β
Modern paintings are like women, you'll never enjoy them if you try to understand them.
β
β
Freddie Mercury
β
...her queen danced like a flame in the wind, and the mercurial king like the weight at the center of the earth...
β
β
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
β
I'm just a musical prostitute, my dear.
β
β
Freddie Mercury
β
My soul has painted like the wings of butterflies,
Fairy tales of yesterday will grow but never die,
I can fly, my friends...
β
β
Freddie Mercury
β
Finding is losing something else.
I think about, perhaps even mourn,
what I lost to find this
β
β
Richard Brautigan (Loading Mercury With a Pitchfork)
β
Oh, I was not made for heaven. No, I don't want to go to heaven. Hell is much better. Think of all the interesting people you're going to meet down there!
β
β
Freddie Mercury
β
Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It's fun and it's frightening as hell. Some patients - bipolar type I - experience both extremes; other - bipolar type II - suffer depression almost exclusively. But the "mixed state," the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression's paranoid self-loathing.
β
β
David Lovelace (Scattershot: My Bipolar Family)
β
I won't be a rock star. I will be a legend.
β
β
Freddie Mercury
β
Fang: βLet them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. Weβll come back out when theyβre all gone, done playing their games of world domination."
Max: βThatβs a great plan. Of course, by then we wonβt be able to go outside because weβll get fried by the lack of the ozone layer. Weβll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there wonβt be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there wonβt be amusement parks and museums and zoos and libraries and cute shoes! Weβll be like cavemen, trying to weave clothes out of plant fibers. Weβll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!β
Fang: βSo maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.β
Max: "I HATE YOU!!!"
Fang: "NO YOU DOOOOOON'T!!"
Voice: "You two are crazy about each other.
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
The world is violent and mercurial--it will have its way with you. We are saved only by love--love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.
β
β
Tennessee Williams
β
Mr. Stalker
Mr. Kinky
Mr. Spellcaster
Mr. Charming
Mr. Personality
Mr. Stalker
Mr. Celebrity
Mr. Beautiful
Mr. Mercurial
β
β
R.K. Lilley (In Flight (Up in the Air, #1))
β
I am a romantic, but I do put up a barrier around myself, so it is hard for people to get in and to know the real me
β
β
Freddie Mercury
β
I always knew I was a star, and now the rest of the world seems to agree with me.
β
β
Freddie Mercury
β
Iβll affect you slowly
as if you were having a picnic in a dream.
There will be no ants.
It wonβt rain.
β
β
Richard Brautigan (Loading Mercury With a Pitchfork)
β
What will I be doing in twenty years' time? I'll be dead, darling! Are you crazy?
β
β
Freddie Mercury
β
I'm very emotional; I think I may go mad in several years' time.
β
β
Freddie Mercury
β
Damon, leather and silk and fine chiseled features. Mercurial and devastating.
β
β
L.J. Smith
β
In the realm of love and sex, itβs girls who are in the position of working hard to adapt themselves to the needs and fantasies of the mercurial males whose approval and attention they seek.
β
β
Meenakshi Gigi Durham (The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It)
β
When I'm dead, I want to be remembered as a musician of some worth and substance.
β
β
Freddie Mercury
β
I dress to kill, but tastefully.
β
β
Freddie Mercury
β
I'm as gay as a daffodil, my dear!
β
β
Freddie Mercury
β
I was born to love you
with every single beat of my heart.
I was born to take care of you
every single day of my life.
β
β
Freddie Mercury
β
Does it mean this, does it mean that, that's all anybody wants to know. I'd say what any decent poet would say if anyone dared ask him to analyze his work: if you see it, darling, then it's there!
β
β
Freddie Mercury
β
It's a beautiful day, the sun is shining, I feel good, and no one's gonna stop me now.
β
β
Freddie Mercury
β
There was a sliver of moon and a splash of stars, and the light outlined her face and glistened on the tears that ran like mercury down her cheeks.
