, including fatigue, diarrhea, and cramps, caused by chemotherapy that they prescribed as “normal” and left it to patients to find specialists to treat such problems. Second, powerful people devote little attention to solutions for coordination problems. Executives, consultants, and physicians who launched the center gave lip service to collaboration across silos. Yet they focused on building strong teams and departments in areas such as brain tumors, breast cancer, and skin cancer—and ignored how to help the units work together.

One of Satya’s first moves was to abolish stack ranking. He worked to reverse the traditional emphasis on rewarding the smartest person in the room, who dominates and pushes around others. He encouraged people to ask questions and listen—to be “learn-it-alls” not know-it-alls. He pressed people to live the One Microsoft philosophy, that the company is not to be “a confederation of fiefdoms” because “innovation and competition don’t respect our silos, so we need to transcend those barriers.” To support this new culture, Satya changed the reward system so that the superstars were people who worked across silos and teams to build products and services with pieces that meshed together well. And so that people deemed as superstars were those who helped others succeed in their careers. The backstabbers who’d flourished under Ballmer changed their ways, left the company voluntarily, or were shown the door.

Floral lace mesh patterns crisscrossed the unpadded body, with silk bows and an open back, brought together with a soft neck harness and a pair of detachable lace stockings that clipped on with delicate straps.

Mint Julep Ice Cream Use this to clear out the past and start over by painting all past painful memories in a happier light. Don’t eat too much, or you’ll be forgetting other things too, until you’re a doddery old fool like me, who can’t remember what day of the week it is. Getting old really is a son of a bitch. Ingredients 1 c. sugar ½ c. water ½ c. bourbon 1 tsp. vanilla 2 c. milk 2 c. heavy cream 6 large egg yolks 8–10 large sprigs fresh mint (plus extra for garnish) Directions 1. Bruise the leaves of the mint leaves to release oils and flavors. Combine the sugar, water, and the 8 mint sprigs in a small saucepan over medium heat, and bring to a boil, stirring to dissolve the sugar. Cook for 2 minutes. Remove from the heat, and let cool completely. Strain through a fine-mesh strainer, then add the bourbon. 2. Combine the milk and cream in a large nonreactive saucepan, and bring to a gentle boil. In a small mixing bowl, whisk the egg yolks together. Whisk 1 cup of the hot cream mixture into the egg mixture. In a slow, steady stream, add the egg mixture to the hot cream mixture. Continue to cook for 4 minutes, stirring occasionally, until the mixture thickens enough to coat the back of a spoon. Remove from heat and let cool completely. 3. Whisk the bourbon mixture into the cream mixture. Cover with plastic wrap, pressing the wrap down against the surface of the mixture to keep a skin from forming, and chill in the refrigerator for at least 2 hours. 4. Remove from the refrigerator, and pour the mixture into an ice-cream machine. Churn according to the manufacturer’s directions. For an extra kick, add a spoonful of bourbon over ice cream before serving.

When I told my Berkeley therapist that I was having panic attacks in the elevator of International House, he asked me why, as if they were voluntary. He cut me off before I could point the finger at childhood beatings, the Holocaust, or the Freudian saga of the dwarf cherry tree from Cooper’s Nursery that turned out to be full-size, outraging my mother, who had me lop the top off every fall. “Here’s why,” he said, tapping the eraser of his pencil against the dome of his conveniently shaven head, high above his eyes. “They’re called frontal lobes.” I laughed but he did not. It was a simple fact, he said, that the brain had evolved in stages and the parts fit together badly. Thinking caused anxiety the way walking upright caused backaches. Our ability to remember the past, imagine the future, and use language, all recent acquisitions, did not mesh well with ancient regions of the brain that had guarded us for eons, knew only the present, and did not distinguish between imaginary fears and real trouble. Fair enough, but why was it my frontal lobes’ fault if the primitive portion of my brain was too drunk on limbic moonshine to distinguish between real and imaginary monsters? Because, he told me, there is no difference between real and imaginary monsters, just as there is no difference between the past and the future: neither exists. Unless I wanted to spend the rest of my life on the elevator floor, I had better realize that the brain isn’t an intellectual, any more than the stomach is a gourmet. The brain is the body, and the body lives in the present, which is all there is.

Ty eventually picked her up from the hospital. They have been together ever since. He helped her plan her parents' funeral, and nursed her back to a good mental space only to break it right back down. Here it was, eight years later, and she felt like history has been repeating itself.  

Once we get everything handled, then we can leave and be together.” Sarah

Kayla and Tameka had been good friends for years before they started working in Lyric’s shop. Together, they had gotten into so much trouble; it was unreal. The only thing that slowed them down was maturity and the fact that they didn’t want to keep ending up with the same results.

the writer feels free to invent an inner language for the characters, to give their dialogues revelatory shape, to weave together episodes and characters with a fine mesh of recurrent motifs and phrases and analogies of incident, and to define the meaning of the events through allusion, metaphor, and symbol. The writer does all this not to fabricate history but in order to understand it. In this elaborately wrought literary vehicle, David turns out to be one of the most unfathomable figures of ancient literature.