β
β
Jonathan Maberry (Rot & Ruin (Rot & Ruin, #1))
β
Who wants to live forever?
β
β
Freddie Mercury
β
The bigger the better; in everything.
β
β
Freddie Mercury
β
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
The show must go on.
β
β
Freddie Mercury
β
The reason we're successful, darling? My overall charisma, of course
β
β
Freddie Mercury
β
If i had to do it all over again? Why not, I would do it a little bit differently.
β
β
Freddie Mercury (Freddie Mercury: A Life, in His Own Words)
β
You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat-out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds.
β
β
Tana French (The Secret Place (Dublin Murder Squad, #5))
β
I like to be surrounded by splendid things.
β
β
Freddie Mercury
β
I say, when Mercury arrives, we just pretend weβre not here.β Lawe
tipped back his whiskey and swallowed in a single drink. βStay real quiet.
Donβt make eye contact.β
They all nodded.
β
β
Lora Leigh (Mercury's War (Breeds, #12))
β
For a long time I believed the opposite of passion was death. I was wrong. Passion and death are implicit, one in the other. Past the border of a fiery life lies the netherworld. I can trace this road, which took me through places so hot the very air burned the lungs. I did not turn back. I pressed on, and eventually passed over the border, beyond which lies a place that is wordless and cold, so cold that it, like mercury, burns a freezing blue flame.
β
β
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
β
I want to lead the Victorian life, surrounded by exquisite clutter.
β
β
Freddie Mercury
β
It's not a concert you are seeing, it's a fashion show.
β
β
Freddie Mercury
β
Birth is not the beginning of life - only of an individual awareness. Change into another state is not death - only the ending of this awareness.
β
β
Hermes Trismegistus (Corpus Hermeticum)
β
We've gone overboard on every Queen album. But that's Queen.
β
β
Freddie Mercury
β
I think my melodies are superior to my lyrics.
β
β
Freddie Mercury
β
Get on your bikes and ride!
β
β
Freddie Mercury
β
Interview? Oh don't be ridiculous.
β
β
Freddie Mercury
β
No eyes will raise to heaven. The pure will be thought insane and the impure will be honoured as wise. The madman will be believed brave, and the wicked esteemed as good.
β
β
Hermes Trismegistus (Corpus Hermeticum)
β
You are my mate, Ria. In my soul. You are my mate.
~ Mercury
β
β
Lora Leigh (Mercury's War (Breeds, #12))
β
A strange thing happened to me in my dream. I was rapt into the Seventh Heaven. There sat all the gods assembled. As a special dispensation I was granted the favor to have one wish. "Do you wish for youth," said Mercury, "or for beauty, or power, or a long life; or do you wish for the most beautiful woman, or any other of the many fine things we have in our treasure trove? Choose, but only one thing!" For a moment I was at a loss. Then I addressed the gods in this wise: "Most honorable contemporaries, I choose one thing β that I may always have the laughs on my side." Not one god made answer, but all began to laugh. From this I concluded that my wish had been granted and thought that the gods knew how to express themselves with good taste: for it would surely have been inappropriate to answer gravely: your wish has been granted.
β
β
SΓΈren Kierkegaard
β
He stood in the doorway with his hands in his pockets, the picture of nonchalance, and even as a human, he was too gorgeous for words. His dark hair had been combed back, falling softly around his face, and his mercury eyes, though they should've seemed pale against all the white, glimmered more brightly than anything. And they were fixed solely on me.
β
β
Julie Kagawa
β
You see them in the mercury
light of water, the expanding
orbs of silver where trout
breathe. You hear
them in the sleepy kiss
of rainfall on pine
needles, smell them
as if they were snow
to the west.
β
β
Ken Craft (The Indifferent World)
β
You're headed for disaster
cos you never read the signs
Too much love will kill you every time
β
β
Freddie Mercury
β
I am a Saturn who dreams of being a Mercury, and everything I write reflects these two impulses.
β
β
Italo Calvino (Six Memos for the Next Millennium)
β
If there were a god of New York, it would be the Greek's Hermes, the Roman's Mercury. He embodies New York qualities: the quick exchange, the fastness of language and style, craftiness, the mixing of people and crossing of borders, imagination.
β
β
James Hillman
β
And then I cry. Mostly for Rebecca and the tiny, unwanted beating heart deep within her womb. But also for myself. And our daughters. And for every other woman who lives, suffers, and dies by the mercurial whims of men.
β
β
Ariel Lawhon (The Frozen River)
β
But friendships are mercurial. They're shape-shifters. I've learned to allow them to fluctuate and take new forms. I love my friends; that's all that matters.
β
β
Rachel Harrison (The Return)
β
The reality was that the United States in 2017 was tethered to the words and actions of an emotionally overwrought, mercurial and unpredictable leader. Members of his staff had joined to purposefully block some of what they believed were the presidentβs most dangerous impulses. It was a nervous breakdown of the executive power of the most powerful country in the world.
β
β
Bob Woodward (Fear: Trump in the White House)
β
I need you more than I need freedom.
β
β
Lora Leigh (Mercury's War (Breeds, #12))
β
But it is a blessed provision of nature that at times like these, as soon as a man's mercury has got down to a certain point there comes a revulsion, and he rallies. Hope springs up, and cheerfulness along with it, and then he is in good shape to do something for himself, if anything can be done.
β
β
Mark Twain (A Connecticut Yankee in King Arthur's Court)
β
Damned mating heat. Lawe is threatening to join a monastery and Rule's threatening to quit. Why don't you two try to show the younger guys it can be fun instead of taking a note out of everyone else's books and letting it drive you insane?
-Jonas
β
β
Lora Leigh (Mercury's War (Breeds, #12))
β
If you see it there, darling, then it's there.
β
β
Freddie Mercury
β
God-forsaken is beautiful, too.
β
β
Richard Brautigan (Loading Mercury With a Pitchfork)
β
She's my sunshine
β
β
Lora Leigh (Mercury's War (Breeds, #12))
β
So long as there is gold underneath, who cares about the dust on top? Literature! That old whore! We must try to dose her with mercury and pills and clean her out from top to bottom, she has been so ultra-screwed by filthy pricks!
β
β
Gustave Flaubert (Flaubert in Egypt)
β
Though Anne was born in Alabama and schooled in Mississippi, she had traveled North, and, like many Southerners, gained a theoretical understanding of the concept of cold. But the mind is an overprotective parent. What it doesn't care for, it hides. Like many inhabiting the subtropics, Anne had repressed the reality of subzero mercury.
β
β
Kathy Reichs (Monday Mourning (Temperance Brennan, #7))
β
You will die, and when you die, you will know a profound lack of it [dignity]. It's never dignified, always brutal. What's dignified about dying? It's never dignified. And in obscurity? Offensive. Dignity is an affectation, cute but eccentric, like learning French or collecting scarves. And it's fleeting and incredibly mercurial. And subjective. So fuck it.
β
β
Dave Eggers (A Heartbreaking Work of Staggering Genius)
β
The winged word. The mercurial word. The word that is both moth and lamp. The word that is itself and more. the associative word light with meanings. The word not netted by meaning. The exact word wide. The word not whore nor cenobite. The word unlied.
β
β
Jeanette Winterson (Art and Lies)
β
Mogadishu the beautiful - your white-turbaned mosques, baskets of anchovies as bright as mercury, jazz and shuffling feet, bird-boned servant girls with slow smiles, the blind white of your homes against the sapphire blue of the ocean - you are missed, her dreams seem to say.