Though technically I am the bitch on the side, I am a bitch with sympathy and compassion; if those entities can be meshed together. “I

The anguish of losing a child pollutes every close relationship. It seeks to destroy our ties to our spouses, to our remaining children, to our parents, to cherished friends, to everyone close to us. Each tie is torn to shreds and brutally examined under a high-powered microscope before it can be pieced back together. In some cases, the pieces will never again mesh and the bond will break. Those relationships that survive will be forever changed because we are changed. We are never the same people we were before the death. The person we become has to learn anew to love and live with those we loved and lived with before, or perhaps to go a separate way. The death becomes a giant black hole in our midst. Barbara

And you knew it too. The first day that we spent time together, you knew how I felt because we talked about it.” “I

We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here. As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.

We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here.

His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. “Tell me what you know,” he said, his breath searing her lips. “Or I’ll do worse than this. I’ll take you here and now. Is that what you want?” As a matter of fact… However, recalling that this was supposed to be a punishment, a coercion, Beatrix managed a languid, “No. Stop.” His mouth ravished hers again. She sighed and melted against him. He kissed her harder, pressing her back against the slatted side of the stall, his hands roaming indecently. Her body was laced and compressed and concealed in layers of feminine attire, frustrating his attempts to caress her. His garments, however, presented far fewer obstacles. She slid her arms inside his coat, fumbling to touch him, tugging ardently at his waistcoat and shirt. Reaching beneath the straps of his trouser braces, she managed to pull part of his shirt free of the trousers, the fabric warm from his body. They both gasped as her cool fingers touched the burning skin of his back. Fascinated, Beatrix explored the curvature of deep intrinsic muscles, the tight mesh of sinew and bone, the astonishing strength contained just beneath the surface. She found the texture of scars, vestiges of pain and survival. After stroking a healed-over line, she covered it tenderly with her palm. A shudder racked his frame. Christopher groaned and crushed his mouth over hers, urging her body against his, until together they found an erotic pattern, a cadence. Instinctively Beatrix tried to draw him inside herself, pulling at his lips and tongue with her own. Christopher broke the kiss abruptly, panting. Cradling her head in his hands, he pressed his forehead against hers. “Is it you?” he asked hoarsely. “Is it?” Beatrix felt tears slip from beneath her lashes, no matter how she tried to blink them back. Her heart was ablaze. It seemed that her entire life had led to this man, this moment of unexpressed love. But she was too frightened of his scorn, and too ashamed of her own actions, to answer. Christopher’s fingertips found the tear marks on her damp skin. His mouth grazed her trembling lips, lingering at one soft corner, sliding up to the verge of a salt-flavored cheek. Releasing her, he stepped back and stared at her with baffled anger. The desire exerted such force between them that Beatrix belatedly wondered how he could maintain even that small distance. A shaken breath escaped him. He straightened his clothes, moving with undue care, as if he were intoxicated. “Damn you.” His voice was low and strained. He strode out of the stables. Albert, who had been sitting by a stall, began to trot after him. Upon noticing Beatrix wasn’t going with them, the terrier dashed over to her and whimpered. Beatrix bent to pet him. “Go on, boy,” she whispered. Hesitating only a moment, Albert ran after his master. And Beatrix watched them both with despair.

The conflict stirred up by new ideas can be so devastating only because so much of human life is lived in the symbolic world. What we refer to, when we use the terms 'I', 'me', or 'myself', is a human person defined not only by a body's physical boundaries but by symbolic aspects too: commitment to certain beliefs, particular ways of acting and thinking and using language, a preference for some ideas and dislike for others. As symbolic selves, each of us is a hugely complicated knot of beliefs, desires, and other neural patterns. Many strands of the tangle can also be found in many other people, but each is rendered uniquely ours by its place in our cognitive landscape, the mesh of connections which holds the knot of self together.

By their dependence on the spoken word for information, people were drawn together into a tribal mesh . . . the spoken word is more emotionally laden than the written. . . . Audile-tactile tribal man partook of the collective unconscious, lived in a magical integral world patterned by myth and ritual, its values divine.3

And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That's the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. Bit it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.