β
β
Nadifa Mohamed (The Orchard of Lost Souls)
β
The waitress gave Dale the stink eye while collecting his discarded food and drink. While she performed the removal, Dale read the text on her shirt. IβVE MASTERED MY SHIT, SO IF WEβRE ARGUING DURING MERCURY RETROGRADE, YOUβRE THE ONE BEING A BITCH, NOT ME. IβM ENLIGHTENED, ASSHOLE.
β
β
Jasun Ether (The Beasts of Success)
β
yeah, i'm a rocket ship on my way to mars
on a collision course
i am a satellite i'm out of control
i am a sex machine ready to reload
like an atom bomb about to
oh oh oh oh oh explode
i'm burnin' through the sky yeah
two hundred degrees
that's why they call me mister fahrenheit
i'm trav'ling at the speed of light
i wanna make a supersonic woman of you
β
β
Freddie Mercury
β
Sun stares at Mercury.
Mercury stares at Venus.
Venus stares at Earth.
Earth stares at Mars.
Mars states at Jupiter.
Jupiter stares at Saturn.
Saturn stares at Uranus.
Uranus stares at Neptune.
Neptune stares at Moon.
Moon stares at me.
Me stares at Sun.
β
β
-Dipti Dhakul
β
Hey, don't you ever fake orgasms with me."
She huffed. "I don't get why guys get so pissed when girls do that. Hell, your gender can fake an actual relationship.
β
β
Suzanne Wright (Spiral of Need (The Mercury Pack, #1))
β
He whipped the chair around and actually split one of the things in half with the impact, spilling the spray of blood that was reflective, like mercury.
John bellowed, "Anyone else want to donate blood to chair-ity?"
He ducked into the the door and bashed one monster right in the wig, screaming, "There's some dessert! With a chair-y on top!
β
β
David Wong (John Dies at the End (John Dies at the End, #1))
β
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist. It is, at the end of the day, the individual moments of restlessness, of bleakness, of strong persuasions and maddened enthusiasms, that inform oneβs life, change the nature and direction of oneβs work, and give final meaning and color to oneβs loves and friendships.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Iβve heard that hat making drives people mad,β Pandora remarked. βWhich I donβt understand, because it doesnβt seem tedious enough to do that.β βIt isnβt the job that drives them mad,β West said. βItβs the mercury solution they use to smooth the felt. After repeated exposure, it addles the brain. Hence the term βmad as a hatter.
β
β
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
β
Ria snorted. βLeoβs pride rarely leaves the plains. What are they
supposed to mate? The zebras?
β
β
Lora Leigh (Mercury's War (Breeds, #12))
β
The more you open up, the more you get hurt. So basically, Iβm just riddled with scars and I just donβt want any more.
β
β
Freddie Mercury
β
Inside my heart is breaking,
My make-up may be flaking,
But my smile, still, stays on!
β
β
Freddie Mercury (Greatest Hits)
β
The present issues from the past, and the future from the present. Everything is made one by this continuity. Time is like a circle, where all the points are so linked that one cannot say where it begins or ends, for all points precede and follow one another for ever.
β
β
Hermes Trismegistus (Corpus Hermeticum)
β
The gut is the seat of all feeling. Polluting the gut not only cripples your immune system, but also destroys your sense of empathy, the ability to identify with other humans. Bad bacteria in the gut creates neurological issues. Autism can be cured by detoxifying the bellies of young children. People who think that feelings come from the heart are wrong. The gut is where you feel the loss of a loved one first. It's where you feel pain and a heavy bulk of your emotions. It's the central base of your entire immune system. If your gut is loaded with negative bacteria, it affects your mind. Your heart is the seat of your conscience. If your mind is corrupted, it affects your conscience. The heart is the Sun. The gut is the Moon. The pineal gland is Neptune, and your brain and nervous system (5 senses) are Mercury. What affects the moon or sun affects the entire universe within. So, if you poison the gut, it affects your entire nervous system, your sense of reasoning, and your senses.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
To fill the young of the species with knowledge and awaken their intelligence... Nothing could be further from the truth. The aim... is simply to reduce as many individuals as possible to the same level, to breed and train a standardized citizenry, to put down dissent and originality. That is its aim in the United States... and that is its aim everywhere else.
(writing of public education in the April 1924 The American Mercury)
β
β
H.L. Mencken
β
What connexion can there be, between the place in Lincolnshire, the house in town, the Mercury in powder, and the whereabout of Jo the outlaw with the broom, who had that distant ray of light upon him when he swept the churchyard-step? What connexion can there have been between many people in the innumerable histories of this world, who, from opposite sides of great gulfs, have, nevertheless, been very curiously brought together!
β
β
Charles Dickens (Bleak House)
β
Put the coffee on, bubbles, I'm coming home
β
β
Richard Brautigan (Loading Mercury With a Pitchfork)
β
He stares at the open textbook for hours and is distracted by the pain of the parallelogram, which is slanted for ever. His nails scratch the page to straighten its tired limbs. It affects him, the great arrogance of the Equilateral Triangle, the failed aspiration of the octagon to be a circle, the eternal suffocation of the denominator that has to bear the weight of the unjust numerator, the loneliness of Pluto. And the smallness of Mercury, always a mere dot next to a yellow sun. In this world, there is no respect for Mercury.
β
β
Manu Joseph (The Illicit Happiness Of Other People)
β
What would you have me do?
Seek for the patronage of some great man,
And like a creeping vine on a tall tree
Crawl upward, where I cannot stand alone?
No thank you! Dedicate, as others do,
Poems to pawnbrokers? Be a buffoon
In the vile hope of teasing out a smile
On some cold face? No thank you! Eat a toad
For breakfast every morning? Make my knees
Callous, and cultivate a supple spine,-
Wear out my belly grovelling in the dust?
No thank you! Scratch the back of any swine
That roots up gold for me? Tickle the horns
Of Mammon with my left hand, while my right
Too proud to know his partner's business,
Takes in the fee? No thank you! Use the fire
God gave me to burn incense all day long
Under the nose of wood and stone? No thank you!
Shall I go leaping into ladies' laps
And licking fingers?-or-to change the form-
Navigating with madrigals for oars,
My sails full of the sighs of dowagers?
No thank you! Publish verses at my own
Expense? No thank you! Be the patron saint
Of a small group of literary souls
Who dine together every Tuesday? No
I thank you! Shall I labor night and day
To build a reputation on one song,
And never write another? Shall I find
True genius only among Geniuses,
Palpitate over little paragraphs,
And struggle to insinuate my name
In the columns of the Mercury?
No thank you! Calculate, scheme, be afraid,
Love more to make a visit than a poem,
Seek introductions, favors, influences?-
No thank you! No, I thank you! And again
I thank you!-But...
To sing, to laugh, to dream
To walk in my own way and be alone,
Free, with a voice that means manhood-to cock my hat
Where I choose-At a word, a Yes, a No,
To fight-or write.To travel any road
Under the sun, under the stars, nor doubt
If fame or fortune lie beyond the bourne-
Never to make a line I have not heard
In my own heart; yet, with all modesty
To say:"My soul, be satisfied with flowers,
With fruit, with weeds even; but gather them
In the one garden you may call your own."
So, when I win some triumph, by some chance,
Render no share to Caesar-in a word,
I am too proud to be a parasite,
And if my nature wants the germ that grows
Towering to heaven like the mountain pine,
Or like the oak, sheltering multitudes-
I stand, not high it may be-but alone!
β
β
Edmond Rostand (Cyrano de Bergerac)
β
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable.
If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language.
Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts.
It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way.
You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn.