After that, things happened very quickly. She gave me a key to her house, and I gave her a key to my apartment. If we were in town, we spent every weekend together. She cooked for me—she was good in the kitchen, but then she was good everywhere. We watched the Friday night fights on TV, and on Saturday or Sunday afternoons we'd go for long walks in the mountains above Malibu. Occasionally we would go to a movie, slipping in after the lights went down. Whenever we went out, Barbara [Stanwyck] would wear a scarf over her head, or a kind of hat, so it would be hard to tell who she was. For the next four years, we became part of each other's lives. In a very real way, I think we still are. Barbara proved to be one of the most marvelous relationships of my life. I was twenty-two, she was forty-five, but our ages were beside the point. She was everything to me—a beautiful woman with a great sense of humor and enormous accomplishments to her name.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

Along with the planting of native and rare species, these smaller, precise efforts also meshed together to serve a larger goal, that of extending a welcoming hand to life in all its forms. My gardens would never be a place of sterile beauty, with the intricately beautiful faces of flowers gathered from around the globe looking out at the rest of the world from behind a fence of privilege. Whether it was with me at birth or cultivated in Lisheens, my love was for an active and open beauty, the wonder that exists in the intricate relationships between all living things.

Syd’s madness was not caused by any linear progression of events, but more a circular haze of situations that meshed together on top of themselves and Syd.

Patty’s Cake with Espresso-Caramel Sauce 7 (1-ounce) squares unsweetened cooking chocolate ¾ cup butter 1½ cups strong coffee ¼ cup bourbon 2 eggs 1 teaspoon vanilla 2 cups cake flour 1½ cups sugar 1 teaspoon baking soda ¼ teaspoon salt Grease and flour two 8½ by 4½-inch loaf pans. Put the chocolate, butter, and coffee in a heavy saucepan with a 4½-quart capacity. Place over low heat, stirring constantly, till chocolate is melted, then stir vigorously till mixture is smooth and thoroughly blended. Set aside to cool for at least 10 minutes. Beat in bourbon, eggs, and vanilla. Sift dry ingredients together and beat into the chocolate mixture till well blended. Divide batter between prepared pans and bake in a 275°F oven 45 to 55 minutes, or until a wooden skewer inserted in the center comes out clean. Cool in pans for 15 minutes, then turn out onto racks to cool completely. Serve with whipped cream, crème fraîche, or Espresso-Caramel Sauce. ESPRESSO-CARAMEL SAUCE 1 cup sugar ⅓ cup water ½ cup heavy (whipping) cream 3 tablespoons espresso Whisk sugar into water and pour into heavy-bottomed saucepan—preferably one with a white or light-colored interior, so you can keep an eye on the color change of the caramel. Stir over medium heat until sugar is completely dissolved, about 1 minute. Increase heat to high and bring to a boil. Do not stir, but wash down sides of pan frequently with a clean brush dipped in water. Meanwhile, heat cream to a simmer in another pan. When sugar begins to caramelize and turn golden around edges of pan, lift pan very carefully and gently swirl mixture to ensure even caramelization. Boil until syrup is a beautiful, deep amber—3 to 4 minutes. Remove from heat and set pan in sink. Slowly pour in hot cream, whisking to combine. Mixture will bubble up and may splatter. You may want to wear glasses to protect your eyes. Stir in espresso and blend until smooth. If mixture starts to harden, return to low heat and whisk until dissolved. While sauce is still warm, strain through fine-mesh strainer. Makes about 1 cup.

The best way to rein in the excesses of the complex—and make us safer—is for well-informed voters to elect the kind of enlightened leaders we need to bring about change. Eisenhower’s advice, delivered in 1961, still rings true today: “Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.

An hour later, I laughed as Fallon danced around Luke. Everyone, except Ryder and me, had finished off several more shots, and Fallon was drunk. Usually I found drunk people annoying, but tonight she was pretty hilarious. She even made drinking look fun. Ryder grinned. “You’re friend isn’t going to be able to stand upright much longer.” Fallon spun in our direction. “Hey, she’s the one over a table, not walking right.” She pointed at me. I slapped my hand over my mouth and tried not to laugh at her random slew of Ryder comments meshed into one indecipherable sentence. “What?” Ryder’s eyebrows scrunched as he stared at her then me. “Nothing. She’s drunk.” I pressed my lips together to avoid laughing. He smirked. “Are you?” I shook my head. “Nope.” Fallon jumped back in. “No way. Brinley’s drunk!” Her eyes widened. “Hell just froze over.” She shifted her gaze to Ryder. “Don’t be taking advantage of my roomie. I know you want to occupy Vagistan and all that but she’d be sooo pissed at—” “Oh my God. We’re done.” I pressed my hand to her mouth as my face seared with embarrassment. Luke bent over in hysterics. “I think I love your friend.” “Awesome. She’s yours. Just don’t let her talk anymore.” “Keep her mouth busy? On it.