This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
β
β
Aleister Crowley
β
Normal people are not always boring. On the contrary. Volatility and passion, although often more romantic and enticing, are not intrinsically preferable to a steadiness of experience and feeling about another person (nor are they incompatible). These are beliefs, of course, that one has intuitively about friendships and family; they become less obvious when caught up in a romantic life that mirrors, magnifies, and perpetuates one's own mercurial emotional life and temperament. It has been with my pleasure, and not-inconsiderable pain, that I have learned about the possibilities of love - its steadiness and its growth - from my husband, the man with whom I had lived for almost a decade.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
To me, the most autobiographical line was: βMy make-up may be flaking but my smile still stays on.β That was true. No matter how ill Freddie felt, he never grumbled to anyone or sought sympathy of any kind. It was his battle, no one elseβs, and he always wore a brave face against the ever-increasing odds against him.
β
β
Jim Hutton (Mercury and Me)
β
The level of matter in the universe has been constant since the Big Bang.
In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over.
Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatraβs breath: and with the same darkness that is between the stars between, and inside, our own atoms.
When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Donβt you dare waste a second of it thinking something better will happen when it ends. Donβt you dare.
β
β
Caitlin Moran
β
Humanity looked in awe upon the beauty and the everlasting duration of creation. The exquisite sky flooded with sunlight. The majesty of the dark night lit by celestial torches as the holy planetary powers trace their paths in the heavens in fixed and steady metre - ordering the growth of things with their secret infusions.
β
β
Hermes Trismegistus (Corpus Hermeticum)
β
In the twentieth century, astrophysicists in the United States discovered galaxies, the expanding of the universe, the nature of supernovas, quasars, black holes, gamma-ray bursts, the origin of the elements, the cosmic microwave background, and most of the known planets in orbit around solar systems other than our own. Although the Russians reached one or two places before us, we sent space probes to Mercury, Venus, Jupiter, Saturn, Uranus, and Neptune. American probes have also landed on Mars and on the asteroid Eros. And American astronauts have walked on the Moon. Nowadays most Americans take all this for granted, which is practically a working definition of culture: something everyone does or knows about, but no longer actively notices.
While shopping at the supermarket, most Americans arenβt surprised to find an entire aisle filled with sugar-loaded, ready-to-eat breakfast cereals. But foreigners notice this kind of thing immediately, just as traveling Americans notice that supermarkets in Italy display vast selections of pasta and that markets in China and Japan offer an astonishing variety of rice. The flip side of not noticing your own culture is one of the great pleasures of foreign travel: realizing what you hadnβt noticed about your own country, and noticing what the people of other countries no longer realize about themselves.
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Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
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The brick is neither here nor there,' interrupted the stranger in an imposing fashion, 'it never merely falls on someone's head from out of nowhere. In your case, I can assure you that a brick poses no threat whatsoever. You will die another kind of death."
'And you know just what that will be?' queried Berlioz with perfectly understandable irony, letting himself be drawn into a truly absurd conversation. 'And can you tell me what that is?'
'Gladly,' replied the stranger. He took Berlioz's measure as if intending to make him a suit and muttered something through his teeth that sounded like 'One, two.. Mercury in the Second House... the moon has set... six-misfortune...evening-seven...' Then he announced loudly and joyously, 'Your head will be cut off!
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Mikhail Bulgakov (The Master and Margarita)
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Like the lotus flower, business blooms in the mud, and in the dark of night. The lotus is an amazing creation of God, because for all of its beauty, it is the sum total of work performed in a mess. It is also a creation that has the ability to create seeds in its habitat for a very long time without help from human hands. The lotus has the ability to survive beyond the mercurial nature of weather (storms, frost). The lotus is one strong, powerful, and resilient flower that blossoms in a substance (mud) that none of us would want to touch.
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Robin Caldwell (When Women Become Business Owners (A Stepping Into Victory Compilation, #1))
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It is the natural tendency of the ignorant to believe what is not true. In order to overcome that tendency it is not sufficient to exhibit the true; it is also necessary to expose and denounce the false. To admit that the false has any standing in court, that it ought to be handled gently because millions of morons cherish it and thousands of quacks make their livings propagating itβto admit this, as the more fatuous of the reconcilers of science and religion inevitably do, is to abandon a just cause to its enemies, cravenly and without excuse.
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H.L. Mencken (American Mercury)
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I hate Breeds,β she muttered. βDo you know that? You and your sharp, damned noses. Just because I want to doesnβt mean I should. Hell, I want cheesecake but I know better. It goes right to my hips. Does that mean I have to eat it anyway?β
He stared back at her in disbelief. βYouβre comparing me to cheesecake?β Offended male fury and outrage glittered in his eyes.
She huffed, βWell, the same principle applies.
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Lora Leigh (Mercury's War (Breeds, #12))
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I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist. It is, at the end of the day, the individual moments of restlessness, of bleakness, of strong persuasions and maddened enthusiasms, that inform one's life, change the nature and direction of one's work, and give final meaning and color to one's loves and friendships.
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Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
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At 19, I read a sentence that re-terraformed my head: βThe level of matter in the universe has been constant since the Big Bang.β
In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over.
Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatraβs breath: and with the same darkness that is between the stars between, and inside, our own atoms.
When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Donβt you dare waste a second of it thinking something better will happen when it ends. Donβt you dare
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Caitlin Moran
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The creatures reproduce by flaking. The young, when shed by a parent, are indistinguishable from dandruff.
There is only one sex.
Every creature simply sheds flakes of his own kind, and his own kind is like everybody else's kind.
There is no childhood as such. Flakes begin flaking three Earthling hours after they themselves have been shed.
They do not reach maturity, then deteriorate and die. They reach maturity and stay in full bloom, so to speak, for as long as Mercury cares to sing.
There is no way in which one creature can harm another, and no motive for oneβs harming another.
Hunger, envy, ambition, fear, indignation, religion, and sexual lust are irrelevant and unknown.
The creatures only have one sense: touch.
They have weak powers of telepathy. The messages they are capable of transmitting and receiving are almost as monotonous as the song of Mercury. They have only two possible messages. The first is an automatic response to the second, and the second is an automatic response to the first.
The first is, "Here I am, here I am, here I am."
The second is, "So glad you are, so glad you are, so glad you are.
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Kurt Vonnegut Jr. (The Sirens of Titan)
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Know this: I, Mercurius, have here set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar, unless you heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by Godβs laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faint-heartedness, read no farther lest I prove fatal to you. For I am the watery venomous serpent who lies buried at the earthβs centre; I am the fiery dragon who flies through the air. I am the one thing necessary for the whole Opus. I am the spirit of metals, the fire which does not burn, the water which does not wet the hands. If you find the way to slay me you will find the philosophical mercury of the wise, even the White Stone beloved of the Philosophers. If you find the way to raise me up again, you will find the philosophical sulphur, that is, the Red Stone and Elixir of Life. Obey me and I will be your servant; free me and I will be your friend. Enslave me and I am a dangerous enemy; command me and I will make you mad; give me life and you will die.
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Patrick Harpur (Mercurius: The Marriage of Heaven and Earth)
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And Dimble, who had been sitting with his face drawn, and rather white, between the white faces of the two women, and his eyes on the table, raised his head, and great syllables of words that sounded like castles came out of his mouth. Jane felt her hear leap and quiver at them. Everything else in the room seemed to have been intensely quiet; even the bird, and the bear, and the cat, were still, staring at the speaker. The voice did not sound like Dimble's own: it was as if the words spoke themselves through him from some strong place at a distance--or as if they were not words at all but present operations of God, the planets, and the Pendragon. For this was the language spoken before the Fall and beyond the Moon and the meanings were not given to the syllables by chance, or skill, or long tradition, but truly inherent in them as the shape of the great Sun is inherent in the little waterdrop. This was Language herself, as she first sprang at Maleldil's bidding out of the molten quicksilver of the first star called Mercury on Earth, but Viritrilbia in Deep Heaven.