I’d hate for us to get into an argument,” he said, “but if that’s the only way we could communicate....” Carlotta said that grown-ups recover from arguments if they keep their knives in the drawer. “What if our talents don’t mesh?” he worried. “We’ll create a weave that works,” she said in a silvery tone. He brought her to a bench by the lake; they chatted while kids played soccer behind them. “I’m not sure the west coast would appeal with me.” “So you don’t want me to disrupt your life,” Carlotta needled him. “I know two men who’ll provide for me from their millions.” “And let their money ruin your talent?” he nearly exploded. “Over my dead body. I thought you could support yourself. You and I together....” We’ve encircled each other; I can about guess what will happen next. Either her “no” or her “yes” would cause him to quake. They inspected the flowers in a rock garden – purple and red, daisies past their prime, white dots and white dust on deep green leaves, brown tufts that created an impression of mauve from a distance but looked red and green as they moved closer – all on purplish brown stalks. Other nearby blooms could have been the tails of the proudest birds – the kind that have red maple feathers and violet eyes. Carlotta interrupted his reverie. “You’ll have to speak up. I can’t say ‘yes’ for both of us.

After finishing their main course and dessert, she and Cady prepared her extra dish. Sophia had decided to make the girls' favorite dinner- beef tenderloin with peppercorn sauce. Soon enough they were plating and rushing back and forth to the huge banquet table set up in the courtyard. Pouring wine and adjusting garnishes and offering smiles to the judges. The ambience of this meal was Sophia's idea of romance. The table was draped with ivory linen and topped with glass jars of flowers. Bouquets of Rosa rugosa and Queen Anne's lace were nestled among votives and bottles of wine. The local glassblower had provided an assortment of pottery dishes and hand-blown goblets. Strands of white lights dangled from the surrounding trees. She and Elliott and the girls plated together, having reached some sort of exhausted Zen state. Emilia scooped the risotto, Elliott placed the salmon on top, Sophia added the three tiny sides shaped with a round cookie cutter. Elliott drizzled his sauce onto the final product. He brushed his shoulder against Sophia each time, needing that physical connection. The plates looked exquisite, artistic. Perfect. She tried to ignore the overwhelming stress of the moment and focus on the food. Cady and Emilia added garnishes- fresh herbs and flowers. And Cady had a whole sheet of candied violets ready to sprinkle on their dessert. It made Elliott laugh and tease them all about being a family of garden sprites. When they finally got to the head of the table and faced a sea of critics, Sophia felt confident about their choices. They'd prepared a beautiful meal that successfully showcased Elliott's love for Scottish tradition, local Vermont products, and the Brown family's love of fresh vegetables and herbs. All the components meshed together into one cohesive meal.

And then the finale, its four modest notes. Do, re, fa, mi: half a jumbled scale. Too simple to be called invented. But the thing spills out into the world like one of those African antelopes that fall from the womb, still wet with afterbirth but already running. Young Peter props up on his elbows, ambushed by a memory from the future. The shuffled half scale gathers mass; it sucks up other melodies into its gravity. Tunes and countertunes split off and replicate, chasing each other in a cosmic game of tag. At two minutes, a trapdoor opens beneath the boy. The first floor of the house dissolves above a gaping hole. Boy, stereo, speaker boxes, the love seat he sits on: all hang in place, floating on the gusher of sonority pouring into the room. […] All he wants to do forever is to take the magnificent timepiece apart and put its meshed gears back together again. To recover that feeling of being clear, present, here, various and vibrant, as huge and noble as an outer planet.

Ultimately, the overarching prescription from President Eisenhower was similar to what Washington had counseled as the ultimate check and balance: vigorous citizenship. In a democracy, political father figures are never the last sources of responsibility. 'Only an alert and knowledgeable citizenry,' Ike advised, 'can compel the proper meshing of the huge industry and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.

The doors of the church on the corner stood open; the church was always crowded but this evening the people overflowed down the steps into the street, kneeling pressed together, women mostly, all in black, black shawls thrown over their heads. In passing she glimpsed the altar, a blaze of candle flame and tinsel against the shadows, mysterious, remote, set apart from the seething black mass of worshippers, magnificent as a medallion on velvet, untouchable behind stout wire mesh; a dream, not for the possessing, and better so, better sighed over, prayed for, dreamed of, better at a distance, to remain a mystery, a legend, in order to be of real and permanent comfort in distress.

Almost inconceivable is the power of a visible communion of numbers to give intensity to those feelings of the heart which usually retire into privacy, or only open themselves to the confidence of friendship. The faith in the validity of such emotions becomes irrefragable from its diffusion; we feel ourselves strong among so many associates, and all hearts and minds flow together in one great and irresistible stream. On this very account the privilege of influencing an assembled crowd is exposed to most dangerous abuses. As one may disinterestedly animate them, for the noblest and best of purposes, so another may entangle them in the deceitful meshes of sophistry, and dazzle them by the glare of a false magnanimity, whose vainglorious crimes may be painted as virtues and even as sacrifices. Beneath the delightful charms of oratory and poetry, the poison steals imperceptibly into ear and heart.