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C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
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Hitherto, the Palestinians had been relatively immune to this Allahu Akhbar style. I thought this was a hugely retrograde development. I said as much to Edward. To reprint Nazi propaganda and to make a theocratic claim to Spanish soil was to be a protofascist and a supporter of 'Caliphate' imperialism: it had nothing at all to do with the mistreatment of the Palestinians. Once again, he did not exactly disagree. But he was anxious to emphasize that the Israelis had often encouraged Hamas as a foil against Fatah and the PLO. This I had known since seeing the burning out of leftist Palestinians by Muslim mobs in Gaza as early as 1981. Yet once again, it seemed Edward could only condemn Islamism if it could somehow be blamed on either Israel or the United States or the West, and not as a thing in itself. He sometimes employed the same sort of knight's move when discussing other Arabist movements, excoriating Saddam Hussein's Ba'ath Party, for example, mainly because it had once enjoyed the support of the CIA. But when Saddam was really being attacked, as in the case of his use of chemical weapons on noncombatants at Halabja, Edward gave second-hand currency to the falsified story that it had 'really' been the Iranians who had done it. If that didn't work, well, hadn't the United States sold Saddam the weaponry in the first place? Finally, and alwaysβand this question wasn't automatically discredited by being a change of subjectβwhat about Israel's unwanted and ugly rule over more and more millions of non-Jews?
I evolved a test for this mentality, which I applied to more people than Edward. What would, or did, the relevant person say when the United States intervened to stop the massacres and dispossessions in Bosnia-Herzegovina and Kosovo? Here were two majority-Muslim territories and populations being vilely mistreated by Orthodox and Catholic Christians. There was no oil in the region. The state interests of Israel were not involved (indeed, Ariel Sharon publicly opposed the return of the Kosovar refugees to their homes on the grounds that it set an alarmingβI want to say 'unsettling'βprecedent). The usual national-security 'hawks,' like Henry Kissinger, were also strongly opposed to the mission. One evening at Edward's apartment, with the other guest being the mercurial, courageous Azmi Bishara, then one of the more distinguished Arab members of the Israeli parliament, I was finally able to leave the arguing to someone else. Bishara [...] was quite shocked that Edward would not lend public support to Clinton for finally doing the right thing in the Balkans. Why was he being so stubborn? I had begun by thenβbelatedly you may sayβto guess. Rather like our then-friend Noam Chomsky, Edward in the final instance believed that if the United States was doing something, then that thing could not by definition be a moral or ethical action.
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Christopher Hitchens (Hitch 22: A Memoir)
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When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
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David Lehman (When a Woman Loves a Man: Poems)
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When the alchemist speaks of Mercurius, on the face of it he means quicksilver (mercury), but inwardly he means the world-creating spirit concealed or imprisoned in matter. The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend βthe One, the Allβ. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.
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C.G. Jung (Psychology and Alchemy (Collected Works 12))
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What I'd like to read is a scientific review, by a scientific psychologist--if any exists--of 'A Scientific Man and the Bible'. By what route do otherwise sane men come to believe such palpable nonsense? How is it possible for a human brain to be divided into two insulated halves, one functioning normally, naturally and even brilliantly, and the other capable only of such ghastly balderdash which issues from the minds of Baptist evangelists? Such balderdash takes various forms, but it is at its worst when it is religious. Why should this be so? What is there in religion that completely flabbergasts the wits of those who believe in it? I see no logical necessity for that flabbergasting. Religion, after all, is nothing but an hypothesis framed to account for what is evidentially unaccounted for. In other fields such hypotheses are common, and yet they do no apparent damage to those who incline to them. But in the religious field they quickly rush the believer to the intellectual Bad Lands. He not only becomes anaesthetic to objective fact; he becomes a violent enemy of objective fact. It annoys and irritates him. He sweeps it away as something somehow evil...
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H.L. Mencken (American Mercury)